Time for another roundup of what additions I’ve made to my library of science fiction first editions. This is what I’ve picked up in the last six months. All are Fine/Fine hardback first editions unless otherwise noted.

Time for another roundup of what additions I’ve made to my library of science fiction first editions. This is what I’ve picked up in the last six months. All are Fine/Fine hardback first editions unless otherwise noted.

Poking around the Internet, I came across this description of the personal collection of American librarian Paula Peyraud, who assembled a vast and impressive collection of books, letters, and art for the Georgian period (1760–1820), including important work by Samuel Johnson, Jane Austen, and hundreds of less famous figures.
A more complete description of her collection can be found in this PDF, and if you’re interested in books and collecting it’s well worth a read. Though not my collecting vector, the collection Peyraud was amazing not only in quality (though she favored extensively hand-annotated works by contemporary figures over pristine copies), but also in the sheer vastness of her holdings. “By the time of Peyraud’s sad death in 2008, the complete collection ran to approximately half a million printed books.” Having assembled a bit over 1% of that number, the sheer size of her library (which she kept, meticulously cataloged, in a subterranean book gallery at the big family home she inherited) is stunning. I’m also tickled by the idea of an American librarian outbidding a Viscountess for a choice item.

Since I buy so many books, either for myself or resale, I frequently have to remove sticker residue, marker or pen marks, etc. And what I use to do that is Bestine.
Bestine takes pretty much all that stuff off any coated dust jacket, including magic marker blocking out the price. Bestine removes that stuff and then evaporates and leaves no residue behind.
I just bought a set of books I’ll be listing in full in a day or two, but I just wanted to show you before and after pictures from marked-through prices. Before:
After:
If you regularly buy books and need to remove stickers or magic marker from their covers, I highly recommend it.
I picked up an interesting lot in a recent Heritage auction: 12 of the 18 volumes in the Stellar Publishing Corporation Science Fiction Series. SF pioneer Hugo Gernsback formed Stellar Publishing Corporation in 1929, and I’m given to understand that many volumes were available for sale for decades in the back of various science fiction magazines.
Alas, there seems to be a dearth of information about Stellar Publishing itself out on the Internet. Fortunately, I have the very first science fiction bibliography ever published, Science Fiction Bibliography, VOL 1, NO 1 (and only), published by the “Science Fiction Syndicate” right here in Austin, Texas in 1935. Let’s see what it has to say about the series:
The titles and authors of these eighteen booklets are too well known to enumerate.
Well, thanks a lot, long-dead dumbasses!
All of these (except the Manly Wade Wellman volume) can only be considered VG (at best) because the previous owner punched a set of small binding holes near the spine, presumably to store them all in one binder. Still, I only paid $38 for the entire set.
All of these have browned pages due to the paper used, but the scanner slightly exaggerates the shading variation. List numbers are the number each volume comes in the series.
Generally, the Wellman is (along with Clark Ashton Smith’s The Immortals of Mercury and Jack Williamson and Dr. Miles J. Breuer’s The Girl From Mars, neither of which I’ve picked up yet) considered among the more desirable titles in the series. But the Lorraine and Bourne/Long titles are also getting somewhat hard to find as well.
I’m not a huge Orson Scott Card fan. I thought Ender’s Game was an effective Heinlein juvenile homage, but little more. (I also thought Speaker for the Dead was actually a better, more ambitious novel.) I also thought that Seventh Son and Red Prophet were good alternate history fantasies, and “Hatrack River” (which forms the beginning of Seventh Son) was probably the best thing Card ever wrote. However, after reading Xenocide (awful) and Prentice Alvin (disappointing), I decided to stop picking up Card’s new books (the occasional Subterranean novella excepted), and haven’t regretted the decision. (Someday I may read Hart’s Hope, which some people have told me is his best.)
But after I stumbled across this at the nearest Half Price Books, I thought it was odd enough to be worth picking up, especially at 50% off $35 (marked down from $60) during the usual coupon sale.
Card, Orson Scott. Doorways. No publisher listed (though I’m assuming this is Card’s own Hatrack River imprint), 2002. (Presumed) First Edition trade paperback original, perfect bound on white cardstock covers, a Fine copy, inscribed by Card: “to Sam—/Merrily…/Orson Scott Card”.
Not in the Locus database. Not in the ISFDB. Not even in Card’s own online bibliography. (Oddly enough, it’s referred to in a bibliographic PDF on his site, but there’s not a listing for the book itself.)
This is 98 pages long and contains two previously published novelettes along with several unpublished poems. If I had to guess, this looks like it might have been given away as some sort of promotional freebie on Card’s website.
