Posts Tagged ‘Michael Moorcock’

Library Additions: Two PBOs

Monday, October 9th, 2023

I guess that technically one of these is a magazine, but it looks and feel just like a paperback.

  • Brunner, John. The Traveler in Black. Ace, 1971. First edition paperback original (no statement of printing and 75¢ as per Currey), a Fine- copy with slight wear at points and a drop of discoloration to bottom page block at heel, otherwise a very nice copy. Celebrated fix-up of linked stories. Currey, page 74. De Bolt, The Happening Worlds of John Brunner, page 57.

  • Moorcock, Michael, editor (John Brunner, Roger Zelazny, J. G. Ballard, etc.). New Worlds March 1966, Vol. 49, No. 160. Compact SF, 1966. First edition magazine in the form of a paperback original, a Near Fine copy with slight glue ridging to spine, slight wear at points, a faint, thin line of abrasion down rear cover near outer edge, and a few touches of general wear. Right in the middle of Moorcock’s acclaimed run as editor of New Worlds when it became the epicenter of the New Wave, with a murder’s row of writers in this issue. The Zelazny is the first appearance of the classic “For a Breath I Tarry” (Levack, Stories 69a), and both this and the above came from the last purchase of books from Bob Pylant’s Zelazny collection.
  • I have cover scans, but for some reason BlueHost isn’t letting me upload pics right now, so you’ll have to wait to see them…

    Library Addition: Urish’s Hoard: The Guide to Elric Collectables

    Thursday, October 13th, 2022

    I read about this on a Michael Moorcock group on Facebook, and went “Why yes, this is relevant to my interests!”

    (Moorcock, Michael) Kirkland, James. Urish’s Hoard. Dreaming City Books, 2021. First edition? (no printing indicated, and it may well be a print-on-demand book) trade paperback original, a Fine copy. There was a Kickstarter for this back in early 2021, but after it was funded this was almost immediately available on Amazon, which is where I bought this.

    Though the first edition information can be had in more comprehensive forms elsewhere, there is a wealth of information on Elric comic book adaptations, art portfolios, music, games and RPG supplements, and even miniatures! There’s also a discussion of the foul-up behind the Melniboné Mythos section in the AD&D Deities and Demigods. I’d always thought TSR had done it without permission, but Mike had given his permission, not realizing that his agent had already sold RPG rights to Chaosium. Oops…

    There’s a ton of information gathered here (illustrated with color scans) you’re not going to find in other reference sources, so if it interests you, you might want to click the Amazon hyperlink on the title. Also, you’ve got to love the retro DAW Books inspired design of the cover.

    It does remind me that someone needs to do a comprehensive Moorcock bibliography, as Tanelorn Archive is over 40 years old, and Moorcock is very prolific…

    Library Addition: Signed Limited Edition of New Worlds #1

    Thursday, June 16th, 2022

    I should point out that this is the new, new, new, new, new incarnation of New Worlds, this time as a hardback anthology series.

    Gevers, Nick, and Peter Crowther, editors. New Worlds Issue #1. PS Publishing, 2021 (i.e., 2022). First edition hardback, #49 of 200 copies, a Fine copy in decorated boards and a Fine dust jacket, and a Fine embossed slipcase. Latest resurrection of this venerable UK fiction title, most famous for Michael Moorcock’s New Wave editorship in the 1960s, and Moorcock contributes a story (and signature) here, as do Alan Moore, Michael Swanwick, Ken MacLeod, James Lovegrove, Ian Watson, Ian R. MacLeod, etc. The trade paperback version came out last year, but this hardback edition is already out of print. Bought from the publisher at the usual discount.

    I will have two copies of this to sell in the next Lame Excuse Books catalog (currently in progress).

    Library Additions for 2021

    Wednesday, March 2nd, 2022

    Here’s the big roundup of every book I added to my library in 2021. Most (but not all) of these have appeared in previous library addition posts. Lots of Joe R. Lansdale, lettered editions, Lansdale lettered editions, Zelazny paperbacks, signed Harlan Ellison, Michael Moorcock rarities and Michael Swanwick chapbooks.

    I count 193 titles added.

  • Anderson, Poul. Flandry of Terra. Chilton, 1965. First edition hardback, a Fine- copy with bumping at head and bumping and slight rubbing at heel, in a Fine- dust jacket with slight wrinkling at head and heel and a touch of rubbing, signed by Anderson. Currey, page 10. Anatomy of Wonder 4, 3-7. Bought off eBay for $22.50.

  • Anderson, Poul. Masters of Science Fiction, Volume 9: Poul Anderson: “The Star Beast” And Other Tales. Armchair Fiction, 2014. First edition trade paperback original, a Fine copy. Short story collection. “The Long Return” and “World of the Mad” haven’t been reprinted since their original magazine appearances.
  • Anderson, Poul with Lester Del Rey and Frederik Pohl. A Twelvemonth and a Day b/w Preferred Risk. Armchair Fiction, 2016. First edition trade paperback original for the Anderson, a Fine copy. Supplements a signed hardback first of Preferred Risk.
  • Asimov, Isaac. The Best of Isaac Asimov. Doubleday, 1974. First edition hardback, a Fine- copy with slight bumping at head and heel and a slight bit of lean, in a Very Good, price-clipped dust jacket with a 1/4″ closed chip at head, shallow edgewear at head, and slight dust staining to white rear cover. Just what the title says, and it includes “Nightfall” and “The Last Question.” Bought in an online auction for $4.88 plus shipping.
  • Asimov, Isaac. I, Robot. Gnome Press (i.e., First Edition Library), 1950 (1978 copyright date, but actually printed sometime in the 1980s). Facsimile reprint of the Gnome Press first edition, first edition hardback thus, a Fine copy in a Fine dust jacket and a Fine slipcase, which includes the front and back just jacket cover art pasted on, with FEL cardstock information brochure laid in. An attractive production, and undoubtedly done on better paper stock than the Gnome Press original. Aiming for the same prestige reprint market as Easton Press, and indeed they were either part of or acquired by Easton. Obtained as part of a bulk library purchase.

  • (Asimov, Isaac) Carl Freedman. Conversations With Isaac Asimov. University Press of Mississippi, 2005. First edition hardback, a Fine copy with with ISBN sticker to rear cover, sans dust jacket, presumably as issued. (The Google Books image also lacks a dust jacket.) Collection of interviews with Asimov. There was a simultaneous trade paperback edition, and the hardback state seems uncommon. Bought at auction for $1.22 and shipping.
  • (Asimov, Isaac) James Gunn. Isaac Asimov: The Foundations of Science Fiction. Oxford University Press, 1982. First edition hardback, a Fine copy in a Fine dust jacket. Probably the main critical study of Asimov’s work. Bought at auction for $1.22 and shipping.
  • Ballard, J. G. Crash. Jonathan Cape, 1973. First edition hardback, an Ex-Library copy with all the usual flaws, including stamps to pages and page block edges, in a dust jacket that, while intact, has been glued to the book, with a long, thin library sticker across the front, spine, back and rear flap, and a large square library affixed to rear, plus some glue wrinkling; call it a Good/Good Ex-Lib copy. Goodard and Pringle, J. G. Ballard: The First Twenty Years 101. Currey, page 23. Bought off an Australian bookseller for $68 plus shipping.

  • Ballard, J. G. Millennium People. Flamingo, 2003. First edition hardback, a Fine copy in a Fine- dust jacket with slight wrinkling at head and heel, signed by Ballard on a Waterston’s bookstore bookplate on the title page. Bought off eBay for $45.

  • (Ballard, J. G.) McGrath, Rick. Deep Ends: A Ballardian Anthology 2018. Terminal Press, 2018. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Collection of essays on Ballard, including David Pringle’s continuing, invaluable “Ballard/Moorcock Chronology,” of which Moorcock himself says “I frequently trust his memory over my own.” Bought from Amazon.
  • Barker, Clive. Chiliad: A Meditation. Subterranean Press, 2014. First edition hardback, a PC copy of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Collects two novelettes. Bought for $250 (the original offering price) from a Subterranean sale.

  • Barker, Clive. Infernal Parade. Subterranean Press, 2017. First edition hardback, a PC copy of 52 signed, lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. Bought for $250 (the original offering price). Supplements a signed limited edition bought during one of their 50% off sales.

  • Barker, Clive. Tonight, Again. Subterranean Press, 2015. First edition hardback, a PC copy of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Bought for $250 (the original offering price) from a Subterranean sale. Supplements a trade edition.

  • Bear, Greg. Mariposa. Easton Press, 2009. First edition thus, #412 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Bear), an unused personalization plate, and an insert card “a note about MARIPOSA and the author GREG BEAR” laid in, sans dust jacket, as issued. Sequel to Quantico (see below). Bought as part of a bulk purchase.
  • Bear, Greg. Quantico. Easton Press, 2005. First edition thus, #339 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Bear), an unused personalization plate, and an insert card “a note about QUANTICO and the author GREG BEAR” laid in, sans dust jacket, as issued.
  • Bear, Greg. Vitals. Easton Press, 2002. First edition thus, #341 of 1,150 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Bear), an unused personalization plate, an insert card “a note about VITALS and the author GREG BEAR” and a foldout brochure for the Signed First Editions of Science Fiction line laid in, sans dust jacket, as issued. Supplements a hardback first and a proof copy.

  • Bierce, Ambrose. A Little Blue Book of Civil War Horror Stories. Borderlands Press, 2021. First edition hardback, #462 of 500 numbered copies signed by introduction author Lawrence C. Connolly, a Fine copy, sans dust jacket, as issued. Bierce famously disappeared in Mexico after riding with Pancho Villa. Since he was born in 1842, I’m going to go out on a limb and guess that he won’t be signing any more books. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.

  • Bishop, Michael. Joel-Brock the Brave and the Valorous Smalls. Kudzu Planet Productions/Fairwood Press, 2016. First edition hardback, #187 of 300 signed, numbered hardback copies, a Fine copy in a Fine dust jacket. Young Adult novel.
  • Bishop, Michael. The Sacerdotal Owl and Three Other Long Tales. Kudzu Planet Productions/Fairwood Press, 2016. First edition hardback, #69 of 250 signed, numbered hardback copies, a Fine copy in a Fine dust jacket.
  • Bloch, Robert. Psycho House. Tor, 1990. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Bloch: “Best wishes to Dick Wilson.” Bought for $20 at a Houston-area Half Price Books.
  • Bloch, Robert and Andre Norton. The Jekyll Legacy. Tor, 1990. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bloch on the title page and by Norton on a signature plate on the dedication page. Bought off eBay for $24.95.

  • Boyett, Stephen R. The Architect of Sleep. Centipede Press, 2021. First hardback edition, #355 of 400 signed, numbered copies, a Fine copy in a Fine dust jacket, still in shrinkwrap. Really interesting novel about a man transported to an alternate earth where raccoons evolved as the planet’s sentient life form. Originally published as an Ace paperback original back in 1986 and became something of a cult classic, and I’ve sold a lot of PBO copies of this and Ariel over the years (and indeed, if you just want to read it, I have copies available). Recommended. This signed edition is already sold out from the publisher. I’m hoping this new edition prods Boyett into revising and finishing the still-unpublished sequel, The Geography of Dreams.

  • Bradbury, Ray. Ahmed and the Oblivion Machines Avon, 1998. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bradbury. You know all the classic books Bradbury wrote over the years? This is reportedly not one of them. Bought for £18 from a notable UK book dealer.
  • Bradbury, Ray. The Dragon Who Ate His Tail. Gauntlet Publications (they’re generally known as Gauntlet Press, but it says Gauntlet Publications on the copyright page), 2007. First edition hardback, a PC copy of 26 signed, numbered copies, a Fine copy with pasted frontispiece in a Fine slipcase, sans dust jacket, as issued. Miscellany of short stories, a radio play, a fascimile typescript, Bradbury doodle art, etc. Bought from an Austin book dealer for $120.

  • Bradbury, Ray. The Ray Bradbury Chronicles Volume 3. Byron Preiss/NBM, 1992. First edition hardback a graphic novel, #417 of 1000 signed, numbered copies, a Fine copy in a Fine- dust jacket with a tiny, faint scratch across top rear outer corner. Bought for £27 from a notable UK book dealer. I now lack only volumes 1 and 5.
  • Bradbury, Ray. The Wish. Hill House, 2006. First edition hardback, #102 of 250 signed, numbered copies, a Fine copy in matching numbered paper envelope, sans dust jacket, as issued. Won off eBay for $95.

  • (Bradbury, Ray) Nolan, William F. The Ray Bradbury Companion. Gale Research, 1975. First edition hardback (no statement of printing as per Currey), a Fine copy in a sound, Very Good slipcase from which numerous small (tackhead sized and smaller) pieces of the affixed wrap-around paper label have chipped away, plus a few other touches of dust and wear, sans dust jacket, as issued, signed by Bradbury on page 37. Critical companion on Bradbury’s work. Currey, page 59. Tymn, Schlobin, Currey, 221. Bought off eBay for $59.

  • Brin, David. The Best of David Brin. Subterranean Press, 2021. First edition hardback, #289 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket. Lots of good stories in here, including “Dr. Pak’s Preschool” and “Thor Meets Captain American.” (Though I can’t believe they left out “A Stage of Memory.”) Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.
  • Bryant, Tim, editor (with Joe R. Lansdale). Mule Tales. The Runaway Mule, 2012. First edition trade paperback original (a POD book), a Fine copy, new and unread. Anthology to benefit a now-defunct shop in Lansdale’s home town of Nacogdoches. Joe R. Lansdale contributes six pieces. Bought from Amazon.
  • Buckell, Tobias S. Shoggoths in Traffic and Other Stories. Fairwood Press, 2021. First edition trade paperback edition, a Fine copy, new and unread. Short story collection. I have copies of this available through Lame Excuse Books.
  • Bull, Emma, and Will Shetterly. Double Feature. NESFA Press, 1994. First edition hardback, #24 of 175 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase. Short story collection by this pair of married Minnesota writers. Bought off eBay for $20.50.
  • Cahill, James, editor. Lamps on the Brow. James Cahill Publishing, 1998. First edition hardback, #70 of 274 numbered copies signed by all the contributors, a Fine copy, sans dust jacket, in a Fine slipcase, as issued. Low print-run anthology of original stories (all save the last one by A. E. van Vogt), featuring Gene Wolfe, Mike Resnick, Andre Norton, Bruce Bethke, etc., plus an introduction by Ben Bova. I also have Ten Tales, a similar Cahill anthology. Cahill was active in the 1990s, publishing books by Joe R. Lansdale, Tim Powers, etc. I also think he did some mystery limited editions. Bought off eBay for $58, slightly more than half the original publication price of $100.

  • Campbell, John W. and Aladra Septama. When the Atoms Failed b/w The Dragons of Space. Armchair Fiction, 2016. First edition trade paperback originals, a Fine copy. Contains “When the Atoms Failed” (one print reprint) and “The Metal Horde” (no print reprints) from Campbell, and the Septama had never been reprinted previously (though, according to Bleiler’s Science Fiction: The Gernsback Years, it’s really bad…).
  • Card, Orson Scott. Alvin Journeyman. Tor, 1995. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Card: “For Rocco,/A fellow voyager/Orson Scott Card.” Fourth Alvin Maker book. Bought for $5 off eBay.
  • Card, Orson Scott. Heartfire. Tor, 1998. First edition hardback, a Fine copy in a Fine dust jacket, signed by Card. Fifth Alvin Maker book. Bought for $5 off eBay.
  • Card, Orson Scott. Prentice Alvin. Tor, 1995. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Card: “to Rocco—,/Out of the fire, into the light/Orson Scott Card/ 5 Oct 96.” Third Alvin Maker book. Bought for $5 off eBay.
  • Carriger, Gail (pen name for Tofa Borregaard). Fan Service. Subterranean Press, 2019. First edition hardback, a PC copy of 500 signed, numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued. “Collected Supernatural Society Books.”
  • Case, Jim (pseudonym for Chet Cunningham and Joe R. Lansdale). Cody’s Army. Warner Books, 1986. First edition paperback original, a Near Fine- copy with a crease across the bottom corner and thin black lines at head, but otherwise tight and square. Military adventure novel. “The four man anti-terrorist guerilla unit.” Joe says he wrote one chapter in this. Stephen Mertz sold the series and had various writers work on different volumes, and confirmed Cunningham wrote this one except for one chapter from Lansdale. Bought off Amazon for $5, where the seller called it a “Fine” copy.
  • Chabon, Michael. Moonglow. Harper Collins, 2016. First edition hardback, a Fine copy in a Fine- dust jacket with a trace of wear at head and heel and slight wrinkling at head, signed by Chabon, with a one page insert from Parnassus Books for “Dear First Edition Members” laid in. Supplements a slipcased signed limited edition done for Powell’s Books. Bought in a Houston-area Half Price Books for $9.99.
  • Chambers, Robert W. (S. T. Joshi, editor). The Harbor-Master: Best Weird Stories of Robert W. Chambers. Hippocampus Press, 2021. First edition trade paperback original, a Fine copy. Includes some supernatural stories not in The King in Yellow.
  • Child, Lee. A Little Gold Book of Unconsidered Trifles. Borderlands Press, 2021. First edition hardback, #498 of 600 signed and numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued. Mixture of fiction and non-fiction by the best-selling author of the Jack Reacher series, some original to this volume, including a piece from Esquire. Bought from the publisher at the usual discount. I have a copy of this available through Lame Excuse Books.

  • “Conrad, Joseph” (Adam Newell). At the Door of Darkness. Sangrail Press, 2020. First edition chapbook original, #66 of 100 numbered copies, a Fine copy in white envelope and numbered brown cardboard mailer, as issued. Somewhat elaborate production, with tipped-in linocut frontispiece and tissue guard and duplicated pages from the “original” manuscript for Heart of Darkness featuring a deleted scene. A very sly literary endeavor. I have a copy of this available through Lame Excuse Books.

  • Davidson, Avram. And Don’t Forget The One Red Rose. Dryed Press, 1986. First edition chapbook original, one of 185 copies in wraps, a Fine copy. Won off eBay for $13 plus shipping. Now I need to track down one of the 15 hardbacks…

  • Dirda, Michael. On Conan Doyle. Princeton University Press, 2012. First edition hardback, a Fine copy in a Fine dust jacket, with publisher’s information card laid in. Critical book on Arthur Conan Doyle, covering both Sherlock Holmes and his other works. Bought at a dealer discount.

  • Derleth, August. 100 Books by August Derleth. Arkham House, 1962. First edition hardback, one of only 200 hardback copies, a Near Fine- copy with wear at head, heel and points (and a few traces elsewhere) on the decorated boards, sans dust jacket, as issued. Inscribed by Derleth: “Best wishes,/August Derleth.” Bibliography. Simultaneous with a much larger paperback run. Joshi, Sixty Years of Arkham House, 65. Jaffery, Horrors and Unpleasantries, 67. Nielsen, Arkham House Books: A Collector’s Guide, 69. Derleth, Thirty Years of Arkham House, 65. Currey, page 155. Tymn Schlobin Currey, A Research Guide to Science Fiction Studies, 247. Chalker Owings, The Science-Fantasy Publishers, page 32 (which notes this was actually published in 1963). Bought off Biblio for $360.

  • Derleth, August as Stephen Grendon. Mr. George and Other Odd Persons. Arkham House, 1963. First edition hardback, a Fine copy in a Fine- dust jacket with possibly a tiny amount of spine fading, right at the edge of perceptability, an extremely bright and attractive copy. Stories written by August Derleth under his open pseudonym, most of which appeared in either Weird Tales or The Arkham Sampler. 100 Books by August Derleth, page 93 (“Awaiting Publication”). Joshi, Sixty Years of Arkham House, 70. Thirty Years of Arkham House, 70. Jaffery, Horrors and Unpleasantries, 72. Nielsen, Arkham House Books, 74. Currey, page 148. Chalker/Owings, Science Fantasy Publishers, page 32. Bleiler, The Guide to Supernatural Fiction, 524. Bought off eBay for $48.

  • Dick, Philip K. The Cosmic Puppets with Dr. Futurity with Vulcan’s Hammer. First editions thus for The Cosmic Puppets and Vulcan’s Hammer, first hardback edition for Dr. Futurity, each #92 of 300 signed, numbered copies, individual volumes signed by Michael Swanwick, Peter Strain, and Chris Moore, each Fine copies in Fine dust jackets and a Fine slipcase, still in shrinkwrap. (The lines you see over the top and bottom of Vulcan’s Hammer are the shrinkwrap join lines.) The Cosmic Puppets was done as a Severn House hardback, and Vulcan’s Hammer as a Gregg Press hardback, and I have both of those, but I thought it behooved me to pick up the first hardback of Dr. Futurity, even though I had to pay cover price for the set. And indeed, it was pretty much out-of-print immediately upon publication.

  • Egan, Greg. Dichronauts. Night Shade Books, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Bought at Half Price Books for $8.99.
  • Ellison, Harlan (edited by Jason Davis). Blood’s A Rover. Subterranean Press/Edgeworks Abbey, 2015. First edition hardback, a PC copy of 26 signed, numbered copies (the only signed edition), a Fine copy in patterned boards and a Fine traycase, sans dust jacket (though the art used for the trade edition dust jacket forms the fold-out frontispiece) as issued. (Most Subterranean books ship with a plastic bag around the book, while lettered editions have the bag around the traycase; this is the first case I’ve seen where they did both.) Collects all Ellison’s Vic and Blood stories. Dedicated to Michael Moorcock and A Boy and His Dog director L. Q. Jones. Long out of print. Bought for $500 (the original offering price) from a Subterranean sale.

  • Ellison, Harlan. The Deadly Streets with Gentlemen Junkie. Edgeworks Abbey/Subterranean Press, 2013. First hardback editions of each, #216 of 250 signed, numbered sets, Fine copies in Fine dust jackets and a Fine slipcase. Two early Ellison collections, originally PBOs, appearing here for the first time in hardback. Richmond, Fingerprints in the Sky, pages 46 and 51. Supplements trade copies of each. Part of a bulk collection purchase.

  • Ellison, Harlan. Edgeworks 1: Over the Edge/An Edge in My Voice. White Wolf, 1996. First edition hardback thus (and first hardback edition of Over the Edge), a Fine copy in a Fine dust jacket, signed by Ellison.
  • Ellison, Harlan. Edgeworks 2: Spider Kiss/Stalking the Nightmare. White Wolf, 1996. First edition hardback thus, a Fine copy in a Fine dust jacket, signed by Ellison.
  • Ellison, Harlan. The Glass Teat & The Other Glass Teat. Charnel House, 2011. First hardback edition, #182 of 250 signed, numbered copies, a Fine copy in decorated boards, sans dust jacket, as issue, with a CD of Harlan reading “Welcome to the Gulag,” the introduction written for this edition laid in. All Ellison’s TV essays and reviews written for The Los Angeles Free Press. Not having a copy of the original binding, I can’t tell you how this 10th Anniversary edition binding differs from the original. Bought from the publisher at a discount.

  • Ellison, Harlan. Jokes Without Punchlines. White Wolf, 1995. First edition perfect-bound chapbook original, a Fine copy, signed by Ellison on the rear cover. A promotional item for the 1995 American Booksellers Association Show in Chicago, released on June 3, 1995, to promote White Wolf’s Edgeworks line of Ellison hardback reprints. They were supposed to reprint all of Ellison’s books in a uniform edition, but only put out four volumes before they pissed off Ellison so badly that he refused to work with them any more. (Sound familiar?) The introduction in which he talks about how much he hates Chicago has apparently never been reprinted. Fingerprints on the Sky, XIII, page 121. Bought off eBay for $40.

  • Ellison, Harlan. Li’l Harlan and his sidekick Carl the Comet in Danger Land. Edgeworks Abbey/Subterranean Press, 2013. First edition hardback chapbook, #WW of 52 signed, lettered copies, a Fine copy, sans dust jacket, as issued. Stories of Harlan paling around with Carl Sagan. I avoided buying this when it came out because it sorta looked super-cringy, but since I’m collecting everything else, and the hardback is rare, I added it to the stack. Richmond, Fingerprints in the Sky, page 121. Part of a bulk collection purchase.

  • Ellison, Harlan. Rockabilly. Gold Medal Books, 1961. First edition paperback original, a Very Good copy with considerable wrinkling and creasing along the spine, plus slight edgewear, signed by Ellison. Fingerprints on the Sky, page 108. Currey, page 178. Bought off eBay for $65.

