Archive for the ‘Fantasy’ Category

Library Addition: Another Major Collection of Roger Zelazny Books and Manuscripts

Monday, June 29th, 2015

I recently bought another $6,000 worth of (mostly) Roger Zelazny manuscripts and first editions from Bob Pylant, and it has taken me a while to catalog all of it. (See a listing of my previous $5,400 purchase from Bob here.) As with my earlier purchase from him, Bob had meticulously placed every page of the manuscripts into a plastic page protectors (save the last few pages of Sign of Chaos (see below), where he ran out), and placed them all into binders, many of which included multiple stories and related archive material, including correspondence between Zelazny (generally carbon copies) and his editors (almost always originals). Below is a brief summary of each that doesn’t quite get down to the level of an actual archival description (there are only so many hours in the day). And since this is such a long post already, I’ve only included scans or pictures of books I thought there weren’t good copies of on the Internet (mostly the proofs).

Bibliography
For bibliographic details and first edition verification, I cite the following reference books:

  • Currey, L.W. Science Fiction and Fantasy Authors: A Bibliography of First Printings of Their Fiction. G. K. Hall, 1978.
  • Chalker, Jack & Owings, Mark. The Science Fantasy Publishers: A Critical and Bibliographic History. Mirage Press, 1991 (“Third Edition Revised and Enlarged”).
  • Kovacs, Christopher S. The Ides of Octember: A Pictorial Bibliography of Roger Zelazny. NESFA Press, 2010. (Note: Kovacs lists proofs, ARCs, etc. when known, so many hardback firsts are designated with the a “b” rather than an “a”.)
  • Levack, Daniel J. Amber Dreams: A Roger Zelazny Bibliography. Underwood/Miller, 1983.
  • Original Zelazny Book Manuscripts

  • Zelazny, Roger. Archive material about various Amber novels from various people, most concerning The Courts of Chaos in one way or another, including a handwritten six page synopsis of The Courts of Chaos by Zelazny, followed by the typed version of the same synopsis, plus letters to (originals) and from (apparently file carbon copies) Zelazny on the subject.
  • Zelazny, Roger. Dilvish the Damned. Del Rey, no date (but probably 1981 or 82). Unbound long galleys (the very first proof stating of the book production cycle, pages age darkened but otherwise Fine, unbound but gathered into signature sheets. Kovacs, I15a.
  • Zelazny, Roger. Original ribbon-copy, hand-corrected first draft manuscript for Knight of Shadows, with two letters of authenticity from Zelazny, and the manuscript signed twice by him (on the first and last pages) in 1989. Although Zelazny was already a celebrated author at the time, he still displayed thrifty habits by typing out his manuscript on the back of whatever 8 1/2″ x 11″ scrap paper he had lying around, be it government forms, convention flyers, flyers for the Santa Fe Opera Company, and pages (presumably photocopies of works sent to Zelazny to critique or review) from other author’s manuscripts, including pages from Tom Deitz’s Fireshaper’s Doom and Jeffrey Carver’s From a Changeling Star.
  • Zelazny, Roger. Second draft photocopy of the manuscript for Sign of Chaos, showing the hand-corrections in the first draft, with further corrections by Zelazny in red, along with a four page style guide for spelling the names of the characters, etc. in the book.
  • Original Zelazny Short Story Manuscripts, etc.

