Posts Tagged ‘Lewis Shiner’
Monday, February 5th, 2024
Here are all the books I added to my library in 2023. Most (but not all) have been covered in previous posts.
Adams, Douglas (edited by Kevin Jon Davies). 42: The Wildly Improbable Ideas of Douglas Adams. Unbound, 2023. First edition hardback (number line ending with 1), a Fine copy, sans dust jacket, as issued. A compendium of scripts, drafts, notes, sketches etc. from the archives of this Dr. Who and Hitchhiker’s Guide to the Galaxy writer. I backed this on Kickstarter, and my name can be found on page 315. This book was actually a #1 Sunday Times bestseller. I’m not sure if this Kickstarter edition differs from the trade edition, though I count 320 pages, while Amazon UK says 336 pages, so, maybe? I have a copy of this available through Lame Excuse Books.
Aldiss, Brian W. Journey to the Goat Star. Pulphouse, 1991. Issue #22. Tiny bit of rubbing along spine. This is the first of a complete run of 61 Pulphouse Short Story paperbacks I bought for $61. All the subsequent listings for Pulphouse titles for this post are part of the Pulphouse Short Story Paperbacks line, and all are Fine copies, unless otherwise listed.
Aldrin, Buzz, and John Barnes. Encounter With Tiber. Warner Books, 1996. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Aldrin: “To Michael,/Buzz Aldrin.” Pretty sure Barnes did the overwhelming majority of the writing, but it’s pretty cool to own a book signed by a guy who walked on the moon. Bought for $7.99.
Anonymous. In the Future. Arno Press, 1974. First edition hardback thus, a reprint of a book originally published in 1867, a Fine- copy with slight bumps at points, sans dust jacket, as issued. Bought for $7.99.
Antieau, Kim. Blossoms. Pulphouse, 1991. Issue #5.
Aquilone, James, editor. Dead Detectives Society. Monsterous Books, 2023. First edition trade paperback original, a Fine copy, with extras bag including three cardstock illustrations and a Dead Detective’s Society Membership card. Includes stories by Joe and Kasey Lansdale, Nancy Collins, Kevin J. Anderson, etc. Bought off Kickstarter for $32.
Aquilone, James, editor. Kolchak: The Night Stalker: 50th Anniversary. Moonstone, 2022. First edition hardback graphic novel, the hardcover variant version (ISBN 978-1-946346-16-2), a Fine- copy with slight bumping to upper points, in decorated boards, sans dust jacket, as issued, with illustration card signed on the back by Aquilone laid in. Collection of stories (some graphic novel style some straight prose) based on the legendary Kolchak: The Night Stalker TV show. According to the Kickstarter page, there were 231 of this version backed.
Aquilone, James, editor. Kolchak: The Night Stalker: Satanic Panic ’88 + Two Other Uncanny Tales. Moonstone, 2022. First edition comic book, a Fine copy, signed by Aquilone. Bought from Kickstarter as an add-in to the above.
Aquilone, James, editor. Shakespeare Unleashed. Monstrous Books, 2023. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued, with Monstrous Books card laid in. Original anthology of Shakespeare-related horror stories, featuring stories from Joe and Kasey Lansdale, Steve Rasnick Tem, etc. Adding up the various hardware bundles, it looks like there were just over 500 copies of this done. My name can be found on page 356. You can buy the book through Amazon, though no guarantee that you’ll get a first printing, or received it unbumped.
With:
Aquilone, James, editor. Shakespeare Unleashed One Shot. Monstrous Books, 2023. First edition graphic novel chapbook containing additional work.
“Author, J.Q.” Issue Zero. Pulphouse, 1991. Issue #0, a binding dummy for the entire run of the series, with bank pages. Would never have bought this on it’s own, but since I was buying the entire thing I got this too. This one has a tiny bit of edgewear on rear spine join.
Anderson, Poul. Loser’s Night. Pulphouse, 1991. Issue #1.
Bacigalupi, Paolo. The Water Knife. Knopf, 2015. First edition hardback, a Fine copy with a bound-in signature page, with a Fine dust jacket with a “SIGNED FIRST EDITION” sticker. Bought for $8. (Note: The Scanner does not like the “poly-chromatic on black” effect so I had to adjust it some to make it legible.)
Barry, Dave. Best. State. Ever. A Florida Man Defends His Homeland. Putnam, 2016. First edition hardback, a Fine copy in a Fine dust jacket, signed by Barry. Non-fiction humor book. Bought for $8.
Barry, Dave, and Alan Zweibel. Lunatics. Putnum, 2012. First edition hardback, a Fine copy in a Fine dust jacket, signed by Barry. This and the above are my second and third signed Barry firsts. I already had a book signed by Zweibel. Bought for $8.
Baxter, Stephen. Xeelee: Endurance. PS Publishing, 2017. First edition hardback, letter D of 26 lettered copies, a Fine copy in a decorated boards and a Fine dust jacket and a Fine decorated slipcase. I collected Baxter for a while until he become too prolific for me to keep up with, but I did like the Xeelee books. Bought from Camelot Books for $50.
Beagle, Peter S. The Essential Peter S. Beagle. Tachyon, 2023. First edition hardback, #95 of 474 signed, numbered copies, a Fine copy in silver decorated boards, sans dust jacket, as issued, with Tachyon sticker and business card laid in. Just what it says, a best of collection of stories for this beloved fantasy writer. This combines what are two volumes for the trade edition (which I have on order but haven’t seen yet). I have a small number of these available through Lame Excuse Books.
Bear, Greg Killing Titan. Orbit, 2015. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bear. Second book in the military SF trilogy started with War Dogs, which I just read. Bought for $18 from a fellow Biblio dealer.
Bear, Greg. Sisters. Pulphouse, 1992. Issue #43.
Beaumont, Charles. The Carnival and Other Stories. Subterranean Press, 2022. First edition hardback, #417 of 1,250 numbered copies, a Fine copy in a Fine dust jacket, new and unread. Short story collection.
Bell, M. Shayne. Inuit. Pulphouse, 1991. Issue #34.
Bernard, Dr. Raymond (pseudonym for Walter Siegmeister). The Hollow Earth. Fieldcrest Publishing, 1964. “New Edition” hardback (I think this amounts to the second printing of the first edition, which was evidently offset, so this might qualify as the first printed edition), a Very Good+ copy in red decorated boards with a few pinhead spots of staining to rear, slight wear at head and heel, slight blunting of points, and slight wear to gold lettering, lacking the dust jacket. Barnard wrote several books promulgating various fringe and pseudoscience beliefs (vegetarianism, parthenogentic reproduction, sexual abstinence, etc.), and this book discusses how UFOs actually come from the hollow earth. He also believed there was a hollow earth opening in Brazil, and tried to start a farming colony somewhere in the general vicinity of the entrance. Kafton-Minkel, Subterranean Worlds, pages 192-216. Standish, Hollow Earth pages 277-278 (“a distillate of virtually every crackpot theory about the hollow earth that had been accumulating for a hundred years or more”). Though this had many later printings, any Fieldcrest printing seems uncommon.
Bishop, Michael. The Quickening. Pulphouse, 1991. Issue #12.
Blackwood, Algernon (Mark Sieber, editor). A Little Black Book of Bedevilment. Borderlands Press, 2022. First edition hardback, #462 of 500 copies signed by the editor, a Fine copy. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.
Blaylock, James P. Lord Kelvin’s Machine. Arkham House, 1992. First edition hardback, a Fine copy in a Fine Mylar-protected dust jacket, signed by Blaylock. Joshi, Sixty Years of Arkham House 179. Nielsen, Arkham House Books 185. Replaces an unsigned copy.
Blaylock, James P. Paper Dragons. Pulphouse, 1992. Issue #57. A few small rubs along spine. Supplements a copy of the Axolotl Press hardback (which precedes).
Blaylock, James P. Pennies From Heaven. PS Publishing, 2022. First edition hardback, #167 of 200 signed, numbered copies, a Fine copy in a Fine dust jacket with repricing sticker over UPC, as issued. New novel. The signed edition is the only hardback edition, and the PS edition is the only edition thus far. 200 is a pretty small run for a Blaylock hardback.
Blaylock, James P. Winter Tides. Ace, 1997. First edition hardback, a Fine copy in a Fine Mylar-protected dust jacket, inscribed by Blaylock to the previous owner. Replaces an unsigned copy.
Bloch, Robert. The Skull of the Marquis de Sade. Pulphouse, 1992. Issue #51.
Bloch, Robert. Yours Truly, Jack The Ripper. Pulphouse, 1991. Issue #10. Not to be confused with the short story collection of the same name.
(Bloch, Robert) Larson, Russell D. The Complete Robert Bloch: An Illustrated Comprehensive Bibliography. Fandom Unlimited Enterprises, 1986. First edition trade paperback original, a Fine- copy with trace of wear at tips, signed by Bloch. Just what it says, an illustrated bibliography of Bloch’s work. Looks useful, though the type is a bit small for my aging eyes. Justice, Science Fiction, Fantasy and Horror Reference 185. Bought of eBay for $35 plus shipping.
Block, Lawrence. The Scoreless Thai. Subterranean Press, 2000. First hardback edition (previously published in a 1970s PBO), a trade edition, a Fine copy in a Fine dust jacket, signed by Block. Novella. Bought for $10, 1/3rd of publication price, and the trade edition wasn’t issued signed by Block.
Block, Lawrence. Tanner’s Tiger. Subterranean Press, 2001. First hardback edition (previously published as a 1968 paperback original), a Fine copy in a Fine dust jacket, signed by Block. Tanner novel. Bought for $10, 1/3rd of publication price, and the trade edition wasn’t issued signed by Block.
Boston, Bruce. All the Clocks are Melting. Pulphouse, 1991. Issue #4.
Bradbury, Ray (text) and Amanda Blanco (photographs). About Norman Corwin. Santa Susana Press, 1979. First edition traycased portfolio, an “artist’s proof” copy of 60 signed, numbered sets, a Fine- copy (there seem to be a couple of drops of moisture staining to the back of the signature page) in a Fine- traycase with a few small spots of staining to the inner right edge (though the case itself has a bit of an odd outward slant to the top and bottom edges). Loose printed cardstock pages, including a multi-page essay celebrating radio essayist Norman Corwin by Bradbury followed by 11 photographs of Corwin by Blanco. An odd, oversized item, and one that doesn’t fit entirely on my scanner, so either the bottom or top is chopped off. Bought for $250 off eBay after a touch of haggling.
Bradbury, Ray (Jonathan R. Eller, editor). The Collected Stories of Ray Bradbury: A Critical Edition: Volume 2: 1943-1944. Kent State University Press, 2014. First edition hardback, a Fine copy in a Fine- dust jacket with just a tiny bit of wrinkling at heel. Bought from Half Price Books for $37.49, considerably more than the $15 I paid for the first volume, but this one doesn’t seem to have been nearly as widely remaindered.
Bradbury, Ray. A Chapbook for Burnt-Out Priests, Rabbis and Ministers. Cemetery Dance, 2001. First edition trade hardback, a Fine copy in a Fine dust jacket, signed by Bradbury. Bought off eBay for $21.50. Replaces an unsigned copy and supplements a slipcased signed/limited edition copy.
Bradbury, Ray. Fahrenheit 451. Ballantine Books, 1953. First edition hardback (Currey (1978) D state/Currey (2002) C state, red boards lettered in yellow, no precedence among hardback states), a Near Fine copy with a few small indentations, very slight glue wrinkling (binding flaw) to bottom of rear cover, slight wear to bottom boards, slight wear at head, heel and points, in a Fine facsimile dust jacket, with a Bradbury signature plate laid in. Currey (1978), page 55, Currey (2002) page 44. Pringle, Science Fiction: The 100 Best Novels 8. Barron, Anatomy of Wonder 4 3-31. Locke, A Spectrum of Fantasy, page 39. Magill, Survey of Science Fiction Literature, pages 749-755. Heritage Rare Books and manuscripts Auction #675, page 87 (“one of the most influential and widely read science fiction tales ever published”). Heritage Americana Auction #658 & 65801, page 32. Heritage The Frank Collection Auctions #7001 and #684, page 58. A key 20th century science fiction novel, and the most difficult of Bradbury’s mainstream publisher hardback firsts by a good measure. Bought for $750 plus tax and shipping from an offer on eBay.
Bradbury, Ray. That Son of Richard III: A Birth Announcement. Roy A. Squires, 1974. First edition chapbook original, #332 of 400 numbered copies, a Fine copy in a Fine cloth traycase, inscribed by Bradbury to Lord John Press publisher Herb Yellen: “For Herb -/Good wishes/From/Ray Bradbury/ 9/28/28.” As Yellen later published several Bradbury chapbooks himself, this is an interesting association copy. According to Chalker/Owings, Squires only did 30 traycases, of which 25 were offered to buyers of the “Autograph Edition” (which this is not). Supplements an unsigned copy. Chalker/Owings, page 589. Bought from a PBA Galleries auction for $75 plus shipping and handling.
Bradbury, Ray. The Toynbee Convector. Knopf, 1988. First edition hardback, #36 of 350 signed, numbered copies, “printed on special paper and specially bound,” a Fine copy in a Mylar protector and a Fine slipcase, sans dust jacket, as issued. This version is not in the Locus database, but ISFDB says they came out the same month. Most limited editions from mainstream publishers are fairly unimpressive, but this is actually quite a nice production, with patterned boards and an attractive slipcase. Bought for $110.49 off eBay, a considerable discount off the original offering price of $150 (which must have seemed plenty pricey in 1988).
(Bradbury, Ray) Eller, Jonathan R. Becoming Ray Bradbury. University of Illinois Press, 2011. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head, heel and points. Biography of Bradbury that made use of his personal notes and correspondence. Bought for $17.49.
Brin, David. Dr. Pak’s Preschoool. Pulphouse, 1992. Issue #45. Supplements a copy of the Cheap Street edition (which precedes).
Brin, David. Piecework. Pulphouse, 1991. Issue #23.
Brin, David and Stephen W. Potts. Chasing Shadows: Visions of Our Coming Transparent World. Tor, 2017. First edition hardback, a Fine copy in a Fine dust jacket, signed by Brin on a signature page. Collection of essays by science fiction writers like Neal Stephenson, Bruce Sterling, William Gibson, Robert Silverberg, Vernor Vinge, etc. It says “Brin Presents” but Potts appears to be the actual editor. This and Lunatics are signed on this gray box in what assume is a tipped-in page, presumably something this particular bookseller does. It’s a bit odd. Bought for $8.
Brunner, John. A Case of Painters Ear. Pulphouse, 1991. Issue #2.
Brunner, John. The Traveler in Black. Ace, 1971. First edition paperback original (no statement of printing and 75¢ as per Currey), a Fine- copy with slight wear at points and a drop of discoloration to bottom page block at heel, otherwise a very nice copy. Celebrated fix-up of linked stories. Currey, page 74. De Bolt, The Happening Worlds of John Brunner, page 57.
Bryant, Edward. The Cutter. Pulphouse, 1991. Issue #8.
Busby, F.M. If This Is Winnetka, You Must be Judy. Pulphouse, 1992. Issue #54.
Bush, Barbara. A Memoir. Scribner’s, 1994. First edition hardback, a Fine copy in a Fine- dust jacket with slight bumping at heel and trace of wear at points, inscribed by Bush: “To Chris Hyatt/With best wishes/Barbara Bush/December 1998. Autobiography by First Lady Barbara Bush, wife of 41 and mother of 43, who died in 2018. Not my usual thing, but I stumbled across it checking for signatures in books by 41 and 43. Bought for $14.48 at Half Price Books.
Butler, Octavia. The Evening and the Morning and the Night. Pulphouse, 1991. Issue #38. Holy moley, the prices on this online are crazy. The prices for the signed hardback I can at least sort of understand, since Butler died young, but the prices for unsigned copies like this are still crazy. I had no idea.
Bryant, Edward. The Thermals of August. Pulphouse, 1992. Issue #56.
Cadigan, Pat. My Brother’s Keeper. Pulphouse, 1992. Issue #55.
Calvino, Italo. Invisible Cities. Harcourt Brace Jovanovich, 1974. First English language edition, a Near Fine+ copy with small name to front free endpaper, slight bumping at head and heel and uneven fading at top and bottom edges, in a Very Good+ dust jacket with two closed 3/4″ tears at top front cover, shallow chipping at head, crease to front inner flap, slight bumping at points, and traces of wear to reflective silver surfaces along spine board join, front edge-fold and rear cover (slightly exaggerated in the scan). Important slipstream work of European fantasy, or what John Clute would call “Fantastika.” Bought for $45.
Campbell, Ramsey. Six Stooges and Counting. PS Publishing, 2023. First edition hardback, #76 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket. Non-fiction overview of the work of The Three Stooges, year by year. (A nit: The title refers to all six of the named stooges, but the cover only depicts Moe, Curly and Larry, with nary a glimpse of Shemp or Joe Besser, and just a tiny image of Curly-Joe DeRita from The Three Stooges Meet Hercules at upper left.) I have one copy available through Lame Excuse Books.
Carter, Lin, editor. The Year’s Best Fantasy Stories. DAW, 1975. First edition paperback original, a Fine- copy with slight wear at points and along spine, otherwise apparently new and unread, with SFBC insert still present. Includes stories from Robert E. Howard and Clark Ashton Smith!