  • Ellison, Harlan, and Ken Steacy. Night and the Enemy. Graphetti Designs, 1987. First edition hardback graphic novel, #743 of 1,500 signed, numbered copies, a Fine- copy with slight bumping of bottom points in a Fine- translucent printed Mylar dust jacket with a few tiny indentations. Set in Ellison’s Earth-Kyba War universe. Bought off eBay for $30.
  • Farmer, Philip Jose. Greatheart Silver and Other Pulp Heroes. Meteor House, 2019. First edition hardback, a Fine copy in a Fine dust jacket, signed by editor Michael Croteau and introduction author Garyn G. Roberts. Collection of pulp hero tales. Bought off eBay for $24.

  • Fitz Gerald, Caitlin. The Children’s Illustrated Clausewitz: Volume One. Helios House Press, 2021. First edition hardback, a Fine copy in decorated boards, sans dust jacket, in slipcase. Just what it says: An illustrated, children’s version of the lessons imparted in Carl von Clausewitz’s 19th strategy classic On War. In this book, the role of Clauswitz is played by a hare. Extras from the Kickstarter include a portfolio of four full page cardstock illustrations in printed envelope (“A Year in Hare Clausewitz’s Classroom”), a set of temporary tattoos, and an Ex-Libris sticker. Bought for backing the Kickstarter for £38, including slipcase and shipping. Technically this qualifies as a talking animal fantasy, but what it vaguely reminds me of is a series of pamphlets starting with The Fight at Dame Europa’s School, which cast late 19th century European geopolitical conflight as an inter-school fight, with each student representing a different country. Bought off a Kickstarter.

  • “Fitzgerald, F. Scott” (Adam Newell). Gods of Darkness. Sangrail Press, 2021. First edition chapbook original, #150 of 250 numbered copies, a Fine copy in numbered brown cardboard mailer, as issued. Another elaborate production, with tipped-in frontispiece illustration. “F. Scott Fitzgerald’s forgotten tale of a Lovecraftian witch cult, not in any edition of his collected works.” I have copies of this available through Lame Excuse Books.

  • Fletcher, David, editor. Tiger! The Tiger Tank: A British View. The Tank Museum, 2021. First revised edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. A considerably revised edition of a book first published in 1986, featuring extensive British intelligence documentation and analysis gathered on captured Tiger 131 (still, I think, the only fully running, intact, surviving Tiger 1 from World War II, and the Tiger seen in Fury). The paperback version of this book is available through the Tank Museum, but this hardback was done as a Kickstarter-like deal through them, and my name can be found on page 255. Bought for £32.94, including transatlantic shipping.

  • Foster, Alan Dean. The Director Should’ve Shot You: Memoirs of the Film Trade. Centipede Press, 2021. First hardback edition, #430 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, still in shrinkwrap. I haven’t read any Foster novels since one of the early Pip and Flinx books way back in my misspent youth, but this one interests me. As the king of media tie-in novels, from Star Wars to Alien to Krull, Foster has worked on a lot of big hits (and misses), and in this book he dishes on all the behind-the-scenes drama he witnessed in in his career. This signed edition is already sold out from the publisher. Bought from the publisher at the usual discount. I have one copy of this available through Lame Excuse Books.

  • Fowler, Karen Joy. What I Didn’t See and Other Stories. Small Beer Press, 2010. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of wrinkling at top rear, signed by by Fowler. Short story collection. Part of a bulk collection purchase.

  • Fraser, George MacDonald. Flashman and the Tiger. Harper Collins, 1999. First edition hardback, a Fine copy in a Fine dust jacket. Collection of three Flashman novellas. I’d always heard the Flashman books were great, but haven’t actually read any. Bought for $7.99.
  • Gaiman, Neil (with Leslie S. Klinger). The Annotated American Gods. Morrow, 2019. First edition hardback, a Fine copy in a Fine dust jacket. Annotated version of Gaiman’s Hugo, Nebula and World Fantasy Award-winning novel, made into the acclaimed TV series of the same name. This edition follows the text of the 10th Anniversary edition, but the annotations note where it differs from the first edition (among other things). Bought for $24.99 from a Houston-area Half Price Books. I have one copy of this available through Lame Excuse Books.

  • Gaiman, Neil. The Ocean at the End of the Lane. William Morrow, 2013. First edition hardback, a Fine copy in a Fine dust jacket, signed by Gaiman. Part of a bulk collection purchase.
  • Gaiman, Neil. Smoke & Mirrors. Subterranean Press, 2014. First edition hardback thus, a PC copy of 500 numbered copies signed by Gaiman and illustrator Dave McKean. Preceded by both the Dreamhaven Angels and Visitations in 1993 and the Avon Smoke and Mirrors from 1998 (both of which I have). Includes new art by McKean. Sold out quickly the year of publication. Bought for $250 (the offering price).

  • Gaiman, Neil and J. H. Williams III. The Sandman Overtures Absolute Edition. DC Comics, 2018. First edition hardback, a Fine copy in a Fine slipcase, sans dust jacket, as issued. Given to me as a birthday gift.
  • (Gibson, William) Westfahl, Gary. William Gibson. University of Illinois Press, 2013. First edition trade paperback original, a Fine copy. Critical companion to Gibson’s work. Bought at Half Price Books for $12.49.
  • Gordon, David. Sergeant Santa: A Joe the Bouncer Tail. Mysterious Bookshop, 2021. First edition chapbook original, a Fine copy. Mystery chapbook. A freebie thrown in with an order from them. Not previously listed here.
  • Greenberg, Martin. The Robot and the Man. Gnome Press, 1953. First edition hardback, a Very Good+ copy with top of spine very slight concave, edges of head and heel slightly soft, and a 2″ crack starting to bottom front inner hinge, in a Very Good dust jacket with shallow chipping at head and heel, some edgewear along front bottom and at top near fold, slight, faint spotting along rear fold edge, and a crease running down the entire front cover right next to the flap fold, as though the book were folded not quite on center and corrected much later, plus a few other touches of wear. Still, the white portions of the jacket are reasonably bright and the pages lack the horrific browning that plagues later Gnome titles. Reprint anthology of robot stories, including some from Henry Kuttner and C. L. Moore (not a Gallagher story), Lester del Rey (two stories), A. E. van Vogt, John D. MacDonald, and Bernard Wolfe. Chalker/Owings, page 200. Kemp, The Anthem Series, 225-26. Part of a bulk collection purchase.

  • Hand, Elizabeth (edited by Bill Sheehan). The Best of Elizabeth Hand. Subterranean Press, 2021. First edition hardback, #225 of 1000 signed, numbered copies, a Fine copy in a Fine dust jacket. I have copies of this available through Lame Excuse Books.
  • Heinlein, Robert A. JOB: A Comedy of Justice. Del Rey, 1984. First edition hardback, #109 of 750 signed, numbered copies, a Fine copy in a Near Fine slipcase with a quarter-sized water spot and a faint scratch, sans dust jacket, as issued. Not my favorite Heinlein, but quite readable by the standards of late-period Heinlein. Bought off eBay for $300.

  • Hill, Joe (with Jason Ciaramella and Vic Malhotra). Thumbprint. IDW, 2013. First edition, a Fine copy in decorated boards, sans dust jacket, as issued, signed by Hill. Based on the Hill novella.

  • Hodgson, William Hope (Sam Moskowitz, editor). Out of the Storm. Donald M. Grant, 1975. First edition hardback, a Fine copy in a Fine dust jacket. Uncollected fantasies, with Stephen Fabian illustrations. Bought off a fellow Biblio dealer for $20 after discount.
  • Howard, Robert E. Almuric. Donald M. Grant, 1975. First hardback edition, a Fine copy in a Fine dust jacket. Currey, page 248. Locke, Spectrum of Fantasy, page 117. I put off picking up these Donald M. Grant Howard firsts for quite a while since they seemed readily available, but that no longer seems to be the case. Bought off a fellow Biblio dealer for $18.
  • Howard, Robert E. The Horror Stories of Robert E. Howard. Subterranean Press, 2010. First limited edition hardback (the Del Rey trade edition precedes), a PC copy of 50 signed, numbered (so says the limitation page, though this is the Lettered edition) leatherbound copies, signed by artist Greg Staples, a Fine copy in a Fine traycase, sans dust jacket, as issued. A lavish production. Supplements a copy of the ordinary numbered edition. Bought for $200, a hefty 50% off the original offering price of $400.

  • Howard, Robert E. Two Against Tyre. Dennis McHaney, 1975. First edition chapbook original, one of 1,500 copies (Currey state B), a Fine- copy with slight wear to black border at top front and slight dust staining along spine. Currey, page 252. Bought off a fellow Biblio dealer for $8.10.
  • (Howard, Robert E.) Charles Hoffman and Marc Cerasini. Robert E. Howard: A Closer Look. Hippocampus Press, 2020. First edition trade paperback original thus, a Fine copy. Critical companion on Howard’s work greatly expanded and revised from a 1987 Starmont Reader’s Guide edition. I have one copy of this available through Lame Excuse Books.
  • King, Stephen, and Richard Chizmar. Gwendy’s Button Box. Cemetery Dance, 2017. First edition hardback, a Fine copy in a Fine dust jacket, signed by Chizmar. “A brand new Castle Rock novella.” Bought at a Half Price Books in Houston for $30.

  • (King, Stephen) Blue, Tyson. The Unseen King. Starmont House, 1989. First edition hardback, #24 of 100 copies with a signed, numbered sheet done for The Overlook Connection laid in, a Fine copy in decorated boards, sans dust jacket, as issued. Critical companion of Stephen King works that had never (up to this publication) been republished. I’m sort of half-assedly collecting all these Starmont House/Borgo Press SF/F/H critical hardbacks when I find them cheap. Won off eBay for $15.50.

  • (King, Stephen, and Peter Straub) Chizmar, Richard, and Johnathon Schaech. A Little Silver Book: A Screenplay Borderland Press, 2021. First edition hardback, #498 of 1,000 signed, numbered copies, a Fine copy, sans dust jacket, as issued. A screenplay based on Stephen King and Peter Straub’s Black House. Bought from the publisher at the usual discount.

  • (King, Stephen) Terrell, Carroll F. Stephen King: Man and Artist. Northern Lights, 1990. First edition hardback, #158 of 400 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine- slipcase with two pinprick nicks to the top rear. Critical companion. Won off eBay for $30.51.

  • Koontz, Dean. Devoted. Short Scary Tales (SST) Publications, 2021. First limited edition hardback, #217 of 500 copies signed by Koontz, introduction author Joe R. Lansdale, and artist Dirk Berger, a Fine copy in a Fine dust jacket and Fine decorated slipcase. A boy and his Golden Retriever vs. evil. What’s not to like? A hefty 574 page volume. Bought from the publisher at the usual discount. I have a copy of this available through Lame Excuse Books.

  • Lafferty, R. A. The Collected Short Fiction Volume Six: The Man Who Never Was. Centipede Press, 2021. First edition hardback, #40 of 300 numbered copies signed by Neil Gaiman, John Pelan, and Jacob McMurray, a Fine copy in a Fine dust jacket. Presumably the last volume edited by John Pelan, who died April 12. Bought from the publisher at the usual discount.
  • Lafferty, R. A. The Early Lafferty II. United Mythologies Press, 1990. First edition chapbook original, #57 of 100 signed, numbered copies, a Near Fine copy with some phantom creasing on the top left front cover. Bought for $49.99 off eBay. The signed copy of this chapbook original sold for $7, and the unsigned for $4, and both editions are now scarce and pricey.

  • (Lafferty, R. A.) Cheek, Kevin, editor. Feast of Laughter Volume 5. Kistic Press, 2020. First edition trade paperback original (POD publication), a Fine copy. Ongoing anthology series of Lafferty interest, including fiction, essays, etc. Includes three Lafferty works (“The Hands of the Potter: An Idyll” (which seems to be fiction, and not in the ISFDB), “Astérix et Cléopâtra” (a review of the French comic) and “Riddle Writers of the Ithmus,” a short essay. Plus contributions from Michael Swanwick, Howard Waldrop, etc. Bought from Amazon at full price, since they do fulfillment (and hence the link on the title).
  • Lansdale, Joe R. Apache Witch. Independent Legions/The Last Bookstore, 2021. First edition hardback, #33 of 180 numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued. Poetry collection (Lansdale’s first). Bought directly from the publisher. Now out of print. I have copies of this available through Lame Excuse Books.

  • Lansdale, Joe R. Blood Dance. Subterranean Press, 2000. First edition hardback, letter R of 18 signed, lettered copies, a Fine copy in a beautiful full-cloth binding and a Fine traycase with an additional Mark A. Nelson illustration mounted on the inside front cover, sans dust jacket, as issued. The Lost Lansdale Volume Three. Bought for $250 off a private collector.

    Note: The bottom right of the illustration looks strange due to reflections off the protective plastic covering over the illustration.

  • Lansdale, Joe R. The Bottoms. Subterranean Press, 2000. First edition hardback, letter R of 26 signed, lettered copies, a Fine leatherbound copy in a Fine dust jacket and Fine traycase with full color illustration mounted inside front lid. The Subterranean edition was the true first edition, preceding the Mysterious Press edition by several months. Edgar Award winner for Best Novel. Bought for $300 from a private collector, which is just twice list price for the regular numbered edition.

  • Lansdale, Joe R. Coco Butternut. Subterranean Press, 2017. First edition hardback, trade edition, a Fine copy in a Fine dust jacket. Hap and Leonard novella. Somehow I ended up picking up two limited editions of this, so I never picked up a trade edition until now. Bought from Camelot Books for $17.50.
  • Lansdale, Joe R. Cold in July with Savage Season. Mark V. Ziesing, 1989/1990. First hardback edition and first edition hardbacks, Fine- (Cold in July)/Near Fine+ (Savage Season) with faint spotting at head, heel and on pageblock, in Fine dust wrappers, and a Fine- slipcase with a touch of wear, each inscribed to late Texas writer Carrier Richerson. While these are the trade hardbacks, one thing Ziesing did for this and the Waldrop set was offer the trade editions in overrun slipcases (something to check for if you’re buying a set). Supplements a PC limited set I got for helping transcribe Cold in July for Ziesing. Isajenko, World Lansdelean A011b and A013a. Bought at Armadillocon for $32.

  • Lansdale, Joe R. The Drive-In. Centipede Press, 2015. First edition hardback thus, a signed, illustrated omnibus of The Drive-In, The Drive-In 2, and The Drive-In: The Bus Tour, one of 300 signed, numbered copies, a Fine copy in a Fine dust jacket, still in shrink wrap. I passed on picking this up when it first came out because I already had the PBO firsts of the first two, the hardback firsts of all three (two from Kinnell, the third from Subterranean), and The Complete Drive-In omnibus of all three from Underland Press. But this disappeared pretty quickly, and I decided to pick it up because I’m crazy Lansdale completist. Bought off a fellow dealer for $120.
  • Lansdale, Joe R. Fishing for Dinosaurs. Subterranean Press, 2020. First edition hardback, #367 of 2500 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought from the publisher at the usual discount. Really nice endpapers. I have copies of this available through Lame Excuse Books.
  • Lansdale, Joe R. Hap and Leonard: Of Mice and Minestrone. Short Scary Tales (SST) Publications, 2021. First hardback edition and first limited edition (the Tachyon trade paperback, which I also have, precedes), #101 of 400 signed, numbered copies, a Fine copy in a Fine dust jacket. Linked Hap and Leonard short stories. I have copies of this available through Lame Excuse Books.

  • Lansdale, Joe R. The Hungry Snow. Death’s Head Press, 2021. First edition trade paperback original (a side-sewn chapbook), #40 of 500 numbered copies, a Fine copy, new and unread, with Death’s Head Press bookmark and card laid in. A Reverend Jedidiah Mercer story. Illustrated by Tim Truman. Bought from the publisher at a very thin discount. I have copies of this available through Lame Excuse Books.

  • Lansdale, Joe R. The Long Ones. Necro Publications, 1999. First edition hardback, letter R of 26 signed, leatherbound lettered copies, a Fine copy in a Fine traycase, sans dust jacket, as issued. In addition to the leather binding and traycase, this edition features an inserted (not attached) printed ribbon with title and author, a color frontispiece illustration, and several inserted black and white illustrations not in the ordinary numbered edition. Bought from a private collector for $300.

    Lansdale, Joe R. The Nightrunners. Dark Harvest, 1987. First edition hardback, letter X of 26 signed, lettered copies, a Fine copy in white leather and a wooden slipcase (AKA “slipcrate”), sans dust jacket, as issued. (Note: The wooden slipcase has three small notches at the back, but given the uniform staining, they were there when the book left the publisher.) Lansdale’s landmark splatterpunk novel, featuring two very bad boys and The God of the Razor. Chalker/Owings, page 120 (Jack was not a fan of the novel). Bought off a fellow Biblio dealer for $315.

  • Lansdale, Joe R. On The Far Side of the Cadillac Desert With Dead Folks. Roadkill Press, 1991. First separate edition chapbook, #488 of 500 signed, numbered copies, a Fine copy. Originally appeared in the 1989 Skipp & Spector anthology The Book of the Dead. Bought from a private collector for $25.
  • Lansdale, Joe R. The Orbit #1. Subterranean Press, no date (but 1999). First edition chapbook original, a Fine copy. “The Official Joe R. Lansdale Newsletter.” First of two put out. With:
  • Lansdale, Joe R. The Orbit #2. Subterranean Press, no date (but 1999). First edition chapbook original, a Fine copy. Second and last issue. Bought for $15 for the pair off a private collector.

  • Lansdale, Joe R. The Sky Done Ripped. Subterranean Press, 2019. First edition hardback, #324 of 350 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Third book in the Ned the Seal trilogy. This edition features a collection of sketches at the back not in the trade edition. Supplements a signed copy of the trade edition. Bought for $47.50.
  • Lansdale, Joe R. (originally writing as Ray Slater). Texas Night Riders. Subterranean Press, 1997. First edition hardback thus and first U.S. hardback edition (preceded by the PBO and the Chivers large print hardback), copy P of 26 signed and lettered copies, a Fine copy bound in quarter-leather, in a Fine- patterned slipcase with slight rubbing to corners, sans dust jacket, as issued. This was early in Subterranean’s history, and they were still using the 4 x 3 acrostic spine logo. Bought for $220.

  • Lansdale, Joe R. The Thicket. Mullholland Books/Little Brown, 2013. First edition hardback, a Fine copy in a Fine dust jacket. Bought for $5 as part of the Lansdale documentary fundraiser.
  • Lansdale, Joe. R. Tight Little Stitches In A Dead Man’s Back. Pulphouse, 1992. First edition hardback chapbook, #70 of 100 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Short story hardback issue #28. Story originally appeared in John Maclay’s Nukes anthology in 1986. This is the first separate edition. Bought from a private collector for $75 (which is considerably more than I paid for The Steel Valentine).

  • Lansdale, Joe R. Waltz of Shadows. Subterranean Press, 1999. First edition hardback, letter R of 52 signed, lettered copies, a Fine copy in a Fine dust jacket and a Fine- traycase with a few small, shallow, random indentations. The Lost Lansdale Volume One. Chalker/Owings (2002), page 855. Unnoted by Chalker/Owings (or my proof copy of The World Lansdalian), this edition is bound in a very attractive, deep purple cloth rather than the light blue of the trade edition. Bought for $190 ($5 less than cover).

  • Lansdale, Joe R., Howard Waldrop and Neal Barrett, Jr. The Gonzo Tapes. Scorpio Inc., no date (Howard says he recorded his October 7, 1992; since they were first sold at Armadillocon, and that year’s Armadillocon started just two days later, I’m guessing it was released at the 1993 Armadillocon). First edition cassette tape package, containing three cassettes with two stories each being read by authors Joe R. Lansdale (“Steppin’ Out, Summer 1968” and “By Bizarre Hands”), Howard Waldrop (“French Scenes” and “The Passing of the Western”) and Neal Barrett, Jr. (“Winter on the Belle Forche” and “Class of ’61”), along with a single trifold sheet attached to the inside of the front case lid with adhesive to the back, a Fine copy. Bought from that same private collector for $10.

  • Lansdale, Joe R. (edited by Bill Sheehan and William Schafer). Joe R. Lansdale’s Lords of the Razor. Subterranean Press, 2006. First edition hardback, a PC copy of 26 lettered copies, a Fine copy in a Fine dust jacket and what would be a Fine leather traycase, save: A.) The leather stitching is somewhat uneven around the perimeter of the book, and B.) When I went to open this, the glued-on leather tab for the book fell off. I’m guessing these production problems were why Subterranean abandoned this design for lettered editions. Anthology featuring Lansdale’s God of the Razor from The Nightrunners. Formerly co-editor (and Subterranean Press founder and owner) William Schafer’s copy. Supplements a signed, numbered copy. Bought from Camelot Books for $346.50.

  • Lansdale, Joe R., editor. The Horror Hall of Fame: The Stoker Winners. Cemetery Dance, 2021. First edition hardback, #WW of 52 signed (by Lansdale), lettered, traycased copies, a Fine copy in a Fine dust jacket and a Fine traycase. Anthology of Stoker Award winning stories from Robert Bloch, George R. R. Martin, Harlan Ellison, etc. Isajenko, World Lasdalean, D13aiii. Supplements trade and limited edition copies. Bought off eBay for $125 plus shipping.

  • (Lansdale, Joe R.) Isajenko, Fred. The World Lansdalean: The Authorized Joe R. Lansdale Bibliography. Short, Scary Tales (SST) Publications, 2021. Uncorrected proof, trade paperback format, of the hardback first edition. Sent to me for spot-checking, and I sent them back a list of some things that were missing, etc.

  • (Lansdale, Joe R.) Fred Isajanko. The World Lansdalean: The Authorized Joe R. Lansdale Bibliography. Short Scary Tales (SST) Publications, 2021. First edition hardback, #101 of 1000 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Bibliography of Lansdale’s work, that also includes bonus Lansdale fiction in the back. I have not checked to verify that all of my edit suggestions on the ARC made it into the final edition.

  • Leiber, Fritz. The Demons of the Upper Air. Roy A. Squires, 1969. First edition chapbook original, 143 of 275 copies number in Arabic numerals, a Fine copy in Fine wrappers, additionally inscribed “To/Chris/from/Fritz,” in a Fine original printed envelope, and even the original stiff cardboard mailer from Squires! Poetry. Squires always did beautiful work. Chalker/Owings, page 588. Bought off eBay for $50.

  • Ligotti, Thomas. Death Poems. Bad Moon Books, 2013. First edition hardback thus, #50 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket. There was an earlier edition of this from Dutro Press, but this edition is expanded with additional material. Bought off eBay for $75.

  • Lovecraft, H.P. (S. T. Joshi and David E. Schultz, editors). Letters to Alfred Galpin and Others. Hippocampus Press, 2020. First edition trade paperback original thus, a Fine copy. “A new edition, augmented here with over 200 new pages of material.” Primarily letters Lovecraft wrote to his amateur press association correspondents.
  • Lovecraft, H.P. (S. T. Joshi and David E. Schultz, editors). Letters to E. Hoffman Price and Richard F. Searight. Hippocampus Press, 2020. First edition trade paperback original, a Fine copy. Hoffman was an acclaimed Weird Tales writer in his own right, and also friends with Robert E. Howard (who is a frequent topic in these letters). Searlight also had pieces appear in Weird Tales.
  • Lovecraft, H.P. (S. T. Joshi and David E. Schultz, editors). Letters to Family and Family Friends Volume 1 with Letters to Family and Family Friends Volume 2. Hippocampus Press, 2020. First edition trade paperback originals, both Fine copies. Over 1,000 pages of letters, with page numbers across both volumes, plus a Glossary, an Index, etc.
  • Lovecraft, H.P. (S. T. Joshi and David E. Schultz, editors). Letters to Rheinhart Kleiner and Others. Hippocampus Press, 2020. First edition trade paperback original thus, a Fine copy. “A new edition, augmented here with nearly 250 new pages of material.” Letters Lovecraft wrote to one of his oldest friends, having known Kleiner since 1915. Other correspondence includes letters to other amateur journalists and members of the New York City-based Kalem Club.
  • (Lovecraft, H.P.) Sammons, Brian M and Glynn Owen Barrass, editors. Summer of Lovecraft: Cosmic Horrors in the 1960s. Dark Regions Press, 2021. Trade paperback reprint (a POD edition), a Fine copy. Bought for $9.
  • Magill, Frank, editor. Critical Survey of Mystery and Detective Fiction Authors. Salem Press, 1988. First edition hardbacks, a four volume set, reasonably clean Ex-Library copies, with slight signs of sticker removal from spine and a few bits of interior writing or marker crossout, but no pocket removal, sans dust jackets, as issued. Four volumes covering just about every important mystery writer up to that time (no Joe R. Lansdale, though, as this was right before the first Hap & Leonard novel). Bought for (I think) $20 from Scott Cupp at Armadillocon.