  • Zelazny, Roger. “And Only I Escaped To Tell Thee.” Carbon copy of original typed manuscript.
  • Zelazny, Roger. “The Burning.” One page typewritten poem.
  • Zelazny, Roger. “A City Divided.” Original typed manuscript with numerous hand-corrections.
  • Zelazny, Roger. “The Cyborg Connection.” Original typed manuscript with numerous hand-corrections, with a carbon copy of the second draft. This story would later be published as “Halfjack.”
  • Zelazny, Roger. “Fire and/or Ice.” Original hand-corrected typescript, including one hand-written manuscript page.
  • Zelazny, Roger. “Richard Lupoff’s Sword of the Demon.” Extremely short review/piece of non-fiction. Appeared in Starlog’s SF Yearbook Volume 1, edited by David Gerrold and compiled by David Truesdale.
  • Zelazny, Roger. “Garden of Blood.” Carbon copy typed story manuscript.
  • Zelazny, Roger. “The George Business.” Carbon copy typed story manuscript, with multiple signed letters from Dragon Tales editor Orson Scott Card accepting the story, apologizing for delayed payment, etc., along with a signed signature plate by Card.
  • Zelazny, Roger. “Go Starless Into That Night.” Carbon copy of original typed manuscript, with two acceptance letters from editor Jim Baen.
  • Zelazny, Roger. “The Last of the Wild Ones.” Carbon copy of original typed manuscript.
  • Zelazny, Roger. “LP Me Thee.” One page typewritten poem.
  • Zelazny, Roger. “Stand Pat, Ruby Stone.” Carbon copy story manuscript.
  • Zelazny, Roger. Untitled poem, later published as “To Spin Is Miracle Cat.” One page typewritten poem.
  • Zelazny, Roger. “A Very Good Year.” Original hand-corrected typescript of the first draft, and a carbon-copy of the second draft.
  • Zelazny, Roger. Original hand-written first draft for story “Walpurgisnacht” on yellow lined legal paper, 5 pages long.
  • Zelazny, Roger. “The White Beasts.” Original hand-corrected typescript, plus carbon of corrected story.
  • Correspondence Archives

  • Donaldson, Stephen R. One page typed signed letter to Zelazny inviting him to a party.
  • Zelazny, Roger. Some 30 pages of correspondence between Zelazny and editor/packager Byron Preiss, most concerning The Illustrated Roger Zelazny, including copies of B&W sketches and a page of original colored pencil art by Gray Morrow for the project.
  • Zelazny, Roger, and Robert Sheckley. Several pages of correspondence between Zelazny (carbons) and Robert Sheckley (originals) concerning three stories for an anthology, plus a small autographed note to “Bob” from Zelazny.
  • Various other letters to Zelazny, some with replies.
  • Roger Zelazny Hardback First Editions

    I had all but a couple of these, but all these copies are Fine/Fine and signed by Zelazny.

  • Zelazny, Roger. Bridge of Ashes. Gregg Press, 1979. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Supplements an unsigned hardback. Levack, 2e. Kovacs, I3b.
  • Zelazny, Roger. Doorways in the Sand. Harper & Row, 1976. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Zelazny, with an additional signed note laid in “To David, This copy of Doorways in the Sand, being the chronicles of both Fred Cassidy and a Hugo and Nebula finalist.” Atypically, both the note and signature are printed rather than in Zelazny’s elegant cursive handwriting. While I wouldn’t swear it’s Zelazny’s handwriting, it’s not entirely dissimilar to other examples I have of it. Currey, page 570. Levack, 13a. Kovacs, I17b.
  • Zelazny, Roger. The Dream Master. Rupert Hart Davis, 1968. First edition hardback, a Fine copy in a Fine- dust jacket with a trace of dust staining along very top edge and at heel spine join, with sticker for Henry Morison Inc. (Zelazny’s literary agent) affixed to front free endpaper. Signed by Zelazny. Currey, page 570. Levack, 14b. Kovacs, I18b.
  • Zelazny, Roger. Four for Tomorrow. Garland Press, 1975. First hardback edition under this title (issued in UK hardback as A Rose for Ecclesiastes), a Fine copy in a Fine aftermarket dust jacket Bob photo-produced from the Ace paperback edition that Garland used to print the plates from. With a a title page of the Ace paperback inscribed by Zelazny (“Many a good wish/to you/Roger Zelazny/ 7/6/84″) laid in. Replaces an unsigned ex-library copy. Currey, page 570. Levack, 17f. Kovacs, V11f.
  • Zelazny, Roger. The Hand of Oberon. Doubleday, 1976. First edition hardback, a Fine copy in a Fine- dust jacket with one closed 1/4″ tear at bottom rear, with review slip laid in. Inscribed by Zelazny: “With all good wishes,/Roger Zelazny.” Currey, page 570. Levack, 19a. Kovacs, I23a.
  • Zelazny, Roger. Isle of the Dead. Rapp & Whiting, 1970. First hardback edition, a Fine copy in a Fine- dust jacket with a tiny bit of edgewear at extremities. Inscribed by Zelazny: “To Willi/Every kind of good/wish./Best,/ Roger Zelazny/ 3/27/82.” Supplements an unsigned copy. Currey, page 570. Levack, 21b. Kovacs, I25b.
  • Zelazny, Roger. My Name is Legion. Faber & Faber, 1979. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Levack, 27h. Kovacs, I32c.
  • Zelazny, Roger. Roadmarks. Del Rey, 1979. First edition hardback, a Fine copy in a Fine dust jacket, with review slip laid in. Signed by Zelazny. Levack, 31a. Kovacs, I37z.
  • Zelazny, Roger. The Sign of the Unicorn. Doubleday, 1975. First edition hardback, a Fine copy in a Fine- dust jacket with a trace of dust soiling to white rear cover. Signed by Zelazny. Currey, page 571. Levack, 33a. Kovacs, I39a.
  • Zelazny, Roger. Today We Choose Faces. Millington, 1973. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Currey, page 571. Levack, 37b. Kovacs, I42a.
  • Zelazny, Roger. Trumps of Doom. Underwood/Miller, 1985. First limited hardback edition, #316 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket in a Very Good+ suede slipcase that has some brown dampstaining discoloration along the spine. Kovacs, I43c.