Caraker, Mary. I Remember, I Remember. Pulphouse, 1991. Issue #24.
Card, Orson Scott. Unaccompanied Sonata. Pulphouse, 1992. Issue #49.
Chabon, Michael. Summerland. Hyperion, 2002. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head and heel, signed by Chabon. Bought for $9.99, which, oddly enough, seems to be about market. After he won the Hugo and Nebula for the excellent The Yiddish Policeman’s Union, I though Chabon books were going to head steadily upward in value; the exact opposite seems to have happened. It looks like every single one of Chabon’s novels except The Amazing Adventures of Kavalier & Clay can be found in signed first edition hardbacks at or less than cover price. I can’t figure it out, as all three of the Chabon books I’ve read (The Yiddish Policeman’s Union, The Amazing Adventures of Kavalier & Clay, and Gentlemen of the Road) were excellent.
Charnes, Suzy McKee. Listening to Brahms. Pulphouse, 1991. Issue #19.
Clarke, Arthur C. A Fall of Moondust. Harcourt, Brace and World, 1961. First edition hardback, an Ex-Library copy with the usual flaws, including stamps, pocket removal, tape to boards, etc, but with a much better than usual dust jacket, with a couple of short closed tears on flap edges, a small sticker ghost on spine, and slight protector discoloration to edges; call it a G/NF Ex-Lib copy. Currey, page 114. Replaces a less attractive Ex-Library copy. Bought for $20.
Clemence, Bruce No Way Street. Pulphouse, 1991. Issue #15. Guy had this, and a story in Synergy 3, and that was it…
Crowley, John. Great Work of Time. Subterranean, 2023. First edition hardback, #219 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. I have a small number of these available through Lame Excuse Books.
Davidson, Avram. AD 100: Volume I and AD 100: Volume II. Or All the
Sea With Oysters Publishing, 2023. First edition trade paperback
originals (print on demand), as new. The Avram Davidson Society has set these up as Amazon print on demand originals. Together they include 100
unpublished or uncollected Avram Davidson stories. If you’re interested in picking them up, click the links above.
Davidson, Avram. Naples. The Nutmeg Point District Mail/Temporary Culture, 2022. First edition self-wrappers chapbook original, one of 160 copies, a Fine copy, inside a black envelope with Mylar protective wrappers and with a mounted black and white photograph laid in. Bought for $150 (the subscriber price). Story reprinted from Charles L. Grant’s Shadows anthology.
DeChancie, John. A Little Gray Book of Alien Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of a 15 book lot.
Delany, Samuel R. The American Shore. Dragon Press, 1978. First edition hardback, #77 of 100 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Detailed, close-reading non-fiction critical analysis of Thomas Disch’s “Angouleme,” a segment of 334. Weedman, The Starmont Reader’s Guide to Samuel R. Delany, page 22 (“Here Delany exercises himself as the critic’s critic, remaining fairly inaccessible to a general audience.”). Chalker/Owings, page 132. Replaces an unsigned copy.
Delany, Samuel R. Babel-17. Ace, 1966. First edition paperback original, a Fine copy, though with slight age darkening to the pages. Nebula Award winner and Hugo nominee. Currey, page 139. Replaces a slightly less attractive copy. Bought for $5 at Recycled Books in Denton.
Delany, Samuel R. The Einstein Intersection. Easton Press, 1986 (stated; the Locus database lists this coming out in 1991). First edition thus, a special leatherbound collector’s edition, a Fine copy, sans dust jacket, as issued, inscribed by Delany to the previous owner and with an Ex-Libris plate and “Collector’s Notes” laid in. Nebula winner for Best Novel, Hugo finalist. Magill, Survey of Science Fiction pages 703-707. Supplements a signed copy of the Gollancz first hardback edition. Strictly speaking this is just a “nice to have,” but it is signed, and Easton Press makes attractive books.
Delany, Samuel R. The Straits of Messina. Serconia Press, 1989. First edition hardback, a Fine copy in a Fine dust jacket. Delany essays on Delany. Chalker/Owings, page 390 (“these at least are readable”). Replaces a copy with a less attractive dust jacket.
Delany, Samuel R. (edited by Kenneth R. James). In Search of Silence: The Journals of Samuel R. Delany Volume 1, 1957-1969. Wesleyan University Press, 2017. First edition hardback (“5 4 3 2 1” numberline), a Fine copy in a Fine dust jacket. Selections from Delany’s journals when he was first making his mark on the SF field. Bought for $9.95. I have copies of this available through Lame Excuse Books.
de Lint, Charles. Merlin Dreams in the Mondream Wood. Pulphouse, 1992. Issue #52.
de Lint, Charles. Uncle Dobbin’s Parrot Fair. Pulphouse, 1991. Issue #17.
Donaldson, Stephen R. The Wounded Land. Del Rey, 1980. First edition hardback (“First Edition: June 1980/1 2 3 4 5 6 7 8 9 10”), a Fine copy in a Near Fine dust jacket with faint crease down spine, small closed tear at top frotn, and wear at heel and points, signed and dated (“4/15/82”) by Donaldson, with bookmark for the trilogy laid in.
Donaldson, Stephen R. The One Tree. Del Rey, 1982. First edition hardback (“First Edition: April 1982”), a Fine copy in a Fine dust jacket, signed and dated (“4/15/82”) by Donaldson, with bookmark for the trilogy laid in. Note: While the other two first editions in the trilogy feature numberlines, this one does not. I know that this is not the book club edition (which I also have in hand), there are no pictures of a copyright page with a numberline for this title I can locate, and consensus is that they apparently just left it off.
Donaldson, Stephen R. White Gold Wielder. Del Rey, 1983. First edition hardback (“First Edition: April 1983/1 2 3 4 5 6 7 8 9 10”), a Fine copy in a Fine dust jacket, signed and dated (“5/6/89”) by Donaldson, with bookmark for the trilogy laid in.
Dozois, Gardner. The Peacemaker. Pulphouse, 1991. Issue #39. Supplements a copy of the Short Story Hardback edition.
Duchamp, L. Timmel. A Case of Mistaken Activity. Pulphouse, 1991. Issue #7.
Eddy, C.M. and Muriel E. Erased from Exile. Stygian Isle Press, 1976. First edition chapbook original, #234 of 300 copies signed (on stickers) by Muriel E. Eddy and illustrator Gene Day, a Near Fine+ copy with slightly bumped corners and two small black lines near top front outer corner. Stories and poetry by two members of Lovecraft’s circle, with illustrations by Day. Day, who did a lot of work for underground comics and role-playing games, died at the very untimely age of 31.
Effinger, George. Schrodinger’s Kitten. Pulphouse, 1992. Issue #42. Supplements the hardback version.
Eisenstein, Phyllis. The Crystal Palace. Grafton Books, 1991. First hardback edition, a Fine copy in a Fine dust jacket, signed by Eisenstein. Sequel to Sorceror’s Son. The U.S. paperback precedes, but this was the first hardback. This was part of the last big Zelazny purchase in 2020 and I’ve just now gotten around to cataloging it. As I’ve said before, there are few price points more attractive than “you’ve already paid for it.”
Ellison, Harlan. FOE: Friends of Ellison. Edgeworks Abbey, 2019. First edition (stated) trade paperback original (these are Print on Demand books; the POD barcode page states “10 February 2019,” making it possible that these were run off as part of the initial batch run off for the Ellison website sales), a Fine copy. Collection of non-fiction essays, introductions and appreciations of other writers (Jack Vance, Richard Matheson, Philip Jose Farmer, Robert Silverberg, etc.). Bought for $20 (half-off the $40 list price) from the Harlan Ellison Books website.
Ellison, Harlan. Why do you call me Ishmael when you know my name is Bernie?. Edgeworks Abbey, 2019. First edition (stated) trade paperback original (these are Print on Demand books; the POD barcode page states “16 June 2019”), a Fine copy. Collection of non-fiction essays on various topics, including one on Lafferty. Bought for $20 (half-off the $40 list price) from the Harlan Ellison Books website. This now shows up as out of print there.
Erickson, Steve, Our Ecstatic Days. Simon & Schuster, 2005. First edition hardback, a Fine copy in a Fine, Mylar-protected dust jacket. Bought at Recycled Books in Denton for $6.80.
Etchison, Dennis. The Dark Country. Pulphouse, 1991. Issue #21. Not to be confused with the short story collection of the same name.
Etchison, Dennis. Red Dreams. Scream/Press, 1984. First edition hardback, #192 of 250 numbered hardbacks signed by Etichson and artist J.K. Potter, a Fine copy in a Fine, Mylar-protected dust jacket and a Fine- slipcase with a trace of haze rubbing, and additionally signed by Etchison. The second short story collection by this acclaimed horror writer. The third publication of Scream/Press. Chalker/Owings, page 335. Supplements a trade copy. Bought for $30.
(Surface wear is on the dust jacket protector.)
Fowler, Karen Joy. Booth. Putnam, 2022. First edition hardback, a Fine copy in a Fine- dust jacket with just a trace of edgewear, the signed publisher’s variant with a “Signed Copy” sticker on the cover and a page signed by Fowler bound in. Novel of the theatrical Booth family (including presidential assassin John Wilkes Booth) in early 19th century America. Bought for $13.99.
Fowler, Karen Joy. The War of the Roses. Pulphouse, 1991. Issue #28.
Friesner, Esther M. Ecce Hominid. Pulphouse, 1991. Issue #6.
Gaiman, Neil. A Little Gold Book of Ghastly Stuff. Borderlands Press, 2011. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Mixture of fiction, non-fiction, essays, speeches, poetry, etc. Cool cover illustration by Gahan Wilson. Probably the hardest of the Little Book series to find (followed by the Lansdale, Ligotti and Malerman volumes). Bought as part of the 15 book lot.
Gaiman, Neil. Norse Mythology. W. W. Norton, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Bought for $12.99.
Gaiman, Neil. Words of Fire. Arte Editions, 2022 (actually 2023). First edition trade paperback original (with self-flaps), #276 of 300 signed, numbered copies, a Fine copy. Poetry collection. There were two different hardback editions (the Portfolio Edition and the Roman edition), both of which were sold out by the time I heard about it. Now out of print from the publisher. I still have one copy left available through Lame Excuse Books.
Gardner, Craig Shaw. A Little Purple Book of Peculiar Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Bought as part of the 15 book lot.
Gibson, William. Agency. Berkley, 2020. First edition hardback, a Fine copy in a Fine dust jacket. Sequel to The Peripheral. Bought for $9.99.
Gotthelf, Jeremias (pseudonym for Albert Bitzius). The Black Spider. John Calder (Publishers) Ltd., 1958. First English language edition, a Near Fine+ copy with slight spine lean and former owners name inside front cover under flap, in a Very Good+ dust jacket with 1/4″ chip at head, two pinhead-sized abrasions at heel front join, wear at points, and moderate age darkening to white portion of spine. Nineteenth century allegorical horror story about evil made manifest as a giant black spider. Introduced and translated from the original German by H. M. Waidson. Barron, Horror Literature 2-35. Not in Bleiler’s Guide to Supernatural Fiction. Bought off a fellow Biblio dealer for $21.25.
Haldeman, Joe. More Than The Sum of His Parts. Pulphouse, 1991. Issue #14.
Haldeman, Joe. Worlds Enough and Time. Morrow, 1992. First edition hardback, a Fine copy in a Fine dust jacket, signed by Haldeman. Third book in the Worlds trilogy.
Hand, Elizabeth. Hard Light. Minotaur Books, 2016. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bend at heel, signed by Hand. “A Cass Neary Crime Novel.” Bought for $8.
Hample, Stuart. Dread & Superficiality: Woody Allen as Comic Strip. Abrams Comic Arts, 2009. First edition hardback, a Fine copy in a Near Fine dust jacket with slight waviness, slight grubbiness to uncoated stock, and a thin scratch across bottom of spine. Received as a Christmas gift only because, many moons ago, I noted to Dwight my incredulity that this comic strip ever existed at all. Yes, Woody Allen’s neurotic nebbish character was so well known in the 1970s that a comic strip based on it (but written and drawn by someone else) appeared in numerous newspapers from 1976-1964. I am equally incredulous that someone found the strip worth of a prestige retrospective collection. Supplements my copy of Non-Being and Somethingness, which contains selections from the strip.
Hample, Stuart. Non-Being and Something-ness: Selections from the Comic Strip Inside Woody Allen. Random House, 1974. First edition trade paperback original (numberline beginning with “2”, Random House’s deeply irritating method of identifying a first edition), a Near Fine copy with chip to top rear corner, crease to bottom front corner, nick to middle front edge, and a bit of wear. Dwight bought this for me based on my stumbling across this comic in a newspaper archive looking for something else and expressing surprise that it ever existed at all.
Heinlein, Robert A. Off the Main Sequence: The Other Science Fiction Stories of Robert A. Heinlein. Science Fiction Book Club, 2005. First edition hardback (stated “First SFBC Science Fiction Printing, October 2005”; the SFBC is the only edition), a Fine copy in a Fine dust jacket. Short story collection, including three (“My Object All Sublime,” “Pied Piper,” and “A Tenderfoot in Space”) that were previously uncollected. Bought for $5.95.
Hill, Doug and Jeff Weingrad. Saturday Night: A Backstage History of Saturday Night Live. Beech Tree Books, 1986. First edition hardback, a Fine- copy with bumping at head and heel in a Near Fine dust jacket with with one 1/16″ chip at heel, crease to bottom of front flap, slight bumping at head and heel and a bit of pull to top jacket edge. History of Saturday Night Live. Part of a very small collection of books on early SNL. Most people today don’t realize how amazingly funny, daring and groundbreaking the original cast SNL was. Bought for $4.99.
Holder, Nancy. The Ghosts of Tivoli. Pulphouse, 1992. Issue #44.
Hughes, Matthew. Ghost Dreams. PS Publishing, 2022. First edition hardback, #55 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket.
Jeter, K.W. Star Wars: Hard Merchandise. Bantam Spectra, 1999. First edition paperback original, a Fine- copy with just a trace of wear at points. The third book in the Bounty Hunter Wars trilogy, and evidently the hardest one to find. Supplements a signed first of the SFBC Bounty Hunter Wars Trilogy I bought from the Fred Duarte estate sale. I supposed now I need to find a PBO first of Slave Ship, the second in the trilogy, but it seems the easiest to find of the three. Bought from Half Price Books for $4.49.
King, Florence. Reflections in a Jaundiced Eye. St. Martin’s Press, 1989. First edition hardback, a Near Fine copy with slight bumping at head and heel and thrift store stamp to insider rear cover, in a Fine- dust jacket with slight bumping at head, in a Mylar dust jacket protector. Collection of essays. Replaces an Ex-Library copy. Bought for $7.99.
Jordan, Will. Dark Harvest. Blackstone Publishing, 2022. First edition hardback, a Fine copy in a Fine dust jacket. Science fiction novel/technothriller Mike bought for me. Jordan is generally better known as YouTube movie reviewer The Critical Drinker.
Joshi, S. T. Black Wings VII: New Tales of Lovecraftian Horror. PS Publishing, 2023. First edition hardback, one of 200 copies signed by all the contributors, a Fine copy in a Fine dust jacket and a Fine slipcase. Original anthology, including stories from John Shirley, Ramsey Campbell and Steve Rasnick Tem. Bought from the publisher at the usual discount.
Keene, Brian. A Little Silver Book of Street Wise Stories. Borderlands Press, 2008. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Bought as part of the 15 book lot.
King, Stephen. The Long Walk. Centipede Press, 2023. First edition thus and first separate hardback edition (a previous Turtleback library hardback binding appears to be just a rebind of the Signet trade paperback edition), one of 1,400 trade copies, a Fine copy in a Fine dust jacket, still in shrinkwrap. Near future SF dystopia, my favorite of the Bachman books, and one of my favorite of King’s books, period. Instantly out of print from the publisher. I have copies available through Lame Excuse Books.
King, Stephen, Richard Chizmar, and Stewart O’Nan. A Face in the Crowd b/w The Longest December. Cemetery Dance, 2023. First hardback edition and first edition thus (with King and O’Nan’s “A Face in the Crowd” previously only available in a eBook edition, and Chizmar’s “The Longest December” stating “Expanded Version,” but ISFDB doesn’t show a previous edition), a Fine copy in a Fine dust jacket. Two novellas. Bought off eBay for $20 plus shipping.
Kress, Nancy. The Price of Oranges. Pulphouse, 1992. Issue #53.
Kuttner, Henry. The Best of Henry Kuttner. Nelson Doubleday (SFBC), 1975. First edition hardback (code “01 R” on page 335, as per Currey), a Fine- copy with trace of bumping at points in a Fine- dust jacket with slight edgewear and small fold to tip of bottom front flap. Introduction by ray Bradbury. Currey, page 291. Bought for $6 at the Book Cellar in Temple.
Lafferty, R. A. Alaric: The Day The World Ended. United Mythologies Press, 1993. First edition hardback, a Fine copy, sans dust jacket, as issued. Reprint of The Fall of Rome, and the last book done by the press. Chalker/Owings (2002), page 931. Think I paid $50 for this.
Lafferty, R. A. The Back Door of History. United Mythologies Press, 1988. First edition chapbook original, #126 of 150 (according to Chalker/Owings) signed, numbered copies, a Fine copy, with errata notice laid in and conclusion of “Phoenic” pasted in after page 34. Chalker/Owings (2002), page 928. Supplements a trade edition.
