Posts Tagged ‘George R. R. Martin’

Library Additions: January 1 through June 30, 2016

Monday, July 18th, 2016

Here’s a omnibus “roll up” post for every book I bought during the first half of 2016. I’m a bit late getting this up, and I have a huge wave of books I bought July 10 I need to catalog…

  • Adams, Douglas and John Lloyd. The Deeper Meaning of Liff. Pan Books, 1990. First edition hardback, a Fine copy in a Near Fine, price-clipped dust jacket. Bought for £5 from Cold Tonnage Books.
  • Aldiss, Brian. The Creten Teat. House of Stratus, 2002. First hardback edition (according to Aldiss’ site, the trade paperback version preceded), a Fine copy in a Fine dust jacket. I have heard, second-hand, that House of Stratus went into receivership about the time this came out, and that very few hardback copies actually made it out into the world. Bought off Amazon for $9.94.
  • Allston, Aaron. Star Wars: The New Jedi Order: Enemy Lines II: Rebel Stand. Del Rey, 2002. First edition paperback original, a Fine copy, signed and dated by Allston.
  • Aylett, Steve. The Inflatable Volunteer. Phoenix House, 1999. First edition hardback, a Fine copy in a Fine dust jacket, with a publicity postcard signed by Aylett laid in. Bought for £5 from Cold Tonnage Books.
  • Aylett, Steve. Toxicology. Gollancz, 2002. First edition hardback, a Fine copy in a Fine dust jacket, with a postcard laid in. Bought for £5 from Cold Tonnage Books.
  • Bear, Greg. Halo: Cryptum. Tor, 2010. Book One of the Forerunner Saga. Bought at Half Price Books for $3.
  • Bradbury, Ray. The Autumn People. Paperback original, VG with a small sticker pull on front cover, spine crease, rubbing, stamps on insider covers, and general wear. Comic adaptations of Bradbury stories. Bought for $1.99 from Half Price Books.
  • Bradbury, Ray. A Christmas Wish 1988 (If Only We Had Taller Been). Privately printed, 1988. First edition Christmas broadsheet, a Fine copy. Inscribed by Bradbury: “For Rev. Gerald Watt, C.R./With fond good wishes/for/1989/Ray Bradbury.” Bought for $28 off eBay.

    Bradbury Christmas 88

  • Bradbury, Ray. A Christmas Wish 1989 (The Bread of Beggars, The Wine of Christ). Privately printed, 1989. First edition Christmas broadsheet, a Fine copy. Inscribed by Bradbury: “For Rev. Watt. Thanks for Asking!/Love!/Ray/Bradbury/ 5/6/90.” Bought for $29 off eBay.

    Bradbury Christmas 89

  • Bradbury, Ray. Christmas Greetings 2008 (Imagine that you have been dead). Privately printed, 2008. First edition Christmas broadsheet, a Fine- copy with slight corner bumping. Signed by Bradbury. Bought for $25 off eBay.

    Bradbury Christmas 2008 1

    Bradbury, Ray. Let’s All Kill Constance. William Morrow, 2003. First edition hardback, a Fine copy in a Fine dust jacket. Signed and dated by Bradbury. Bought off eBay for $19.95, which is $4 off cover price.

    Bradbury Kill Constance

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  • Bradbury, Ray. Quicker Than The Eye. Avon, 1996. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of fading to spine. Short story collection. Bought off eBay for $17.57.

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  • Bradbury, Ray. Yestermorrow. Joshua Odell Editions/Capra Press, 1991. First edition hardback (“First Edition” stated and numberline ending in 1), a Fine copy in a Fine- dust jacket with a tiny bit of dust jacket crimping at head and heel. Inscribed by Bradbury: “Matthew!/Ray Bradbury/ 4/30/94”. Bought off eBay for $20, which is 5¢ over list price.

    Yestermorrow

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  • (Bradbury, Ray) Weist, Jerry. Bradbury: An Illustrated Life. William Morrow, 2002. First edition hardback (precedes the Donald M. Grant limited edition by two years), a Fine-/Fine- copy with very slight bumping at head and heel. Inscribed by Bradbury: “To all the/Grand Tubers/Ray Bradbury.” Oversized illustrated history of Bradbury’s work. Bought for $27.10 off eBay.
  • Blish, James. A Dusk of Idols and Other Stories. Severn House, 1996. First edition hardback, a Fine copy in a Fine dust jacket. Bought for £5 from Cold Tonnage Books.
  • Brown, Dan. The Da Vinci Code. Doubleday, 2003. First edition hardback (price of $24.95 on flap, “First Edition” and “10 9 8 7 6 5 4 3 2 1” numberline on copyright page), a near Fine copy with owner blindstamp on front free endpaper, in a Fine- dust jacket with a small crease to bottom corner of front flap. Bought for $2 from the “Nostalgia Bargain” section of a Half Price Books.
  • Buckell, Tobias. Xenowealth. Self published via Kickstarter, 2016. Hardback first edition, signed by the author. Short story collection. See here for more details.
  • Buckell, Tobias. Xenowealth. Self published via Kickstarter, 2016. Trade paperback edition, signed by the author.
  • Butler, Samuel. Erewhon or Over the Range. Trübner & Co., 1872. First edition hardback, a rebound copy in modern full leather (at least according to the auction description, but “modern” is a relative term; the new binding is worn enough that it appears to be at least 50 years old), original covers bound in rear of textblock, with heavy rubbing on joints and corners, hinges starting, minor scattered foxing on preliminary and terminal leaves, pages characteristically brittle, overall a Very Good rebind copy. Published anonymously, Erehwon (“nowhere” spelled backwards) is satire in the mode of Gullivers Travels, and one of the most important 19th century Utopian/Dystopian novels. Bleiler Checklist (1978), page 36. Bleiler Checklist (1948), page 68. Bleiler, SF: The Early Years, page 113. Reginald (Volume I), page 84. Barron, Anatomy of Wonder 4, 1-19. Magill, Survey of Science Fiction Literature Volume Two, page 729. Bought for $75 (including buyer’s premium) from Heritage Auctions.

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    And here’s a picture of the original boards bound into the back:

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  • Carr, Terry. Fandom Harvest. Laissez Faire Productions AB, 1986. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. According to Chalker/Owings (1991), page 538, only 250 hardbacks were done. Bought for £5 from Cold Tonnage Books.
  • Constantine, Storm. The Monstrous Regiment. Orbit, 1989. Trade paperback original, a Fine- copy with a touch of edgewear at head and heel, signed by Constantine. Bought for £5 from Cold Tonnage Books.
  • Ellison, Harlan. Edgeworks 2: Spider Kiss/Stalking the Nightmare. White Wolf, 1996. First edition hardback omnibus thus, a Fine copy in a Fine dust jacket. Bought for £5 from Cold Tonnage Books. When the Edgeworks series first came out, I didn’t pick them up because I already had all the individual works they contained. But at £5 it’s worth picking up for title variant completeness…
  • Farmer, Philip Jose. The Other in the Mirror. Subterranean Press, 2009. First edition hardback, with a signed (but unnumbered) limitation page, a Fine copy in a Fine dust jacket and Fine slipcase. Omnibus edition of three novels (Fire in the Night, Jesus on Mars, and Night of Light), the first two of which were only published as paperback originals. Original price for the signed/numbered edition was $125. This supplements my trade edition, and all editions are now out of print from the publisher. Bought off eBay for $24.95 plus shipping.
  • Franklin, Jay (AKA John Franklin Carter). The Rat Race. Fantasy Publishing Co. Inc., 1950. First edition hardback, one of 1,200 hardback copies (per Chalker/Owings), a Fine- copy in the second state (gray boards, red titling, per Kemp) binding, with slight bend at head and heel in a Near Fine+ second state (per Kemp) dust jacket that’s slightly misaligned (about 1/4″ more on rear than front flap), slight wear at extremities, and some indentations along rear spine gutter. Chalker/Owings, The Science-Fantasy Publishers (1991), page 171. Kemp, The Anthem Series, page 79. Bought for $19 (including dealer discount), plus a $5 show credit coupon, at the Austin Book and Paper Show.

    Franklin Rat Race

  • Gaiman, Neil. Fragile Things. Headline Review, 2006. Short story collection. This UK edition precedes the US edition by a week.
  • Greenberg, Martin. Journey to Infinity. Gnome Press, 1951. First edition hardback, a Fine- copy with a tiny bit of bend at head in a Fine- second state (30 titles) dust jacket with a few small traces of wear, and a few pinhead spots on the front cover, otherwise extremely bright and attractive. Chalker/Owings (1991), pages 198-199. Kemp, 204. Bought for $25 with buyer premium.

    Journey to Infinity

  • Greenberg, Martin. All About the Future. Gnome Press, 1954. First edition hardback, a Fine- copy with slight dust soiling to page block edges and one small indention to very bottom of from board, in a near Fine- dust jacket with a 1″ closed triangular tear at bottom front along spine, a semi-closed 1/8″ tear at head, and shallow chipping at points. Chalker/Owings (1991), page 202. Kemp, 204. Note that Kemp calls for black boards with red lettering; my copy is gray boards with a reddish cloth spine with silver lettering, and Chalker/Owings doesn’t report on the binding state at all, which would theoretically make this a previously unrecorded binding variant. However, Gnome Press variant collector Steve Carper believe that this is in fact the primary binding state, and that Kemp got it wrong and the black boards/red lettering state is the variant. Bought for $20 with buyer premium.

    All About the Future

  • (Hitchcock, Alfred) Paul Condon and Jim Sangster. The Complete Hitchcock. First edition trade paperback original, a Fine copy. Bought for £5 from Cold Tonnage Books.
  • Knight, Damon, editor (Leon Stover, Gene Wolfe, R. A. Lafferty, etc.). Orbit 9. Putnam, 1971. First edition hardback, a Near Fine copy with a touch of edgewear at points in a Near Fine- dust jacket with slight edgewear and very slight darkening to white rear jacket. Inscribed by contributor Leon Stover: “For Robert & Virgina Heinlein/with thanks for/9 June 1984/Leon Stover.” Stover would not only later publish a critical book on Heinlein from Twayne, but was working on the official authorized biography of Heinlein before the latter’s death, a project cancelled after a falling out with Virginia Heinlein. Bought for $6.50 from Houston bookstore Kaboom Books.

    Orbit 9

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  • Lansdale, Joe R. (Pete Von Sholly, illustrator). Christmas Monkeys. PS Publishing, 2015. First edition hardback, one of 300 copies, a Fine copy in a Fine dust jacket and decorated boards, with bookmark signed by the author and artist laid in (as issued). Illustrated children’s book (for certain values of “children”).
  • Le Guin, Ursula K. The Unreal and the Real: Selected Stories of Ursula K. Leguin: Volume Two: Outer Space, Inner Lands. Small Beer Press, 2012.
  • (Lovecraft, H.P.) Eddy, Muriel, and C.M. Eddy, Jr. The Gentlemen from Angell Street: Memories of H. P. Lovecraft. First edition trade paperback original thus, containing additional material not in the 1961 edition, a Fine copy. Bought for £5 from Cold Tonnage Books.
  • Martin, George R. R., editor. Wild Cards VI: Ace in the Hole. Bantam, 1990. First edition paperback original, a Fine copy.
  • Martin, George R. R. and Melinda Snodgrass, editors. Lowball: A Wild Cards Novel. Tor, 2014.
  • McCarthy, Cormac. The Sunset Limited: A Novel in Dramatic Form. Dramatists Play Service, 2006. Play chapbook original, possibly a first printing (I’m not sure how you tell printings for Dramatists Play Service), a Near Fine+ copy with a bit of curl.
  • (Moore, Alan) Parkin, Lance. Magic Words: The Extraordinary Life of Alan Moore. Aurum, 2013. First edition hardback, a Fine copy in decorated boards with a purple band across the front cover, sans dust jacket, as issued. Non-fiction biography.
  • Newman, Kim. Moriarty: The Hound of the D’Urbervilles. Titan Books, 2011. Fine, signed by Newman. Bought for £5 from Cold Tonnage Books.
  • Niven, Larry. Protector. Ballantine Books, 1973. First edition (“First printing: September 1973,” as per Currey) paperback original, a Near Fine- copy with small number stamp at heel, one slight spine crease, and a tiny bit of spine lean.
  • Novik, Naomi. The Blood of Tyrants. Del Rey, 2013.
  • Pohl, Frederik. The Far Shore of Time. Tor, 1999. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Pohl. Bought for $10 off Ebay.

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  • Pohl, Frederik and C.M. Kornbluth. Wolfsbane. Ballantine Books, 1959. PBO first edition (as per Currey), Fine- with a touch of wear and 1/16″ tear at heel front cover join.
  • Pohl, Frederik and Jack Williamson. The Singers of Time. Doubleday Foundation, 1991. First edition hardback, a Fine copy in a Fine- dust jacket with small wrinkle to top inner flap tip. Signed by Pohl. Bought off eBay for $4.00 plus shipping.

    IMG_0663

  • Rajaniemi, Hannu. Collected Fiction. Tachyon, 2015.
  • Simmons, Dan. The Fifth Heart. Subterranean Press, 2015 (actually 2016). First signed limited edition, #189 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Remember when Simmons’ Carrion Comfort was notably taller than just about every book published that year? This is slightly taller, which seems to increasingly be the form factor of choice for limited editions.
  • Swanwick, Michael, with Marianne Porter. Fallen Leaves. Dragonstairs Press, 2016. First edition hardback, number 17 of 20 signed, numbered copies (the only edition), a Fine copy, sans dust jacket, as issued, with spine label affixed.

    Swanwick Leaves

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  • Swanwick, Michael. 5 Seasons. Dragonstairs Press, 2016. First edition chapbook original, #69 of 100 signed, numbered copies, a Fine copy. Five one page stories about the seasons.

    5 Seasons

  • Tymn, Marshall B. American Fantasy and Science Fiction: Toward a Bibliography of Works Published in the United States, 1949—1973. Fax Collector’s Editions, 1979. Paperback original, a Very Good+ copy with spine creasing and wear along the spine. Though Tymn authored or co-authored a number of important reference works, this, an attempt to update Bleiler’s Checklist with modern works, limited only to those published in hardback, is generally not numbered among them, as it was largely superseded by Currey and Reginald the same year of publication. Chalker/Owings (1991), page 178, are not kind: “Alas, it’s useless, one of the most worthless pieces of bibliography in the past 20 years or so.” There was a hardback, but Chalker/Ownings says it was just attaching a premade casing to the paperback. Not in Keith L. Justice’s Science Fiction, Fantasy and Horror Reference. Bought for £5 from Cold Tonnage Books.
  • Vance, Jack. Cugal’s Saga. Timescape, 1983. First edition, a Fine copy in a Fine dust jacket. Third book in the Dying Earth series (or fourth, if you count Michael Shea’s A Quest for Simbilis). Hewett, A71. Preceded the Underwood/Miller limited edition by six months.
  • Vance, Jack. The Houses of Iszm Underwood/Miller, 1983. First hardback edition, one of 482 trade copies, a Fine copy in a Fine dust jacket. Hewett, A12h.
  • Wake, Paul, Steve Andrews and Ariel (yes, just “Ariel,” no last name; I can only assume it’s edited by the mermaid from that Disney movie). Waterstone’s Guide to Science Fiction, Fantasy and Horror. Waterstone Guides, 1998. First edition trade paperback original, a Fine copy. There are some good contributors in here (like John Clute), but the author entries are distributed somewhat randomly. Waterstone’s is a UK bookstore chain, and I imagine these are pretty common on the other side of the pond. Here? Not so much. Bought for £5 from Cold Tonnage Books.
  • Wandrei, Donald. Don’t Dream: The Collected Horror and Fantasy Fiction of Donald Wandrei. Fedogan & Breamer, 1997. Bought for $12.50 at Half Price Books with a 50% off coupon (cover price is $29).
  • Photos from Worldcon Part 1 (The 2014 London Worldcon, That Is)

    Tuesday, August 18th, 2015

    So this year’s Worldcon is this week, and you’re posting photos from last year’s Worldcon?

    Yep.

    And didn’t you already post some of these photos?

    Yep.

    So why do it again?

    Last year at Worldcon, I uploaded these photos in a big bunch to Facebook, then linked to the Facebook photos from this blog. However, Facebook, evidently hating the idea that people outside their walled garden of changing preferences and sunglasses spam might see said photos, keeps changing their URLs, thus breaking links to them. So the photos themselves disappeared from the old post. These I’m uploading directly to my blog.

    Also, I didn’t blog all the images I meant to, so there will be some new ones in Part 2.

    So without further adieu…

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    Leigh Kennedy, who I had lunch and dinner with the Monday before the con. We have loads of common friends, but knew them at different times, so there was a lot of trading stories…

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    In profile.

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    Cory Doctorow, exhibiting his unique sense of style…

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    …and with an actual top to his head.

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    John J. Miller of Wild Cards fame, with Gail Gerstner-Miller.

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    Kim Newman, in his usual natty, multilayered attire. Wear this in Texas in August and you’re asking for heatstroke.

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    Jonathan Strahan and David Hartwell.

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    Pat Murphy, all scarfed-up.

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    Lavie Tidhar, who used to do reviews for me back in the Nova Express days.

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    Ian Watson and Lavie Tidhar, signing books at the PS Publishing table in the dealer’s room. I asked Watson what the genesis of the Watson-Aldiss feud was. “I’ve gotten to the age when I’m not sure I remember it properly anymore…”

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    Connie Willis.

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    Liz Hand.

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    And looking slightly less crazed.

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    Ellen Datlow and Liz Hand fan themselves and look down upon the peasantry.

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    Elle Datlow solo.

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    Guest of honor John Clute.

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    Adam Roberts.

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    Geoff Ryman peers at me suspiciously.

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    Gary K. Wolfe.

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    Andy Duncan.

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    Didn’t get all the names, but this is something like 75% of the Israeli SF publishing industry.

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    Kim Stanley Robinson.

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    John Gibbons.

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    Michael Swanwick, Geoff Ryman, and Ellen Datlow.

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    Michael Swanwick and Gordon Van Gelder, looking way too befuddled for the first day of the con.

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    Lisa Tuttle, who I had lunch with, joined by…

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    …George R. R. Martin.

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    George R. R. Martin and the Spanish George R. R. Martin.

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    Michael Swanwick and George R. R. Martin, enjoying fine dining in an atmosphere of unpretentious ambiance.

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    Parris McBride Martin.

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    Alastair Reynolds.

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    Pat Cadigan.

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    Pat Cadigan in green.

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    Pat Cadigan with fan-drawn cyberpunk.

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    Finally, Pat Cadigan with her spiffy Doc Martin boots.