  • Martin, George R. R. A Knight of the Seven Kingdoms. Subterranean Press, 2016. First signed limited edition hardback, a Fine PC copy of 52 leatherbound lettered copies signed by Martin and illustrator Gary Gianni, in a Fine traycase, sans dust jacket, as issued. An elaborate production, with full color fold-out frontispiece artwork and inserted card-stock separator, and a high quality embossed leather binding. Long out of print from the publisher. (In fact, I’m not even sure they ever offered the lettered edition in their email newsletter.) Bought for $600, a substantial discount from the original $750 offering price.

  • Matheson, Richard. Shadow on the Sun. M. Evans & Company, 1994. First edition hardback, a Fine copy in a Fine dust jacket (after a jacket swap), signed by Matheson. Weird western. Bought from a fellow Biblio dealer for $28.
  • McDevitt, Jack. Cauldron. Easton Press, 2007. First edition (ISFDB shows it out three months before the Ace trade edition), #677 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by McDevitt), an unused personalization plate, and an insert card “a note about CAULDRON and the author JACK McDEVITT” laid in, sans dust jacket, as issued. Obtained as part of a bulk library purchase.
  • McDevitt, Jack. The Devil’s Eye. Easton Press, 2008. First edition thus, #824 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by McDevitt), an unused personalization plate, and an insert card “a note about THE DEVIL’S EYE and the author JACK McDEVITT” laid in, sans dust jacket, as issued. Obtained as part of a bulk library purchase.
  • McDevitt, Jack. Odyssey. Easton Press, 2006. First edition (ISFDB shows it out two months before the Ace trade edition), #881 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by McDevitt), an unused personalization plate, and an insert card “a note about ODYSSEY and the author JACK McDEVITT” laid in, sans dust jacket, as issued. Obtained as part of a bulk library purchase.
  • McDevitt, Jack. Omega. Easton Press, 2003. First edition (ISFDB shows it out three months before the Ace trade edition), #885 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by McDevitt), an unused personalization plate, and an insert card “a note about OMEGA and the author JACK McDEVITT” laid in, sans dust jacket, as issued. Obtained as part of a bulk library purchase.
  • McDevitt, Jack. Polaris. Easton Press, 2004. First edition (ISFDB shows it out five months before the Ace trade edition), #526 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by McDevitt), an unused personalization plate, a thin color-printed paper bookmark for the novel with McDevitt’s name, SFWA URL (no longer valid) and white out in the middle upon which “Cryptic, Inc.” (which I think used to be Jack’s business entity) typed or stamped on top, and an insert card “a note about POLARIS and the author JACK McDEVITT” laid in, sans dust jacket, as issued. Obtained as part of a bulk library purchase.
  • McDevitt, Jack. Seeker. Easton Press, 2005. First edition thus, #666 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by McDevitt), an unused personalization plate, and an insert card “a note about SEEKER and the author JACK McDEVITT” laid in, sans dust jacket, as issued. Nebula winner for Best Novel. Obtained as part of a bulk library purchase.
  • McDevitt, Jack. Time Travelers Never Die. Easton Press, 2009. First edition thus, #90 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by McDevitt), an unused personalization plate, and an insert card “a note about TIME TRAVELERS NEVER DIE and the author JACK McDEVITT” laid in, sans dust jacket, as issued. Obtained as part of a bulk library purchase.

  • Mieville, China. The Last Days of New Paris. Subterranean Press, 2017. First limited edition hardback (the Del Rey trade edition precedes), a PC copy of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. Supplements a copy of the numbered edition. Long out of print. Bought for the original offering price of $250.

  • Moon, Elizabeth. Marque and Reprisal. Easton Press, 2004. First edition thus, #408 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Moon), an unused personalization plate, and an insert card “a note about MARQUE AND REPRISAL and the author ELIZABETH MOON” laid in, sans dust jacket, as issued. Obtained as part of a bulk library purchase.
  • Moon, Elizabeth. The Speed of Dark. Easton Press, 2003. First edition thus, #809 of 1,000 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Moon), an unused personalization plate, and an insert card “a note about THE SPEED OF DARK and the author ELIZABETH MOON” laid in, sans dust jacket, as issued. Interesting near future novel told from the viewpoint of a high-functioning autistic programmer. Nebula winner for Best Novel. Supplements a copy of the trade hardcover first inscribed to me (ISFDB says that the UK Orbit paperback edition is the true first). Obtained as part of a bulk library purchase.

  • Moorcock, Michael (edited by John Davey). Into The Media Web: Selected short non-fiction, 1956-2006. Savoy Books, 2010. First edition hardback, a Fine- copy with slight bumping at head and heel in a Near Fine dust jacket with slight grubbiness, slight creasing at top front cover and a 1/8″ closed tear at top front fold, and slight bumping at heel. Inscribed by Moorcock to fellow writer (and New World contributor) John Baxter: “To John,/Some embarrassments/some bullshit and maybe/a little bit/of truth./All very/best, as/ever yours/Mike,” plus a signature dated “18th July ’10.” 300,000+ word, 717 page collection of non-fiction, including essays, reviews, etc. covering books, film, music, etc. (Here’s a post on the book’s design.) Reportedly had a hardback print run of less than 100 copies, though I haven’t nailed down exactly how many. Bought for £140 plus shipping.

    After I picked this up, Mike mentioned that he thought Baxter’s Ballard book was “lazy, shallow, salacious and sensational.”

  • (Moorcock, Michael) Cawthorn, James. The Stormbringer Sessions. Jayde Designs/Savoy Books, 2021. First edition hardback, an oversized graphic novel format. #30 of 100 numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase, with a sheet replicating the cover art laid in. A graphic novel reprinting Cawthorn’s rough sketch’s for Michael Moorcock’s Elric: The Book of Stormbringer, a much more complete and elaborate graphic novel adaptation of the concluding Elric book than the version published by Savoy Books in 1976. At £100 plus transatlantic shipping, it’s a pricey item, but with such a small limitation (with only an additional 100 trade copies) for a Moorcock item, I thought it was better to snap it up when I could (and indeed, all copies are now sold out).

    The scan chops off the very bottom of the cover, because that was all that would fit on my scanner.

    The slipcase is embossed with a red foil version of Moorcock’s eight-arrowed chaos symbol:

  • Moore, Alan. Jerusalem. Knockabout Books, 2016. First edition hardback, a Fine copy in a Fine- dust jacket with slight edgewear and slight haze-rubbing. Massive, 1174-page novel whose premise is that Northhampton is the actual center of the world. Looks interesting, but Lord know when I’ll ever find time to read it. Actually, I should probably read Voice of the Fire first. Bought for (I think) $16 from Scott Cupp at Armadillocon.
  • Moore, Ward. Breathe the Air Again. Harper & Brothers, 1942. First edition hardback (stated), a Near Fine copy with dust staining at top and bottom page blocks and slight bend at head and heel in a Near Fine, price-clipped dust jacket with price stamp of “2.95” next to clip, slight grubbiness (most noticeable to back rear cover), plus shallow closed tears at head and heel; despite that, it’s a bright, vibrant example of a dust jacket for which I can find no other scan on the Internet. Interestingly, this copy has a different binding, and even appears to be a different trim size, than my other copy. I now believe my earlier copy is not only a library rebind, but one for which the page blocks were trimmed as part of the rebinding process. Reportedly a Picaresque mainstream novel of labor organizing. Bought off an Internet dealer for $265.50.

    Current copy on the left, older copy on the right

  • Murphy, Pat. The Falling Woman. Tor, 1986. First edition hardback, a Fine copy in a Fine first state dust jacket (curvy letters on spine, black (not red) lines inside letters on front cover, no blurbs on back cover, and no author photo on rear dj flap), signed by Murphy. Winner for the Nebula Award for best novel. Supplements a copy of the first edition with a second state dust jacket inscribed to me by Murphy.
  • Niven, Larry. The Magic Goes Away. Ace, 1978. First edition hardback, #243 of 1000 signed, numbered copies, a Fine copy in a Fine dust jacket. Signed and hand numbered (it looks like by Niven himself) on the front free endpaper. Bought off the Internet for $38.25

  • Nolan, William F. Writing as Life. Dark Regions Press, 2021. First edition hardback, #34 of 200 signed, numbered copies, a Fine copy in a Fine dust jacket, still in shrinkwrap. Mixture of fiction, non-fiction, poetry and autobiography. Bought for $37.50.
  • Palwick, Susan. All World Are Real. Fairwood Press, 2019. First edition trade paperback edition, a Fine copy, new and unread. Short story collection.
  • Powers, Tim. Artificial Light. Charnel House, 2021. First edition hardback, #67 of 100 signed, numbered hardback copies in Japanese Red Snow Dust silk (the same material used for Charnel Houses’ edition of Powers’ Collected Stories), a Fine copy, sans dust jacket, as issued. A beautiful Charnel House production. Bought from the publisher at the usual discount. There’s also a lettered state and a wraps state (not seen).

  • Powers, Tim. Last Call. Charnel House, 1992. First edition hardback (“by a whisker” says Chalker/Owings), #141 of 350 signed, numbered copies, a Fine copy in a Fine- decorated slipcase with some rubbing to bottom and at points. His celebrated “playing poker with Tarot cards” book, and the first (and best) in a loose trilogy. Berlyne, A8b.1. Chalker/Owings (2002), page 211. Bought from a noted SF book dealer for $325. I think I now have all the Charnel House Powers limiteds (at least in numbered state).

  • Reynolds, Alastair. Belladonna Nights and Other Stories. Subterranean Press, 2021. First edition hardback, #171 of 1500 signed, numbered copies, a Fine copy in a Fine dust jacket. Available through Lame Excuse Books.
  • Reynolds, Alastair. Revenger. Gollancz, 2016. First edition hardback, a Fine copy in a Fine- dust jacket with slight crimping at head. Bought at a Houston-area Half Price Books for $12.49.
  • Rusch, Kristine Kathryn, editor. Pulphouse Winter 1990: Issue Six. Pulphouse Publishing, 1990. First edition hardback, #196 of 250 numbered copies signed by all the contributors, a Fine- copy with a tiny crease at head, sans dust jacket, in a Fine slipcase, as issued. Back in the dim mists of the late 1980s, I thought the black trade edition of Pulphouse: The Hardback Magazine, with it’s faux leather, embossed covers and deckled edges, was fairly attractive. Many of the Author’s Choice Monthly volumes were also worthwhile. Then Pulphouse wildly overproduced a huge variety of material nobody wanted, almost single-handedly depressing the market for small press books in the early 1990s. This volume has work (and signatures) from Avram Davidson, George Alec Effinger, Bradley Denton, Charles De Lint, Susan Palwick, etc. “Shrunk,” the Effinger story, is actually one George brought to the second Turkey City Writer’s Workshop I ever threw, which he said he had just missed selling to Playboy. According to him, Alice Turner had said “Well, I looked at it, and looked at it, and I finally decided it just wasn’t right for us.” Said George: “Do you realize what she said? ‘You just missed $5000 by that much.’ Tell me what’s wrong with it! I’ll walk to New York on my knees and fix it!” I already have all 12 issues of the trade edition of the hardback magazine run, and pick up the signed editions when I find them cheap, and I now have four. Chalker/Owings (2002), page 715. Bought off eBay for $25, more than half off the original offering price of $60.
  • Rushdie, Salman. The Satanic Verses. Viking, 1989. Fourth printing of the first American edition, a Fine- copy with slight bend at head and heel in a Fine- dust jacket with slight curl at head, signed by Rushdie, with sales slip from a bookseller stating it was a signed copy laid. The book that earned Rushdie a fatwa from the Ayatollah Khomeini. Supplements a first printing of the first American edition (the Viking UK edition precedes). Bought at a Houston-area Half Price Books for $7.99.

  • Shaver, Richard S. The Shaver Mystery Book Eight. Armchair Fiction, 2020. First edition trade paperback original, a Fine copy. Supplements volumes 1-7.
  • Shea, Michael. Mr. Cannyharme: A Novel of Lovecraftian Terror. Hippocampus Press, 2021. First edition hardback, one of only 500 hardback copies, a Fine copy in a Fine dust jacket. Previously unpublished Shea novel of Lovecraftian horror set in post-hippie San Francisco. Bought from the publisher at the usual discount. I will have copies of this available in the next Lame Excuse Books catalog.

  • Shirley, John. A Sorcerer of Atlantis with A Prince in the Kingdom of Ghosts. Hippocampus Press, 2021. First edition trade paperback original, a Fine copy. Shirley doing weird adventure pulp! The first story features two adventurers in Atlantis battling bizarre monsters accompanied by a Princess of Mu. The second features a murdered Korean American who finds himself a prince in the afterlife. Looks like great fun.
  • Silverberg, Robert. Masters of Science Fiction Volume 13: Robert Silverberg The Ace Years, Part Three. Armchair Fiction, 2018. First edition trade paperback originals, a Fine copy. Reprints three more Ace PBOs: Invaders From Earth, Collision Course and The Silent Invaders, plus a new forward, a book cover gallery, and “The Songs of Summer.”
  • Silverberg, Robert. The Secret Sharer. Underwood Miller, 1988. First edition hardback, #230 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket and a Near Fine slipcase with some red spotting to rear. Part of a bulk collection purchase.
  • Silverberg, Robert, and Randall Garrett, and Laurence Manning. The Beast With 7 Tails b/w The Wreck of the Asteroid. Armchair Fiction, 2021. First edition trade paperback original, a Fine copy. The Silverberg/Garrett “The Beast With 7 Tails” has never been reprinted since it’s appearance in Amazing Stories in 1956, and The Wreck of the Asteroid has not been reprinted since being serialized in Wonder Stories in 1932-3. Bleiler’s Science Fiction: The Gernsback Years says that the Manning is “A competent adventure story with reasonable development.”
  • Simmons, Dan. Lovedeath. Subterranean Press, 2013. First limited edition a PC copy of 250 signed, numbered copies, a Fine copy in a Mylar-protected dust jacket. Formerly Subterranean Press founder William Shafer’s copy. Supplements a copy of the Warner Books first edition inscribed to me. Bought from Camelot Books for $52.50.
  • Skelton, Red. The Great Lazarus. Skelton Publications, 1986. First edition hardback (stated), a Fine copy in a Fine dust jacket, signed by Skelton. Michael Swanwick says it may qualify as magic realism. Bought off eBay for $24.50.

  • Smith, Clark Ashton, and August Derleth. Eccentric, Impractical Devils: The Letters of August Derleth and Clark Ashton Smith. (David E. Schultz and S.T. Joshi, editors). Hippocampus Press, 2020. First edition trade paperback original, a Fine copy. Derleth, of course, published many of Smith’s collections at Arkham House, and both men where appearing in the pages of Weird Tales in the 1920s, but they didn’t correspond until Lovecraft introduced them to each other in 1930.
  • (Smith, Clark Ashton) S.T. Joshi, David E. Schultz and Scott Conners. Clark Ashton Smith: A Comprehensive Bibliography. Hippocampus Press, 2020. First edition trade paperback original, a Fine copy. Much-needed comprehensive bibliography for Smith’s works, especially since Donald Sidney-Fryer’s Emperor of Dreams is not only out of date, but so poorly organized as to be nearly useless.
  • Smith, Michael Marshall. The Best of Michael Marshall Smith. Subterranean Press, 2021. First edition hardback, a Fine copy in a Fine dust jacket. Trade edition.
  • Stephenson, Neal. Atmosphæra Incognita. Subterranean Press, 2019. First edition hardback, a PC copy of 26 Lettered copies, a Fine copy in embossed boards and a Fine traycase, sans dust jacket, as issued. Novella about building a giant tower. Bought for $500 (the original offering price).

  • Spiner, Brent with Jeanne Darst. Fan Fiction: A Mem-Noir Inspired By True Events. St. Martin’s Press, 2021. First edition hardback, a Fine copy, signed by Spiner. Mystery by Spiner, starring Spiner, revolving around a box he received during the filming of Star Trek: The Next Generation. Bought for $22.39 from The Mysterious Bookshop.

  • Stephenson, Neal. Atmosphæra Incognita. Subterranean Press, 2019. First edition hardback, a PC copy of 400 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought for $100.

    Lettered edition on left, numbered edition on right

  • Stephenson, Neal. Termination Shock. Morrow, 2021. First edition hardback, a Fine copy in a Fine dust jacket, with “SIGNED FIRST EDITION” sticker on front, signed by Stephenson on page stating “This signed edition has been specially bound by the publisher.” Bought from the Mysterious Bookstore for $28.
  • Sterling, Bruce. Robot Artists & Black Swans: The Italian Fantascienza Stories. Tachyon, 2021. First edition hardback, a Fine copy in a Fine dust jacket. His latest short story collection. Introduction by Neal Stephenson. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.
  • Straub, Peter. The Complete Short Fiction of Peter Straub Volume One and The Complete Short Fiction of Peter Straub Volume Two. Borderlands Press, 2021. First edition hardbacks, #321 of 350 signed, numbered copies, Fine copies in Fine dust jackets. Bought from the publisher at the usual discount. Out of print, but I have copies available through Lame Excuse Books.
  • Stross, Charles. Glasshouse. Easton Press, 2006. First edition thus, #469 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Stross), an unused personalization plate, and an insert card “a note about GLASSHOUSE and the author CHARLIE STROSS” laid in, sans dust jacket, as issued. Supplements a copy of the trade first edition. (ISFDB says the books came out the same month; usually when that happens, the author gets the Easton Press books FedExed to them a few days before the laydown date of the trade edition, but most subscribers get their copies just after the trade is released.) Park of a bulk collection purchase.
  • Stross, Charles. Halting State. Easton Press, 2007. First edition (ISFDB says it came out a month before the trade), #35 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Stross), an unused personalization plate, and an insert card “a note about HALTING STATE and the author CHARLIE STROSS” laid in, sans dust jacket, as issued. Supplements a copy of the trade first edition. Park of a bulk collection purchase.

  • Sturgeon, Theodore. The Dreaming Jewels. Greenberg, 1950. First edition hardback, a Near Fine copy with slight flatness to top of spine, a few touches of wear to boards, slight foxing to inside covers, FFE and RFE, and trace of light spotting at top page block, in a Very Good+ dust jacket with shallow chipping at head and heel, moderate light staining spots to white rear panel, and some 1/4″ closed tears at top and bottom fold joins and various other traces of surface wear, with Greenberg response postcard laid in. Currey, page 471. His first novel. Park of a bulk collection purchase.

  • Sturgeon, Theodore. Without Sorcery. Prime Press, 1948. First edition hardback, a Near Fine copy with slight bumping at head, heel and points and a tickmark and circled “A+” next to “Maturity” on the title page, in a Very Good+ dust jacket with edgewear and crinkling at head, heel and points, rubbing along edges one thin streak of discoloration to spine (not affecting any text), slight haze rubbing to front cover, and age darkening and dust staining to white rear cover, signed by Sturgeon. Sturgeon’s first short story collection (and first “real” book). Diskin, Theodore Sturgeon: A Primary and Secondary Bibliography, A54. Currey, page 473 (state B, trade issue). Chalker/Owings, page 352. Kemp, The Anthem Series, page 129. Bleiler, Checklist (1978), page 189 (not in the 1948 edition). Locke, Anatomy of Wonder, page 208. Barron, Anatomy of Wonder 4, 3-173. Bought for $50 off eBay.

  • Swanwick, Michael. The Book of Blarney. Dragonstairs Press, 2021. First edition chapbook original, #44 of 50 signed, numbered copies, this one in a patterned darker green wraps (call it state A, no precedence), a Fine copy. “Four whimsical, cynical vignettes on the theme of Ireland’s religious and literary history. 5 ½ by 4 ¼ inches. Wrapper of Nepalese lokta paper, in two different states. Decorated with an applied harp label and green ribbon. Numbered and signed by the author. Issued in an edition of 50, 11 of which were distributed to participants of Michael Swanwick’s virtual kaffeklatch at 2021 Boskone.”
  • Swanwick, Michael. The Book of Blarney. Dragonstairs Press, 2021. First edition chapbook original, #48 of 50 signed, numbered copies, this one in solid emerald green wraps (call it state B, no precedence), a Fine copy (though with a wrinkle present in the wraps paper). Both editions sold out the same day they were offered for sale.

  • Swanwick, Michael. Five Rings. Dragonstairs Press, 2021. First edition chapbook original, #5 of 32 copies, a Fine copy. Five vignettes on the Olympics, “Gold,” “Silver,” “Bronze,” “Last Place” and “Also There.” Sold out within minutes of being made available for sale. I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Rainbow Clause. Dragonstairs Press, 2020. First edition chapbook original, #72 of 120 copies, a Fine copy with multicolored snowflakes appliqued to the front cover. Collection of extremely short stories about various Santas (“Red Santa,” “Orange Santa,” “White Santa,” “Blue Santa,” “Black Santa,” “Yellow Santa,” “Purple Santa” and “Green Santa”). I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael and Greer Gilman. The Lonely and the Rum: A Conversation. Dragonstairs Press, 2021. First edition chapbook original, #50 of 125 copies, a Fine copy with hand-made, uneven (I think intentionally) covers. Transcription of a conversation between Gilman and Swanwick on fantasy. Obtained directly from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.

  • Tarantino, Quentin. Once Upon A Time in Hollywood. Harper, 2021. First hardback edition and first edition thus, a Fine copy in a Fine dust jacket. Originally published as a PBO, this hardback edition includes not only Tarantino’s novelization of his own film, but also a script for an episode of Bounty Law, reproductions of fake movie posters and TV Guide covers featuring Rick Dalton, and even the Mad Magazine parody “Lousy Law.” Bought from The Mysterious Bookshop at a dealer discount. (Right now Amazon appears to be offering this at half cover price (though the usual Amazon caveats apply, and there’s no guarantee you’ll get a first printing).)
  • Turtledove, Harry. The Best of Harry Turtledove. Subterranean Press, 2021. First edition hardback, #268 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. I have copies of this available through Lame Excuse Books.
  • Vance, Jack. Cugel’s Saga. Underwood Miller, 1983. First limited edition hardback, a presentation copy of 500 signed, numbered copies, a Fine- copy with slight crimping at head, in a Near Fine+ dust jacket with some age darkening to the spine and touches of wear at head, heel and points, in a Fine- slipcase with a few traces of wear. Sequel to Eyes of the Overworld. Hewett A71b, which notes the slipcase was actually issued later than the book itself. Cunningham 19b, which notes that there were 50 PC copies. Bought off eBay for $202.50, which is about half of what normal copies usually go for, much less a presentation copy with the slipcase.

  • Vance, Jack. Mazirian the Magician: Tales of the Dying Earth, Book 1. Spatterlight Press, 2021. First separate hardback edition and first thus, a Fine- copy in decorated boards with wear at head and slight bump at heel, otherwise new and unread, sans dust jacket, as issued. First separate edition under this title, a corrected reprint of The Dying Earth originally published as the first volume of the Vance Integral Edition, with a new introduction by Michael Moorcock. Bought for $57.36 from Amazon, the only venue for order fulfillment, which makes me think trying to obtain a perfect copy would be an exercise in futility. Supplements a VIE copy, the Underwood-Miller hardback first of The Dying Earth, and a paperback reprint of The Dying Earth Vance signed for me at the 1985 NASFIC in Austin. (Still need the Hillman PBO.)

  • Vance, Jack. Vandals of the Void. The John C. Winston Company, 1953. First edition hardback, a Very Good copy with some soiling/grubbiness to the boards, a touch of dust staining to page block edges, in a Very Good dust jacket with one 1/4″ chip at top rear corner, a 1/32″ chip along bottom rear edge, a closed 1/4″ triangular tear at top front, fading to red portion of spine, plus edgewear at points and slight rubbing, but overall a very attractive copy of the dust jacket. I bought this off eBay for $41.00 to marry the dust jacket to my signed but jacketless copy. Hewett, A3. Cunningham, 81a.

