Posts Tagged ‘Isaac Asimov’

Library Additions for 2021

Wednesday, March 2nd, 2022

Here’s the big roundup of every book I added to my library in 2021. Most (but not all) of these have appeared in previous library addition posts. Lots of Joe R. Lansdale, lettered editions, Lansdale lettered editions, Zelazny paperbacks, signed Harlan Ellison, Michael Moorcock rarities and Michael Swanwick chapbooks.

I count 193 titles added.

  • Anderson, Poul. Flandry of Terra. Chilton, 1965. First edition hardback, a Fine- copy with bumping at head and bumping and slight rubbing at heel, in a Fine- dust jacket with slight wrinkling at head and heel and a touch of rubbing, signed by Anderson. Currey, page 10. Anatomy of Wonder 4, 3-7. Bought off eBay for $22.50.

  • Anderson, Poul. Masters of Science Fiction, Volume 9: Poul Anderson: “The Star Beast” And Other Tales. Armchair Fiction, 2014. First edition trade paperback original, a Fine copy. Short story collection. “The Long Return” and “World of the Mad” haven’t been reprinted since their original magazine appearances.
  • Anderson, Poul with Lester Del Rey and Frederik Pohl. A Twelvemonth and a Day b/w Preferred Risk. Armchair Fiction, 2016. First edition trade paperback original for the Anderson, a Fine copy. Supplements a signed hardback first of Preferred Risk.
  • Asimov, Isaac. The Best of Isaac Asimov. Doubleday, 1974. First edition hardback, a Fine- copy with slight bumping at head and heel and a slight bit of lean, in a Very Good, price-clipped dust jacket with a 1/4″ closed chip at head, shallow edgewear at head, and slight dust staining to white rear cover. Just what the title says, and it includes “Nightfall” and “The Last Question.” Bought in an online auction for $4.88 plus shipping.
  • Asimov, Isaac. I, Robot. Gnome Press (i.e., First Edition Library), 1950 (1978 copyright date, but actually printed sometime in the 1980s). Facsimile reprint of the Gnome Press first edition, first edition hardback thus, a Fine copy in a Fine dust jacket and a Fine slipcase, which includes the front and back just jacket cover art pasted on, with FEL cardstock information brochure laid in. An attractive production, and undoubtedly done on better paper stock than the Gnome Press original. Aiming for the same prestige reprint market as Easton Press, and indeed they were either part of or acquired by Easton. Obtained as part of a bulk library purchase.

  • (Asimov, Isaac) Carl Freedman. Conversations With Isaac Asimov. University Press of Mississippi, 2005. First edition hardback, a Fine copy with with ISBN sticker to rear cover, sans dust jacket, presumably as issued. (The Google Books image also lacks a dust jacket.) Collection of interviews with Asimov. There was a simultaneous trade paperback edition, and the hardback state seems uncommon. Bought at auction for $1.22 and shipping.
  • (Asimov, Isaac) James Gunn. Isaac Asimov: The Foundations of Science Fiction. Oxford University Press, 1982. First edition hardback, a Fine copy in a Fine dust jacket. Probably the main critical study of Asimov’s work. Bought at auction for $1.22 and shipping.
  • Ballard, J. G. Crash. Jonathan Cape, 1973. First edition hardback, an Ex-Library copy with all the usual flaws, including stamps to pages and page block edges, in a dust jacket that, while intact, has been glued to the book, with a long, thin library sticker across the front, spine, back and rear flap, and a large square library affixed to rear, plus some glue wrinkling; call it a Good/Good Ex-Lib copy. Goodard and Pringle, J. G. Ballard: The First Twenty Years 101. Currey, page 23. Bought off an Australian bookseller for $68 plus shipping.

  • Ballard, J. G. Millennium People. Flamingo, 2003. First edition hardback, a Fine copy in a Fine- dust jacket with slight wrinkling at head and heel, signed by Ballard on a Waterston’s bookstore bookplate on the title page. Bought off eBay for $45.

  • (Ballard, J. G.) McGrath, Rick. Deep Ends: A Ballardian Anthology 2018. Terminal Press, 2018. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Collection of essays on Ballard, including David Pringle’s continuing, invaluable “Ballard/Moorcock Chronology,” of which Moorcock himself says “I frequently trust his memory over my own.” Bought from Amazon.
  • Barker, Clive. Chiliad: A Meditation. Subterranean Press, 2014. First edition hardback, a PC copy of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Collects two novelettes. Bought for $250 (the original offering price) from a Subterranean sale.

  • Barker, Clive. Infernal Parade. Subterranean Press, 2017. First edition hardback, a PC copy of 52 signed, lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. Bought for $250 (the original offering price). Supplements a signed limited edition bought during one of their 50% off sales.

  • Barker, Clive. Tonight, Again. Subterranean Press, 2015. First edition hardback, a PC copy of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Bought for $250 (the original offering price) from a Subterranean sale. Supplements a trade edition.

  • Bear, Greg. Mariposa. Easton Press, 2009. First edition thus, #412 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Bear), an unused personalization plate, and an insert card “a note about MARIPOSA and the author GREG BEAR” laid in, sans dust jacket, as issued. Sequel to Quantico (see below). Bought as part of a bulk purchase.
  • Bear, Greg. Quantico. Easton Press, 2005. First edition thus, #339 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Bear), an unused personalization plate, and an insert card “a note about QUANTICO and the author GREG BEAR” laid in, sans dust jacket, as issued.
  • Bear, Greg. Vitals. Easton Press, 2002. First edition thus, #341 of 1,150 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Bear), an unused personalization plate, an insert card “a note about VITALS and the author GREG BEAR” and a foldout brochure for the Signed First Editions of Science Fiction line laid in, sans dust jacket, as issued. Supplements a hardback first and a proof copy.

  • Bierce, Ambrose. A Little Blue Book of Civil War Horror Stories. Borderlands Press, 2021. First edition hardback, #462 of 500 numbered copies signed by introduction author Lawrence C. Connolly, a Fine copy, sans dust jacket, as issued. Bierce famously disappeared in Mexico after riding with Pancho Villa. Since he was born in 1842, I’m going to go out on a limb and guess that he won’t be signing any more books. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.

  • Bishop, Michael. Joel-Brock the Brave and the Valorous Smalls. Kudzu Planet Productions/Fairwood Press, 2016. First edition hardback, #187 of 300 signed, numbered hardback copies, a Fine copy in a Fine dust jacket. Young Adult novel.
  • Bishop, Michael. The Sacerdotal Owl and Three Other Long Tales. Kudzu Planet Productions/Fairwood Press, 2016. First edition hardback, #69 of 250 signed, numbered hardback copies, a Fine copy in a Fine dust jacket.
  • Bloch, Robert. Psycho House. Tor, 1990. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Bloch: “Best wishes to Dick Wilson.” Bought for $20 at a Houston-area Half Price Books.
  • Bloch, Robert and Andre Norton. The Jekyll Legacy. Tor, 1990. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bloch on the title page and by Norton on a signature plate on the dedication page. Bought off eBay for $24.95.

  • Boyett, Stephen R. The Architect of Sleep. Centipede Press, 2021. First hardback edition, #355 of 400 signed, numbered copies, a Fine copy in a Fine dust jacket, still in shrinkwrap. Really interesting novel about a man transported to an alternate earth where raccoons evolved as the planet’s sentient life form. Originally published as an Ace paperback original back in 1986 and became something of a cult classic, and I’ve sold a lot of PBO copies of this and Ariel over the years (and indeed, if you just want to read it, I have copies available). Recommended. This signed edition is already sold out from the publisher. I’m hoping this new edition prods Boyett into revising and finishing the still-unpublished sequel, The Geography of Dreams.

  • Bradbury, Ray. Ahmed and the Oblivion Machines Avon, 1998. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bradbury. You know all the classic books Bradbury wrote over the years? This is reportedly not one of them. Bought for £18 from a notable UK book dealer.
  • Bradbury, Ray. The Dragon Who Ate His Tail. Gauntlet Publications (they’re generally known as Gauntlet Press, but it says Gauntlet Publications on the copyright page), 2007. First edition hardback, a PC copy of 26 signed, numbered copies, a Fine copy with pasted frontispiece in a Fine slipcase, sans dust jacket, as issued. Miscellany of short stories, a radio play, a fascimile typescript, Bradbury doodle art, etc. Bought from an Austin book dealer for $120.

  • Bradbury, Ray. The Ray Bradbury Chronicles Volume 3. Byron Preiss/NBM, 1992. First edition hardback a graphic novel, #417 of 1000 signed, numbered copies, a Fine copy in a Fine- dust jacket with a tiny, faint scratch across top rear outer corner. Bought for £27 from a notable UK book dealer. I now lack only volumes 1 and 5.
  • Bradbury, Ray. The Wish. Hill House, 2006. First edition hardback, #102 of 250 signed, numbered copies, a Fine copy in matching numbered paper envelope, sans dust jacket, as issued. Won off eBay for $95.

  • (Bradbury, Ray) Nolan, William F. The Ray Bradbury Companion. Gale Research, 1975. First edition hardback (no statement of printing as per Currey), a Fine copy in a sound, Very Good slipcase from which numerous small (tackhead sized and smaller) pieces of the affixed wrap-around paper label have chipped away, plus a few other touches of dust and wear, sans dust jacket, as issued, signed by Bradbury on page 37. Critical companion on Bradbury’s work. Currey, page 59. Tymn, Schlobin, Currey, 221. Bought off eBay for $59.

  • Brin, David. The Best of David Brin. Subterranean Press, 2021. First edition hardback, #289 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket. Lots of good stories in here, including “Dr. Pak’s Preschool” and “Thor Meets Captain American.” (Though I can’t believe they left out “A Stage of Memory.”) Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.
  • Bryant, Tim, editor (with Joe R. Lansdale). Mule Tales. The Runaway Mule, 2012. First edition trade paperback original (a POD book), a Fine copy, new and unread. Anthology to benefit a now-defunct shop in Lansdale’s home town of Nacogdoches. Joe R. Lansdale contributes six pieces. Bought from Amazon.
  • Buckell, Tobias S. Shoggoths in Traffic and Other Stories. Fairwood Press, 2021. First edition trade paperback edition, a Fine copy, new and unread. Short story collection. I have copies of this available through Lame Excuse Books.
  • Bull, Emma, and Will Shetterly. Double Feature. NESFA Press, 1994. First edition hardback, #24 of 175 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase. Short story collection by this pair of married Minnesota writers. Bought off eBay for $20.50.
  • Cahill, James, editor. Lamps on the Brow. James Cahill Publishing, 1998. First edition hardback, #70 of 274 numbered copies signed by all the contributors, a Fine copy, sans dust jacket, in a Fine slipcase, as issued. Low print-run anthology of original stories (all save the last one by A. E. van Vogt), featuring Gene Wolfe, Mike Resnick, Andre Norton, Bruce Bethke, etc., plus an introduction by Ben Bova. I also have Ten Tales, a similar Cahill anthology. Cahill was active in the 1990s, publishing books by Joe R. Lansdale, Tim Powers, etc. I also think he did some mystery limited editions. Bought off eBay for $58, slightly more than half the original publication price of $100.

  • Campbell, John W. and Aladra Septama. When the Atoms Failed b/w The Dragons of Space. Armchair Fiction, 2016. First edition trade paperback originals, a Fine copy. Contains “When the Atoms Failed” (one print reprint) and “The Metal Horde” (no print reprints) from Campbell, and the Septama had never been reprinted previously (though, according to Bleiler’s Science Fiction: The Gernsback Years, it’s really bad…).
  • Card, Orson Scott. Alvin Journeyman. Tor, 1995. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Card: “For Rocco,/A fellow voyager/Orson Scott Card.” Fourth Alvin Maker book. Bought for $5 off eBay.
  • Card, Orson Scott. Heartfire. Tor, 1998. First edition hardback, a Fine copy in a Fine dust jacket, signed by Card. Fifth Alvin Maker book. Bought for $5 off eBay.
  • Card, Orson Scott. Prentice Alvin. Tor, 1995. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Card: “to Rocco—,/Out of the fire, into the light/Orson Scott Card/ 5 Oct 96.” Third Alvin Maker book. Bought for $5 off eBay.
  • Carriger, Gail (pen name for Tofa Borregaard). Fan Service. Subterranean Press, 2019. First edition hardback, a PC copy of 500 signed, numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued. “Collected Supernatural Society Books.”
  • Case, Jim (pseudonym for Chet Cunningham and Joe R. Lansdale). Cody’s Army. Warner Books, 1986. First edition paperback original, a Near Fine- copy with a crease across the bottom corner and thin black lines at head, but otherwise tight and square. Military adventure novel. “The four man anti-terrorist guerilla unit.” Joe says he wrote one chapter in this. Stephen Mertz sold the series and had various writers work on different volumes, and confirmed Cunningham wrote this one except for one chapter from Lansdale. Bought off Amazon for $5, where the seller called it a “Fine” copy.
  • Chabon, Michael. Moonglow. Harper Collins, 2016. First edition hardback, a Fine copy in a Fine- dust jacket with a trace of wear at head and heel and slight wrinkling at head, signed by Chabon, with a one page insert from Parnassus Books for “Dear First Edition Members” laid in. Supplements a slipcased signed limited edition done for Powell’s Books. Bought in a Houston-area Half Price Books for $9.99.
  • Chambers, Robert W. (S. T. Joshi, editor). The Harbor-Master: Best Weird Stories of Robert W. Chambers. Hippocampus Press, 2021. First edition trade paperback original, a Fine copy. Includes some supernatural stories not in The King in Yellow.
  • Child, Lee. A Little Gold Book of Unconsidered Trifles. Borderlands Press, 2021. First edition hardback, #498 of 600 signed and numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued. Mixture of fiction and non-fiction by the best-selling author of the Jack Reacher series, some original to this volume, including a piece from Esquire. Bought from the publisher at the usual discount. I have a copy of this available through Lame Excuse Books.

  • “Conrad, Joseph” (Adam Newell). At the Door of Darkness. Sangrail Press, 2020. First edition chapbook original, #66 of 100 numbered copies, a Fine copy in white envelope and numbered brown cardboard mailer, as issued. Somewhat elaborate production, with tipped-in linocut frontispiece and tissue guard and duplicated pages from the “original” manuscript for Heart of Darkness featuring a deleted scene. A very sly literary endeavor. I have a copy of this available through Lame Excuse Books.

  • Davidson, Avram. And Don’t Forget The One Red Rose. Dryed Press, 1986. First edition chapbook original, one of 185 copies in wraps, a Fine copy. Won off eBay for $13 plus shipping. Now I need to track down one of the 15 hardbacks…

  • Dirda, Michael. On Conan Doyle. Princeton University Press, 2012. First edition hardback, a Fine copy in a Fine dust jacket, with publisher’s information card laid in. Critical book on Arthur Conan Doyle, covering both Sherlock Holmes and his other works. Bought at a dealer discount.

  • Derleth, August. 100 Books by August Derleth. Arkham House, 1962. First edition hardback, one of only 200 hardback copies, a Near Fine- copy with wear at head, heel and points (and a few traces elsewhere) on the decorated boards, sans dust jacket, as issued. Inscribed by Derleth: “Best wishes,/August Derleth.” Bibliography. Simultaneous with a much larger paperback run. Joshi, Sixty Years of Arkham House, 65. Jaffery, Horrors and Unpleasantries, 67. Nielsen, Arkham House Books: A Collector’s Guide, 69. Derleth, Thirty Years of Arkham House, 65. Currey, page 155. Tymn Schlobin Currey, A Research Guide to Science Fiction Studies, 247. Chalker Owings, The Science-Fantasy Publishers, page 32 (which notes this was actually published in 1963). Bought off Biblio for $360.

  • Derleth, August as Stephen Grendon. Mr. George and Other Odd Persons. Arkham House, 1963. First edition hardback, a Fine copy in a Fine- dust jacket with possibly a tiny amount of spine fading, right at the edge of perceptability, an extremely bright and attractive copy. Stories written by August Derleth under his open pseudonym, most of which appeared in either Weird Tales or The Arkham Sampler. 100 Books by August Derleth, page 93 (“Awaiting Publication”). Joshi, Sixty Years of Arkham House, 70. Thirty Years of Arkham House, 70. Jaffery, Horrors and Unpleasantries, 72. Nielsen, Arkham House Books, 74. Currey, page 148. Chalker/Owings, Science Fantasy Publishers, page 32. Bleiler, The Guide to Supernatural Fiction, 524. Bought off eBay for $48.

  • Dick, Philip K. The Cosmic Puppets with Dr. Futurity with Vulcan’s Hammer. First editions thus for The Cosmic Puppets and Vulcan’s Hammer, first hardback edition for Dr. Futurity, each #92 of 300 signed, numbered copies, individual volumes signed by Michael Swanwick, Peter Strain, and Chris Moore, each Fine copies in Fine dust jackets and a Fine slipcase, still in shrinkwrap. (The lines you see over the top and bottom of Vulcan’s Hammer are the shrinkwrap join lines.) The Cosmic Puppets was done as a Severn House hardback, and Vulcan’s Hammer as a Gregg Press hardback, and I have both of those, but I thought it behooved me to pick up the first hardback of Dr. Futurity, even though I had to pay cover price for the set. And indeed, it was pretty much out-of-print immediately upon publication.

  • Egan, Greg. Dichronauts. Night Shade Books, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Bought at Half Price Books for $8.99.
  • Ellison, Harlan (edited by Jason Davis). Blood’s A Rover. Subterranean Press/Edgeworks Abbey, 2015. First edition hardback, a PC copy of 26 signed, numbered copies (the only signed edition), a Fine copy in patterned boards and a Fine traycase, sans dust jacket (though the art used for the trade edition dust jacket forms the fold-out frontispiece) as issued. (Most Subterranean books ship with a plastic bag around the book, while lettered editions have the bag around the traycase; this is the first case I’ve seen where they did both.) Collects all Ellison’s Vic and Blood stories. Dedicated to Michael Moorcock and A Boy and His Dog director L. Q. Jones. Long out of print. Bought for $500 (the original offering price) from a Subterranean sale.

  • Ellison, Harlan. The Deadly Streets with Gentlemen Junkie. Edgeworks Abbey/Subterranean Press, 2013. First hardback editions of each, #216 of 250 signed, numbered sets, Fine copies in Fine dust jackets and a Fine slipcase. Two early Ellison collections, originally PBOs, appearing here for the first time in hardback. Richmond, Fingerprints in the Sky, pages 46 and 51. Supplements trade copies of each. Part of a bulk collection purchase.

  • Ellison, Harlan. Edgeworks 1: Over the Edge/An Edge in My Voice. White Wolf, 1996. First edition hardback thus (and first hardback edition of Over the Edge), a Fine copy in a Fine dust jacket, signed by Ellison.
  • Ellison, Harlan. Edgeworks 2: Spider Kiss/Stalking the Nightmare. White Wolf, 1996. First edition hardback thus, a Fine copy in a Fine dust jacket, signed by Ellison.
  • Ellison, Harlan. The Glass Teat & The Other Glass Teat. Charnel House, 2011. First hardback edition, #182 of 250 signed, numbered copies, a Fine copy in decorated boards, sans dust jacket, as issue, with a CD of Harlan reading “Welcome to the Gulag,” the introduction written for this edition laid in. All Ellison’s TV essays and reviews written for The Los Angeles Free Press. Not having a copy of the original binding, I can’t tell you how this 10th Anniversary edition binding differs from the original. Bought from the publisher at a discount.

  • Ellison, Harlan. Jokes Without Punchlines. White Wolf, 1995. First edition perfect-bound chapbook original, a Fine copy, signed by Ellison on the rear cover. A promotional item for the 1995 American Booksellers Association Show in Chicago, released on June 3, 1995, to promote White Wolf’s Edgeworks line of Ellison hardback reprints. They were supposed to reprint all of Ellison’s books in a uniform edition, but only put out four volumes before they pissed off Ellison so badly that he refused to work with them any more. (Sound familiar?) The introduction in which he talks about how much he hates Chicago has apparently never been reprinted. Fingerprints on the Sky, XIII, page 121. Bought off eBay for $40.

  • Ellison, Harlan. Li’l Harlan and his sidekick Carl the Comet in Danger Land. Edgeworks Abbey/Subterranean Press, 2013. First edition hardback chapbook, #WW of 52 signed, lettered copies, a Fine copy, sans dust jacket, as issued. Stories of Harlan paling around with Carl Sagan. I avoided buying this when it came out because it sorta looked super-cringy, but since I’m collecting everything else, and the hardback is rare, I added it to the stack. Richmond, Fingerprints in the Sky, page 121. Part of a bulk collection purchase.

  • Ellison, Harlan. Rockabilly. Gold Medal Books, 1961. First edition paperback original, a Very Good copy with considerable wrinkling and creasing along the spine, plus slight edgewear, signed by Ellison. Fingerprints on the Sky, page 108. Currey, page 178. Bought off eBay for $65.

  • Ellison, Harlan, and Ken Steacy. Night and the Enemy. Graphetti Designs, 1987. First edition hardback graphic novel, #743 of 1,500 signed, numbered copies, a Fine- copy with slight bumping of bottom points in a Fine- translucent printed Mylar dust jacket with a few tiny indentations. Set in Ellison’s Earth-Kyba War universe. Bought off eBay for $30.
  • Farmer, Philip Jose. Greatheart Silver and Other Pulp Heroes. Meteor House, 2019. First edition hardback, a Fine copy in a Fine dust jacket, signed by editor Michael Croteau and introduction author Garyn G. Roberts. Collection of pulp hero tales. Bought off eBay for $24.