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    The elusive Richard Calder.

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    Michael Swanwick showing off his outfit. “This shirt is bespoke! Bespoke, I tell you!”

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    Finally, Michael Swanwick showing off the t-shirt for MidAmericon II, the 2016 Kansas City Worldcon he’s Guest of Honor at. (Pat Cadigan is Toastmistress.)

    Library Addition: Proof of George R. R. Martin’s Never-Published John W. Campbell Awards Volume 6

    Monday, July 20th, 2015

    Finally obtained a book I’ve been trying to get for over 20 years, ever since hearing about it while compiling Bruce Sterling’s bibliography for Nova Express in the early 1990s:

    Martin, George R. R. The John W. Campbell Awards Volume 6. Bluejay Books, 1986. Uncorrected proof, trade paperback format, of the never-published hardback first edition, a Very Good- copy, being well-read with creasing along front and back spine joins, bottom of front spine join starting to split, a few spots of staining (including one to the edge of side/bottom page block), and general wear, with note on front cover stating “To/Shelia/Williams/Isaac/Asimov” and a note on the table of contents saying the Orson Scott Card story listed was going to be replaced with another Card story. Never produced because Bluejay Books went out of business in 1986. Copy on the back covers states the book was to be produced in both hardback and trade paperback formats.

    The contents are as follows:

  • Page 1: “Preface” — George R. R. Martin
  • Page 9: “On John Campbell” — Jack Williamson
  • Page 17: “The Djinn Who Watches Over the Accursed” — Stephen R. Donaldson (Published in Word Tales, the book published for the 1985 World Fantasy Convention in Tucson.)
  • Page 41: “Angel Engines” — Bruce Sterling (Note: This story is present in the book, but is missing from the the (probably hastily typed) Table of Contents.) (Remains unpublished.)
  • Page 57: “The Necropolis at Fang Shang” — Bruce Sterling (Remains unpublished.)
  • Page 71: “Adrift Among the Ghosts” — Jack L. Chalker (Appeared as an original story in the Chalker collection Dance Band on the Titanic in 1988.)
  • Page 89: “The Red Hawk” — Elizabeth A. Lynn (Had previous appeared as a stand-alone Cheap Street chapbook in 1983.)
  • Page 123: “Unwyrm” — Orson Scott Card (Never published in this form, a novella that takes up half the book, but evidently incorporated into Card’s 1987 novel Wyrms.)
  • Page 251: “The John W. Campbell Award Winners: 1973—1985” (No author listed, just a list of winners and nominees by year.)
  • Bought for $100 from an editor who was downsizing his library as part of moving.

    JWCA#6

    JWCA#6 Back Cover

    Library Additions: January 1 — June 30, 2015

    Monday, July 6th, 2015

    Time once again for the roundup of all library additions for the first half of the year. All books listed below are Fine first edition hardbacks in Fine dust jackets unless otherwise noted.

  • Asimov, Isaac. In Memory Yet Green: The Autobiography of Isaac Asimov, 1920—1954. Doubleday, 1979. First edition hardback, a Fine copy in a Fine- dust jacket with slight sun darkening to the very tops of inside flaps. Non-fiction. The first volume of Asimov’s massive two volume autobiography (I already had a first edition of the second volume, In Joy Still Felt).
  • Banks, Iain M. The Algebraist. Orbit, 2004. First edition hardback, a Fine copy in a Fine dust jacket, signed by Banks. Supplements an unsigned first.
  • Banks, Iain M. Player of Games. Macmillian (UK), 1988. First edition hardback, a Fine copy in a Fine dust jacket, signed by Banks. Supplements an unsigned first.
  • Barrett, Neal. Through Darkest America. Worldwide, 1988. First paperback edition, a Fine- copy with tiny bump to bottom front corner and slight age-darkening to paper, otherwise apparently unread. Inscribed by Barrett, Jr. to fellow Texas science fiction writer Lewis Shiner: “11/29/88//Unca Lew—/Having you here for/a while has made my/day, as ever—/(Signature)”. Lew confirmed that it was indeed inscribed to him, noting he must have sold it and because he was moving again and already had the hardback…

    Shiner Darkest

  • Barker, Clive. Tortured Souls: The Legend of Primordium. Subterranean Press, 2015.
  • Baxter, Stephen. Raft. Grafton, 1991. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of haze rubbing. Author’s first book. Bought for $50 off an Australian Internet dealer. Replaces an Ex-Library copy.

    Raft

  • Bova, Ben, editor. (Roger Zelazny) The Best of Omni Science Fiction. Omni Society, 1980. First edition hardback, a Fine- copy with slight wear in a Very Good dust jacket with shallow chipping at points, rubbing to rear cover, a 1/2″ closed tear, and general wear. Roger Zelazny’s personal contributor’s copy (for the story “Halfjack,” see below), with two signed typed letters from Omni editor Ben Bova laid in.
  • Blaylock, James p. Doughnuts. Airtight Seels Allied Productions (A.S.A.P.), 1994. First edition hardback, number 11 of 224 signed, numbered hardback copies, a Fine copy (save some waviness to the pages, which I take as a byproduct of the binding process), sans dust jacket with color illustration pasted onto the front board, as issued. In addition to the short story, this volume includes an Introduction by Lewis Shiner, an Appreciation by Lucius Shepard, an Afterward by Tim Powers, illustrations by Phil Parks, and tipped-in color photographs by Vicki Blaylock (and is signed by all of them). An elaborate production, much like all of A.S.A.P.’s hardback chapbooks. Chalker & Owings, Science Fantasy Publishers (2002), 1011. (Also Supplement Two, page 57.) Bought for $60 from a dealer off the Internet.

    Doughnuts

  • Bradbury, Ray. The Cat’s Pajamas. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Bradbury. Short story collection. Bought off eBay for $21.50.
  • Bradbury, Ray. Christmas Greetings 2008. First edition broadsheet, 8 1/2″ x 11″ card-stock, a Fine- copy with extremely light bumping at right tips. Signed by Bradbury. One of the many yearly Christmas greetings Bradbury used to send out to friends. Bought for $25 off eBay.

    Bradbury Christmas 2008

  • Bradbury, Ray. A Memory of Murder. Dell, 1984. First edition paperback original, a Fine- copy with a tiny bit of edgewear, signed by Bradbury, with a review slip laid in. Collection of Bradbury’s early mystery stories. An unusual book, in that you wouldn’t think he would have a mass market paperback original (with no hardback edition) this late in his career. Not particularly common, and even less so signed. Bought off eBay for $25.

    Bradbury Memory Murder

  • Brunner, John. Tomorrow May be Even Worse. NESFA Press, 1978. First edition trade paperback, a Fine- copy with a tiny bit of bumping at points. Signed by Brunner. Small book of verse (one SF topic for every letter, arranged from A to Z), illustrated by fan artist ATom.

    Brunner Worse

  • Cahill, James, editor. Ten Tales. James Cahill Publishing, 1994. First edition hardback, one of only 26 unnumbered “Author Copies”, a Fine- copy (gilt letters on spine are showing small spots of what might be oxidation) in a Very Good only slipcase with spotting and uneven fading, sans dust jacket, as issued. Original anthology with the Zelazny story “The Salesman’s Tale.” There was also a 250 copy numbered edition. (Chalker and Owings Supplement Three calls for a 26 copy leatherbound edition; this copy is bound in cloth with a cloth slipcase.)
  • (Cave, Hugh B.) Thomas, Milt. Cave of a Thousand Tales: The Life and Times of Hugh B. Cave. Arkham House, 2004. Non-fiction biography. Bought for $14 off eBay.
  • Collins, Suzanne. Catching Fire. Scholastic Press, 2009. First edition hardback (number line ending in 1, “First edition, September 2009” stated), a Fine copy in a Fine- dust jacket with a tiny bit of crimping at very top edge. Second book in the Hunger Games series.
  • Derleth, August. Dwellers in Darkness. Arkham House, 1976. Octavo, cloth. irst edition hardback, a Fine copy in a Fine dust jacket. Bought from L. W. Currey for $17.50.
  • Dick, Philip K. (Frank T. Hollander, editor). Young Author’s Club: The Wartime Adolescent Writings of Philip K. Dick. Frank T. Hollander, 2014. First edition trade paperback original, #58 of 100 copies signed by the editor/publisher, a Fine copy. A 94 page chapbook containing Dick’s published writings from 1942 to 1944 in the Berkeley Daily Gazette newspaper, consisting of fiction and poems, some of which are fantasy. Includes bibliographic information and story notes. Something likely to drive Dick completists crazy.

    Dick Young Authors

  • Donaldson, Stephen R. One page typed signed letter to Roger Zelazny inviting him to a party. Part of a large collection of Roger Zelazny books, manuscripts and correspondence described here.
  • Doran, Niall, Alastastair Richardson, Joe Shemesh. Kinky Love: Mating of the Tasmanian Cave Spider. Bookend Trust, 2015. First edition hardback, one of an undetermined number of signed copies, a Fine copy, sans dust jacket in decorated boards, as issued. Non-fiction. (See the companion Neil Gaiman piece further down the page.)

    16Legs Kinky

  • Ellison, Harlan. The Top of the Mountain. Subterranean Press, 2014. Oversized collection of Ellison’s prize-winning stories.
  • Eisenstein, Phyllis. Born to Exile. Arkham House, 1978. First edition hardback, a Fine copy in a Fine dust jacket. Bought from L. W. Currey for $12.50.
  • Farmer, Philip Jose. The Grand Adventure. Berkley Books, 1984. First hardback edition, #264 of 325 signed, numbered hardbacks, a Fine- copy (tiny bit of wear to reflective inlay pattern to the cover), sans dust jacket in a Fine slipcase, as issued. The trade paperback precedes by a month. This limited edition is the only hardback edition. Bought for $39.99 off eBay, which is less than the original issue price of $50.
  • Farmer, Philip Jose. Riverworld and Other Stories. Berkeley, 1979. First edition paperback original, a Near Fine copy with one spine crease. Precedes the Gregg Press hardback.
  • Fitzpatrick, E. H. The Coming Conflict of Nations, or the Japanese American War. H.W. Rokker, 1909. First edition hardback, a Very Good copy in black cloth boards stamped in gold, stamping on spine dulled bit still present, a few spots of wear or discoloration, slight bends at head and heel, newspaper review clipping pasted in on inside front cover, resulting in considerable foxing to front free endpaper. Inscribed by the author on the front free endpaper: “Professor John Syphers/with the best wishes/of the author./Ernest Hugh Fitzpatrick/L.R.C.P., Ed./Pontiac, Illinois/March 5, 1910.” There’s also a long inscription by the recipient of the inscription on the other side of the front free endpaper. Bleiler, Checklist (1978), page 73. Bleiler, Science Fiction: The Early Years, page 247. Reginald, page 188. Possibly the first novel to predict a war between the United States and Japan. Bought off eBay for $10.50. Given that Currey has an unsigned copy that looks a bit worse at $350, I think it was a good buy…

    Conflict of Nations

    Fitzpatrick 1

    Fitzpatrick 2

  • Friedman, Kinky. A Case of Lone Star. Beech Tree Books, 1987. First edition hardback, a Fine copy in a Fine- dust jacket with slight haze rubbing. Inscribed by Friedman: “To Justa—/to one good/American from/another —/Your friend,/Kinky/Aug 13, 1987.” Bought at the 2015 Austin Book Show for (after discounts and show $5 credit) $10.

    Kinky sig

  • Gaiman, Neil, and Newman, Kim, compilers. Ghastly Beyond Belief. Aarow Books, 1985. First edition paperback original, a Near Fine- copy with slight spine-creasing and edgewear along spine. Compilation of book and movie blurbs. Almost bought this at the 1988 Worldcon, but passed thinking that as a paperback it would be easier to find later. Little did I know…
  • Gaiman, Neil, with Niall Doran, Craig Wellington and Jodee Taylah (artist). Sixteen Legs Production Art: A Visit to the Queen of the Dark. Bookend Trust, 2015. First edition hardback, one of an undetermined number (though probably just over 100 copies, given that there are just under 100 names (including my own) listed under Premium Supporters on page 43) of the Limited Deluxe Edition signed by the three authors and the artist, a Fine copy, sans dust jacket in decorated boards, as issued.

    16Legs QueenB 1

  • Gibson, William. Distrust That Particular Flavor. Non-fiction collection of essays. Bought for half price.
  • Goldstein, Lisa. Tourists. Simon and Schuster, 1989. Signed by Goldstein. Bought for $10.
  • Heinlein, Robert A. The Star Beast. Scribner’s, 1954. First edition hardback (with Scribner’s seal and letter A on copyright page, as per Currey), a Fine- copy with slight bend at head and heel, slight dust soiling at head, and a tiny faint green pinprick dot at heel, in a Very Good+ dust jacket with very shallow (1/32″) chipping at head and points, a 1/2″ closed tear at heel, and very slight dust soiling to rear cover. A very nice copy of this well-regarded Heinlein juvenile. Bought for $200 from Lloyd Currey. Currey (1979), page 234.

    Star Beast

  • Hind, Charles Lewis. The Enchanted Stone. Adam and Charles Black (London), 1896. First edition hardback, a Very Good copy with repaired hinges, slight spine fading, bookplate on insider front cover and uneven foxing on front and rear free endpaper. By the Book World Remembered, page 106, which describes it as a “Fantastic tale of a vast Chinese city under London.” Tietler, By the World Forgot, page 53, which notes that this UK first edition has an extra chapter not in the American edition. Bleiler, Checklist (1978), page 100. Reginald, page 253. A very odd sounding Wainscot (to use Clute’s term from The Encyclopedia of Fantasy) indeed. Bought off the Internet for $36 plus shipping from Canada.

    Enchanted Stone

  • Honan, William H. Visions of Infamy: The Untold Story of How Journalist Hector C. Bywater Devised the Plans That lead to Pearl Harbor. St. Martin’s Press, 1991. First edition hardback, a Fine copy in a Fine dust jacket. Fellow collector Chris Skillings sent this to me after reading about how I picked up E. H. Fitzpatrick’s The Coming Conflict of Nations, or the Japanese American War. Bywater sounds like he was a very interesting guy…
  • Howard, Robert E. The Dark Man and Others. Arkham House, 1963. First edition hardback, a Near Fine- copy with crimping at head and heel, previous owner’s bookplate on FFE, and a drop of dampstaining that affects the FFE and the first few pages, in a Very Good+ dust jacket with slight creasing at head and heel, slight wear along spine, slight dust staining to white rear cover. The second Arkham collection of Howard’s short stories, all but one from Weird Tales. Won off eBay for $60.

    Howard Dark Man

  • Hughes, Matthew. Of Whimsies & Noubles. PS Publishing, 2014. First edition hardback, #96 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket.
  • Joyce, Graham. 25 Years in the Word Mines with Second Shift: More Tales from the Word Mines. PS Publishing, 2015. First edition hardback, #48 of 100 slipcased sets, a Fine copy in decorated boards (for both) and a Fine dust jacket (for 25 Years in a slipcase. Career retrospective for graham Joyce, who unfortunately died of cancer before it was published. Second Shift is signed by Ella Joyce, Owen King, and Kelly Braffet. I have one copy available though Lame Excuse Books, if you’re interested.
  • Lafferty, R. A. The Man With the Aura: Collected Short Fiction Part 2. Centipede Press, 2015. First edition hardback, #36 (matching the first volume) of 300 copies signed by introduction author Harlan Ellison, series editor John Pelan and designer Jacob McMurray, a Fine copy in a Fine dust jacket, still in shrink wrap.
  • Lafferty, R.A. Sinbad: The Thirteenth Voyage. Broken Mirrors Press, 1989. First edition trade paperback original, a Fine copy. Traded a signed Howard Waldrop book to cover artist Lissanne Lake for it.

    Sinbad

  • (Lafferty, R. A.) Feast of Laughter Issue 1. Kistic Press, 2014. First edition trade paperback original, a Fine copy. First volume in a new (and long overdue) series of non-fiction on Lafferty’s work. Bought from Amazon, because the publisher said it was cheaper that way than buying direct. (Indeed, it’s even available as a free download.) Oddly enough, Lissanne Lake did the cover for this as well…

    Feast of Laughter

  • (Lafferty, R. A.) Feast of Laughter Issue 2. Kistic Press, 2015. Another fine issue…
  • Lansdale, Joe R. Prisoner 489. Dark Regions Press, 2014 (i.e., 2015). First edition hardback, #278 of 400 signed, numbered copies, a Fine copy, sans dust jacket in decorated boards, as issued.
  • Leckie, Ann. Ancillary Justice. Gale/Thorndike Press, 2015. First hardback edition (a Large Print edition preceded by the trade paperback original and which, in turn, precedes the Subterranean Press signed/limited edition), a Fine copy in decorated boards, sans dust jacket, as issued. Hugo and Nebula winner for best novel.

    Ancillary justice LP

  • Leckie, Ann. Ancillary Justice. Subterranean Press, 2015. First signed/limited edition, and first non-Large print hardback, #170 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket.
  • Leiber, Fritz (edited by S. T. Joshi). Adept’s Gambit: The Original Version. Arcane Wisdom Press, 2014. First edition hardback, #322 of 500 numbered copies signed by Joshi, a Fine copy. Bought off eBay for $22.50.
  • (Lovecraft, H.P.) Joshi, S. T. H. P. Lovecraft: A Life. Necronomicon Press, 1996. First edition, one of only 250 signed hardbacks (the only hardback edition), a Fine copy in a Fine- dust jacket with a very tiny wrinkle at head. Widely considered to be the definitive Lovecraft biography until Joshi’s two volume expansion I Am Providence (which I also have) came out in 2010. The hardback of H. P. Lovecraft: A Life peaked around $500, but has since drifted down a bit. I bought this one from the publisher off eBay for $160.

    Lovecraft A Life

  • (Lovecraft, H. P.) Shreffler, Philip A. The Lovecraft Companion. Greenwood Press, 1977. First edition hardback, a Fine copy in a Fine dust jacket. One of the first broad critical companions to Lovecraft’s work, offering an in-depth summary of Lovecraft’s literary theory, plot summaries of all his stories, an encyclopedia of characters and monsters, and an in-depth look at Cthulhu Mythos monsters. An interesting high-level overview and “first cut” of Lovecraft criticism, from before S. T. Joshi turned it into a cottage industry, and pretty much all the topics covered here have been examined at much greater depth since. Currey (1979), page 332. Joshi, Lovecraft Bibliography, I-C-158. Tymn Schlobin Currey, 294. Bought off the Internet for $42.50. Scan shows surface wear to the dust jacket protector.