  • Vance, Jack. Wild Thyme, Green Magic. Subterranean Press, 2009. First edition hardback, a PC copy of 26 signed lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. The only edition of this book issued signed by Vance. Formerly Subterranean Press founder William Schafer’s copy. Bought from Camelot Books for $525.

  • (Vance, Jack) Robert Offutt Jr., editor. The Many Worlds of Jack Vance & The Horns of Elfland. Robert Offutt Jr., 1978. First edition illustrated fanzine, a Near Fine copy with a crease near the top at the spine. Features the Vance’s “The Secret,” the first chapter of an illustrated adaptation of The Eyes of the Overworld, etc. Second (and last) volume of an illustrated, semiprozine quality publication dedicated to Vance’s work (though the cover illustration, “Boromir’s Fall,” is obviously from The Lord of the Rings). Chock-full of illustrations from Rod Whigham, who later did a great deal of comic book work. Hewett, M31b, who notes there were 1,000 copies of this printed. Bought off eBay for $25.

  • Wager, Walter. My Side By King Kong. Collier Books, 1976. First trade paperback edition (there was a hardback the same year that may have preceded), a Fine- copy with edgewear. Another book for my Kaiju library. A Christmas gift from Dwight, and not listed in any previous post.
  • Wagner, Karl Edward. A Little Ochre Book of Occult Stories. Borderlands Press, 2016. First edition hardback, #165 of 500 numbered copies signed by editor Stephen Jones. Short story collection. Bought for $30 off eBay.
  • Weir, Andy. The Martian. Crown Publishers. 2014. First edition hardback (preceded by a self-published ebook), a Near Fine copy with small, light spots of staining to heel and slight bend at head, in a Near Fine dust jacket with a 1/2″ closed tear at bottom front, slight crease along top front edge, slight edgewear and wear at points. Celebrated novel of an astronaut stranded on Mars made into the Matt Damon movie of the same name. Bought at Half Price Books for $9.99.
  • Wellman, Manly Wade. Rebel Boast. Henry Holt and Company, 1956. First edition hardback, a Very Good+ copy from which the FFE has been excised and a cracked front hinge, otherwise nice, in a Very Good+ dust jacket with a few 3/4″ closed tears along the top edge that have been mended (fairly skillfully) with blindside tape, signed by Wellman. Non-fiction about a group of Confederate soldiers that fought the entirety of the Civil War. “First at Bethel — Last at Appomattox.” Bought for $15 off eBay.
  • Williamson, Jack. The Stonehenge Gate. Easton Press, 2005. First edition hardcover (ISFDB says this came out in March of 2005, while the serialized version was finishing up in Analog, while the Tor edition didn’t come out until August) #120 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Williamson), an unused personalization plate, and an insert card “a note about THE STONEHENGE GATE and the author JACK WILLIAMSON” laid in, sans dust jacket, as issued. I note that it is fairly unusual for Tor to allow Easton Press to do an edition of one of their books, and I’ve seen writers complain that Tor contracts forbade them from doing an Easton Press edition (or other signed/limited special editions), as they wanted their own books to be the true firsts. Williamson’s editor there was David Hartwell, a long-time fan of his work, and I can believe that such was his stature that an exception was made. Part of a bulk collection purchase.
  • Wolfe, Gene. Home Fires. Tor, 2011. First edition hardback, a Near Fine copy with black remainder dot to top page block and slight bumping at head in a Fine dust jacket, signed by Wolfe. Supplements an unsigned first and a copy of the PS Publishing signed, limited edition. Bought for $30 off eBay.
  • Wong, David (pseudonym of Jason Pargin). This Book Is Full of Spiders. St. Martin’s Press, 2012. First edition hardback, a Fine- copy with slight bumping at head and heel and a Fine- dust jacket with slight wrinkling at heel, touches of edgewear and a couple of small stray abrasions. Sequel to John Dies At The End. Part of a bulk collection purchase.

  • Wong, David (pseudonym of Jason Pargin). What The Hell Did I Just Read. St. Martin’s Press, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Another book in the series. Part of a bulk collection purchase.
  • Zelazny, Roger. Bridge of Ashes. Signet, 1976. First edition paperback original (PBO), a Fine- copy with a slight bit of edgewear, and a trace of dust soiling to very bottom of back cover, signed by Zelazny. Levack, 2a. Kovacs, I3a. Currey, page 571. This and the following Zelazny paperbacks were all books from that final Bob Pylant Zelazny purchase in 2019
  • Zelazny, Roger. Creatures of Light and Darkness. Avon, 1970. First paperback edition, a Near Fine+ copy with one spine crease and touches of edgewear, signed by Zelazny. Levack, 8c. Kovacs, I9d.
  • Zelazny, Roger. Dilvish, the Damned. Del Rey, 1981. First edition paperback original, a Fine- with a 1/16th closed tear at bottom front and slight edgewear at points, signed by Zelazny. Levack, 11a. Kovacs, I15b.
  • Zelazny, Roger. Four for Tomorrow. Ace, 1967. First edition paperback original (PBO), a Near Fine- copy with slight spine crease and wear, plus foxing to inside covers and slight age-darkening, inscribed by Zelazny: “For Willie/Best,/Roger Zelazny.” Levack, 17a. Kovacs, V11a. Currey, page 571.
  • Zelazny, Roger. Isle of the Dead. Ace, 1969. First edition paperback original (PBO), a Fine- copy with slight wear at head and heel, trace of foxing to inside covers, and slight age darkening to pages, signed by Zelazny. A really pristine copy. Levack, 21a. Kovacs, I25a. Currey, page 571.

  • Zelazny, Roger. Jack of Shadows. Signet, 1972. First paperback edition, a Near Fine copy with former owner’s name and “Parson’s Farewell” written and crossed out on blurb page, signed by Zelazny. Levack, 22c. Kovacs, I26c.
  • Zelazny, Roger. My Name is Legion Ballantine Books, 1976. First edition paperback original (PBO), a Fine- copy with a slight bit of edgewear, signed by Zelazny. Levack, 27a. Kovacs, I32a. Currey, page 572.
  • Zelazny, Roger and Fred Saberhagen. The Black Throne. Baen, 1990. First edition paperback original “uncorrected page proof,” a Fine- copy with a few tiny black dots on bottom pageblock edge, otherwise new and unread. Kovacs, 1a. The proof, unlike the PBO, has a printed white spine and blank white rear cover. Mass market form factor proofs are not unknown in science fiction, but they are unusual.

  • Moorcock, Moorcock, Moorcock, Eggs, Moorcock and Spam

    Thursday, February 10th, 2022

    In a Facebook group I’m on, someone started listing the contents of Moorcock-edited issues of New Worlds SF, the science fiction magazine he edited in the 1960s (and various later incarnations). One of these was the November 1965 issue (Vol. 49, No.156), which not only includes a Moorcock essay, Part 1 of a serialized novel, The Wrecks of Time by James Colvin (which was a pen name for Moorcock), and no less than eleven book reviews by “Colvin,” which lead me to pen the following:

    Woman: What’s in this New Worlds?

    Waitress: Moorcock, Bailey, Moorcock, Platt, Jones, Moorcock and spam.

    Woman: Do you have any New Worlds with less Moorcock?

    Man: Oh, I love Moorcock! I’m having the New Worlds with Moorcock, Moorcock, Moorcock, Cawthorn, Moorcock, Moorcock, Bailey, Moorcock, Moorcock, Moorcock, Jones, Moorcock and spam!

    Having edited Nova Express, I know well the “Hey, looks like I’ve got to fill out the rest of this issue myself!” feeling. That’s a sign you need to find more suckers contributors…

    Library Addition: Michael Moorcock’s Into The Media Web

    Thursday, September 2nd, 2021

    Here’s a fairly recent Moorcock rarity that had an insanely small print run.

    Moorcock, Michael (edited by John Davey). Into The Media Web: Selected short non-fiction, 1956-2006. Savoy Books, 2010. First edition hardback, a Fine- copy with slight bumping at head and heel in a Near Fine dust jacket with slight grubbiness, slight creasing at top front cover and a 1/8″ closed tear at top front fold, and slight bumping at heel. Inscribed by Moorcock to fellow writer (and New World contributor) John Baxter: “To John,/Some embarrassments/some bullshit and maybe/a little bit/of truth./All very/best, as/ever yours/Mike,” plus a signature dated “18th July ’10.” 300,000+ word, 717 page collection of non-fiction, including essays, reviews, etc. covering books, film, music, etc. (Here’s a post on the book’s design.) Reportedly had a hardback print run of less than 100 copies, though I haven’t nailed down exactly how many. Bought for £140 plus shipping.

    You may remember that I also ended up with John Baxter’s copy of George Locke’s Voyages Into Space.

    Lawrence Person’s Books Wanted List

    Thursday, August 19th, 2021

    Some ten years ago I put up a books wanted list, and since then I’ve obtained a lot of things on it. Now here’s a greatly expanded list.

    The vast majority of these are first edition first printings, mostly hardbacks, but I do have more PBOs listed this time around (especially for Michael Moorcock and Jack Vance). Hardback is the default, but other formats are listed where otherwise, as are a occasional first edition points for clarity or to jog my memory.

    I don’t buy later printings, copies without dust jackets (when issued with same), copies with price-clipped dust jackets (unless all copies of the true first edition were released that way), copies with facsimile dust jackets, or overly crummy copies. Most of the books I buy are in Fine/Fine condition, but that relaxes a bit the older (and pricier) books become. I have picked up Ex-Library copies in dust jacket when the better copies of the true first can’t be found under a grand. I also only buy first state bindings and dust jackets, unless there’s no priority, or the true first state is insanely rare (such as with Stanley G. Weinbaum’s Dawn of Flame). I prefer signed copies to unsigned copies for most things, especially for dead writers (an ever-growing list). Trade editions of recent books from mainstream publishers are mainly here to jog my own memory when visiting bookstores.

    I have a few books here under the writer’s pseudonym, so I can enter them under that name in various search fields.

    Some of these are aspirational, as I doubt I’m going to find a first printing of The Hobbit I can afford, but you never know.

    If you have nice copies of the below you’re willing to part with at an attractive price, feel free to drop me a line at lawrenceperson at gmail dot com.