  • Fitz Gerald, Caitlin. The Children’s Illustrated Clausewitz: Volume One. Helios House Press, 2021. First edition hardback, a Fine copy in decorated boards, sans dust jacket, in slipcase. Just what it says: An illustrated, children’s version of the lessons imparted in Carl von Clausewitz’s 19th strategy classic On War. In this book, the role of Clauswitz is played by a hare. Extras from the Kickstarter include a portfolio of four full page cardstock illustrations in printed envelope (“A Year in Hare Clausewitz’s Classroom”), a set of temporary tattoos, and an Ex-Libris sticker. Bought for backing the Kickstarter for £38, including slipcase and shipping. Technically this qualifies as a talking animal fantasy, but what it vaguely reminds me of is a series of pamphlets starting with The Fight at Dame Europa’s School, which cast late 19th century European geopolitical conflight as an inter-school fight, with each student representing a different country. Bought off a Kickstarter.

  • “Fitzgerald, F. Scott” (Adam Newell). Gods of Darkness. Sangrail Press, 2021. First edition chapbook original, #150 of 250 numbered copies, a Fine copy in numbered brown cardboard mailer, as issued. Another elaborate production, with tipped-in frontispiece illustration. “F. Scott Fitzgerald’s forgotten tale of a Lovecraftian witch cult, not in any edition of his collected works.” I have copies of this available through Lame Excuse Books.

  • Fletcher, David, editor. Tiger! The Tiger Tank: A British View. The Tank Museum, 2021. First revised edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. A considerably revised edition of a book first published in 1986, featuring extensive British intelligence documentation and analysis gathered on captured Tiger 131 (still, I think, the only fully running, intact, surviving Tiger 1 from World War II, and the Tiger seen in Fury). The paperback version of this book is available through the Tank Museum, but this hardback was done as a Kickstarter-like deal through them, and my name can be found on page 255. Bought for £32.94, including transatlantic shipping.

  • Foster, Alan Dean. The Director Should’ve Shot You: Memoirs of the Film Trade. Centipede Press, 2021. First hardback edition, #430 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, still in shrinkwrap. I haven’t read any Foster novels since one of the early Pip and Flinx books way back in my misspent youth, but this one interests me. As the king of media tie-in novels, from Star Wars to Alien to Krull, Foster has worked on a lot of big hits (and misses), and in this book he dishes on all the behind-the-scenes drama he witnessed in in his career. This signed edition is already sold out from the publisher. Bought from the publisher at the usual discount. I have one copy of this available through Lame Excuse Books.

  • Fowler, Karen Joy. What I Didn’t See and Other Stories. Small Beer Press, 2010. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of wrinkling at top rear, signed by by Fowler. Short story collection. Part of a bulk collection purchase.

  • Fraser, George MacDonald. Flashman and the Tiger. Harper Collins, 1999. First edition hardback, a Fine copy in a Fine dust jacket. Collection of three Flashman novellas. I’d always heard the Flashman books were great, but haven’t actually read any. Bought for $7.99.
  • Gaiman, Neil (with Leslie S. Klinger). The Annotated American Gods. Morrow, 2019. First edition hardback, a Fine copy in a Fine dust jacket. Annotated version of Gaiman’s Hugo, Nebula and World Fantasy Award-winning novel, made into the acclaimed TV series of the same name. This edition follows the text of the 10th Anniversary edition, but the annotations note where it differs from the first edition (among other things). Bought for $24.99 from a Houston-area Half Price Books. I have one copy of this available through Lame Excuse Books.

  • Gaiman, Neil. The Ocean at the End of the Lane. William Morrow, 2013. First edition hardback, a Fine copy in a Fine dust jacket, signed by Gaiman. Part of a bulk collection purchase.
  • Gaiman, Neil. Smoke & Mirrors. Subterranean Press, 2014. First edition hardback thus, a PC copy of 500 numbered copies signed by Gaiman and illustrator Dave McKean. Preceded by both the Dreamhaven Angels and Visitations in 1993 and the Avon Smoke and Mirrors from 1998 (both of which I have). Includes new art by McKean. Sold out quickly the year of publication. Bought for $250 (the offering price).

  • Gaiman, Neil and J. H. Williams III. The Sandman Overtures Absolute Edition. DC Comics, 2018. First edition hardback, a Fine copy in a Fine slipcase, sans dust jacket, as issued. Given to me as a birthday gift.
  • (Gibson, William) Westfahl, Gary. William Gibson. University of Illinois Press, 2013. First edition trade paperback original, a Fine copy. Critical companion to Gibson’s work. Bought at Half Price Books for $12.49.
  • Gordon, David. Sergeant Santa: A Joe the Bouncer Tail. Mysterious Bookshop, 2021. First edition chapbook original, a Fine copy. Mystery chapbook. A freebie thrown in with an order from them. Not previously listed here.
  • Greenberg, Martin. The Robot and the Man. Gnome Press, 1953. First edition hardback, a Very Good+ copy with top of spine very slight concave, edges of head and heel slightly soft, and a 2″ crack starting to bottom front inner hinge, in a Very Good dust jacket with shallow chipping at head and heel, some edgewear along front bottom and at top near fold, slight, faint spotting along rear fold edge, and a crease running down the entire front cover right next to the flap fold, as though the book were folded not quite on center and corrected much later, plus a few other touches of wear. Still, the white portions of the jacket are reasonably bright and the pages lack the horrific browning that plagues later Gnome titles. Reprint anthology of robot stories, including some from Henry Kuttner and C. L. Moore (not a Gallagher story), Lester del Rey (two stories), A. E. van Vogt, John D. MacDonald, and Bernard Wolfe. Chalker/Owings, page 200. Kemp, The Anthem Series, 225-26. Part of a bulk collection purchase.

  • Hand, Elizabeth (edited by Bill Sheehan). The Best of Elizabeth Hand. Subterranean Press, 2021. First edition hardback, #225 of 1000 signed, numbered copies, a Fine copy in a Fine dust jacket. I have copies of this available through Lame Excuse Books.
  • Heinlein, Robert A. JOB: A Comedy of Justice. Del Rey, 1984. First edition hardback, #109 of 750 signed, numbered copies, a Fine copy in a Near Fine slipcase with a quarter-sized water spot and a faint scratch, sans dust jacket, as issued. Not my favorite Heinlein, but quite readable by the standards of late-period Heinlein. Bought off eBay for $300.

  • Hill, Joe (with Jason Ciaramella and Vic Malhotra). Thumbprint. IDW, 2013. First edition, a Fine copy in decorated boards, sans dust jacket, as issued, signed by Hill. Based on the Hill novella.

  • Hodgson, William Hope (Sam Moskowitz, editor). Out of the Storm. Donald M. Grant, 1975. First edition hardback, a Fine copy in a Fine dust jacket. Uncollected fantasies, with Stephen Fabian illustrations. Bought off a fellow Biblio dealer for $20 after discount.
  • Howard, Robert E. Almuric. Donald M. Grant, 1975. First hardback edition, a Fine copy in a Fine dust jacket. Currey, page 248. Locke, Spectrum of Fantasy, page 117. I put off picking up these Donald M. Grant Howard firsts for quite a while since they seemed readily available, but that no longer seems to be the case. Bought off a fellow Biblio dealer for $18.
  • Howard, Robert E. The Horror Stories of Robert E. Howard. Subterranean Press, 2010. First limited edition hardback (the Del Rey trade edition precedes), a PC copy of 50 signed, numbered (so says the limitation page, though this is the Lettered edition) leatherbound copies, signed by artist Greg Staples, a Fine copy in a Fine traycase, sans dust jacket, as issued. A lavish production. Supplements a copy of the ordinary numbered edition. Bought for $200, a hefty 50% off the original offering price of $400.

  • Howard, Robert E. Two Against Tyre. Dennis McHaney, 1975. First edition chapbook original, one of 1,500 copies (Currey state B), a Fine- copy with slight wear to black border at top front and slight dust staining along spine. Currey, page 252. Bought off a fellow Biblio dealer for $8.10.
  • (Howard, Robert E.) Charles Hoffman and Marc Cerasini. Robert E. Howard: A Closer Look. Hippocampus Press, 2020. First edition trade paperback original thus, a Fine copy. Critical companion on Howard’s work greatly expanded and revised from a 1987 Starmont Reader’s Guide edition. I have one copy of this available through Lame Excuse Books.
  • King, Stephen, and Richard Chizmar. Gwendy’s Button Box. Cemetery Dance, 2017. First edition hardback, a Fine copy in a Fine dust jacket, signed by Chizmar. “A brand new Castle Rock novella.” Bought at a Half Price Books in Houston for $30.

  • (King, Stephen) Blue, Tyson. The Unseen King. Starmont House, 1989. First edition hardback, #24 of 100 copies with a signed, numbered sheet done for The Overlook Connection laid in, a Fine copy in decorated boards, sans dust jacket, as issued. Critical companion of Stephen King works that had never (up to this publication) been republished. I’m sort of half-assedly collecting all these Starmont House/Borgo Press SF/F/H critical hardbacks when I find them cheap. Won off eBay for $15.50.

  • (King, Stephen, and Peter Straub) Chizmar, Richard, and Johnathon Schaech. A Little Silver Book: A Screenplay Borderland Press, 2021. First edition hardback, #498 of 1,000 signed, numbered copies, a Fine copy, sans dust jacket, as issued. A screenplay based on Stephen King and Peter Straub’s Black House. Bought from the publisher at the usual discount.

  • (King, Stephen) Terrell, Carroll F. Stephen King: Man and Artist. Northern Lights, 1990. First edition hardback, #158 of 400 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine- slipcase with two pinprick nicks to the top rear. Critical companion. Won off eBay for $30.51.

  • Koontz, Dean. Devoted. Short Scary Tales (SST) Publications, 2021. First limited edition hardback, #217 of 500 copies signed by Koontz, introduction author Joe R. Lansdale, and artist Dirk Berger, a Fine copy in a Fine dust jacket and Fine decorated slipcase. A boy and his Golden Retriever vs. evil. What’s not to like? A hefty 574 page volume. Bought from the publisher at the usual discount. I have a copy of this available through Lame Excuse Books.

  • Lafferty, R. A. The Collected Short Fiction Volume Six: The Man Who Never Was. Centipede Press, 2021. First edition hardback, #40 of 300 numbered copies signed by Neil Gaiman, John Pelan, and Jacob McMurray, a Fine copy in a Fine dust jacket. Presumably the last volume edited by John Pelan, who died April 12. Bought from the publisher at the usual discount.
  • Lafferty, R. A. The Early Lafferty II. United Mythologies Press, 1990. First edition chapbook original, #57 of 100 signed, numbered copies, a Near Fine copy with some phantom creasing on the top left front cover. Bought for $49.99 off eBay. The signed copy of this chapbook original sold for $7, and the unsigned for $4, and both editions are now scarce and pricey.

  • (Lafferty, R. A.) Cheek, Kevin, editor. Feast of Laughter Volume 5. Kistic Press, 2020. First edition trade paperback original (POD publication), a Fine copy. Ongoing anthology series of Lafferty interest, including fiction, essays, etc. Includes three Lafferty works (“The Hands of the Potter: An Idyll” (which seems to be fiction, and not in the ISFDB), “Astérix et Cléopâtra” (a review of the French comic) and “Riddle Writers of the Ithmus,” a short essay. Plus contributions from Michael Swanwick, Howard Waldrop, etc. Bought from Amazon at full price, since they do fulfillment (and hence the link on the title).
  • Lansdale, Joe R. Apache Witch. Independent Legions/The Last Bookstore, 2021. First edition hardback, #33 of 180 numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued. Poetry collection (Lansdale’s first). Bought directly from the publisher. Now out of print. I have copies of this available through Lame Excuse Books.

  • Lansdale, Joe R. Blood Dance. Subterranean Press, 2000. First edition hardback, letter R of 18 signed, lettered copies, a Fine copy in a beautiful full-cloth binding and a Fine traycase with an additional Mark A. Nelson illustration mounted on the inside front cover, sans dust jacket, as issued. The Lost Lansdale Volume Three. Bought for $250 off a private collector.

    Note: The bottom right of the illustration looks strange due to reflections off the protective plastic covering over the illustration.

  • Lansdale, Joe R. The Bottoms. Subterranean Press, 2000. First edition hardback, letter R of 26 signed, lettered copies, a Fine leatherbound copy in a Fine dust jacket and Fine traycase with full color illustration mounted inside front lid. The Subterranean edition was the true first edition, preceding the Mysterious Press edition by several months. Edgar Award winner for Best Novel. Bought for $300 from a private collector, which is just twice list price for the regular numbered edition.

  • Lansdale, Joe R. Coco Butternut. Subterranean Press, 2017. First edition hardback, trade edition, a Fine copy in a Fine dust jacket. Hap and Leonard novella. Somehow I ended up picking up two limited editions of this, so I never picked up a trade edition until now. Bought from Camelot Books for $17.50.
  • Lansdale, Joe R. Cold in July with Savage Season. Mark V. Ziesing, 1989/1990. First hardback edition and first edition hardbacks, Fine- (Cold in July)/Near Fine+ (Savage Season) with faint spotting at head, heel and on pageblock, in Fine dust wrappers, and a Fine- slipcase with a touch of wear, each inscribed to late Texas writer Carrier Richerson. While these are the trade hardbacks, one thing Ziesing did for this and the Waldrop set was offer the trade editions in overrun slipcases (something to check for if you’re buying a set). Supplements a PC limited set I got for helping transcribe Cold in July for Ziesing. Isajenko, World Lansdelean A011b and A013a. Bought at Armadillocon for $32.

  • Lansdale, Joe R. The Drive-In. Centipede Press, 2015. First edition hardback thus, a signed, illustrated omnibus of The Drive-In, The Drive-In 2, and The Drive-In: The Bus Tour, one of 300 signed, numbered copies, a Fine copy in a Fine dust jacket, still in shrink wrap. I passed on picking this up when it first came out because I already had the PBO firsts of the first two, the hardback firsts of all three (two from Kinnell, the third from Subterranean), and The Complete Drive-In omnibus of all three from Underland Press. But this disappeared pretty quickly, and I decided to pick it up because I’m crazy Lansdale completist. Bought off a fellow dealer for $120.
  • Lansdale, Joe R. Fishing for Dinosaurs. Subterranean Press, 2020. First edition hardback, #367 of 2500 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought from the publisher at the usual discount. Really nice endpapers. I have copies of this available through Lame Excuse Books.
  • Lansdale, Joe R. Hap and Leonard: Of Mice and Minestrone. Short Scary Tales (SST) Publications, 2021. First hardback edition and first limited edition (the Tachyon trade paperback, which I also have, precedes), #101 of 400 signed, numbered copies, a Fine copy in a Fine dust jacket. Linked Hap and Leonard short stories. I have copies of this available through Lame Excuse Books.

  • Lansdale, Joe R. The Hungry Snow. Death’s Head Press, 2021. First edition trade paperback original (a side-sewn chapbook), #40 of 500 numbered copies, a Fine copy, new and unread, with Death’s Head Press bookmark and card laid in. A Reverend Jedidiah Mercer story. Illustrated by Tim Truman. Bought from the publisher at a very thin discount. I have copies of this available through Lame Excuse Books.

  • Lansdale, Joe R. The Long Ones. Necro Publications, 1999. First edition hardback, letter R of 26 signed, leatherbound lettered copies, a Fine copy in a Fine traycase, sans dust jacket, as issued. In addition to the leather binding and traycase, this edition features an inserted (not attached) printed ribbon with title and author, a color frontispiece illustration, and several inserted black and white illustrations not in the ordinary numbered edition. Bought from a private collector for $300.

    Lansdale, Joe R. The Nightrunners. Dark Harvest, 1987. First edition hardback, letter X of 26 signed, lettered copies, a Fine copy in white leather and a wooden slipcase (AKA “slipcrate”), sans dust jacket, as issued. (Note: The wooden slipcase has three small notches at the back, but given the uniform staining, they were there when the book left the publisher.) Lansdale’s landmark splatterpunk novel, featuring two very bad boys and The God of the Razor. Chalker/Owings, page 120 (Jack was not a fan of the novel). Bought off a fellow Biblio dealer for $315.

  • Lansdale, Joe R. On The Far Side of the Cadillac Desert With Dead Folks. Roadkill Press, 1991. First separate edition chapbook, #488 of 500 signed, numbered copies, a Fine copy. Originally appeared in the 1989 Skipp & Spector anthology The Book of the Dead. Bought from a private collector for $25.
  • Lansdale, Joe R. The Orbit #1. Subterranean Press, no date (but 1999). First edition chapbook original, a Fine copy. “The Official Joe R. Lansdale Newsletter.” First of two put out. With:
  • Lansdale, Joe R. The Orbit #2. Subterranean Press, no date (but 1999). First edition chapbook original, a Fine copy. Second and last issue. Bought for $15 for the pair off a private collector.

  • Lansdale, Joe R. The Sky Done Ripped. Subterranean Press, 2019. First edition hardback, #324 of 350 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Third book in the Ned the Seal trilogy. This edition features a collection of sketches at the back not in the trade edition. Supplements a signed copy of the trade edition. Bought for $47.50.
  • Lansdale, Joe R. (originally writing as Ray Slater). Texas Night Riders. Subterranean Press, 1997. First edition hardback thus and first U.S. hardback edition (preceded by the PBO and the Chivers large print hardback), copy P of 26 signed and lettered copies, a Fine copy bound in quarter-leather, in a Fine- patterned slipcase with slight rubbing to corners, sans dust jacket, as issued. This was early in Subterranean’s history, and they were still using the 4 x 3 acrostic spine logo. Bought for $220.

  • Lansdale, Joe R. The Thicket. Mullholland Books/Little Brown, 2013. First edition hardback, a Fine copy in a Fine dust jacket. Bought for $5 as part of the Lansdale documentary fundraiser.
  • Lansdale, Joe. R. Tight Little Stitches In A Dead Man’s Back. Pulphouse, 1992. First edition hardback chapbook, #70 of 100 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Short story hardback issue #28. Story originally appeared in John Maclay’s Nukes anthology in 1986. This is the first separate edition. Bought from a private collector for $75 (which is considerably more than I paid for The Steel Valentine).

  • Lansdale, Joe R. Waltz of Shadows. Subterranean Press, 1999. First edition hardback, letter R of 52 signed, lettered copies, a Fine copy in a Fine dust jacket and a Fine- traycase with a few small, shallow, random indentations. The Lost Lansdale Volume One. Chalker/Owings (2002), page 855. Unnoted by Chalker/Owings (or my proof copy of The World Lansdalian), this edition is bound in a very attractive, deep purple cloth rather than the light blue of the trade edition. Bought for $190 ($5 less than cover).

  • Lansdale, Joe R., Howard Waldrop and Neal Barrett, Jr. The Gonzo Tapes. Scorpio Inc., no date (Howard says he recorded his October 7, 1992; since they were first sold at Armadillocon, and that year’s Armadillocon started just two days later, I’m guessing it was released at the 1993 Armadillocon). First edition cassette tape package, containing three cassettes with two stories each being read by authors Joe R. Lansdale (“Steppin’ Out, Summer 1968” and “By Bizarre Hands”), Howard Waldrop (“French Scenes” and “The Passing of the Western”) and Neal Barrett, Jr. (“Winter on the Belle Forche” and “Class of ’61”), along with a single trifold sheet attached to the inside of the front case lid with adhesive to the back, a Fine copy. Bought from that same private collector for $10.

  • Lansdale, Joe R. (edited by Bill Sheehan and William Schafer). Joe R. Lansdale’s Lords of the Razor. Subterranean Press, 2006. First edition hardback, a PC copy of 26 lettered copies, a Fine copy in a Fine dust jacket and what would be a Fine leather traycase, save: A.) The leather stitching is somewhat uneven around the perimeter of the book, and B.) When I went to open this, the glued-on leather tab for the book fell off. I’m guessing these production problems were why Subterranean abandoned this design for lettered editions. Anthology featuring Lansdale’s God of the Razor from The Nightrunners. Formerly co-editor (and Subterranean Press founder and owner) William Schafer’s copy. Supplements a signed, numbered copy. Bought from Camelot Books for $346.50.

  • Lansdale, Joe R., editor. The Horror Hall of Fame: The Stoker Winners. Cemetery Dance, 2021. First edition hardback, #WW of 52 signed (by Lansdale), lettered, traycased copies, a Fine copy in a Fine dust jacket and a Fine traycase. Anthology of Stoker Award winning stories from Robert Bloch, George R. R. Martin, Harlan Ellison, etc. Isajenko, World Lasdalean, D13aiii. Supplements trade and limited edition copies. Bought off eBay for $125 plus shipping.

  • (Lansdale, Joe R.) Isajenko, Fred. The World Lansdalean: The Authorized Joe R. Lansdale Bibliography. Short, Scary Tales (SST) Publications, 2021. Uncorrected proof, trade paperback format, of the hardback first edition. Sent to me for spot-checking, and I sent them back a list of some things that were missing, etc.

  • (Lansdale, Joe R.) Fred Isajanko. The World Lansdalean: The Authorized Joe R. Lansdale Bibliography. Short Scary Tales (SST) Publications, 2021. First edition hardback, #101 of 1000 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Bibliography of Lansdale’s work, that also includes bonus Lansdale fiction in the back. I have not checked to verify that all of my edit suggestions on the ARC made it into the final edition.