    Lovecraft Companion

  • (Lovecraft, H.P.) Books at Brown, 1991-1992, Volumes XXXVIII-XXIX. The Friends of the Library of Brown University, 1995. First edition academic journal, trade paperback format, a Near Fine copy with a slightly bent top outer corner. Features numerous essays on H. P. Lovecraft (the Providence native for which the Brown library contains considerable holdings), including work from S. T. Joshi, Peter Canon, Robert Price, etc.

    Books at Brown

  • (Lovecraft, H.P.) Pedersen, Nate, editor. The Starry Wisdom Library: A Catalogue of the Greatest Occult Book Auction of ll Time. PS Publishing, 2014. Mock catalog of Lovecraftian tomes of forbidden knowledge.
  • (Lovecraft, H.P.) Schweitzer, Darrell. That Is Not Dead: Tales of the Cthulhu Mythos Through the Centuries. PS Publishing, 2015.
  • Lumley, Brian. Tales of the Primal Land. Subterranean Press, 2015. #117 of 250 signed, numbered copies.
  • Lumley, Brian. Tales of the Primal Land. Subterranean Press, 2015. Trade edition.
  • Martin, George R. R. Portraits of His Children. Dark Harvest, 1987. First edition hardback, #OO of 52 signed, lettered copies bound in white leather, a Fine copy in a Fine wooden “slipcrate” slipcase, sans dust jacket, as issued. Zealzny provides the introduction (“A Sketch of Their Father”) and a signature. I always thought the Dark Harvest slipcrates were attractive productions, and I’m happy to have one in my library. Supplements a trade edition. Chalker/Owings, page 119.

    IMG_0383

  • Martin, George R. R., editor. Wild Cards. Bantam Spectra/SFBC, 1987. First hardback edition (book club), preceded by the trade paperback original, a Fine copy in a Fine- dust jacket with edgewear at points. Shared world superhero anthology which includes the Zelazny story “The Sleeper.” Man, seems like every single edition of the early Wild Cards books had ugly covers…
  • Martin, George R. R., editor. Wild Cards. Bantam Spectra, 1987. Uncorrected page proofs (trade paperback format) of the hardback first edition, a Fine copy. Shared world superhero anthology which includes the Zelazny story “The Sleeper.”

    Wild Cards proof

  • McCammon, Robert R. The Border. Subterranean Press, 2015. Signed by McCammon.
  • Moody, Rick. Garden State. Pushcart Press, 1992. Presumed first edition hardback (no additional printings stated), a Fine copy in a Fine dust jacket. Author’s first book. Sent to me by Temporary Culture publisher Henry Wessells. Thanks, Henry!
  • Moorcock, Michael. The Whispering Swarm. Tor, 2014. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Moorcock. Seems to be both a roman a clef of growing up in London, as well as a world shift fantasy.
  • Niven, Larry. A Hole In Space. Ballantine Books, 1974. First edition paperback original, a Near Fine copy with touches of general wear. Currey (1979), page 387.
  • Powers, Tim. Dinner at Deviants Palace. Chatto & Windus, 1986. First trade hardback, first UK hardback, and first non-book club hardback edition, a Fine copy in a Fine dust jacket. Berlyne, Powers: Secret Histories, A5c.1.
  • Powers, Tim. Nobody’s Home. Subterranean Press, 2014. First edition hardback, #277 of 474 signed numbered copies, a Fine copy in a Fine dust jacket and printed cloth slipcase. Supplements my copy of the trade edition, which precedes, as this slipcased edition was not shipped until 2015.
  • Simak, Clifford. City. Gnome Press, 1952. First edition hardback, a Near Fine- copy with slight spine lean and previous owner’s name and date on front free endpaper) in a Near Fine+ dust jacket with a few pinhead sized spots of discoloration on dust jacket flaps and along top flap edges, and extremely slight dust-staining to white rear panel; an exceptionally nice example of the dust jacket. One of Simak’s key works, and one of the more desirable Gnome Press titles. Chalker & Owings (1991), page 199. Currey (1979), page 446. Kemp, The Anthem Series, page 208. Won for $200 from Heritage Auctions.

    City

    Sladek, John. Mechasm. First edition paperback original under this title (published earlier in the UK as The Reproductive System) and first U.S. edition, a Very Good copy with a small, faint 1/4″ stamp at heel, edgewear, stamp on blurb page, and faint spine creasing. Inscribed by Sladek: “For Scott,/John Sladek”. Formerly Scott Cupp’s copy. Currey (1979), page 450. Bought for $5 at Half Price Books.

    Mechasm

    Sladek mechasm sig

  • Sloane, William. The Edge of Running Water. Farrar and Reinhart, 1939. First edition hardback, a Very Good+ copy with slight bumping at head and heel, foxing to gutters, darkening of endpapers and slight age darkening to pages, in a Good only dust jacket with a 1/2″ to 1/4″ loss at head, loss at points, long thin crease, 2″ closed tear, dust staining and wrinkling to rear panel, creasing and tear at bottom front edge, and additional shallow chipping at edges and general wear. Bleiler, Guide to Supernatural Fiction, 1482. Bleiler, Checklist of Science Fiction and Supernatural Fiction (1978), page 181. Crawford, Donahue and Grant, 333, page 56. Locke, A Spectrum of Fantasy I, page 200. Barron, Horror Literature, 3-181. Bought from Currey for $50.

    Edge of Running Water

  • Smith, Clark Ashton (Johnson, Raymond F. and Ardath Winterowd, editors). Shadows Seen and Unseen. HTH Art Studio, 2007. First edition hardback, a Fine copy in a Fine dust jacket over decorated boards, signed by the editors. Odd miscellanea of poems, facsimile manuscripts, drawings, paintings, and non-fiction about Smith from various sources. An oversized, 94 page hardback.

    Shadows Seen

    Smith, Edward E., Ph.D. Second Stage Lensmen. Fantasy Press, 1953. First edition hardback, Currey Binding A (blue cloth lettered in gold), first issue, #368 of 500 numbered copies signed by Smith, a Very Good+ copy with large square of discoloration to inside front cover due to a bookplate (now laid in; see below) and a few instances of light spotting to boards, in a Near Fine- dust jacket with a couple of closed 1/2″ tears, modest edgewear at head, heel and points, and slight soiling to the rear cover, but otherwise a nice intact and very bright example of the dust jacket. Inscribed by Smith (as the subscriber copies frequently were): “To Joseph R. Brady,/Three in a row – Hot Dog! [Tic Tac Tow Game]/With sincere appreciation/Of your continued interest—/Edward E. Smith, Ph.D.” (Though it seems a fulsome personal inscription, it’s quite similar to the one I have in my subscriber copy of Skylark Three to another subscriber.) Currey (1979), page 456. Chalker and Owings (1991), page 161. Kemp, The Anthem Series, page 41. Lucchetti, Doc: First Galactic Roamer, page 60. Won for $121.50 off eBay.

    2nd Stage Lensmen

    Second Stage Lensmen Signature

    Second Stage Lensmen Bookplate

  • Smith, James Robert and Stephen Mark Rainey, editors. Evermore. Arkham House, 2006. First edition hardback, a Fine copy in a Fine dust jacket. Edgar Allen Poe tribute anthology. Bought for $14 off eBay.
  • Stapledon, Olaf. Last and First Men. Methuen, 1930. First edition hardback, first state, as per Currey (2002), with 8-page publisher’s catalog at rear dated 630, a Very Good- copy with FFE excised and slight loss to paper at gutter, foxing to gutter, moderate spotting to outer page block edges, a small circular stamp reading “Dempsters Clenferrie” (possibly an Australian bookstore stamp) on half title page, and a few sports to first few pages, lacking the dust jacket. His acclaimed epic novel describing several million years of future human evolution.
  • Stapledon, Olaf. Odd John. Methuen, 1935. First edition hardback, first state binding (light blue binding lettered in dark blue) in Currey (2002) A2 issue (catalog at rear dated 835, no priority between issues 1 and 2), a Very Good- copy with lightened spots on spine, slight spine lean, modest wear at heel and points, and spots of foxing to first few pages, lacking the dust jacket. His celebrated novel of a mental superman.

    P1000946

  • Swanwick, Michael. Hunting the Phoenix. Dragonstairs Press, 2015. First edition hardback (“archival board wrappers covered with hand-dyed rice paper, with a stab binding ornamented with a single aventurine bead”), #6 of 30 signed, numbered copies, a Fine copy, sans dust jacket, as issued, new and unread. Sort of an in-progress illustrated sketchbook for a Swanwick novel, more impressionistic colored line art than narrative. If it’s not the strangest Swanwick item yet, it’s tied with the hardback state of Puck Aleshire’s Abecedary. Bought for $30 from the publisher.
  • Swanwick, Michael. Season’s Greetings. Dragonstairs Press, 2014. First edition chapbook original, #18 of 100 signed, numbered copies, a Fine copy. I should be able to pick up copies of this to sell through Lame Excuse Books later in the year.

    Swanwick X 2

  • Thorburn, Wayne. Red State: An Insider’s Story of How the GOP Came to Dominate Texas Politics. University of Texas Press, 2014. Non-fiction.
  • Updike, John. The Witches of Eastwick. Franklin Press, 1984. First edition hardback, a limited edition signed by Updike (which precedes the trade edition), a Fine copy in decorated leather boards, sans dust jacket, as issued. Pringle, Modern Fantasy 100 91. Bought off eBay for $19.99.

    P1000963

    P1000967

  • (Vance, Jack) Andre-Driussi, Michael. Handbook of Vance Space. Sirius Fiction, 2014. Non-fiction critical companion to the galactic setting shared by most of his science fiction.
  • Weinbaum, Stanley G. A Martian Odyssey and Others. Fantasy Press, 1949. First edition hardback (trade state), a Near Fine- copy with one small indention to top edge of front board, faint dust staining to top page block, and slight foxing to gutters, in a Very Good dust jacket with about 1/16th inch chipping loss at head, heel and points, a thin 1/4″ nick in the middle of the spine, one closed 1/4″ tear to top rear, and a tiny bit of dust soiling to rear cover. Actually a very presentable copy of a key small press collection of one of the most important pre-Golden Age SF writers, and a book I’ve wanted for quite a while. Currey (1979), page 511. Chalker/Owings (1991), page 159. Kemp, The Anthem Series, page 27. Bought for $34.66 off eBay.

    Martian Odyssey

    Wells, H. G. Select Conversations With an Uncle (Now Extinct). John Lane, 1895. First edition hardback (sixteen pages of ads inserted at back, as per Currey), a Very Good copy with wear to bottom boards, wear at head and heel, a thin 1″ white line (possibly white out or white paint) across top rear, and slight wear along font boards, otherwise fairly nice, with gilt scratched but otherwise complete at head. Includes Larry McMurtry’s ownership plate, which features the brand from his father’s ranch. Twelve conversations (all fictional) and two short stories. Currey, page 522. H. G. Wells: A Comprehensive Bibliography, 3. Bought at auction for $6, or $20 with buyer’s premium.

    P1000969

    P1000972

    P1000974

  • Westerfeld, Scott. The Manual of Aeronautics. Simon Pulse, 2012. Illustrated non-fiction guide to Westerfeld’s Steampunk Leviathan universe. Bought for $4.99 at Half Price Books.
  • Wolfe, Gene. The Land Across. PS Publishing, 2014. First limited edition hardback, #18 of 200 signed, numbered copies, a Fine copy in a Fine dust jacket.
  • Wolfe, Gene. Soldier of Sidon. Tor, 2006. Third Latro book.
  • Zelazny, Roger. “And Only I Escaped To Tell Thee.” Carbon copy of original typed manuscript. This and all the rest of the Zelazny books listed in this post were part of a large collection of Roger Zelazny books, manuscripts and correspondence described here.
  • Zelazny, Roger. Blood of Amber. Arbor House, 1986. Uncorrected proof (trade paperback format) of the hardback first edition, a Fine- copy with phantom crease the length of rear cover, with review slip (with sticker signed by Zelazny affixed to it) laid in. Kovacs, Ia.

    Blood of Amber proof

  • Zelazny, Roger. Bridge of Ashes. Gregg Press, 1979. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Supplements an unsigned hardback. Levack, 2e. Kovacs, I3b.
  • Zelazny, Roger. “The Burning.” One page typewritten poem.
  • Zelazny, Roger. “A City Divided.” Original typed manuscript with numerous hand-corrections.
  • Zelazny, Roger. Archive material about various Amber novels from various people, most concerning The Courts of Chaos in one way or another, including a handwritten six page synopsis of The Courts of Chaos by Zelazny, followed by the typed version of the same synopsis, plus letters to (originals) and from (apparently file carbon copies) Zelazny on the subject.
  • Zelazny, Roger. “The Cyborg Connection.” Original typed manuscript with numerous hand-corrections, with a carbon copy of the second draft. This story would later be published as “Halfjack.”
  • Zelazny, Roger. Dilvish the Damned. Del Rey, no date (but probably 1981 or 82). Unbound long galleys (the very first proof state of the book production cycle, pages age darkened but otherwise Fine, unbound but gathered into signature sheets. Kovacs, I15a.
  • Zelazny, Roger. Doorways in the Sand. Harper & Row, 1976. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Zelazny, with an additional signed note laid in “To David, This copy of Doorways in the Sand, being the chronicles of both Fred Cassidy and a Hugo and Nebula finalist.” Atypically, both the note and signature are printed rather than in Zelazny’s elegant cursive handwriting. While I wouldn’t swear it’s Zelazny’s handwriting, it’s not entirely dissimilar to other examples I have of it. Currey, page 570. Levack, 13a. Kovacs, I17b.
  • Zelazny, Roger. The Dream Master. Rupert Hart Davis, 1968. First edition hardback, a Fine copy in a Fine- dust jacket with a trace of dust staining along very top edge and at heel spine join, with sticker for Henry Morison Inc. (Zelazny’s literary agent) affixed to front free endpaper. Signed by Zelazny. Currey, page 570. Levack, 14b. Kovacs, I18b.
  • Zelazny, Roger. “Fire and/or Ice.” Original hand-corrected typescript, including one hand-written manuscript page.
  • Zelazny, Roger. Four for Tomorrow. Garland Press, 1975. First hardback edition under this title (issued in UK hardback as A Rose for Ecclesiastes), a Fine copy in a Fine aftermarket dust jacket Bob photo-produced from the Ace paperback edition that Garland used to print the plates from. With a a title page of the Ace paperback inscribed by Zelazny (“Many a good wish/to you/Roger Zelazny/ 7/6/84”) laid in. Replaces an unsigned ex-library copy. Currey, page 570. Levack, 17f. Kovacs, V11f.
  • Zelazny, Roger. Frost and Fire. William Morrow and Company, 1989. Uncorrected bound galleys (or so it says; actually a trade paperback format proof), a Fine copy, signed by Zelazny. Kovacs, V12a.

    Zelazny Frost and Fire Proof

  • Zelazny, Roger. “Garden of Blood.” Carbon copy typed story manuscript.
  • Zelazny, Roger. “The George Business.” Carbon copy typed story manuscript, with multiple signed letters from Dragon Tales editor Orson Scott Card accepting the story, apologizing for delayed payment, etc., along with a signed signature plate by Card.
  • Zelazny, Roger. “Go Starless Into That Night.” Carbon copy of original typed manuscript, with two acceptance letters from editor Jim Baen.
  • Zelazny, Roger. The Hand of Oberon. Doubleday, 1976. First edition hardback, a Fine copy in a Fine- dust jacket with one closed 1/4″ tear at bottom rear, with review slip laid in. Inscribed by Zelazny: “With all good wishes,/Roger Zelazny.” Currey, page 570. Levack, 19a. Kovacs, I23a.
  • Zelazny, Roger. Isle of the Dead. Rapp & Whiting, 1970. First hardback edition, a Fine copy in a Fine- dust jacket with a tiny bit of edgewear at extremities. Inscribed by Zelazny: “To Willi/Every kind of good/wish./Best,/ Roger Zelazny/ 3/27/82.” Supplements an unsigned copy. Currey, page 570. Levack, 21b. Kovacs, I25b.
  • Zelazny, Roger. Original ribbon-copy, hand-corrected first draft manuscript for Knight of Shadows, with two letters of authenticity from Zelazny, and the manuscript signed twice by him (on the first and last pages) in 1989. Although Zelazny was already a celebrated author at the time, he still displayed thrifty habits by typing out his manuscript on the back of whatever 8 1/2″ x 11″ scrap paper he had lying around, be it government forms, convention flyers, flyers for the Santa Fe Opera Company, and pages (presumably photocopies of works sent to Zelazny to critique or review) from other author’s manuscripts, including pages from Tom Deitz’s Fireshaper’s Doom and Jeffrey Carver’s From a Changeling Star.
  • Zelazny, Roger. Knight of Shadows. William Morrow and Company, 1989. Uncorrected bound galleys (or so it says; actually a trade paperback format proof), a Near Fine+ copy with slight fading to spine and small crease to bottom font corner, signed by Zelazny. Kovacs, I27a.

    Knight of Shadows proof

  • Zelazny, Roger. The Last Defender of Camelot. Underwood/Miler, 1980. First edition chapbook original, simultaneous with the extremely small hardback run (which I picked up in my previous Zelazny purchase), #265 of 275 signed, numbered copies, a Fine copy, in issued manila envelope. Levack, 23a. Kovacs, VIIIa. I now have something like eight different items with this title…

    Last Defender Chapbook

  • Zelazny, Roger. “The Last of the Wild Ones.” Carbon copy of original typed manuscript.
  • Zelazny, Roger. “LP Me Thee.” One page typewritten poem.
  • Zelazny, Roger. My Name is Legion. Faber & Faber, 1979. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Levack, 27h. Kovacs, I32c.
  • Zelazny, Roger. A Night on the Lonesome October. Avon Books, 1993. Advanced uncorrected proof of the hardback first edition, a Fine copy. Signed by both Zelazny and cover artist Gahan Wilson. Kovacs, I33a.