    Roger Zelazny Trade Paperback, Proofs, and Chapbooks

  • Zelazny, Roger. Blood of Amber. Arbor House, 1986. Uncorrected proof (trade paperback format) of the hardback first edition, a Fine- copy with phantom crease the length of rear cover, with review slip (with sticker signed by Zelazny affixed to it) laid in. Kovacs, Ia.

    Blood of Amber proof

  • Zelazny, Roger. Frost and Fire. William Morrow and Company, 1989. Uncorrected bound galleys (or so it says; actually a trade paperback format proof), a Fine copy, signed by Zelazny. Kovacs, V12a.

    Zelazny Frost and Fire Proof

  • Zelazny, Roger. Knight of Shadows. William Morrow and Company, 1989. Uncorrected bound galleys (or so it says; actually a trade paperback format proof), a Near Fine+ copy with slight fading to spine and small crease to bottom font corner, signed by Zelazny. Kovacs, I27a.

    Knight of Shadows proof

  • Zelazny, Roger. The Last Defender of Camelot. Underwood/miler, 1980. First edition chapbook original, simultaneous with the extremely small hardback run (which I picked up in my previous Zelazny purchase from Bob), #265 of 275 signed, numbered copies, a Fine copy, in issued manila envelope. Levack, 23a. Kovacs, VIIIa. I now have something like eight different items with this title…

    Last Defender Chapbook

  • Zelazny, Roger. A Night on the Lonesome October. Avon Books, 1993. Advanced uncorrected proof of the hardback first edition, a Fine copy. Signed by both Zelazny and cover artist Gahan Wilson. Kovacs, I33a.

    Lonesome October Proof

  • Zelazny, Roger. Sign of Chaos. Arbor House, 1987. Proof (trade paperback format) of the hardback first edition, a Fine copy in a Fine proof state dust jacket (no copy or price on back cover, spine or flaps). Signed by Zelazny. Kovacs, I38a.
  • Zelazny, Roger. Trumps of Doom. Arbor House, 1985. Proof (trade paperback format) of the hardback first edition, a Fine copy in a Fine proof dust jacket (no copy or price on back cover, spine or flaps). Signed by Zelazny. Kovacs, I43a.
  • Zelazny, Roger. Unicorn Variations. Timescape Books, 1983. Advanced uncorrected proof of the hardback first edition, a Fine copy, signed by Zelazny. Kovacs, V21a.