  • Leiber, Fritz. The Demons of the Upper Air. Roy A. Squires, 1969. First edition chapbook original, 143 of 275 copies number in Arabic numerals, a Fine copy in Fine wrappers, additionally inscribed “To/Chris/from/Fritz,” in a Fine original printed envelope, and even the original stiff cardboard mailer from Squires! Poetry. Squires always did beautiful work. Chalker/Owings, page 588. Bought off eBay for $50.

  • Ligotti, Thomas. Death Poems. Bad Moon Books, 2013. First edition hardback thus, #50 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket. There was an earlier edition of this from Dutro Press, but this edition is expanded with additional material. Bought off eBay for $75.

  • Lovecraft, H.P. (S. T. Joshi and David E. Schultz, editors). Letters to Alfred Galpin and Others. Hippocampus Press, 2020. First edition trade paperback original thus, a Fine copy. “A new edition, augmented here with over 200 new pages of material.” Primarily letters Lovecraft wrote to his amateur press association correspondents.
  • Lovecraft, H.P. (S. T. Joshi and David E. Schultz, editors). Letters to E. Hoffman Price and Richard F. Searight. Hippocampus Press, 2020. First edition trade paperback original, a Fine copy. Hoffman was an acclaimed Weird Tales writer in his own right, and also friends with Robert E. Howard (who is a frequent topic in these letters). Searlight also had pieces appear in Weird Tales.
  • Lovecraft, H.P. (S. T. Joshi and David E. Schultz, editors). Letters to Family and Family Friends Volume 1 with Letters to Family and Family Friends Volume 2. Hippocampus Press, 2020. First edition trade paperback originals, both Fine copies. Over 1,000 pages of letters, with page numbers across both volumes, plus a Glossary, an Index, etc.
  • Lovecraft, H.P. (S. T. Joshi and David E. Schultz, editors). Letters to Rheinhart Kleiner and Others. Hippocampus Press, 2020. First edition trade paperback original thus, a Fine copy. “A new edition, augmented here with nearly 250 new pages of material.” Letters Lovecraft wrote to one of his oldest friends, having known Kleiner since 1915. Other correspondence includes letters to other amateur journalists and members of the New York City-based Kalem Club.
  • (Lovecraft, H.P.) Sammons, Brian M and Glynn Owen Barrass, editors. Summer of Lovecraft: Cosmic Horrors in the 1960s. Dark Regions Press, 2021. Trade paperback reprint (a POD edition), a Fine copy. Bought for $9.
  • Magill, Frank, editor. Critical Survey of Mystery and Detective Fiction Authors. Salem Press, 1988. First edition hardbacks, a four volume set, reasonably clean Ex-Library copies, with slight signs of sticker removal from spine and a few bits of interior writing or marker crossout, but no pocket removal, sans dust jackets, as issued. Four volumes covering just about every important mystery writer up to that time (no Joe R. Lansdale, though, as this was right before the first Hap & Leonard novel). Bought for (I think) $20 from Scott Cupp at Armadillocon.

  • Martin, George R. R. A Knight of the Seven Kingdoms. Subterranean Press, 2016. First signed limited edition hardback, a Fine PC copy of 52 leatherbound lettered copies signed by Martin and illustrator Gary Gianni, in a Fine traycase, sans dust jacket, as issued. An elaborate production, with full color fold-out frontispiece artwork and inserted card-stock separator, and a high quality embossed leather binding. Long out of print from the publisher. (In fact, I’m not even sure they ever offered the lettered edition in their email newsletter.) Bought for $600, a substantial discount from the original $750 offering price.

  • Matheson, Richard. Shadow on the Sun. M. Evans & Company, 1994. First edition hardback, a Fine copy in a Fine dust jacket (after a jacket swap), signed by Matheson. Weird western. Bought from a fellow Biblio dealer for $28.
  • McDevitt, Jack. Cauldron. Easton Press, 2007. First edition (ISFDB shows it out three months before the Ace trade edition), #677 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by McDevitt), an unused personalization plate, and an insert card “a note about CAULDRON and the author JACK McDEVITT” laid in, sans dust jacket, as issued. Obtained as part of a bulk library purchase.
  • McDevitt, Jack. The Devil’s Eye. Easton Press, 2008. First edition thus, #824 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by McDevitt), an unused personalization plate, and an insert card “a note about THE DEVIL’S EYE and the author JACK McDEVITT” laid in, sans dust jacket, as issued. Obtained as part of a bulk library purchase.
  • McDevitt, Jack. Odyssey. Easton Press, 2006. First edition (ISFDB shows it out two months before the Ace trade edition), #881 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by McDevitt), an unused personalization plate, and an insert card “a note about ODYSSEY and the author JACK McDEVITT” laid in, sans dust jacket, as issued. Obtained as part of a bulk library purchase.
  • McDevitt, Jack. Omega. Easton Press, 2003. First edition (ISFDB shows it out three months before the Ace trade edition), #885 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by McDevitt), an unused personalization plate, and an insert card “a note about OMEGA and the author JACK McDEVITT” laid in, sans dust jacket, as issued. Obtained as part of a bulk library purchase.
  • McDevitt, Jack. Polaris. Easton Press, 2004. First edition (ISFDB shows it out five months before the Ace trade edition), #526 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by McDevitt), an unused personalization plate, a thin color-printed paper bookmark for the novel with McDevitt’s name, SFWA URL (no longer valid) and white out in the middle upon which “Cryptic, Inc.” (which I think used to be Jack’s business entity) typed or stamped on top, and an insert card “a note about POLARIS and the author JACK McDEVITT” laid in, sans dust jacket, as issued. Obtained as part of a bulk library purchase.
  • McDevitt, Jack. Seeker. Easton Press, 2005. First edition thus, #666 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by McDevitt), an unused personalization plate, and an insert card “a note about SEEKER and the author JACK McDEVITT” laid in, sans dust jacket, as issued. Nebula winner for Best Novel. Obtained as part of a bulk library purchase.
  • McDevitt, Jack. Time Travelers Never Die. Easton Press, 2009. First edition thus, #90 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by McDevitt), an unused personalization plate, and an insert card “a note about TIME TRAVELERS NEVER DIE and the author JACK McDEVITT” laid in, sans dust jacket, as issued. Obtained as part of a bulk library purchase.

  • Mieville, China. The Last Days of New Paris. Subterranean Press, 2017. First limited edition hardback (the Del Rey trade edition precedes), a PC copy of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. Supplements a copy of the numbered edition. Long out of print. Bought for the original offering price of $250.

  • Moon, Elizabeth. Marque and Reprisal. Easton Press, 2004. First edition thus, #408 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Moon), an unused personalization plate, and an insert card “a note about MARQUE AND REPRISAL and the author ELIZABETH MOON” laid in, sans dust jacket, as issued. Obtained as part of a bulk library purchase.
  • Moon, Elizabeth. The Speed of Dark. Easton Press, 2003. First edition thus, #809 of 1,000 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Moon), an unused personalization plate, and an insert card “a note about THE SPEED OF DARK and the author ELIZABETH MOON” laid in, sans dust jacket, as issued. Interesting near future novel told from the viewpoint of a high-functioning autistic programmer. Nebula winner for Best Novel. Supplements a copy of the trade hardcover first inscribed to me (ISFDB says that the UK Orbit paperback edition is the true first). Obtained as part of a bulk library purchase.

  • Moorcock, Michael (edited by John Davey). Into The Media Web: Selected short non-fiction, 1956-2006. Savoy Books, 2010. First edition hardback, a Fine- copy with slight bumping at head and heel in a Near Fine dust jacket with slight grubbiness, slight creasing at top front cover and a 1/8″ closed tear at top front fold, and slight bumping at heel. Inscribed by Moorcock to fellow writer (and New World contributor) John Baxter: “To John,/Some embarrassments/some bullshit and maybe/a little bit/of truth./All very/best, as/ever yours/Mike,” plus a signature dated “18th July ’10.” 300,000+ word, 717 page collection of non-fiction, including essays, reviews, etc. covering books, film, music, etc. (Here’s a post on the book’s design.) Reportedly had a hardback print run of less than 100 copies, though I haven’t nailed down exactly how many. Bought for £140 plus shipping.

    After I picked this up, Mike mentioned that he thought Baxter’s Ballard book was “lazy, shallow, salacious and sensational.”

  • (Moorcock, Michael) Cawthorn, James. The Stormbringer Sessions. Jayde Designs/Savoy Books, 2021. First edition hardback, an oversized graphic novel format. #30 of 100 numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase, with a sheet replicating the cover art laid in. A graphic novel reprinting Cawthorn’s rough sketch’s for Michael Moorcock’s Elric: The Book of Stormbringer, a much more complete and elaborate graphic novel adaptation of the concluding Elric book than the version published by Savoy Books in 1976. At £100 plus transatlantic shipping, it’s a pricey item, but with such a small limitation (with only an additional 100 trade copies) for a Moorcock item, I thought it was better to snap it up when I could (and indeed, all copies are now sold out).

    The scan chops off the very bottom of the cover, because that was all that would fit on my scanner.

    The slipcase is embossed with a red foil version of Moorcock’s eight-arrowed chaos symbol:

  • Moore, Alan. Jerusalem. Knockabout Books, 2016. First edition hardback, a Fine copy in a Fine- dust jacket with slight edgewear and slight haze-rubbing. Massive, 1174-page novel whose premise is that Northhampton is the actual center of the world. Looks interesting, but Lord know when I’ll ever find time to read it. Actually, I should probably read Voice of the Fire first. Bought for (I think) $16 from Scott Cupp at Armadillocon.
  • Moore, Ward. Breathe the Air Again. Harper & Brothers, 1942. First edition hardback (stated), a Near Fine copy with dust staining at top and bottom page blocks and slight bend at head and heel in a Near Fine, price-clipped dust jacket with price stamp of “2.95” next to clip, slight grubbiness (most noticeable to back rear cover), plus shallow closed tears at head and heel; despite that, it’s a bright, vibrant example of a dust jacket for which I can find no other scan on the Internet. Interestingly, this copy has a different binding, and even appears to be a different trim size, than my other copy. I now believe my earlier copy is not only a library rebind, but one for which the page blocks were trimmed as part of the rebinding process. Reportedly a Picaresque mainstream novel of labor organizing. Bought off an Internet dealer for $265.50.

    Current copy on the left, older copy on the right

  • Murphy, Pat. The Falling Woman. Tor, 1986. First edition hardback, a Fine copy in a Fine first state dust jacket (curvy letters on spine, black (not red) lines inside letters on front cover, no blurbs on back cover, and no author photo on rear dj flap), signed by Murphy. Winner for the Nebula Award for best novel. Supplements a copy of the first edition with a second state dust jacket inscribed to me by Murphy.
  • Niven, Larry. The Magic Goes Away. Ace, 1978. First edition hardback, #243 of 1000 signed, numbered copies, a Fine copy in a Fine dust jacket. Signed and hand numbered (it looks like by Niven himself) on the front free endpaper. Bought off the Internet for $38.25

  • Nolan, William F. Writing as Life. Dark Regions Press, 2021. First edition hardback, #34 of 200 signed, numbered copies, a Fine copy in a Fine dust jacket, still in shrinkwrap. Mixture of fiction, non-fiction, poetry and autobiography. Bought for $37.50.
  • Palwick, Susan. All World Are Real. Fairwood Press, 2019. First edition trade paperback edition, a Fine copy, new and unread. Short story collection.
  • Powers, Tim. Artificial Light. Charnel House, 2021. First edition hardback, #67 of 100 signed, numbered hardback copies in Japanese Red Snow Dust silk (the same material used for Charnel Houses’ edition of Powers’ Collected Stories), a Fine copy, sans dust jacket, as issued. A beautiful Charnel House production. Bought from the publisher at the usual discount. There’s also a lettered state and a wraps state (not seen).

  • Powers, Tim. Last Call. Charnel House, 1992. First edition hardback (“by a whisker” says Chalker/Owings), #141 of 350 signed, numbered copies, a Fine copy in a Fine- decorated slipcase with some rubbing to bottom and at points. His celebrated “playing poker with Tarot cards” book, and the first (and best) in a loose trilogy. Berlyne, A8b.1. Chalker/Owings (2002), page 211. Bought from a noted SF book dealer for $325. I think I now have all the Charnel House Powers limiteds (at least in numbered state).

  • Reynolds, Alastair. Belladonna Nights and Other Stories. Subterranean Press, 2021. First edition hardback, #171 of 1500 signed, numbered copies, a Fine copy in a Fine dust jacket. Available through Lame Excuse Books.
  • Reynolds, Alastair. Revenger. Gollancz, 2016. First edition hardback, a Fine copy in a Fine- dust jacket with slight crimping at head. Bought at a Houston-area Half Price Books for $12.49.
  • Rusch, Kristine Kathryn, editor. Pulphouse Winter 1990: Issue Six. Pulphouse Publishing, 1990. First edition hardback, #196 of 250 numbered copies signed by all the contributors, a Fine- copy with a tiny crease at head, sans dust jacket, in a Fine slipcase, as issued. Back in the dim mists of the late 1980s, I thought the black trade edition of Pulphouse: The Hardback Magazine, with it’s faux leather, embossed covers and deckled edges, was fairly attractive. Many of the Author’s Choice Monthly volumes were also worthwhile. Then Pulphouse wildly overproduced a huge variety of material nobody wanted, almost single-handedly depressing the market for small press books in the early 1990s. This volume has work (and signatures) from Avram Davidson, George Alec Effinger, Bradley Denton, Charles De Lint, Susan Palwick, etc. “Shrunk,” the Effinger story, is actually one George brought to the second Turkey City Writer’s Workshop I ever threw, which he said he had just missed selling to Playboy. According to him, Alice Turner had said “Well, I looked at it, and looked at it, and I finally decided it just wasn’t right for us.” Said George: “Do you realize what she said? ‘You just missed $5000 by that much.’ Tell me what’s wrong with it! I’ll walk to New York on my knees and fix it!” I already have all 12 issues of the trade edition of the hardback magazine run, and pick up the signed editions when I find them cheap, and I now have four. Chalker/Owings (2002), page 715. Bought off eBay for $25, more than half off the original offering price of $60.
  • Rushdie, Salman. The Satanic Verses. Viking, 1989. Fourth printing of the first American edition, a Fine- copy with slight bend at head and heel in a Fine- dust jacket with slight curl at head, signed by Rushdie, with sales slip from a bookseller stating it was a signed copy laid. The book that earned Rushdie a fatwa from the Ayatollah Khomeini. Supplements a first printing of the first American edition (the Viking UK edition precedes). Bought at a Houston-area Half Price Books for $7.99.

  • Shaver, Richard S. The Shaver Mystery Book Eight. Armchair Fiction, 2020. First edition trade paperback original, a Fine copy. Supplements volumes 1-7.
  • Shea, Michael. Mr. Cannyharme: A Novel of Lovecraftian Terror. Hippocampus Press, 2021. First edition hardback, one of only 500 hardback copies, a Fine copy in a Fine dust jacket. Previously unpublished Shea novel of Lovecraftian horror set in post-hippie San Francisco. Bought from the publisher at the usual discount. I will have copies of this available in the next Lame Excuse Books catalog.

  • Shirley, John. A Sorcerer of Atlantis with A Prince in the Kingdom of Ghosts. Hippocampus Press, 2021. First edition trade paperback original, a Fine copy. Shirley doing weird adventure pulp! The first story features two adventurers in Atlantis battling bizarre monsters accompanied by a Princess of Mu. The second features a murdered Korean American who finds himself a prince in the afterlife. Looks like great fun.
  • Silverberg, Robert. Masters of Science Fiction Volume 13: Robert Silverberg The Ace Years, Part Three. Armchair Fiction, 2018. First edition trade paperback originals, a Fine copy. Reprints three more Ace PBOs: Invaders From Earth, Collision Course and The Silent Invaders, plus a new forward, a book cover gallery, and “The Songs of Summer.”
  • Silverberg, Robert. The Secret Sharer. Underwood Miller, 1988. First edition hardback, #230 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket and a Near Fine slipcase with some red spotting to rear. Part of a bulk collection purchase.
  • Silverberg, Robert, and Randall Garrett, and Laurence Manning. The Beast With 7 Tails b/w The Wreck of the Asteroid. Armchair Fiction, 2021. First edition trade paperback original, a Fine copy. The Silverberg/Garrett “The Beast With 7 Tails” has never been reprinted since it’s appearance in Amazing Stories in 1956, and The Wreck of the Asteroid has not been reprinted since being serialized in Wonder Stories in 1932-3. Bleiler’s Science Fiction: The Gernsback Years says that the Manning is “A competent adventure story with reasonable development.”
  • Simmons, Dan. Lovedeath. Subterranean Press, 2013. First limited edition a PC copy of 250 signed, numbered copies, a Fine copy in a Mylar-protected dust jacket. Formerly Subterranean Press founder William Shafer’s copy. Supplements a copy of the Warner Books first edition inscribed to me. Bought from Camelot Books for $52.50.
  • Skelton, Red. The Great Lazarus. Skelton Publications, 1986. First edition hardback (stated), a Fine copy in a Fine dust jacket, signed by Skelton. Michael Swanwick says it may qualify as magic realism. Bought off eBay for $24.50.

  • Smith, Clark Ashton, and August Derleth. Eccentric, Impractical Devils: The Letters of August Derleth and Clark Ashton Smith. (David E. Schultz and S.T. Joshi, editors). Hippocampus Press, 2020. First edition trade paperback original, a Fine copy. Derleth, of course, published many of Smith’s collections at Arkham House, and both men where appearing in the pages of Weird Tales in the 1920s, but they didn’t correspond until Lovecraft introduced them to each other in 1930.
  • (Smith, Clark Ashton) S.T. Joshi, David E. Schultz and Scott Conners. Clark Ashton Smith: A Comprehensive Bibliography. Hippocampus Press, 2020. First edition trade paperback original, a Fine copy. Much-needed comprehensive bibliography for Smith’s works, especially since Donald Sidney-Fryer’s Emperor of Dreams is not only out of date, but so poorly organized as to be nearly useless.
  • Smith, Michael Marshall. The Best of Michael Marshall Smith. Subterranean Press, 2021. First edition hardback, a Fine copy in a Fine dust jacket. Trade edition.
  • Stephenson, Neal. Atmosphæra Incognita. Subterranean Press, 2019. First edition hardback, a PC copy of 26 Lettered copies, a Fine copy in embossed boards and a Fine traycase, sans dust jacket, as issued. Novella about building a giant tower. Bought for $500 (the original offering price).

  • Spiner, Brent with Jeanne Darst. Fan Fiction: A Mem-Noir Inspired By True Events. St. Martin’s Press, 2021. First edition hardback, a Fine copy, signed by Spiner. Mystery by Spiner, starring Spiner, revolving around a box he received during the filming of Star Trek: The Next Generation. Bought for $22.39 from The Mysterious Bookshop.

  • Stephenson, Neal. Atmosphæra Incognita. Subterranean Press, 2019. First edition hardback, a PC copy of 400 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought for $100.

    Lettered edition on left, numbered edition on right

  • Stephenson, Neal. Termination Shock. Morrow, 2021. First edition hardback, a Fine copy in a Fine dust jacket, with “SIGNED FIRST EDITION” sticker on front, signed by Stephenson on page stating “This signed edition has been specially bound by the publisher.” Bought from the Mysterious Bookstore for $28.
  • Sterling, Bruce. Robot Artists & Black Swans: The Italian Fantascienza Stories. Tachyon, 2021. First edition hardback, a Fine copy in a Fine dust jacket. His latest short story collection. Introduction by Neal Stephenson. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.
  • Straub, Peter. The Complete Short Fiction of Peter Straub Volume One and The Complete Short Fiction of Peter Straub Volume Two. Borderlands Press, 2021. First edition hardbacks, #321 of 350 signed, numbered copies, Fine copies in Fine dust jackets. Bought from the publisher at the usual discount. Out of print, but I have copies available through Lame Excuse Books.
  • Stross, Charles. Glasshouse. Easton Press, 2006. First edition thus, #469 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Stross), an unused personalization plate, and an insert card “a note about GLASSHOUSE and the author CHARLIE STROSS” laid in, sans dust jacket, as issued. Supplements a copy of the trade first edition. (ISFDB says the books came out the same month; usually when that happens, the author gets the Easton Press books FedExed to them a few days before the laydown date of the trade edition, but most subscribers get their copies just after the trade is released.) Park of a bulk collection purchase.
  • Stross, Charles. Halting State. Easton Press, 2007. First edition (ISFDB says it came out a month before the trade), #35 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Stross), an unused personalization plate, and an insert card “a note about HALTING STATE and the author CHARLIE STROSS” laid in, sans dust jacket, as issued. Supplements a copy of the trade first edition. Park of a bulk collection purchase.

  • Sturgeon, Theodore. The Dreaming Jewels. Greenberg, 1950. First edition hardback, a Near Fine copy with slight flatness to top of spine, a few touches of wear to boards, slight foxing to inside covers, FFE and RFE, and trace of light spotting at top page block, in a Very Good+ dust jacket with shallow chipping at head and heel, moderate light staining spots to white rear panel, and some 1/4″ closed tears at top and bottom fold joins and various other traces of surface wear, with Greenberg response postcard laid in. Currey, page 471. His first novel. Park of a bulk collection purchase.