    Lonesome October Proof

  • Zelazny, Roger. “Richard Lupoff’s Sword of the Demon.” Extremely short review/piece of non-fiction. Appeared in Starlog’s SF Yearbook Volume 1, edited by David Gerrold and compiled by David Truesdale.
  • Zelazny, Roger. Roadmarks. Del Rey, 1979. First edition hardback, a Fine copy in a Fine dust jacket, with review slip laid in. Signed by Zelazny. Levack, 31a. Kovacs, I37z.
  • Zelazny, Roger. Second draft photocopy of the manuscript for Sign of Chaos, showing the hand-corrections in the first draft, with further corrections by Zelazny in red, along with a four page style guide for spelling the names of the characters, etc. in the book.
  • Zelazny, Roger. Sign of Chaos. Arbor House, 1987. Proof (trade paperback format) of the hardback first edition, a Fine copy in a Fine proof state dust jacket (no copy or price on back cover, spine or flaps). Signed by Zelazny. Kovacs, I38a.
  • Zelazny, Roger. The Sign of the Unicorn. Doubleday, 1975. First edition hardback, a Fine copy in a Fine- dust jacket with a trace of dust soiling to white rear cover. Signed by Zelazny. Currey, page 571. Levack, 33a. Kovacs, I39a.
  • Zelazny, Roger. “Stand Pat, Ruby Stone.” Carbon copy story manuscript.
  • Zelazny, Roger. Today We Choose Faces. Millington, 1973. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Currey, page 571. Levack, 37b. Kovacs, I42a.
  • Zelazny, Roger. Untitled poem, later published as “To Spin Is Miracle Cat.” One page typewritten poem.
  • Zelazny, Roger. Trumps of Doom. Arbor House, 1985. Proof (trade paperback format) of the hardback first edition, a Fine copy in a Fine proof dust jacket (no copy or price on back cover, spine or flaps). Signed by Zelazny. Kovacs, I43a.
  • Zelazny, Roger. Trumps of Doom. Underwood/Miller, 1985. First limited hardback edition, #316 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket in a Very Good+ suede slipcase that has some brown dampstaining discoloration along the spine. Kovacs, I43c.
  • Zelazny, Roger. Unicorn Variations. Timescape Books, 1983. Advanced uncorrected proof of the hardback first edition, a Fine copy, signed by Zelazny. Kovacs, V21a.

    Unicorn Variations Proof

  • Zelazny, Roger. “A Very Good Year.” Original hand-corrected typescript of the first draft, and a carbon-copy of the second draft.
  • Zelazny, Roger. Original hand-written first draft for story “Walpurgisnacht” on yellow lined legal paper, 5 pages long.
  • Zelazny, Roger. “The White Beasts.” Original hand-corrected typescript, plus carbon of corrected story.
  • Zelazny, Roger. Some 30 pages of correspondence between Zelazny and editor/packager Byron Preiss, most concerning The Illustrated Roger Zelazny, including copies of B&W sketches and a page of original colored pencil art by Gray Morrow for the project.
  • Zelazny, Roger, and Robert Sheckley. Several pages of correspondence between Zelazny (carbons) and Robert Sheckley (originals) concerning three stories for an anthology, plus a small autographed note to “Bob” from Zelazny.
  • Various other letters to Zelazny, some with replies.
  • Zelazny, Roger, editor. Warriors of Blood and Dream. AvoNova, 1995. First edition paperback original, a Near Fine+ copy with number “34” written across inside cover EAC code and foxing to inside covers. Anthology. Kovacs, IX7a.
  • Zelazny, Roger, editor. Wheel of Fortune. AvoNova, 1995. First edition paperback original, a Near Fine- copy with slight spine creasing and foxing to insider covers. Anthology. Kovacs, IX8a.
  • (Zelazny, Roger) Neil Randall. Combat Command in the World of Roger Zelazny’s Nine Princes in Amber: The Black Road War. Ace, 1988. First edition paperback original, a Fine- copy with just a trace of edgewear, otherwise new and unread. Sort of a strategic pick-your-own-path adventure. Kovacs, X8a. I had one of these about a decade ago that I sold on eBay for $25…
  • (Zelazny, Roger) Stephen, Christopher P. A Checklist of Roger Zelazny. Ultramarine, 1993. revised edition. Non-fiction chapbook, since superseded by the Kovacs bibliography. Kovacs, XXIII3b.

    Zelazny Checklist

  • Library Addition: Another Major Collection of Roger Zelazny Books and Manuscripts

    Monday, June 29th, 2015

    I recently bought another $6,000 worth of (mostly) Roger Zelazny manuscripts and first editions from Bob Pylant, and it has taken me a while to catalog all of it. (See a listing of my previous $5,400 purchase from Bob here.) As with my earlier purchase from him, Bob had meticulously placed every page of the manuscripts into a plastic page protectors (save the last few pages of Sign of Chaos (see below), where he ran out), and placed them all into binders, many of which included multiple stories and related archive material, including correspondence between Zelazny (generally carbon copies) and his editors (almost always originals). Below is a brief summary of each that doesn’t quite get down to the level of an actual archival description (there are only so many hours in the day). And since this is such a long post already, I’ve only included scans or pictures of books I thought there weren’t good copies of on the Internet (mostly the proofs).

    Bibliography
    For bibliographic details and first edition verification, I cite the following reference books:

  • Currey, L.W. Science Fiction and Fantasy Authors: A Bibliography of First Printings of Their Fiction. G. K. Hall, 1978.
  • Chalker, Jack & Owings, Mark. The Science Fantasy Publishers: A Critical and Bibliographic History. Mirage Press, 1991 (“Third Edition Revised and Enlarged”).
  • Kovacs, Christopher S. The Ides of Octember: A Pictorial Bibliography of Roger Zelazny. NESFA Press, 2010. (Note: Kovacs lists proofs, ARCs, etc. when known, so many hardback firsts are designated with the a “b” rather than an “a”.)
  • Levack, Daniel J. Amber Dreams: A Roger Zelazny Bibliography. Underwood/Miller, 1983.
  • Original Zelazny Book Manuscripts

  • Zelazny, Roger. Archive material about various Amber novels from various people, most concerning The Courts of Chaos in one way or another, including a handwritten six page synopsis of The Courts of Chaos by Zelazny, followed by the typed version of the same synopsis, plus letters to (originals) and from (apparently file carbon copies) Zelazny on the subject.
  • Zelazny, Roger. Dilvish the Damned. Del Rey, no date (but probably 1981 or 82). Unbound long galleys (the very first proof state of the book production cycle), pages age darkened but otherwise Fine, unbound but gathered into signature sheets. Kovacs, I15a.
  • Zelazny, Roger. Original ribbon-copy, hand-corrected first draft manuscript for Knight of Shadows, with two letters of authenticity from Zelazny, and the manuscript signed twice by him (on the first and last pages) in 1989. Although Zelazny was already a celebrated author at the time, he still displayed thrifty habits by typing out his manuscript on the back of whatever 8 1/2″ x 11″ scrap paper he had lying around, be it government forms, convention flyers, flyers for the Santa Fe Opera Company, and pages (presumably photocopies of works sent to Zelazny to critique or review) from other author’s manuscripts, including pages from Tom Deitz’s Fireshaper’s Doom and Jeffrey Carver’s From a Changeling Star.
  • Zelazny, Roger. Second draft photocopy of the manuscript for Sign of Chaos, showing the hand-corrections in the first draft, with further corrections by Zelazny in red, along with a four page style guide for spelling the names of the characters, etc. in the book.
  • Original Zelazny Short Story Manuscripts, etc.

  • Zelazny, Roger. “And Only I Escaped To Tell Thee.” Carbon copy of original typed manuscript.
  • Zelazny, Roger. “The Burning.” One page typewritten poem.
  • Zelazny, Roger. “A City Divided.” Original typed manuscript with numerous hand-corrections.
  • Zelazny, Roger. “The Cyborg Connection.” Original typed manuscript with numerous hand-corrections, with a carbon copy of the second draft. This story would later be published as “Halfjack.”
  • Zelazny, Roger. “Fire and/or Ice.” Original hand-corrected typescript, including one hand-written manuscript page.
  • Zelazny, Roger. “Richard Lupoff’s Sword of the Demon.” Extremely short review/piece of non-fiction. Appeared in Starlog’s SF Yearbook Volume 1, edited by David Gerrold and compiled by David Truesdale.
  • Zelazny, Roger. “Garden of Blood.” Carbon copy typed story manuscript.
  • Zelazny, Roger. “The George Business.” Carbon copy typed story manuscript, with multiple signed letters from Dragon Tales editor Orson Scott Card accepting the story, apologizing for delayed payment, etc., along with a signed signature plate by Card.
  • Zelazny, Roger. “Go Starless Into That Night.” Carbon copy of original typed manuscript, with two acceptance letters from editor Jim Baen.
  • Zelazny, Roger. “The Last of the Wild Ones.” Carbon copy of original typed manuscript.
  • Zelazny, Roger. “LP Me Thee.” One page typewritten poem.
  • Zelazny, Roger. “Stand Pat, Ruby Stone.” Carbon copy story manuscript.
  • Zelazny, Roger. Untitled poem, later published as “To Spin Is Miracle Cat.” One page typewritten poem.
  • Zelazny, Roger. “A Very Good Year.” Original hand-corrected typescript of the first draft, and a carbon-copy of the second draft.
  • Zelazny, Roger. Original hand-written first draft for story “Walpurgisnacht” on yellow lined legal paper, 5 pages long.
  • Zelazny, Roger. “The White Beasts.” Original hand-corrected typescript, plus carbon of corrected story.
  • Correspondence Archives

  • Donaldson, Stephen R. One page typed signed letter to Zelazny inviting him to a party.
  • Zelazny, Roger. Some 30 pages of correspondence between Zelazny and editor/packager Byron Preiss, most concerning The Illustrated Roger Zelazny, including copies of B&W sketches and a page of original colored pencil art by Gray Morrow for the project.
  • Zelazny, Roger, and Robert Sheckley. Several pages of correspondence between Zelazny (carbons) and Robert Sheckley (originals) concerning three stories for an anthology, plus a small autographed note to “Bob” from Zelazny.
  • Various other letters to Zelazny, some with replies.
  • Roger Zelazny Hardback First Editions

    I had all but a couple of these, but all these copies are Fine/Fine and signed by Zelazny.

  • Zelazny, Roger. Bridge of Ashes. Gregg Press, 1979. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Supplements an unsigned hardback. Levack, 2e. Kovacs, I3b.
  • Zelazny, Roger. Doorways in the Sand. Harper & Row, 1976. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Zelazny, with an additional signed note laid in “To David, This copy of Doorways in the Sand, being the chronicles of both Fred Cassidy and a Hugo and Nebula finalist.” Atypically, both the note and signature are printed rather than in Zelazny’s elegant cursive handwriting. While I wouldn’t swear it’s Zelazny’s handwriting, it’s not entirely dissimilar to other examples I have of it. Currey, page 570. Levack, 13a. Kovacs, I17b.
  • Zelazny, Roger. The Dream Master. Rupert Hart Davis, 1968. First edition hardback, a Fine copy in a Fine- dust jacket with a trace of dust staining along very top edge and at heel spine join, with sticker for Henry Morison Inc. (Zelazny’s literary agent) affixed to front free endpaper. Signed by Zelazny. Currey, page 570. Levack, 14b. Kovacs, I18b.
  • Zelazny, Roger. Four for Tomorrow. Garland Press, 1975. First hardback edition under this title (issued in UK hardback as A Rose for Ecclesiastes), a Fine copy in a Fine aftermarket dust jacket Bob photo-produced from the Ace paperback edition that Garland used to print the plates from. With a title page of the Ace paperback inscribed by Zelazny (“Many a good wish/to you/Roger Zelazny/ 7/6/84”) laid in. Replaces an unsigned ex-library copy. Currey, page 570. Levack, 17f. Kovacs, V11f.
  • Zelazny, Roger. The Hand of Oberon. Doubleday, 1976. First edition hardback, a Fine copy in a Fine- dust jacket with one closed 1/4″ tear at bottom rear, with review slip laid in. Inscribed by Zelazny: “With all good wishes,/Roger Zelazny.” Currey, page 570. Levack, 19a. Kovacs, I23a.
  • Zelazny, Roger. Isle of the Dead. Rapp & Whiting, 1970. First hardback edition, a Fine copy in a Fine- dust jacket with a tiny bit of edgewear at extremities. Inscribed by Zelazny: “To Willi/Every kind of good/wish./Best,/ Roger Zelazny/ 3/27/82.” Supplements an unsigned copy. Currey, page 570. Levack, 21b. Kovacs, I25b.
  • Zelazny, Roger. My Name is Legion. Faber & Faber, 1979. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Levack, 27h. Kovacs, I32c.
  • Zelazny, Roger. Roadmarks. Del Rey, 1979. First edition hardback, a Fine copy in a Fine dust jacket, with review slip laid in. Signed by Zelazny. Levack, 31a. Kovacs, I37z.
  • Zelazny, Roger. The Sign of the Unicorn. Doubleday, 1975. First edition hardback, a Fine copy in a Fine- dust jacket with a trace of dust soiling to white rear cover. Signed by Zelazny. Currey, page 571. Levack, 33a. Kovacs, I39a.
  • Zelazny, Roger. Today We Choose Faces. Millington, 1973. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Currey, page 571. Levack, 37b. Kovacs, I42a.
  • Zelazny, Roger. Trumps of Doom. Underwood/Miller, 1985. First limited hardback edition, #316 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket in a Very Good+ suede slipcase that has some brown dampstaining discoloration along the spine. Kovacs, I43c.

    Roger Zelazny Trade Paperback, Proofs, and Chapbooks

  • Zelazny, Roger. Blood of Amber. Arbor House, 1986. Uncorrected proof (trade paperback format) of the hardback first edition, a Fine- copy with phantom crease the length of rear cover, with review slip (with sticker signed by Zelazny affixed to it) laid in. Kovacs, Ia.

    Blood of Amber proof

  • Zelazny, Roger. Frost and Fire. William Morrow and Company, 1989. Uncorrected bound galleys (or so it says; actually a trade paperback format proof), a Fine copy, signed by Zelazny. Kovacs, V12a.

    Zelazny Frost and Fire Proof

  • Zelazny, Roger. Knight of Shadows. William Morrow and Company, 1989. Uncorrected bound galleys (or so it says; actually a trade paperback format proof), a Near Fine+ copy with slight fading to spine and small crease to bottom font corner, signed by Zelazny. Kovacs, I27a.

    Knight of Shadows proof

  • Zelazny, Roger. The Last Defender of Camelot. Underwood/Miller, 1980. First edition chapbook original, simultaneous with the extremely small hardback run (which I picked up in my previous Zelazny purchase from Bob), #265 of 275 signed, numbered copies, a Fine copy, in issued manila envelope. Levack, 23a. Kovacs, VIIIa. I now have something like eight different items with this title…

    Last Defender Chapbook

  • Zelazny, Roger. A Night on the Lonesome October. Avon Books, 1993. Advanced uncorrected proof of the hardback first edition, a Fine copy. Signed by both Zelazny and cover artist Gahan Wilson. Kovacs, I33a.

    Lonesome October Proof

  • Zelazny, Roger. Sign of Chaos. Arbor House, 1987. Proof (trade paperback format) of the hardback first edition, a Fine copy in a Fine proof state dust jacket (no copy or price on back cover, spine or flaps). Signed by Zelazny. Kovacs, I38a.
  • Zelazny, Roger. Trumps of Doom. Arbor House, 1985. Proof (trade paperback format) of the hardback first edition, a Fine copy in a Fine proof dust jacket (no copy or price on back cover, spine or flaps). Signed by Zelazny. Kovacs, I43a.
  • Zelazny, Roger. Unicorn Variations. Timescape Books, 1983. Advanced uncorrected proof of the hardback first edition, a Fine copy, signed by Zelazny. Kovacs, V21a.

    Unicorn Variations Proof

  • (Zelazny, Roger) Stephen, Christopher P. A Checklist of Roger Zelazny. Ultramarine, 1993. revised edition. Non-fiction chapbook, since superseded by the Kovacs bibliography. Kovacs, XXIII3b

    Zelazny Checklist

    Roger Zelazny Paperbacks

  • Zelazny, Roger, editor. Warriors of Blood and Dream. AvoNova, 1995. First edition paperback original, a Near Fine+ copy with number “34” written across inside cover EAC code and foxing to inside covers. Anthology. Kovacs, IX7a.
  • Zelazny, Roger, editor. Wheel of Fortune. AvoNova, 1995. First edition paperback original, a Near Fine- copy with slight spine creasing and foxing to insider covers. Anthology. Kovacs, IX8a.
  • (Zelazny, Roger) Neil Randall. Combat Command in the World of Roger Zelazny’s Nine Princes in Amber: The Black Road War. Ace, 1988. First edition paperback original, a Fine- copy with just a trace of edgewear, otherwise new and unread. Sort of a strategic pick-your-own-path adventure. Kovacs, X8a. I had one of these about a decade ago that I sold on eBay for $25…
  • First Editions By Other Authors (Some Related to Zelazny)

    And here are books not by or about Zelazny, but some have contributions from Zelazny or some other connection to him.

  • Banks, Iain M. The Algebraist. Orbit, 2004. First edition hardback, a Fine copy in a Fine dust jacket, signed by Banks. Supplements an unsigned first.
  • Banks, Iain M. Player of Games. Macmillian (UK), 1988. First edition hardback, a Fine copy in a Fine dust jacket, signed by Banks. Supplements an unsigned first.
  • Bova, Ben, editor. (Roger Zelazny) The Best of Omni Science Fiction. Omni Society, 1980. First edition hardback, a Fine- copy with slight wear in a Very Good dust jacket with shallow chipping at points, rubbing to rear cover, a 1/2″ closed tear, and general wear. Roger Zelazny’s personal contributor’s copy (for the story “Halfjack” (see above)), with two signed typed letters from Omni editor Ben Bova laid in.
  • Cahill, James, editor. Ten Tales. James Cahill Publishing, 1994. First edition hardback, one of only 26 unnumbered “Author Copies”, a Fine- copy (gilt letters on spine are showing small spots of what might be oxidation) in a Very Good only slipcase with spotting and uneven fading, sans dust jacket, as issued. Original anthology with the Zelazny story “The Salesman’s Tale.” There was also a 250 copy numbered edition. (Chalker and Owings Supplement Three calls for a 26 copy leatherbound edition; this copy is bound in cloth with a cloth slipcase.)
  • Martin, George R. R. Portraits of His Children. Dark Harvest, 1987. First edition hardback, # OO of 52 signed, lettered copies bound in white leather, a Fine copy in a Fine wooden “slipcrate” slipcase, sans dust jacket, as issued. Zealzny provides the introduction (“A Sketch of Their Father”) and a signature. I always thought the Dark Harvest slipcrates were attractive productions, and I’m happy to have one in my library. Supplements a trade edition. Chalker/Owings, page 119.

    IMG_0383

  • Martin, George R. R., editor. Wild Cards. Bantam Spectra/SFBC, 1987. First hardback edition (book club), preceded by the trade paperback original, a Fine copy in a Fine- dust jacket with edgewear at points. Shared world superhero anthology which includes the Zelazny story “The Sleeper.” Man, seems like every single edition of the early Wild Cards books had ugly covers…
  • Martin, George R. R., editor. Wild Cards. Bantam Spectra, 1987. Uncorrected page proofs (trade paperback format) of the hardback first edition, a Fine copy. Shared world superhero anthology which includes the Zelazny story “The Sleeper.”