    Unicorn Variations Proof

  • (Zelazny, Roger) Stephen, Christopher P. A Checklist of Roger Zelazny. Ultramarine, 1993. revised edition. Non-fiction chapbook, since superseded by the Kovacs bibliography. Kovacs, XXIII3b

    Zelazny Checklist

    Roger Zelazny Paperbacks

  • Zelazny, Roger, editor. Warriors of Blood and Dream. AvoNova, 1995. First edition paperback original, a Near Fine+ copy with number “34″ written across inside cover EAC code and foxing to inside covers. Anthology. Kovacs, IX7a.
  • Zelazny, Roger, editor. Wheel of Fortune. AvoNova, 1995. First edition paperback original, a Near Fine- copy with slight spine creasing and foxing to insider covers. Anthology. Kovacs, IX8a.
  • (Zelazny, Roger) Neil Randall. Combat Command in the World of Roger Zelazny’s Nine Princes in Amber: The Black Road War. Ace, 1988. First edition paperback original, a Fine- copy with just a trace of edgewear, otherwise new and unread. Sort of a strategic pick-your-own-path adventure. Kovacs, X8a. I had one of these about a decade ago that I sold on eBay for $25…
  • First Editions By Other Authors (Some Related to Zelazny)

    And here are books not by or about Zelazny, but some have contributions from Zelazny or some other connection to him.

  • Banks, Iain M. The Algebraist. Orbit, 2004. First edition hardback, a Fine copy in a Fine dust jacket, signed by Banks. Supplements an unsigned first.
  • Banks, Iain M. Player of Games. Macmillian (UK), 1988. First edition hardback, a Fine copy in a Fine dust jacket, signed by Banks. Supplements an unsigned first.
  • Bova, Ben, editor. (Roger Zelazny) The Best of Omni Science Fiction. Omni Society, 1980. First edition hardback, a Fine- copy with slight wear in a Very Good dust jacket with shallow chipping at points, rubbing to rear cover, a 1/2″ closed tear, and general wear. Roger Zelazny’s personal contributor’s copy (for the story “Halfjack” (see above)), with two signed typed letters from Omni editor Ben Bova laid in.
  • Cahill, James, editor. Ten Tales. James Cahill Publishing, 1994. First edition hardback, one of only 26 unnumbered “Author Copies”, a Fine- copy (gilt letters on spine are showing small spots of what might be oxidation) in a Very Good only slipcase with spotting and uneven fading, sans dust jacket, as issued. Original anthology with the Zelazny story “The Salesman’s Tale.” There was also a 250 copy numbered edition. (Chalker and Owings Supplement Three calls for a 26 copy leatherbound edition; this copy is bound in cloth with a cloth slipcase.)
  • Martin, George R. R. Portraits of His Children. Dark Harvest, 1987. First edition hardback, # OO of 52 signed, lettered copies bound in white leather, a Fine copy in a Fine wooden “slipcrate” slipcase, sans dust jacket, as issued. Zealzny provides the introduction (“A Sketch of Their Father”) and a signature. I always thought the Dark Harvest slipcrates were attractive productions, and I’m happy to have one in my library. Supplements a trade edition. Chalker/Owings, page 119.

    IMG_0383

  • Martin, George R. R., editor. Wild Cards. Bantam Spectra/SFBC, 1987. First hardback edition (book club), preceded by the trade paperback original, a Fine copy in a Fine- dust jacket with edgewear at points. Shared world superhero anthology which includes the Zelazny story “The Sleeper.” Man, seems like every single edition of the early Wild Cards books had ugly covers…
  • Martin, George R. R., editor. Wild Cards. Bantam Spectra, 1987. Uncorrected page proofs (trade paperback format) of the hardback first edition, a Fine copy. Shared world superhero anthology which includes the Zelazny story “The Sleeper.”