  • Sturgeon, Theodore. Without Sorcery. Prime Press, 1948. First edition hardback, a Near Fine copy with slight bumping at head, heel and points and a tickmark and circled “A+” next to “Maturity” on the title page, in a Very Good+ dust jacket with edgewear and crinkling at head, heel and points, rubbing along edges one thin streak of discoloration to spine (not affecting any text), slight haze rubbing to front cover, and age darkening and dust staining to white rear cover, signed by Sturgeon. Sturgeon’s first short story collection (and first “real” book). Diskin, Theodore Sturgeon: A Primary and Secondary Bibliography, A54. Currey, page 473 (state B, trade issue). Chalker/Owings, page 352. Kemp, The Anthem Series, page 129. Bleiler, Checklist (1978), page 189 (not in the 1948 edition). Locke, Anatomy of Wonder, page 208. Barron, Anatomy of Wonder 4, 3-173. Bought for $50 off eBay.

  • Swanwick, Michael. The Book of Blarney. Dragonstairs Press, 2021. First edition chapbook original, #44 of 50 signed, numbered copies, this one in a patterned darker green wraps (call it state A, no precedence), a Fine copy. “Four whimsical, cynical vignettes on the theme of Ireland’s religious and literary history. 5 ½ by 4 ¼ inches. Wrapper of Nepalese lokta paper, in two different states. Decorated with an applied harp label and green ribbon. Numbered and signed by the author. Issued in an edition of 50, 11 of which were distributed to participants of Michael Swanwick’s virtual kaffeklatch at 2021 Boskone.”
  • Swanwick, Michael. The Book of Blarney. Dragonstairs Press, 2021. First edition chapbook original, #48 of 50 signed, numbered copies, this one in solid emerald green wraps (call it state B, no precedence), a Fine copy (though with a wrinkle present in the wraps paper). Both editions sold out the same day they were offered for sale.

  • Swanwick, Michael. Five Rings. Dragonstairs Press, 2021. First edition chapbook original, #5 of 32 copies, a Fine copy. Five vignettes on the Olympics, “Gold,” “Silver,” “Bronze,” “Last Place” and “Also There.” Sold out within minutes of being made available for sale. I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Rainbow Clause. Dragonstairs Press, 2020. First edition chapbook original, #72 of 120 copies, a Fine copy with multicolored snowflakes appliqued to the front cover. Collection of extremely short stories about various Santas (“Red Santa,” “Orange Santa,” “White Santa,” “Blue Santa,” “Black Santa,” “Yellow Santa,” “Purple Santa” and “Green Santa”). I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael and Greer Gilman. The Lonely and the Rum: A Conversation. Dragonstairs Press, 2021. First edition chapbook original, #50 of 125 copies, a Fine copy with hand-made, uneven (I think intentionally) covers. Transcription of a conversation between Gilman and Swanwick on fantasy. Obtained directly from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.

  • Tarantino, Quentin. Once Upon A Time in Hollywood. Harper, 2021. First hardback edition and first edition thus, a Fine copy in a Fine dust jacket. Originally published as a PBO, this hardback edition includes not only Tarantino’s novelization of his own film, but also a script for an episode of Bounty Law, reproductions of fake movie posters and TV Guide covers featuring Rick Dalton, and even the Mad Magazine parody “Lousy Law.” Bought from The Mysterious Bookshop at a dealer discount. (Right now Amazon appears to be offering this at half cover price (though the usual Amazon caveats apply, and there’s no guarantee you’ll get a first printing).)
  • Turtledove, Harry. The Best of Harry Turtledove. Subterranean Press, 2021. First edition hardback, #268 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. I have copies of this available through Lame Excuse Books.
  • Vance, Jack. Cugel’s Saga. Underwood Miller, 1983. First limited edition hardback, a presentation copy of 500 signed, numbered copies, a Fine- copy with slight crimping at head, in a Near Fine+ dust jacket with some age darkening to the spine and touches of wear at head, heel and points, in a Fine- slipcase with a few traces of wear. Sequel to Eyes of the Overworld. Hewett A71b, which notes the slipcase was actually issued later than the book itself. Cunningham 19b, which notes that there were 50 PC copies. Bought off eBay for $202.50, which is about half of what normal copies usually go for, much less a presentation copy with the slipcase.

  • Vance, Jack. Mazirian the Magician: Tales of the Dying Earth, Book 1. Spatterlight Press, 2021. First separate hardback edition and first thus, a Fine- copy in decorated boards with wear at head and slight bump at heel, otherwise new and unread, sans dust jacket, as issued. First separate edition under this title, a corrected reprint of The Dying Earth originally published as the first volume of the Vance Integral Edition, with a new introduction by Michael Moorcock. Bought for $57.36 from Amazon, the only venue for order fulfillment, which makes me think trying to obtain a perfect copy would be an exercise in futility. Supplements a VIE copy, the Underwood-Miller hardback first of The Dying Earth, and a paperback reprint of The Dying Earth Vance signed for me at the 1985 NASFIC in Austin. (Still need the Hillman PBO.)

  • Vance, Jack. Vandals of the Void. The John C. Winston Company, 1953. First edition hardback, a Very Good copy with some soiling/grubbiness to the boards, a touch of dust staining to page block edges, in a Very Good dust jacket with one 1/4″ chip at top rear corner, a 1/32″ chip along bottom rear edge, a closed 1/4″ triangular tear at top front, fading to red portion of spine, plus edgewear at points and slight rubbing, but overall a very attractive copy of the dust jacket. I bought this off eBay for $41.00 to marry the dust jacket to my signed but jacketless copy. Hewett, A3. Cunningham, 81a.

  • Vance, Jack. Wild Thyme, Green Magic. Subterranean Press, 2009. First edition hardback, a PC copy of 26 signed lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. The only edition of this book issued signed by Vance. Formerly Subterranean Press founder William Schafer’s copy. Bought from Camelot Books for $525.

  • (Vance, Jack) Robert Offutt Jr., editor. The Many Worlds of Jack Vance & The Horns of Elfland. Robert Offutt Jr., 1978. First edition illustrated fanzine, a Near Fine copy with a crease near the top at the spine. Features the Vance’s “The Secret,” the first chapter of an illustrated adaptation of The Eyes of the Overworld, etc. Second (and last) volume of an illustrated, semiprozine quality publication dedicated to Vance’s work (though the cover illustration, “Boromir’s Fall,” is obviously from The Lord of the Rings). Chock-full of illustrations from Rod Whigham, who later did a great deal of comic book work. Hewett, M31b, who notes there were 1,000 copies of this printed. Bought off eBay for $25.

  • Wager, Walter. My Side By King Kong. Collier Books, 1976. First trade paperback edition (there was a hardback the same year that may have preceded), a Fine- copy with edgewear. Another book for my Kaiju library. A Christmas gift from Dwight, and not listed in any previous post.
  • Wagner, Karl Edward. A Little Ochre Book of Occult Stories. Borderlands Press, 2016. First edition hardback, #165 of 500 numbered copies signed by editor Stephen Jones. Short story collection. Bought for $30 off eBay.
  • Weir, Andy. The Martian. Crown Publishers. 2014. First edition hardback (preceded by a self-published ebook), a Near Fine copy with small, light spots of staining to heel and slight bend at head, in a Near Fine dust jacket with a 1/2″ closed tear at bottom front, slight crease along top front edge, slight edgewear and wear at points. Celebrated novel of an astronaut stranded on Mars made into the Matt Damon movie of the same name. Bought at Half Price Books for $9.99.
  • Wellman, Manly Wade. Rebel Boast. Henry Holt and Company, 1956. First edition hardback, a Very Good+ copy from which the FFE has been excised and a cracked front hinge, otherwise nice, in a Very Good+ dust jacket with a few 3/4″ closed tears along the top edge that have been mended (fairly skillfully) with blindside tape, signed by Wellman. Non-fiction about a group of Confederate soldiers that fought the entirety of the Civil War. “First at Bethel — Last at Appomattox.” Bought for $15 off eBay.
  • Williamson, Jack. The Stonehenge Gate. Easton Press, 2005. First edition hardcover (ISFDB says this came out in March of 2005, while the serialized version was finishing up in Analog, while the Tor edition didn’t come out until August) #120 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Williamson), an unused personalization plate, and an insert card “a note about THE STONEHENGE GATE and the author JACK WILLIAMSON” laid in, sans dust jacket, as issued. I note that it is fairly unusual for Tor to allow Easton Press to do an edition of one of their books, and I’ve seen writers complain that Tor contracts forbade them from doing an Easton Press edition (or other signed/limited special editions), as they wanted their own books to be the true firsts. Williamson’s editor there was David Hartwell, a long-time fan of his work, and I can believe that such was his stature that an exception was made. Part of a bulk collection purchase.
  • Wolfe, Gene. Home Fires. Tor, 2011. First edition hardback, a Near Fine copy with black remainder dot to top page block and slight bumping at head in a Fine dust jacket, signed by Wolfe. Supplements an unsigned first and a copy of the PS Publishing signed, limited edition. Bought for $30 off eBay.
  • Wong, David (pseudonym of Jason Pargin). This Book Is Full of Spiders. St. Martin’s Press, 2012. First edition hardback, a Fine- copy with slight bumping at head and heel and a Fine- dust jacket with slight wrinkling at heel, touches of edgewear and a couple of small stray abrasions. Sequel to John Dies At The End. Part of a bulk collection purchase.

  • Wong, David (pseudonym of Jason Pargin). What The Hell Did I Just Read. St. Martin’s Press, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Another book in the series. Part of a bulk collection purchase.
  • Zelazny, Roger. Bridge of Ashes. Signet, 1976. First edition paperback original (PBO), a Fine- copy with a slight bit of edgewear, and a trace of dust soiling to very bottom of back cover, signed by Zelazny. Levack, 2a. Kovacs, I3a. Currey, page 571. This and the following Zelazny paperbacks were all books from that final Bob Pylant Zelazny purchase in 2019
  • Zelazny, Roger. Creatures of Light and Darkness. Avon, 1970. First paperback edition, a Near Fine+ copy with one spine crease and touches of edgewear, signed by Zelazny. Levack, 8c. Kovacs, I9d.
  • Zelazny, Roger. Dilvish, the Damned. Del Rey, 1981. First edition paperback original, a Fine- with a 1/16th closed tear at bottom front and slight edgewear at points, signed by Zelazny. Levack, 11a. Kovacs, I15b.
  • Zelazny, Roger. Four for Tomorrow. Ace, 1967. First edition paperback original (PBO), a Near Fine- copy with slight spine crease and wear, plus foxing to inside covers and slight age-darkening, inscribed by Zelazny: “For Willie/Best,/Roger Zelazny.” Levack, 17a. Kovacs, V11a. Currey, page 571.
  • Zelazny, Roger. Isle of the Dead. Ace, 1969. First edition paperback original (PBO), a Fine- copy with slight wear at head and heel, trace of foxing to inside covers, and slight age darkening to pages, signed by Zelazny. A really pristine copy. Levack, 21a. Kovacs, I25a. Currey, page 571.

  • Zelazny, Roger. Jack of Shadows. Signet, 1972. First paperback edition, a Near Fine copy with former owner’s name and “Parson’s Farewell” written and crossed out on blurb page, signed by Zelazny. Levack, 22c. Kovacs, I26c.
  • Zelazny, Roger. My Name is Legion Ballantine Books, 1976. First edition paperback original (PBO), a Fine- copy with a slight bit of edgewear, signed by Zelazny. Levack, 27a. Kovacs, I32a. Currey, page 572.
  • Zelazny, Roger and Fred Saberhagen. The Black Throne. Baen, 1990. First edition paperback original “uncorrected page proof,” a Fine- copy with a few tiny black dots on bottom pageblock edge, otherwise new and unread. Kovacs, 1a. The proof, unlike the PBO, has a printed white spine and blank white rear cover. Mass market form factor proofs are not unknown in science fiction, but they are unusual.

  • Library Additions: Three Asimov Titles

    Tuesday, September 21st, 2021

    Outside of eBay, I rarely win things at auction these days, as almost everything seems to go for more than I’m willing to bid. But here’s an exception on: Three items from the same Asimov-heavy auction that I picked up at bargain prices.

  • Asimov, Isaac. The Best of Isaac Asimov. Doubleday, 1974. First edition hardback, a Fine- copy with slight bumping at head and heel and a slight bit of lean, in a Very Good, price-clipped dust jacket with a 1/4″ closed chip at head, shallow edgewear at head, and slight dust staining to white rear cover. Just what the title says, and it includes “Nightfall” and “The Last Question.” Bought in an online auction for $4.88 plus shipping.
  • (Asimov, Isaac) Carl Freedman. Conversations With Isaac Asimov. University Press of Mississippi, 2005. First edition hardback, a Fine copy with with ISBN sticker to rear cover, sans dust jacket, presumably as issued. (The Google Books image also lacks a dust jacket.) Collection of interviews with Asimov. There was a simultaneous trade paperback edition, and the hardback state seems uncommon. Bought at auction for $1.22 and shipping.
  • (Asimov, Isaac) James Gunn. Isaac Asimov: The Foundations of Science Fiction. Oxford University Press, 1982. First edition hardback, a Fine copy in a Fine dust jacket. Probably the main critical study of Asimov’s work. Bought at auction for $1.22 and shipping.
  • Library Addition: FEL First of Asimov’s I, Robot

    Monday, September 13th, 2021

    First Edition Library was a publishing line that produced prestige facsimile reprints of famous first editions. They printed the book and dust jackets to match the look of the original first edition (save an additional information box on the copyright page and an “FEL” notice on the bottom rear dust jacket flap) on quality paper and bindings with a slipcase. Most of these were literary works: Steinbeck, etc. By they did some dozen science fiction works, including this one.

    Asimov, Isaac. I, Robot. Gnome Press (i.e., First Edition Library), 1950 (1978 copyright date, but actually printed sometime in the 1980s). Facsimile reprint of the Gnome Press first edition, first edition hardback thus, a Fine copy in a Fine dust jacket and a Fine slipcase, which includes the front and back just jacket cover art pasted on, with FEL cardstock information brochure laid in. An attractive production, and undoubtedly done on better paper stock than the Gnome Press original. Aiming for the same prestige reprint market as Easton Press, and indeed they were either part of or acquired by Easton. Obtained as part of the same private library purchase as the two signed Ellison books.

    I only picked this up because true jacketed firsts of I, Robot have zoomed up considerably beyond what I’m willing to pay right now. I don’t collect First Edition Library, but it’s somewhat annoying that no good, complete list of the science fiction volumes seems to exist online. So I compiled the following:

  • Isaac Asimov’s I, Robot
  • James Blish’s Earthman, Come Home
  • Ray Bradbury’s Golden Apples of the Sun
  • John W. Campbell’s Who Goes There?
  • Robert A. Heinlein’s Beyond This Horizon
  • C.L. Moore’s Shambleau and Others
  • Andre Norton’s Star Man’s Son
  • Lewis Padgett’s (Henry Kuttner & C.L. Moore)’s Tomorrow and Tomorrow and The Fairy Chessmen
  • Eric Frank Russell’s Dreadful Sanctuary
  • E.E. “Doc” Smith’s Gray Lensman
  • A. E. van Vogt’s The Weapon Makers
  • Kurt Vonnegut’s Player Piano (Note: This may have been issued as part of the literary line)
  • Jack Williamson’s The Legion of Space
  • I note that Edgar Rice Burroughs’ Tarzan of the Apes was done as part of their literary line.

    Lawrence Person’s Books Wanted List

    Thursday, August 19th, 2021

    Some ten years ago I put up a books wanted list, and since then I’ve obtained a lot of things on it. Now here’s a greatly expanded list.

    The vast majority of these are first edition first printings, mostly hardbacks, but I do have more PBOs listed this time around (especially for Michael Moorcock and Jack Vance). Hardback is the default, but other formats are listed where otherwise, as are a occasional first edition points for clarity or to jog my memory.

    I don’t buy later printings, copies without dust jackets (when issued with same), copies with price-clipped dust jackets (unless all copies of the true first edition were released that way), copies with facsimile dust jackets, or overly crummy copies. Most of the books I buy are in Fine/Fine condition, but that relaxes a bit the older (and pricier) books become. I have picked up Ex-Library copies in dust jacket when the better copies of the true first can’t be found under a grand. I also only buy first state bindings and dust jackets, unless there’s no priority, or the true first state is insanely rare (such as with Stanley G. Weinbaum’s Dawn of Flame). I prefer signed copies to unsigned copies for most things, especially for dead writers (an ever-growing list). Trade editions of recent books from mainstream publishers are mainly here to jog my own memory when visiting bookstores.

    I have a few books here under the writer’s pseudonym, so I can enter them under that name in various search fields.

    Some of these are aspirational, as I doubt I’m going to find a first printing of The Hobbit I can afford, but you never know.

    If you have nice copies of the below you’re willing to part with at an attractive price, feel free to drop me a line at lawrenceperson at gmail dot com.