  • Anonymous (actually Dorothy Scarborough)’s The Wind (Harper & Brothers, 1925)
  • Douglas Adams’ The Hitchhiker’s Guide to the Galaxy (Arthur Baker, 1979)
  • Richard Adams’ Watership Down (Rex Collins, 1972)
  • Robert Aickman’s Sub Rosa (Gollancz, 1968)
  • Brian Aldiss’ At the Caligula Hotel (Sinclair-Stevenson, 1995) (trade paperback)
  • Brian Aldiss’ Greybeard (Harcourt Brace & World, 1964)
  • Brian Aldiss’ Helliconia Spring (Cape, 1982)
  • Brian Aldiss’ Helliconia Summer (Cape, 1983)
  • Brian Aldiss’ Helliconia Winter (Atheneum, 1985)
  • Brian Aldiss’ Hothouse (Faber & Faber, 1962)
  • Brian Aldiss’ A Plutonian Monologue (Frogmore Press, 2002) (chapbook)
  • Brian Aldiss’ At a Bigger House (Avernus, 2002) (chapbook)
  • Brian Aldiss’ The Dark Sun Rises (Avernus, 2002) (chapbook)
  • Poul Anderson’s The Broken Sword (Abelard-Schulman, 1954)
  • Poul Anderson’s The High Crusade (Doubleday, 1960)
  • Isaac Asimov’s The End of Eternity (Doubleday, 1955)
  • Isaac Asimov’s I, Robot (Gnome Press, 1950)
  • Isaac Asimov’s Liar! (Cambridge University Press, 1977) (chapbook)
  • Steve Aylett’s Shamanspace (Codex, 2001) (TPO)
  • Steve Aylett’s Dummyland (Gollancz, 2002) (TPO)
  • Paul Bailey’s Deliver Me From Eva (Murray & Gee, 1946)
  • J. G. Ballard’s Crash (Cape, 1973)
  • J. G. Ballard’s The Day of Forever (Gollancz, 1986)
  • J. G. Ballard’s The Drowned World (Gollancz, 1962)
  • J. G. Ballard’s Kingdom Come (Fourth Estate, 2006)
  • J. G. Ballard’s Low Flying Aircraft (Cape, 1976)
  • J. G. Ballard’s Rushing to Paradise (Flamingo, 1994)
  • Bill Barclay’s Somewhere in the Night (Compact PBO, 1966)
  • Clive Barker’s The Hellbound Heart (Earthling Publications, 2007)
  • Clive Barker’s The Scarlet Gospels (St. Martin’s, 2015)
  • Peter S. Beagle’s Lila the Werewolf (Capra Press, 1974) (1/75 signed hardbacks)
  • Michael Bishop’s Windows & Mirrors (The Moravian Press, 1977) (poetry chapbook)
  • Jerome Bixby’s The Devil’s Scrapbooks (Brandon House, 1964) (PBO)
  • (Blackwood, Algernon) Mike Ashley’s Algernon Blackwood: A Bio-Bibliography (Greenwood, 1987)
  • William Peter Blatty’s The Exorcist (Harper & Row, 1971)
  • James P. Blaylock’s Doughnuts (ASAP, 1994) (1/26 triptych copies)
  • James P. Blaylock’s Home Before Dark (Subterranean, 2000) (1/26 signed, lettered hardback copies)
  • James Blish’s The Day After Judgment (Doubleday, 1971, code L47 on p. 166)
  • Robert Bloch’s Atoms and Evil (Robert Hale, 1976)
  • Robert Bloch’s Blood Runs Colds (Simon and Schuster, 1961)
  • Robert Bloch’s Chamber of Horrors (Award Books, 1966) (PBO)
  • Robert Bloch’s Cold Chills (Doubleday, 1977)
  • Robert Bloch’s The Dead Beat (Simon and Schuster, 1960)
  • Robert Bloch’s Fear Today, Gone Tomorrow (Award, 1971) (PBO)
  • Robert Bloch’s The Laughter of a Ghoul/Whatever A Young Ghoul Should Know (Necrominocon Press, 1977) (chapbook)
  • Robert Bloch’s Once Around the Bloch (Tor, 1993)
  • Robert Bloch’s The Opener of the Way (Arkham House, 1945)
  • Robert Bloch’s Pleasant Dreams – Nightmares (Arkham House, 1960)
  • Robert Bloch’s The Scarf (Dial Press, 1947)
  • Robert Bloch’s Sea-Kissed (Utopian Publications, 1945)(PBO)
  • Robert Bloch’s The Skull of the Marquis de Sade and other stories (Robert Hale, 1975)
  • Robert Bloch and Ray Bradbury’s Bloch and Bradbury (Tower, 1969) (PBO)
  • Pierre Boulle’s Monkey Planet (Secker & Warburg, 1964)
  • Edward P. Bradbury’s Barbarians of Mars (Compact, 1965) (PBO)
  • Edward P. Bradbury’s Blades of Mars (Compact, 1965) (PBO)
  • Ray Bradbury’s About Norman Corwin (Santa Susana Press, 1979)(boxed art portfolio)
  • Ray Bradbury’s The Anthem Sprinters (Dial Press, 1963, hardback)
  • Ray Bradbury’s The April Witch (Creative Education, 1987) (hardback chapbook)
  • Ray Bradbury’s Beyond 1984: Remembrances of Things Future (Targ, 1979)
  • Ray Bradbury’s Christmas Greetings broadsides (all years except 1982, 1986, 1989, 1994, and 2008)
  • Ray Bradbury’s Christus Apollo: Cantata Celebrating the Eighth Day of Creation and the Promise of the Ninth (The Gold Stein Press, 1998) (1/50 signed hardback copies in traycase)
  • Ray Bradbury’s Dandelion Wine (Doubleday, 1957)
  • Ray Bradbury’s Dawn to Dusk (Gauntlet, 2011) (signed numbered or signed lettered edition)
  • Ray Bradbury’s The Day It Rained Forever. (Rupert Hart Davis, 1959) (Currey state A (navy blue binding))
  • Ray Bradbury’s The Day It Rained Forever: A Comedy in One Act (Samuel French, 1966) (play chapbook, 75¢ price)
  • Ray Bradbury’s A Device Out of Time (Dramatic Publishing, 1986)
  • Ray Bradbury’s The Engines Drive the Summer With Their Purr (Green Cat Press, 2001) (broadsheet)
  • Ray Bradbury’s Fahrenheit 451 (Ballantine Books, 1953) (any Currey hardback state (B-E))
  • Ray Bradbury’s Fahrenheit 451: The Authorized Adaption (Farrar, Straus & Giroux, 2009) (graphic novel)
  • Ray Bradbury’s Falling Upward (Dramatic Publishing Company, 1989) (play chapbook)
  • Ray Bradbury’s Farewell Summer (Morrow, 2006)
  • Ray Bradbury’s Farewell Summer (Subterranean, 2011) (lettered edition with extra book)
  • Ray Bradbury’s The Fog Horn (Creative Education, 1987) (hardback chapbook)
  • Ray Bradbury’s Fragments (Gauntlet, 2005)
  • Ray Bradbury’s Frost and Fire (DC Comics, 1985) (graphic novel)
  • Ray Bradbury’s From the Dust Returned (Morrow, 2001)
  • Ray Bradbury’s A Gathering of Authors & Their Admonitions (Castle Press, 1981) (broadsheet)
  • Ray Bradbury’s The God in Science Fiction (Santa Susana Press, 1978)(chapbook)
  • Ray Bradbury’s The Golden Apples of the Sun (Doubleday, 1953)
  • Ray Bradbury’s Halloween (Shuttlebop Press, 1983)
  • Ray Bradbury’s The Halloween Tree (Gauntlet Press, 2005) (1/52 lettered copies with metal case and popup tree)
  • Ray Bradbury’s Imagine (Lord John, 1981) (broadside, 1/100 signed)
  • Ray Bradbury’s I Live By The Invisible (Salmon Poetry, 2002) (TPO)
  • Ray Bradbury’s I Sing the Body Electric (Knopf, 1969)
  • Ray Bradbury’s Kaleidoscope (Dramatic Publishing, 1975)(play chapbook)
  • Ray Bradbury’s The Last Good Kiss (Santa Susana Press, 1984) (art portfolio thing)
  • Ray Bradbury’s Long After Ecclesiastes​ (Gold Stein Press, 1985; miniature book)
  • Ray Bradbury’s The Love Affair (Lord John Press, 1982) (1/300 signed hardbacks)
  • Ray Bradbury’s Long After Midnight (Knopf, 1976)
  • Ray Bradbury’s The Machineries of Joy Simon and Schuster, 1964)
  • Ray Bradbury’s Madrigals for the Space Age (Associated Music Publishers, 1972) (chapbook)
  • Ray Bradbury’s Man Dead? Then God Slain (Santa Susana Press, 1977) (1 of 26 numbered hardback copies in slipcase)
  • Ray Bradbury’s Match to Flame (Gauntlet, 2006) (Wooden slipcase lettered edition)
  • Ray Bradbury’s A Medicine for Melancholy (Doubleday, 1959)
  • Ray Bradbury’s My Cat Has Swallowed a Bumblebee (Green Cat Press, 2003) (broadsheet)
  • Ray Bradbury’s 1984 Will Not Arrive: A Prediction for the Greening of Scripps (Grant Dahlstrom at The Castle Press, 1975) (chapbook text lecture)
  • Ray Bradbury’s No Man Is An Island (Brandeis University, 1952) (chapbook)
  • Ray Bradbury’s The October Country (Ballantine Books, 1955; first state with inverted logo on spine)
  • Ray Bradbury’s One More For The Road (Morrow, 2002)
  • Ray Bradbury’s One the Years Were Numerous and the Funerals Few (broadsheet, 2004)
  • Ray Bradbury’s The Pedestrian (Roy Squires, 1964) (chapbook)
  • Ray Bradbury’s The Pedestrian: A Fantasy in One Act (Samuel French, 1966) (chapbook)
  • Ray Bradbury’s Pillar of Fire and Other Plays (Bantam Books, 1975) (PBO)
  • Ray Bradbury’s The Poet Considers His Resources (Lord John Press, 1979) (broadside)
  • Ray Bradbury’s R is for Rocket (Doubleday, 1962)
  • Ray Bradbury’s Ray Bradbury Chronicles (Volumes 1, 3 and 5) (Byron Preiss/NBM) (signed hardback graphic novels)
  • Ray Bradbury’s Samurai/Kabuki (Hill House, 2006 hardback)
  • Ray Bradbury’s S is for Space (Doubleday, 1966)
  • Ray Bradbury’s Skeletons (Subterranean, 2008) (lettered edition)
  • Ray Bradbury’s Something Wicked This Way Comes (Simon and Schuster, 1962)
  • Ray Bradbury’s The Stars (Gold Stein Press, 1/95, 1993, miniature book)
  • Ray Bradbury’s Sun and Shadow (Quenian Press, 1957) (chapbook)
  • Ray Bradbury’s Switch on The Night (Pantheon, 1955)(first state, no mention of Random House on copyright page)
  • Ray Bradbury’s That Ghost, That Bride of Time (Roy A. Squires, 1976)
  • Ray Bradbury’s That Son of Richard III: A Birth Announcement (Roy A. Squires, 1974)
  • Ray Bradbury’s Tomorrow Midnight (Ballantine Books, 1966) (PBO, ¢50)
  • Ray Bradbury’s To The Chicago Abyss (Dramatic Publishing Company, 1988) (play chapbook)
  • Ray Bradbury’s The Tonybee Convector (Knopf, 1988) (1/350 signed/numbered)
  • Ray Bradbury’s Twice 22 (Doubleday, 1966) (book club, code 47G on page 405)
  • Ray Bradbury’s The Trivial Pursuits Transporter (Hill House, 2006)
  • Ray Bradbury’s The Vintage Bradbury (Vintage Books, 1965)
  • Ray Bradbury’s Where Everything Ends (Subterranean Press, 2009) (1/26 lettered copies)
  • Ray Bradbury’s The Wish (Hill House, 2006)
  • Ray Bradbury’s The Wonderful Death of Dudley Stone (?, 1985) (chapbook)
  • Ray Bradbury’s Zen in the Art of Writing (Capra Press/ Joshua Odell Editions, 1973 (1/250 signed, numbered copies)
  • Ray Bradbury editor’s The Circus of Dr. Lao and Other Stories (Bantam Books, 1956) (PBO)
  • Ray Bradbury editor’s Timeless Stories for Today and Tomorrow (Bantam Books, 1953) (PBO, 35¢)
  • Ray Bradbury and Robert Bloch’s Bloch and Bradbury (PBO, Tower, 1969, Tower 43-246, 60¢)
  • (Ray Bradbury) Steven Ageliss’ Conversations With Ray Bradbury (University Press of Mississippi, 2004, paperback)
  • (Ray Bradbury) Jonathan R. Eller & William F. Touponce’s Ray Bradbury: The Life of Fiction (Kent State University Press, 2004)
  • (Ray Bradbury) Joseph Mugnaini: Drawings & Graphics (Scarecrow Press, 1982)
  • (Ray Bradbury) Joseph Mugnaini: Ten Views of the Moon (Lynton Kistler, 1981) (art portfolio with 10 signed prints)
  • (Ray Bradbury) Sam Weller’s Listen to the Echoes: The Ray Bradbury Interviews (Stopsmiling Books/Melville House, 2010) (TPO)
  • (Ray Bradbury) William F. Nolan’s Ray Bradbury Review (Graham Press, 1988)
  • Ernest Bramah’s Kai Lung: Six (Non-Profit Press, 1974)
  • William S. Burroughs’ Cities of the Red Night (Holt, Rinehart and Winston, Inc., 1981)
  • William S. Burroughs’ Naked Lunch (Grove Press, 1959 (i.e., 1962))
  • William S. Burroughs’ The Soft Machine (Grove Press, 1966)
  • John W. Campbell’s Invaders from the infinite (Fantasy Press, 1961) (one of 300 (actually 112) signed, numbered copies)
  • John W. Campbell’s Islands of Space (Fantasy Press, 1956) (1/50-odd signed copies)
  • John W. Campbell’s Who Goes There? (Shasta Publishers, 1952)
  • John Dickson Carr’s The Devil in Velvet (Harper & Brothers, 1951)
  • Angela Carter’s Heroes and Villains (Heinemann, 1969)
  • Edd Cartier’s The Known and the Unknown (De La Ree, 1977)
  • Michael Chabon’s Werewolves in Their Youth (Random House, 1999) (Number line ends with 2)
  • G. K. Chesterton’s Napoleon of Notting Hill (John Lane, 1904)
  • Arthur C. Clarke’s Childhood Ends (Portentious Press HB, 1996)
  • Arthur C. Clarke’s Expedition to Earth (Ballantine Books, 1953)
  • Arthur C. Clarke’s The Sands of Mars (Sidgwick & jackson, 1951)
  • Arthur C. Clarke’s Tales From the White Heart (Ballantine Books, 1957)
  • Arthur C. Clarke’s 2001: A Space Odyssey (NAL, 1968)
  • James Clavell’s King Rat (Little Brown, 1962)
  • Hal Clement’s Cycle of Fire (Ballantine, 1957)
  • Colvin, James. The Deep Fix (Compact, 1966) (PBO)
  • Avram Davidson’s And Don’t Forget The One Red Rose (Dryad Press, 1986) (1/15 hardbacks)
  • L. Sprague De Camp’s Lest Darkness Fall (Henry Holt, 1941)
  • L. Sprague De Camp’s The Tritonian Ring (Twayne, 1953)
  • L. Sprague De Camp and Fletcher Pratt’s The Castle of Iron (Fantasy Press, 1950)
  • L. Sprague De Camp and Fletcher Pratt’s The Incomplete Enchanter (Henry Holt & Co., 1941)
  • Samuel R. Delany’s Dhalgren (Gregg Press, 1977)
  • Samuel R. Delany’s The Einstein Intersection (Ace, 1967) (PBO)
  • Samuel R. Delany’s The Fall of the Towers (Gregg Press, 1977)
  • Samuel R. Delany’s Out of the Dead City (Sphere, 1968) (PBO)
  • (Samuel R. Delany) George Edgar Slusser’s The Delany Intersection (Borgo Press, 1977) (chapbook)
  • (Samuel R. Delany) James Sallis, editor. Ash of Stars: On the Writings of Writing of Samuel R. Delany (University of Mississippi Press, 1996)
  • August Derleth’s The Trail of Cthulhu (Arkham House, 1962)
  • Philip K. Dick’s Dr. Bloodmoney (Gregg Press, 1977)
  • Philip K. Dick’s Five Novels of the 1960s & 70s (Library of America, 2008) (in dust jacket with green band)
  • Philip K. Dick’s Five Novels of the 1960s & 70s (Library of America, 2008) (without dust jacket, in slipcase)
  • Philip K. Dick’s VALIS and Later Novels (Library of America, 2009) (in dust jacket with pink band)
  • Philip K. Dick’s VALIS and Later Novels (Library of America, 2009 (without dust jacket, in slipcase)
  • Philip K. Dick’s Flow My Tears, The Policeman Said (Doubleday, 1974) (no remainder spray)
  • Philip K. Dick’s The World Jones Made (Sidgwick & Jackson, 1968)
  • Gordon R. Dickson’s The Dragon and the George (Nelson Doubleday/SFBC, 1976) (book club hardback) (code G24 on page 243)
  • Thomas M. Disch’s Haikus of an Ampart (Coffee House Press, 1991) (chapbook)
  • Thomas M. Disch’s Orders of the Retina (Toothpaste Press, 1982) (1/100 signed, numbered hardbacks)
  • Thomas M. Disch’s Ringtime (Toothpaste Press, 1982, 1/100 signed, numbered hardbacks)
  • Thomas M. Disch’s Under Compulsion (Rupert Hart-Davis, 1968)
  • Thomas M. Disch, Marilyn Hacker and Charles Platt’s Highway Sandwiches (chapbook, 1970)
  • Gardner Dozois’s Sunk beneath the Waves (Dragonstairs Press, 2013) (chapbook)
  • Gardner Dozois’s The Year’s Best Science Fiction Volumes 15, 23, 24, 27, 28 (St. Martin’s hardbacks)
  • Robert Eighteen-Bisang’s A Vampire Bibliography: Volume One, Literature (Transylvania Press, 1996)
  • E. R. Eddison’s The Worm Ouroboros (Cape, 1922)
  • Harlan Ellison’s All the Sounds of Fear (Panther, 1973) (PBO)
  • Harlan Ellison’s Broken Glass (Avenue Victor Hugo, 1981) (broadside)
  • Harlan Ellison’s The Deadly Streets (Ace, 1958) (PBO)
  • Harlan Ellison’s Ellison Under Glass (Charnel House, 2019) (1/100 signed/numbered)
  • Harlan Ellison’s Ellison Wonderland (Paperback Library, 1962) (PBO, 50¢ cover price)
  • Harlan Ellison’s Ellison Wonderland with Pebbles From the Mountain (PS Publishing, 2015)
  • Harlan Ellison’s Footsteps (Footsteps Press, 1989) (chapbook)
  • Harlan Ellison’s Gentlemen Junkie (Regency, 1961) (PBO, 50¢ on the cover)
  • Harlan Ellison’s The Glass Teat & The Other Glass Teat (Charnel House, 2014)
  • Harlan Ellison’s I Have No Mouth And I Must Scream (Pyramid, 1967) (PBO, 60¢ on cover)
  • Harlan Ellison’s Jokes Without Punchlines (White Wolf, 1995) (chapbook)
  • Harlan Ellison’s The Juvies (Ace, 1961) (PBO, 35¢ on the cover)
  • Harlan Ellison’s The Man With Nine Lives b/w A Touch of Infinity (Ace, 1960) (PBO, 35¢ on the cover)
  • Harlan Ellison’s One Life, Furnished in Early Poverty (Lance Brown, 1993) (broadside, 1/100 copies)
  • Harlan Ellison’s Over the Edge (Belmont, 1970) (PBO, May 1970 on copyright page, 75¢ on cover)
  • Harlan Ellison’s Night of Black Glass (1981) (broadside)
  • Harlan Ellison’s Rockabilly (Fawcett, 1961) (PBO, First Printed October 1961 on copyright page, 35¢ on the cover)
  • Harlan Ellison’s Spider Kiss (Pyramid, 1975) (PBO, Pyramid Edition published July 1975 on copyright page, $1.25 on cover)
  • Harlan Ellison’s The Time of the Eye (Panther, 1974) (PBO, first published in Great Britain in 1974 on copyright page, 35p on cover)
  • Harlan Ellison’s Web of the City (Pyramid, 1975) (PBO, New Pyramid edition: December 1975 on copyright page, price of $1.50 on cover)
  • Harlan Ellison (& Steranko)’s “Repent, Harlequin,” Said The Ticktock Man (art Portfolio w/6 prints) (Baronet, 1978)
  • Harlan Ellison’s Vic and Blood (Edgeworks Abbey, 2003)
  • (Harlan Ellison) Ellen Weil and Gary K. Wolfe’s Harlan Ellison: The Edge of Forever (Ohio State University Press, 2002)
  • Philip Jose Farmer’s A Barnstormer in Oz (Phantasia Press S/L, 1982)
  • Philip Jose Farmer’s Blown or Sketches Among the Ruins of My Mind (Essex House, 1968, PBO)
  • Philip Jose Farmer’s Flesh (Doubleday, 1968)
  • Philip Jose Farmer’s Greatheart Silver and Other Pulp Heroes (Meteor House, 2019)
  • Philip Jose Farmer’s Image of the Beast (Essex House, 1966, PBO)
  • Philip Jose Farmer’s The Unreasoning Mask (Putnam, 1981) (signed/limited edition)
  • Philip Jose Farmer’s Strange Relations (Gollancz, 1964)
  • Gans T. Field’s Romance in Black (Utopian Publications, 1946) (chapbook)
  • Virgil Finlay’s The Book of Virgil Finlay (De La Ree, 1975)
  • Virgil Finlay’s The Third Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Fourth Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Fifth Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Sixth Book of Virgil Finlay (De La Ree, 1980)
  • Jack Finney’s Time and Again (Simon & Schuster, 1970) (1st stated, no book club mention on dj or embossed book club square on rear)
  • John Fowls’ The Magus (Cape, 1966)
  • Pat Frank’s Alas, Babylon (Lippincott, 1959)
  • Jane Gaskell’s The Shiny Narrow Grin (Hodder & Stoughton, 1964)
  • Neil Gaiman’s The Little Gold Book of Ghastly Stuff (Borderlands, 2011)
  • William Golding’s The Inheritors (Faber & Faber, 1955)
  • William Golding’s Lord of the Flies (Faber & Faber, 1954)
  • William Golding’s Pincher Martin (Faber & Faber, 1956)
  • Herbert Gorman’s The Place Called Dagon (Doran, 1927)
  • Charles L. Harness’s Flight Into Yesterday (Bouregy & Curl, 1953)
  • Roger Harris’ The LSD Dossier (Compact, 1966) (PBO)
  • Harry Harrison’s Make Room! Make Room! (Doubleday, 1966)
  • Robert A. Heinlein’s Between Planets (Scribner’s, 1951) (First Printing A & seal, unclipped $2.50 dj)
  • Robert A. Heinlein’s Beyond This Horizon (Fantasy Press, 1948)
  • Robert A. Heinlein’s The Cat Who Walks Through Walls (Putnam, 1985) (1/350 signed, numbered copies)
  • Robert A. Heinlein’s Citizen of the Galaxy (Scribner’s, 1957) (First Printing A & seal)
  • Robert A. Heinlein’s The Door Into Summer (Doubleday, 1957)
  • Robert A. Heinlein’s Farnham’s Freehold (Putnam, 1964)
  • Robert A. Heinlein’s Farmer in the Sky (Scribner’s, 1950)
  • Robert A. Heinlein’s Friday (Holt Reinhardt & Winston, 1982) (1/500 signed, numbered copies)
  • Robert A. Heinlein’s Glory Road (Putnam, 1963)(no statement of printing)
  • Robert A. Heinlein’s I Will Fear No Evil (Putnam, 1970)
  • Robert A. Heinlein’s Job: A Comedy of Justice (Del Rey, 1984, 1/750 signed, numbered copies)
  • Robert A. Heinlein’s The Menace From Earth (Gnome, 1959)
  • Robert A. Heinlein’s Methuselah’s Children (Gnome, 1st state binding (black boards), 1st state dj (“New York 3”)
  • Robert A. Heinlein’s Orphans of the Sky (Gollancz, 1963)
  • Robert A. Heinlein’s Red Planet (Scribner’s, 1949) (First Printing A & seal)
  • Robert A. Heinlein’s Rocket Ship Galileo (Scribner’s, 1947) (First Printing A & seal, unclipped $2.00 dj)
  • Robert A. Heinlein’s The Rolling Stones (Scribner’s, 1952) (First Printing A & seal)
  • Robert A. Heinlein’s Space Cadet (Scribner’s, 1948) (First Printing A & seal)
  • Robert A. Heinlein’s Starman Jones (Scribner’s, 1953) (First Printing A & seal)
  • Robert A. Heinlein’s Time Enough for Love (Putnam, 1973)
  • Robert A. Heinlein’s Time for the Stars (Scribner’s, 1956) (First Printing A & seal)
  • Robert A. Heinlein’s Tunnel in the Sky (Scribner’s, 1955) (First Printing A & seal)
  • Robert A. Heinlein’s Universe (Dell, 1951) (PBO)
  • Robert A. Heinlein’s The Unpleasant Profession of Jonathan Hoag (Gnome, 1959)
  • Robert A. Heinlein’s Waldo & Magic Inc. (Doubleday, 1950)
  • Peter Held’s Take My Face (Mystery House, 1957)
  • Mark Helprin’s Winter’s Tale (Harcourt Brace Jovanovich, 1983)
  • Joe Hill’s Basket Full of Heads (Hill House Comics/DC, 2020) (Hardback graphic novel)
  • Joe Hill’s Dying Is Easy (IDW, 2020) (Hardback graphic novel)
  • Joe Hill’s Plunge (Hill House Comics/DC, 2020) (Hardback graphic novel)
  • Joe Hill’s You Are Released (Lividian Publications, 2022) (chapbook)
  • Russell Hoban’s Riddley Walker (Cape, 1980)
  • William Hope Hodgson’s The Boats of the ‘Glen Garrig’ (Chapman and Hall, 1907) (no statement of printing)
  • William Hope Hodgson’s The Calling of the Sea (Selwyn & Blount, 1920)
  • William Hope Hodgson’s The Ghost Pirates (Stanley Paul, 1909) (red cloth binding)
  • William Hope Hodgson’s The Haunted Pampero (Donald M. Grant, 1991, 1/500 signed copies)
  • William Hope Hodgson’s The House on the Borderland (Chapman and Hall, 1908)
  • William Hope Hodgson’s Men of Deep Waters (Eveleigh Nash, 1914)
  • William Hope Hodgson’s The Night Land (Eveleigh Nash, 1911)
  • William Hope Hodgson’s Terror of the Seas (Donald M. Grant, 1996, with signed illustration sheet laid in)
  • William Hope Hodgson’s Voice of the Ocean (Selwyn & Blount, 1921)
  • (William Hope Hodgson) Ian Bell, editor William Hope Hodgson: Voyages And Visions (Bell, 1987 chapbook)
  • Nancy Holder’s Dead in the Water (Dell Abyss, 1994) (PBO)
  • Robert Holdstock’s Mythago Wood (Gollancz, 1984)
  • Gordon Honeycombe’s Neither the Sea Nor the Sand (Hutchison, 1969)
  • Geoffrey Household’s Dance of the Dwarfs (Michael Joseph, 1968)
  • Robert E. Howard’s Always Comes Evening (Arkham House, 1957)
  • Robert E. Howard’s “…and their memory was a bitter tree” (Black Bart, 2008) (1/500 signed slipcased)
  • Robert E. Howard’s Black Vulmea’s Vengence (Donald M. Grant, 1976)
  • Robert E. Howard’s Blades for France (George T. Hamilton, 1975) (chapbook)
  • Robert E. Howard’s Bloodstar (Morning Star Press, 1976) (Graphic novel, one of 1,500 signed by artist Corban)
  • Robert E. Howard’s Echoes From an Iron Harp (Donald M. Grant, 1972)
  • Robert E. Howard’s Etchings in Ivory (Glenn Lord, 1968) (chapbook)(see Currey for points)
  • Robert E. Howard’s The Grey God Passes (Charles Miller, 1975) (chapbook)
  • Robert E. Howard’s The Grim Land and Others (Stygian Isle Press, 1976, 1/1450)
  • Robert E. Howard’s A Gent From Bear Creek (Herbert Jenkins, 1937)
  • Robert E. Howard’s The Ghost Ocean (Gibbelins Gazatte Pubns, 1982, hardback)
  • Robert E. Howard’s The Grim Land and Others (Stygian isle Press, 1976) (chapbook)
  • Robert E. Howard’s The Illustrated Gods of the North (Necronomicon Press, 1977) (chapbook)
  • Robert E. Howard’s The Incredible Adventures of Dennis Dorgan (Fax Collector’s Edition, 1977)
  • Robert E. Howard’s The Iron Man and other tales (Donald M. Grant, 1976)
  • Robert E. Howard’s Isle of Pirate’s Doom (George T. Hamilton, 1975)
  • Robert E. Howard’s The King’s Service (George T. Hamilton, 1975)
  • Robert E. Howard’s Kull (Donald M. Grant, 1985)
  • Robert E. Howard’s The Hyborian Age (Los Angeles-New York Cooperative Publications, 1938)
  • Robert E. Howard’s The Lost Valley of Iskander (FAX Collector’s Edition, 1974)
  • Robert E. Howard’s The Last Cat Book (Dodd Mead, 1984)
  • Robert E. Howard’s The Pride of Bear Creek (Grant, 1966)
  • Robert E. Howard’s Red Blades of Black Cathay (Grant, 1971)
  • Robert E. Howard’s Red Shadows (Grant, 1968)
  • Robert E. Howard’s Shadows of Dreams (Donald M. Grant, 1989)
  • Robert E. Howard’s The Shadow of the Beast (George T. Hamilton, 1977)
  • Robert E. Howard’s Shadow of the Hun (George T.Hamilton, 1977)
  • Robert E. Howard’s Singers in the Shadows (Donald M. Grant, 1970)
  • Robert E. Howard’s Son of the White Wolf (Fax Collector’s Edition, 1977)
  • Robert E. Howard’s Spears of Clontarf (George T. Hamilton, 1978) (chapbook)
  • Robert E. Howard’s The Sword of Shahrazar (FAX Collector’s Editions, 1976)
  • Robert E. Howard’s Tigers of the Sea (Donald M. Grant, 1974)
  • Robert E. Howard’s Two Against Tyre (Dennis McHaney, 1976) (chapbook)(1/600 numbered)
  • Robert E. Howard’s Valley of the Lost (Chuck E. Miller, 1975)
  • Robert E. Howard’s Writer of the Dark (Dark Carnival Press, 1986) (trade paperback)(1/500)
  • Robert E. Howard, Frank Belknap Long, H.P. Lovecraft, A. Merritt and C.L. Moore’s The Challenge From Beyond (Weltschmertz Publications, 1954) (Mimeographed)
  • (Robert E. Howard) Glenn Lord’s The Last Celt: A Bio-Bibliography of Robert E. Howard
  • Jan Hudson’s Those Sexy Saucer People (Greenleaf Classics, 1966)
  • Shirley Jackson’s The Bad Children (Dramatic Publishing Company, 1958)
  • Shirley Jackson’s The Magic of Shirley Jackson (Farrar Straus, 1966)
  • Stephen King’s Salem’s Lot (Doubleday, 1976) (Father Cody and not price-clipped on front flap)
  • Henry Kuttner’s The Valley of the Flame (Ace, 1964) (PBO)
  • R. A. Lafferty’s The Audifaxes (2019 chapbook)
  • R. A. Lafferty’s Alaric: The Day The World Ended (United Mythologies Press, 1994)
  • R. A. Lafferty’s Anamnesis (United Mythologies Press, 1992) (chapbook)
  • R. A. Lafferty’s The Best of R.A. Lafferty (Gollancz, 2019) (trade paperback)
  • R. A. Lafferty’s The Best of R.A. Lafferty (Tor, 2021) (hardback)
  • R. A. Lafferty’s Cranky Old Man From Tulsa (United Mythologies Press, 1990)
  • R. A. Lafferty’s How Many Miles to Babylon (United Mythologies Press, 1989)
  • R. A. Lafferty’s Sodom and Gomorrah, Texas (Aegypan, 2007) (hardback chapbook)
  • R. A. Lafferty’s The Six Fingers of Time (Aegypan, 2011) (hardback chapbook)
  • R. A. Lafferty’s Strange Skies (United Mythologies Press, 1988) (chapbook)
  • R. A. Lafferty’s Funnyfingers & Cabrito (Pendragon Press HB)
  • (R. A. Lafferty) Boomer Flats Gazette (Volumes 1-4)
  • Joe R. Lansdale’s Blood and Shadows (volumes 1-4) (DC Vertigo, 1996)
  • Joe R. Lansdale’s Blood Dance (Subterranean, 2000) (lettered edition)
  • Joe R. Lansdale’s Bubba Ho-Tep (Hail To the King edition DVD with jacket packaging, 2007)
  • Joe R. Lansdale’s Conan and the Songs of the Dead (Dark Horse, 2007)
  • Joe R. Lansdale’s Crawling Sky (Antarctic Press, 2013) (graphic novel)
  • Joe R. Lansdale’s Dead in the West (Crossroads Press, 1994) (signed/limited)
  • Joe R. Lansdale’s Dead in the West (Night Shade Books, 2005) (1/150 signed, limited copies)
  • Joe R. Lansdale’s The Drive In Bus Tour (Subterranean, 2005) (lettered edition)
  • Joe R. Lansdale’s Freezer Burn (Crossroads Press, 1999) (lettered edition)
  • Joe R. Lansdale’s Freezer Burn (Crossroads Press, 1999) (Special Edition, 1 of 5 copies)
  • Joe R. Lansdale’s The Good, the Bad and the Indifferent (Subterranean Press, 1997) (lettered edition)
  • Joe R. Lansdale’s H.P. Lovecraft’s The Dunwich Horror (IDW, 2012) (graphic novel)
  • Joe R. Lansdale’s I Tell You It’s Love (SST Publications, 2014) (hardback graphic novel)
  • Joe R. Lansdale’s Jonah Hex: Two Gun Mojo (DC Vertigo, 1994) (graphic novel)
  • Joe R. Lansdale’s Lone Ranger & Tonto (Topps Comics, 1995) (graphic novel)
  • Joe R. Lansdale’s The Long Ones (Necro Publications, 1999) (lettered traycased edition)
  • Joe R. Lansdale’s The Magic Wagon (Borderlands Press signed/limited hardback, 1991)
  • Joe R. Lansdale’s The Nightrunners (Dark Harvest, 1987) (signed slipcased edition)
  • Joe R. Lansdale’s The Nightrunners (Dark Harvest, 1987) (signed leatherbound “slipcrate” edition)
  • Joe R. Lansdale’s On the Far Side with Dead Folks (Avalon, 2004) (graphic novel)
  • Joe R. Lansdale’s Orbit 1 & 2 (Subterranean, 2000) (hardback)
  • Joe R. Lansdale’s Pigeons From Hell (Dark Horse, 2009) (graphic novel TPO)
  • Joe R. Lansdale’s Something Lumber This Way Comes (Subterranean, 1999) (1/13 lettered editions)
  • Joe R. Lansdale’s The Steam Man (Dark Horse, 2016) (graphic novel TPO)
  • Joe R. Lansdale’s Tarzan and the Land That Time Forgot (TimeShifter/ECOF, 2018) (chapbook)
  • Joe R. Lansdale’s Tight Little Stitches in a Dead Man’s Back (Pulphouse hardback)
  • Joe R. Lansdale’s The Thicket (Earthling Publications, 2015) (1/250 signed/limited hardbacks)
  • Joe R. Lansdale’s Two-Bear Mambo (Cahill Press, 1995) (lettered edition)
  • Joe R. Lansdale’s Waltz of Shadows (Subterranean, 1999) (lettered edition)
  • Joe R. Lansdale and Lewis Shiner’s Private Eye Action As You Like It (Crossroads Press, 1998) (1/26 lettered editions)
  • Joe R. Lansdale’s The X-Files: Case Files (IDW, 2018) (hardback graphic novel)
  • Joe R. Lansdale’s Robert Bloch’s Yours Truly, Jack the Ripper (IDW, 2010) (graphic novel)
  • Fritz Leiber’s Conjure Wife (Twayne, 1953) (no statement of printing)
  • Fritz Leiber’s Gather, Darkness (Pellegrini & Cudhay, 1950)
  • Fritz Leiber’s The Green Millennium (Abelard, 1953) (no statement of printing, no overprice)
  • Fritz Leiber’s Night Monsters (Gollancz, 1974)