Lafferty, R. A. The Collected Short Fiction Volume Seven: Mad Man. Centipede Press, 2023. First edition hardback, #40 of 300 copies signed by introduction author Scott Bradfield, a Fine copy in a Fine dust wrapper, still in shrinkwrap. Yes, I have matching numbers of all the rest. Bought from the publisher at the usual discount.
Lafferty, R. A. Cranky Old Man From Tulsa. United Mythologies Press, 1990. First edition chapbook, trade edition, a Fine copy. Three pieces of biographical non-fiction. Chalker/Owings (2002), page 928.
Lafferty, R. A. The Elliptical Grave. United Mythologies Press, 1989. First edition trade paperback original, a review copy of 70 signed, numbered copies with an extra story (“The Man Who Lost His Magic”), a Fine- copy with a slight bump at bottom right corner.
Lafferty, R. A. The Early Lafferty. United Mythologies Press, 1988. First edition chapbook original, #147 of (according to Chalker/Owings) 150 copies, a Fine copy. The first United Mythologies Press item. Chalker/Owings (2002), page 928. Supplements an unsigned copy.
Lafferty, R. A. Funnyfingers & Cabrito. Pendragon Press, 1976. First edition hardback, letter av of 50 signed, lettered copies, a Fine copy, sans dust jacket, as issued. This actually completes my R.A. Lafferty in hardback collection (which is to say that every Lafferty first edition that came out in hardback I have, though not every one is signed, and I don’t necessarily have the signed/limited state of every Lafferty book that was issued in one). Chalker/Owings (1991), page 328. I paid $100 for it.
Lafferty, R. A. How Many Miles To Babylon. United Mythologies Press, 1989. First edition chapbook original, #94 of (according to Chalker/Owings) 150 copies. Chalker/Owings (2002), page 928.
Lafferty, R. A. Promontory Goats. United Mythologies Press, 1989. First edition chapbook original, #132 of (according to Chalker/Owings) 150 copies, a Fine copy. The second United Mythologies Press book. Supplements an unsigned copy. Chalker/Owings (2002), page 928.
Lafferty, R. A. Strange Skies. United Mythologies Press, 1988. First edition chapbook original, #182 of 300 copies, a Fine copy. The third United Mythologies Press book. Chalker/Owings (2002), page 928.
Lansdale, Joe R. Cold in July. Mark V. Ziesing, 1989. First hardback edition, #388 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine- slipcase with a bump at bottom rear. Isajenko, World Lansdalean A011.b. With Lansdale, Joe R. Savage Season. Mark V. Ziesing, 1989. First edition hardback, #388 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, in the same slipcase. Isajenko, World Lansdalean A013.a. Supplements a PC set (received as part of typing Cold in July into a computer from galley proofs) and a signed “mock” limited set. Bought from a private collector for $50.
Lansdale, Joe R. The Donut Legion. Mulholland Books/Little Brown and Company, 2023. First edition hardback, a Fine copy in a Fine dust jacket, inscribed to me by Lansdale. Bought from Book People at cover price during a signing. It was good to see Joe again.
Lansdale, Joe R. The Drive-In (A B-Movie With Blood and Popcorn, Made in Texas). Bantam Spectra, 1988. First edition paperback original, #57 of 100 aftermarket copies from The Overlook Connection with a special limitation page pasted in, a Fine- copy with pinprick of abrasion to bottom rear tip, in a Mylar-bag, in a Fine embossed aftermarket slipcase. Isajenko, World Lansdalean A010.a. With Lansdale, Joe R. The Drive-In 2 (Not Just One Of Them Sequels). Bantam Spectra, 1989. First edition paperback original, #57 of 100 aftermarket copies from The Overlook Connection with a special limitation page pasted in, a Fine copy, in a Mylar-bag, in the same slipcase. Isajenko, World Lansdalean A012.a. Supplements inscribed copies of the ordinary PBOs, plus inscribed hardback firsts of the Kinnell editions, plus The Complete Drive-In from Centipede Press. These Overlook Press aftermarket paperback limiteds were weird things, which is why I didn’t pick these up until I found a set at the right price. Bought from the same private collector for $35.
Lansdale, Joe R. The Events Concerning. Subterranean Press, 2022. First edition hardback, #371 of 1,250 signed, numbered copies, a Fine copy in a Fine dust jacket. Short story collection. Bought from the publisher. I’ll have copies of this available in the next 
Lansdale, Joe R. Edge of Dark Water. PS Publishing, 2012. First edition hardback, letter D of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Supplements a signed Mullholland Books first and both a signed PS trade edition and a signed, numbered copy. Not really an impressive limited, as it’s identical to a signed, numbered copy, but it was only $75, which is about what the regular numbered edition goes for these days. Isajanko, A044.d.ii (but he doesn’t list this lettered edition).
Lansdale, Joe R. (illustrated by Ted DiLucia). Incident On and Off a Mountain Road. Crystal Lake Publishing, 2023. First edition hardback (“10 9 8 7 6 5 4 3 2 1” numberline), a Fine copy in decorated boards, sans dust jacket, as issued. Illustrated version of the dark suspense novelette originally published in Night Visions 8 and later adapted as an episode of the Showtime Masters of Horror TV anthology series. Amazon seems to be the main fulfillment avenue for this book, so I provided an Amazon link above.
Lansdale, Joe R. Shooting Star. Pandi Press, 2023. First edition trade paperback original, a Fine copy with signed plate (and two bookmarks) laid in. At 43 pages long, it’s somewhere in the novelette/novella range.
Lansdale, Joe R. The Steel Valentine. Pulphouse, 1991. Issue #11. Isajanko, The World Lansdalean C01.a.i. Supplements another copy and a Short Story Hardback version.
Lansdale, Joe R. (as Ray Slater). Texas Night Riders. leisure, 1983. First edition paperback original, a Fine- copy with tiny loss at very tip of top rear outer corner and some foxing to inside covers, otherwise tight, square and apparently unread. This is far and away the best copy I’ve ever seen. Supplements a less attractive copy of the PBO inscribed to me, the Chivers Press large print (and first hardback edition) inscribed to me, and both the lettered and numbered editions of the Subterranean signed/limited edition. Isajenko, A003.a. Bought for $40 from Half Price Books.
Lansdale, Joe R. Things Get Ugly: The Best Crime Stories of Joe R. Lansdale. Tachyon, 2023. First edition trade paperback original, a Fine copy. Bought from the publisher at the usual discount.
Lansdale, Joe R. Tight Little Stitches in a Dead Man’s Back. Pulphouse, 1992. Issue #46. Isajanko, The World Lansdalean C03.a.i. Supplements a copy of the Short Story hardback version.
Lansdale, Joe R. and Kasey Lansdale. Dark Kin. Thunderstorm Books, 2023. First edition hardback, #232 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket. Collection of collaborative stories, one of which appears here for the first time. Bought from the publisher at a dealer discount. I have copies of this available through Lame Excuse Books.
Lansdale, Joe R. and Kasey Lansdale. Terror is Our Business: The Dana Roberts Casebook of Horrors. Short Scary Tales (SST) Publications, 2023. First edition hardback, #101 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, with tissue paper closure sticker laid in.
Lansdale, Joe R. (edited by Christopher Golden and Brain Keene). The Drive-In: Multiplex. Pandi Press, 2023. First edition trade paperback original, a Fine copy.
Lansdale, Joe R. and Keith Lansdale. Prisoner of Violence. Dark Regions Press, 2023. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued, into which I’ve laid a signature plate by Joe and Keith Lansdale. Graphic novel that was announced several years ago, but only recently came out. I have copies of this available through Lame Excuse Books.
Lansdale, Joe R. (and Andreas Guinaldo). Joe R. Lansdale’s The Drive-In. Avatar, 2005. First edition graphic novel original thus (no additional printings listed, preceded by four individual comic book issues), a Fine copy, signed by Lansdale. Graphic novel adaptation of the novel.
(Lansdale, Joe R.) Andrew J. Rausch and Mark Slade, editors. Conversations with Joe R. Lansdale. University Press of Mississippi, 2022. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Collection of interviews with Lansdale, including the ones Dwight Brown and I did for Nova Express. Bought from the publisher. I’ll have signed copies of this available through Lame Excuse Books catalog.
(Lansdale, Joe R.) Andrew J. Rausch and Mark Slade, editors. Conversations with Joe R. Lansdale. University Press of Mississippi, 2022. First edition trade paperback original (simultaneous with the much smaller hardback run), a Fine copy. Sent to me as a contributor’s copy.
Lee, Tanith. Into Gold. Pulphouse, 1991. Issue #32.Tiny rub on spine.
Le Fanu, Sheridan (edited by Eric J. Guignard). A Little Fuchsia Book of Fears. Borderlands Press, 2023. First edition hardback, #462 of 500 numbered copies signed by the editor, a Fine copy, sans dust jacket, as issued. I will have copies of this available in the next Lame Excuse Books catalog.
Le Guin, Ursula K. Nine Lives. Pulphouse, 1992. Issue #50.
Ligotti, Thomas. Pictures of Apocalypse. Chiroptera Press, 2023. First edition hardback, a Fine copy in a Fine dust jacket, still in shrinkwrap. Also includes a special 24 page Pictures of Apocalypse: Interviews and Sketches chapbook, including new interviews with the author and artist, “Concept to finish” art documentation, outtakes, a thank you card, and a bookmark. A verse cycle. A fairly elaborate small press production for this stylish horror writer. The book is no longer on the publisher’s website, so I assume it is now out of print. But I still have copies through Lame Excuse Books (including the extras bag).
Locke, George. Voyages in Space: A Bibliography of Interplanetary Fiction 1801-1914. Ferret Fantasy, 1975. First edition hardback, #17 of 18 signed, numbered hardback copies (plus an additional 10 copies not for sale), a Fine copy, sans dust jacket, as issued. The definitive bibliography on early space travel fiction. Chalker/Owings, page 527. Tymn/Schlobin/Currey A Research Guide to Science Fiction Studies 47. Barron mentions this in Anatomy of Wonder 4 7-7 (on Currey’s Science Fiction and Fantasy Authors), but does not have a separate listing for it. Not in Justice. Supplements an inscribed copy of the trade paperback.
Long, Frank Belknap (S. T. Joshi, editor). Library of Weird Fiction: Frank Belknap Long. Centipede Press, 2022. First edition hardback, a Fine copy in a Fine dust jacket, still in shrinkwrap. Massive 800+ page collection of fiction by this contemporary and correspondent of H. P. Lovecraft. Bought for $40.
Lovecraft, H. P. The Dream Quest of Unknown Kadath. Shroud: Publishers, 1955. First edition trade paperback original (Currey A, orange wrapper bound with brown tape) simultaneous with a small hardback run, #1341 of 1,500 copies, a Near Fine copy with former owner’s name on front free endpaper and some evenly-spaced diagonal wrinkles to spine (possibly as issued by Shroud), in a Very Good first state (publisher’s address of 819 Michigan Avenue, Buffalo 3, New York, as per Currey) dust jacket with shallow chipping at head and heel and staining along spine and at top front near edgefold. First edition of this Dunsanean Dreamlands novella, which ties into Lovecraft’s Cthulhu Mythos but is also distinct from it. Shroud was an odd press, and this book displays Shroud’s “amateurish” (to quote Chalker/Ownings) quality. Currey, page 322. Chalker & Owings, The Science Fantasy Publishers, pages 403-404. Joshi, H.P. Lovecraft: A Comprehensive Bibliography I.31. Bleiler, The Guide to Supernatural Fiction 1048 (“repetitious, alternately aiming for childishness and horror, maundering and wandering, it has little to offer except a rather pointless integration of the earlier Dunsanean stories”). Magill, Survey of Modern Fantasy Literature, pages 431-435. Bought from a Potter & Potter auction for $187.50.
Lovecraft, H. P. Miskatonic Missives. Helios House, 2022 (actually 2023). First edition hardback, one of 521 Limited Collector’s Edition sets (given the number of kickstarter backers), containing three volumes, plus a fake book that’s actually a traycase to contain the ephemera extras, all Fine copies, sans dust jacket, as issued, in a Fine slipcase.
Each volume contains a reprint of one of H.P. Lovecraft’s most interesting letters, presented alongside related archival material such as contemporary short stories, art, maps, etc., as well as original art and new scholarship.
Each volume is also packaged with a set of exclusive extras—replicas of related contemporary materials such as photos, maps, ticket stubs, postcards, news clippings, and diary pages. The Collector’s set packages all of these extras in a custom box which nests in the slipcase alongside the three books. Each Limited Edition Collector’s set is supplied with a Certificate of Ownership signed by editors Andrew Leman and Sean Branney of the H.P. Lovecraft Historical Society, and a collectible enamel pin.
This is just the loose extras; there are additional extras for each volume, in their individual envelopes in the Ephemera traycase.
with
Lovecraft, H. P. (Sean Branney and Andrew Lman, editors and annotators). The Spirit of Revision: Lovecraft’s Letters to Zeila Brown Reed Bishop. Helios House, 2022. Second Edition hardback (I believe the first edition was trade paperback only), a Fine copy, sans dust jacket, as issued. Bought with the above as an add-in.
(Lovecraft, H. P.) Houllebecq, Michel. H. P. Lovecraft: Against the World, Against Life. Cernunnos, 2019. First edition hardback, a Fine copy in a Fine dust jacket. Critical analysis of Lovecraft and his work by the French writer and critic. Introduction by Stephen King. Bought for $9.95.
(Lovecraft, H.P.) Day, Gene. Richard Upton Pickman: A Portfolio with Dirk W. Mosig’s H. P. Lovecraft: Psychological Realist. Stellar Z. Publications, 1977. First edition chapbook originals (for each), a Near Fine+ copy of the portfolio, with slight bending at the corners, and a Fine copy of the smaller Mosig critical chapbook. 10 art prints based on Lovecraft’s “Pickman’s Model,” plus a chapbook from a psychologist who has done a lot of essays on Lovecraft. There’s not a lot of Internet hits on either of these, and the few hits on the portfolio don’t appear to have the Mosig chapbook. I’m not sure what the print run on this was. I even reached out to Mosig himself (who’s still alive and teaching at a university) to ask the print run, but he didn’t know.
(Though they seem the same size here (the blog image default size), the Mosig chapbook is much smaller, which makes sense given it probably shipped inside the portfolio.)
(Lovecraft, H.P., Robert E. Howard, Clark Ashton Smith) Jones, Stephen. The Weird Tales Boys. First edition hardback, #92 of 100 signed (by Jones, introduction author Ramsey Campbell, artist Lee Edwards, and facsimile signatures for Lovecraft, Howard and Smith), numbered copies, a Fine copy in a Fine slipcase. A triple biography of H.P. Lovecraft, Robert E. Howard and Clark Ashton Smith as the most important writers for Weird Tales. Now sold out from the publisher. A small number of copies of this will be available in the next Lame Excuse Books catalog.
Machen, Arthur (attributed). From the London Evening News. The Arthur Machen Society/Four Ducks Press, 1959. First edition chapbook original, #33 of 50 copies printed, a Fine copy, with a letter enclosed presenting the work from J. H. Stewart, Jr. to Joseph Kelly Vodray (who left an archive of Machen papers to Princeton) describing how the book was designed and printed by Bill Jackson. Three stories covering purportedly supernatural events reprinted from the London Evening News tentatively identified as the work of Arthur Machen. This is a remarkably attractive chapbook, crisply designed and printed in multiple colors inside, and really looks like something printed 20 years later. No online listings, though Worldcat does locate 13 copies in various libraries (including UT’s Harry Ransom Center).
(Machen, Arthur) Wesley D. Sweeter and Adrian H. Goldstone. Arthur Machen. Arthur Machen Society, 1960. First edition hardback chapbook, one of 200 copies, a Near Fine copy with sports of rubbing to extremities and cover and the decorative bookplate of Paul Jordan Smith (Literary Editor of The Los Angeles Times for 25 years and noted Machen fan) affixed to insider front cover. Reprints two pieces on Machen from The Aylesford Review: Sweeter’s “Machen: A Biographical Study” and Goldstone’s “Men About Machen,” discussing some of the more notable members of the Society (including Vodray and Smith).
Maclay, John. A Little Red Book of Vampire Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.
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MacLeod, Fiona (pseudonym for William Sharp). The Hills of Ruel and Other Stories. Heinemann, 1921. First edition hardback, a Near Fine+ copy in decorated boards (the design matching the dust jacket) with sight bumping at head, heel and points and slight foxing to inside covers and endpapers in a Very Good- dust jacket with a 7/8″ chip at head, 1/2″ chip at heel, smaller losses at top and bottom edges and wear along outer edges. Beliler Checklist (1978) page 131.
MacLeod, Ian R. Ragged Maps. Subterranean Press, 2023. First edition hardback, #171 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Short story collection.
Martin, George R. R. The Pear-Shaped Man. Pulphouse, 1991. Issue #37.
Martin, George R. R., editor. Wild Cards VI: Ace in the Hole. Bantam Books/SFBC, 1989. First hardback edition, the SFBC book club edition, preceded by the PBO, a Fine- copy with bumping at head, heel and top points, in a Near Fine+ dust jacket with slight bumping at head, heel and top points, a couple of phantom creases across rear cover, and slight edgewear. Bought for $6 at the Book Cellar in Temple.