  • Anonymous (actually Dorothy Scarborough)’s The Wind (Harper & Brothers, 1925)
  • Douglas Adams’ The Hitchhiker’s Guide to the Galaxy (Arthur Baker, 1979)
  • Richard Adams’ Watership Down (Rex Collins, 1972)
  • Robert Aickman’s Sub Rosa (Gollancz, 1968)
  • Brian Aldiss’ At the Caligula Hotel (Sinclair-Stevenson, 1995) (trade paperback)
  • Brian Aldiss’ Greybeard (Harcourt Brace & World, 1964)
  • Brian Aldiss’ Helliconia Spring (Cape, 1982)
  • Brian Aldiss’ Helliconia Summer (Cape, 1983)
  • Brian Aldiss’ Helliconia Winter (Atheneum, 1985)
  • Brian Aldiss’ Hothouse (Faber & Faber, 1962)
  • Brian Aldiss’ A Plutonian Monologue (Frogmore Press, 2002) (chapbook)
  • Brian Aldiss’ At a Bigger House (Avernus, 2002) (chapbook)
  • Brian Aldiss’ The Dark Sun Rises (Avernus, 2002) (chapbook)
  • Poul Anderson’s The Broken Sword (Abelard-Schulman, 1954)
  • Poul Anderson’s The High Crusade (Doubleday, 1960)
  • Isaac Asimov’s The End of Eternity (Doubleday, 1955)
  • Isaac Asimov’s I, Robot (Gnome Press, 1950)
  • Isaac Asimov’s Liar! (Cambridge University Press, 1977) (chapbook)
  • Steve Aylett’s Shamanspace (Codex, 2001) (TPO)
  • Steve Aylett’s Dummyland (Gollancz, 2002) (TPO)
  • Paul Bailey’s Deliver Me From Eva (Murray & Gee, 1946)
  • J. G. Ballard’s Crash (Cape, 1973)
  • J. G. Ballard’s The Day of Forever (Gollancz, 1986)
  • J. G. Ballard’s The Drowned World (Gollancz, 1962)
  • J. G. Ballard’s Kingdom Come (Fourth Estate, 2006)
  • J. G. Ballard’s Low Flying Aircraft (Cape, 1976)
  • J. G. Ballard’s Rushing to Paradise (Flamingo, 1994)
  • Bill Barclay’s Somewhere in the Night (Compact PBO, 1966)
  • Clive Barker’s The Hellbound Heart (Earthling Publications, 2007)
  • Clive Barker’s The Scarlet Gospels (St. Martin’s, 2015)
  • Peter S. Beagle’s Lila the Werewolf (Capra Press, 1974) (1/75 signed hardbacks)
  • Michael Bishop’s Windows & Mirrors (The Moravian Press, 1977) (poetry chapbook)
  • Jerome Bixby’s The Devil’s Scrapbooks (Brandon House, 1964) (PBO)
  • (Blackwood, Algernon) Mike Ashley’s Algernon Blackwood: A Bio-Bibliography (Greenwood, 1987)
  • William Peter Blatty’s The Exorcist (Harper & Row, 1971)
  • James P. Blaylock’s Doughnuts (ASAP, 1994) (1/26 triptych copies)
  • James P. Blaylock’s Home Before Dark (Subterranean, 2000) (1/26 signed, lettered hardback copies)
  • James Blish’s The Day After Judgment (Doubleday, 1971, code L47 on p. 166)
  • Robert Bloch’s Atoms and Evil (Robert Hale, 1976)
  • Robert Bloch’s Blood Runs Colds (Simon and Schuster, 1961)
  • Robert Bloch’s Chamber of Horrors (Award Books, 1966) (PBO)
  • Robert Bloch’s Cold Chills (Doubleday, 1977)
  • Robert Bloch’s The Dead Beat (Simon and Schuster, 1960)
  • Robert Bloch’s Fear Today, Gone Tomorrow (Award, 1971) (PBO)
  • Robert Bloch’s The Laughter of a Ghoul/Whatever A Young Ghoul Should Know (Necrominocon Press, 1977) (chapbook)
  • Robert Bloch’s Once Around the Bloch (Tor, 1993)
  • Robert Bloch’s The Opener of the Way (Arkham House, 1945)
  • Robert Bloch’s Pleasant Dreams – Nightmares (Arkham House, 1960)
  • Robert Bloch’s The Scarf (Dial Press, 1947)
  • Robert Bloch’s Sea-Kissed (Utopian Publications, 1945)(PBO)
  • Robert Bloch’s The Skull of the Marquis de Sade and other stories (Robert Hale, 1975)
  • Robert Bloch and Ray Bradbury’s Bloch and Bradbury (Tower, 1969) (PBO)
  • Pierre Boulle’s Monkey Planet (Secker & Warburg, 1964)
  • Edward P. Bradbury’s Barbarians of Mars (Compact, 1965) (PBO)
  • Edward P. Bradbury’s Blades of Mars (Compact, 1965) (PBO)
  • Ray Bradbury’s About Norman Corwin (Santa Susana Press, 1979)(boxed art portfolio)
  • Ray Bradbury’s The Anthem Sprinters (Dial Press, 1963, hardback)
  • Ray Bradbury’s The April Witch (Creative Education, 1987) (hardback chapbook)
  • Ray Bradbury’s Beyond 1984: Remembrances of Things Future (Targ, 1979)
  • Ray Bradbury’s Christmas Greetings broadsides (all years except 1982, 1986, 1989, 1994, and 2008)
  • Ray Bradbury’s Christus Apollo: Cantata Celebrating the Eighth Day of Creation and the Promise of the Ninth (The Gold Stein Press, 1998) (1/50 signed hardback copies in traycase)
  • Ray Bradbury’s Dandelion Wine (Doubleday, 1957)
  • Ray Bradbury’s Dawn to Dusk (Gauntlet, 2011) (signed numbered or signed lettered edition)
  • Ray Bradbury’s The Day It Rained Forever. (Rupert Hart Davis, 1959) (Currey state A (navy blue binding))
  • Ray Bradbury’s The Day It Rained Forever: A Comedy in One Act (Samuel French, 1966) (play chapbook, 75¢ price)
  • Ray Bradbury’s A Device Out of Time (Dramatic Publishing, 1986)
  • Ray Bradbury’s The Engines Drive the Summer With Their Purr (Green Cat Press, 2001) (broadsheet)
  • Ray Bradbury’s Fahrenheit 451 (Ballantine Books, 1953) (any Currey hardback state (B-E))
  • Ray Bradbury’s Fahrenheit 451: The Authorized Adaption (Farrar, Straus & Giroux, 2009) (graphic novel)
  • Ray Bradbury’s Falling Upward (Dramatic Publishing Company, 1989) (play chapbook)
  • Ray Bradbury’s Farewell Summer (Morrow, 2006)
  • Ray Bradbury’s Farewell Summer (Subterranean, 2011) (lettered edition with extra book)
  • Ray Bradbury’s The Fog Horn (Creative Education, 1987) (hardback chapbook)
  • Ray Bradbury’s Fragments (Gauntlet, 2005)
  • Ray Bradbury’s Frost and Fire (DC Comics, 1985) (graphic novel)
  • Ray Bradbury’s From the Dust Returned (Morrow, 2001)
  • Ray Bradbury’s A Gathering of Authors & Their Admonitions (Castle Press, 1981) (broadsheet)
  • Ray Bradbury’s The God in Science Fiction (Santa Susana Press, 1978)(chapbook)
  • Ray Bradbury’s The Golden Apples of the Sun (Doubleday, 1953)
  • Ray Bradbury’s Halloween (Shuttlebop Press, 1983)
  • Ray Bradbury’s The Halloween Tree (Gauntlet Press, 2005) (1/52 lettered copies with metal case and popup tree)
  • Ray Bradbury’s Imagine (Lord John, 1981) (broadside, 1/100 signed)
  • Ray Bradbury’s I Live By The Invisible (Salmon Poetry, 2002) (TPO)
  • Ray Bradbury’s I Sing the Body Electric (Knopf, 1969)
  • Ray Bradbury’s Kaleidoscope (Dramatic Publishing, 1975)(play chapbook)
  • Ray Bradbury’s The Last Good Kiss (Santa Susana Press, 1984) (art portfolio thing)
  • Ray Bradbury’s Long After Ecclesiastes​ (Gold Stein Press, 1985; miniature book)
  • Ray Bradbury’s The Love Affair (Lord John Press, 1982) (1/300 signed hardbacks)
  • Ray Bradbury’s Long After Midnight (Knopf, 1976)
  • Ray Bradbury’s The Machineries of Joy Simon and Schuster, 1964)
  • Ray Bradbury’s Madrigals for the Space Age (Associated Music Publishers, 1972) (chapbook)
  • Ray Bradbury’s Man Dead? Then God Slain (Santa Susana Press, 1977) (1 of 26 numbered hardback copies in slipcase)
  • Ray Bradbury’s Match to Flame (Gauntlet, 2006) (Wooden slipcase lettered edition)
  • Ray Bradbury’s A Medicine for Melancholy (Doubleday, 1959)
  • Ray Bradbury’s My Cat Has Swallowed a Bumblebee (Green Cat Press, 2003) (broadsheet)
  • Ray Bradbury’s 1984 Will Not Arrive: A Prediction for the Greening of Scripps (Grant Dahlstrom at The Castle Press, 1975) (chapbook text lecture)
  • Ray Bradbury’s No Man Is An Island (Brandeis University, 1952) (chapbook)
  • Ray Bradbury’s The October Country (Ballantine Books, 1955; first state with inverted logo on spine)
  • Ray Bradbury’s One More For The Road (Morrow, 2002)
  • Ray Bradbury’s One the Years Were Numerous and the Funerals Few (broadsheet, 2004)
  • Ray Bradbury’s The Pedestrian (Roy Squires, 1964) (chapbook)
  • Ray Bradbury’s The Pedestrian: A Fantasy in One Act (Samuel French, 1966) (chapbook)
  • Ray Bradbury’s Pillar of Fire and Other Plays (Bantam Books, 1975) (PBO)
  • Ray Bradbury’s The Poet Considers His Resources (Lord John Press, 1979) (broadside)
  • Ray Bradbury’s R is for Rocket (Doubleday, 1962)
  • Ray Bradbury’s Ray Bradbury Chronicles (Volumes 1, 3 and 5) (Byron Preiss/NBM) (signed hardback graphic novels)
  • Ray Bradbury’s Samurai/Kabuki (Hill House, 2006 hardback)
  • Ray Bradbury’s S is for Space (Doubleday, 1966)
  • Ray Bradbury’s Skeletons (Subterranean, 2008) (lettered edition)
  • Ray Bradbury’s Something Wicked This Way Comes (Simon and Schuster, 1962)
  • Ray Bradbury’s The Stars (Gold Stein Press, 1/95, 1993, miniature book)
  • Ray Bradbury’s Sun and Shadow (Quenian Press, 1957) (chapbook)
  • Ray Bradbury’s Switch on The Night (Pantheon, 1955)(first state, no mention of Random House on copyright page)
  • Ray Bradbury’s That Ghost, That Bride of Time (Roy A. Squires, 1976)
  • Ray Bradbury’s That Son of Richard III: A Birth Announcement (Roy A. Squires, 1974)
  • Ray Bradbury’s Tomorrow Midnight (Ballantine Books, 1966) (PBO, ¢50)
  • Ray Bradbury’s To The Chicago Abyss (Dramatic Publishing Company, 1988) (play chapbook)
  • Ray Bradbury’s The Tonybee Convector (Knopf, 1988) (1/350 signed/numbered)
  • Ray Bradbury’s Twice 22 (Doubleday, 1966) (book club, code 47G on page 405)
  • Ray Bradbury’s The Trivial Pursuits Transporter (Hill House, 2006)
  • Ray Bradbury’s The Vintage Bradbury (Vintage Books, 1965)
  • Ray Bradbury’s Where Everything Ends (Subterranean Press, 2009) (1/26 lettered copies)
  • Ray Bradbury’s The Wish (Hill House, 2006)
  • Ray Bradbury’s The Wonderful Death of Dudley Stone (?, 1985) (chapbook)
  • Ray Bradbury’s Zen in the Art of Writing (Capra Press/ Joshua Odell Editions, 1973 (1/250 signed, numbered copies)
  • Ray Bradbury editor’s The Circus of Dr. Lao and Other Stories (Bantam Books, 1956) (PBO)
  • Ray Bradbury editor’s Timeless Stories for Today and Tomorrow (Bantam Books, 1953) (PBO, 35¢)
  • Ray Bradbury and Robert Bloch’s Bloch and Bradbury (PBO, Tower, 1969, Tower 43-246, 60¢)
  • (Ray Bradbury) Steven Ageliss’ Conversations With Ray Bradbury (University Press of Mississippi, 2004, paperback)
  • (Ray Bradbury) Jonathan R. Eller & William F. Touponce’s Ray Bradbury: The Life of Fiction (Kent State University Press, 2004)
  • (Ray Bradbury) Joseph Mugnaini: Drawings & Graphics (Scarecrow Press, 1982)
  • (Ray Bradbury) Joseph Mugnaini: Ten Views of the Moon (Lynton Kistler, 1981) (art portfolio with 10 signed prints)
  • (Ray Bradbury) Sam Weller’s Listen to the Echoes: The Ray Bradbury Interviews (Stopsmiling Books/Melville House, 2010) (TPO)
  • (Ray Bradbury) William F. Nolan’s Ray Bradbury Review (Graham Press, 1988)
  • Ernest Bramah’s Kai Lung: Six (Non-Profit Press, 1974)
  • William S. Burroughs’ Cities of the Red Night (Holt, Rinehart and Winston, Inc., 1981)
  • William S. Burroughs’ Naked Lunch (Grove Press, 1959 (i.e., 1962))
  • William S. Burroughs’ The Soft Machine (Grove Press, 1966)
  • John W. Campbell’s Invaders from the infinite (Fantasy Press, 1961) (one of 300 (actually 112) signed, numbered copies)
  • John W. Campbell’s Islands of Space (Fantasy Press, 1956) (1/50-odd signed copies)
  • John W. Campbell’s Who Goes There? (Shasta Publishers, 1952)
  • John Dickson Carr’s The Devil in Velvet (Harper & Brothers, 1951)
  • Angela Carter’s Heroes and Villains (Heinemann, 1969)
  • Edd Cartier’s The Known and the Unknown (De La Ree, 1977)
  • Michael Chabon’s Werewolves in Their Youth (Random House, 1999) (Number line ends with 2)
  • G. K. Chesterton’s Napoleon of Notting Hill (John Lane, 1904)
  • Arthur C. Clarke’s Childhood Ends (Portentious Press HB, 1996)
  • Arthur C. Clarke’s Expedition to Earth (Ballantine Books, 1953)
  • Arthur C. Clarke’s The Sands of Mars (Sidgwick & jackson, 1951)
  • Arthur C. Clarke’s Tales From the White Heart (Ballantine Books, 1957)
  • Arthur C. Clarke’s 2001: A Space Odyssey (NAL, 1968)
  • James Clavell’s King Rat (Little Brown, 1962)
  • Hal Clement’s Cycle of Fire (Ballantine, 1957)
  • Colvin, James. The Deep Fix (Compact, 1966) (PBO)
  • Avram Davidson’s And Don’t Forget The One Red Rose (Dryad Press, 1986) (1/15 hardbacks)
  • L. Sprague De Camp’s Lest Darkness Fall (Henry Holt, 1941)
  • L. Sprague De Camp’s The Tritonian Ring (Twayne, 1953)
  • L. Sprague De Camp and Fletcher Pratt’s The Castle of Iron (Fantasy Press, 1950)
  • L. Sprague De Camp and Fletcher Pratt’s The Incomplete Enchanter (Henry Holt & Co., 1941)
  • Samuel R. Delany’s Dhalgren (Gregg Press, 1977)
  • Samuel R. Delany’s The Einstein Intersection (Ace, 1967) (PBO)
  • Samuel R. Delany’s The Fall of the Towers (Gregg Press, 1977)
  • Samuel R. Delany’s Out of the Dead City (Sphere, 1968) (PBO)
  • (Samuel R. Delany) George Edgar Slusser’s The Delany Intersection (Borgo Press, 1977) (chapbook)
  • (Samuel R. Delany) James Sallis, editor. Ash of Stars: On the Writings of Writing of Samuel R. Delany (University of Mississippi Press, 1996)
  • August Derleth’s The Trail of Cthulhu (Arkham House, 1962)
  • Philip K. Dick’s Dr. Bloodmoney (Gregg Press, 1977)
  • Philip K. Dick’s Five Novels of the 1960s & 70s (Library of America, 2008) (in dust jacket with green band)
  • Philip K. Dick’s Five Novels of the 1960s & 70s (Library of America, 2008) (without dust jacket, in slipcase)
  • Philip K. Dick’s VALIS and Later Novels (Library of America, 2009) (in dust jacket with pink band)
  • Philip K. Dick’s VALIS and Later Novels (Library of America, 2009 (without dust jacket, in slipcase)
  • Philip K. Dick’s Flow My Tears, The Policeman Said (Doubleday, 1974) (no remainder spray)
  • Philip K. Dick’s The World Jones Made (Sidgwick & Jackson, 1968)
  • Gordon R. Dickson’s The Dragon and the George (Nelson Doubleday/SFBC, 1976) (book club hardback) (code G24 on page 243)
  • Thomas M. Disch’s Haikus of an Ampart (Coffee House Press, 1991) (chapbook)
  • Thomas M. Disch’s Orders of the Retina (Toothpaste Press, 1982) (1/100 signed, numbered hardbacks)
  • Thomas M. Disch’s Ringtime (Toothpaste Press, 1982, 1/100 signed, numbered hardbacks)
  • Thomas M. Disch’s Under Compulsion (Rupert Hart-Davis, 1968)
  • Thomas M. Disch, Marilyn Hacker and Charles Platt’s Highway Sandwiches (chapbook, 1970)
  • Gardner Dozois’s Sunk beneath the Waves (Dragonstairs Press, 2013) (chapbook)
  • Gardner Dozois’s The Year’s Best Science Fiction Volumes 15, 23, 24, 27, 28 (St. Martin’s hardbacks)
  • Robert Eighteen-Bisang’s A Vampire Bibliography: Volume One, Literature (Transylvania Press, 1996)
  • E. R. Eddison’s The Worm Ouroboros (Cape, 1922)
  • Harlan Ellison’s All the Sounds of Fear (Panther, 1973) (PBO)
  • Harlan Ellison’s Broken Glass (Avenue Victor Hugo, 1981) (broadside)
  • Harlan Ellison’s The Deadly Streets (Ace, 1958) (PBO)
  • Harlan Ellison’s Ellison Under Glass (Charnel House, 2019) (1/100 signed/numbered)
  • Harlan Ellison’s Ellison Wonderland (Paperback Library, 1962) (PBO, 50¢ cover price)
  • Harlan Ellison’s Ellison Wonderland with Pebbles From the Mountain (PS Publishing, 2015)
  • Harlan Ellison’s Footsteps (Footsteps Press, 1989) (chapbook)
  • Harlan Ellison’s Gentlemen Junkie (Regency, 1961) (PBO, 50¢ on the cover)
  • Harlan Ellison’s The Glass Teat & The Other Glass Teat (Charnel House, 2014)
  • Harlan Ellison’s I Have No Mouth And I Must Scream (Pyramid, 1967) (PBO, 60¢ on cover)
  • Harlan Ellison’s Jokes Without Punchlines (White Wolf, 1995) (chapbook)
  • Harlan Ellison’s The Juvies (Ace, 1961) (PBO, 35¢ on the cover)
  • Harlan Ellison’s The Man With Nine Lives b/w A Touch of Infinity (Ace, 1960) (PBO, 35¢ on the cover)
  • Harlan Ellison’s One Life, Furnished in Early Poverty (Lance Brown, 1993) (broadside, 1/100 copies)
  • Harlan Ellison’s Over the Edge (Belmont, 1970) (PBO, May 1970 on copyright page, 75¢ on cover)
  • Harlan Ellison’s Night of Black Glass (1981) (broadside)
  • Harlan Ellison’s Rockabilly (Fawcett, 1961) (PBO, First Printed October 1961 on copyright page, 35¢ on the cover)
  • Harlan Ellison’s Spider Kiss (Pyramid, 1975) (PBO, Pyramid Edition published July 1975 on copyright page, $1.25 on cover)
  • Harlan Ellison’s The Time of the Eye (Panther, 1974) (PBO, first published in Great Britain in 1974 on copyright page, 35p on cover)
  • Harlan Ellison’s Web of the City (Pyramid, 1975) (PBO, New Pyramid edition: December 1975 on copyright page, price of $1.50 on cover)
  • Harlan Ellison (& Steranko)’s “Repent, Harlequin,” Said The Ticktock Man (art Portfolio w/6 prints) (Baronet, 1978)
  • Harlan Ellison’s Vic and Blood (Edgeworks Abbey, 2003)
  • (Harlan Ellison) Ellen Weil and Gary K. Wolfe’s Harlan Ellison: The Edge of Forever (Ohio State University Press, 2002)
  • Philip Jose Farmer’s A Barnstormer in Oz (Phantasia Press S/L, 1982)
  • Philip Jose Farmer’s Blown or Sketches Among the Ruins of My Mind (Essex House, 1968, PBO)
  • Philip Jose Farmer’s Flesh (Doubleday, 1968)
  • Philip Jose Farmer’s Greatheart Silver and Other Pulp Heroes (Meteor House, 2019)
  • Philip Jose Farmer’s Image of the Beast (Essex House, 1966, PBO)
  • Philip Jose Farmer’s The Unreasoning Mask (Putnam, 1981) (signed/limited edition)
  • Philip Jose Farmer’s Strange Relations (Gollancz, 1964)
  • Gans T. Field’s Romance in Black (Utopian Publications, 1946) (chapbook)
  • Virgil Finlay’s The Book of Virgil Finlay (De La Ree, 1975)
  • Virgil Finlay’s The Third Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Fourth Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Fifth Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Sixth Book of Virgil Finlay (De La Ree, 1980)
  • Jack Finney’s Time and Again (Simon & Schuster, 1970) (1st stated, no book club mention on dj or embossed book club square on rear)
  • John Fowls’ The Magus (Cape, 1966)
  • Pat Frank’s Alas, Babylon (Lippincott, 1959)
  • Jane Gaskell’s The Shiny Narrow Grin (Hodder & Stoughton, 1964)
  • Neil Gaiman’s The Little Gold Book of Ghastly Stuff (Borderlands, 2011)
  • William Golding’s The Inheritors (Faber & Faber, 1955)
  • William Golding’s Lord of the Flies (Faber & Faber, 1954)
  • William Golding’s Pincher Martin (Faber & Faber, 1956)
  • Herbert Gorman’s The Place Called Dagon (Doran, 1927)
  • Charles L. Harness’s Flight Into Yesterday (Bouregy & Curl, 1953)
  • Roger Harris’ The LSD Dossier (Compact, 1966) (PBO)
  • Harry Harrison’s Make Room! Make Room! (Doubleday, 1966)
  • Robert A. Heinlein’s Between Planets (Scribner’s, 1951) (First Printing A & seal, unclipped $2.50 dj)
  • Robert A. Heinlein’s Beyond This Horizon (Fantasy Press, 1948)
  • Robert A. Heinlein’s The Cat Who Walks Through Walls (Putnam, 1985) (1/350 signed, numbered copies)
  • Robert A. Heinlein’s Citizen of the Galaxy (Scribner’s, 1957) (First Printing A & seal)
  • Robert A. Heinlein’s The Door Into Summer (Doubleday, 1957)
  • Robert A. Heinlein’s Farnham’s Freehold (Putnam, 1964)
  • Robert A. Heinlein’s Farmer in the Sky (Scribner’s, 1950)
  • Robert A. Heinlein’s Friday (Holt Reinhardt & Winston, 1982) (1/500 signed, numbered copies)
  • Robert A. Heinlein’s Glory Road (Putnam, 1963)(no statement of printing)
  • Robert A. Heinlein’s I Will Fear No Evil (Putnam, 1970)
  • Robert A. Heinlein’s Job: A Comedy of Justice (Del Rey, 1984, 1/750 signed, numbered copies)
  • Robert A. Heinlein’s The Menace From Earth (Gnome, 1959)
  • Robert A. Heinlein’s Methuselah’s Children (Gnome, 1st state binding (black boards), 1st state dj (“New York 3”)
  • Robert A. Heinlein’s Orphans of the Sky (Gollancz, 1963)
  • Robert A. Heinlein’s Red Planet (Scribner’s, 1949) (First Printing A & seal)
  • Robert A. Heinlein’s Rocket Ship Galileo (Scribner’s, 1947) (First Printing A & seal, unclipped $2.00 dj)
  • Robert A. Heinlein’s The Rolling Stones (Scribner’s, 1952) (First Printing A & seal)
  • Robert A. Heinlein’s Space Cadet (Scribner’s, 1948) (First Printing A & seal)
  • Robert A. Heinlein’s Starman Jones (Scribner’s, 1953) (First Printing A & seal)
  • Robert A. Heinlein’s Time Enough for Love (Putnam, 1973)
  • Robert A. Heinlein’s Time for the Stars (Scribner’s, 1956) (First Printing A & seal)
  • Robert A. Heinlein’s Tunnel in the Sky (Scribner’s, 1955) (First Printing A & seal)
  • Robert A. Heinlein’s Universe (Dell, 1951) (PBO)
  • Robert A. Heinlein’s The Unpleasant Profession of Jonathan Hoag (Gnome, 1959)
  • Robert A. Heinlein’s Waldo & Magic Inc. (Doubleday, 1950)
  • Peter Held’s Take My Face (Mystery House, 1957)
  • Mark Helprin’s Winter’s Tale (Harcourt Brace Jovanovich, 1983)
  • Joe Hill’s Basket Full of Heads (Hill House Comics/DC, 2020) (Hardback graphic novel)
  • Joe Hill’s Dying Is Easy (IDW, 2020) (Hardback graphic novel)
  • Joe Hill’s Plunge (Hill House Comics/DC, 2020) (Hardback graphic novel)
  • Joe Hill’s You Are Released (Lividian Publications, 2022) (chapbook)
  • Russell Hoban’s Riddley Walker (Cape, 1980)
  • William Hope Hodgson’s The Boats of the ‘Glen Garrig’ (Chapman and Hall, 1907) (no statement of printing)
  • William Hope Hodgson’s The Calling of the Sea (Selwyn & Blount, 1920)
  • William Hope Hodgson’s The Ghost Pirates (Stanley Paul, 1909) (red cloth binding)
  • William Hope Hodgson’s The Haunted Pampero (Donald M. Grant, 1991, 1/500 signed copies)
  • William Hope Hodgson’s The House on the Borderland (Chapman and Hall, 1908)
  • William Hope Hodgson’s Men of Deep Waters (Eveleigh Nash, 1914)
  • William Hope Hodgson’s The Night Land (Eveleigh Nash, 1911)
  • William Hope Hodgson’s Terror of the Seas (Donald M. Grant, 1996, with signed illustration sheet laid in)
  • William Hope Hodgson’s Voice of the Ocean (Selwyn & Blount, 1921)
  • (William Hope Hodgson) Ian Bell, editor William Hope Hodgson: Voyages And Visions (Bell, 1987 chapbook)
  • Nancy Holder’s Dead in the Water (Dell Abyss, 1994) (PBO)
  • Robert Holdstock’s Mythago Wood (Gollancz, 1984)
  • Gordon Honeycombe’s Neither the Sea Nor the Sand (Hutchison, 1969)
  • Geoffrey Household’s Dance of the Dwarfs (Michael Joseph, 1968)
  • Robert E. Howard’s Always Comes Evening (Arkham House, 1957)
  • Robert E. Howard’s “…and their memory was a bitter tree” (Black Bart, 2008) (1/500 signed slipcased)
  • Robert E. Howard’s Black Vulmea’s Vengence (Donald M. Grant, 1976)
  • Robert E. Howard’s Blades for France (George T. Hamilton, 1975) (chapbook)
  • Robert E. Howard’s Bloodstar (Morning Star Press, 1976) (Graphic novel, one of 1,500 signed by artist Corban)
  • Robert E. Howard’s Echoes From an Iron Harp (Donald M. Grant, 1972)
  • Robert E. Howard’s Etchings in Ivory (Glenn Lord, 1968) (chapbook)(see Currey for points)
  • Robert E. Howard’s The Grey God Passes (Charles Miller, 1975) (chapbook)
  • Robert E. Howard’s The Grim Land and Others (Stygian Isle Press, 1976, 1/1450)
  • Robert E. Howard’s A Gent From Bear Creek (Herbert Jenkins, 1937)
  • Robert E. Howard’s The Ghost Ocean (Gibbelins Gazatte Pubns, 1982, hardback)
  • Robert E. Howard’s The Grim Land and Others (Stygian isle Press, 1976) (chapbook)
  • Robert E. Howard’s The Illustrated Gods of the North (Necronomicon Press, 1977) (chapbook)
  • Robert E. Howard’s The Incredible Adventures of Dennis Dorgan (Fax Collector’s Edition, 1977)
  • Robert E. Howard’s The Iron Man and other tales (Donald M. Grant, 1976)
  • Robert E. Howard’s Isle of Pirate’s Doom (George T. Hamilton, 1975)
  • Robert E. Howard’s The King’s Service (George T. Hamilton, 1975)
  • Robert E. Howard’s Kull (Donald M. Grant, 1985)
  • Robert E. Howard’s The Hyborian Age (Los Angeles-New York Cooperative Publications, 1938)
  • Robert E. Howard’s The Lost Valley of Iskander (FAX Collector’s Edition, 1974)
  • Robert E. Howard’s The Last Cat Book (Dodd Mead, 1984)
  • Robert E. Howard’s The Pride of Bear Creek (Grant, 1966)
  • Robert E. Howard’s Red Blades of Black Cathay (Grant, 1971)
  • Robert E. Howard’s Red Shadows (Grant, 1968)
  • Robert E. Howard’s Shadows of Dreams (Donald M. Grant, 1989)
  • Robert E. Howard’s The Shadow of the Beast (George T. Hamilton, 1977)
  • Robert E. Howard’s Shadow of the Hun (George T.Hamilton, 1977)
  • Robert E. Howard’s Singers in the Shadows (Donald M. Grant, 1970)
  • Robert E. Howard’s Son of the White Wolf (Fax Collector’s Edition, 1977)
  • Robert E. Howard’s Spears of Clontarf (George T. Hamilton, 1978) (chapbook)
  • Robert E. Howard’s The Sword of Shahrazar (FAX Collector’s Editions, 1976)
  • Robert E. Howard’s Tigers of the Sea (Donald M. Grant, 1974)
  • Robert E. Howard’s Two Against Tyre (Dennis McHaney, 1976) (chapbook)(1/600 numbered)
  • Robert E. Howard’s Valley of the Lost (Chuck E. Miller, 1975)
  • Robert E. Howard’s Writer of the Dark (Dark Carnival Press, 1986) (trade paperback)(1/500)
  • Robert E. Howard, Frank Belknap Long, H.P. Lovecraft, A. Merritt and C.L. Moore’s The Challenge From Beyond (Weltschmertz Publications, 1954) (Mimeographed)
  • (Robert E. Howard) Glenn Lord’s The Last Celt: A Bio-Bibliography of Robert E. Howard
  • Jan Hudson’s Those Sexy Saucer People (Greenleaf Classics, 1966)
  • Shirley Jackson’s The Bad Children (Dramatic Publishing Company, 1958)
  • Shirley Jackson’s The Magic of Shirley Jackson (Farrar Straus, 1966)
  • Stephen King’s Salem’s Lot (Doubleday, 1976) (Father Cody and not price-clipped on front flap)
  • Henry Kuttner’s The Valley of the Flame (Ace, 1964) (PBO)
  • R. A. Lafferty’s The Audifaxes (2019 chapbook)
  • R. A. Lafferty’s Alaric: The Day The World Ended (United Mythologies Press, 1994)
  • R. A. Lafferty’s Anamnesis (United Mythologies Press, 1992) (chapbook)
  • R. A. Lafferty’s The Best of R.A. Lafferty (Gollancz, 2019) (trade paperback)
  • R. A. Lafferty’s The Best of R.A. Lafferty (Tor, 2021) (hardback)
  • R. A. Lafferty’s Cranky Old Man From Tulsa (United Mythologies Press, 1990)
  • R. A. Lafferty’s How Many Miles to Babylon (United Mythologies Press, 1989)
  • R. A. Lafferty’s Sodom and Gomorrah, Texas (Aegypan, 2007) (hardback chapbook)
  • R. A. Lafferty’s The Six Fingers of Time (Aegypan, 2011) (hardback chapbook)
  • R. A. Lafferty’s Strange Skies (United Mythologies Press, 1988) (chapbook)
  • R. A. Lafferty’s Funnyfingers & Cabrito (Pendragon Press HB)
  • (R. A. Lafferty) Boomer Flats Gazette (Volumes 1-4)
  • Joe R. Lansdale’s Blood and Shadows (volumes 1-4) (DC Vertigo, 1996)
  • Joe R. Lansdale’s Blood Dance (Subterranean, 2000) (lettered edition)
  • Joe R. Lansdale’s Bubba Ho-Tep (Hail To the King edition DVD with jacket packaging, 2007)
  • Joe R. Lansdale’s Conan and the Songs of the Dead (Dark Horse, 2007)
  • Joe R. Lansdale’s Crawling Sky (Antarctic Press, 2013) (graphic novel)
  • Joe R. Lansdale’s Dead in the West (Crossroads Press, 1994) (signed/limited)
  • Joe R. Lansdale’s Dead in the West (Night Shade Books, 2005) (1/150 signed, limited copies)
  • Joe R. Lansdale’s The Drive In Bus Tour (Subterranean, 2005) (lettered edition)
  • Joe R. Lansdale’s Freezer Burn (Crossroads Press, 1999) (lettered edition)
  • Joe R. Lansdale’s Freezer Burn (Crossroads Press, 1999) (Special Edition, 1 of 5 copies)
  • Joe R. Lansdale’s The Good, the Bad and the Indifferent (Subterranean Press, 1997) (lettered edition)
  • Joe R. Lansdale’s H.P. Lovecraft’s The Dunwich Horror (IDW, 2012) (graphic novel)
  • Joe R. Lansdale’s I Tell You It’s Love (SST Publications, 2014) (hardback graphic novel)
  • Joe R. Lansdale’s Jonah Hex: Two Gun Mojo (DC Vertigo, 1994) (graphic novel)
  • Joe R. Lansdale’s Lone Ranger & Tonto (Topps Comics, 1995) (graphic novel)
  • Joe R. Lansdale’s The Long Ones (Necro Publications, 1999) (lettered traycased edition)
  • Joe R. Lansdale’s The Magic Wagon (Borderlands Press signed/limited hardback, 1991)
  • Joe R. Lansdale’s The Nightrunners (Dark Harvest, 1987) (signed slipcased edition)
  • Joe R. Lansdale’s The Nightrunners (Dark Harvest, 1987) (signed leatherbound “slipcrate” edition)
  • Joe R. Lansdale’s On the Far Side with Dead Folks (Avalon, 2004) (graphic novel)
  • Joe R. Lansdale’s Orbit 1 & 2 (Subterranean, 2000) (hardback)
  • Joe R. Lansdale’s Pigeons From Hell (Dark Horse, 2009) (graphic novel TPO)
  • Joe R. Lansdale’s Something Lumber This Way Comes (Subterranean, 1999) (1/13 lettered editions)
  • Joe R. Lansdale’s The Steam Man (Dark Horse, 2016) (graphic novel TPO)
  • Joe R. Lansdale’s Tarzan and the Land That Time Forgot (TimeShifter/ECOF, 2018) (chapbook)
  • Joe R. Lansdale’s Tight Little Stitches in a Dead Man’s Back (Pulphouse hardback)
  • Joe R. Lansdale’s The Thicket (Earthling Publications, 2015) (1/250 signed/limited hardbacks)
  • Joe R. Lansdale’s Two-Bear Mambo (Cahill Press, 1995) (lettered edition)
  • Joe R. Lansdale’s Waltz of Shadows (Subterranean, 1999) (lettered edition)
  • Joe R. Lansdale and Lewis Shiner’s Private Eye Action As You Like It (Crossroads Press, 1998) (1/26 lettered editions)
  • Joe R. Lansdale’s The X-Files: Case Files (IDW, 2018) (hardback graphic novel)
  • Joe R. Lansdale’s Robert Bloch’s Yours Truly, Jack the Ripper (IDW, 2010) (graphic novel)
  • Fritz Leiber’s Conjure Wife (Twayne, 1953) (no statement of printing)
  • Fritz Leiber’s Gather, Darkness (Pellegrini & Cudhay, 1950)
  • Fritz Leiber’s The Green Millennium (Abelard, 1953) (no statement of printing, no overprice)
  • Fritz Leiber’s Night Monsters (Gollancz, 1974)