  • Fritz Leiber’s Two Sought Adventure (Gnome Press, 1957)
  • Fritz Leiber’s The Secret Songs (Rupert Hart-Davis, 1968)
  • Cornel Lengyel’s The Atom Clock (FPCI, 1951) (hardback or chapbook)
  • Doris Lessing’s Briefing for a Descent Into Hell (Cape, 1971)
  • C. S. Lewis’ Out of the Silent Planet (John Lane The Bodley Head, 1938)
  • C. S. Lewis’ That Hideous Strength (John Lane The Bodley Head, 1945)
  • David Lindsay’s A Voyage to Arcturus (Methuen, 1920) (Gilt-stamped spine, undated publisher’s catalog)
  • H. P. Lovecraft’s Juvenilia 1895-1905 (Necronomicon Press, 1984) (chapbook)
  • H. P. Lovecraft’s The Outsider and Others (Arkham House, 1939)
  • H. P. Lovecraft’s Beyond the Wall of Sleep (Arkham House, 1943)
  • (Lovecraft, H.P.) Peter Cannon’s The Chronology Out of Time (Necronomicon Press chapbook, 1986)
  • (Lovecraft, H.P.) S.T. Joshi’s H.P. Lovecraft: Selected Essays (Necronomicon Press, 2019)
  • (Lovecraft, H.P.) Joshi/Schultz’s Lovecraft Remembered: An Epicure of the Terrible (Fairleigh Dickinson University Press, 1991)
  • (Lovecraft, H.P.) Ave Atque Vale (Necronomicon HB, 2018)
  • (Lovecraft, H.P.) Maurice Levy’s Lovecraft: A Study in the Fantastic (Wayne State University Press, 1988)
  • (Lovecraft, H.P.) Anthony Pearsell’s The Lovecraft Lexicon (New Falcon, 2004) (TPO)
  • (Lovecraft, H.P.) Robert M. Price’s H.P. Lovecraft and the Cthulhu Mythos (Starmont, 1990)
  • George R. R. Martin’s Fevre Dream (Poseidon Press, 1982)
  • George R. R. Martin’s Wild Cards VIII: One-Eyed Jacks (Bantam Spectra, 1991) (PBO)
  • Cormac McCarthy’s Blood Meridian (Random House, 1985) (number line starts with 2)
  • Richard Matheson’s Bid Time Return (Viking, 1975) (“First published 1975”)
  • Richard Matheson’s A Stir of Echoes (Lippencott, 1958)
  • Ian McDonald’s The Best of Ian McDonald w/Floating Dogs (PS Publishing, 2016)(1/100 signed, numbered copies)
  • Ian McDonald’s Cyberabad Days (Orion, 2009)
  • Ian McDonald’s Luna: Moon Rising (Tor, 2015)
  • Ian McDonald’s Luna: New Moon (Tor, 2017)
  • Ian McDonald’s Luna: Wolf Moon (Tor, 2019)
  • Ian McDonald’s The Menace From Farside (Tor, 2019)
  • Ian McDonald’s Time Was (Tor, 2018) (chapbook)
  • Richard McKenna’s The Left-Handed Monkey Wrench (Naval Institute Press, 1986)
  • Paul Merchant’s Sex Gang (Nightstand Books, 1959) (PBO, 50¢)
  • Hope Mirrlees’ Lud-in-the-Mist (Collins, 1926)
  • Carlton Miller’s Incest Street (Narcissus, 1970, PBO)
  • Michael Moorcock’s The Adventures of Una Persson and Catherine Cornelius in the Twentieth Century (Quartet, 1975)
  • Michael Moorcock’s The Adventure of the Dorset Street Lodger (as John H. Watson, MD) (privately printed hardback, 1993)
  • Michael Moorcock’s An Alien Heat (MacGibbon & Kee, 1972)
  • Michael Moorcock’s Behold the Man and Other Stories (Phoenix House, 1994)
  • Michael Moorcock’s Blood Red Game (Sphere, 1970) (PBO)
  • Michael Moorcock’s Blades of Mars (Compact, 1965)
  • Michael Moorcock’s Breakfast in the Ruins and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Brothel in Rosenstrasse and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Bull and the Spear (Alison Busby, 1973)
  • Michael Moorcock’s City of the Beasts (Lancer, 1970) (PBO)
  • Michael Moorcock’s Count Brass (Mayflower, 1973) (PB0)
  • Michael Moorcock’s Chronicles of Castle Brass (Granada, 1977)
  • Michael Moorcock’s Champion of Garathorm (Mayflower, 1973) (PBO)
  • Michael Moorcock’s The Dreaming City (Lancer, 1972) (PBO)
  • Michael Moorcock’s Dreamthief’s Daughter (American Fantasy, 2001) (signed, limited hardback)
  • Michael Moorcock’s Earl Aubec and Other Stories (Millennium, 1993)
  • Michael Moorcock’s Elric of Melnibone (Blue Star, 1977)
  • Michael Moorcock’s Elric of Melnibone and Other Stories (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: Swords and Roses (Del Rey, 2010) (TPO)
  • Michael Moorcock’s Elric: Return to Melnibone (Unicorn, 1973) (chapbook)
  • Michael Moorcock’s Elric: The Revenge of the Rose (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Elric: The Sailor on the Seas of Fate (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: The Sleeping Sorceress (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: The Stealer of Souls (Del Rey, 2008) (TP0)
  • Michael Moorcock’s Elric at the End of Time (NEL, 1984)
  • Michael Moorcock’s The Entropy Tango (NEL, 1981)
  • Michael Moorcock’s Eternal Champion (Harper & Row, 1978)
  • Michael Moorcock’s Eternal Champion (Mayflower, 1970) (PBO)
  • Michael Moorcock’s Final Programme (Gregg Press, 1976)
  • Michael Moorcock’s Final Programme (Avon, 1968) (PBO)
  • Michael Moorcock’s The Fireclown (Compact, 1965) (PB0)
  • Michael Moorcock’s The Golden Barge (Savoy, 1979) (TPO)
  • Michael Moorcock’s Hawkmoon (Millennium, 1992)
  • Michael Moorcock’s The Ice Schooner (Harper & Row, 1977)
  • Michael Moorcock’s The Ice Schooner (Sphere, 1969)
  • Michael Moorcock’s The Inner Landscape (Allison & Busby, 1969)
  • Michael Moorcock’s Jerry Cornelius: His Lives and His Times (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Jewel in the Skull (White Lion, 1973)
  • Michael Moorcock’s Knight of the Swords (Alison Busby, 1977)
  • Michael Moorcock’s Knight of the Swords (Mayflower, 1971) (PBO)
  • Michael Moorcock’s The Land Leviathan (Doubleday, 1974)
  • Michael Moorcock’s Lives and Times of Jerry Cornelius: Stories of the Comic Apocalypse (Four Walls Eight Windows, 2003) (TPO)
  • Michael Moorcock’s London Bone (Scribner/Simon & Schuster UK, 2001) (TPO)
  • Michael Moorcock’s Lord of the Spiders (Lancer, 1971) (PBO)
  • Michael Moorcock’s Lunching with the Antichrist (Ziesing V. Ziesing, 1994) (Signed/limited edition)
  • Michael Moorcock’s The Mad God’s Amulet (White Lion, 1973)
  • Michael Moorcock’s Masters of the Pit (NEL, 1971) (PBO)
  • Michael Moorcock’s Michael Moorcock’s Elric: Tales of the White Wolf (White Wolf, 1994)
  • Michael Moorcock’s Michael Moorcock’s Legends of the Multiverse (Black Coat Press, 2017) (TPO)
  • Michael Moorcock’s My Experiences in the Third World War and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s The New Nature of Catastrophe (Millennium, 1993)
  • Michael Moorcock’s Nomad of Time (Nelson Doubleday/SFBC, 1982) (Book club HB, gutter code M47 on page 440)
  • Michael Moorcock’s Nomad of the Time Streams (Millennium, 1993)
  • Michael Moorcock’s The Oak and the Ram (Alison Busby, 1973)
  • Michael Moorcock’s Pawn of Chaos (White Wolf, 1996) (TPO)
  • Michael Moorcock’s Phoenix In Obsidian (Mayflower, 1970) (PBO)
  • Michael Moorcock’s Queen of the Swords (Berkeley, 1971) (PBO)
  • Michael Moorcock’s Quest for Tanelorn (Mayflower, 1975) (PBO)
  • Michael Moorcock’s The Real Life Mr. Newman (A.J. Callow, 1979) (1/500 copies, stapled and bound in masking tape (!))
  • Michael Moorcock’s Retreat from Liberty (Zomba, 1983) (TPO)
  • Michael Moorcock’s The Road Between Worlds (White Wolf, 1996)
  • Michael Moorcock’s The Runestaff (Mayflower, 1969) (PBO)
  • Michael Moorcock’s The Russian Intelligence (NEL, 1983)
  • Michael Moorcock’s Sailing to Utopia (Millennium, 1993)
  • Michael Moorcock’s The Shores of Death (Sphere, 1970) (PBO)
  • Michael Moorcock’s Singing Citadel (Mayflower, 1970) (PBO)
  • Michael Moorcock’s The Skrayling Tree (Warner Aspect, 2003)
  • Michael Moorcock’s The Sorcerer’s Amulet (Lancer, 1968) (PBO)
  • Michael Moorcock’s The Steel Tsar (Mayflower, 1981) (PBO)
  • Michael Moorcock’s The Sundered Worlds (Compact, 1965) (PBO)
  • Michael Moorcock’s Sword and the Stallion (Alison Busby, 1973)
  • Michael Moorcock’s Sword of the Dawn (Lancer, 1968) (PBO)
  • Michael Moorcock’s The Time Dweller (Rupert Hart Davis, 1969)
  • Michael Moorcock’s Time of the Hawklords (Star, 1976) (PBO)
  • Michael Moorcock’s Time of the Hawklords (Aidan Ellis, 1976)
  • Michael Moorcock’s The Twilight Man (Roberts & Vinter/Compact, 1966) (PBO)
  • Michael Moorcock’s The Transformation of Mavis Ming (W. H. Allen, 1977)
  • Michael Moorcock’s The Traps of Time (Rapp & Whiting, 1968)
  • Michael Moorcock’s Warlord of the Air (NEL, 1971)
  • Michael Moorcock’s Warrior of Mars (NEL, 1981) (hardback omnibus)
  • Michael Moorcock’s Warriors of Mars (Compact, 1965) (PBO)
  • Michael Moorcock’s The Wrecks of Time (b/w Tramontane) (Ace Double, 1967) (PBO)
  • Michael Moorcock and James Cawthorne’s Fantasy the 100 Best Books (Xanadu, 1988)
  • (Moorcock, Michael) Frank Brunner’s Elric Portfolio (Looking Glass, 1979) (art portfolio, 1/1000)
  • (Moorcock, Michael) Tawn, Brian Dude’s Dream: The Music Of Michael Moorcock (Hawkfan, 1997) (TPO)
  • Kim Newman’s The Original Dr. Shade (Pocket Books, 1994)(PBO)
  • Larry Niven’s Inconstant Moon (Gollancz, 1973)
  • Larry Niven’s Neutron Star (Macdonald, 1969)
  • Larry Niven’s Protector (Compton Russell, 1976)
  • Larry Niven’s World of Ptavvs (Macdonald, 1986)
  • Charles Neutzel’s Queen of Blood (Greenleaf Classic, 1966) (PBO)
  • Andre Norton’s Witch World (Gregg Press, 1977)
  • George Orwell’s Animal Farm (Secker & Warburg, 1945, 1st state dust jacket)
  • Lewis Padgett’s A Gnome There Was (Simon & Schuster, 1950)

  • Lewis Padgett’s Tomorrow and Tomorrow and Tomorrow & The Fairy Chessman (Gnome, 1951)
  • Edgar Pangborn’s A Mirror for Observers (Doubleday, 1954)
  • Keith Roberts’s Pavane (Rupert Hart-Davis, 1968)
  • Mervyn Peake’s Titus Groan (Eyre & Spottiswoode, 1946)
  • Mervyn Peake’s Gormenghast (Eyre & Spottiswoode, 1950)
  • Mervyn Peake’s Titus Alone (Eyre & Spottiswoode, 1959)
  • H. Beam Piper’s Lord Kalvan of Otherwhen (Garland HB, 1975)
  • H. Beam Piper’s (and Andre Norton’s) A Planet For Texans (and Star Born) (Ace, 1958) (PBO, 35¢)
  • H. Beam Piper’s Space Viking (Ace, 1962) (PBO, 40¢)
  • Frederik Pohl & C. M. Kornbluth’s Gladiator-At-Law (Ballantine Books, 1955)
  • Frederik Pohl & C. M. Kornbluth’s Presidential Year (Ballantine Books, 1956)
  • Frederik Pohl & C. M. Kornbluth’s Search the Sky (Ballantine Books, 1954)
  • Terry Prachett’s The Colour of Magic (Colin Smythe, 1983)
  • Terry Prachett’s The Light Fantastic (Colin Smythe, 1986)
  • Thomas Pynchon’s Gravity’s Rainbow (Viking, 1973) (First issue dj with ISBN lettered in white over red on rear panel, date code 0273 on lower front flap)
  • Ellery Queen’s And On the Eighth Day (Random House, 1964)
  • Ellery Queen’s The Fourth Side of the Triangle (Random House, 1965)
  • Ellery Queen’s The Player on The Other Side (Random House, 1963)
  • Alastair Reynold’s The Prefect (Gollancz, 2007)
  • Alastair Reynold’s Elysium Fire (Gollancz, 2018)
  • Alastair Reynold’s Machine Vendetta (Gollancz, 2024)
  • Matt Ruff’s Lovecraft Country. (Harper, 2016)
  • Salman Rushdie’s Grimus (Gollancz, 1975)
  • Eric Frank Russell’s Far Stars (Dobson, 1961)
  • Eric Frank Russell’s The Great Explosion (Dobson, 1962)
  • Eric Frank Russell’s Wasp (Avalon, 1957)
  • Clifford D. Simak’s Ring Around the Sun (Simon & Schuster, 1953)
  • Clifford D. Simak’s Way Station (Doubleday, 1963)
  • Norman Spinrad’s The Iron Dream (Gregg Press, 1977)
  • Bob Shaw’s Orbitsville (Gollancz, 1975) (No statement of printing on copyright page)
  • Robert Sheckley’s Journey Beyond Tomorrow (Gollancz, 1964)
  • Lucius Shepard’s Cantata Of Death, Weakmind & Generation (Lillabulero Press, 1967) (chapbook)
  • Clark Ashton Smith’s The Abominations of Yondo (Arkham House, 1960)
  • Clark Ashton Smith’s Cycles (Roy A. Squires, 1963) (broadside)
  • Clark Ashton Smith’s The Dark Chateau (Arkham House, 1951)
  • Clark Ashton Smith’s From the Crypts of Memory (Roy A. Squires, 1963)(chapbook)
  • Clark Ashton Smith’s Grotesques and Fantastiques (De La Ree, 1973) (1/50 signed hardback copies)
  • Clark Ashton Smith’s The Ghoul and the Sereph (Gargoyle Press, 1950) (chapbook)
  • Clark Ashton Smith’s Genius Loci and Other Tales (Arkham House, 1948)
  • Clark Ashton Smith’s Hesperian Fall (Clyde Beck, 1961) (chapbook)
  • Clark Ashton Smith’s The Hills of Dionysus (Roy A. Squires, 1962) (1/175 black hardback copies and/or 1/40 green hardback copies))
  • Clark Ashton Smith’s Klarkash-Ton and Monstro Ligriv (Gerry de la Ree, 1974) (1/50 hardback copies)
  • Clark Ashton Smith’s The Mortuary (Roy Squires chapbook)
  • Clark Ashton Smith’s Nero and Other Poems (Futile Press, 1937)
  • Clark Ashton Smith’s Spells and Philtres (Arkham House, 1958)
  • Clark Ashton Smith’s Sandalwood (The Auburn Journal Press, 1925)(chapbook)
  • Clark Ashton Smith’s The Titans in Tartarus (Roy Squires)(chapbook)
  • Clark Ashton Smith’s The White Sybil (with David H. Keller’s Men of Avalon) (Fantasy Publications, no date (1934)) (chapbook)
  • (Clark Ashton Smith) Jack L. Chalker’s In Memorium: Clark Ashton Smith (Mirage Press, 1963) (1/10 hardback copies)
  • Norman Spinrad’s The Iron Dream (Gregg Press, 1977)
  • Brian Stableford’s The Walking Shadow (Fontana, 1979) (PBO)
  • Theodore Sturgeon’s Aliens 4 (Avon, 1959) (PBO, 35¢)
  • Theodore Sturgeon’s Baby is Three/…And My Fear Is Great (Galaxy, 1965) (PBO)
  • Theodore Sturgeon’s Caviar (Ballantine Books, 1955)
  • Theodore Sturgeon’s The Cosmic Rape (Dell, 1958) (PBO, 35¢)
  • Theodore Sturgeon’s The Cosmic Rape (Gregg Press, 1977)
  • Theodore Sturgeon’s E. Pluribus Unicorn (Abelard-Schuman, 1953)
  • Theodore Sturgeon’s More Than Human (Farrar, Straus and Young, 1953)
  • Theodore Sturgeon’s Venus Plus X (Pyramid, 1960) (PBO, 35¢)
  • Theodore Sturgeon’s Venus Plus X (Gollancz, 1969)
  • Theodore Sturgeon’s A Way Home (Funk and Wagnalls, 1955)
  • Patrick Suskind’s Perfume (Hamish Hamilton, 1986)
  • Michael Swanwick’s American Cigarettes (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s The Brain Baron (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s A Midwinter’s Tale (Dragonstairs, 2010) (chapbook)
  • Michael Swanwick’s Millie’s Recipes (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s One Mile Below (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s Song of the Lorelei (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s Valentine Moon (Dragonstairs, 2020) (chapbook)
  • William Tenn’s Of All Possible Worlds (Ballantine Books HB, 1955)
  • William Tenn’s Time In Advance (Gollancz, 1963)
  • J. R. R. Tolkein’s The Hobbit (George Allen & Unwin, 1937) (First printed 1937, “Dodgeson” on back dj flap)
  • J. R. R. Tolkein’s The Fellowship of the Ring (George Allen & Unwin, 1954) (no later date on copyright page)
  • J. R. R. Tolkein’s The Two Towers (George Allen & Unwin, 1954) (no later date on copyright page)
  • J. R. R. Tolkein’s The Return of the King (George Allen & Unwin, 1955) (no later date on copyright page)

  • Henry Treece’s The Golden Strangers (The Bodley Head, 1956)
  • Henry Treece’s The Great Captains (The Bodley Head, 1956)
  • Jack Vance’s The Complete Magnus Ridolph (Underwood Miller, 1984)
  • Jack Vance’s Dream Castles (Subterranean Press, 2012) (signed, lettered edition)
  • Jack Vance’s The Dying Earth (Hillman, 1947)(PBO)
  • Jack Vance’s Future Tense (Ballantine, 1964)(PBO)
  • Jack Vance’s Grand Crusades (Subterranean, 2015) (signed, lettered edition)
  • Jack Vance’s Hard Luck Diggings (Subterranean, 2010) (signed, lettered edition)
  • Jack Vance’s The Jack Vance Reader (Subterranean Press, 2008) (signed, lettered edition)
  • Jack Vance’s The Jack Vance Treasury (Subterranean Press, 2007) (signed, lettered edition)
  • Jack Vance’s The Languages of Pao and The Dragon Masters (Vance Integral Edition, 2002)
  • Jack Vance’s Magic Highways (Subterranean, 2013) (signed, lettered edition)
  • Jack Vance’s The Man in the Cage (Random House, 1960)
  • Jack Vance’s Wild Thyme, Green Magic (Subterranean, 2009) (signed, lettered edition)
  • (Jack Vance) The Many Worlds of Jack Vance (fanzine, 1/300)
  • (Jack Vance) Songs of the Dying Earth (Subterranean, 2009) (signed, lettered edition)
  • Kurt Vonnegut’s Cat’s Cradle (Holt, Reinhardt & Winston, 1963)
  • Kurt Vonnegut’s The Sirens of Titan (Houghton-Mifflin, 1961)
  • Alan Wade’s Isle of Peril (Mystery House, 1957))
  • Peter Watts’ Echopraxia (Tor, 2014)
  • Ian Watson’s The Embedding (Gollancz, 1973)
  • H. G. Wells’ The Time Machines (Henry Holt, 1895) (true first edition with his name misspelled “H. S. Wells” on the title page)
  • Manly Wade Wellman’s Carolina Pirate (Washburn, 1968)
  • Manly Wade Wellman’s Gray Riders (Aladdin, 1954)
  • Manly Wade Wellman’s Haunts of Drowning Creek (Holiday House, 1951)
  • Manly Wade Wellman’s Jamestown Adventure (Washburn, 1967)
  • Manly Wade Wellman’s Mystery at Bear Paw Gap (Washburn, 1965)
  • Manly Wade Wellman’s The Specter of Bear Paw Gap (Washburn, 1966)
  • Gary Westfahl’s The Greenwood Encyclopedia of Science Fiction & Fantasy: Themes, Works, and Wonders (three volume hardcover set)
  • J. X. Williams’ ESP Orgy (Greenleaf Classics adult PBO)
  • Jack Williamson’s The Collected Stories of jack Williamson Volume Five: The Crucible of Power (Haffner Press, 2006)
  • Jack Williamson’s The Collected Stories of jack Williamson Volume Six: Gateway to Paradise (Haffner Press, 2008)
  • Gene Wolfe’s The Grave Secret (Portentous Press) (chapbook)
  • Gene Wolfe’s The Land Across (Tor, 2013)
  • Gene Wolfe’s The Old Woman Whose Rolling Pin Was the Sun (Cheap Street, 1991) (chapbook)
  • (Gene Wolfe)Michael Andre-Driussi’s A Quick and Dirty Guide To The Long Sun Whorl (Sirius Fiction) (chapbook)
  • John Wyndham’s The Day of the Triffids (Doubleday, 1951)
  • John Wyndham’s The Kraken Wakes (Michael Joseph, 1953)
  • John Wyndham’s The Midwich Cuckoos (Michael Joseph, 1957)
  • Cheslea Quin Yarboro’s Aristo (Pocket, 1980) (PBO)
  • Collier Young’s The Todd Dossier (Delacorte Press, 1969)
  • Roger Zelazny’s The Doors of His Face, The Lamps of His Mouth (Pulphouse, 1991) (hardback of just that story)
  • Roger Zelazny’s The Magic: (October 1961-October 1967) Ten Tales (Positronic Publishing, 2018)
  • Roger Zelazny’s Lord of Light. (Easton Press, 1994) (tan leather)
  • (Roger Zelazny) Jane Lindskold’s Roger Zelazny (Twayne, 1992)
  • (Roger Zelazny) Joseph L. Sanders’ Roger Zelazny: A Primary and Secondary Bibliography (G. K. Hall, 1982)
  • (Roger Zelazny) Karl B. Yoke’s Roger Zelazny: Starmont Reader’s Guide (Borgo Press, 1979) (Library binding hardback)
  • Library Additions: Three Jack Vance Firsts

    Monday, July 19th, 2021

    Three more Jack Vance (or related) firsts:

  • Vance, Jack. Mazirian the Magician: Tales of the Dying Earth, Book 1. Spatterlight Press, 2021. First separate hardback edition and first thus, a Fine- copy in decorated boards with wear at head and slight bump at heel, otherwise new and unread, sans dust jacket, as issued. First separate edition under this title, a corrected reprint of The Dying Earth originally published as the first volume of the Vance Integral Edition, with a new introduction by Michael Moorcock. Bought for $57.36 from Amazon, the only venue for order fulfillment, which makes me think trying to obtain a perfect copy would be an exercise in futility. Supplements a VIE, the Underwood-Miller hardback first of The Dying Earth, and a paperback reprint of The Dying Earth Vance signed for me at the 1985 NASFIC in Austin. (Still need the Hillman PBO.)

  • Vance, Jack. Vandals of the Void. The John C. Winston Company, 1953. First edition hardback, a Very Good copy with some soiling/grubbiness to the boards, a touch of dust staining to page block edges, in a Very Good dust jacket with one 1/4″ chip at top rear corner, a 1/32″ chip along bottom rear edge, a closed 1/4″ triangular tear at top front, fading to red portion of spine, plus edgewear at points and slight rubbing, but overall a very attractive copy of the dust jacket. I bought this off eBay for $41.00 to marry the dust jacket to my signed but jacketless copy. Hewett, A3. Cunningham, 81a.

  • (Vance, Jack) Robert Offutt Jr., editor. The Many Worlds of Jack Vance & The Horns of Elfland. Robert Offutt Jr., 1978. First edition illustrated fanzine, a Near Fine copy with a crease near the top at the spine. Features the Vance’s “The Secret” the first chapter of an illustrated adaptation of The Eyes of the Overworld, etc. Second (and last) volume of an illustrated, semiprozine quality publication dedicated to Vance’s work (though the cover illustration, “Boromir’s Fall,” is obviously from The Lord of the Rings). Chock-full of illustrations from Rod Whigham, who later did a great deal of comic book work. Hewett, M31b, who notes there were 1,000 copies of this printed. Bought off eBay for $25.

  • Library Addition: The Stormbringer Sessions

    Thursday, April 29th, 2021

    Here’s an item I picked up a while back that I’ve only just gotten around to blogging about:

    (Moorcock, Michael) Cawthorn, James. The Stormbringer Sessions. Jayde Designs/Savoy Books, 2021. First edition hardback, an oversized graphic novel format. #30 of 100 numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase, with a sheet replicating the cover art laid in. A graphic novel reprinting Cawthorn’s rough sketch’s for Michael Moorcock’s Elric: The Book of Stormbringer, a much more complete and elaborate graphic novel adaptation of the concluding Elric book than the version published by Savoy Books in 1976. At £100 plus transatlantic shipping, it’s a pricey item, but with such a small limitation (with only an additional 100 trade copies) for a Moorcock item, I thought it was better to snap it up when I could (and indeed, all copies are now sold out).

    The scan chops off the very bottom of the cover, because that was all that would fit on my scanner.