    Wild Cards proof

  • Powers, Tim. Dinner at Deviants Palace. Chatto & Windus, 1986. First trade hardback, first UK hardback, and first non-book club hardback edition, a Fine copy in a Fine dust jacket. Berlyne, Powers: Secret Histories, A5c.1.
  • Roger Zelazny Books I Still Lack

    Still have a few stray “fill out” Zelazny titles I haven’t been able to track down yet:

  • The Doors of His Face, The Lamps of His Mouth (Pulphouse hardback of just that story)
  • (as editor) The Williamson Effect (Tor, 1996) (It’s not hard to find, I’m just looking for a perfect copy)
  • Greenberg, Martin H., editor. Lord of the Fantastic: Stories in Honor of Roger Zelazny (Avon Eos, 1998)
  • Lindskold, Jane. Roger Zelazny. Twayne, 1992.
  • Sanders, Joseph L. Roger Zelazny: A Primary and Secondary Bibliography (G. K. Hall, 1982)
  • Yoke, Karl B. Roger Zelazny: Starmont Reader’s Guide (Borgo Press (Library binding hardback), 1979)
  • Photo Gallery: Writers at the 2014 London Worldcon Part 1

    Monday, September 8th, 2014

    Leigh Kennedy, who I had lunch and dinner with the Monday before the con. We have loads of common friends, but knew them at different times, so there was a lot of trading stories…

    In profile.

    Cory Doctorow, exhibiting his unique sense of style…

    …and with an actual top to his head.

    John J. Miller of Wild Cards fame, with Gail Gerstner-Miller.

    Kim Newman, in his usual natty, multilayered attire.

    Jonathan Strahan and David Hartwell.

    Pat Murphy, all scarfed-up.

    With scarf and shoes.

    Lavie Tidhar, who used to do reviews for me back in the Nova Express days.

    Ian Watson and Lavie Tidhar, signing books at the PS Publishing table in the dealer’s room. I asked Watson what the genesis of the Watson-Aldiss feud was. “I’ve gotten to the age when I’m not sure I remember it properly anymore…”

    Connie Willis.

    Liz Hand.

    And looking slightly less crazed.

    Ellen Datlow and Liz Hand fan themselves and look down upon the peasantry.

    Elle Datlow solo.

    Guest of honor John Clute.

    Adam Roberts.

    Geoff Ryman peers at me suspiciously.

    Gary K. Wolfe.

    Andy Duncan.

    Didn’t get all the names, but this is something like 75% of the Israeli SF publishing industry.

    Kim Stanley Robinson.

    John Gibbons.

    Michael Swanwick, Geoff Ryman, and Ellen Datlow.

    Michael Swanwick and Gordon Van Gelder, looking way too befuddled for the first day of the con.

    Lisa Tuttle, who I had lunch with, joined by…

    …George R. R. Martin.

    George R. R. Martin and the Spanish George R. R. Martin.

    Michael Swanwick and George R. R. Martin, enjoying fine dining in an atmosphere of unpretentious ambiance.

    Parris McBride Martin.

    Alastair Reynolds.

    Pat Cadigan.

    Pat Cadigan in green.

    Pat Cadigan with fan-drawn cyberpunk.

    Finally, Pat Cadigan with her spiffy Doc Martin boots.

    The elusive Richard Calder.

    Michael Swanwick showing off his outfit. “This shirt is bespoke! Bespoke, I tell you!”

    Finally, Michael Swanwick showing off the t-shirt for MidAmericon II, the 2016 Kansas City Worldcon he’s Guest of Honor at. (Pat Cadigan is Toastmistress.)

    Library Additions: June 14—December 31, 2013

    Monday, January 6th, 2014

    It’s been another landmark year for adding books to my library of science fiction first editions. This post documents everything I bought after my big Zelazny acquisition on June 13, including some books that have been covered in posts since, and many that haven’t. (What I bought earlier in the year before the big Zelazny purchase can be found here.) All are first edition hardbacks, Fine copies in Fine dust jackets, unless otherwise noted.

  • Adams, Douglas. The Hitchhiker’s Guide to the Galaxy. Harmony Books, 1979. First U.S. edition.
  • (Adams, Douglas) Gaiman, Neil. Don’t Panic: Douglas Adams & The Hitchhiker’s Guide to the Galaxy. Titan Books, 2003. First hardback edition and first edition thus (revised and updated), a Fine copy in a Fine dust jacket. Non-fiction reference work.
  • Aldiss, Brian. Moreau’s Other Island. Jonathan Cape, 1980. First edition hardback, a Fine copy in a Fine dust jacket, signed by Aldiss on the front free endpaper.
  • Aldiss, Brian. This World and Nearer Ones: Essays Exploring the Familiar. Weidenfield and Nicolson, 1979. First edition hardback, a Fine copy in a Fine dust jacket.
  • (Aldiss, Brian) Aldiss, Margaret. Item Eighty-Three: Brian W. Aldiss: A Bibliography: 1954—1972. SF Horizons, (1973). Chapbook, Fine. Non-fiction.
  • Asimov, Isaac. Nemesis. Doubleday, 1989. First edition hardback, number 485 out of 500 signed, numbered copies, a Fine copy in a Fine slipcase, sans dust jacket, as issued. This was a serendipitous find. I wasn’t looking for it (since I’m not generally a big fan of Asimov’s later work), but merely entered “signed limited edition” in Amazon’s books section just to see what I would find and this came up at $80. Given that it was originally issued at $125, and given that copies on Bookfinder start at $150, I thought it was a good price. Asimov isn’t actually a hard signature (especially compared to verified Philip K. Dick or Robert A. Heinlein signatures), but he has become fairly pricey one for his first editions.

  • Asimov, Isaac, edited by Stanley Asimov. Yours, Isaac Asimov. Doubleday, 1995. First edition hardback, a Near Fine copy with one tiny black remainder mark I missed, otherwise apparently new and unread, in a Fine dust jacket. Non-fiction collection of Asimov’s letters.
  • Ballard, J. G. Myths of the Near Future. Jonathan Cape, 1982.
  • Ballard, J. G. The Disaster Area. Jonathan Cape, 1967. First edition hardback, a Fine copy in a near Fine dust jacket with edgewear and a few tiny spots of rubbing to dust jacket rear. Replaces a copy with a far more worn dust jacket. Bought for $100 at Half Price Books during a coupon sale.

    Disaster Area

  • Ballard, J. G. The Drought. Jonathan Cape, 1965. First hardback edition and first complete edition, a Near Fine+ copy, with spine of book itself slightly discolored and small sticker for London bookseller Foley’s on inside cover, in a Fine dust jacket. Currey, page 22. Goddard and Pringle, J. G. Ballard: The First Twenty Years, item 59. Bought for $212.50, marked down from $425.

  • Ballingrud, Nathan, and Eileen Gunn. North American Monster Stories. Small Beer Press, 2013. Paperback chapbook original, Fine.
  • Banks, Iain. The Quarry. Little Brown, 2013.
  • Bear, Elizabeth. Book of Iron. Subterranean Press, 2013. Number 65 of 250 signed, numbered copies.
  • Bear, Elizabeth. Book of Iron. Subterranean Press, 2013. Trade edition.
  • Bear, Greg. Early Harvest. NESFA Press, 1988. First edition hardback, #173 of 250 signed, numbered copies (800 print run total), a Fine copy in a Fine dust jacket and slipcase. Supplements a signed trade copy. Bought off the Internet for $37.50.
  • Beaumont, Charles. The Intruder. Centipede Press, 2013. First edition thus, one of 200 copies signed by editor Roger Anker, William F. Nolan, and J.K. Potter. Basis of the Roger Corman film starring William Shatner.
  • Beaumont, Charles and John Tormerlin. Run From the Hunter. Centipede Press, 2013. First edition thus and first edition under authors’ actual names, one of 200 copies signed by John Tomerlin and J.K. Potter.
  • Beyer, William Gray. Minions of the Moon. Gnome Press, 1950. First edition hardback, a Very Good+ copy with small spotting to front and rear boards and wear at top and bottom boards, in a Near Fine+ dust jacket with wear along spine and front panel join and slight edgewear elsewhere; a really nice example of the Edd Cartier dust jacket. The eighth Gnome Press book. Chalker/Ownings (1991), page 198. Kemp, The Anthem Series, page 197. Trying to collect the entire Gnome Press line…

    Minions Moon

  • Blaylock, James P. with Kim Stanley Robinson. Two Views of a Cave Painting b/w Escape From Kathmandu. Axolotl Press, 1986. First edition hardback, #43 of 300 signed, numbered hardback copies, a Fine copy in a Fine dust jacket.
  • Bleiler, Richard. Supernatural Fiction Writers. Charles Scribner’s Sons/Thomson/Gale, 2003. First edition hardbacks of the Second Edition (stated inside, not on the cover), a two volume set, Fine- copies with slight dust soiling at heel in decorated boards with slight haze rubbing, sans dust jacket, as issued. Non-fiction reference work. Bought for $40, including dealer discount, which I though was a pretty good price, since non-Ex-Library copies list in the multiple hundreds. Note that the first edition was edited by the late E. F. Bleiler, while this second edition is edited by his son (who I’ve sold many a book to over the years…)
  • (Blish, James) Stableford, Brian M. A Clash of Symbols: The Triumph of James Blish. Borgo Press, 1979. First edition hardback, a Fine copy in a Fine dust jacket (somewhat uncommon for Borgo, who usually went for plasticized decorated boards for their hardbacks), #17 of 62 signed/numbered copies signed by Stableford. Bought for $28. Non-fiction critical work, part of the Milford series, which I pick up in hardback when I chance across them for authors I’m interested in.
  • Brackett, Leigh. The Sword of Rhiannon. Boardman, 1955. First hardback edition (“First published in Great Britain, 1955″, as per Currey), a Fine- copy with slight bend at head and heel and foxing to interior gutters, in a Very Good dust jacket with 1/4” of wear rubbing/chipping (dust jacket is present, but image has been worn away) at head, a similar, smaller amount of wear at heel, a shallow chip with associated wear at top rear, and crease along front cover spine join running the entire length of the jacket, and wear along extremities; despite all that, the rest of the jacket is quite bright and attractive. Currey, page 53. Cawthorn & Moorocock, Fantasy: The Hundred Best Books 75. A fairly uncommon book these days.

  • Bradbury, Ray. Collected Short Stories. Petersen Publishing Company (The Great Author Series), 2002. Presumed first edition hardback (no additional printings listed), a Fine copy in decorated boards, sans dust jacket, presumably as issued.

  • Bradbury, Ray. The Dragon. Footsteps Press, 1988. First edition chapbook, #72 of 300 signed, numbered copies, Fine. Has affixed wrappers with a transparent blue Mylar window (there were evidently also red and yellow window variants).

  • Bradbury, Ray. Driving Blind Avon Books, 1997. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed by Bradbury: “Marilyn! /Onward!/Ray Bradbury/Oct. 18, ’97”. Bought for $20 off eBay.
  • Bradbury, Ray. The Homecoming. Collins Design, 2006. First edition hardback in decorated boards, a Fine copy in a Fine dust jacket, signed by Bradbury. Illustrated by Dave McKean. Short story done as a short illustrated book. Bought for $30.51 off eBay.

  • Bradbury, Ray. The Veldt. The Perfection Form Company, 1982. (Possible) First edition chapbook original, a Fine copy in stapled wraps, inscribed by Bradbury on the cover. Reading comprehension questions at the back.

  • Bradbury, Ray. With Cat for Comforter. Gibbs Smith Publisher, 1997. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bradbury. Illustrated by Louise Reinoehl Max. Short poem turned into an illustrated children’s book. Replaces an unsigned copy in my library. Bought for $16.66 off eBay.

  • Bradley, Marion Zimmer. The Sword of Aldonis. Gregg Press, 1977. First hardback edition, Fine- with a trace of wear at tips, sans dust jacket, as issued. Darkover novel. Currey (1978), page 61.
  • Bradley, Marion Zimmer. The Heritage of Hastur. Gregg Press, 1977. First hardback edition, Fine- with a trace of wear at tips, sans dust jacket, as issued. Darkover novel. Currey (1978), page 62. Bought more as part of my long-term goal of collecting all the Gregg Press first editions…
  • Bramah, Earnest. The Moon of Much Gladness. Cassell & Company, 1932. First edition hardback (Berro A17, a Fine- copy with slight bends at head and heel in a VG+ dust jacket with a 1/8″ chip at rear head join, slight cracking at top edge of front cover, and dust soiling to rear, otherwise a fairly bright and attractive copy of a book seldom offered in dust jacket. Bought for $300 off the Internet from a major SF book dealer. (What appear to be tiny spots of white rubbing to the black dj are in fact scanner artifacts.)

    Moon Much Gladness

  • Brundage, Margaret (edited by Stephen D. Korshak and J. David Spurlock). The Alluring Art of Margaret Brundage, Queen of Pulp Pin-Up Art. Vanguard Productions/Shasta Phoenix, 2013. First edition hardback, slipcased limited edition with 16 additional pages of art, a Fine copy in a Fine dust jacket, new and unread. Brundage was the woman who did all those great “damsel in distress” covers for Weird Tales in the 1930s, and it’s great to finally have a book of her art.

    P1000125

  • Brunner, John. The Man Who Was Secrett and Other Stories. Ramble House/Dancing Tuatara Press, 2013. First edition POD hardback, Fine/Fine.
  • Budrys, Algis. Cerberus. Pulphouse, 1989. First edition hardback, #53 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket. Part of the “Pulphouse Convention Series.” Fourth book Pulphouse did, and the first one that wasn’t an issue of their namesake hardback magazine.
  • Campbell, Ramsey. Scared Stiff: Tales of Sex and Death. Scream Press, 1987. First edition hardback, #130 of 250 signed, numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued, in a Fine slipcase. Bought for $20. I’m sort of collecting a complete Scream Press collection, but it’s fairly low on my list of priorities…
  • Carriger, Gail (pen name of Tofa Borregaard). Heartless. Orbit, 2011. Paperback original, a Fine- copy. Parasol Protectorate #4.
  • Chabon, Michael. Fountain City: A Novel Wrecked. McSweeney’s, 2010. First edition paperback original, a small, slightly oblong format, roughly 5 1/4″ high, by 6 1/4″ long, a Fine- copy in Fine- fold over wrappers (which fold out into a sort of map picture), with a tiny, 1/16″ cut to top font cover. The opening chapters of a novel Chabon abandoned. Bought for $22.50, down from $45.

  • Clarke, Arthur C. Imperial Earth. Gollancz, 1975.
  • Clement, Hal (writing name of Harry C. Stubbs). Fossil. DAW, 1993. First edition paperback original, Fine- with a tiny bit of edgewear.
  • Clement, Hal. Small Changes. Doubleday, 1969. First edition hardback, a Near Fine+ copy with blindstamp on title page and crimping at head and heel, in a Near Fine- dust jacket with dust soiling to white background and a small closed tear and associated wrinkle to top front flap. Signed “”Hal Clement” (Harry C. Stubbs)”. Not overly common these days. Bought for $28.
  • Dick, Philip K. The Collected Stories of Philip K. Dick Volume 4: Minority Report. Subterranean Press, 2013. First thus.
  • Dick, Philip K. A Handful of Darkness. Rich & Cowan, 1955. First edition hardback, Currey binding A (blue boards lettered in silver) in a first state dust jacket (no mention of World of Chance), an Ex-Library copy with most of the usual flaws, including protected dust jacket flaps taped to boards (and inner cardboard sleeve additionally taped) and stamp for Eeeling Science Fiction Postal Library on inner cover; dust jacket is completely intact, the only flaws being “D11/2” written in white on bottom spine just above publisher, and slight dust staining to white rear cover; call it a VG/NF Ex-Lib copy. Levack, 21a. Currey (1978), page 157. Dick’s first short story collection and first hardback book. (Hairline crack on left is a scanner artifact.)

  • (Dick, Philip K.) Peake, Anthony. A Life of Philip K. Dick: The Man Who Remembered the Future. Arcturus, 2013. Non-fiction.
  • Di Filippo, Paul. Time’s Black Lagoon. DH Press, 2006. Paperback original, a Fine, unread copy. Sequel to the movie The Creature From the Black Lagoon.
  • Dozois, Gardner and George R. R. Martin, editors. Songs of Love & Death. Gallery Books, 2010.
  • Egan, Greg. The Eternal Flame (Orthogonal Book 2). Night Shade Books, 2012.
  • Ellison, Harlan. All the Lies That Are My Life. Underwood/Miller, 1980. First edition hardback, one of 400 unsigned trade hardcover copies, a Fine copy in a Fine dust jacket. Chalker/Owings, page 432.
  • Ellison, Harlan. Harlan Ellison is Watching. Underwood/Miller, 1989. First edition hardback, #46 of 600 signed, numbered copies, a Fine copy in a Fine dust jacket and slipcase. Chalker/Owings, page 440.
  • Ellison, Harlan. Stalking the Nightmare. Phantasia Press, 1982. First edition hardback, #240 of 700 signed hardback copies, a Fine copy in a Fine dust jacket and slipcase. Supplements a copy of the trade edition. Chalker/Owings, page 340.
  • Farmer, Philip Jose. Lord Tyger. Doubleday, 1970. First edition hardback, a Fine- copy with slight crimping at head and heel and trace of foxing along gutters, in a Fine- dust jacket with slight darkening to spine and a few traces of dust soiling. Signed by Farmer. Farmer’s SF take on Tarzan. Currey (1979), page 153. Bought for $60.

    Lord Tyger

  • Gaiman, Neil. Fortunately the Milk…. HarperCollins (UK), 2013. First edition hardback (the UK and U.S. edition were evidently simultaneous), slipcased limited edition (“with exclusive bookmark”) sold by UK bookstore chain Foyle’s signed by Gaiman and illustrator Chris Riddle, a Fine copy, sans dust jacket, as issued, still in shrinkwrap. I think this state came out about a month after the trade edition. Young adult novella. Bought for £19.99 plus shipping off eBay.