  • Fritz Leiber’s Two Sought Adventure (Gnome Press, 1957)
  • Fritz Leiber’s The Secret Songs (Rupert Hart-Davis, 1968)
  • Cornel Lengyel’s The Atom Clock (FPCI, 1951) (hardback or chapbook)
  • Doris Lessing’s Briefing for a Descent Into Hell (Cape, 1971)
  • C. S. Lewis’ Out of the Silent Planet (John Lane The Bodley Head, 1938)
  • C. S. Lewis’ That Hideous Strength (John Lane The Bodley Head, 1945)
  • David Lindsay’s A Voyage to Arcturus (Methuen, 1920) (Gilt-stamped spine, undated publisher’s catalog)
  • H. P. Lovecraft’s Essential Solitude: The Letters of H. P. Lovecraft and August Derleth (Hippocampus Press, 2013) (two volumes)
  • H. P. Lovecraft’s Juvenilia 1895-1905 (Necronomicon Press, 1984) (chapbook)
  • H. P. Lovecraft’s The Outsider and Others (Arkham House, 1939)
  • H. P. Lovecraft’s Beyond the Wall of Sleep (Arkham House, 1943)
  • (Lovecraft, H.P.) Donald R. Burleson’s Lovecraft: Disturbing the Universe (University of Kentucky Press, 1990)
  • (Lovecraft, H.P.) Peter Cannon’s The Chronology Out of Time (Necronomicon Press chapbook, 1986)
  • (Lovecraft, H.P.) S.T. Joshi’s H.P. Lovecraft: Selected Essays (Necronomicon Press, 2019)
  • (Lovecraft, H.P.) Joshi/Schultz’s Lovecraft Remembered: An Epicure of the Terrible (Fairleigh Dickinson University Press, 1991)
  • (Lovecraft, H.P.) Ave Atque Vale (Necronomicon HB, 2018)
  • (Lovecraft, H.P.) Maurice Levy’s Lovecraft: A Study in the Fantastic (Wayne State University Press, 1988)
  • (Lovecraft, H.P.) Anthony Pearsell’s The Lovecraft Lexicon (New Falcon, 2004) (TPO)
  • (Lovecraft, H.P.) Robert M. Price’s H.P. Lovecraft and the Cthulhu Mythos (Starmont, 1990)
  • George R. R. Martin’s Fevre Dream (Poseidon Press, 1982)
  • George R. R. Martin’s Wild Cards VIII: One-Eyed Jacks (Bantam Spectra, 1991) (PBO)
  • George R. R. Martin’s Busted Flush (Tor, 2008)
  • George R. R. Martin’s Suicide Kings (Tor, 2009)
  • George R. R. Martin’s High Stakes (Tor, 2016)
  • George R. R. Martin’s Low Chicago (Tor, 2018)
  • George R. R. Martin’s Knave Over Queens (Tor, 2008)
  • George R. R. Martin’s Three Kings (Tor, 2018)
  • George R. R. Martin’s Joker Moon (Tor, 2021)
  • George R. R. Martin’s Full House (Tor, 2022)
  • George R. R. Martin’s Pairing Up (Tor, 2023)
  • George R. R. Martin’s Sleeper Straddle (Tor, 2024)
  • Cormac McCarthy’s Blood Meridian (Random House, 1985) (number line starts with 2)
  • Richard Matheson’s Bid Time Return (Viking, 1975) (“First published 1975”)
  • Richard Matheson’s A Stir of Echoes (Lippencott, 1958)
  • Ian McDonald’s The Best of Ian McDonald w/Floating Dogs (PS Publishing, 2016)(1/100 signed, numbered copies)
  • Ian McDonald’s Cyberabad Days (Orion, 2009)
  • Ian McDonald’s Luna: Moon Rising (Tor, 2015)
  • Ian McDonald’s Luna: New Moon (Tor, 2017)
  • Ian McDonald’s Luna: Wolf Moon (Tor, 2019)
  • Ian McDonald’s The Menace From Farside (Tor, 2019)
  • Ian McDonald’s Time Was (Tor, 2018) (chapbook)
  • Richard McKenna’s The Left-Handed Monkey Wrench (Naval Institute Press, 1986)
  • Paul Merchant’s Sex Gang (Nightstand Books, 1959) (PBO, 50¢)
  • Hope Mirrlees’ Lud-in-the-Mist (Collins, 1926)
  • Carlton Miller’s Incest Street (Narcissus, 1970, PBO)
  • Michael Moorcock’s The Adventures of Una Persson and Catherine Cornelius in the Twentieth Century (Quartet, 1975)
  • Michael Moorcock’s The Adventure of the Dorset Street Lodger (as John H. Watson, MD) (privately printed hardback, 1993)
  • Michael Moorcock’s An Alien Heat (MacGibbon & Kee, 1972)
  • Michael Moorcock’s Behold the Man and Other Stories (Phoenix House, 1994)
  • Michael Moorcock’s Blood Red Game (Sphere, 1970) (PBO)
  • Michael Moorcock’s Blades of Mars (Compact, 1965)
  • Michael Moorcock’s Breakfast in the Ruins and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Brothel in Rosenstrasse and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Bull and the Spear (Alison Busby, 1973)
  • Michael Moorcock’s City of the Beasts (Lancer, 1970) (PBO)
  • Michael Moorcock’s Count Brass (Mayflower, 1973) (PB0)
  • Michael Moorcock’s Chronicles of Castle Brass (Granada, 1977)
  • Michael Moorcock’s Champion of Garathorm (Mayflower, 1973) (PBO)
  • Michael Moorcock’s The Dreaming City (Lancer, 1972) (PBO)
  • Michael Moorcock’s Dreamthief’s Daughter (American Fantasy, 2001) (signed, limited hardback)
  • Michael Moorcock’s Earl Aubec and Other Stories (Millennium, 1993)
  • Michael Moorcock’s Elric of Melnibone (Blue Star, 1977)
  • Michael Moorcock’s Elric of Melnibone and Other Stories (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: Swords and Roses (Del Rey, 2010) (TPO)
  • Michael Moorcock’s Elric: Return to Melnibone (Unicorn, 1973) (chapbook)
  • Michael Moorcock’s Elric: The Revenge of the Rose (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Elric: The Sailor on the Seas of Fate (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: The Sleeping Sorceress (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: The Stealer of Souls (Del Rey, 2008) (TP0)
  • Michael Moorcock’s Elric at the End of Time (NEL, 1984)
  • Michael Moorcock’s The Entropy Tango (NEL, 1981)
  • Michael Moorcock’s Eternal Champion (Harper & Row, 1978)
  • Michael Moorcock’s Eternal Champion (Mayflower, 1970) (PBO)
  • Michael Moorcock’s Final Programme (Gregg Press, 1976)
  • Michael Moorcock’s Final Programme (Avon, 1968) (PBO)
  • Michael Moorcock’s The Fireclown (Compact, 1965) (PB0)
  • Michael Moorcock’s The Golden Barge (Savoy, 1979) (TPO)
  • Michael Moorcock’s Hawkmoon (Millennium, 1992)
  • Michael Moorcock’s The Ice Schooner (Harper & Row, 1977)
  • Michael Moorcock’s The Ice Schooner (Sphere, 1969)
  • Michael Moorcock’s The Inner Landscape (Allison & Busby, 1969)
  • Michael Moorcock’s Jerry Cornelius: His Lives and His Times (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Jewel in the Skull (White Lion, 1973)
  • Michael Moorcock’s Knight of the Swords (Alison Busby, 1977)
  • Michael Moorcock’s Knight of the Swords (Mayflower, 1971) (PBO)
  • Michael Moorcock’s The Land Leviathan (Doubleday, 1974)
  • Michael Moorcock’s Lives and Times of Jerry Cornelius: Stories of the Comic Apocalypse (Four Walls Eight Windows, 2003) (TPO)
  • Michael Moorcock’s London Bone (Scribner/Simon & Schuster UK, 2001) (TPO)
  • Michael Moorcock’s Lord of the Spiders (Lancer, 1971) (PBO)
  • Michael Moorcock’s Lunching with the Antichrist (Ziesing V. Ziesing, 1994) (Signed/limited edition)
  • Michael Moorcock’s The Mad God’s Amulet (White Lion, 1973)
  • Michael Moorcock’s Masters of the Pit (NEL, 1971) (PBO)
  • Michael Moorcock’s Michael Moorcock’s Elric: Tales of the White Wolf (White Wolf, 1994)
  • Michael Moorcock’s Michael Moorcock’s Legends of the Multiverse (Black Coat Press, 2017) (TPO)
  • Michael Moorcock’s My Experiences in the Third World War and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s The New Nature of Catastrophe (Millennium, 1993)
  • Michael Moorcock’s Nomad of Time (Nelson Doubleday/SFBC, 1982) (Book club HB, gutter code M47 on page 440)
  • Michael Moorcock’s Nomad of the Time Streams (Millennium, 1993)
  • Michael Moorcock’s The Oak and the Ram (Alison Busby, 1973)
  • Michael Moorcock’s Pawn of Chaos (White Wolf, 1996) (TPO)
  • Michael Moorcock’s Phoenix In Obsidian (Mayflower, 1970) (PBO)
  • Michael Moorcock’s Queen of the Swords (Berkeley, 1971) (PBO)
  • Michael Moorcock’s Quest for Tanelorn (Mayflower, 1975) (PBO)
  • Michael Moorcock’s The Real Life Mr. Newman (A.J. Callow, 1979) (1/500 copies, stapled and bound in masking tape (!))
  • Michael Moorcock’s Retreat from Liberty (Zomba, 1983) (TPO)
  • Michael Moorcock’s The Road Between Worlds (White Wolf, 1996)
  • Michael Moorcock’s The Runestaff (Mayflower, 1969) (PBO)
  • Michael Moorcock’s The Russian Intelligence (NEL, 1983)
  • Michael Moorcock’s Sailing to Utopia (Millennium, 1993)
  • Michael Moorcock’s The Shores of Death (Sphere, 1970) (PBO)
  • Michael Moorcock’s Singing Citadel (Mayflower, 1970) (PBO)
  • Michael Moorcock’s The Skrayling Tree (Warner Aspect, 2003)
  • Michael Moorcock’s The Sorcerer’s Amulet (Lancer, 1968) (PBO)
  • Michael Moorcock’s The Steel Tsar (Mayflower, 1981) (PBO)
  • Michael Moorcock’s The Sundered Worlds (Compact, 1965) (PBO)
  • Michael Moorcock’s Sword and the Stallion (Alison Busby, 1973)
  • Michael Moorcock’s Sword of the Dawn (Lancer, 1968) (PBO)
  • Michael Moorcock’s The Time Dweller (Rupert Hart Davis, 1969)
  • Michael Moorcock’s Time of the Hawklords (Star, 1976) (PBO)
  • Michael Moorcock’s Time of the Hawklords (Aidan Ellis, 1976)
  • Michael Moorcock’s The Twilight Man (Roberts & Vinter/Compact, 1966) (PBO)
  • Michael Moorcock’s The Transformation of Mavis Ming (W. H. Allen, 1977)
  • Michael Moorcock’s The Traps of Time (Rapp & Whiting, 1968)
  • Michael Moorcock’s Warlord of the Air (NEL, 1971)
  • Michael Moorcock’s Warrior of Mars (NEL, 1981) (hardback omnibus)
  • Michael Moorcock’s Warriors of Mars (Compact, 1965) (PBO)
  • Michael Moorcock’s The Wrecks of Time (b/w Tramontane) (Ace Double, 1967) (PBO)
  • Michael Moorcock and James Cawthorne’s Fantasy the 100 Best Books (Xanadu, 1988)
  • (Moorcock, Michael) Frank Brunner’s Elric Portfolio (Looking Glass, 1979) (art portfolio, 1/1000)
  • (Moorcock, Michael) Tawn, Brian Dude’s Dream: The Music Of Michael Moorcock (Hawkfan, 1997) (TPO)
  • Kim Newman’s The Original Dr. Shade (Pocket Books, 1994)(PBO)
  • Larry Niven’s Inconstant Moon (Gollancz, 1973)
  • Larry Niven’s Neutron Star (Macdonald, 1969)
  • Larry Niven’s Protector (Compton Russell, 1976)
  • Larry Niven’s World of Ptavvs (Macdonald, 1986)
  • Charles Neutzel’s Queen of Blood (Greenleaf Classic, 1966) (PBO)
  • Andre Norton’s Witch World (Gregg Press, 1977)
  • George Orwell’s Animal Farm (Secker & Warburg, 1945, 1st state dust jacket)
  • Lewis Padgett’s A Gnome There Was (Simon & Schuster, 1950)