Given how obscure this particular Card book is, here’s the complete list of contents:
I managed to pick up two notable Richard Matheson first editions in the last month or so:
Every year or two, Heritage Auctions in Dallas conducts a big auction of a major science fiction book collection. In 2007, it was the Ventura Collection.
The Ventura Collection auction was very successful, and since it occurred right before the advent of The Great Recession, many of the prices achieved in that auction have not since been equaled. (It may also be the first auction catalog Heritage mass-mailed to prospective SF collectors; I had not received any before then.)
In 2008, it was The Robert and Diane Yaspan collection, which included a vast array of SF firsts as well as several SF manuscripts and a few select non-SF firsts, such as mystery writer Earle Stanley Gardener.
Later in 2008 was the auction of The Frank Collection, which was mainly SF art, but included a number of notable SF first editions as well.
The just completed auction of the Jerry Weist collection was of the same caliber. There was some original art and pulp magazines in the collection, but the bulk of it was collectible SF/F/H first editions. The auction realized more than $1 million (though a significant fraction of that was for the artworks).
I’m going to talk about some of the more interesting items sold, and how the prices realized compared to comparable copies of the same firsts in previous years. I’ll also mention when I have a copy of the first edition discussed in my own library.
A few general observations:
To me, far and away the most interesting and desirable item was one of only five copies of Stanley G. Weinbaum’s Dawn of Flame to have the unsigned introduction by Amazing editor Ray Palmer. Weinbaum’s widow evidently objected to the introduction, which is why only five copies were so produced. Even the 245 copy Currey B state (with Lawrence Keating’s introduction replacing Palmer’s) is rare enough, and the book is widely considered the first true SF small press book. I don’t believe I’d seen a copy of the Palmer state for sale before, but I think one was sold when the Sam Moskowitz collection was auctioned off (they didn’t send me a catalog). Moreover, this particular copy once belonged to legendary collector and fan Forrest J. Ackerman, and was inscribed by him to Weist. Counting the buyer’s premium (a little shy of 20%, and which I’m going to include for all the other prices listed here), it went for $9,560.00; it wouldn’t have surprised me to see it go for twice that much.
There were some other SF collecting “holy grails” sold there:
From Holy Grails we move on to books that are merely Really Freaking Expensive. There are usually a few copies of these bumping around on Bookfinder.com, albeit with a comma in the price.
One of the most puzzling results of the auction was a signed first of Curt Siomdak’s Skyport was initially reported going for a stunning $8,611.17. That’s only about $8,500 more than it’s worth. But now when you go to the auction page for the item itself, it shows a far saner $101.58. I’m assuming there was some sort of glitch.
Slightly less puzzling was a signed, Near Fine copy of L. Sprague de Camp’s The Wheels of If (which has one of Hannes Bok’s most famous dust jacket illustrations) went for $717, which is a good bit more than it usually goes for; Lloyd Currey has a comparable-to-better signed copy online right now for $150. Before this I had the impression de Camp was out of fashion among collectors (and thus I have been able to pick up a number of signed copies of his work pretty cheap). I suspect this is an outlier.
Although I bid on several items, I only won one: an Ex-Library first of the UK David Bruce & Watson (first hardback) edition of Richard Matheson’s The Shrinking Man for $95.60. Fine copies go for over a grand.
Other science fiction book collecting topics (and glimpses into my own bibliomania) you might find of interest:
One of my favorite authors is Gene Wolfe (which you might have noticed before), so naturally I’ve tried to collect all his books. This includes all his chapbooks, some of which can be quite difficult to find.
Among his hardest to find are the ones he did for Cheap Street. Over the years I have picked up four of the five pure chapbooks done by them (as well as the two hardback books, Empires of Flowers and Foliage and Bibliomen), but frequently I would have trouble remembering which of them I have, a difficulty not aided by rather bland exteriors of the chapbooks themselves and the fact that all came in a standard Cheap Street envelope when I bought them, none of which revealed what was inside.
So, for both the sake of Gene Wolfe collectors, and to jog my own memory, I’ve scanned the title pages of each of the ones I have (click to embiggen):
Or, to list them in order of publication:
I think I paid in the $35-$40 range for each of those.
Chalker and Owings says that seven copies of each of the above were done as leather-bound hardbacks. Not only do I not have those, I don’t think I’ve ever seen any of them offered for sale.
As far as I can tell, I’m only missing two Wolfe chapbooks now:
I’ll have to add those to the want list.
I think I have a first edition hardback of every other Gene Wolfe book.
More about Cheap Street here.