    Wild Cards proof

  • Powers, Tim. Dinner at Deviants Palace. Chatto & Windus, 1986. First trade hardback, first UK hardback, and first non-book club hardback edition, a Fine copy in a Fine dust jacket. Berlyne, Powers: Secret Histories, A5c.1.
  • Roger Zelazny Books I Still Lack

    Still have a few stray “fill out” Zelazny titles I haven’t been able to track down yet:

  • The Doors of His Face, The Lamps of His Mouth (Pulphouse hardback of just that story)
  • (as editor) The Williamson Effect (Tor, 1996) (It’s not hard to find, I’m just looking for a perfect copy)
  • Greenberg, Martin H., editor. Lord of the Fantastic: Stories in Honor of Roger Zelazny (Avon Eos, 1998)
  • Lindskold, Jane. Roger Zelazny. Twayne, 1992.
  • Sanders, Joseph L. Roger Zelazny: A Primary and Secondary Bibliography (G. K. Hall, 1982)
  • Yoke, Karl B. Roger Zelazny: Starmont Reader’s Guide (Borgo Press (Library binding hardback), 1979)
  • Library Addition: Sigend Ray Bradbury Broadsheet

    Friday, June 26th, 2015

    Another neat signed ray Bradbury item I picked up:

    Bradbury, Ray. Christmas Greetings 2008. First edition broadsheet, 8 1/2″ x 11″ card-stock, a Fine- copy with extremely light bumping at right tips. Signed by Bradbury. One of the many yearly Christmas greetings Bradbury used to send out to friends. Bought for $25 off eBay.

    Bradbury Christmas 2008

    Now I just need to get a frame for it…

    Library Additions: Signed Neil Gaiman Tasmanian Cave Spider Book

    Wednesday, May 27th, 2015

    So a while back I got word of Neil Gaiman being involved in a benefit for a project involving (I kid you not) Tasmanian cave spider sex. He’s evidently quite the Tasmaniophile, having spent his honeymoon with Amanda Palmer in Hobart. It sounded like an odd, interesting project, and the sort of thing to drive Gaiman completists crazy if they didn’t presupport, so I went ahead and ponied up for the deluxe package, which was, IIRC, a bit over $100 for both books.

    Now, finally both books from the Sixteen Legs project have come in:

  • Gaiman, Neil, with Niall Doran, Craig Wellington and Jodee Taylah (artist). Sixteen Legs Production Art: A Visit to the Queen of the Dark. Bookend Trust, 2015. First edition hardback, one of an undetermined number (though probably just over 100 copies, given that there are just under 100 names (including my own) listed under Premium Supporters on page 43) of the Limited Deluxe Edition signed by the three authors and the artist, a Fine copy, sans dust jacket in decorated boards, as issued.

    16Legs QueenB 1

  • Doran, Niall, Alastastair Richardson, Joe Shemesh. Kinky Love: Mating of the Tasmanian Cave Spider. Bookend Trust, 2015. First edition hardback, one of an undetermined number of signed copies, a Fine copy, sans dust jacket in decorated boards, as issued.

    16Legs Kinky

  • Library Additions: Two Michael Swanwick Chapbooks

    Wednesday, May 13th, 2015

    I recently obtained two Michael Swanwick chapbooks, at least one of which is bound to drive Swanwick completists bonkers:

  • Swanwick, Michael. Hunting the Phoenix. Dragonstairs Press, 2015. First edition hardback (“archival board wrappers covered with hand-dyed rice paper, with a stab binding ornamented with a single aventurine bead”), #6 of 30 signed, numbered copies, a Fine copy, sans dust jacket, as issued, new and unread. Sort of an in-progress illustrated sketchbook for a Swanwick novel, more impressionistic colored line art than narrative. If it’s not the strangest Swanwick item yet, it’s tied with the hardback state of Puck Aleshire’s Abecedary. Bought for $30 from the publisher.
  • Swanwick, Michael. Season’s Greetings. Dragonstairs Press, 2014. First edition chapbook original, #18 of 100 signed, numbered copies, a Fine copy. I should be able to pick up copies of this to sell through Lame Excuse Books later in the year.

    Swanwick X 2

  • Library Addtion: Signed First Edition of John Updike’s Witches of Eastwick

    Monday, April 27th, 2015

    Here’s a moderately important literary first that also happens to be on the Pringle Modern Fantasy 100 list.