  • Lewis Padgett’s Tomorrow and Tomorrow and Tomorrow & The Fairy Chessman (Gnome, 1951)
  • Edgar Pangborn’s A Mirror for Observers (Doubleday, 1954)
  • Keith Roberts’s Pavane (Rupert Hart-Davis, 1968)
  • Mervyn Peake’s Titus Groan (Eyre & Spottiswoode, 1946)
  • Mervyn Peake’s Gormenghast (Eyre & Spottiswoode, 1950)
  • Mervyn Peake’s Titus Alone (Eyre & Spottiswoode, 1959)
  • H. Beam Piper’s Lord Kalvan of Otherwhen (Garland HB, 1975)
  • H. Beam Piper’s (and Andre Norton’s) A Planet For Texans (and Star Born) (Ace, 1958) (PBO, 35¢)
  • H. Beam Piper’s Space Viking (Ace, 1962) (PBO, 40¢)
  • Frederik Pohl & C. M. Kornbluth’s Gladiator-At-Law (Ballantine Books, 1955)
  • Frederik Pohl & C. M. Kornbluth’s Presidential Year (Ballantine Books, 1956)
  • Frederik Pohl & C. M. Kornbluth’s Search the Sky (Ballantine Books, 1954)
  • Terry Prachett’s The Colour of Magic (Colin Smythe, 1983)
  • Terry Prachett’s The Light Fantastic (Colin Smythe, 1986)
  • Thomas Pynchon’s Gravity’s Rainbow (Viking, 1973) (First issue dj with ISBN lettered in white over red on rear panel, date code 0273 on lower front flap)
  • Ellery Queen’s And On the Eighth Day (Random House, 1964)
  • Ellery Queen’s The Fourth Side of the Triangle (Random House, 1965)
  • Ellery Queen’s The Player on The Other Side (Random House, 1963)
  • Alastair Reynold’s The Prefect (Gollancz, 2007)
  • Alastair Reynold’s Elysium Fire (Gollancz, 2018)
  • Alastair Reynold’s Machine Vendetta (Gollancz, 2024)
  • Matt Ruff’s Lovecraft Country. (Harper, 2016)
  • Salman Rushdie’s Grimus (Gollancz, 1975)
  • Eric Frank Russell’s Far Stars (Dobson, 1961)
  • Eric Frank Russell’s The Great Explosion (Dobson, 1962)
  • Eric Frank Russell’s Wasp (Avalon, 1957)
  • Clifford D. Simak’s Ring Around the Sun (Simon & Schuster, 1953)
  • Clifford D. Simak’s Way Station (Doubleday, 1963)
  • Norman Spinrad’s The Iron Dream (Gregg Press, 1977)
  • Bob Shaw’s Orbitsville (Gollancz, 1975) (No statement of printing on copyright page)
  • Robert Sheckley’s Journey Beyond Tomorrow (Gollancz, 1964)
  • Lucius Shepard’s Cantata Of Death, Weakmind & Generation (Lillabulero Press, 1967) (chapbook)
  • Clark Ashton Smith’s The Abominations of Yondo (Arkham House, 1960)
  • Clark Ashton Smith’s Cycles (Roy A. Squires, 1963) (broadside)
  • Clark Ashton Smith’s The Dark Chateau (Arkham House, 1951)
  • Clark Ashton Smith’s From the Crypts of Memory (Roy A. Squires, 1963)(chapbook)
  • Clark Ashton Smith’s Grotesques and Fantastiques (De La Ree, 1973) (1/50 signed hardback copies)
  • Clark Ashton Smith’s The Ghoul and the Sereph (Gargoyle Press, 1950) (chapbook)
  • Clark Ashton Smith’s Genius Loci and Other Tales (Arkham House, 1948)
  • Clark Ashton Smith’s Hesperian Fall (Clyde Beck, 1961) (chapbook)
  • Clark Ashton Smith’s The Hills of Dionysus (Roy A. Squires, 1962) (1/175 black hardback copies and/or 1/40 green hardback copies))
  • Clark Ashton Smith’s Klarkash-Ton and Monstro Ligriv (Gerry de la Ree, 1974) (1/50 hardback copies)
  • Clark Ashton Smith’s The Mortuary (Roy Squires chapbook)
  • Clark Ashton Smith’s Nero and Other Poems (Futile Press, 1937)
  • Clark Ashton Smith’s Spells and Philtres (Arkham House, 1958)
  • Clark Ashton Smith’s Sandalwood (The Auburn Journal Press, 1925)(chapbook)
  • Clark Ashton Smith’s The Titans in Tartarus (Roy Squires)(chapbook)
  • Clark Ashton Smith’s The White Sybil (with David H. Keller’s Men of Avalon) (Fantasy Publications, no date (1934)) (chapbook)
  • (Clark Ashton Smith) Jack L. Chalker’s In Memorium: Clark Ashton Smith (Mirage Press, 1963) (1/10 hardback copies)
  • Norman Spinrad’s The Iron Dream (Gregg Press, 1977)
  • Brian Stableford’s The Walking Shadow (Fontana, 1979) (PBO)
  • Theodore Sturgeon’s Aliens 4 (Avon, 1959) (PBO, 35¢)
  • Theodore Sturgeon’s Baby is Three/…And My Fear Is Great (Galaxy, 1965) (PBO)
  • Theodore Sturgeon’s Caviar (Ballantine Books, 1955)
  • Theodore Sturgeon’s The Cosmic Rape (Dell, 1958) (PBO, 35¢)
  • Theodore Sturgeon’s The Cosmic Rape (Gregg Press, 1977)
  • Theodore Sturgeon’s E. Pluribus Unicorn (Abelard-Schuman, 1953)
  • Theodore Sturgeon’s More Than Human (Farrar, Straus and Young, 1953)
  • Theodore Sturgeon’s Venus Plus X (Pyramid, 1960) (PBO, 35¢)
  • Theodore Sturgeon’s Venus Plus X (Gollancz, 1969)
  • Theodore Sturgeon’s A Way Home (Funk and Wagnalls, 1955)
  • Patrick Suskind’s Perfume (Hamish Hamilton, 1986)
  • Michael Swanwick’s American Cigarettes (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s The Brain Baron (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s A Midwinter’s Tale (Dragonstairs, 2010) (chapbook)
  • Michael Swanwick’s Millie’s Recipes (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s One Mile Below (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s Song of the Lorelei (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s Valentine Moon (Dragonstairs, 2020) (chapbook)
  • William Tenn’s Of All Possible Worlds (Ballantine Books HB, 1955)
  • William Tenn’s Time In Advance (Gollancz, 1963)
  • J. R. R. Tolkein’s The Hobbit (George Allen & Unwin, 1937) (First printed 1937, “Dodgeson” on back dj flap)
  • J. R. R. Tolkein’s The Fellowship of the Ring (George Allen & Unwin, 1954) (no later date on copyright page)
  • J. R. R. Tolkein’s The Two Towers (George Allen & Unwin, 1954) (no later date on copyright page)
  • J. R. R. Tolkein’s The Return of the King (George Allen & Unwin, 1955) (no later date on copyright page)

  • Henry Treece’s The Golden Strangers (The Bodley Head, 1956)
  • Henry Treece’s The Great Captains (The Bodley Head, 1956)
  • Jack Vance’s The Complete Magnus Ridolph (Underwood Miller, 1984)
  • Jack Vance’s Dream Castles (Subterranean Press, 2012) (signed, lettered edition)
  • Jack Vance’s The Dying Earth (Hillman, 1947)(PBO)
  • Jack Vance’s Future Tense (Ballantine, 1964)(PBO)
  • Jack Vance’s Grand Crusades (Subterranean, 2015) (signed, lettered edition)
  • Jack Vance’s Hard Luck Diggings (Subterranean, 2010) (signed, lettered edition)
  • Jack Vance’s The Jack Vance Reader (Subterranean Press, 2008) (signed, lettered edition)
  • Jack Vance’s The Jack Vance Treasury (Subterranean Press, 2007) (signed, lettered edition)
  • Jack Vance’s The Languages of Pao and The Dragon Masters (Vance Integral Edition, 2002)
  • Jack Vance’s Magic Highways (Subterranean, 2013) (signed, lettered edition)
  • Jack Vance’s The Man in the Cage (Random House, 1960)
  • Jack Vance’s Wild Thyme, Green Magic (Subterranean, 2009) (signed, lettered edition)
  • (Jack Vance) The Many Worlds of Jack Vance (fanzine, 1/300)
  • (Jack Vance) Songs of the Dying Earth (Subterranean, 2009) (signed, lettered edition)
  • Kurt Vonnegut’s Cat’s Cradle (Holt, Reinhardt & Winston, 1963)
  • Kurt Vonnegut’s The Sirens of Titan (Houghton-Mifflin, 1961)
  • Alan Wade’s Isle of Peril (Mystery House, 1957))
  • Peter Watts’ Echopraxia (Tor, 2014)
  • Ian Watson’s The Embedding (Gollancz, 1973)
  • H. G. Wells’ The Time Machines (Henry Holt, 1895) (true first edition with his name misspelled “H. S. Wells” on the title page)
  • Manly Wade Wellman’s Carolina Pirate (Washburn, 1968)
  • Manly Wade Wellman’s Gray Riders (Aladdin, 1954)
  • Manly Wade Wellman’s Haunts of Drowning Creek (Holiday House, 1951)
  • Manly Wade Wellman’s Jamestown Adventure (Washburn, 1967)
  • Manly Wade Wellman’s Mystery at Bear Paw Gap (Washburn, 1965)
  • Manly Wade Wellman’s The Specter of Bear Paw Gap (Washburn, 1966)
  • Gary Westfahl’s The Greenwood Encyclopedia of Science Fiction & Fantasy: Themes, Works, and Wonders (three volume hardcover set)
  • J. X. Williams’ ESP Orgy (Greenleaf Classics adult PBO)
  • Jack Williamson’s The Collected Stories of jack Williamson Volume Five: The Crucible of Power (Haffner Press, 2006)
  • Jack Williamson’s The Collected Stories of jack Williamson Volume Six: Gateway to Paradise (Haffner Press, 2008)
  • Gene Wolfe’s The Grave Secret (Portentous Press) (chapbook)
  • Gene Wolfe’s The Land Across (Tor, 2013)
  • Gene Wolfe’s The Old Woman Whose Rolling Pin Was the Sun (Cheap Street, 1991) (chapbook)
  • (Gene Wolfe)Michael Andre-Driussi’s A Quick and Dirty Guide To The Long Sun Whorl (Sirius Fiction) (chapbook)
  • John Wyndham’s The Day of the Triffids (Doubleday, 1951)
  • John Wyndham’s The Kraken Wakes (Michael Joseph, 1953)
  • John Wyndham’s The Midwich Cuckoos (Michael Joseph, 1957)
  • Cheslea Quin Yarboro’s Aristo (Pocket, 1980) (PBO)
  • Collier Young’s The Todd Dossier (Delacorte Press, 1969)
  • Roger Zelazny’s The Doors of His Face, The Lamps of His Mouth (Pulphouse, 1991) (hardback of just that story)
  • Roger Zelazny’s The Magic: (October 1961-October 1967) Ten Tales (Positronic Publishing, 2018)
  • Roger Zelazny’s Lord of Light. (Easton Press, 1994) (tan leather)
  • (Roger Zelazny) Jane Lindskold’s Roger Zelazny (Twayne, 1992)
  • (Roger Zelazny) Joseph L. Sanders’ Roger Zelazny: A Primary and Secondary Bibliography (G. K. Hall, 1982)
  • (Roger Zelazny) Karl B. Yoke’s Roger Zelazny: Starmont Reader’s Guide (Borgo Press, 1979) (Library binding hardback)
  • Library Addition: The Heavenly Host

    Monday, July 2nd, 2018

    I doubt there’s anyone alive who’s read everything Isaac Asimov wrote (there’sw simply too much of it), but a goodly number SF fans probably think they read all of Asimov’s science fiction, or at least up through about Foundation’s Edge and Robots of Dawn, at which point it became obvious that the good doctor’s novel-writing career was running on fumes. But I suspect that many are unaware of this YA science fiction novel (really more like an illustrated novelette) that came out in 1975.

    Asimov, Isaac. The Heavenly Host. Walker, 1975. First edition hardback, a Fine- copy with a trace of wear to boards, in a Near Fine dust jacket with a couple of 1/4″ closed tears at top edge, a few traces of dust soiling, and slight sun-yellowing around the perimeter (greatly exaggerated in the scan). Young adult novel set on another planet. Currey (1979), page 17. Bought from an online dealer for $20 plus shipping.

    Library Addition: Asimov’s Little Lost Robot

    Tuesday, January 30th, 2018

    I’m not an Isaac Asimov completist because I’m not completely insane. But I have been picking up firsts of the science fiction he did before Foundation’s Edge when I can find them at reasonable prices. This one is an odd little item, a scholastic chapbook of one of his robot stories done in “simplified language” for “upper intermediate” students, so not really Asimov when you get right down to it, but it’s not terribly common.

    Asimov, Isaac. Little Lost Robot. The Syndics of the Cambridge University Press, 1977. First edition chapbook original thus, a Fine- copy with the barest traces of wear at points. “This edition first published 1977” on copyright page at rear of book, as per Currey (1979), page 18. Bought off Biblio for $42 plus shipping.

    Library Addition: Signed Asimov Chapbook Little Brothers

    Monday, November 7th, 2016

    Here’s another chapbook I had been looking for a long time that, like Moorcock’s Caribbean Crisis, popped up on an ABE Books want search at a bargain price:

    Asimov, Isaac. Little Brothers. The Pretentious Press, 1988. First edition chapbook original, one of 126 copies signed by Asimov (the only edition), a Fine copy, with two photos (of Isaac and Stanley Asimov) tipped into front, as issued. Reprints Asimov’s first published work, an essay about how much he hated his little brother, from the Boys High Recorder in 1934. Bought for $35 plus shipping from a well-known literary dealer.

    little-brothers

    Pretentious Press chapbooks were done by bookseller David Aronovitz in very small runs, most of which were given away as freebies to his best customers. I now have the Zelazny and Asimov chapbooks (both very hard to find), but still need to track down the rest…

    Library Additions: July 1 through December 31, 2015

    Thursday, January 7th, 2016

    Here’s a list of all the books I picked up between July 1 and December 31 of 2015.

    Many of the paperback originals here were bought for approximately 25¢ each from Houston bookstore Twice Told Tale’s going out of business sale in November, where prices were $15 a paper grocery sack full of books.

    For some reason, the last half year of book purchases has been heavy on Normans. Go figure…

  • Anderson, Poul. The Unicorn Trade. Tor, 1984. First edition paperback original (PBO), a Near Fine- copy with light crease along front spine join. Twice Told Tales purchase.
  • Armstrong, Anthony. Wine of Death. Stanley Paul & Co. (London), no date [1925]. First edition hardback, a Very Good copy with moderate bend at head and heel at head and slight spotting to page block edges and first few pages, and slight foxing to front and rear free endpapers, with 32 page catalog dated 1924-1825 at rear, lacking the dust jacket. Tietler & Locke, By the Book World Remembered, pages 37 and 119. Locke, Spectrum of Fantasy, page 22. Tietler, By the World Forgot, 55 (where it’s compared to Robert E. Howard’s Conan tales). Not in either edition of the Bleiler Checklist. Bought for $32.04 plus transatlantic shipping. Last year Lloyd Currey listed a better (but not perfect) copy, still lacking the dust jacket, for $1,250, and noted it was “Rare.”

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  • Asimov, Isaac. Gold. HarperPrism. One of 1226 copies (though, despite the statement of the limitation page, this one is not numbered), Fine copy in a Fine slipcase, sans dust jacket, as issued. Posthumous short story collection.
  • Asimov, Isaac. Three By Asimov. Targ Editions, 1981. First edition hardback, one of 250 signed copies, a Fine copy in a Near Fine- tissue paper dust jacket with a 7/8″ semi-closed tear on the top right front cover, with associated wrinkles (the white streaks at left and top are reflection glare from the dust jacket protector). All the pages seem to be made of hand-made paper with ragged edges. Bought for $107.79 off eBay.

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  • Bacigalupi, Paolo. The Drowned Cities. Little Brown, 2012. Signed by Bacigalupi.
  • Baker, Denys Val. The Face in the Mirror. Arkham House, 1971. First edition hardback, a Fine copy in a Fine- dust jacket with just a trace of wear at bottom edge (probably do to an old fold-around dj protector that doesn’t encase the edges). Joshi, 60 Years of Arkham House, 112. Jaffery, Horrors and Unpleasantries, 118. Nielsen, Arkham House Books: A Collector’s Guide, 118. Chalker & Owings (1991), page 39. Not in Bleiler’s Guide to Supernatural Fiction (an odd omission). Bought for $12.50
  • Ballard, J. G. Super-Cannes. Flamingo, 2000. First edition hardback, a Fine- copy in a Near Fine+ dust jacket with bumping at points, a 1/8″ closed tear at bottom rear fold point, and very slight haze rubbing to reflective silver dust jacket. Inscribed by Ballard: “To Jane,/J.G. Ballard”. Bought for £24 plus shipping.
  • Beagle, Peter S. The Innkeeper’s Song. Roc, 1993. Twice Told Tales purchase.
  • Benford, Gregory. The Best of Gregory Benford. Subterranean Press, 2015. #124 of 250 signed, numbered copies.
  • Benford, Gregory. The Best of Gregory Benford. Subterranean Press, 2015. Trade edition.
  • Bishop, Michael. Eyes of Fire. Pocket Books, 1980. First edition paperback original (PBO) this, a revision of A Funeral for the Eyes of Fire, a Fine copy. Twice Told Tales purchase.
  • Bradbury, Ray. The Cat’s Pajamas: Stories +5. Hill House Publishers, 2004. First limited edition and first edition thus (containing five stories not in the trade edition), #352 of 1,000 signed, numbered copies, a Fine copy in a Fine die-cut cloth slipcase with an extraction ribbon to pull out the book. Contains five stories not found in the William Morrow trade edition. Bought for $35 off eBay.

    Bradbury Cat's LTD

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  • Bradbury, Ray (illustrated by Gary Gianni). The Nefertiti-Tut Express. The RAS Press, 2012. First edition oversized oblong (9″ x 12″ long) chapbook edition, a Fine copy, new and unread. Oversized illustrated edition of a longish poem. Signed by Gianni. Bought for £12.
  • Bradbury, Ray, editor. Futuria Fantasia. Graham Publishing/Blood and Guts Press, 2007. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Bradbury, and containing a picture of him signing copies laid in. Reprints four issues of the fanzine of the title Bradbury produced just after graduating high school. Includes contributions from Robert A. Heinlein, Henry Kuttner, Hannes Bok, Damon Knight, Forrest J. Ackerman, etc. A fascinating glimpse into Bradbury’s early life, and the beginnings of several illustrious science fiction careers. Bought off eBay for $30. Replaces an unsigned copy.