Martin, George R. R. Wild Cards VIII: One-Eyed Jacks. Bantam Spectra, 1991. First edition paperback original, a Near Fine copy with mild spine creasing and a trace of wear at points. This completes my Wild Cards paperback collection. Bought for $2.49.
Massie, Elizabeth. A Little Magenta Book of Mean Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.
Matheson. Richard. Duel: Terror Stories By Richard Matheson. Tor, 2003. First edition hardback, a Fine- with slight bend at heel copy in a Fine- dust jacket with a slight wrinkle at rear bottom. Supplements a trade paperback edition. Bought for $12.99.
McBride, H. W. A Rifleman Went to War. Small-Arms Tactical Publishing Company, 1935. First edition, second printing (according to Dwight’s bibliography of this press), a Near Fine copy with a slight bit of spine wear and previous owner’s bookplate, in a Very Good- dust jacket with 1 1/2″ wide x 1/2″ deep chip at head, small chip at heel, creasing along front flap fold, and general wear, but no loss of lettering anywhere, in a Mylar dust jacket protector. Memoirs of the experiences of an American rifleman who joined the Canadian expeditionary forces during World War I (my second favorite World War). A Christmas gift from Dwight, who collects this press.
McCarthy, Cormac. The Crossing. Knopf, 1994. First edition hardback, a Fine copy in a Fine dust jacket, with McCarthy signature plate attached to half-title page. Second book in the Border Trilogy, preceded by his breakthrough bestseller and National Book Award winner All the Pretty Horses. Supplements an unsigned first. Bought for $400 (with discount) from a fellow dealer.
Merritt, A (and Hannes Bok). The Black Wheel. New Collector’s Group, 1947. First edition hardback, in a first state (Currey A) binding, #571 of 1,000 copies, a Near Fine- copy with slight bumping at head and heel, abrasions to title on front cover, inner hinge before title page just starting at top, with copyright correction pasted to copyright page. Novel started by Merritt and finished by Bok, who also illustrates the book. Currey, page 364. Chalker/Owings (2002), pages 608-9. Chalker/Owings (1991), page 308. Kemp, The Anthem Series, pages 384-385.
Merritt, A (and Hannes Bok). The Black Wheel. New Collector’s Group, 1947. First edition hardback, in a second state (Currey B) binding, a Very Good+ copy with BB-sized indention to front board (extending to front free endpaper), bumping at head, heel and points, large former owner plate for Robert C. Culp affixed to inside front cover, and foxing to interior gutters, and no number on copyright page, in a Near Fine FFF dust jacket (see Chalker/Owings for details, though they note the yellow jacket had “no illustrations,” which is clearly incorrect) with bumping at head, and a faint, dime-sized damp-staining drop and slight creasing to rear panel. Novel started by Merritt and finished by Bok, who also illustrates the book and the post-publication jacket. Currey, page 364. Chalker/Owings (2002), pages 608-9. Chalker/Owings (1991), page 308. Kemp, The Anthem Series, pages 384-385.
Mirrlees, Hope. Lud-In-The-Mist. W. Collins & Sons, 1926. First edition hardback, a Fine- copy with a couple of abrasion spots on front cover, slight bend and head and heel, and small bookseller sticker to bottom of rear inside cover, otherwise a nice, sharp copy in an immaculate facsimile dust jacket. Bleiler, Checklist (1978), page 141. Magill, Survey of Modern Fantasy Literature, pages 926-931. Barron, Fantasy Literature 3-250 (“A beautifully written allegory unashamedly celebrating the necessity of enchantment”). Tymn Zahorsky Boyer, Fantasy Literature pages 141-142. Widely considered one of the classic novels of pre-Tolkien fantasy. Bought for $395 plus shipping.
Monteleone, Thomas F. A Little Brown Book of Bizarre Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.
Moorcock, Michael, editor (John Brunner, Roger Zelazny, J. G. Ballard, etc.). New Worlds March 1966, Vol. 49, No. 160. Compact SF, 1966. First edition magazine in the form of a paperback original, a Near Fine copy with slight glue ridging to spine, slight wear at points, a faint, thin line of abrasion down rear cover near outer edge, and a few touches of general wear. Right in the middle of Moorcock’s acclaimed run as editor of New Worlds when it became the epicenter of the New Wave, with a murder’s row of writers in this issue. The Zelazny is the first appearance of the classic “For a Breath I Tarry” (Levack, Stories 69a), and this came from the last purchase of books from Bob Pylant’s Zelazny collection.
Moore, Ward. Caduceus Wild. Pinnacle Books, 1978. First edition paperback original, a Near Fine- copy with one tiny spine crease near front join, bookstore stamp inside, slight rubbing to rear cover, trace of magic marker left over price on front cover (Bestine took care of the rest), and touch of edgewear. Moore’s last novel. Replaces a slightly less attractive copy. Bought for $1.99.
Morlan, A.R. The Cat With The Tulip Face. Pulphouse, 1991. Issue #29.
Morrell, David. Creepers. CDS Books, 2005. First edition hardback, a Fine copy in a Fine, Mylar-protected dust jacket, signed by Morrell. Bought for $8.
Mundy, Talbot. Full Moon. D. Appleton-Century, 1935. First edition hardback (“(1)” on page 312), a very Good copy with slight spotting to top and bottom page block edges (and possibly side, but it’s hard to tell with deckled edges), slight concavity at top of spine, slight bend at head and heel, light foxing to inside covers, and a few penciled notes front and back, in a Very Good dust jacket with shallow chipping at head, heel and points, spine faded, top rear flap corner clipped (but front panel and price intact), wear along front fold edge, slight dust staining to white rear panel, one 1/2″ closed tear to top front and one 1/4″ closed tear to rear bottom, and slight foxing to flaps; not pristine, but nice for the age. Oriental adventure with magic set in India. Grant, Talbot Mundy: Messanger of Deastiny, page 184. Day, Talbot Mundy Biblio, page 5. Bleiler, Checklist (1978), page 145. Bought for $40 at Antiquarian Book Mart in San Antonio.
Murphy, Pat. Rachel in Love. Pulphouse, 1992. Issue #48.
Murray, Charles. Losing Ground: American Social Policy 1950-1980. Basic Books, 1984. Third printing, a Fine- copy in a Fine- dust jacket, with slighting bumping at head and heel, a trace of wear at points, and a touch of surface wear, inscribed by Murray: “To Dr. Harry Schmitt,/with best wishes/Charles Murray/18 July 1986.” (I wonder if this was inscribed to former astronaut and Republican senator Harrison Schmitt.) This is probably the most important book ever written about the American welfare state, in which Murray showed in meticulously researched detail why the welfare state expansions instituted by Lyndon Baines Johnson’s Great Society inflicted lasting economic and social harm to black families in America. Without Losing Ground, the welfare reform act of 1996 never would have happened. It came out back when some Democrats will still willing to look at research and data rather that automatically calling critics of the welfare state racist. Highly recommended. Supplements an unsigned first printing. (I had a second printing inscribed to me that I foolish lent out and never had returned.) Bought for $5.99.
Oates, Joyce Carol. The Bingo Master. Pulphouse, 1992. Issue #41.
Page, Gerald W., editor. The Year’s Best Horror Stories VII. DAW, 1979. First edition paperback original, a Fine- copy with tiny crease to very tip of bottom front corner and a trace of edgewear. Includes stories from Stephen King, Jack Vance, Manly Wade Wellman and Lisa Tuttle, among others.
Piccirilli, Tom A Little Black Book of Noir Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.
Piper, H. Beam. Lord Kalvan of Otherwhen. Garland Publishing, 1975. First hardback edition, a Fine copy, sans dust jacket, as issued. Novel of a modern day state trooper accidentally sucked into an alternate timeline where he uses his knowledge of military tactics and technology (such as the composition of gunpowder) to topple a corrupt theocracy. Part of the Garland Library of Science Fiction, reprinted from slightly blown-up pages from the Ace paperback original. Supplements a PBO first. Bought for £68 plus shipping from a UK seller.
Powers, Tim. The Anubis Gates. Mark V. Ziesing, 1989. First edition thus, part of the signed, limited edition of 500, but lacking a number and a slipcase, a Fine- copy in a Fine- Mylar-protected dust jacket with slight bend at head. Berlyne, A4h.2, who notes that Ziesing says many slipcases were destroyed in a flood. Chalker/Owings (2002), page 1000, who says Ziesing had an overrun of slipcases. Supplements an inscribed PBO first, an inscribed Chatto & Windus first hardback, a slightly flawed copy of the Centipede Press limited edition, and the holograph manuscript copy included in the ultralimited edition of the Berlyne bibliography.
Powers, Tim. Declare. Morrow, 2001. First trade edition hardback (preceded by the Subterranean Press limited edition), a Fine copy in a Fine Mylar-protected dust jacket, signed by Powers. Berlyne, A11b. Supplements a copy of the Subterranean Press limited.
Powers, Tim. Earthquake Weather. Legend, 1997. First edition hardback, a Fine copy (though with the characteristic page darkening for Legend books of this era) in a Fine Mylar-protected dust jacket, signed by Powers. Berlyne, A10a (who notes that reportedly only 800 copies were produced). Replaces an unsigned copy.
Powers, Tim. An Epitaph in Rust. Charnel House 2023. First edition hardback thus, #54 of 200 numbered copies, a Fine copy, sans dust jacket, as issued. Bought from the publisher at the usual discount.
Resnick, Mike. Kirinyaga. Pulphouse, 1992. Issue #58. Just the novelette. Kelleghan, Mike Resnick: An Annotated Bibliography and Guide to His Work A39.
Robinson, Kim Stanley. Black Air. Pulphouse, 1991. Issue #20.
Robinson, Kim. New York 2040. Orbit, 2017. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head and a trace of edgewear. Bought for $9.99.
Romero, George A. and Daniel Kraus. The Living Dead. Short Scary Tales (SST) Publications, 2023. First edition hardback, 322 of 400 copies signed by Suzanne Romero, Daniel Kraus, Vincenzo Natali and Francois Vaillancourt, a Fine copy in a Fine dust jacket. Hefty 736 page original novel set in Romero’s Living Dead universe. Now sold out from the publisher, though I do have one copy available through Lame Excuse Books.
Russell, Eric Frank. Wasp. Avalon Books, 1957. First edition hardback, a Fine- copy with a tiny bit of bend at head and heel in a Fine- dust jacket with one 1/2″ closed tear are top rear head, and tiny bit of wrinkling on bottom front edge near heel, and just the barest traces of dust soiling to an otherwise bright white dust jacket. Military SF adventure novel of a spy sent to a hostile alien planet to bring down the government through psychological and guerilla warfare, like a wasp crashing a car by attacking the driver. Bought from a notable UK dealer for £200 plus shipping.
Sagan, Carl. Contact. Simon and Schuster, 1985. First edition hardback, a Fine- copy with slight bumping at head, slight dust soiling to outer page block, and slight bunting of points, in a Fine- dust jacket with slight bumping at head, slight wear at points, and a trace of staining to blind side. Sagan’s only novel, and the basis of the 1997 film. Bought for $8.49.
Saki (H.H. Munro) (edited by Stuart David Schiff). A Little Red Book of Wit & Shudders. Bands Press, 2023. First edition hardback, #462 of 500 copies signed by Schiff, a Fine copy, sans dust jacket, as issued. I have copies available through Lame Excuse Books.
Sammons, Brian M. Tales From Arkham Sanitarium. Dark Regions Press, 2022. First edition hardback, a Fine- copy in decorated boards with one tiny bump near bottom front corner, sans dust jacket, as issued. Cthulhu Mythos anthology, featuring a few familiar names (Don Webb, W. H. Pugmire, etc.).
Sarrantonio, Al. A Little Yellow Book of Fevered Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.
Schow, David J. Sedalia. Pulphouse, 1991. Issue #25.
Searight, Richard F. The Sealed Casket. The Strange Company, 1975. First edition prose portfolio (wrappers containing loose pages for the story), one of 100 copies, a Fine- copy with a touch of bumping or creasing at the points. Short story from another Lovecraft circle writer, and Hippocampus Press published a volume of their correspondence (combined with Lovecraft correspondence with E. Hoffman Price), one copy of which I have available for sale through Lame Excuse Books.
Selznick, Brian. The Invention of Hugo Cabret. Scholastic Press, 2007. First edition hardback, a Fine copy in a Fine dust jacket. Illustrated young adult novel. Winner of the 2008 Caldecott Medal and basis of the 2011 film Hugo, which I also enjoyed.
Shatner, William (with Chris Kresski). Star Trek Memories. HarperCollins, 1993. First edition hardback, limited issue, one of 4,500 signed, numbered copies, a Fine copy in a Fine slipcase, sans dust jacket, as issued, still in shrinkwrap. Non-fiction memoir of his time on the original Star Trek TV series. Bought for $65, less than cover price and less than a fourth of what it lists for these days.
Sheckley, Robert. Xolotl. Pulphouse, 1991. Issue #3.
Shepard, Lucius. The Ends of the Earth. Arkham House, 1991. First edition hardback, #5 of 100 copies signed and numbered by Shepard, a Fine copy in a Fine dust jacket (with SIGNED sticker on spine). This is a post-first limited that Lucius did himself, much like Greg Bear did his 250 copy limited edition of The Wind From A Burning Woman. Chalker/Owings (2002), page 73 (where he says this edition was sold at $100 a pop). Joshi, Sixty Years of Arkham House 178 (where he doesn’t mention this limited edition). Nielsen, Arkham House Books: A Collector’s Guide 184 (he doesn’t mention this edition either). Supplements an unsigned copy (which I must not have had the last time Lucius came through Austin). Bought for $17.50 plus shipping (which is less than even the original Arkham House cover price).
Shiner, Lewis. More Collected Stories. Subterranean Press, 2023. First edition perfect bound chapbook, a Fine copy, in publisher’s plastic bag. Six stories Lew has published since Subterranean’s Collected Stories. Bought from the publisher.
Shiner, Lewis. Twilight Time. Pulphouse, 1991. Issue #30.
Silverberg, Robert. Monsters and Things. PS Publishing, 2023. First edition hardback, #100 of 100 signed, numbered copies in decorated boards signed by Silverberg, editor Stephen Jones, and illustrator Randy Brocker, a Fine copy in a Fine dust jacket and a Fine slipcase, with erratum sheet laid in noting that one of these stories (many of them written under pseudonyms) actually was from Donald Westlake writing as Richard Stark. Oops! Already sold out from the publisher. I will have a small number of these available in the next Lame Excuse Books catalog.
Silva, David B. A Little White Book of Lies. Borderlands Press, 2005. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.
(Sime, Sydney H.) Skeeters, Paul W. (introduction by Ray Bradbury). Sidney H. Sime: Master of Fantasy. Ward Ritchie Press, 1978. First edition hardback, #178 of 200 copies signed by Skeeters and Bradbury, a Fine copy, sans dust jacket, as issued. Art book featuring Sime’s illustration work. This was a pleasant surprise, as I thought it was just a trade hardback lacking the dust jacket, but it’s actually the limited edition signed by Ray Bradbury, which alone is worth just shy of what I paid for the entire lot. Chalker/Owings, page 1072 (not a listing for the book, but a description of the post-publication dust jacket for the limited edition that George Locke printed up). Supplements a copy of the unsigned trade paperback edition.
Simmons, Dan. Entropy’s Bed at Midnight. Lord John Press, 1990. First edition hardback, #93 of 100 signed, limited copies, a Fine copy, sans dust jacket, as issued, in a Fine slipcase. Reginald, Science Fiction and Fantasy Literature, 1975-1991 33966 (but not this state). Supplements a signed, non-slipcased 1/300 edition.
Sloca, Sue Ellen. Candles on the Pond. Pulphouse, 1992. Issue #59. As far as I can tell, this is her only publication anywhere.
Smith, Clark Ashton. Seer of the Cycles. CASiana Literary Enterprises (i.e., Roy A. Squires), 1976. First edition chapbook, #223 of 325 copies, a Fine copy in a slightly worn printed envelope that’s starting to split at the top fold. Fifth volume in the Second Series of Fugitive Poems (Xiccarph Edition). Joshi/Schultz/Connors, Clark Ashton Smith: A Comprehensive Bibliography, I.A.38 (for the Fugitive Poems: Second Series as a whole). Not in Currey. I also have Titans in Tartarus from this series. Bought off eBay for $35.
Smith, Clark Ashton (Scott Connors and Ron Hilger, editors). The Miscellaneous Writings of Clark Ashton Smith. Night Sahde Books, 2011. First edition hardback, a Fine copy in a Fine dust jacket. I already had the five volume collected fantasies, but somehow never picked this one up, perhaps because Night Shade was so horrible at fulfillment. Bought for $14.99.
Somtow, S. P. Fiddling for Waterbuffaloes. Pulphouse, 1992. Issue #47.
Stableford, Brian. Slumming in Voodooland. Pulphouse, 1991. Issue #26.
Straub, Peter. A Little Blue Book of Rose Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.
Swanwick, Michael. The Best of Michael Swanwick Volume Two. Subterranean Press, 2023. First edition hardback, #204 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag, with a Subterranean bookmark laid in. Supplements the first volume Subterranean did back in 2008. I have copies of this available through Lame Excuse Books.