    Gaiman Milk

  • Gaiman, Neil, with David McKean. Mythological Creatures. The Royal Mail, 2009. First edition folded broadside, legal-paper sized printed cardstock, two-sided, with six stamps in attached Mylar pouches, Fine. Collectable stamp folder with six mini-stories by Gaiman, one for each mythological creature on the stamps, with Dave McKean art. An odd item I only recently became aware of, and one that may frustrate Gaiman completists a few years hence…

    Mythical Creatures

  • Gibson, William. Zero History. Putnum, 2010. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Gibson. Bought for $12 (marked down from $20) at a Half Price Books during a coupon sale.
  • Haldeman, Joe. A Separate War and Other Stories. Ace, 2006.
  • Harrison, Harry. Skyfall. Faber & Faber, 1976. First edition hardback, a Fine copy in a Fine dust jacket, signed and dated (“82”) by Harrison. Bought for $20.
  • Heinlein, Robert A. The Number of the Beast. New English Library, 1980. First hardback edition, a Fine copy in a Fine dust jacket. Reportedly Heinlein’s worst novel, but if you’re collecting the whole set…

    Heinlein Number Beast

  • Heinlein, Robert A. The Puppet Masters. Doubleday, 1951. First edition hardback, a Fine- copy with slight foxing to endpapers and tiny touches of wear at heel in a in a Near Fine- dust jacket with extremely shallow surface chipping at head and slight fading of purple coloring on spine. A very nice copy of one of Heinlein’s most important early novels. Currey (1978), page 233. Pringle, SF 100 4.

    Puppet Masters

  • (Heinlein, Robert A.) Patterson, William H. Robert A. Heinlein in Dialogue With His Century Volume 1: Learning Curve: 1907-1948. Tor, 2010. First edition hardback, a Fine copy in a Fine dust jacket. Non-fiction biography.
  • Hill, Joe. Locke & Key 3: Crown of Shadows. Subterranean Press, 2013. #31 of 250 signed, numbered copies, in slipcase. Graphic novel.
  • Howard, Robert E. Cormac MacArt Baen, 1995. First edition paperback original, Fine- with a tiny bit of edgewear, foxing inside covers, and a phantom crease along rear cover. Mostly reprints Howard stories from Tigers of the Sea, but adds a new Cormac MacArt story by David Drake.
  • Howard, Robert E. Kull Baen, 1995. First edition paperback original thus (“First Complete Edition”), a Fine copy.
  • Howard, Robert E. Kull: Exile of Atlantis. Subterranean Press, 2013. Hardback first edition thus, #305 of 1,500 copies signed by artist Justin Sweet, a Fine copy in a Fine dustjacket and slipcase.
  • Howard, Robert E. The Sower of Thunder. Donald M. Grant, 1975. First edition hardback, a Fine copy in a Fine dust jacket, signed by illustrator Roy G. Krenkel. Currey (1978), page 252.
  • Howard, Robert E. (edited by Robert M. Price). Nameless Cults: The Cthulhu Mythos Fiction of Robert E. Howard. Chaosium, 2001. Trade paperback original, Fine. Includes four Howard story fragments finished by others.
  • Hubin, Allen J. Crime Fiction, 1749-1980: A Comprehensive Bibliography with 1981-1985 Supplement to Crime Fiction, 1749-1980: A Comprehensive Bibliography. Garland, 1984/1988. First edition hardbacks, Near Fine copies with dust staining at head and traces of wear at points and heel, sans dust jacket, as issued. Bought from Half Price Books for $5 for the set (marked down from an original price of $60). I’m a sucker for comprehensive bibliographies…
  • (Jeter, K. W. and Ferret, as Dr. Adder and Mink Mole). Alligator Alley. Morrigan Books, 1989. First edition hardback, copy #104 of 210 signed, numbered copies, a Fine copy in a Fine dust jacket and slipcase, as well as a cassette tape of material related to the novel. Does not include the T-shirt that was sold with some of the slipcased copies. Supplements my trade edition. Jeter told me he actually had very little to do with the novel…
  • Jones, Sergent Morgan, and Damien Lewis. The Embassy House. Threshold Editions, 2013. Non-fiction on Benghazi embassy attack. Withdrawn by the publisher under political pressure.
  • Jones, Stephen, Editor. Weird Shadows Over Innsmouth. Fedogan & Breamer, 2005. Cthulhu Mythos anthology.
  • Jones, Stephen, Editor. Weirder Shadows Over Innsmouth. Fedogan & Breamer, 2013. Cthulhu Mythos anthology.
  • Klaw, Rick, editor. Rayguns Over Texas. Fandom Association of Central Texas, 2013. First edition trade paperback original, a Fine copy, new and unread, signed by 13 of the contributors. Anthology of SF stories from Texas writers published for the 2013 Worldcon in San Antonio. I have a story in here, “Novel Properties of Certain Complex Alkaloids,” that’s like a Greg Egan story by way of H. P. Lovecraft and Timothy Leary. Introduction by Bruce Sterling. This copy signed by myself, editor Rick Klaw, cover artist Rocky Kelly, Don Webb, Chris Brown, Matthew Bay, Stina Leicht, Nicky Drayden, Rhonda Eudaly, Derek Austin Johnson, Marshall Maresca, Sanford Allen, and Josh Roundtree. I also have an additional copy inscribed to me by several of the contributors in my contributor copy library.
  • (Koontz, Dean R.) Kotker, Joan G. Dean Koontz: A Critical Companion. Greenwood Press, 1996 (stated; probably more recent). Reprint hardback, Fine, sans dust jacket, as issued. Non-fiction.
  • Lake, Jay. Dogs in the Moonlight. Prime Books, 2004. First edition hardback, a Fine copy in a Fine- dust jacket with a bit of wear at the tips. Signed by Lake. Missed this when it came out, mainly because Prime was still part of Wildside. Bought for $24 off the Internet.
  • Lake, Jay. Endurance. Tor, 2011. Signed by Lake. Bought for 20% off cover at the San Antonio Worldcon.
  • Lansdale, Joe R. Bleeding Shadows. Subterranean, 2013. Short story collection.
  • Lansdale, Kasey, editor. Impossible Monsters. Subterranean Press, 2013.
  • Leiber, Fritz. The Moon is Green and Other Tales. Armchair Fiction, 2013. First edition trade paperback original (POD), a Fine copy, new and unread.
  • (Leiber, Fritz) Morgan, Chris. Fritz Leiber: a bibliography, 1934—1979. Morgenstern, 1979. Chapbook original, one of 1000 copies, a Near Fine+ copy with spots of age darkening to cover.
  • Leinster, Murray and Charles L. Fontenay. Planet of Dread b/w Twice Upon a Time. Armchair Fiction, 2010. First edition trade paperback original (POD), a Fine copy, new and unread. Honestly, I just picked this up for the cool, retro giant spider cover.

  • Lem, Stainslaw. A Perfect Vacuum. Harcourt Brace Jovanovich, 1979. First English language edition hardback, a Fine copy in a Fine- dust jacket with small closed tear at bottom front and a few touches of wear. Reviews of imaginary books. Replaces an Ex-Library copy in my library.
  • Lethem, Jonathan. Chronic City. Doubleday, 2009.
  • Littell, Jonathan. The Kindly Ones. Harper, 2009. First U.S. edition of a book original published in French as Les Bienveillantes, a Fine copy in a Fine- dust jacket with a few touches of wear at edges. In 1989 Littell published a 3rd-generation cyberpunk PBO called Bad Voltage, then slipped from public view until he published Les Bienveillantes, a novel about the Holocaust, in France in 2006 (he’s a dual U.S. French citizen), which won the prestigious Prix Goncourt literary award.
  • (Lovecraft, H.P.) Lockhart, Ross E., editor. The Book of Cthulhu II. Night Shade Press, 2012. Trade paperback original. Anthology.
  • Martin, George R. R. and John J. Miller. Wild Cards Volume VII: Dead Man’s Hand. Bantam Spectra, 19990. First edition paperback original, a Fine- copy with a trace of edgewear.
  • (Martin, George R. R.) Samuelson, Todd, Editor. Deeper Than Swords: Celebrating the Work of George R. R. Martin. Texas A&M University Cushing memorial Library and Archives, 2013. Oversized trade paperback, a Fine copy. Illustrated critical companion to Martin’s work, published as part of an event at the library with Martin on March 22, 2013.
  • Matheson, Richard. The Memoirs of Wild Bill Hickock. Jove, 1996. Paperback original, VG with creasing.
  • Matheson, Richard. The Shrinking Man. Gregg Press, 1979. First Gregg Press edition, Fine, sans dust jacket, as issued.
  • Mieville, China. London’s Overthrow. The Westbourne Press, 2012. First edition trade paperback original, Fine, new and unread. Non-fiction. Appears to be a political rant with pictures.
  • McDevitt, Jack. Echo. Ace, 2010. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of wrinkling at top edge.
  • Moorcock, Michael. Sailor on the Seas of Fate. Quartet Books, 1976. First edition hardback, a near Fine copy with a chip out of the corner of the front free endpaper, in a Fine dust jacket. Currey, page 372.
  • Moore, C.L. Judgment Night. Gnome Press, 1952. First edition hardback, a Near Fine+ copy with slight crimping at head and heel, mild foxing to inner gutters, and a few tiny spots of wear to bottom boards, in a Near Fine+ dust jacket with 1/4″ closed tear at heel, slight wrinkling at rear head, and a touch of edgewear. A truly superb, bright example of the dust jacket. Collection of five longer stories. Currey (1978), Page 377. Chalker/Owings (1991), page 199. Anatomy of Wonder 4, 3-130. Another notable book from the golden age of the genre small press. Bought for $65 off eBay.

    Judgment Night

  • Picacio, John. John Picacio 2014 Calendar. Lone Boy, 2013. First edition, Fine, signed by the artist, with Kickstarter specials, including six oversized loteria cards, a sketcbook, and a signed pencil.

    P1000119

  • Pohl, Frederik, with Jack Williamson. The Saga of Cuckoo. Nelson Doubleday (SFBC), 1983. First edition thus and first hardback (a book club omnibus edition of Farthest Star and A World Around a Star, both previously published only in paperback), code “N34” on page 433 (as per ISFDB), a Fine- copy with a tiny bit of crimping at head and heel, in a Fine dust jacket. Signed by both Pohl and Williamson. Bought for $22.50 off eBay.
  • Powers, Tim/James P. Blaylock. The Way Down the Hill/The Pink of Fading Neon. Axoltl Press, 1986. First Edition hardback, #178 of 300 hardback copies by both authors and introducers Ed Bryant and Charles De Lint, a Fine copy in a Fine dust jacket. Bought for $30 plus shipping from Heritage Auctions. One of those books I wasn’t sure whether I owned or not, since I had the other Axolotl Press Powers and Blaylock books…
  • Rainey, Stephen Mark. Song of Cthulhu. Chaosium, 2001. Trade paperback original, Fine. Anthology.
  • Reynolds, Alastair. Dr. Who: Harvest of Time. BBC Books, 2013. Signed by Reynolds at the 2013 San Antonio Worldcon.
  • Roberts, Adam (as A. R. R. R. Roberts). The Soddit, or Let’s Cash In Again. Gollancz, 2003. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Roberts. Parody of The Hobbit.
  • Robinson, Kim Stanley. 2312. Orbit, 2012. First UK edition (I think the U.S. precedes by two days), a Fine- copy with slight wrinkling to top of dust jacket.
  • Schweitzer, Darrell. Cthulhu’s Reign. DAW, 2010. paperback original, Fine. Anthology.
  • Sennholz, Mary. On Freedom and Free Enterprise. Von Nostrand, 1956. First edition hardback, a Near Fine copy with slight dust-staining to head and crimping at head and heel in a very Good+ dust jacket with 1/4″ tears at head and heel. Collection of free market essays, published in honor of the 50th anniversary of Ludvig von Mises’ receiving his doctorate. Bought for $5 at Half Price Books.
  • Shaver, Richard S. The Shaver Mystery, Book One. Armchair Fiction, 2011. First edition trade paperback original, Fine, new.
  • Shaver, Richard S. The Shaver Mystery, Book Two. Armchair Fiction, 2011. First edition trade paperback original, Fine, new.
  • Shaver, Richard S. The Shaver Mystery, Book Three. Armchair Fiction, 2012. First edition trade paperback original, Fine, new.
  • Shaver, Richard S. The Shaver Mystery, Book Four. Armchair Fiction, 2013. First edition trade paperback original, Fine, new. The four volumes collect stories and ancillary material from the “Shaver Mystery,” Shaver’s weird, strangely compelling conspiracy theory/alternate reality in which a hateful race of “deros” (“detrimental robots”) lived inside he earth, beaming mind-control rays at surface dwellers (and occasionally kidnapping them for torture, food, or sport). Shaver’s elaborate, unhinged vision brought a vast legion of cranks out of the shadows and onto the subscriber ranks of Amazing, whose editor Ray Palmer started publishing Shaver’s stories in the 1940s, which was to have a considerable impact on SF fandom. I doubt much of this has seen print since it’s original appearance in Amazing, or in Palmer’s subsequent The Hidden World. If you’re a connoisseur of crank literature, Shaver is up there with the whackiest.
  • Shea, Michael. Assault on Sunrise. Tor, 2013. Sequel to The Extra.
  • Shea, Michael. The Incomplete Nifft. Baen, 2000. First edition paperback original thus, an omnibus edition of Nifft the Lean and The Mines of Behemoth, a NF copy, with a crease on the bottom back cover.
  • Silverberg, Robert. Capricorn Games. Random House, 1976. Signed by Silverberg. Currey (1979), page 436.
  • Silverberg, Robert. The Collected Stories of Robert Silverberg Volume 8: Hot Times in Magma City: 1990-1995. Subterranean Press, 2013. Fine, sands dust jacket, as issued.
  • (Simak, Clifford D.) Becker, Muriel R. Clifford D. Simak: a primary and secondary bibliography. G. K. Hall, 1980. First edition hardback, a Fine copy, sans dust jacket, as issued. Non-fiction. I do wish the books were separated from the short fiction listings…
  • Smith, Clark Ashton. Lost Worlds. Arkham House, 1944. First edition hardback, a Near Fine+ copy with slight crimping at head and heel, bump to top front corner, usual age darkening to pages, and a trace of foxing to gutters, in a Near Fine dust jacket with age darkening to light-colored portion of spine, short closed tear and associated 1/2″ wrinkle crease at head, a tiny bit of rubbing at heel, and age darkening around edges and crease folds. Smith’s second prose collection and the seventh Arkham House book published. Currey (1978), page 453. Locke, Spectrum of Fantasy One, page 200. Bleiler, Guide to Supernatural Fiction, 1485. Tymn, 4-202. Joshi, Sixty Years of Arkham House 7. Derleth, 30 Years of Arkham House, 7. Jaffery (1982), 7. Nielsen, 7. Bought for $172 off the Internet.

    CAS Lost Worlds

  • Smith, Edward E., Ph.D. Skylark Three. Fantasy Press, 1948. First edition hardback, one of 500 subscriber copies with a signature page inscribed by Smith bound in: “To Hugh F. Henry—/Three in a row — Hot dog!/And thanks a million for/the compliment./Edward E. Smith, Ph.D.” (Doc Smith had marvelously clear handwriting), a Fine- copy with a tiny bit of crimping at head and heel and faint foxing to gutters, in a Near Fine dust jacket with slight rubbing to top 1/2″ of front, slight edgewear at head, and slight dust soiling to rear cover. E. E. “Doc” Smith is someone I only pick up as a target of opportunity, but I couldn’t pass up a chance to pick up a very attractive example of one of the Fantasy Press subscriber copies for one of their most popular writers for approximately $150 after sale discount.

  • Smith, George O. The Brain Machine. Garland Press, 1975. First hardback edition, Fine, sans dust jacket, as issued. Originally a paperback original under the title The Fourth “R”. Currey (1979), page 458. Garland, like Gregg Press, usually did interesting hardback reprints.
  • Smith, George O. Hellflower. Abelard Press, 1953. First hardback edition, a Fine copy in a Near Fine+ dust jacket with slight spine fade to red portions and tiny traces of wear, otherwise a complete, bright and attractive dust jacket. Currey (1979), page 458.

    Hellflower

  • Stephenson, Neal. Some Remarks. Atlantic Books, 2012. First UK edition. Non-fiction.
  • Sturgeon, Theodore. A Touch of Sturgeon. Simon & Schuster (UK), 1987. Fine-/Fine- with sight crimping at head.
  • Swainston, Steph. The Modern World. Inscribed by the author: “S. Swainston/12.05.07/’All things from eternity are of like forms/And come round in a circle.’ — Marcus Aurelius”. With photograph of the author laid in. Bought for $24. I should really get around to reading The Year of Our War some day…
  • Swanwick, Michael. Moon Dogs. NESFA Press, 2000. First edition hardback, one of 175 signed slipcased copies, a Fine copy in a Fine dust jacket. Supplements an inscribed trade copy.
  • Swanwick, Michael. Tumbling. Dragonstairs Press, 2013. First edition micro-chapbook original, 3″ x 2 3/4″ inches, #10 of 50 signed, numbered copies, Fine, new and unread.

  • Taine, John. The Time Stream. Buffalo Book Company, 1946. First edition hardback, a Near Fine copy with foxing to inside covers and a few faint pinpoint spots on boards, in a VG- dust jacket with uneven loss to top edge, mostly 1/16″ but occasionally as much as 1/4″. According to Chalker/Owings (1991), page 78, only 500 copies were ever bound, and half of those were lost in a rainstorm. Currey (1979), page 29. Bleiler Checklist, 1978, page 191. Locke, Spectrum of Fantasy One, page 211. 333, page 63. An important early SF specialty book.

    Taine Time Stream

  • Tucker, Wilson. Ice and Iron. Doubleday, 1974. First edition hardback, a Fine copy in a Fine- dust jacket with edgewear at head and heel, with review slip laid in. Inscribed by Tucker: “For Dave, at Nashville,/Wilson Bob Tucker/May 19, 1979”. Tucker was famous both as a writer and as a noted fan. Bought for $20.
  • Turner, Gary, and Marty Halpern. The Silver Griffith. Golden Gryphon, 2003. First edition hardback, #34 of 100 numbered copies signed by all the contributors, a Fine copy in a Fine dust jacket, in slipcase.
  • Utley, Steven. Silurian Tales — Volume 1: The 400-Million-Year-Itch. Ticonderoga, 2012.
  • Utley, Steven. Silurian Tales — Volume 2: Invisible Kingdoms. Ticonderoga, 2012.
  • Vance, Jack. Araminta Station. Underwood Miller, 1987. First edition hardback, #443 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase. First book of the Caldwell Chronicles. Precedes both the NEL and Tor editions by six months. Hewett, A79. Chalker/Owings (1991), pages 437-438. Bought for $120.

    Araminta Station

  • Vance, Jack (as John Holbrook Vance). The Deadly Isles. Bobbs-Merrill, 1969. First edition hardback, a Fine- copy with a tiny bit of crimping at head and heel in a Fine- dust jacket with a few bare traces of dust soiling and a tiny bit of rubbing at extremities. Overall a beautiful copy of this Vance mystery. Currey, p. 497. Hewett, A33.