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  • Breen, Walter. The Darkover Concordance: A Reader’s Guide. Pennyfarthing Press, 1979. A Fine copy, in decorated boards, as issued. Non-fiction reference guide to Marion Zimmer Bradley’s Darkover books. Despite the fact that this used to go for several hundred dollars, I bought this for $1 (plus buyer’s premium and shipping) off Heritage Auctions. Funny how accusations of (Bradley) and convictions for (Breen) pedophilia will drive down the value of a book…
  • Brunner, John. Times Without Number. The Elmsfield Press, 1974. First hardback edition, a Fine copy in a Fine dust jacket. Signed and dated by Brunner in 1987, with his usual peace symbol. Currey (1979), page 24. Bought for £18.

    Brunner Times Without Number

  • Bujold, Lois McMaster. Memory. Baen, 1996. Bought for $5.99 at a Half Price Books in Houston.
  • Clarke, I. F. Voices Prophesying War. Oxford University Press, 1990. First edition hardback (of this new expanded and updated edition), a Fine copy in a Fine dust jacket with slight wear on rear points. Non-fiction. The standard reference on future war fiction. Bought for £10.8.
  • Davidson, Avram and Grania Davis. Marco Polo and the Sleeping Beauty. Baen, 1988. First edition paperback original (PBO), a Very Good copy with spine wrinkly and slight front cover creasing. Twice Told Tales purchase.
  • De Vet, Charles V. Special Feature. Avon, 1975. First edition paperback original (PBO), a Near Fine- copy with small bottom front corner crease. Twice Told Tales purchase.
  • Dick, Philip K. World of Chance. Rich and Cowan, 1956. First hardback edition and first thus under this title (the first hardback edition of Dick’s first published novel, published earlier in the U.S. as the paperback original Solar Lottery), an Ex-Library copy with tape ghosts to inside covers, slight signs of pocket removal from FFE, inner front hinge half-cracked, slight dust staining to page block edges, in a dust jacket that has about 1/8″ trimmed from top and bottom, and a larger amount (possibly 1/4″ to 1/2″) trimmed from inner flaps, not removing any text, but trimming the flap edges right to the edge of the text block, plus tape ghosts and a touch of edgewear; call it a Very Good-/Good+ Ex-Library copy, though it presents much better than that list of flaws would lead you to believe. Currey (1979), page 159. Levack, 38b. One of the rarest Dick hardcovers.

    World of Chance

  • (Dick, Philip K.) Williams, Paul. Only Apparently Real: The World of Philip K. Dick. Arbor House, 1986. First edition trade paperback original, a Near Fine+ copy with some non-breaking indentations on the cover, as the book were used underneath a piece of paper someone wrote or scribbled on, otherwise apparently unread. Signed by Williams (the signature matches those found online for the limited edition of Ubik: A Screenplay). The biography of Dick by his close friend and designated literary executor. Supplements a Fine unsigned copy. Bought for $3.98 at a Half Price Books in Houston.

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    (Dick, Philip K.) Wintz, Henry and David Hyde. Precious Artifacts: A Philip K. Dick Bibliography: United States of America and United Kingdom Editions 1955-2012. Wide Books, 2012. First edition hardback, #77 of 100 signed, hardback copies, a Fine- copy with slight delamination lift along top front spine join gutter, in decorated boards, sans dust jacket, as issued, with errata slip and related postcards laid in. Bought off eBay for $26.

    Precious Artifacts

  • Di Filippo, Paul (illustrated by Jim Woodrung). Cosmocopia. Payseur & Schmidt, 2008. First edition hardback, one of 500 copies with a band signed by Di Filippo and Jim Woodrung around the box, in a decorated cardboard box with a cardstock illustration and a Jigsaw puzzle in the case as well as the book, sans dust jacket, as issued. Paul Di Filippo alerted me to the fact that Fantagraphics bookstore had copies on hand for Jim Woodrung’s signing there at $30 a pop and I managed to call and snag the last copy.

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  • Disch, Thomas and Charles Naylor. Neighboring Lives. Scribner’s, 1981, First edition hardback, a Fine- copy with slight bumoing at head in a Near Fine- dust jacket with one 1/8″ by 1/4″ triangular chip at top front cover ner head and wear at points. Signed by both Disch and Naylor. Bought for £18.

    Neighboring Lives

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  • Dozois, Gardner, editor. The Year’s Best Science Fiction: Thirty-Second Annual Collection. St. Martin’s, 2015.
  • Engh, M. J. Arslan. First edition paperback original (PBO), a Fine- copy with a touch of glue bunching and age darkening. I already owned a first edition of the later hardback edition.
  • Ellison, Harlan. Angry Candy. Easton Press, 1988. First edition hardback (at least Barry Levin, relying on information from Ellison, has stated; other sources list the trade edition as first), one of 3,500 copies signed by Ellison, a Fine leatherbound copy, sans dust jacket, as issued.
  • Ellison, Harlan. Can & Can’tankerous. Subterranean Press, 2015. Short story collection.
  • (Ellison, Harlan) Priest, Christopher. The Book on the Edge of Forever. Fantagraphics Books, 1994. First edition trade paperback format (perfect-bound with the look and feel of a short graphic novel, which is Fantagraphics primary line), a Fine- copy. Non-fiction. An inquiry into the non-appearance of Harlan Ellison’s massive, long-delayed anthology The Last Dangerous Visions, expanded from an earlier fanzine titled The Last Deadloss Visions. Hugo Award nominee for best Non-Fiction. Bought for £15. Not particularly a Priest fan (I had lunch with two of his ex-wives at the 2014 London Worldcon), but when you’re right…

    Book Edge Forever

  • Etchison, Dennis. The Dark Country. Scream Press, 1982. Supplements a signed copy with a poorer dust jacket.
  • Gardner, James Finn. Politically Correct Bedtime Stories. Macmillan, 1994. First edition hardback, a Fine copy in a Near Fine dust jacket with wrinkle to back cover. Formerly my father’s copy, which I bought for him as a gift many years ago.
  • Haldeman, Joe. Work Done for Hire. Ace, 2014. A Fine copy in a Fine- dust jacket with 1/4″ tear at top rear point. Bought for $1 at a Half Price Books in Houston.
  • Harrison, Harry. Stainless Steel Visions. Tor, 1993. Something of a best of Harrison short story collection (not just Stainless Steel Rat stories). Twice Told Tales purchase.
  • (Heinlein, Robert A.) Olander, Joseph and Martin Harry Greenberg, editors. Robert A. Heinlein (Writers of the 21st Century Series). Taplinger, 1978. First edition hardback, a Fine copy in a Fine dust jacket. Non-fiction. Bought for £12.
  • Jablokov, Alexander. Brain Thief. Tor, 2009. Twice Told Tales purchase.
  • Jeter, K.W. Death Arms. Morrigan Publications, 1987. First edition hardback, #99 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket. Contains an Afterword, “The Young Man Comes to The City,” not found in the trade edition. Supplements a signed trade edition.
  • Jones, Stephen and Newman, Kim. Horror: 100 Best Books. Xanadu Publications, Ltd., 1988. First edition hardback, #214 of 300 numbered copies signed by both the editors and almost every living one of the 100 (!) contributors, including Neil Gaiman, Clive Barker, Harlan Ellison, Basil Copper, Karl Edward Wagner, Jack Williamson, etc. etc etc. (though not by Stephen King), a Fine copy in decorated boards, sans dust jacket, as issued. Bought for £30 off Cold Tonnage, marked down from £50.

    Horror 100 LTD

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  • Joyce, Graham. The Limits of Enchantment. Gollancz, 2005. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Joyce. Bought for £9.
  • Kuttner, Henry. Murder of a Wife. Garland, 1983. First hardback edition (originally a PBO by Permabooks in 1958), a Fine- copy with slight bend at head and heel, sans dust jacket, as issued. Number 26 of Garland’s 50 Classics of Crime Fiction: 1950—1975 series. I’m not sure what the print run was, but if they were anything like Garland’s 50 Classics of Science Fiction runs, it was probably quite small. Hubin, Crime Fiction, 1749—1980: A Comprehensive Bibliography, page 236 (for the PBO). Bought for $30 online.

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  • Lansdale, Joe R. Fender Lizards. Subterranean Press, 2015. #235 of 400 signed, numbered copies.
  • Lansdale, Joe R. and Stephen Mertz. M.I.A. Hunter. Subterranean Press, 2015. First hardback edition and first edition thus, an omnibus of three paperback original M.I.A. Hunter men’s adventure novels (Hanoi Deathgrip, Mountain Massacre, and Saigon Slaughter) Lansdale wrote under the pseudonym of Jack Buchanan, #376 of 500 signed, numbered copies.
  • Le Guin, Ursula K. From Elfland to Poughkeepsie. Pendragon Press, 1973. First edition paperback chapbook original, #49 of 100 signed, numbered copies, a Fine copy. Non-fiction. Currey (1979), page 306. Bought for £18.
  • Lovecraft, H. P. (edited by S. T. Joshi). H. P. Lovecraft’s Collected Fiction: A Variorum Edition, a three volume set consisting of Volume 1: 1905—1925, Volume 2: 1926—1930, and Volume 3: 1931—1936. Hippocampus Press, 2015. First edition hardbacks, one of only 750 sets, all Fine copies in Fine dust jackets. “For the first time, students and scholars of Lovecraft can see at a glance all the textual variants in all relevant appearances of a story—manuscript, first publication in magazines, and first book publications. The result is an illuminating record of the textual history of the tales, along with how Lovecraft significantly revised his stories after initial publication. Along the way, Joshi has made small but significant revisions to his earlier corrected texts. He has determined, for example, that Lovecraft slightly revised some stories when a reprint of them was scheduled in Weird Tales, and he has altered some readings in light of a better understanding of Lovecraft’s customary linguistic usages.”

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  • Lupoff, Richard. Space War Blues. Dell, 1978. First edition paperback original (PBO), a Near Fine- copy with slight creasing. Twice Told Tales purchase.
  • Martin, George R. R. The John W. Campbell Awards Volume 6. Bluejay Books, 1986. Uncorrected proof, trade paperback format, of the never-published hardback first edition, a Very Good- copy, being well-read with creasing along front and back spine joins, bottom of front spine join starting to split, a few spots of staining (including one to the edge of side/bottom page block), and general wear, with note on front cover stating “To/Shelia/Williams/Isaac/Asimov” and a note on the table of contents saying the Orson Scott Card story listed was going to be replaced with another Card story. Never produced because Bluejay Books went out of business in 1986. Copy on the back covers states the book was to be produced in both hardback and trade paperback formats. Includes two never-published Bruce Sterling stories. Bought for $100 from an editor who was downsizing his library as part of moving. Now signed by Sterling.

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    JWCA#6 Back Cover

  • McDonald, Ian. The Broken Land. Bantam Spectra, 1992. First U.S. edition hardback and first edition thus, re-titled from UK hardback first Hearts, Hand and Voices (which I also have). Twice Told Tales purchase.
  • O’Leary, Patrick. The Black Heart. PS Publishing, 2009. Unnumbered copy of 100 copy limited edition signed by O’Leary and introduction author James Morrow, in standard blue PS Publishing traycase. Bought for $4.99 at a Half Price Books in Houston.
  • Oliver, Chad. Shadows in the Sun. Ballantine Books, 1954. First edition hardback (Currey state A, tan cloth lettered in black, no priority), a Near Fine+ copy with slight bumping at head and heel and usual age-darkening to pages), in a Near Fine- dust jacket with a 1 1/2″ closed tear to rear dust jacket flap, slight spotting to top of white rear cover, and a few small rubs. Hall, Hal W., The Work of Chad Oliver: An Annotated Bibliography & Guide, A2. Currey (1979), page 397. Locke, Spectrum of Fantasy, page 169 (an ex-library copy; his description of the dust jacket matches (down to the H-91 code on the front flap), but his description of the book itself as “gray cloth in dark blue lettering” doesn’t match either this copy or the Currey B state (blue cloth lettered in black); Locke’s copy was possibly a library rebind or another binding variant). Barron, Anatomy of Wonder 4, 3-138. Bought for $3 from the Half Price Books in Cedar Park. A conservative estimate of value is probably $2,000

    Shadows in the Sun BBHB

    Shadows Sun Back

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    Shadows Sun dj flaps

    Shadows Sun Book

  • Pangborn, Edgar. The Company of Glory. Pyramid, 1975. First edition paperback original (as per Currey, page 398), a Fine- copy. Twice Told Tales purchase.
  • Partridge, Norman. Dark Harvest. Cemetery Dance, 2006. One of 2,000 signed, numbered copies.
  • Partridge, Norman. Johnny Halloween. Cemetery Dance, 2010. One of 1,500 signed, numbered copies.
  • Partridge, Norman. Mr. Fox and Other Feral Tales. Subterranean Press, 2005. Inscribed by Partridge: “For [Joe?]/Hope you enjoy these old/short stories & tales from/the writing trenches!/All the best to/a guy with /[major pain?] of his own!/Norman Partridge.” Additionally signed as a PC copy of 750 signed, numbered copies. Can scan the inscription is someone is really interested…
  • Randall, Marta. A City in the North. Warner Books, 1976. First edition paperback original (PBO), a Very Good copy with black marks at head and heel.
  • Reynolds, Alastair. Poseidon’s Wake. Gollancz, 2015.
  • Reynolds, Alastair. Slow Bullets. Tacyhon, 2015. Trade paperback original. Bought for $7.49.
  • Reynolds, Alastair. Slow Bullets. WSFA, 2015. First hardback edition (and first signed edition), #37 of 1,000 signed, numbered copies. Copies available through Lame Excuse Books.
  • Rusch, Kristine Kathryn, editor. Pulphouse: The Hardback Magazine: Issue Eight: Summer 1990. Hardback first edition, #50 of 250 numbered copies signed by all the contributors, a Fine copy, sans dust jacket, as issued, in a Fine slipcase. Signed by Greg Egan at the title page for his story “The Moral Virologist.” Also signed by George Alec Effinger, Jack McDevitt, Jonathan Lethem, etc. Chalker/Owings (1991), page 364. Supplements an unsigned copy (I have the entire 12 issue run in the regular edition.) Bought off eBay for $39.95.

    Pulphouse 8

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  • (Shaver, Richard) W. Michael Moore. This Tragic Earth: The Art and World of Richard Sharpe Shaver. Grave Distractions Publications, 2006. Trade paperback original. Shaver Mystery non-fiction.
  • Sheckley, Robert. Shards of Space. Bantam, 1962. First edition paperback original (PBO), a Very Good+ copy with slight spine creasing and wear. Twice Told Tales purchase.
  • Silverberg, Robert. The Collected Stories of Robert Silverberg Volume Nine: The Millennium Express. Subterranean Press, 2014. Sans dust jacket, as issued.
  • Smith, Michael Marshall. More Tomorrow & Other Stories. Earthling, 2003. #174 of 1,000 signed, numbered copies.
  • Shaw, Bob. The Palace of Eternity. Gollancz, 1970. First hardback edition, a Near Fine copy with one small spot to page block edge and bumping to bottom points, in a Near Fine+ dust jacket with with small dust blemish to spine near Gollancz “SF” logo, a few tiny dust spots elsewhere, and a slight bumping at bottom tips. Inscribed by the author: “To Brian,/with best wishes/Bob Shaw.” Currey (1979), page 431. Pringle SF 100, 61. Barron, Anatomy of Wonder 4, 4-391. Bought for £120, marked down from £200.

    Palace of Eternity

  • Spinrad, Norman. Russian Spring. Bantam, 1991. Bookplate signed by Spinrad affixed to half title page, with a copy of a letter from Spinrad to bookdealers laid in. Reportedly a good novel depicting the fall of the Soviet Union which had the misfortune to come out as it was already dissolving.
  • Spinrad, Norman, editor. Modern Science Fiction. Gregg Press, 1976. First hardback edition, a Near Fine copy with two small, dust spots on bottom of side page block and rubbing to bottom rear edge of boards, sans dust jacket, as issued. Anthology. Not a particularly important book, but it does seem to be one of the more uncommon Gregg press titles these days. Bought off eBay for $35.
  • Straub, Peter. Ghost Story. Cowan, McCann, and Geoghegan, 1979. First hardback edition, a Near Fine copy with slight discoloration at the very top edge of the boards and slight bumping at points, in a Near Fine dust jacket with wear at points.
  • Straub, Peter. Perdido: A Fragment. Subterranean Press, 2014. #207 of 400 signed, numbered copies.
  • Swanwick, Michael, and Christophe Morley. Meditations on Meditations on Oysters (Swanwick) b/w Meditations on Oysters (Morley). Dragonstairs Press, 2015. First edition sewn chapbook with decorative cultured pearl, #24 of 50 signed, numbered copies, a Fine copy. Swanwick’s observations on a 1917 free-form rumination on oysters.

    Swanwick Oysters

  • Tenn, William. Time in Advance. Bantam, 1958. First edition paperback original (PBO), a Very Good copy with spine creasing. Twice Told Tales purchase
  • Tidhar, Lavie. A Man Lies Dreaming. Hodder & Stoughton, 2014. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Novel featuring Adolf Hitler as a hardboiled PI by this Israeli-born/UK-resident writer.
  • Vance, Jack. The Dragon Masters. Dennis Dobson, 1965. First hardback edition, a Fine- copy with usual page darkening, in a Fine, bright, unclipped dust jacket. Signed by Vance. Bought for $120 from L. W. Currey.

    Dragon Masters

  • Vance, Jack. Grand Crusades. Subterranean Press, 2015.
  • Vance, Jack. Lurulu. Tor, 2004. First edition hardback, a Near Fine copy with a small remainder mark at heel in a Fine dust jacket. Signed by Jack Vance. Bought off eBay for $25. Vance’s last novel.
  • VanderMeer, Jeff. Secret Lives. Prime Books, 2008. #299 of 1000 signed copies.
  • VanderMeer, Jeff and Ann. The Kosher Guide to Imaginary Animals. Tachyon, 2010.
  • Wagner, Karl Edward. Why Not You and I? Dark Harvest, 1987. First edition hardback, #252 of 300 copies signed by Wagner, a Fine copy in a Near Fine dust jacket with waviness to dust jacket rear, in a Near Fine paper slipcase. I also have a copy of the trade edition inscribed to me by Wagner at the 1988 Worldcon in New Orleans. Bought for $32.50.
  • Wellman, Manly Wade. Battle in the Dawn: The Complete Hok the Mighty. Planet Stories, 2011. Trade paperback original, Fine. Twice Told Tales purchase.
  • Wellman, Manly Wade. The South Fork Rangers. Ives Washburn, 1963. Ex-Library copy, with usual flaws, otherwise nice and square, with complete dust jacket. Juvenile historical novel.
  • Wells, Martha. Emilie & The Hollow World. Angry Robot/Strange Chemistry, 2013. Trade paperback original. I’m a sucker for Hollow Earth novels…
  • Wells, Martha. Emilie & The Sky World. Angry Robot/Strange Chemistry, 2014. Trade paperback original. Sequel.
  • Williamson, Jack. Manseed. Del Rey, 1982. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Williamson. Bought for £9.
  • Zelazny, Roger. Trumps of Doom. G. K. Hall & Co., 2000. Large print edition, a Fine copy in a near Fine- with faint scratches to rear cover and slight crimping at head and heel. I’m not fanatical about collecting every edition of every Zelazny book, but it was only $3…
  • Zelazny, Roger, editor. The Williamson Effect. First hardback edition, a Fine copy in a Fine- dust jacket with just a trace of haze rubbing. Bought off Amazon for $8.75 plus shipping.
  • Library Addition: Signed Isaac Asimov Limited Chapbook

    Thursday, November 12th, 2015

    This is one of the many things on my want list, since I always thought it was a neat little book, and I finally found a copy I could afford.

    Asimov, Isaac. Three By Asimov. Targ Editions, 1981. First edition hardback, one of 250 signed copies, a Fine copy in a Near Fine- tissue paper dust jacket with a 7/8″ semi-closed tear on the top right front cover, with associated wrinkles (the white streaks at left and top are reflection glare from the dust jacket protector). All the pages seem to be made of hand-made paper with ragged edges. Bought for $107.79 off eBay.

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    William Targ was a former editor at Putnam who ran a one-man small press in his retirement. This and the Ray Bradbury book Beyond 1984 were, as far as I know, the only SF Targ Editions published.

    Library Additions: Three Random Books

    Monday, June 1st, 2015

    This is a deck-clearing post, since I just made another major purchase of Zelazny manuscripts and first editions that it’s going to take me some time to catalog…

  • Asimov, Isaac. In Memory Yet Green: The Autobiography of Isaac Asimov, 1920—1954. Doubleday, 1979. First edition hardback, a Fine copy in a Fine- dust jacket with slight sun darkening to the very tops of inside flaps. Non-fiction. The first volume of Asimov’s massive two volume autobiography (I already had a first edition of the second volume, In Joy Still Felt).
  • Brunner, John. Tomorrow May be Even Worse. NESFA Press, 1978. First edition trade paperback, a Fine- copy with a tiny bit of bumping at points. Signed by Brunner. Small book of verse (one SF topic for every letter, arranged from A to Z), illustrated by fan artist ATom.

    Brunner Worse

  • Honan, William H. Visions of Infamy: The Untold Story of How Journalist Hector C. Bywater Devised the Plans That lead to Pearl Harbor. St. Martin’s Press, 1991. First edition hardback, a Fine copy in a Fine dust jacket. Fellow collector Chris Skillings sent this to me after reading about how I picked up E. H. Fitzpatrick’s The Coming Conflict of Nations, or the Japanese American War. Bywater sounds like he was a very interesting guy…