    The slipcase is embossed with a red foil version of Moorcock’s eight-arrowed chaos symbol:

    Library Additions for 2020

    Monday, February 15th, 2021

    I didn’t manage to break it up into two posts this year, so this is a roundup of every book I bought (or that came in) between January 1 and December 31, 2020. Most, but not all, of these were already listed in blog posts between March 2020 and February 2021:

  • Adams, Douglas. Dirk Gently’s Holistic Detective Agency. Simon & Schuster, 1987. First edition hardback (simultaneous with the UK Heinemann edition), a Fine copy in a Fine dust jacket. Bought for $9.99.
  • Ballard, J. G. The Terminal Beach. Gollancz, 1964. First hardback edition (preceded by the Berkley paperback), a Near Fine copy with small owner’s name on FFE, small Australian bookstore sticker at bottom inside front cover near gutter, uniform dust soiling to top and side edges, and slight bumping at head and heel, in a Very Good+ price-clipped dust jacket with a 3/16″ chip at heel, shallow chipping at points, slight dust staining to spine and edges. A fairly nice copy of a key Ballard short story collection, including the title story and “The Drowned Giant.” Goddard & Pringle, J. G. Ballard: The First Twenty Years, 54. Currey, page 23. Bought at auction for A$500 plus shipping. Replaces an Ex-Library copy.

  • Barksdale, Dante, with Grace Kearney. Growing Up Barksdale: A True Baltimore Story. No publisher listed, printed 2020. Trade paperback POD reprint, a Fine copy. Autobiography by a former Baltimore gang member who’s family’s story provided some of the grist for David Simon’s The Wire. A Christmas gift from Dwight.
  • Beaumont, Charles. The Magic Man and Other Science-Fantasy Stories. Fawcett Gold Medal, 1965. First edition paperback original, a Very Good- copy with crease across bottom front corner, spine creasing and abrasions, age darkening to pages and general wear. Reginald, Science Fiction and Fantasy Literature Volume 1, page 40. Obtained free.
  • Beaumont, Charles. Shadow Play. Panther, 1964. First UK edition and first edition under this title, a Very Good- copy with chipper bottom front corner, spine creasing, age darkening to pages and general wear. Originally published in the U.S. in hardback as The Hunger and Other Stories. Reginald, Science Fiction and Fantasy Literature Volume 1, page 40. Some overlap between these two. Obtained free.
  • Bennett, Robert Jackson. In the Shadows of Men. Subterranean, 2020. First edition hardback, #134 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket. Novella by the author of Mr. Shivers and Company Man.
  • Bethke, Bruce. Headcrash. Warner Books, 1995. Advanced reading copy of the paperback original first edition, also mass market paperback size, a Fine copy, signed by the author. Bethke was doing some pioneering cyberpunk work (indeed, his story “Cyberpunk” probably coined the word in 1980, but wasn’t published until 1983), but most of it didn’t get published until after the 1980s. This is his first stand-alone non-tie-in novel. Philip K. Dick award winner. Obtained directly from the author.
  • Blaylock, James P. The Gobblin’ Society. Subterranean Press, 2020. First edition hardback, #259 of 1000 signed, numbered copies, a Fine copy in a Fine dust jacket. Blaylock’s latest Steampunk Langdon St. Ives adventure.
  • Blaylock, James P. The Magic Spectacles. Morrigan Publications, 1991. First edition hardback, a Fine copy in a Fine dust jacket, with a full page inscription to SF writer Scott Cupp and his wife Sandy: “For Scott & Sandi,/This loony children’s book, starring/my sons at what now seems to/me to be an impossibly young/age. Here’s to Italian food &/trips to California. Cheers,/Jim.” Replaces an unsigned copy.

  • Blish, James. Black Easter. Doubleday, 1968. An Ex-library copy I bought for $4 for the quite bright Near Fine+ dust jacket to marry to another copy.
  • Bond, Nelson. Nightmares and Daydreams. Arkham House, 1968. First edition hardback, a Fine- copy with slightly bumped points, in a Fine- dust jacket with slight wear at points and the barest trace of dust soiling to white rear cover. Signed by Bond. Joshi, Sixty Years of Arkham House 98. Jaffrey, Horrors and Unpleasantries, 106. Nielsen, 104. Derleth, Thirty Years of Arkham House, 96. Currey (1979), page 49. Locke, A Spectrum of Fantasy, page 38. Bought off eBay for $35.

  • Bradbury, Ray. Forever and the Earth. Croissant & Company, 1984. First edition hardback, #20 of 300 signed, numbered copies, a Fine copy in a glassine dust wrapper, as issued. Script for a radio dramatization. Bought for $50.

  • Bradbury, Ray. A Chapbook for Burnt-Out Priests, Rabbis and Ministers. Cemetery Dance, 2001. First edition hardback, a PC copy of 350 signed and numbered copies, a Fine copy save a dime-sized spot of discoloration on front free endpaper (possibly a paper flaw), in a Fine dust jacket and a Fine slipcase. Mixture of prose and poetry. Supplements a trade copy. Bought for $29.99.
  • Bradbury, Ray. The Ray Bradbury Chronicles Volume 4. Byron Preiss Visual Publications, 1993. First edition hardback, #548 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought for $35. I now lack only volumes 1, 3 and 5. Weist, Ray Bradbury: An Illustrated Life, page 183.
  • (Bradbury, Ray) James Tucker and Erin Mckee, editors. Touchstone: Celebrating the Lives of Fritz Leiber and Ray Bradbury. Mysterious Stranger Press, 1978. First edition trade paperback original, a Near Fine copy with slight crease to bottom front corner, a stray ink mark to bottom outer pageblock edge, and a touch of grubbiness to the uncoated covers, signed by Bradbury and McKee, with 183/977 written at the bottom right corner of the title page (presumably the limitation). Odd mélange of festschrift, bits of fiction from the two authors, a bibliography, etc. Includes contributions from Harlan Ellison, Poul Anderson, William F. Nolan, Richard Lupoff (as Ova Hamlet), etc. Reginald, Science Fiction and Fantasy Literature 1975-1991, 29608. Not in Currey. Not in The Undead (which had a lot of obscure Bradbury items listed). Not in Morgan, Fritz Leiber: a Bibliography 1934—1979. Not in Staicar, Fritz Leiber. Not in a whole damn lot of things it should have been in (but it is in the ISFDB). Found literally in Dreamhaven’s basement, and I think I ended up paying something like $16.

  • Bryant, Edward, and Harlan Ellison. Phoenix Without Ashes. Fawcett, 1975. First edition paperback original, a Near Fine+ copy with one faint spine crease and a few touches of edgewear, otherwise apparently new and unread. Currey, page 76 and 178. Richmond, Fingerprints on the Sky, page 108. Supplements a slightly less attractive copy. Now I can file one copy under Bryant and one under Ellison. Bought for $2 from a fundraiser sale for the Joe R. Lansdale documentary All Hail The Popcorn King.
  • Butler, Octavia. Unexpected Stories. Subterranean Press, 2020. First edition hardback, #391 of 1000 copies, a Fine copy in a Fine dust jacket, new and unread. Contains two newly unearthed stories, plus an introduction by Nisi Shawl and an afterword by Butler’s agent and literary executor Merrilee Heifetz.
  • Campbell, Ramsey. A Little Green Book of Grins & Gravity. Borderlands Press, 2020. First edition hardback, #498 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. A novella, “The Enigma of the Flat Policeman,” supposedly in the manner of John Dickson Carr, along with an introduction and an afterword.
  • Castle, Mort. A Little Cobalt Book of Old Blue Stories…And Stuff. Borderlands Press, 2018. First edition hardback, #492 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Nine stories, one original to this volume.
  • Chiang, Ted. Exhalation. Subterranean Press, 2020. First signed, limited edition (preceded by the Knopf hardback), #212 of 300 copies, a Fine copy in a Fine dust jacket. Bought from the publisher at the usual discount. Now sold out from the publisher. I will have a very small number of copies available in the next Lame Excuse Books catalog.
  • Crouch, Blake. A Little Orange Book of Obsessions. Borderlands Press, 2020. First edition hardback, #498 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Three stories, one from an online-only source. Now out of stock from the publisher. I still have copies available through Lame Excuse Books.

  • Davidson, Avram, editor. The Best From Fantasy and Science Fiction Fourteenth Series. Doubleday, 1965. First edition hardback, a Fine copy in a Near Fine- dust jacket with a 1/16″ chip at head, slight edgewear a heel, and some darkening/dust soiling to white rear cover. Currey, page 131.
  • de Camp, L. Sprague. Warlocks and Warriors. Putnam, 1970. First edition hardback, a Fine- copy with five tiny ink “x”s next to stories on the copyright page and a trace of bend at head and heel, in a Fine- dust jacket with traces of edgewear along flap folds. Signed by de Camp. Includes Zelazny’s “The Bells of Shoredan.” The Zelazny and others include maps for their stories that I’m not sure I’ve seen anywhere else.
  • Delaney, Samuel R. Babel-17. Ace, 1966. First edition paperback original (no statement of printing and 40¢ price on cover, as per Currey), a Near Fine copy with rubbing along front spine join, slight edgewear, and slight age darkening to pages. Nebula Award winner for best novel. Currey, page 139. Bought for $2 from the Lansdale documentary fundraiser sale.

  • Delaney, Samuel R. City of a Thousand Suns. Ace, 1965. First edition paperback original (no statement of printing and 40¢ price on cover, as per Currey), a Near Fine+ copy with considerable foxing to inside covers, age darkening to pages, and trace of dust soiling to white covers. Currey, page 139. Bought for $2 from the Lansdale documentary fundraiser sale.

  • de la Ree, Gerry. Fantasy Collector’s Annual – 1975. Gerry de la Ree, 1974. First edition hardback, #50 of 80 bound hardback copies a Fine- copy with top rear spine hinge gutter paste-down starting to tear, otherwise a nice, square copy. Miscellany of fantasy-related items, including Virgal Finley art, facsimiles of letters from Seabury Quinn to Finley, J.J. Weguelin’s art of H. Rider Haggard’s Montezuma’s Daughter, a note on the secret reprint edition of August Derleth’s Someone in the Dark, facsimile examples of inscriptions by several fantasy notables including, Ray Cummuings, A. A. Merrit, and Wernher von Braun, and a reprint of a The Mars Gazette, a chemical company advertising pamphlet in science fictional form extolling the virtues of “liquid peptonoids.” Chalker/Owings, page 128. Bought from an online dealer for $60.

  • De Palma, Brian and Susan Lehman. Are Snakes Necessary? Hard-Case Crime, 2020. First edition hardback, a Fine copy in a Fine dust jacket, signed by both authors. Bought from The Mysterious Bookstore at a dealer discount.

  • Dick, Philip K. Mary and the Giant. Arbor House, 1987. First edition hardback, a Fine copy in a Fine dust jacket. For some reason I ended up with a copy of the UK first edition and the Ultramarine Press leather-bound-with-the-cancelled check edition, but never picked up the American trade edition (the true first) until now. Precious Artifacts, MS5.2. Bought for $20 from Dreamhaven.
  • Dick, Philip K. The Slave Race. Sangrail Press, 2020. First edition chapbook, #69 of 250 copies, a Fine copy, with additional linocut of the cardstock frontispiece illustration affixed inside the firstpage and note from publisher laid in. First separate publication of a 15-year old Dick’s first SF short story that appeared in the Berkeley Daily Gazette Young Author’s Club column on May 8th, 1944. Bought directly from the publisher at a dealer discount.

  • Disch, Thomas. Fun With Your New Head. Doubleday, 1971. First U.S. edition and first edition under this title, previously published as Under Compulsion in the UK three years before, a Near Fine copy with purple remainder speckling at heel, owners name of “Scott Imes” written in ink on inside top back cover under flap, and slight bend at head and heel, in a Fine- dust jacket with slight age darkening to spine and a few traces of dust soiling. Inscribed by Disch: “For Margee & Scott,/Best,/Thomas M. Disch.” Imes was the long-time manager of Uncle Hugo’s SF bookstore store. Currey, page 164. Bought for $28.
  • Disch, Thomas M. Echo Round His Bones. Berkley Medallion, 1967. First edition paperback original, a Near Fine+ copy with slight edgewear, touches of wear elsewhere, and usual slight foxing and slight age-darkening of pages. Currey (1979), page 164. Obtained free.
  • Disch, Thomas M. The Genocides. Berkley, 1965. First edition paperback original, a Fine- copy with just a trace of edgewear and the usual foxing and age darkening to pages. Supplements the UK first hardback edition. Currey (1979), page 164. His first novel. Obtained free.
  • Disch, Thomas M. White Fang Goes Dingo. Arrow Books, 1970 (interestingly, Currey (both 1979 and 2002) says 1971). First edition paperback original under this title (an expanded version of 102 H-Bombs), a Fine- copy with slight edgewear and slight age-darkening to edges of pages. Currey (1979), page 165.
  • Dozois, Gardner, with Michael Swanwick. ‘She Saved Us From World War Three’: Gardner Dozois Remembers James Tiptree, Jr. Temporary Culture, 2020. First edition chapbook original, one of 225 copies printed, a Fine copy in a Fine black envelope, as issued. Swanwick interviews Dozois on the subject of the reclusive Alice Sheldon AKA James Tiptree, Jr., who corresponded with Dozois and met him in person at least once. Haven’t read it yet, but the story Gardner told was that as a CIA analyst, Sheldon was told to look at satellite photographs the government, fearful of a nuclear first strike, thought showed hundred of mobile Soviet missile launchers. She told them they were hay drying carts for the fall harvest. (Neal Barrett, Jr. used to tell a story about how he had prevented World War III. He was with the army in West Germany in the late 1950s, and his night watch superior had gotten liquored up and wanted to invade East Germany. “I don’t think that’s a very good idea, sir.”)

  • Dozois, Gardner, editor. The Year’s Best Science Fiction: Thirtieth Annual Collection. St. Martin’s, 2013. First edition hardback, a Fine copy in a Fine dust jacket. Bought from Dreamhaven for cover price minus 20%. The remaining volumes I lack are 15, 23, 24, 27 and 28.
  • Effinger, George Alec. The Exile Kiss. Doubleday Foundation, 1991. First edition hardback, a Fine- copy with a wrinkle at heel in a Fine- dist jacket with just a trace of darkening to the very tops of the white flaps. Inscribed by Effinger: “To Ed —/With supreme best wishes/(Which I haven’t bestowed even/on Willie or Fred) —/At Armadillocon 13 —/George.” I strongly suspect this book was inscribed to Ed Graham, who was the chair of Armadillocon 12. (His wife, Casey Hamilton, chaired Armadillocon 13, and together they chaired Armadillocon 16.) Willie Siros and Fred Duarte were other Armadillocon chairs. Replaces an unsigned trade first in my library, and supplements a copy of the signed/limited state.

  • Egan, Greg. Dispersion. Subterranean Press, 2020. First edition hardback, #173 of 1000 numbered copies, a Fine copy in a Fine dust jacket, new and unread. “In a world not quite our own, every living thing is born into one of six discrete ‘fractions’ that are incompatible with—and often invisible to—each other. These fractions have coexisted peacefully for centuries, but now a disease has appeared that seems to drag the infected parts of the body into a different fraction. The effects are devastating. Individual victims suffer painful, protracted deaths. Entire communities turn against one another, and a state approaching perpetual war takes hold.”
  • Ellison, Harlan. Getting in the Wind. Kicks Books/Edgework Abbey, 2012. First edition paperback original, a Fine copy with four postcards, a pair of dice, a signature plate signed by Ellison, in a dropbox, with a picture of the cover pasted on front, in a plastic bag with a seal for “Sex Gang Perfume.” (This one with the seal broken so I could look at the contents.) An elaborate production. This copy and the following reprint all the stories from Ellison’s very early PBO Sex Gang, published as by Paul Merchant in 1959, along with other very early Ellison stories. Richmond, Fingerprints in the Sky, page 52. Bought for $50 off eBay, 1/3rd the original offering price.

  • Ellison, Harlan. Partners in Wonder. Walker, 1971. First edition hardback, a Near Fine+ copy with a light, dime-sized black smudge along rear spine-join, in a Near Fine- dust jacket with two quarter-sized light charcoal colored stains on the spine panel, and slight edgewear at head and heel. Inscribed by Ellison: “For Mila,/Merry Christmas/1977/Harlan Ellison.” Collection of collaborative stories. Supplements a nicer copy signed by Robert Silverberg (but not Ellison). Fingerprints on the Sky, page 56. Currey, page 178.

  • Ellison, Harlan. Pulling a Train. Kicks Books/Edgework Abbey, 2012. First edition paperback original, a Fine copy with four postcards, a switchblade comb, a signature plate signed by Ellison, in a dropbox, with a picture of the cover pasted on front, in a plastic bag with a seal for “Sex Gang Perfume.” (This one with the seal unbroken.) An elaborate production. This copy and the above reprint all the stories from Ellison’s very early PBO Sex Gang, published as by Paul Merchant in 1959, along with other very early Ellison stories. Richmond, Fingerprints in the Sky, page 56. Bought for $50 off eBay, 1/3rd the original offering price.
  • (Ellison, Harlan) Ellen Weil and Gary K. Wolfe. Harlan Ellison: The Edge of Forever. Ohio State University Press, 2002. First edition trade paperback original, a Fine- copy with bottom outer edges slightly bumped. Bought for $12.49.
  • Finn, Mark. Gods New and Used. Clockwork Storybook, 2001. First edition trade paperback original, a Fine copy, signed by Finn, with a “Signed by Author at Book People” sticker on it. Collection of linked stories. Bought at Half Price Books for $10.

  • Gaiman, Neil. The View from the Cheap Seats. William Morrow, 2016. First edition hardback, a Fine copy in a Fine dust jacket, signed by Gaiman. Collection of non-fiction (essays, interview, etc.).
  • Grant, Charles L. (Hank Wagner and Kathryn Ptacek, editors). A Little Black book of Quiet Horror. Borderlands Press, 2019. First edition hardback, #498 of 500 numbered copies signed by the editors, a Fine copy, sans dust jacket, as issued. Four stories. Now out of print from the publisher.
  • Greenberg, Martin H. Dragons: The Greatest Stories. MJF Books, 1997. First edition hardback, a Fine copy in a Fine dust jacket. Anthology. A few mysteries about this copy: Has a numberline ending in one (which would typically indicate a first edition rather than a book club edition), but no price on the dust jacket (which would typically indicate the opposite), and has a red binding along the spine. The ISFDB lists two editions, one at a price of $19.95, and the other at a price of $7.98, the latter of which it indicates is taken from the Locus database, which also lists only one edition of the book and that as an instant remainder (which would explain the lack of a price). The Don Maitz cover appears to be a cropped example of the fuller dust jacket illustration that originally appeared on Kathleen Sky’s Witchdame in 1985; copies of this anthology with green spine and the fuller illustration (still with no price on the dust jacket) appear to be second printings. Still another mystery is the not-quite-right Zelazny signatures on the title page and at his story “The George Business,” which would be a neat trick since Zelazny died in 1995. No idea if Bob or someone else created the spurious signatures. It would seem that this instant remainder edition was done first and the pricier retail edition (if it even exists) may have been done later.

  • Haldeman, Joe. War Stories. Night Shade Books, 2005. First edition hardback, one of 175 signed, numbered copies, a Fine copy in a Fine dust jacket. Omnibus editions of Haldeman’s Vietnam War stories and poems, including his novel War Year. On one hand, 175 is a pretty low limitation for a Haldeman limited. On the other hand, literally the only difference is the signed limitation page. Supplements a trade copy inscribed to me. Bought off eBay for $24.50.
  • (Heinlein, Robert A.) Patterson, William H., Jr. Robert A. Heinlein In Dialogue With His Century — Volume 2: The Man Who Learned Better | 1948—1988. The second half of Patterson’s mammoth biography. Bought at Half Price Books for $17.49.
  • Hill, Joe. Full Throttle. Subterranean Press, 2020. First signed, limited edition thus, #43 of 750 numbered copies signed by Hill and artist Dave McKean, a Fine copy in a Fine dust jacket and Fine slipcase. An elaborate, lavishly illustrated edition in a square form-factor. I have copies available for sale through Lame Excuse Books.

  • Holkins, Jerry and Mike Krahulik. Penny Arcade 6: The Halls Below. Del Rey, 2010. First edition hardback, #885 of 1000 signed, numbered copies, a Fine copy with inset color cover illustration, sans dust jacket, as issued. Collection of Penny Arcade cartoons. Bought from the Penny Arcade store for $30.

  • Howard, Robert E. Skull-Face And Others. Arkham House, 1946. First edition hardback, a Near Fine copy with slight bumping at points, slight bend at head and heel, trace of rubbing to center of gold designs along spine, in a Near Fine dust jacket with slight sun-fading to spine, slight wear at points, a 1/16″ closed tear at head, slight wrinkling at top right cover, a touch of dust soiling around just the edge of white rear cover, and blindside foxing to dust jacket; all in all, an extremely nice copy of this key Howard and Arkham House work. Joshi, Sixty Years of Arkham House, 17. Jaffrey, Horrors and Unpleasantries, 19. Nielsen, Arkham House Books, 17. Derleth, Thirty Years of Arkham House, 17. Currey, page 251. Bleiler, Guide to Supernatural Fiction, 852. Locke, Spectrum of Fantasy, page 117. Bleiler, Checklist (1978), page 104. Bleiler, Checklist (1948), page 153. Chalker/Owings (1991), page 23 (“What The Outsider and Others is to Lovecraft, this book is to Howard”). Kemp, Anthem Series, pages 305-6. Barron, Horror Literature, 3-95 (but not in the companion Fantasy Literature volume). One of four “tall” Arkham house volumes, of which I now have two. Bought for $382.46 from a fellow Biblio dealer.

  • Ipcar, Dahlov. A Dark Horn Blowing. Viking Press, 1978. First edition hardback, a Near Fine copy with slight bend at head and heel, a short, thin line of rust-colored staining at very bottom of front free endpaper, and a trace of age-darkening to pages, in a Near Fine dust jacket with a vertical crease running along the edge of the rear flap. Fantasy novel of a woman kidnapped to elfland to nurse a newborn elf prince. Never heard of it, but Bob Pylant said it was a good novel. In the Encyclopedia of fantasy, John Clute calls her work “atmospheric and densely conceived.”
  • Kelly, James Patrick. King of the Dogs, Queen of the Cats. Subterranean Press, 2020. First edition hardback, #131 of 1000 signed numbered copies, a Fine copy in a Fine dust jacket, new and unread. Novella about a circus of uplifted cats and dogs.
  • King, Stephen. Lisey’s Story. Scribner, 2006. First edition hardback, a Fine copy in a Fine dust jacket. Bought at Goodwill for $3.99. I generally don’t pick up King’s new trade editions because I know they will show up used cheap. And I generally can’t afford the signed limited editions unless they’re coming out from a publisher I’m already a regular customer of and can pick them up at a (usually slight) discount pre-publication. But $3.99 for a perfect copy falls into “good enough” territory.
  • Kuttner, Henry and C.L. Moore (as Lewis Padgett). The Day He Died. Duell, Sloan and Pierce, 1947. First edition hardback, a Fine- copy with a little bit of bend at head and heel in a Near Fine+ dust jacket with small chip at heel and associated 1/2″ closed tear, lus a trace of wear at points. Mystery. I saw a less attractive copy in an online auction go for considerably more than I was willing to spend, so I bought this (the nicest copy online) from a notable SF dealer for $220.

  • Lansdale, Joe R. Act of Love. Zebra Books, 1981. First edition paperback original, a Very Good copy with 1/4″ chip at top front cover near spine, slight spine creasing and slight general wear. Inscribed by Lansdale: “For Robert,/Hope you like it). Joe Lansdale.” (Robert said he had another copy of this title). His first novel. Supplements at least four other editions (including the Kinnell hardback first), but I lacked the PBO until now. Person, “Joe Lansdale: Notes Toward A Bibliography,” Nova Express Volume 3, Number 4, page 26, I.1. Hankow, A Checklist of Joe Lansdale, A1.
  • Lansdale, Joe R. Act of Love. Cemetery Dance, 1992. First limited edition hardback (preceded by both the Leisure books PBO and the Kinnell UK hardback), #465 of 750 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Bought off eBay for $36 (list price is $50).