    Vance, Jack. Gold and Iron. Underwood/Miller, 1982. First edition hardback, a Fine copy in a Fine- dust jacket with a slight wrinkle at rear heel. Previously published in paperback as Slaves of the Klau. Hewett, A9e.

    Vance Gold Iron

  • Vance, Jack. Lyonesse: Suldrun’s Garden. Underwood/Miller, 1983. First hardback edition, #78 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. (Note: Unlike the signed, numbered edition of Lyonesse: The Green Pearl, this was not issued in a slipcase.) Hewett, A70b. Chalker/Owings (1991), page 436. Supplements my copy of the unsigned library edition in decorated boards issued without a dust jacket. Bought for $100.

    Suldrun's Garden

  • Vinge, Joan D. World’s End. Bluejay Books, 1984. First edition hardback, #127 of 750 signed numbered copies in slipcase, a Fine copy in a Fine dust jacket. This copy has been additionally inscribed by Vinge: “”To Marcia Adams/-with all my best wishes-!/Joan D. Vinge/2005.” There was a PBS cooking show host and cook book author by that name who died in 2011; not sure if that’s who it’s inscribed to or not. I do wonder how many of these slipcased hardcovers Bluejay Books did. I have their slipcased edition of K. W. Jeter’s Dr. Adder, and I know they did a few others, but there does not appear to be a list online. I’ll write Jim Frenkel and ask…
  • Waldrop, Howard. The Horse of a Different Color. Small Beer Press, 2013. Inscribed to me to by the author.
  • Webb, Don. The War With The Belatrin/A Velvet of Vamphyres. Wildside, 2012. Trade paperback original, a Fine copy, inscribed by Webb.
  • Webb, Don & Gary Lovisi. Do the Weird Crime, Do The Weird Time/Gargoyle Nights. Wildside, 2012. Trade paperback original, a Fine copy, inscribed by Webb.
  • Weinbaum, Stanley G. Dawn of Flame. Ruppert Printing Service (for The Milwaukee Fictioneers), 1936. One of only 245 copies of the Currey B state (with the Lawrence A. Keating introduction), a Near Fine+ copy with very faint spine creasing and slight gray staining to bottom page block (or possibly where the red page block staining has worn away), sans dust jacket, as issued. Currey, page 510. Chalker/Owings, page 279. Bleiler, Checklist (1978), page 204. Locke, Spectrum of Fantasy (I), page 224. Bought at the San Antonio Worldcon for $1,200 (negotiated down from $1,500) from Erle Melvin Korshak. And if I’m remembering correctly, it was on consignment from Sam Moskowitz’s widow through Robert Weinberg to Korshak.

  • Wellman, Manly Wade. The Ghost Battalion. Ives Washburn, 1958. First edition hardback, most likely a repaired Ex-Library copy, Very Good with tape ghosts on boards, front free endpaper excised and another attached in it’s place, slight wear at heel, dust soiling at head, and slight crimping at head and heel, in a Near Fine dust jacket with edgewear and about 1/16″ inch of color loss at heel, and possible spine fading (hard to tell, since it’s a different color than the front and back covers). Second book in the Iron Scouts Civil War YA trilogy. Bought for $18 off eBay.

    Ghost Batallion

  • Wellman, Manly Wade. What Dreams May Come. Doubleday, 1983. First Edition hardback, a Fine copy in a Fine dust jacket, with signature plate signed by Wellman attached to front free endpaper. Features supernatural detective John Thundstone. Replaces an Ex-Library copy in my collection. Bought for $20 from a major SF book dealer.

    Wellman What Dreams

  • Wellman, Manly Wade. Worse Things Waiting. Carcosa, 1973. First edition hardback, Trade Edition issue, a Fine- copy with a couple of pinpricks of wear, in a Fine dust jacket. Inscribed to fellow horror writer Dennis Etchison: “Better Things Waiting/for/Dennis Etchison/Manly Wade Wellman/Dec 7, 1979”. Being a Wellman collector, I could hardly pass up an associational copy of this, his best and most important collection, inscribed to another top horror writer. (This is the second Wellman-inscribed association copy I own along with Third String Center inscribed to Wellman’s own brother, western writer Paul I. Wellman.) Currey (1979), page 515. Chalker/Owings (1991), page 87. Bleiler, Guide to Supernatural Fiction, 1672. Jones/Newman, Horror 100, 70. Bought for $100.

    Worse Things Waiting

    Worse Things Inscription

  • Wells, H. G. (edited by Robert Philmus and David y. Hughes). Early Writings in Science and Science Fiction by H. G. Wells. University of California Press, 1975. Presumed first edition hardback (no additional printings listed), a Fine- copy with slight crimping at head and heel and trace of foxing to inside front covers, in a VG- dust jacket with a 1/2″ square chip missing from bottom front cover and a 3/8″ chunk tapering to a point over 3″ missing at top rear. Not in Currey. Reginald, 1975-1991, 36697. Dictionary of Literary Biography: Volume 178: British Fantasy and Science-Fiction Writers Before World War I, page 242. Not a great dust jacket, but it was only $8, and copies online are somewhat pricey…
  • Wilson, Gahan. Everybody’s Favorite Duck. Mysterious Press, 1988.
  • Wolfe, Gene. Home Fires. Tor, 2010. Already read it in ARC.
  • Wolfe, Gene. A Wolfe Family Album. United Mythologies Press, 1991. First edition chapbook original, a Fine copy. Signed by Gene Wolfe. Chapbook of mostly Wolfe family photos, evidently issued with the hardback edition of Letters Home (which I’ve owned for some time, but which didn’t come with the chapbooks when I bought it).

    Wolfe Family Album

  • Wolfe, Gene (Mooney, J. E. and Bill Fawcett, editors. Shadows of the New Sun: Stories in Honor of Gene Wolfe. Tor, 2013. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. A tribute anthology.
  • Zelazny, Roger. Home is the Hangman. SFBC, 1996. First separate hardback edition. Kovacs, VI-7-a.
  • Zelazny, Roger. Knight of Shadows. Ultramarine Press, 1989. First limited hardback edition, #20 of 40 signed, numbered copies, bound in quarter leather, a Fine copy, sans dust jacket, as issued. Kovacs, 27-d-i. Chalker/Owings (1991), page 612. Proof that being a collector drives you slightly insane. (“Slightly?” asks the peanut gallery.) Ultramarine Press would take the sheets of the trade edition, then add a signed limitation page and leather binding. Honestly, I’m less than impressed with both their business model and most of the books produced, and I’m not too wild about post-first edition limiteds, but this edition seems nicer than many, 40 is a pretty low limitation for a Zelazny limited, and since I have such an extensive Zelazny collection, I decided to pony up for it. Bought for $240.

    Zelazny Knight

  • Zelazny, Roger, and Thomas T. Thomas. Flare. Baen, 1992. First edition paperback original, Fine.
  • (Zelazny, Roger) Kovacs, Christopher, compiler. The Ides of Octember: A Pictorial Bibliography of Roger Zelazny. NESFA Press/Camelot Books, 2011. First hardback edition, letter M of 21 lettered copies with a Zelazny signature sheet (taken from unused Ultramarine press Zelazny books), a Fine copy in three-quarters bound leather, in a Fine patterned traycase with the pictorial cover from the trade paperback edition, sans dust jacket, as issued. An elaborate aftermarket edition of this Zelazny incorporating unbound NESFA sheets obtained by the compiler. I paid $191 for it, considerably less than the $500 list price it was offered at.

    Octember HD

  • (Zelazny, Roger) Yoke, Karl. Roger Zelazny/Andre Norton: Proponents of Individualism State library of Ohio, 1979. First edition chapbook original, Near Fine+ with some age toning. Non-fiction.

  • Library Additions: A Major Collection of Roger Zelazny Books

    Monday, July 15th, 2013

    Bob Pylant is a major Roger Zelazny collector in Austin to whom I had sold the odd item to (like the NESFA Press Collected Zelazny volumes) over the years. Unfortunately, he suffered a car accident and had to sell some of his collection. So I went over to his house on June 13, made an offer on some choice items, and we reached an agreement.

    Which is how I spent $5,000 on Roger Zelazny books in a single day. (An amount that would go up to $5,400 when I won another item he had listed on eBay.) Several were upgrades of signed first edition hardbacks where I had either unsigned copies or Ex-Library copies.

    Bibliography
    For bibliographic details and first edition verification, I cite the following reference books:

  • Currey, L.W. Science Fiction and Fantasy Authors: A Bibliography of First Printings of Their Fiction. G. K. Hall, 1978.
  • Chalker, Jack & Owings, Mark. The Science Fantasy Publishers: A Critical and Bibliographic History. Mirage Press, 1991 (“Third Edition Revised and Enlarged”).
  • Kovacs, Christopher S. The Ides of Octember: A Pictorial Bibliography of Roger Zelazny. NESFA Press, 2010. (Note: Kovacs lists proofs, ARCs, etc. when known, so many hardback firsts are designated with the a “b” rather than an “a”.)
  • Levack, Daniel J. Amber Dreams: A Roger Zelazny Bibliography. Underwood/Miller, 1983.
  • The Zelazny Books

  • Zelazny, Roger. And the Darkness is Harsh. Pretentious Press, 1994. First edition chapbook, one of only 85 copies (of which 70 were given away for free) signed by Zelazny, with photo of the young Zelazny pasted in at front, and one sheet chapbook catalog laid in, a Fine copy. Contains the title story, “Mr. Fuller’s Revolt,” and the poem “Diet,” all taken from his high school literary magazine, where they were published when he was 16. Virtually impossible to find these days. Kovacs, VIII-1-a.

  • Zelazny, Roger and Fred Saberhagen. The Black Throne. Baen Books/SFBC, 1990 (stated; Kovacs says it actually came out in 1991). First edition hardback (book club, and the only hardback) a Fine copy in a Fine dust jacket, inscribed by Zelazny: “For Scott,/Best, ever/Roger Zelazny/ 11/30/91”. Supplements my unsigned copy. Kovacs, I-1-c.

  • Zelazny, Roger, and Robert Sheckley. Bring Me the Head of Prince Charming. Bantam Spectra, 1991. Uncorrected proof (trade paperback format) of the first edition, a Fine copy with slight bumping at head, with signature plate by Zelazny affixed to blurb page. Kovacs, I-14-a.

  • Zelazny, Roger, and Robert Sheckley. Bring Me the Head of Prince Charming. Bantam Spectra, 1991. First edition trade paperback original (simultaneous with the hardback), a Fine- copy with slight bumping at head, inscribed by Zelazny: “To Shirley,/Roger Zelazny.” Supplements my signed hardback copy. Kovacs, I-14-c.

  • Zelazny, Roger. The Changing Land. Del Rey, 1981. Uncorrected Proof of the paperback original first edition, a Near Fine- copy with what appears to be glue staining to the front cover (possibly from a publicity department sticker or attached sheet), and pinpoint spots of other staining, but otherwise square and unread. Supplements my signed, read paperback, and my signed/limited Underwood/Miller edition. Levack, 4a (for the PBO), Kovacs I-6-a (for the proof). See also the manuscript section below.

  • Zelazny, Roger. Creatures of Light and Darkness. Doubleday, 1969. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of age-darkening and dust staining, inscribed by Zelazny: “For Larry Woods/Roger Zelazny”. Levack, 8a. Kovacs, I-9-a. Currey, P. 570.

  • Zelazny, Roger. Damnation Alley. Doubleday, 1969. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed by Zelazny: “All best-/Roger Zelazny/ 10/6/79”. Levack, 9a. Kovacs, I-10-b. Currey, P. 570. Naturally I’d pick this up just after I picked up a nice unsigned copy.

  • Zelazny, Roger. The Dream Master. Ace, 1966. First edition paperback original, a Near Fine- copy with “ZELAZNY DREAM MASTER” printed at heel, previous owner’s small ownership stamp on inner cover, two small pieces of tape at same spot, bookstore stamp at rear, and the usual age darkening to pages and foxing to inner covers, otherwise tight, square and apparently unread. Signed by Zelazny. This was in a picture frame, so I missed the stamps. Supplements my signed UK hardback first. Levack, 14a. Kovacs, I-18-a. Currey, P. 570.

  • Zelazny, Roger, and Robert Sheckley. A Farce to Be Reckoned With. Bantam, 1995. First edition trade paperback original, a Fine copy, new and unread. Not signed, alas. Third in the series that started with Bring Me the Head of Prince Charming. Kovacs, I-20-b.

  • Zelazny, Roger. For a Breath I Tarry. Underwood/Miller, 1980. First edition hardback, #65 of 200 signed, numbered hardback copies, a Fine copy in a Fine dust jacket, with publisher’s letter included. One of my favorite Zelazny novellas. Supplements my trade paperback copy. Levack, 16a. Kovacs, VI-3-a-i. Chalker/Owings, P. 432.

  • Zelazny, Roger. The Guns of Avalon. Doubleday, 1972. First edition hardback, a Fine copy in a Fine- dust jacket that is ever so slightly spine-faded, but much less than usual for this orange spine, and slight wrinkling. Signed Twice by Zelazny, once on title page and once on signature plate affixed sideways on FFE. The second Amber novel. Supplements my signed Ex-Library copy. Levack, 18a. Kovacs, I-22-a. Currey, P. 570.

  • Zelazny, Roger (& Kate Wilhelm). He Who Shapes b/w The Infinity Box. Tor, 1989. First separate edition and first edition thus, a paperback original, a Fine- copy, new and unread. Signed by Zelazny. Kovacs, VI-5-a.

  • Zelazny, Roger (& Samuel R. Delany). Home is the Hangman b/w We, In Some Strange Power’s Employ, Move On a Rigorous Line. Tor, 1990. First separate edition and first edition thus, a paperback original, a Fine copy, new and unread. Signed by Zelazny and inscribed by Delany: “Samuel R. Delany/N.Y.C./’91”. The Delany story is also something of a Zelazny pastiche, with a disguised Zelazny (“his last name was Z-something unpronounceable”) as one of the main characters. Kovacs, VI-8-a.

  • Zelazny, Roger. The Last Defender of Camelot. Underwood/Miller, 1980. First edition hardback, #5 of only 35 numbered hardbacks with a signed bookplate pasted onto the copyright page, a Fine- copy with wear at edges. Just the story (making it different from the next item), and far and away Zelazny’s scarcest hardback (even more so than Nine Princes in Amber). This is the one I bought for $400 off eBay. Levack, 23b. Kovacs, VIII-4-b (also II-132-d). Chalker/Owings, P. 432. See also the manuscript section below.

  • Zelazny, Roger. The Last Defender of Camelot. Pocket Books, 1980. Uncorrected proof of the paperback first edition, a Fine copy. Levack, 24a (for paperback edition). Kovacs, V-15-a (for proof).

  • Zelazny, Roger. The Last Defender of Camelot. Underwood/Miller, 1981. First limited (and non-book club) hardback edition, #6 of 333 signed, numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued. Short story collection. Includes stories not in the Pocket Books or SFBC editions. Supplements my signed SFBC edition. Levack, 24c. Kovacs, V-16-a-i. Chalker/Owings, P. 433.

  • Zelazny, Roger (as editor). Nebula Award Stories Three. Doubleday, 1968. First edition hardback, a Fine copy in a Fine-, completely unfaded white dust jacket with extremely minor wrinkling at head, with small Zelazny signature plate affixed to bottom inner flap of dust jacket. Nigh on impossible to find with the dust jacket this bright, much less signed. And most of the stories are pretty good as well!

  • Zelazny, Roger, and Alfred Bester. Psychoshop. Vintage, 1998. Uncorrected proof of the trade paperback first edition, a Fine copy. Kovacs, V-36-a.

  • Zelazny, Roger. Today We Choose faces Signet, 1974. First edition paperback original (and trickier than usual to identify; it says “First Printing, April, 1973” at the bottom, but “FIRST PRINTING/SECOND PRINTING/”etc. through “TENTH PRINTING” above it), a Fine- copy with a touch of edgewear. Signed by Zelazny. Supplements a signed copy of the UK hardback first. Levack, 35a. Kovacs, I-41-a. Currey, P. 571.

  • Zelazny, Roger. To Die in Italbar. Doubleday, 1973. First edition hardback, a Near Fine+ copy with foxing along gutters and in a large rectangle on FFE where I presume the signed bookplate of the exact same size and shape now affixed to the title page once resided, in a Near Fine+ dust jacket with slight dust staining to rear white cover, and a bit of wear at points. Sequel to Isle of the Dead, and one of my least favorite Zelazny novels (which is why I waited until I had pretty much everything else to pick it up). Levack, 37a. Kovacs, I-42-a. Currey, P. 571.

  • Zelazny, Roger and Neil Randall. Roger Zelazny’s Visual Guide to Castle Amber. Avon/SFBC, 1988. First edition hardback (book club; the only hardback edition), a Fine copy in a Fine dust jacket, signed by Zelazny. What the title says. Lots of illustrations and maps. Kovacs, X-14-b.

  • Zelazny, Roger. This Immortal. Ace, 1966. First edition paperback original, a Near Fine+ copy with small phantom creases to font and rear cover, a trace of edgewear along spine, and usual slight age darkening to pages and foxing of interior covers, otherwise square. Signed by Zelazny. Hugo Winner for Best Novel (tied with frank Herbert’s Dune), Nebula finalist. Levack, 34a. Kovacs, I-40-a. Currey, P. 571.

  • Zelazny, Roger. Wizard World. Baen, 1989. First edition paperback original thus, being an omnibus edition of Changeling and Madwand, a Fine copy, new and unread. Signed by Zelazny and cover artist David Mattingly. Kovacs, I-5-e-1

  • (Zelazny, Roger) Levack, Daniel J. Amber Dreams: A Roger Zelazny Bibliography. Underwood/Miller, 1983. First edition hardback, one of 200 signed hardbound copies, a Fine copy, sans dust jacket, as issued. Comparing the signed edition (left) to the unsigned edition (right), they seem printed in slightly different colors; the signed is more green, and the unsigned more yellow. The uniformity of tone in each makes me doubt either is the result of fading. Kovacs, XIII-1-a-1. Chalker/Owings, P. 435.

  • Zelazny Manuscripts/Etc.

    Note: Bob carefully inserted each page of manuscript or correspondence into clear page protectors with 2-ring binder tabs.

  • Zelazny, Roger. The Changing Land. 340 page typesetting copy of the original manuscript for the Del Rey edition, with Zelazny’s hand corrections and typesetting notes, as well as ancillary editorial material, original bill of sale, catalog description, and letter of provenance from L. W. Currey.
  • Zelazny, Roger. “The Last Defender of Camelot”. Roger Zelazny’s original story manuscript, 24 pages typed (many of which are typed on the back of sheets of scrap paper), with numerous hand corrections by Zelazny, along with a few pages of ancillary material. Each sheet is in a plastic sheet protector in a three-ring binder. Also in the binder is what appears to be a copy of the hand-corrected manuscript for “Stand Pat, Ruby Stone.”