    Updike, John. The Witches of Eastwick. Franklin Press, 1984. First edition hardback, a limited edition signed by Updike (which precedes the trade edition), a Fine copy in decorated leather boards, sans dust jacket, as issued. Pringle, Modern Fantasy 100 91. Bought off eBay for $19.99.

    P1000963

    P1000967

    The day Updike died, at lunch I spotted the cheapest Fine copy online (which I think was something like $40) and got the dealer to agree to hold it. By the time I got home from work (this being back before I owned an iPhone, and thus no access to my home email), the dealer had already sold it to someone else. So I bided my time until an even cheaper copy presented itself, which it finally did.

    I suspect the fact I got this so cheaply is a sign of the general price decline of hypermodern literary firsts in general and Updike in particular. A few months ago, Heritage Auctions sold off someone’s Updike collection, and I don’t think the prices most things went for were particularly high.

    Library Addition: Philip K. Dick’s Young Author’s Club

    Monday, April 20th, 2015

    Here’s an odd Philip K. Dick item it took me a bit of effort to track down:

    Dick, Philip K. (Frank T. Hollander, editor). Young Author’s Club: The Wartime Adolescent Writings of Philip K. Dick. Frank T. Hollander, 2014. First edition trade paperback original, #58 of 100 copies signed by the editor/publisher, a Fine copy. A 94 page chapbook containing Dick’s published writings from 1942 to 1944 in the Berkeley Daily Gazette newspaper, consisting of fiction and poems, some of which are fantasy. Includes bibliographic information and story notes. Something likely to drive Dick completists crazy. I’ll have one copy available in the next Lame Excuse Books catalog.

    Dick Young Authors

    Shadows are, as usual, a scanner artifact.

    Library Addition: Charles Lewis Hind’s The Enchanted Stone

    Wednesday, April 15th, 2015

    Here’s a book I read about in By the Book World Remembered that sounded intriguing.

    Hind, Charles Lewis. The Enchanted Stone. Adam and Charles Black (London), 1896. First edition hardback, a Very Good copy with repaired hinges, slight spine fading, bookplate on insider front cover and uneven foxing on front and rear free endpaper. By the Book World Remembered, page 106, which describes it as a “Fantastic tale of a vast Chinese city under London.” Tietler, By the World Forgot, page 53, which notes that this UK first edition has an extra chapter not in the American edition. Bleiler, Checklist (1978), page 100. Reginald, page 253. A very odd sounding Wainscot (to use Clute’s term from The Encyclopedia of Fantasy) indeed. Bought off the Internet for $36 plus shipping from Canada.

    Enchanted Stone

    Library Addition: The Hardback Edition of James P. Blaylock’s Doughnuts

    Monday, March 16th, 2015

    I picked up the later Subterranean chapbook of this, but I missed picking up the original hardback until now:

    Blaylock, James p. Doughnuts. Airtight Seels Allied Productions (A.S.A.P.), 1994. First edition hardback, number 11 of 224 signed, numbered hardback copies, a Fine copy (save some waviness to the pages, which I take as a byproduct of the binding process), sans dust jacket with color illustration pasted onto the front board, as issued. In addition to the short story, this volume includes an Introduction by Lewis Shiner, an Appreciation by Lucius Shepard, an Afterward by Tim Powers, illustrations by Phil Parks, and tipped-in color photographs by Vicki Blaylock (and is signed by all of them). An elaborate production, much like all of A.S.A.P.’s hardback chapbooks. Chalker & Owings, Science Fantasy Publishers (2002), 1011. (Also Supplement Two, page 57.) Bought for $60 from a dealer off the Internet.

    Doughnuts

    Library Additions: Several Arkham House Books

    Tuesday, February 24th, 2015

    Here are are several Arkham House books I’ve bought over the last couple of months. All except The Dark Man are widely available titles I picked up at bargain prices.