Swanwick, Michael. Brief Essays on Genre. Dragonstairs Press, 2023. First edition chapbook original, #10 of 75 signed, numbered copies, a Fine copy. 25 brief essays on genre fiction. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.
Swanwick, Michael. Red Fox, Blue Moon. Dragonstairs Press, 2023. First edition chapbook original, #64 of 69 signed, numbered copies, a Fine copy. Vignettes about a fox, inspired by a fox that visited Swanwick’s backyard. “This is the story of how she saved the world. Well, her world.” I have copies of this available through Lame Excuse Books.
Swanwick, Michael. Transits of Venus. Dragonstairs Press, 2023. First edition chapbook original, #28 of 36 signed, numbered copies, a Fine copy with interlocking geometric pattern cover (there were also floral pattern versions). I have one copy this available through Lame Excuse Books.
Swanwick, Michael. The Vinter’s Guide to Remarkable Wines. Dragonstairs Press, 2023. First edition chapbook original, #36 of 55 signed, numbered copies, a Fine copy. Collection of vignettes around wine themes. I have copies of this available through Lame Excuse Books.
Swanwick, Michael. Winter Songs. Dragonstairs Press, 2022 (not offered for sale until 2023). First edition chapbook original, #37 of 115 copies, a Fine copy. I will have copies of this available in the next Lame Excuse Books catalog.
Tiptree, James Jr. (Alice Sheldon). The Voice That Murmurs in the Darkness. Subterranean Press, 2023. First edition hardback, #389 of 1,000 numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Includes out of print and previously uncollected work, including the essay “How to Have An Absolutely Hilarious Heart Attack” and the story “Beam Us Home.”
Thorburn, Wayne. Red State: An Insiders Story of How the GOP Came to Dominate Texas Politics. University of Texas Press, 2014. First edition hardback, a Fine copy in a Fine-dust jacket with just a touch of wear, signed by Thorburn. This is an interesting book that describes (among other things) how leftists deliberately drove conservatives and moderates out of the Texas Democratic Party so they could control it. Of course, they expected voters would simply keep voting for Democrats, but that didn’t happen. Recommended. Bought for $7. Replaces an unsigned copy.
Vance, Jack. The Languages of Pao and The Dragon Masters. The Vance Integral Edition, 2002. First edition hardback, a Fine copy, sans dust jacket, as issued. The first edition restoring Vance’s original texts. This was bought from a collector as part of a small Jack Vance lot. I think I could have bought this for $32 at the time, but having paid for the VIE itself (a considerable chunk of change), I didn’t want to spend more for work that would later be included in the complete VIE anyway. Chalker/Owings (2002), page 946, which states there were 500 copies of this volume produced, but it seems a bit rarer than that. Also, I finally had a chance to add the proof dust jacket I bought back in 2020.
Vance, Jack. Night Lamp. Tor, 1996. First edition hardback (precedes the Underwood Books edition), a Fine copy in a Fine dust jacket, signed by Vance. Cunningham, 61a. Supplements the Underwood Books limited edition.
Vance, Jack. The Space Pirate. Toby Press, 1953. First edition trade paperback original (no statement of printing, as per Currey), a Fine- copy with a bare trace of dust soiling/age darkening to rear cover, plus the usual age darkening to pages; all but perfect, and far and away the nicest copy I’ve seen. Vance’s second novel. Hewett, A2. Cunningham, B.75.a. Currey, page 500. Supplements a signed but less attractive copy. Bought for $12 from Recycled Books in Denton.
(Vance, Jack) Hewitt, Jerry, and Daryl F. Mallett. The Work of Jack Vance: An Annotated Bibliography & Guide. Borgo Press/Underwood -Miller, 1994. First edition hardback, #121 of 200 numbered copies signed by Vance, introduction author Robert Silverberg, Hewett and Mallett, a Fine copy, sans dust jacket, as issued, in a Fine- slipcase with a bump to the top rear that I probably inflicted myself. The definitive Vance bibliography. Supplements a trade copy. Hewitt, M166 (yes, a reference to the book in the book itself). Cunningham E.2. Jerry tells me that Mallett was actually the editor rather than co-compiler, and on my trade copy he’s crossed out “Borgo” and written in “Bozo” on the title page. I sense some tension there…
(Vance, Jack) Temianka, Dan. The Jack Vance Lexicon: From Ahuloh to Zipahgote. Underwood-Miller, 1992. First edition hardback, #87 of 200 numbered copies signed by Vance and Temianka, a Fine- copy with a slight bit of bend at heel, sans dust jacket, as issued, in a Fine slipcase. Just what it says, a Lexicon of Vancian vocabulary. Supplements a trade copy. Hewitt, M163. Cunningham I.3.
(Vance, Jack) Levack, Daniel J. H. and Tim Underwood. Fantasms: A Bibliography of the Literature of Jack Vance. Underwood-Miller, 1978. First edition trade paperback original (simultaneous with a much smaller hardback run), one of 900 copies, a Fine- copy with slight bumping to points, signed by Jack Vance. The first serious, professional bibliography of Vance’s work. Hewett, M47. Cunningham, E1. Stephensen-Payne/Benson, M3.
(Vance, Jack) Stephensen-Payne, Phil and Gordon Benson, Jr. Jack Vance: A Fantasmic Imagination (2nd Revised Edition) A Working Bibliography. Galactic Central, no date (but 1990). First edition of one-sided brad-bound sheets, either Fine- (for the condition of the sheets), with a two penciled notes at bottom of front page, or Very Good+ is you count the wrinkled condition of the Duotang thin cardstock brad binder, but it is unreasonable to expect such to last decades in pristine condition. Back before the rise of Internet bibliographies, a number of projects were started to make comprehensive science fiction bibliographies. (Willie Siros was involved in one, until he said he hit the undocumented limit of many-to-many links in the Macintosh 4D database software.) Galactic Central was one project working on an author-by-author basis, this being the 28th in a series that eventually reached 58 before petering out. Hewitt, M152. (He states that Borgo Press even did a hardback of this! I’ve never seen one.) Not in Cunningham.
(Vance, Jack). Rawlins, Jack. Demon Prince: The Dissonant Worlds of Jack Vance. Borgo Press, 1986. First edition hardback (plasticized boards), a Fine copy with “KATER-BOUND” sticker to rear cover (presumably as issued). Critical companion to the works of Jack Vance. Depending on the title, Borgo either did plasticized boards with the trade paperback encased, or cloth with the cover of the trade paperback pasted to the front; this is one of the former. I can’t recall ever seeing any copy of this title before, much less the hardback variant. Hewett, M.126. Cunningham, F.2.
(Vance, Jack) Jean Luc Esteban. Jack Vance: Works published in PULPS magazines 1945-1975. LuLu, 2023. First edition (POD) hardback, a Fine copy in decorated boards, sans dust jacket, as issued. An odd reference work, showing the full-color cover illustrations, title pages, first few story pages, and interior black and white illustrations, for every story Jack Vance published in pulp magazines for the covered period. (Never mind that by the 1970s, the magazines publishing Jack Vance weren’t pulps and hadn’t been for some time.) Sort of an strange work, with high production values (all the page are slick stock, not just the ones for the color illustrations) and odd editorial choices (the Table of Contents is at the rear, and there are a lot of pages left unnecessarily blank). Also, there is no magazine or illustrator index. But buying this is a whole lot less expensive than tracking down every single issue covered. If this is the sort of reference work you think you need, then you need it, and if you don’t, you don’t. Note also that there are four slightly variant titles this could be known under: the spine says Jack Vance in Pulps 1945-1975, the front cover says Jack Vance in Pulps First issues 1945-1975, the half-title page says Jack Vance Pulps Editions 1945-1975, and the title page says Jack Vance: Works published in PULPS magazines 1945-1975. Yeah, the book could have used an editor…
(Vance, Jack) Parmentier, Gregg. The Vance Phile issues 1 through 6. First edition center-stapled fanzine originals, each #5 of 30 copies, signed by Parmentier (and sometimes other contributors), each a Fine copy. Fanzines full of interesting articles from Vance fans, from reprints of rare Vance works to a lot of bibliographic updates (include some from Jerry Hewett to his Vance bibliography). Strangely, I’ve been on a private Vance collector’s list with Gregg for decades now, but I believe I started getting those only after his period of publishing these, so I never heard about it. There was evidently an Issue 7 I’m still trying to track down a print copy of.
(Vance, Jack) George L. Mina, editor. Cosmopolis: a nexus for the admirers of of the works of Jack Vance. George L. Mina, 1988. First edition comb-bound with clear plastic covers fanzine original, a Fine copy, with letters from Mina and L.W. Currey laid in. Fanzine miscellanea related to Vance, including Vance’s essay “The Symbol,” which according to Hewett (D20) is its only appearance. Hewett, M140 (which notes a total of 75 copies: 12 copies with hand-colored illustrations for contributors and 63 copies with uncolored illustrations (this edition) for subscribers). Not to be confused with the later newsletter of the same name published by the Vance Integral Edition project.
(Vance, Jack) Offut, Robert Jr. The Many World of Jack Vance Vol. 1 No. 1 Spring 1977. First edition fanzine original, #185 of 300 numbered copies, a Near Fine+ copy with a touch of staining along staple fold edge, signed by Vance. Includes an appreciation by Poul Anderson, a lengthy interview by Tim Underwood, and some bibliographic material. Hewett, M31a.
(Vance, Jack) Robert Offutt Jr., editor. The Many Worlds of Jack Vance & The Horns of Elfland. Robert Offutt Jr., 1978. First edition illustrated fanzine, a Fine- copy with a couple of small spots of dust staining to rear, signed by Vance. Features Vance’s “The Secret,” the first chapter of an illustrated adaptation of The Eyes of the Overworld, etc. Second (and last) volume of an illustrated, semiprozine quality publication dedicated to Vance’s work (though the cover illustration, “Boromir’s Fall,” is obviously from The Lord of the Rings). Chock-full of illustrations from Rod Whigham, who later did a great deal of comic book work. Hewett, M31b, who notes there were 1,000 copies of this printed. Replaces an unsigned and less attractive copy.
(Vance, Jack) V-Con [7] Program Book. V-Con 7, 1979. First edition program chapbook original (10 3/4″ tall by 8 1/4″ wide), a Fine- copy with just a tiny bit of fading to the stapled spine edge, signed by Vance. Program books for a 1979 convention in Vancouver, British Columbia, where Jack Vance was Guest of Honor (and Frank Herbert Toastmaster).
(Vance, Jack) (Tim Underwood and Chuck Miller, unlisted editorsThe Book of the Sixth World Fantasy Convention. Underwood/Miller, 1980. First edition hardback, one of 1000 copies, a Fine- copy, with slight bumping at head and heel, sans dust jacket, as issued, with pocket program and card for the convention laid in. World Fantasy Convention where Jack Vance was Guest of Honor. Hewett, M88.
(Vance, Jack) Laws, Robin D. The Kaain Player’s Guide: A Supplement for the Dying Earth RPG. Pelgrane Press, 2002. First edition (“First printing June 2002”) trade paperback original, a Fine copy. Supplement for the Dying Earth RPG. My role-playing game days are long behind me, and I haven’t really made a point of picking up RPG stuff for authors I collect, but this was cheap, and I have some books from the Amber Diceless RPG I haven’t cataloged yet from the last Bob Pylant purchase. Now I just need to find a place to put them…
Wagner, Karl Edward. Where the Summer Ends. Pulphouse, 1991. Issue #31.
Wagner, Karl Edward, and David Drake. Killer. Baen Books, 1985. First edition paperback original, a Near Fine- copy with slight spine creasing, edgewear, and foxing to insider covers. Hunting an alien killer in ancient Rome. Bought for $1.49.
Waldrop, Howard (George R. R. Martin and Bradley Denton, editors). H’ard Starts. Subterranean Press, 2023. First edition hardback, #414 of 750 numbered copies signed by Waldrop, Martin and Denton. Collection of early, rare Waldrop stories from a wide variety sources, including a 25 copy self-published story from 1966! (I have a copy and provided George with the text.) Available through Lame Excuse Books. My memorial to Howard can be found here.
Wallace, Edgar (Stephen Jones, editor). Kong: An Original Screenplay. PS Publishing/Electric Dreamhouse, 2023. First edition hardback, a Fine copy in a Fine dust jacket. The original screenplay for King Kong, which evidently differs considerably from the final film. Slightly oversized (10 1/2″ high) and profusely illustrated, with a good 90 pages of notes from Jones, who worked from “Wallace’s personal copy of his original draft script with his own corrections and interpolations” plus “a boys’ story-paper adaptation of the film, preliminary production stills and art-work, and a colour portfolio of King Kong posters from around the world.” A couple of production sketches are from the lost spider pit scene.
Wells, H. G. The Country of the Blind and Other Stories. Thomas Nelson and Sons, no date (but 1911). First edition hardback (as per Currey), a Very Good copy with a dime-sized, light black dot to center of front cover, slight wear to bottom boards, slight wear at tips, head and heel and small “Fiction ● 1855” written in two different colors of ink (black and blue) at the top of the inside front cover and check-marks and red underlining on table of contents, five lines of penciled bookseller notes on the back of the color frontispiece page, and a few other touches of wear, lacking the rare dust jacket. Short story collection, including five previously uncollected stories. Scheck and Cox, H. G. Wells: A Reference Guide, page XXV, which lists the five stories first published in book form here as “A Vision of Judgment,” “The Empire of the Ants,” “The Door in the Wall,” “The Beautiful Suit,” and “The Country of the Blind.” H. G. Wells: A Comprehensive Bibliography 42. Currey, page 517. Bleiler (1978), page 205. Oddly enough, Locke’s A Spectrum of Fantasy page 225 lists five different editions of The Country of the Blind, but not this true first.
Wells, H. G. The First Men in the Moon. George Newnes, Limited, 1901. First UK hardback edition (and first edition with complete text), second state binding (white rather than black endpapers, as per Currey), a Very Good copy with a 1 1/2″ x 3/4″ slight abrasion/rub to front cover, wear at head, heel and points and along spine, with small W.H. Smith blindstamp and inscription “M. G. Walkin-Graves/from K.M.K, J.H.A.H/Jan. 25. 1904” and price and “BL 1705” on front free endpaper, along with a large rectangle of light foxing there and a similar rectangle on rear free endpaper. His novel (possibly the first) of man landing on the moon, plus the Selenite civilization they find there. Filmed at least three times, most famously in 1964. H. G. Wells: A Comprehensive Bibliography 18. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Williamson, H. G. Wells: Critic of Progress, pages 111-119. Currey, page 518. Locke, A Spectrum of Fantasy, page 226. Locke, Science Fiction First Editions, page 56. Locke, Voyages in Space 208.Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. 333, page 68. Anatomy of Wonder 4 1-98. Magill, Survey of Science Fiction, pages 782-785.
Wells, H. G. The Food of the Gods and How It Came to Earth. Macmillan and Co., Limited, 1904. First edition hardback, first state (Currey A) binding (green cloth with cover lettered in gold, top edge in gilt) in first issue (Currey (1) state (16 page catalog at rear dated 20.7.04)), a Very Good+ copy with wear along bottom boards, at head, heel and points, and just a trace of foxing to insider covers, with PRESENTATION COPY blindstamp on title page and inscribed and initialed by Wells: “Henry Newbolt/ 26 [August? Sept?] 1904/[line]/from H.G.W.” The signature matches examples online of Wells’ signing with just initials. Newbolt was a writer and poet contemporary of Wells, with one fantasy novel, Aladore, to his name. On page 761 of Experiment in Autobiography, Wells stated that Newbolt was a member of his club the “Coefficients,” a Fabien Socialist dining club.
The exact same copy previously sold in an earlier Heritage Auction for $1,625, coming from the John McLaughlin/Book Sail Collection. They obviously did not check carefully enough to see that it had come back to them in this lot, as there was no indication that any of the books in that lot were signed. And the earlier listing didn’t mention the “Coefficients” connection.
H. G. Wells: A Comprehensive Bibliography 24. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Williamson, H. G. Wells: Critic of Progress, pages 39-43. Parrinder, H.G. Wells: The Critical Heritage, pages 103-109. Currey, page 519. Locke, A Spectrum of Fantasy, page 226. Locke, Science Fiction First Editions, page 56. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. 333, page 68. Anatomy of Wonder 4 1-99. Magill, Survey of Science Fiction, pages 807-812. Heritage Rare Book Auction ##6094 catalog, page 115 (this copy).
Wells, H. G. In the Days of the Comet. Macmillan and Company Limited, 1906. First edition hardback, (Currey B) state, with “PRINTED BY/WILLIAM CLOWES AND SONS, LIMITED/LONDON AND BECCLES” and publisher’s catalog dated “20.8.06” at rear, which was the first issued edition (only one copy of Currey (A) known to exist, that being the British Library deposit copy, which Locke (see below) believes to be a bound proof rather than a true first printing), a Very Good copy with slight abrasion above title on front cover, slight bumping at head, heel and points, slight wear along bottom boards and along top front spine join and near outer board edges on point, slight foxing to inside covers, and bookseller pencil notices to FFE and inside front cover, with a letter from Bertram Rota, London bookseller, to a Lawrence Davern Esq. of Washington, D.C., discussing the first edition points of the title. Locke, Science Fiction First Editions, pages 56-57 and pages 94-96 (and this is the reference Currey cites). Currey, pages 519-520. H. G. Wells: A Comprehensive Bibliography 27. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Parrinder, H.G. Wells: The Critical Heritage, pages 133-145. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.