  • Zelazny, Roger (adapted and illustrated by James Zimmerman). The Last Defender of Camelot. Zim Graphics, 1993. First edition of the graphic novel adaptation in cardstock covers, #5 of 25 copies signed on the cover by Roger Zelazny, and #5 of 200 copies signed by Zimmerman, a Fine copy. Something to drive Zelazny completists crazy! Kovacs, II-133-a and VI-10-a.

  • Zelazny, Roger. “Unicorn Variations”. Zelazny’s original story manuscript, 37 typed pages, with hand corrections by Zelazny and type-setting instructions undoubtedly added by the staff of Isaac Asimov’s Science Fiction Magazine, where the story appeared (the manuscripts for my own stories that appeared in Asimov’s came back marked up the same way). Each sheet in a plastic sheet protector in a three-ring binder, along with a few pages of ancillary material.

  • Roger Zelazny’s Professional Correspondence Archive. Two huge three-ring binders containing copies of all Zelazny’s outgoing letters, from about 1970 through 1981, plus the originals of incoming correspondence to him. Includes letters to him from Robert A. Heinlein, Thomas Disch, Lloyd Biggle, Jr., Marion Zimmer Bradley, George R. R. Martin, Fredric Pohl, Connie Willis, Pat Cadigan, Jack Dann, Lisa Goldstein, David Bischoff, John F. Carr, Ellen Kushner (rejecting a story!), Bruce McAllister, Victor Milan, Michael Stackpole, Reginald Bretnor, Phyllis Eisenstein, Thomas Canty (plus art proofs), Judy-Lynn Del Rey, Jim Baen, Byron Preiss, Jim Turner, David Hartwell, Jim Frenkel, Mike Ashley, George Scithers, Gerry de la Ree, Glenn Lord, Bob Frazier, (among many others), and a telegram from Philip K. Dick (with Zelazny’s scrawled notes from the ensuing telephone conversation). Plus other letters from agents, editors, academics, Hollywood functionaries, and random fans. Plus some SFWA Forums and convention program books Zelazny had material in. According to Bob, L. W. Currey got the archive as part of a purchase from the Zelazny estate. Since Bob had bought a number of expensive items from him in the past (some listed here), he said “Look, Bob, I don’t want to catalog all this. Let me sell it to you as a lot.” Which is how Bob got it.

  • Non-Zelazny Books

    Bob did have a few non-Zelazny books I picked up.

  • Banks, Iain. Against A Dark Background. Orbit, 1993. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Banks. Replaces an unsigned copy.
  • Banks, Iain. Consider Phlebas. Macmillan, 1987. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Banks. Replaces an unsigned copy.
  • Powers, Tim. The Anubis Gates. Mark V. Ziesing, 1989. First American hardback edition, a Fine copy in a Fine dust jacket. Already had inscribed firsts of the PBO, and the UK first hardback editions, as well as the copy of the original hand-written manuscript in the ultralimited edition of the Berlyne Power bibliography. I picked up this to complete my Mark V. Ziesing collection…
  • Vance, Jack. The Best of Jack Vance. Taplinger, 1978. First edition hardback, a Fine copy in a Near Fine, slightly dust soiled/age darkened dust jacket.
  • I also made two mistakes: Picking up a proof of Zelazny and Thomas T. Thomas’ The Mask of Loki (forgot I already had a signed proof) and a signed hardback first of Iain Banks’ Excession (already had one). Those will be offered in the next Lame Excuse Books catalog, which I’ll start working on right after I post this.

    Roger Zelazny Books I Still Lack

    Believe it or not, this doesn’t actually complete my Zelazny collection, as there are still a few odds and ends I don’t have, mainly in edited works and works about Zelazny. Some aren’t particularly hard to find, I just haven’t picked them up yet.

  • The Doors of His Face, The Lamps of His Mouth (Pulphouse hardback of just that story)
  • Home is the Hangman (SFBC, 1996)
  • Trumps of Doom (Underwood Miller, 1985)
  • (with Thomas T. Thomas) Flare (Baen, 1992, paperback original)
  • (as editor) The Williamson Effect (Tor, 1996)
  • (as editor) Wheel of Fortune (AvoNova, 1995, paperback original)
  • Greenberg, Martin H., editor. Lord of the Fantastic: Stories in Honor of Roger Zelazny (Avon Eos, 1998)
  • Lindskold, Jane. Roger Zelazny. Twayne, 1992.
  • Sanders, Joseph L. Roger Zelazny: A Primary and Secondary Bibliography (G. K. Hall, 1982)
  • Yoke, Karl B. Roger Zelazny: Starmont Reader’s Guide (Borgo Press (Library binding hardback), 1979)
  • Yoke, Karl B. Roger Zelazny and Andre Norton: Proponents of Individualism (State University of Ohio, 1979)
  • Pictures from the 2012 Chicago Worldcon: Saturday

    Saturday, September 8th, 2012

    Dantzel Cherry, show us your buffalo!

    As long as you’re not using it to flack for another science fiction writer named Lawrence…damnit!

    Part of a big crowd (along with Beth Mechem and Willie Siros) in the Tor Party:

    David Brin, caught mid-laugh:

    A very sleepy Lawrence Watt-Evans:

    One spins, one measures, one cuts.

    I attended the Worldcon SFWA Business meeting at 9 AM that morning, which included a “breakfast” of fruit and bagels. For San Antonio, may I suggest breakfast tacos?

    Joe Haldeman also attended.

    As did Eileen Gunn.

    Gardner Dozois and Eileen.

    Elizabeth Bear. If Elizabeth Bear and Greg Bear ever meet, they have the power to transform into a giant grizzly.

    A crappy picture from the totally awesome “Secret History of Worldcon” panel. George R. R. Martin (who I was finally able to get my Hugo Loser ribbon from), Mike Resnick, Joe Haldeman, Robert Silverberg. Gardner Dozois, who spaced on the time, joined later. I hope someone recorded that panel. It was epic!

    Paolo Bacigalupi and his crying/vomiting cat t-short.

    Night Shade Press publisher and infamous clothes horse Jeremy Lassen.

    And I never knew he was a Texas Longhorns fan!

    John Two-Time Hugo NomineeOne-Time Hugo WINNER DeNardo of SF Signal.

    Sue Burke and hubby. I wanted to get pictures to remember them by after the Iberian cannibalism breaks out.

    Scott Lynch, with nifty Lovecraft & Tesla T-shirt.

    Up close and personal.

    James Patrick Kelly must be going.

    Gardner Dozois and Amy Sisson:

    Janis Ian. Yes, that Janis Ian.

    Library Additions: August 8—December 31, 2011

    Sunday, January 8th, 2012

    Despite this big-ass list, I think my book buying is actually slowing down a little. It’s getting harder to find things that I want (and don’t already have) at Half Price Books or eBay. Despite that, I always seem to have a surprisingly large number of books every time I do one of these roundups, mainly due to new small press offerings. (And speaking of small presses, many of the books listed below from Subterranean, Golden Gryphon, Haffner, etc. will be on sale through Lame Excuse Books, so drop me a line if you want to be on the mailing list.)

  • Allston, Aaron. Doc Sidhe. Baen, 1995. First edition paperback original.
  • Anderson, Poul. Fire Time. Doubleday, 1974. Fine in a Near Fine dust jacket, inscribed to Locus editor Charles N. Brown.
  • Anonymous. Man Abroad. Gregg Press, 1978. First hardback edition, a reprint of the 1887 paperback, one of only 257 copies printed, a Fine copy, sans dust jacket, as issued. From the Jerry Weist collection.
  • Bailey, Dale and Jack Slay. Sleeping Policemen. Golden Gryphon, 2006.
  • Beagle, Peter S. Strange Roads. Dreamhaven, 2008. First edition chapbook original, signed by Beagle and artist Lisa Snellings.
  • Bennett, Robert Jackson. The Company Man. Orbit, 2011. Trade paperback original.
  • Bester, Alfred. Virtual Unrealities. Vintage, 1997. Trade paperback original, NF- with 1/4 sticker pull at bottom of front cover.
  • Bester, Alfred, and Roger Zelazny. Psychoshop. Vintage, 1998. Trade paperback original (TPO) first edition, a Fine- copy with slight edgewear.
  • Bloch, Robert. Yours Truly, Jack the Ripper. Subterranean Press, 2011. Expanded from the Belmont paperback edition.
  • Bowes, Richard. From the Files of the Time Rangers. Golden Gryphon, 2005.
  • Brackett, Leigh. Shannach: The Last Farewell to Mars. Haffner Press, 2011.
  • Brown, Eric. Threshold Shift. Golden Gryphon, 2006.
  • Campbell, Ramsey. The Inhabitant of the Lake and Less Welcome Tenants. Arkham House, 1964. First edition hardback, a Fine copy in a Near Fine dust jacket with slight darkening to spine, and slight edgewear at heel and fold points.
  • Carroll, Jonathan. The Ghost in Love. Farrar Straus Giroux, 2008.
  • Chayefsky, Paddy. Altered States. Harper & Row, 1978. A Fine copy in a Fine- dust jacket with a few touches of wear.
  • Datlow, Ellen, and Terri Windling. The Year’s Best Fantasy and Horror: Sixteenth Annual Collection. St. Martins Griffin, 2002. Inscribed to me by Datlow.
  • Diaz, Junot. The Brief Wondrous Life of Oscar Wao. Riverhead Books, 2007.
  • Dick, Philip K. The Early Work of Philip K. Dick Volume One: The Variable Man and Other Stories. Prime Books, 2009.
  • Dick, Philip K. (edited by Pamela Jackson and Jonathan Lethem) The Exegesis of Philip K. Dick. Houghton Mifflin Harcourt, 2011. Non-fiction.
  • Dozois, Gardner. When the Great Days Come. Prime Books, 2011.
  • Donaldson, Stephen R. The Best of Stephen R. Donaldson. Subterranean Press, 2011. One of 250 numbered, leatherbound copies signed by the author.
  • Donaldson, Stephen R. The Best of Stephen R. Donaldson. Subterranean Press, 2011. Trade edition.
  • Farmer, Philip Jose. The Keeper of the Secrets. Severn House, 1985. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of haze rubbing to the rear cover. First hardback edition of The Mad Goblin.
  • Farmer, Philip Jose. Love Song. Brandon House, 1970. Paperback original. Full details here.

  • Gaiman, Neil. Melinda. Hill House, 2004. Full details here.


  • Graham, H. E. The Battle of Dora William Clowes & Sons, Ltd. 1931. First edition hardback, a Very Good copy in a Good+ dust jacket with three 1/4″ chips at edges. Future war book set in an imaginary European country concerned with primarily with the evolving tactics of mechanized warfare. With fold-out maps!

  • Haldeman, Joe. A Tool of the Trade. Morrow, 1987.
  • Haldeman, Joe. World’s Apart. Viking, 1983. With review slips laid in.
  • Heinlein, Robert A. Podkayne of Mars. Putnam, 1963. Full details here.

  • Howard, Robert E. The Coming of Conan. Gnome Press, 1953. First edition hardback, a Near Fine+ copy with slight bends at head and heel and slight foxing to strip along front and back gutters, in a Near Fine dust jacket with slight dust staining to white rear cover and a few touches of rubbing to spine panel (but no spine fading). This completes my Robert E. Howard Gnome Press Conan collection. (At some point I suppose I’ll pick up the De Camp volumes but, eh. what’s the rush?)

  • Howard, Robert E. Marchers of Valhalla. Donald M. Grant, 1971. Bought from a notable SF book dealer for $8.
  • Hubbard, L. Ron. Final Blackout. Hadley Publishing, 1948. Full details here.

  • Leyner, Mark. My Cousin, My Gastroenterologist. Harmony Books, 1990. First edition trade paperback original, Near Fine+ with a crease to bottom front corner.
  • (Lovecraft, H. P.) Lockhart, Ross E. The Book of Cthulhu. Night Shade Boooks, 2011. First edition trade paperback original.
  • Lynch, Scott. The Lies of Locke Lamora. Gollancz, 2006. A Fine copy in a Near Fine dust jacket, signed by the author.
  • Martin, George R. R. GRRM: A RRetrospective. Subterranean Press, 2003. First edition hardback, Letter B of 52 signed, lettered, leatherbound copies, housed in a handcrafted traycase, a Fine copy in a Fine dust jacket; however, the traycase housing the book has a cracked bottom outer hinge, as well as a tiny bit of bend at the top front traycase tip.

  • Martin, George R. R., editor. Wild Cards: Marked Cards. Baen, 1994. First edition paperback original. Second book in the Baen Wild Cards series, and the Fourteenth overall.
  • Matheson, Richard. Born of Man and Woman. Chamberlain Press, 1954. Details here.

  • Matheson, Richard. The Shrinking Man. David Bruce & Watson, 1973. First hardback edition. Details here.

  • McCammon, Robert. The Hunter from The Woods. Subterranean Press, 2011. One of 1,000 signed, numbered copies.
  • Miller, Warren. Looking for the General. McGraw-Hill, 1964. Bought for $8 from a notable SF book dealer. Howard Waldrop recommended this.
  • Miyabe, Miyuki. Brave Story. Viz, 2007. First English-language edition.
  • Moon, Elizabeth. Lunar Activity. First edition paperback original (PBO), a near Fine+ copy with invisible spine creasing and slight edgewear. Signed by Moon.
  • Moorcock, Michael. Dr. Who: The Coming of the Terraphiles. BBC Books, 2010. Signed by Moorcock.
  • Moorcock, Michael. The Runestaff. White Lion, 1974. First edition hardback, a Fine- copy with just a tiny bit of wear in a Fine dust jacket. First hardback edition.
  • Moorcock, Michael. The Sleeping Sorceress. New English Library, 1971. First edition hardback, a Fine copy in a Near Fine+ dust jacket with color loss along inner flaps edges (possibly a printing flaw). First hardback edition of The Vanishing Tower.
  • Niffenegger, Audrey. The Time Traveler’s Wife. McAdam Cage, 2003. First edition hardback, a near Fine copy with slight lean in a Near Fine- first state (no logo) dust jacket with several long creases.
  • Niven, Larry. Strange Light. Dreamhaven, 2010. First edition chapbook original.
  • Niven, Larry. A World Out of Time. Holt Reinhart Winston, 1976. Bought from a notable Sf book dealer for 48. Review slip laid in.
  • Niven, Larry, and Steve Barnes. Dream Park. Phantasia Press, 1981. One of 600 signed, numbered copies in slipcase. From the Jerry Weist collection.
  • Novik, Naomi. Victory of Eagles. Del Rey, 2008. Fifth Temeraire book.
  • Oliver, Chad. Another Kind. Ballantine Books, no date (1955). First edition hardback (an unrecorded variant binding of green boards with red lettering), a Near Fine copy with slight age-darkening to page (most noticeable in one signature) and slight bending at head and heel in a Near Fine dust jacket with slight age darkening and touches of wear at extremities. Actually quite nice. All of the Ballantine SF hardbacks if this era are hard to find.

  • Paltock, Robert. The Life & Adventures of Peter Wilkins. Hyperion Press, 1974. Reprint of the 1928 edition, which in turn reprints a novel first published in 1750 or 1751 (sources differ; Bleiler’s Checklist (1978 edition) says 1753, which I believe is the publication year for the second volume). Fine- copy, with trace of wear along bottom board, sans dust jacket, as issued.
  • Pohl, Frederik, and C. M. Kornbluth. The Space Merchants. Thomas Dunne Books/St. Martins, 2011. “Revised 21st Century Edition,” trade paperback original thus.
  • Powers, Tim. The Bible Repairman and Other Stories. Subterranean Press, 2011. One of 500 signed, numbered copies.
  • Resnick, Mike. Blasphemy. Golden Gryphon, 2010.
  • Rickert, M. Holiday. Golden Gryphon, 2010.
  • Rochelle, Warren. The Called. Golden Gryphon, 2010.
  • Rochelle, Warren. A Harvest of Changelings. Golden Gryphon, 2007.
  • Rusch, Kristine Kathryn. Recovering Apollo 8. Golden Gryphon, 2010.
  • Sargent, Pamela. Thumbprints. Golden Gryphon, 2004. Signed by Sargent.
  • Scalzi, John. Fuzzy Nation. Tor, 2011.
  • Serviss, Garrett P. Edison’s Conquest of Mars. Carcosa House, 1947. Full details here.

  • Shute, Nevil. On the Beach. Heinemann, 1957. First edition hardback, a near Fine plus copy with dust staining to top page blocks and touches of wear to boards at heel, in a Near Fine dust jacket, with slight edgewear at head and heel and a few very short, closed tears.
  • Silverberg, Robert. The Collected Stories of Robert Silverberg Volume Six: Multiples 1983-87. Fine, sans dj, as issued.
  • Skillingstead, jack. Are You There. Golden Gryphon, 2009.
  • Skipp, John and Cody Goodfellow. Spore. Morning Star Press, 2011. Signed PC copy; the regular edition was 150 signed, numbered copies.
  • Smith, Clark Ashton. The Collected Fantasies Volume 5: The Last Hieroglyph. Night Shade Press, 2010.
  • Stross, Charles. Palimpsest. Subterranean Press, 2011.
  • Twain, Mark (edited by Harriet Elinor Smith). The Autobiography of Mark Twain: Volume 1. University of California Press, 2010. Non-fiction, and large enough to stun an ox.
  • (Vance, Jack) Andre-Driussi, Michael. Vance Space. Sirius Fiction, 1997. First edition chapbook, a Fine copy in self-wraps. Signed by Vance. Non-fiction.

  • Willis, Connie. All Clear. Ballantine Books, 2010. Signed.
  • Williamson, Jack. At the Human Limit: The Collected Stories of Jack Williamson, Volume Eight. Haffner Press, 2011.
  • Wilson, Robert. Julian Comstock. Tor, 2009.
  • Wolfe, Gene. The Sorcerer’s House. Tor, 2010. Read this in ARC, and sort-of reviewed it here.
  • Zelazny, Roger. Unicorn Variations Timescape, 1983. Supplements an inscribed book club edition.
  • Related Topics

    Other science fiction book collecting topics you might find of interest:

  • A description of my own library of science fiction first editions (a couple of years out of date; I need to update this)
  • My Books Wanted List
  • Lame Excuse Books, my own side SF/F/H book business, where a discerning collector may find several first editions of potential interest.
  • Other book related posts