  • (Cave, Hugh B.) Thomas, Milt. Cave of a Thousand Tales: The Life and Times of Hugh B. Cave. Arkham House, 2004. First edition hardback, a Fine copy in a Fine dust jacket. Non-fiction biography. Bought for $14 off eBay.
  • Derleth, August. Dwellers in Darkness. Arkham House, 1976. Octavo, cloth. irst edition hardback, a Fine copy in a Fine dust jacket. Bought from L. W. Currey for $17.50
  • Eisenstein, Phyllis. Bork to Exile. Arkham House, 1978. First edition hardback, a Fine copy in a Fine dust jacket. Bought from L. W. Currey for $12.50.
  • Howard, Robert E. The Dark Man and Others. Arkham House, 1963. First edition hardback, a Near Fine- copy with crimping at head and heel, previous owner’s bookplate on FFE, and a drop of dampstaining that affects the FFE and the first few pages, in a Very Good+ dust jacket with slight creasing at head and heel, slight wear along spine, slight dust staining to white rear cover. The second Arkham collection of Howard’s short stories, all but one from Weird Tales. Won off eBay for $60.

    Howard Dark Man

  • Page, Gerald W. (editor). Nameless Places. Arkham House, 1975. First edition hardback, a Fine copy in a Fine- dust jacket with a touch of wear at extremities. Bought from L. W. Currey for $12.50.
  • Smith, James Robert and Stephen Mark Rainey, editors. Evermore. Arkham House, 2006. First edition hardback, a Fine copy in a Fine dust jacket. Edgar Allen Poe tribute anthology. Bought for $14 off eBay.
  • Library Additions: Several Interesting Books

    Monday, February 2nd, 2015

    A batch of interesting books from January:

  • Baxter, Stephen. Raft. Grafton, 1991. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of haze rubbing. Author’s first book. Bought for $50 off an Australian Internet dealer. Replaces an Ex-Library copy.

    Raft

  • Farmer, Philip Jose. The Grand Adventure. Berkley Books, 1984. First hardback edition, #264 of 325 signed, numbered hardbacks, a Fine- copy (tiny bit of wear to reflective inlay pattern to the cover), sans dust jacket in a Fine slipcase, as issued. The trade paperback precedes by a month. This limited edition is the only hardback edition. Bought for $39.99 off eBay, which is less than the original issue price of $50.
  • Friedman, Kinky. A Case of Lone Star. Beech Tree Books, 1987. First edition hardback, a Fine copy in a Fine- dust jacket with slight haze rubbing. Inscribed by Friedman: “To Justa—/to one good/American from/another —/Your friend,/Kinky/Aug 13, 1987.” Bought at the 2015 Austin Book Show for (after discounts and show $5 credit) $10.

    Kinky sig

  • Leckie, Ann. Ancillary Justice. Gale/Thorndike Press, 2015. First hardback edition (a Large Print edition preceded by the trade paperback original and which, in turn, precedes the forthcoming Subterranean Press signed/limited edition), a Fine copy in decorated boards, sans dust jacket, as issued. Hugo and Nebula winner for best novel.

    Ancillary justice LP

  • (Lovecraft, H.P.) Books at Brown, 1991-1992, Volumes XXXVIII-XXIX. The Friends of the Library of Brown University, 1995. First edition academic journal, trade paperback format, a Near Fine copy with a slightly bent top outer corner. Features numerous essays on H. P. Lovecraft (the Providence native for which the Brown library contains considerable holdings), including work from S. T. Joshi, Peter Canon, Robert Price, etc.

    Books at Brown

  • Moorcock, Michael. The Whispering Swarm. Tor, 2014. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Moorcock. Seems to be both a roman a clef of growing up in London, as well as a world shift fantasy.
  • Smith, Clark Ashton (Johnson, Raymond F. and Ardath Winterowd, editors). Shadows Seen and Unseen. HTH Art Studio, 2007. First edition hardback, a Fine copy in a Fine dust jacket over decorated boards, signed by the editors. Odd miscellanea of poems, facsimile manuscripts, drawings, paintings, and non-fiction about Smith from various sources. An oversized, 94 page hardback.

    Shadows Seen