Wells, H. G. The Island of Dr. Moreau. William Heinemann, 1896. First edition hardback (Currey A binding, publisher’s monogram stamped in blind on rear cover, with Currey (2) (no priority) catalog state (32 page catalog starting with The Manxman and ending with Out of Due Season)), a Very Good copy with soiling along the spine, top and outer edges and head, and rounded points. Currey, 520. H. G. Wells: A Comprehensive Bibliography 8. Williamson, H.G. Wells: Critic of Progress, pages 74-82. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Parrinder, H.G. Wells: The Critical Heritage, pages 43-62. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Barron, Anatomy of Wonder 4 1-100. Magill, Survey of Science Fiction Literature, pages 1079-1083.
Wells, H. G. The Plattner Story and Other Stories. Methuem & Co., 1897. First edition hardback (no statement of printing on copyright page, and 40 page catalog (in this case with most of the leaves unopened) dated March 1897 inserted at rear, as per Currey), a Very Good copy with spine significantly darkened, a bit of bumping to tips, and slight spots of dark staining to front boards, with previous owner having written “Ellis Parker/1905” on the front free endpaper (there was a famous American detective by that name, but I can’t find any examples of his signature online to compare), with a sales slip from Nigel Williams Rare Books to Gary Munson laid in (he paid $540 after discount). Wells’ second short story collection. Currey, 522. H. G. Wells: A Comprehensive Bibliography 10. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Parrinder, H.G. Wells: The Critical Heritage, pages 43-62. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.
Wells, H.G. The Sea Lady: A Tissue of Moonshine. Methuen & Co., 1902. First edition hardback (red cloth stamped in gold and 40 page catalog dated JULY 1902, as per Currey), a Near Fine- copy with spine slightly darkened and corners slightly bumped, but all gilt lettering present, with 4 1/2″ x 1″ catalog listing slip rectangle from 1979 pasted in just at the very top of the inside front cover, rear gutter starting, tiny bit of separation to front gutter, foxing to second front free endpaper, and trace of foxing to front free endpaper gutter, otherwise a very nice, attractive copy. Novel about a mermaid who comes ashore in England with a desire to join high society. One of Wells’ less reprinted novels. Currey, page 522. H. G. Wells: A Comprehensive Bibliography 10. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.
Wells, H. G. The Stolen Bacillus and Other Incidents. Methuen and Co., 1895. First edition hardback (no statement of printing and publisher’s catalog at rear dated SEPTEMBER 1895, as per Currey), a Very Good copy with bumps to top and bottom boards (most slight, one with a dime-sized bumped area to front boards), bumping and creasing to head and heel, points slightly bumped, and partial cracking to front and rear hinges, with picture postcard of H. G. Wells laid in. His first book of short stories. Wells’ sixth published book and first short story collection. Currey, 523. H. G. Wells: A Comprehensive Bibliography 6. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. P Locke, A Spectrum of Fantasy, page 225 (not a listing, but a mention that he had traded away the only acceptable and affordable copy he had run across). Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Bleiler, The Guide to Supernatural Fiction 1674 for “The Temptation of Harringay” and “The Moth.”
Wells, H. G. The War in the Air, and Particularly How Mr. Bert Smallways Fared While It lasted. George Bell and Sons, 1908. First edition hardback, first issue binding (Currey A, with lettering on front cover in and spine in gilt, GEORGE BELL & SONS at base of spine), a Very Good copy with slight spine creasing, a split at heel, three small splits at head, slight wear to bottom boards, wear along spine edges, trace of wear at points, light foxing blocks to front and rear free endpapers, and frontispiece tissue guard present, with sales slip to Gary Munson laid in. Novel that anticipated aerial warfare. Currey, page 526. Locke, Science Fiction First Editions, page 58 and pages 93-94. H. G. Wells: A Comprehensive Bibliography 36 (“two pages of ads,” check). Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Clarke, Voices Prophesying War (new edition), pages 88-89. Locke, A Spectrum of Fantasy, page 227-228. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Barron, Anatomy of Wonder 4 1-104. Magill, Survey of Science Fiction Literature, pages 2407-2410.
Wentworth, Jim. Giants in the Earth: Ray Palmer, Oahspe and the Shaver Mystery. Palmer Publications, 1973. First edition? (no additional printings mentioned) trade paperback original, a Near Fine- copy with one tackhead-sized chip at the end of a crease to top front corner and slight wear at points, otherwise a fairly nice copy. Mishmash of Shaver Mystery, spiritualism, UFOs, Shaver’s “rock books,” and a dozen other fringe ideas, mostly taken from Palmer’s publications. Not in Kafton-Minkel or Standish.
White, Edward Lucas. A Little Green Book of Grue. Borderlands Press, 2023. First edition hardback, #462 of 500 signed, numbered copies, a Fine copy. A shame they didn’t make it a little white book of some sort…
Whitehead, Henry S. (Thomas Tessier, editor). A Little Orange Book of Voodoo Tales. Borderlands Press, 2023. First edition hardback, #462 of 500 numbered copies signed by the editor, a Fine copy, sans dust jacket, as issued. Five stories, two of which (“Jumbee” and “West India Lights”) were the title stories of his two Arkham House collections. Weirdly, this book has about 130 pages of text, then another 30 numbered but blank pages at the back. I have copies of this available through Lame Excuse Books.
Wilhelm, Kate The Girl Who Fell Into the Sky. Pulphouse, 1991. Issue #9.
Williams, Walter Jon. Dinosaurs. Pulphouse, 1991. Issue #18.
Williamson, Chet. A Little Blue Book of Bibliomancy. Borderlands Press, 2016. First edition hardback, #456 of 500 signed, numbered copies, a Fine copy. Bought off eBay for $14.06.
Willis, Connie. Daisy, in the Sun. Pulphouse, 1991. Issue #33. Tiny rub on spine.
Wilson, F. Paul. The Peabody-Ozymandias Traveling Circus & Oddity Emporium. Necessary Evil Press, 2007. First edition hardback, a Fine copy in a Fine- dust jacket with a 3/4″ closed tear to bottom front near spine. Bought for $30 from a Half Price Books location in the Metroplex.
Wilson, F. Paul. A Little Beige Book of Nondescript Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.
Wilson, F. Paul. The Shade of Lo Man Gong. Pulphouse, 1991. Issue #35.
Wilson, F. Paul. Buckets. Pulphouse, 1991. Issue #36.
Wolfe, Gene. The Dead Man and Other Horror Stories. Subterranean Press, 2023. First edition hardback, #870 of 1,000 numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Now out of print from the publisher.
Wolfe, Gene. The Hero as Werewolf. Pulphouse, 1991. Issue #40. This is one I did actually need, and I still need the hardback version.
Wong, David (pseudonym of Jason Pargin). Futuristic Violence and Fancy Suits. St. Martin’s, 2015. First edition hardback, a Fine copy in a Fine- dust jacket with one tiny wrinkle at heel and a trace of wear at top points. Bought for $13.49.
Wu, William F. Shaunessy Fong. Pulphouse, 1992. Issue #60. Has some slight rubbing along front near spine. Last in the Short Story Paperbacks series.
Yarbro, Chelsea Quinn. The Spider Glass. Pulphouse, 1991. Issue #16.
Yolan, Jane. The Sword and the Stone. Pulphouse, 1991. Issue #27.
Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth. Pulphouse, 1991. Issue #13. Not to be confused with the short story collection of the same name. I needed this for my Zelazny collection.
Tags:Avram Davidson, Books, Charles de Lint, Clark Ashton Smith, David Brin, F. Paul Wilson, Gene Wolfe, George R. R. Martin, Greg Bear, H. G. Wells, H. P. Lovecraft, Jack Vance, James Aquilone, James P. Blaylock, Joe Haldeman, Joe R. Lansdale, John Brunner, Karl Edward Wagner, Lewis Shiner, Michael Swanwick, Neil Gaiman, R. A. Lafferty, Ray Bradbury, Robert Bloch, Samuel R. Delany, Stephen King, Subterranean Press, Tim Powers, Woody Allen
Posted in Books, Fantasy, Horror, Science Fiction | No Comments »
Thursday, January 4th, 2024
Four books, three from the publisher, three signed.
Shiner, Lewis. More Collected Stories. Subterranean Press, 2023. First edition perfect bound chapbook, a Fine copy, in publisher’s plastic bag. Six stories Lew has published since Subterranean’s Collected Stories for him. Bought from the publisher.
Swanwick, Michael. Winter Songs. Dragonstairs Press, 2022 (not offered for sale until 2023). First edition chapbook original, #37 of 115 copies, a Fine copy. I will have copies of this available in the next Lame Excuse Books catalog.
Whitehead, Henry S. (Thomas Tessier, editor). A Little Orange Book of Voodoo Tales. Borderlands Press, 2023. First edition hardback, #462 of 500 numbered copies signed by the editor, a Fine copy, sans dust jacket, as issued. Five stories, two of which (“Jumbee” and “West India Lights”) were the title stories of his two Arkham House collections. Weirdly, this book has about 130 pages of text, then another 30 numbered but blank pages at the back. I have copies of this available through Lame Excuse Books.
Wilson, F. Paul. The Peabody-Ozymandias Traveling Circus & Oddity Emporium. Necessary Evil Press, 2007. First edition hardback, a Fine copy in a Fine- dust jacket with a 3/4″ closed tear to bottom front near spine. Bought for $30 from a Half Price Books location in the Metroplex.
Tags:Borderlands Press, Dragonstairs Press, F. Paul Wilson, Fantasy, Half Price Books, Henry S. Whitehead, Horror, Lewis Shiner, Michael Swanwick, Necessary Evil Press, Subterranean Press
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Thursday, December 14th, 2023
When Pulphouse first unveiled the short story paperback, I remember thinking “That’s stupid.” For all they bragged about “buying a single story for $1.95,” you could buy an entire issue of Asimov’s (with 5-10 times as much content) for $2.50. And, indeed, they were not swift sellers. Though a few of these (the Wolfe, the Lansdales, etc.) became slightly collectable over the years. (And a few of the companion Short Story hardbacks even more so.)
But I bough these from that same collector culling his collection for $1 each.
Almost all of these are paperback originals thus (though some of these have previously shown up as the title stories in collections, like Bloch’s Yours Truly, Jack the Rapper or Zelazny’s The Doors of His Face, The Lamps of His Mouth), though exceptions (like Blaylock’s Paper Dragons) are noted. Some of the early ones (“Loser’s Night,” “Xolotl”) are the first publication anywhere, but most of the stories have appeared somewhere previously. Unlike most Library Addition entries, these will be listed by series order rather than alphabetical by author.
All of these are Fine copies unless otherwise noted.
“Author, J.Q.” Issue Zero. Pulphouse, 1991. Issue #0, a binding dummy for the entire run of the series, with bank pages. Would never have bought this on it’s own, but since I was buying the entire thing I got this too. This one has a tiny bit of edgewear on rear spine join.
Anderson, Poul. Loser’s Night. Pulphouse, 1991. Issue #1.
Brunner, John. A Case of Painters Ear. Pulphouse, 1991. Issue #2.
Sheckley, Robert. Xolotl. Pulphouse, 1991. Issue #3.
Boston, Bruce. All the Clocks are Melting. Pulphouse, 1991. Issue #4.
Antieau, Kim. Blossoms. Pulphouse, 1991. Issue #5.
Friesner, Esther M. Ecce Hominid. Pulphouse, 1991. Issue #6.
Duchamp, L. Timmel. A Case of Mistaken Activity. Pulphouse, 1991. Issue #7.
Bryant, Edward. The Cutter. Pulphouse, 1991. Issue #8.
Wilhelm, Kate The Girl Who Fell Into the Sky. Pulphouse, 1991. Issue #9.
Bloch, Robert. Yours Truly, Jack The Ripper. Pulphouse, 1991. Issue #10. Not to be confused with the short story collection of the same name.
Lansdale, Joe R. The Steel Valentine. Pulphouse, 1991. Issue #11. Isajanko, The World Lansdalean C01.a.i. Supplements another copy and a Short Story Hardback version.
Bishop, Michael. The Quickening. Pulphouse, 1991. Issue #12.
Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth. Pulphouse, 1991. Issue #13. Not to be confused with the short story collection of the same name. I needed this for my Zelazny collection.
Haldeman, Joe. More Than The Sum of His Parts. Pulphouse, 1991. Issue #14.
Clemence, Bruce No Way Street. Pulphouse, 1991. Issue #15. Guy had this, and a story in Synergy 3, and that was it…
Yarbro, Chelsea Quinn. The Spider Glass. Pulphouse, 1991. Issue #16.
de Lint, Charles. Uncle Dobbin’s Parrot Fair. Pulphouse, 1991. Issue #17. One of the harder titles to find.
Williams, Walter Jon. Dinosaurs. Pulphouse, 1991. Issue #18.
Charnes, Suzy McKee. Listening to Brahms. Pulphouse, 1991. Issue #19.
Robinson, Kim Stanley. Black Air. Pulphouse, 1991. Issue #20.
Etchison, Dennis. The Dark Country. Pulphouse, 1991. Issue #21. Not to be confused with the short story collection of the same name.
Aldiss, Brian W. Journey to the Goat Star. Pulphouse, 1991. Issue #22. Tiny bit of rubbing along spine.
Brin, David. Piecework. Pulphouse, 1991. Issue #23.
Caraker, Mary. I Remember, I Remember. Pulphouse, 1991. Issue #24.
Schow, David J. Sedalia. Pulphouse, 1991. Issue #25.
Stableford, Brian. Slumming in Voodooland. Pulphouse, 1991. Issue #26.
Yolan, Jane. The Sword and the Stone. Pulphouse, 1991. Issue #27.
Fowler, Karen Joy. The War of the Roses. Pulphouse, 1991. Issue #28.
Morlan, A.R. The Cat With The Tulip Face. Pulphouse, 1991. Issue #29.
Shiner, Lewis. Twilight Time. Pulphouse, 1991. Issue #30.
Wagner, Karl Edward. Where the Summer Ends. Pulphouse, 1991. Issue #31.
Lee, Tanith. Into Gold. Pulphouse, 1991. Issue #32.Tiny rub on spine.
Willis, Connie. Daisy, in the Sun. Pulphouse, 1991. Issue #33. Tiny rub on spine.
Bell, M. Shayne. Inuit. Pulphouse, 1991. Issue #34.
Wilson, F. Paul. The Shade of Lo Man Gong. Pulphouse, 1991. Issue #35.
Wilson, F. Paul. Buckets. Pulphouse, 1991. Issue #36.
Martin, George R. R. The Pear-Shaped Man. Pulphouse, 1991. Issue #37.
Butler, Octavia. The Evening and the Morning and the Night. Pulphouse, 1991. Issue #38. Holy moley, the prices on this online are crazy. The prices for the signed hardback I can at least sort of understand, since Butler died young, but the prices for unsigned copies like this are still crazy. I had no idea.
Dozois, Gardner. The Peacemaker. Pulphouse, 1991. Issue #39. Supplements a copy of the Short Story Hardback edition.
Wolfe, Gene. The Hero as Werewolf. Pulphouse, 1991. Issue #40. This is one I did actually need, and I still need the hardback version. Also, this is the last one from 1991. Pulphouse put out 40 of these in 1991. This is called “channel stuffing.” I wasn’t dealing books at the time, but I’m pretty sure SF/F/H dealers were not thrilled at this tsunami of small press books of dubious sales-worthiness.
Oates, Joyce Carol. The Bingo Master. Pulphouse, 1992. Issue #41.
Effinger, George. Schrodinger’s Kitten. Pulphouse, 1992. Issue #42. Supplements the hardback version.
Bear, Greg. Sisters. Pulphouse, 1992. Issue #43.
Holder, Nancy. The Ghosts of Tivoli. Pulphouse, 1992. Issue #44.
Brin, David. Dr. Pak’s Preschoool. Pulphouse, 1992. Issue #45. Supplements a copy of the Cheap Street edition (which precedes).
Lansdale, Joe R. Tight Little Stitches in a Dead Man’s Back. Pulphouse, 1992. Issue #46. Isajanko, The World Lansdalean C03.a.i. Supplements a copy of the Short Story hardback version.
Somtow, S. P. Fiddling for Waterbuffaloes. Pulphouse, 1992. Issue #47.
Murphy, Pat. Rachel in Love. Pulphouse, 1992. Issue #48.
Card, Orson Scott. Unaccompanied Sonata. Pulphouse, 1992. Issue #49.
Le Guin, Ursula K. Nine Lives. Pulphouse, 1992. Issue #50.
Bloch, Robert. The Skull of the Marquis de Sade. Pulphouse, 1992. Issue #51.
de Lint, Charles. Merlin Dreams in the Mondream Wood. Pulphouse, 1992. Issue #52.
Kress, Nancy. The Price of Oranges. Pulphouse, 1992. Issue #53.
Busby, F.M. If This Is Winnetka, You Must be Judy. Pulphouse, 1992. Issue #54.
Cadigan, Pat. My Brother’s Keeper. Pulphouse, 1992. Issue #55.
Bryant, Edward. The Thermals of August. Pulphouse, 1992. Issue #56.
Blaylock, James P. Paper Dragons. Pulphouse, 1992. Issue #57. A few small rubs along spine. Supplements a copy of the Axolotl Press hardback (which precedes).
Resnick, Mike. Kirinyaga. Pulphouse, 1992. Issue #58. Kelleghan, Mike Resnick: An Annotated Bibliography and Guide to His Work A39.
Sloca, Sue Ellen. Candles on the Pond. Pulphouse, 1992. Issue #59. As far as I can tell, this is her only publication anywhere.
Wu, William F. Shaunessy Fong. Pulphouse, 1992. Issue #60. Has some slight rubbing along front near spine. Last in the Short Story Paperbacks series.
Reference: Jack Chalker and Mark Owings, The Science-Fantasy Publishers: A Critical and Bibliographic History, 2002, page 719 (numbers 1 through 10), page 721 (numbers 11-20), pages 722 (numbers 21-30). This is what Chalker had to say about the Short Story paperback line:
In January, 1991, Pulphouse continued its expansion with the Short Story Paperbacks and the selected Short Story Hardbacks, although we’re still only half- convinced that these are in any sense legitimate books. What they were, though, was what seemed to be a quick way to make money, and if people bought them, fine. They brought the whole operation as of the start of 1991 at a whopping 80+ titles a year. It should be noted that the paperbacks series was supposed to be originals and reprints, but became, after the initial ones, primarily reprints, a move that, while understandable, seemed to us to take away the one good reason why most people might buy them.
Money held by SF/F/H collectors is a finite commodity, and Pulphouse in the early 1990s seemed to treat it as a limitless resource. If you’re publishing books by Lansdale, Zelazny, Wagner, De Lint, etc., that’s a license to print a little money. But Antieau, Clemence, Caraker? Not so much. Why they thought collectors were going to shell out money for such items is a mystery.
The entire set bought for $61.
Tags:Books, Brian Aldiss, Bruce Boston, Charles de Lint, Chelsea Quinn Yarbro, Connie Willis, David Brin, David J. Schow, Dennis Etchison, Ed Bryant, Ester M. Friesner, F. Paul Wilson, Fantasy, Gardner Dozois, Gene Wolfe, George Alec Effinger, George R. R. Martin, Greg Bear, Horror, James P. Blaylock, Joe Haldeman, Joe R. Lansdale, John Brunner, Joyce Carol Oates, Karen Joy Fowler, Karl Edward Wagner, Kate Wilhelm, Kim Stanley Robinson, Lewis Shiner, Michael Bishop, Mike Resnick, Nancy Kress, Octavia Butler, Orson Scott Card, Pat Murphy, Poul Anderson, Pulphouse, Robert Bloch, Robert Sheckley, Roger Zelazny, S. P. Somtow, Science Fiction, Suzy Mckee Charnes, Tanith Lee, Ursula K. Le Guin, William F. Wu
Posted in Books, Fantasy, Horror, Science Fiction | 1 Comment »
Thursday, May 16th, 2019
This finally came in:
Shiner, Lewis. Outside the Gates of Eden. Subterranean, 2019. First edition hardback, #327 of 1,000 signed, numbered hardback copies, a Fine copy in a Fine dust jacket, new and unread. Sweeping novel of rock music and the 1960s. Lew’s been working on this one a long time. To quote the publisher: “I consider Lewis Shiner’s Outside the Gates of Eden to be the best original novel SubPress will have published in our nearly twenty-five years of existence. At 880 pages, it’s also the longest. This is a book too important to miss.”
I will have a few copies of this available in the next Lame Excuse Books catalog, currently in progress (drop me a line if you want to be added to the mailing list).
Tags:Books, Lewis Shiner, Science Fiction
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Monday, March 16th, 2015
I picked up the later Subterranean chapbook of this, but I missed picking up the original hardback until now:
Blaylock, James p. Doughnuts. Airtight Seels Allied Productions (A.S.A.P.), 1994. First edition hardback, number 11 of 224 signed, numbered hardback copies, a Fine copy (save some waviness to the pages, which I take as a byproduct of the binding process), sans dust jacket with color illustration pasted onto the front board, as issued. In addition to the short story, this volume includes an Introduction by Lewis Shiner, an Appreciation by Lucius Shepard, an Afterward by Tim Powers, illustrations by Phil Parks, and tipped-in color photographs by Vicki Blaylock (and is signed by all of them). An elaborate production, much like all of A.S.A.P.’s hardback chapbooks. Chalker & Owings, Science Fantasy Publishers (2002), 1011. (Also Supplement Two, page 57.) Bought for $60 from a dealer off the Internet.
Tags:Books, Fantasy, First Edition, James P. Blaylock, Lewis Shiner, Lucius Shepard, signed, Tim Powers
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Wednesday, March 4th, 2015
I found this shopping at Half Price Books, bought it, then confirmed my suspicion:
Barrett, Neal. Through Darkest America. Worldwide, 1988. First paperback edition, a Fine- copy with tiny bump to bottom front corner and slight age-darkening to paper, otherwise apparently unread. Inscribed by Barrett, Jr. to fellow Texas science fiction writer Lewis Shiner: “11/29/88//Unca Lew—/Having you here for/a while has made my/day, as ever—/(Signature)”.
Lew confirmed that it was indeed inscribed to him, noting he must have sold it because he was moving again and already had the hardback…
Tags:Associational Copy, Books, Lewis Shiner, Neal Barrett Jr., Science Fiction
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Thursday, December 31st, 2009
I’ve been meaning to take pictures of my library for quite a while, and I finally got around to doing it. These are just the ones in my fiction library; I haven’t taken pictures of the non-fiction up in my office yet.
I started collecting hypermodern (i.e., post-Neuromancer) science fiction first editions in the late 1980s, concentrating on hardbacks of works and authors I felt were important. I have essentially completed that collection (though I am always adding new books as they come out), and am now trying to amass a collection of first editions of every important post-WWII work of science fiction, as well as selected fantasy and horror authors, which should keep me busy quite a while. Save one Stephen King ultralimited I bought pre-publication, I have never spent more than $400 for any single book (and precious few over $300). I won’t settle for later printings or copies with corner-clipped dust jackets, but my price ceiling has forced me to settle for ex-library copies of a handful of key works (for example, Dune and The Man in the High Castle). When I refer to an “imperfect” first, it’s generally (but not always) an Ex-Library copy. The rest tend to be Fine/Fine or gently read copies, though with a bit more flexibility for older titles. I am one “difficult” book away from having a complete collection of Hugo winners, and save the most recent one, have a complete collection of Nebula Winners, as well as many World Fantasy and Bram Stoker award winners, plus a smattering of literary firsts and prize winners picked up when I chanced across them.
Mine is a very extensive SF collection, but far from the largest or most valuable, even in private hands. I’m sure there are many old fans whose libraries would (or may still) put mine to shame. Before being broken up, the legendary collections of Sam Moskowitz and Forrest J. Ackerman would have easily blown mine away. Although David Hartwell has started selling pieces of his, from talking to him I’m sure what remains of David’s collection still exceeds mine by a good measure. Kurt Baty has assembled very close to a complete collection of all science fiction works ever published, but has not concentrated on first editions. Given the number of auctions I’ve lost to him over the years, I’m sure Larry Bigman’s collection leaves mine in the shade. Allen Lewis’ collection of hypermodern science fiction has a breadth that far exceeds my own. Mike Berro and Jerry Hewett have collections at least comparable to my own (and far more complete when it comes to Jack Vance). If I had to guess, my collection might sneak into the top 50 in private hands, but that may be too high.
Previous and far less complete attempts to document my library are here and here.
Unless otherwise noted, all the volumes listed under highlights are either the true first edition, or the first hardback edition (frequently British) when the true first was a paperback original. If the UK edition preceded the American, then the true first is the one I have, unless otherwise indicated.
These pictures were taken with a Kodak EasyPic V803 and edited in iPhoto. The gaps visible on shelves are what I call “expansion joints,” and are there so I can add new acquisitions. Caveats: I don’t have a tripod, and I don’t know how to do keystone correction for camera angle (especially apparent on the eight-high bookshelves). Still, an acute observer should be able to pic out numerous individual volumes…
Note: This is my personal/professional library, and none of these are for sale. For science fiction books I do have for sale, please see the Lame Excuse Books website.
A-B
- Some Isaac Asimov, including a complete Gnome Press Foundation trilogy, plus The Gods Themselves and imperfect copies of many of his early novels and short story collections.
- A. A. Attanasio’s Radix.
- Nicholas Baker’s Mezzanine.
- Some signed J. G. Ballard, including The Atrocity Exhibition (the true UK first, not the later but rarer pulped US edition) and some later books, plus unsigned copies of High Rise and Empire of the Sun, and an imperfect Crystal World.
- A complete Iain Banks collection (save his most recent one), including The Wasp Factory and Use of Weapons.
- A nearly-complete Clive Barker collection (missing some of the graphic novel and illustration stuff, as well as a recent book or two), including copies of The Damnation Game, various states of The Books of Blood, Cabal and the UK Weaveworld, the last two signed.
- An nearly complete Neal Barrett, Jr. collection (discounting the media tie-in stuff).
- A signed copy of Stephen Baxter’s The Time Ships, plus Timelike Infinity and imperfect firsts of Raft, Anti-Ice, and Ring. My Baxter collection is collection is complete up to the point (sometime shortly after 2000 or so) when he started cranking them out so fast I couldn’t even hope to keep up with him.
- A nearly complete Greg Bear collection (missing the Cheap Street Sleepside Story and one or two recent ones), including Blood Music, Eon, The Wind from a Burning Woman, Darwin’s Radio and Early Harvest, most signed or inscribed.
B-C
- Gregory Benford’s Timescape.
- A mint copy of Alfred Bester’s The Demolished Man with his business card laid in, as well as an imperfect but inscribed copy of Who He?.
- A complete Michael Bishop collection, including No Enemy But Time, several inscribed to me.
- A nearly complete James P. Blaylock collection (missing one or two of the recent ones), including one of 100 hardback copies of the Axolotl Paper Dragons, as well as the signed, limited editions of The Last Coin and The Magic Spectacles.
- A mostly complete Robert Bloch collection, including an imperfect copy of Psycho.
- A woefully incomplete Ray Bradbury collection, some signed.
- A true (UK) first of Ernest Bramah’s Kai Lung Unrolls His Mat in dust jacket.
- David Brin’s Startide Rising and Uplift War.
- A mostly complete Poppy Z. Brite collection, including the hardback of Plastic Jesus.
- Peter Currell Brown’s Smallcreep’s Day
- An imperfect first of John Brunner’s Stand on Zanzibar, as well as a signed first of The Sheep Look Up, and an inscribed copy of The Stone That Never Came Down that formerly belonged to Christopher Priest.
- Stephen Brust’s To Reign in Hell.
- The Easton Press signed first hardbacks of Lois McMaster Bujold Barryar and The Vor Game, as well as the hardback first of Mirror Dance and The Paladin of Souls.
- A complete Octavia Butler collection (several signed), including Survivor, the rarest of her books.
C-D
- A complete Pat Cadigan collection (discounting some media tie-in stuff).
- Something like a complete Jack Cady collection.
- Inscribed firsts of Orson Scott Card’s Ender’s Game, as well as Songmaster, A Planet Called Treason and Cardography; indeed, all Card’s fiction hardbacks up to Xenocide; I read that and Prentice Alvin, and after that I stopped buying his books.
- A complete Jonathan Carroll collection, all signed or inscribed, including The Land of Laughs.
- Angela Carter’s The Passion of New Eve and copy of The Infernal Desire Machines of Dr. Hoffman that formerly belonged to Carter.
- Inscribed firsts of Michael Chabon’s The Yiddish Policeman’s Union and The Amazing Adventures of Kavalier and Clay.
- A signed copy of Suzy McKee Charnes’ The Vampire Tapestry.
- C.J. Cherryh’s Cyteen and an inscribed SFBC (first hardback) Downbelow Station.
- An imperfect Ballantine Books hardback of Arthur C. Clarke’s Childhood’s End, a decent Earthlight, a very nice Against the Fall of Night, an imperfect Rendezvous With Rama, a nice The Fountains of Paradise and the signed, slipcased PS Publishing edition of Tales from the White Hart.
- Some Hal Clement, including a signed, imperfect Mission of Gravity and a nice Iceworld.
- An extensive Storm Constantine collection.
- A nearly complete John Crowley collection, including signed or inscribed copies of Little, Big (reportedly Gollancz only did 300 hardbacks), The Deep and Engine Summer.
- A complete run (at least up through issue 17) of the signed hardback state of Postscripts (including Ray Bradbury, Stephen King, Joe Hill, etc.).
- A bunch of Jack Dann.
D
- Closing in on a complete Avram Davidson collection, including one of only 25 hardback copies of El Vilvoy de las Islas
- An extensive Samuel R. Delany collection up to 1980 or so, all signed, including solid (but not pristine) Gollancz hardback firsts of Babel-17 and The Einstein Intersection.
- A complete Bradley Denton collection, all signed or inscribed, including The Calvin Coolidge Home for Dead Comedians/A Conflagration Artist and Blackburn’s Lady.
- August Derleth’s Someone in the Dark (the second Arkham House book), sadly lacking the dust jacket, and a signed copy of The Mask of Cthulhu
- A not-yet complete Philip K. Dick collection, including Imperfect firsts of Do Androids Dream of Electric Sheep?, Time Out of Joint, The Man in the High Castle, The Three Stigmata of Palmer Eldritch, Ubik, and The Penultimate Truth, a nice set of The Collected Stories of Philip K. Dick, nice copies of The Man Whose Teeth Were Exactly Alike, Martian Time Slip, The Game Players of Titan, Confessions of a Crap Artist, A Scanner Darkly and the slipcased Valis set with Cosmogony and Cosmology. (A number of paperback firsts appear on the paperback shelf, and a number of non-fiction works are upstairs in my reference library.)
- A complete Paul Di Filippo collection, including one of 100 signed hardback copies of Ciphers.
- An extensive Thomas Disch collection, including Camp Concentration, 334 and Torturing Mr. Amberwell.
- A complete hardback set (save a few of the most recent volumes) of Gardner Dozois’s The Year’s Best Science Fiction, including the very rare first three Bluejay Books editions, several signed by many of the contributors.
D-G
- A complete Greg Egan collection, including a copy of Axiomatic inscribed to his editor David Pringle (Egan signatures, much less inscriptions, are vanishingly rare), as well as firsts of An Unusual Angle (only 100 hardback copies), Quarantine, and Permutation City.
- A complete George Alec Effinger collection, many inscribed to me.
- A nearly-complete Harlan Ellison hardback collection (though I lack several of the most difficult paperbacks).
- A fair amount of Philip Jose Farmer, including a beautiful copy of To Your Scattered Bodies Go (formerly Buck and Juanita Coulson’s copy), plus signed copies of Doc Savage: His Apocalyptic Life, Love Song, The Adventure of the Peerless Peer and Up from the Bottomless Pit.
- The first English-language edition of Camille Flammarion’s Urania and the first U.S. edition of Lumen.
- A not-quite complete Neil Gaiman collection, including 1/26 signed, lettered, traycased copies of M is for Magic (with an original drawing by Gahan Wilson on the limitation page), one of 500 signed, numbered copies of Neverwhere, Murder Mysteries: A Play for Voices and Snow Glass Apples: A Play for Voices (both signed and limited in slipcase), Angels and Visitations, the signed/limited editions of American Gods and Anansi Boys, as well as signed copies of the trade state, plus a bunch of other signed Gaiman (not shown: hardback collections of the complete run of Sandman (both the first and the four-volume Absolute Sandman), plus a bunch of other Gaiman graphic novels, most signed, up in the graphic novel section on the second floor).
- An extensive John Gardner collection, including Grendel.
- A bunch of Ray Garton, including the Charnel House (true first) signed/limited edition of The New Neighbor.
- A nearly complete Jane Gaskell collection, including Strange Evil and King’s Daughter.
- A complete Mary Gentle collection (discounting her pseudonymous porn novels), including Ash: A Secret History.
G-J
- A complete William Gibson book collection (discounting Agrippa), all signed, including a Fine Gollancz Neuromancer (one of the highpoints of the entire collection) and a copy of Gibson and Bruce Sterling’s The Difference Engine signed by both.
- William Goldman’s The Princess Bride.
- Alasdair Gray’s Lanark.
- A signed copy of Curme Gray’s Murder in Millennium VI.
- Signed copies of Ken Grimwood’s Elise and The Voice Outside.
- U.S. first edition of General Sir John Hackett’s The Third World War: August 1985, with a signed typed letter by Hackett laid in.
- Inscribed firsts of Joe Haldeman’s Forever Peace, The Accidental Time Machine and Camouflage, plus an inscribed, imperfect first of The Forever War.
- Peter F. Hamilton’s first ten or so phone books, including an inscribed first of The Reality Dysfunction.
- A fair amount (but by no means a complete collection) of Robert A. Heinlein, including imperfect firsts of The Moon is a Harsh Mistress, Double Star, Stranger in a Strange Land, and Starship Troopers (the last rather nice), and a pristine first of Sixth Column.
- A very imperfect true first of Frank Herbert’s Dune.
- Two different states of the signed, limited edition of Joe Hill’s 20th Century Ghosts.
- The Gnome Press editions of Robert E. Howard’s Conan the Barbarian, Conan the Conqueror and King Conan.
- Barry Hughart’s Bridge of Birds, The Story of the Stone, and Eight Skilled Gentlemen, plus the signed Subterranean press omnibus.
- One of less than 100 copies of the H. P. Lovecraft/Russ Meyer crossover anthology, Hastur, Pussycat! Kill! Kill!
J-M
- An essentially complete Shirley Jackson collection, including The Haunting of Hill House, The Road Through the Wall, Hangsaman and an imperfect copy of The Lottery.
- A complete K. W. Jeter collection (save the media tie-in work), including the signed, limited hardback of Dr. Adder.
- Ha Jin’s Waiting.
- One of 52 signed hardback copies of Graham Joyce’s Leningrad Nights, the second PS Publishing novella.
- Essentially complete James Patrick Kelly and John Kessel collections, including Freedom Beach, one of only 100 hardback copies, signed by both.
- Daniel Keyes’ Flowers for Algernon.
- I have a fair amount of Stephen King, but nothing approaching a complete collection (I may be an insane collector, but I’m not that insane), including one of 99 copies total (and one of only 33 with this cover art) of the PS Publishing (first hardback edition) signed, limited, tray-cased edition of Stephen King’s The Colorado Kid, plus a copy of the signed, limited edition of same, one of 1,250 signed, limited copies of the Mark V. Ziesing (true first) edition of Insomnia, the first four Donald M. Grant Dark Tower books, the signed, limited edition of Under the Dome (reportedly 1,500 copies, all of which were sold out within a day of being available for order), and an imperfect first of The Shining.
- A complete Russell Kirk fiction collection (including The Surly Sullen Bell, Old House of Fear, and his two Arkham House Books, The Princess of All Lands and Watchers at the Straight Gates, most signed.
- Henry Kuttner’s Robots Have No Tails.
- A complete R. A. Lafferty hardback collection (save the two Pendragon Press chapbooks I have in wraps), including Tales of Chiacago, Tales of Midnight, and Argo, and the Gregg Press The Devil is Dead.
- An essentially complete Joe R. Lansdale collection (see if you can spot the oddball exception), all signed, including the lettered edition of For a Few Stories More (with a young-adult vampire novel, Shadow Time, found only in this edition), the signed/limited edition of The Bottoms, one of only 26 signed, hardback copies of My Dead Dog Bobby and Triple Feature, one of only 100 signed hardback copies of Veil’s Visit (with Andrew Vachess) and Private Eye Action, As You Like It (with Lewis Shiner), inscribed copies of The Magic Wagon and The Nightrunners.
- Imperfect firsts of Ursula K. Le Guin’s The Left Hand of Darkness, The Dispossessed, and A Wizard of Earthsea.
- Something approaching a complete Fritz Leiber collection, including the Gregg Press (first hardback) editions of The Big Time and The Sinful Ones, as well as Nights Black Agents, The Wanderer, and Manly Wade Wellman’s copy of Rime Isle, inscribed to him by the publisher.
- The first English-language edition of Stanislaw Lem’s Solaris.
- Being only slightly insane, I don’t have a complete H. P. Lovecraft collection, but I do have several of the latter Arkham House books, including The Horror in the Museum. (I also have the complete Letters and Essays up in my non-fiction library.)
- A complete Ken MacLeod collection.
- A complete George R. R. Martin (discounting some Wild Cards SFBC hardbacks), including the signed/limited edition Songs the Dead Men Sing, plus A Game of Thrones and GRRM.
- I’m closing in on a complete Richard Matheson collection, including the signed, slipcased state of Collected Stories, Hell House and an imperfect first of I Am Legend (though I do still need the Chamberlain Born of Man and Woman, Stir of Echoes, and the UK Shrinking Man).
- A complete Paul J. McAuley collection, save for a few recent ones.
- A complete Robert R. McCammon collection (including Blue World) save the UK Baal and a couple of recent ones.
- Cormac McCarthy’s The Road.
- A complete Ian McDonald collection.
- Vonda McIntyre’s Dreamsnake and The Sun and the Moon.
- Larry McMurtry’s Lonesome Dove.
- A complete China Mieveille collection, including Perdido Street Station and one of 400 signed, numbered hardbacks of The Tain.
- An imperfect first of A Canticle for Leibowitz.
- A few Yukio Mishima firsts (or rather, first American/English Language editions).
- David Mitchell’s Cloud Atlas.
- An inscribed copy of Elizabeth Moon’s The Speed of Dark.
- A somewhat random assortment of Michael Moorcock firsts, including Glorianna, all signed or inscribed.
- Signed copies of C. L. Moore’s Mutant and Black God’s Shadow.
M-P
- A complete Richard Morgan collection, most signed, including Altered Carbon.
- Some David Morrell, including First Blood.
- A good bit of James Morrow, many signed.
- Signed copies of Haruki Murakami’s A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World.
- Pat Murphy’s The Falling Woman.
- John Myers Myers’ Silverlock in a rubbed dust jacket.
- Something approaching a complete collection of Kim Newman’s works under his own name (don’t have the Jack Yeovil/GDW stuff), including Anno Dracula.
- Complete set of the Night Visions series, some (Barker, Lansdale, Martin) signed or inscribed.
- I don’t have a complete Larry Niven collection, but I do have a fair amount, including a Gollancz Ringworld, marred only by an excised front free endpaper, as well as an imperfect first of The Mote in God’s Eye.
- A complete Jeff Noon collection.
- The first three Naomi Novik books.
- A nearly complete Chad Oliver collection, including Mists of Dawn.
- Alexi Panshin’s Rite of Passage.
P-R
- Some Frederik Pohl, including signed or inscribed firsts of The Space Merchants, Man Plus and Gateway.
- Charles Portis’ True Grit.
- A pretty completely Tim Powers collection, including The Anubis Gates, the Charnel House Stress of Her Regard and Where They Are Hid, the Subterranean Press Declare, Three Days to Never and Ten Poems, the Hypatia Press The Drawing of the Dark, the Cahill The Skies Discrowned, and the NESFA An Epitaph in Rust.
- Christopher Priest’s The Prestige.
- A complete run of Pulphouse: The Hardback Magazine.
- Thomas Pynchon’s The Crying of Lot 49 (however, the Gravity’s Rainbow is, alas, a book club edition).
- A complete Alastair Reynolds collection, including Revelation Space.
- Some early Anne Rice, including Interview With a Vampire and The Claiming of Sleeping Beauty, and a signed copy of Queen of the Damned.
- Maurice Richardson’s The Exploits of Engelbrecht.
R-S
A complete Kim Stanley Robinson collection (save a few recent books), including the true UK first editions of Red Mars, Green Mars, and Blue Mars, as well as The Blind Geometer.
A mostly complete Rudy Rucker collection (I lack a couple of the recent ones), including 1 of 200 signed, numbered copies of Transreal!
An imperfect first of Salman Rushdie’s Midnight’s Children and a U.S. first of The Satanic Verses.
A bunch of Geoff Ryman.
A complete John Scalzi collection (save, I think, the hardback state of the first Subterranean Press chapbook), including Old Man’s War, all of it signed or inscribed.
Elizabeth Ann Scarborough’s The Healer’s War.
Complete David J. Schow collection, including The Shaft.
A complete Michael Shea collection, including Polyphemus and the Hypatia edition of Nifft the Lean.
The Collected Stories of Robert Sheckley.
A complete Lucuis Shepard collection (save that poetry collection he did way back when), including The Jaguar Hunter, Nantucket Slayrides, Barnacle Bill the Spacer, and The Last Time.
S
- A complete Lewis Shiner collection, some inscribed to me.
- A complete John Shirley collection (save a few recent books and some of the paperback pseudonyms), including one of only 50 signed hardback copies of Black Glass, and one of 100 signed, slipcased copies of Really, Really, Really, Really Weird Stories.
- A small collection of Robert Silverberg (especially compared to his overall output), including Dying Inside, A Time of Changes, and The Book of Skulls.
- A complete Dan Simmons collection (save a few recent ones), many signed or inscribed, including Hyperion, Song of Kali, Carrion Comfort and Entropy’s Bed at Midnight.
- Closing in on a complete John Sladek collection, including Roderick.
- Some Clark Ashton Smith, including some later Arkham Houses, including Collected Poems.
- A complete Cordwainer Smith collection, including Atomsk, Ria, and Carola. (I also have Psychological Warfare and The Political Doctrines of Sun Yat San upstairs in the non-fiction library.)
S-W
- A complete William Browning Spencer collection, all signed or inscribed, including Resume With Monsters.
- Some Brian Stableford, including Empire of Fear and all three of The Werewolves of London trilogy.
- L. Sprague De Camp’s copy of Olaf Stapledon’s To the End of Time, with his ownership plate pasted in.
- A nearly complete Neal Stephenson collection, most signed or inscribed, including Snow Crash and The Diamond Age.
- A nearly complete Sean Stewart collection (lacking his most recent and a media tie-in novel), including Nobody’s Son, Resurrection Man and Mockingbird, most signed.
- A complete Bruce Sterling collection, including The Artificial Kid, all signed or inscribed to me. (I also have one of only 200 hardback copies of Shaping Things up in the non-fiction library. When I had Bruce sign it, he said he had never seen the hardback edition before…)
- A complete Charles Stross collection, many signed.
- The Collected Stories of Theodore Sturgeon.
- A complete Michael Swanwick fiction collection, including one of only 30 signed hardbacks of Puck Aleshire’s Abecedary, as well as Stations of the Tide.
- Bernard Taylor’s Sweetheart, Sweetheart inscribed to his niece.
- Wilson Tucker’s The Long, Loud Silence (formerly Bruce Pelz’s copy).
- I’m working on a complete Jack Vance collection, but still have many gaps. One thing I do have is The Jack Vance Integral Edition, containing all his works (except, I think, the Ellery Queen mysteries) with the original text and titles restored, in a uniform edition of 44 volumes; because I was one of the first 200 subscribers, the last volume (which contains previously uncollected material) is signed by Vance. I also have the Underwood/Miller firsts of many Vance works, including Night Lamp and Ports of Call.
- A. E. van Vogt’s World of Null A and The War Against the Rull.
- A signed copy of Joan D. Vinge’s The Snow Queen.
- A complete Vernor Vinge collection, including A Fire Upon the Deep and A Deepness in the Sky, all but The Witling and Rainbows End inscribed.
- A complete Howard Waldrop collection, including both Cheap Street books (the traycased You Could Go Home Again and Flying Saucer Rock and Roll), as well as All About Strange Monsters of the Recent Past, all signed or inscribed to me (Howard rented out a spare room in my house for a little over six months in 2007).
- Alice Walker’s The Color Purple.
- A complete Don Webb collection, save one of the 15 hardback copies of When They Came.
- Closing in on a complete Manly Wade Wellman collection, including Who Fears the Devil? and the the two Carcosa House collections, Worse Things Waiting and Lonely Vigils, and a copy of Third String Center inscribed to his brother, western writer Paul I. Wellman, noting that he “should recognize some of the players.” I lack the Avalon Giants from Eternity and a few of the juveniles. (I also have a collection of Wellman non-fiction upstairs.)
Oversized Hardbacks
Some Ray Bradbury, Richard Matheson, etc. I think this photo is large enough that you can easily read the titles…
W
- A complete Martha Wells collection (Save the media-tie-in novels), all inscribed to me, including An Element of Fire.
- A complete Edward Whittimore collection.
- Kate Wilhelm’s Where Late the Sweet Birds Sang.
- Some Jack Williamson, including Darker Than You Think.
- A complete Connie Willis collection, most inscribed to me, including Doomsday Book and To Say Nothing of the Dog.
- A complete Robert Charles Wilson collection (including Spin), save his most recent.
- A complete Gene Wolfe collection, including Shadow of the Torturer, The Castle of the Otter the two Cheap Street hardbacks, Empires of Flowers and Foliage and Biblioman, and the hardback states of The Young Wolfe and Letters From Home, many signed or inscribed to me.
W-Z, and Trade Paperbacks (including chapbooks, proofs, etc.)
- Closing in on a complete Roger Zelazny collection, including a very clean, signed ex-library copy of Lord of Light, This Immortal, an Ex-Library Nine Princes in Amber, etc., some signed or inscribed to me.
Trade Paperbacks
- One of 100 signed copies of J. G. Ballard’s News from the Sun
- A proof of David Brin’s The Tides of Kithrup, the name of which was later changed to Startide Rising.
- Greg Egan’s Our Lady of Chernobyl, Quarantine and An Unusual Angle.
- An inscribed copy of George Alec Effinger’s Maureen Birnbaum, Barbarian Swordsperson.
- Matthew Hughes’ The Farouche Assemblage
- An ARC of the Random House edition of Sherry Jones’ The Jewel of Medina, the publication of which was canceled by that publisher.
- Both blue and green variant covers of Neil Gaiman and Gene Wolfe’s A Walking Tour of the Shambles, inscribed to me by both.
- Numerous R. A. Lafferty chapbooks, some signed
- Proofs of Joe R. Lansdale’s The Drive-In and The Drive-In 2, plus the original publication of Dead in the West, various chapbooks, and a copy of Cross Plains Universe (which I have a story in) inscribed to me by most of the contributors.
- Signed copies of Michael Moorcock’s The Great Rock-and-Roll Swindle (printed in tabloid newspaper format) and the festschrift Moorcock@60, signed by Mike as well as contributors Rick Klaw and Howard Waldrop.
- James Morrow’s The Adventures of Smoke Baily, a novella only included as part of the packaging for a video game.
- A proof of Chad Oliver’s last novel, The Cannibal Owl.
- A proof of Susan Palwick’s Chambers of the Blood, the title of which was changed to Flying in Place for publication.
- A copy of Lewis Shiner’s one-off fiction fanzine Modern Stories signed by contributors William Gibson, Joe R. Lansdale, Howard Waldrop, Steven Utley, and Walton Simons.
- Dan Simmons’ Banished Dreams
- Inscribed copies of Neal Stephenson’s The Big U and Zodiac, as well as signed proofs of Interface and The Cobweb.
- Jack Vance’s The Space Pirates.
- Some signed Howard Waldrop, including one of only 25 copies of The Soul-Taker, self-published as from “The Vorpal Press” in 1966.
- Manly Wade Wellman’s The Invading Asteroid.
- Several Gene Wolfe volumes, including three Cheap Street chapbooks, a proof of The Island of Dr. Death and Other Stories and Other Stories and several more recent proofs.
- Roger Zelazny’s Poems and A Rhapsody in Amber.
Mass Market Paperbacks
- All six volumes of Clive Barker’s Books of Blood, first editions, first printings, first states, signed by Barker.
- A copy of John Brunner’s pseudonymously published porn novel The Incestuous Lovers.
- All Neal Barrett Jr.’s non-media tie-in paperbacks, signed or inscribed by Neal.
- PBOs of Lois McMaster Bujold’s The Vor Game and Barrayar.
- Several inscribed Pat Cadigan PBOs.
- Several A. Bertram Chandler PBOs.
- Several C. J. Cherryh PBOs.
- Several Avram Davidson PBOs.
- Several Philip K. Dick PBOs.
- Several Harlan Ellison PBOs.
- Several Ray Garton PBOs.
- Several K. W. Jeter PBOs, including Seeklight, The Dreamfields and Morlock Night, all signed or inscribed.
- Several R. A. Lafferty PBOs, including Ringing Changes.
- Several Joe R. Lansdale PBOs, including pseudonymous porn novel Molly’s Sexual Follies, signed by both Lansdale and co-author Brad Foster, the three MIA Hunter books he wrote, and Texas Night Riders, all signed or inscribed.
- A fair number of Tanith Lee PBOs.
- Jonathan Littell’s Bad Voltage.
- Some H. P. Lovecraft, including the Avon edition of The Lurking Fear.
- All Daniel Keyes Moran’s PBOs.
- A complete collection of Tim Powers’ PBOs, including An Epitaph in Rust and The Skies Discrowned, all signed or inscribed.
- Spider Robinson’s Antimony.
- Most of Rudy Rucker’s PBOs, including White Light and The Sex Sphere.
- All Michael Shea’s PBOs, including Nifft the Lean.
- A lot of signed John Shirley PBOs, including City Come A’Walkin and The Brigade, plus several books he wrote in the Traveler series of post-apocalyptic men’s adventure novels.
- Complete set of John Skipp & Craig Spector PBOs.
- Several Brian Stableford PBOs.
- Bruce Sterling’s Involution Ocean, signed.
- Several Thomas Burnet Swann PBOs.
- Some Manly Wade Wellman PBOs, including the rare movie novelization A Double Life.
- A complete collection of Nichola Yermakov books, up until he changed his name to Simon Hawke.
- Several Roger Zelazny paperbacks, including some PBOs, several signed.
- Several Zoran Zivkovic books printed by his press in Belgrade.
Tags:Book Collecting, Books, Bradley Denton, Bruce Sterling, first editions, Fritz Leiber, Gene Wolfe, Howard Waldrop, Jack Vance, Joe R. Lansdale, John Scalzi, Lewis Shiner, Manly Wade Wellman, Neil Gaiman, R. A. Lafferty, Richard Matheson, Robert Bloch, Roger Zelazny, Science Fiction, Shirley Jackson, Stephen King, William Gibson
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