  • Lansdale, Joe R. The Big Blow. Subterranean Press, 2000. First edition hardback, #178 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Bought for $30.40 after dealer discount.
  • Lansdale, Joe R. The Big Blow. Subterranean Press, 2000. First edition hardback, copy of D of 13 lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. Bought for $124.80 after dealer discount. Thirteen is an awfully small number for a Lansdale lettered edition…

  • Lansdale, Joe R. Bleeding Shadows. Subterranean Press, 2013. First edition hardback, #78 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase, with publisher’s bookmark laid in. Supplements a trade edition (which has a different dust jacket). Bought from an online dealer for $75.
  • Lansdale, Joe R. The Boar. Subterranean Press, 1998. First edition hardback, a PC copy of 26 signed, numbered, quarter leather-bound copies, a Fine copy, sans dust jacket, as issued, with a PC copy of the 1/750 signed/limited (regular) edition, a Fine copy with a Fine dust jacket, with an advanced uncorrected proof, a Fine- copy with a touch of wear at head and heel, signed by Lansdale, all together in a Fine slipcase. Chalker/Owings (2002), page 853, which states textual differences between the lettered and numbered editions (though pagination seems identical), and fails to note the included proof. Bought off eBay for $125.

  • Lansdale, Joe R. The Boar. Night Shade Books, 2009. First edition hardback thus, #7 of 150 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought from an Internet book dealer for $30. Supplements the Subterranean Press first edition. Originally announced as a Mark V. Ziesing book under the title Git Back, Satan!.
  • Lansdale, Joe R. Deadman’s Road. Subterranean Press, 2010. First edition hardback, #18 of 200 copies, a Fine copy in a Fine dust jacket and Fine slipcase. Supplements a signed trade copy. Bought off an Internet book dealer for $50.40.
  • Lansdale, Joe R. For A Few Stories More. Subterranean Press, 2002. First edition hardback, #550 of 1,000 copies, a Fine copy in a Fine dust jacket. Supplements the Lettered edition, but weirdly I never picked up this trade edition until now. Bought from Kasey Lansdale.
  • Lansdale, Joe R. Hap and Leonard: Blood and Lemonade. Short Scary Tales (SST) Press, 2020. First hardback edition and first signed limited edition (preceded by the Tachyon trade paperback), #101 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. I have copies available through Lame Excuse Books.
  • Lansdale, Joe R. Jane Goes North. Subterranean Press, 2020. First edition hardback, #264 of 2,000 signed, numbered copies, a Fine copy in a Fine dust jacket. Road trip novel. I have copies available through Lame Excuse Books.
  • Lansdale, Joe R. Joe R. Lansdale’s Christmas With The Dead. Write-On Movies, 2012. Presumed first edition (?) DVD, a new copy, inscribed to me by Joe R. Lansdale and signed by Kasey Lansdale. I don’t usually record DVDs I buy here, but they’re not usually signed. Bought from Kasey Lansdale.

  • Lansdale, Joe R. The Magic Wagon. BookVoice Publishing, 2018. First edition thus, #408 of 500 signed, numbered hardback copies, a Fine copy in a Fine dust jacket. This edition includes a rare western story by Joe, “Man With two Lives,” not in any other edition, a new introduction by Joe, and a new afterword by Keith Lansdale. Supplements a signed copy of the Doubleday first edition. Bought from Kasey Lansdale. Now I need to pick up that Crossroad Press limited edition.
  • Lansdale, Joe R. Of Mice and Minestrone. Tachyon, 2020. First edition trade paperback original, a Fine copy. “Hap and Leonard: The Early Years.” I have copies available through Lame Excuse Books.
  • Lansdale, Joe R. Paradise Sky. Short Scary Tales (SST) Press, 2016. First UK edition and first limited edition hardback, a PC copy of 350 signed, numbered copies, a Fine copy in a Fine dust jacket and decorated boards. Bought for $30 of eBay.

  • Lansdale, Joe R. Red Range: A Wild West Adventure. It’s Alive, 2017. First edition hardback graphic novel, the Kickstarter edition, a Fine copy in decorated boards, sans dust jacket, as issued. I am unclear on the precedence between this version (with the block cover) and the regular hardback with the red cover. Weird western featuring a hollow earth with dinosaurs and such. I have copies available through Lame Excuse Books.

  • Lansdale, Joe R. The Sky Done Ripped. Subterranean Press, 2019. First edition hardback, one of 2000 signed copies, a Fine copy in a Fine dust jacket. New (and final) Ned the Seal adventure. I have copies of this available through Lame Excuse Books.
  • Lansdale, Joe R. Waltz of Shadows. Subterranean Press, 1999. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Although the limitation calls for a 1/1000 signature page, it’s not in this copy, though it still has the FIRST EDITION/SEPTEMBER 1999 statement, making this a previously unrecorded variant (not in the 2002 Chalker/Owings CD). Bought from Kasey Lansdale. I have one copy of this available through Lame Excuse Books.
  • Lansdale, Joe R. Wet Juju. Short Scary Tales (SST) Publications, 2020. First edition hardback, #101 of 550 signed, numbered hardbacks, a Fine copy in a Fine dust jacket, with SST tissue paper closure sticker laid in. Bought from the publisher at the usual discount, and out of print upon publication. Massive collection. I will have copies available in the next Lame Excuse Books catalog, but prepare for it to be pricey.

  • Lansdale, Joe R. and Keith Lansdale. Big Lizard. Short Scary Tales (SST) Publications, 2020. First edition hardback, #101 of 1,500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. A botched supernatural ceremony gives the protagonist ” the power to transform into a big lizard who can run fast, has incredible strength, and a large tail.” Full color illustrated endpapers and signature page. Looks like fun. I will have copies available in the next Lame Excuse Books catalog.
  • Lansdale, Joe R., editor. Son of Retro Pulp Tales. Subterranean Press, 2009. First edition hardback, a Fine copy in a Fine dust jacket, signed by Joe and Keith Lansdale. Trade edition. I actually picked up a copy of the limited edition, only to realize that not only did I already have one, but for some reason I hadn’t added the trade edition to my library, even though I already had it in Lame Excuse Books stock. Bought from the publisher at the usual discount way back when. Indeed, I still have copies of this available through Lame Excuse Books.
  • Lansdale, Keith. Red Range: Pirates of Fireworld. It’s Alive, 2019. First edition comic, a Fine copy, as issued. Lansdale the Younger continues the story. I have copies available through Lame Excuse Books.
  • Lee, Tanith. Sometimes, After Sunset. Nelson Doubleday/SFBC, 1980. First edition hardback, an omnibus edition of Sabella, or The Blood Stone and Kill the Dead (neither of which had any other hardback editions), a Fine copy in a Near Fine+ dust jacket with slight wear at points, a thin 1/2″ scratch at top front spine join, a trace of rubbing along front flap join bend edge, and slight age darkening to white flaps. Nice early Maitz cover.
  • Le Guin, Ursula K., editor. Nebula Award Stories 11. Gollancz, 1976. First edition hardback (precedes the U.S. edition by a year), a Fine- copy with slight bend at head and heel, traces of foxing to front free endpaper, and slight dust soiling at head, in a Near Fine copy with spine fading and a trace of edgewear at points. Includes the Nebula-winning Zelazny novella “Home is the Hangman.”
  • Lovecraft, H.P. A Winter Wish and Other Poems. Whispers Press, 1977. First edition hardback, #160 of 200 signed, numbered hardback signed by editor Tom Collins, publisher Stuart Schiff, and artist Steve Fabian, a Fine copy in a Fine dust jacket and a Fine (and very tight) slipcase. Bought from Dreamhaven for $60.
  • Malzberg, Barry. The Many Worlds of Barry Malzberg. First edition paperback original (no statement of printing on copyright page and $1.25 price, as per Currey), a Fine- copy, with a trace of edgewear and one pinhead-sized black mark near bottom edge of back cover. Short story collection.
  • Malzberg, Barry. Galaxies. Pyramid, 1975. First edition paperback original, a Fine- copy with edgewear and moderate darkening to page edges. Pringle SF 100 list #77. Supplements a Gregg Press first hardback edition.
  • Martin, George R. R. Fire and Blood. Subterranean Press, 2019. First signed, limited edition hardback (the Bantam and Harper Voyager trade hardbacks precede by a year), #619 of 750 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase. A novel set some 300 years before A Song of Fire & Ice proper. A handsome production.

  • Martin, George R. R., editor. Mississippi Roll. Tor, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Wild cards novel. Bought at the San Marcos Book Warehouse for $7.99.
  • Martin, George R. R. Nightflyers. Bluejay Books, no date (but 1985). First edition uncorrected proof of the trade paperback original, a Near Fine+ copy with blue bunching along front spine (not uncommon among proofs), and a 1″ square dragon stamp in red at top right corner of half title page. Bought from Dreamhaven for I think $16.

  • Martin, George R. R. and Lisa Tuttle. Windhaven. Subterranean Press, 2019. First edition hardback, #259 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. Supplements the 1981 Timescape first edition inscribed to me by Martin and Tuttle. It’s been my experience that only a small fraction of Martin’s Game of Thrones fans exhibit any interest in his science fiction and horror work. Bought for $62.50.
  • Matheson, Richard. Counterfeit Bills. Gauntlet, 2004. First edition chapbook original, a Fine copy, signed by Matheson. Bought off eBay for $36.52.
  • McCammon, Robert. A Little Amber Book of Wicked Shots. Borderlands Press, 2020. First edition hardback, #498 of 750 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Four stories, all of which involve alcoholic drinks. Plus an extra cocktail recipe in the introduction! I have copies of this available through Lame Excuse Books.
  • McCarthy, Cormac. All the Pretty Horses. Knopf, 1992. First edition hardback, an Ex-Library copy with all the usual flaws, otherwise Very Good. A true first of his first Pulitzer winner and first book of the Border trilogy. Bought for $6.99.
  • Meacham, Beth. Terry’s Universe. Tor, 1988. Uncorrected bound proof (trade paperback format) of the hardback first edition, a Fine copy. Tribute anthology to the late Terry Carr. Includes Zelazny’s “Deadstone Donner and the Flintstone Cup.”
  • Mieville, China. The Scar. Subterranean Press, 2019. First edition hardback, #404 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. Supplements a signed copy of the 2002 Macmillan (UK) first edition. Bought for $62.50.
  • Miller, Jr., Walter M. The Best of Walter M. Miller, Jr. Pocket Books, 1980. First edition paperback original, a Near Fine copy with faint spine creasing and touches of wear. Short story collection, all from the 1950s.
  • Moorcock, Michael. Legends From The End of Time. Harper & Row, 1976. First edition hardback, a Fine- copy with bumping at head and heel in a Near Fine+ dust jacket with slight wear at head and heel, slight age darkening to white rear panel, and slight dust soiling to same. Inscribed by Moorcock: “To Bob,/With all good wishes/from Michael M.” Tanelorn Archives, page 24, a. Precedes the W. H. Allen edition (which I also have).

  • Moorcock, Michael. The White Wolf’s Son. Warner Aspect, 2005. First edition hardback, a Fine copy in a Fine dust jacket. Elric/von Beck novel. Bought at Half Price Books for $7.98.
  • Moore, Ward. Lot & Lot’s Daughter. Tachyon, 1996. First edition hardback, #52 of 100 numbered, leatherbound hardback copies (the only hardback state), copies signed by introduction author Michael Swanwick, a Fine copy in a Fine- dust jacket with touches of wear at points and elsewhere. Two linked nuclear holocaust stories. Bought off eBay for $40.

  • Morrell, David. A Little Gold Book of Protector Tales. Borderlands Press, 2017. First edition hardback, #337 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Three stories, plus an introduction.
  • Morrow, James. The Continent of Lies. Holt, Reinhardt and Winston, 1984. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Morrow: “For Scott/This book of/dreams & desires…/best wishes,/James Morrow.” Formerly Scott Cupp’s copy.

  • Niven, Larry & Steven Barnes. The Seascape Tattoo. Tor, 2016. Bought at Half Price Books for $7.99.
  • Niven, Larry & Jerry Pournelle. The Burning City. Pocket Books, 2000. First edition hardback, a Fine copy in a Fine dust jacket, signed by both authors. Set in Niven’s The Magic Goes Away universe. Bought off an Internet book dealer for $9.75.
  • Niven, Larry & Jerry Pournelle. Burning Tower. Pocket Books, 2005. First edition hardback, a Fine copy in a Fine dust jacket, signed by both authors, with certificate of authenticity laid in. Bought off eBay for $25.83.

  • Perez, Malia A., editor (Joe R. Lansdale). Speculative Poets of Texas. The House of the Fighting Chupacabra Press, 2015. First edition trade paperback original (“First printing” stated), a Fine copy, new and unread. Includes poems from Peter Holland, Joe R. Lansdale, Juan Manuel Perez, Waide Aaron Riddle, and Rie Sheridan Rose. Bought from Amazon.
  • Pinborough, Sarah. A Little Magenta Book of Malevolence. Borderlands Press, 2020. First edition hardback, #498 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. I have copies of this available for sale through Lame Excuse Books.
  • Piper, H. Beam. Federation. Ace, 1981. First edition trade paperback edition, a Fine copy, new and unread. Bought at Half Price Books for $3.99.
  • Proctor, Geo W. Fire at the Center. Fawcett Gold Medal, 1981. First edition paperback original, a near Fine- copy with 1/32″ deep x 1/4″ wide loss at head of top front cover, slight edgewear, rim of foxing to interior covers, and slight age darkening to pages. Novel dedicated to the early Turkey City Writer’s workshop attendees. Obtained free.
  • Powers, Tim. Forced Perspectives. Charnel House, 2020. First signed/limited edition (the Baen hardback precedes), hardback, #54 of 150 signed, numbered copies, a Fine copy in decorated boards with a gold-foil sphinx embossed on the front cover (matching the look of Alternate Routes), sans dust jacket, as issued. I have one copy of this available for sale through Lame Excuse Books.

  • Powers, Tim. The Properties of Rooftop Air. Subterranean Press, 2020. First edition hardback, #277 of 474 numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. An Anubis Gates story. I have copies of this available through Lame Excuse Books as well.
  • Pumelia, Joe, and Bill Wallace (as M. M. Moamrath). The Cruse of the Kritix. “Deathnell Publications, 1932″ (actually Kenneth Donnell, 1976). First edition chapbook original, a Fine copy in a Very Good+ dust jacket with semi-closed 1/4” tear at top front with associated wrinkle, faint spotting along spine, and a few very small tears elsewhere. Lovecraftian parody. Obtained free.

  • Rice, Jeff (Richard Matheson). The Night Strangler. First edition paperback original, a Fine- copy with slight glue wrinkling near top of spine and slight spine fading, otherwise new and unread, signed by Richard Matheson. Novel by Jeff Rice based on Matheson’s screenplay for The Night Strangler, the sequel to The Night Stalker and the second TV movie starring Darren McGavin as reporter Carl Kolchak. Bought off eBay for $42. Copies that are both nice and signed by Matheson are uncommon.

  • Robinson, Kim Stanley. Stan’s Kitchen. NESFA Press, 2020. First edition hardback, #171 of 600 signed, numbered copies, a Fine copy in a Fine dust jacket. Short story collection.
  • Russell, Mary Doria. Doc. Random House, 2011. First edition hardback, a Fine copy in a Fine dust jacket, signed by Russell. Western novel about Doc Holliday. Bought from The Mysterious Bookstore for $10.
  • Saberhagen, Fred. Berserker Base. Tor, 1985. First edition trade paperback original, a Fine- copy with a touch of edgewear and slight age-darkening to pages. Theoretically a fix-up novel set in Saberhagen’s Beserker universe, but really more of a Beserker anthology with some filler material by Saberhagen. Includes the Zelazny story “Itself Surprised,” which originally appeared in Omni the year before.
  • Schiff, Stuart David, editor. The Best of Whispers. Borderlands Press, 1994. First edition hardback, #375 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Signed by all the then-living contributors (Fritz Leiber died in 1992), including Zelazny, Ray Bradbury, Karl Edward Wagner, Russell Kirk, Hugh B. Cave, Lucius Shepard, Jerry Sohl and Alan Ryan. Includes Zelazny’s “The Horses of Lir.”

  • Scholz, Carter. Cuts. Chris Drumm, 1995. First edition chapbook original, a Fine- copy with slight age darkening to edges. Short story collection. Obtained free,
  • Shepard, Lucius. The Golden. Mark V. Ziesing, 1993. First edition hardback, #243 of 500 signed, numbered copies, a Fine copy in a Fine- dust jacket with one 1/16″ closed tear at heel in a Fine- slipcase with a tiny rub at top. Supplements a trade edition signed by Shepard. I saw this on eBay for $24, and the book pricing part of my brain went “That’s a good price…but I bet I can do a little better.” Bought off eBay for a $20 buy-it-now offer. List publication price was $65. Chalker/Owings (2002), page 1003. Part of my plan to pick up every Ziesing book in every state, since I already had most of the trade editions anyway…
  • Silverberg, Robert. Reflections & Refractions: Thoughts on Science Fiction, Science and Other Matters. Underwood Books, 1997. First edition hardback, #180 of 300 signed, numbered copies, a Fine copy in decorated boards and Fine slipcase, sans dust jacket, as issued. Collection of essays, most (but not all) from his “Reflections” series of columns in Amazing and Asimov’s. Bought off eBay for $25, exactly half off the original list price of $50.
  • Silverberg, Robert. Rough Trade. PS Publishing, 2017. First edition hardback, #99 of 100 signed and numbered copies, a Fine copy in decorated boards a Fine dust jacket and a Fine slipcase. Supplements a trade copy. Bought off eBay for $40.

  • Silverberg, Robert, editor (Vonda N. McIntyre, Marta Randall, Joan D. Vinge). The Crystal Ship. The Science Fiction Book Club (UK)/Reader’s Union, 1981. Book club reprint, a Fine copy in a Fine dust jacket. Signed by editor Robert Silverberg, and contributors Marta Randall and Joan D. Vinge (each twice, once on the title page and once at their novella). Bought for $9, marked down from $15 at Half Price Books during a coupon sale just before the lockdown came down.

  • Simak, Clifford D. and Jeff Sutton. So Bright the Vision b/w The Man Who Saw Tomorrow. Ace Double, 1968. First edition (no statement of printing and price of 60¢, as per Currey), a Very Good+ copy with small chips at corners of Sutton side, spine creasing, name or word on Sutton blurb page. Plus usual foxing. Currey (1979), page 447.
  • Smith, Brenden Powell. Assassination! The Brick Chronicle of Attempts on the Lives Twelve US Presidents. Skyhorse Publishing, 2013. Lego recreations of presidential assassinations. One of those books you have to buy to prove it actually exists. Bought from Half Price Books for $5.99.
  • Stephenson, Neal. Seveneves. HarperCollins, 2015. First edition hardback, special signed edition with gold “Signed First Edition” sticker on the cover and “THIS SIGNED EDITION OF/seveneves/by/Neal Stephenson/[signature]/HAS BEEN SPECIALLY BOUND/BY THE PUBLISHER” signature page bound in before the half-title page, a Fine copy in a Fine dust jacket. Bought for $9.99.
  • Sterling, Bruce. Schismatrix Plus. Ace, 1996. First edition trade paperback original, Near Fine- with slight spine crease, slight sun fading to spine, and edgewear, signed by Sterling. Contains the novel plus the Shaper/Mechanist stories from Crystal Express. I never bothered to pick this up when it came out because I already had first editions of both, but picking up variant titles is classic late-phase book collecting behavior. Bought for $7.49.
  • Sturgeon, Theodore. Sturgeon Is Alive And Well…. Putnam, 1971. First edition hardback, a Fine- copy with a tiny bit of bend at head and heel in a Near Fine dust jacket with slight edgewear at head and heel, a bit of dust soiling to white rear panel, and slight age darkening to top of white rear panel and edges of white flaps. Signed by Sturgeon. Short story collection, one I greatly enjoyed reading in my youth. I particularly remember “It Was Nothing—Really!,” about man who figures out that perforations make things stronger, and eventually invents invisible wall of impenetrable nothingness, and “Suicide,” about a man who jumps off a cliff to kill himself, and awakens still alive, hurt, down the cliff, and struggles to climb back up. According to Bought off eBay for $39.99. Currey, page 472.

  • Swanwick, Michael. Blue as the Moon. Dragonstairs Press, 2020. First edition chapbook original, #2 of 69 signed, numbered copies, a Fine copy. Seven horror vignettes (“White as a Sheet,” “Yellow as Corn,” “Green as the Sea,” “Red as the Revolution,” “Purple as Prose,” “Orange as an Orange,” and “Black as Sin”), plus an introduction (“Blue as the Moon”). Offered at moonrise (5:54 PM EDT) on October 30, 2020 to celebrate the blue moon, and sold out that night.

  • Swanwick, Michael. The Death of Aubrey Darger. Dragonstairs Press, 2020. First edition chapbook thus, #14 of 100 signed, numbered copies, a Fine copy. Excerpted from the 2015 novel Chasing the Phoenix.

  • Swanwick, Michael. The Devil’s Bestiary. Dragonstairs Press, 2020. First edition chapbook, #8 of 45 signed, numbered copies, a Fine copy in dyed paper wrappers. A short alphabetical vignette bestiary of supernatural creatures. Out of print upon publication.

  • Swanwick, Michael. Gulliver’s Wife. Dragonstairs Press, 2020. First edition chapbook original, #33 of 50 signed, numbered copies, a Fine copy. Sold out upon publication. Bought from the publisher at full price.

  • Swanwick, Michael. The Postutopian Adventures of Darger and Surplus. Subterranean Press, 2020. First edition hardback, #183 of 1000 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. Swanwick’s loveable con artists are back in this short story collection.
  • Swanwick, Michael and Sean Swanwick. In Memoriam: Gardner Dozois 1947-2018. Dragonstairs Press, 2020. First edition chapbook, #60 of 70 signed, numbered copies, a Fine copy. Came in the mail with a “with the Compliments of the Press” notice laid in. Originally appeared in the Philcon 2018 program book.

  • Swanwick, Michael. Reindeer Season. Dragonstairs Press, 2019. First edition chapbook original, #20 of 120 signed, numbered copies. “It includes ten very brief musings on the magical nature of reindeer and their relationship with Claus-tse. Issued in an edition of 120, Reindeer Season is 4 1/4” x 5 1/2”, hand-stitched, numbered, and signed by the author. Most copies have been given to friends, family, and colleagues, but 37 are offered for sale.” There are two states of the chapbook: a.) A cream colored wrapper (as this copy), and b.) a mottled beige cover. All copies for sale sold out the day they were offered.
  • Swanwick, Michael. Reindeer Season. Dragonstairs Press, 2019. First edition chapbook original, #101 of 120 signed, numbered copies. There are two states of the chapbook: a.) A cream colored wrapper, and b.) A mottled beige cover (as this copy). All copies for sale sold out the day they were offered.

  • (Tolkien, J. R. R.) Day, David. An Encyclopedia of Tolkien: The History and Mythology That inspired Tolkien’s World. Canterbury Classics, 2019. First edition hardback, a Fine copy bound in embossed leather, sans dust jacket, as issued. Tolkien reference work by an author who has done a lot of other Tolkien reference works. A very attractive book, with gilded edges and full-color illustrated endpapers, from a publisher that mostly seems to do leatherbound prestige reprints. Bought for $12.49.

  • Vance, Jack. The Dragon Masters/ b/w The Five Gold Bands. Ace Double, 1962. First edition paperback original, a very Good- copy with wrinkling to covers, spine creasing, edgewear and usual age-darkening to pages. Hewett, A11. Cunningham, 26a. Currey, page 498. Supplements a first hardback edition. Bought for $2 from the Lansdale documentary fundraiser sale.
  • Vance, Jack (Terry Dowling and Jonathan Strahan, editors). Minding the Stars (The Early Jack Vance, Volume Four). Subterranean Press, 2014. First edition hardback, a PC copy of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine- traycase with one small fingernail-tip sized indention at bottom front, with a provenance card from the Vance estate laid in. The only edition signed by Vance. Bought off eBay for $255.00. The other traycase editions I bid on went for substantial more.

  • Vance, Jack. The Languages of Pao/The Dragon Masters. Vance Integral Edition, no date. Unpublished paper dust jacket proof for the “Science Fiction Volume” containing those two novels produced by the Vance Integral Edition in 2002. Ultimately they decided not to use dust jackets for either that or the Vance Integral Edition itself. Bought from the Jack Vance estate off eBay for $33, and with the Vance Estate stamp on the blind side. The scan below is only what would fit on my scanner:

  • Vance, Jack. The Last Castle. Underwood-Miller, 1980. First hardback edition, a Fine- copy with slight bumping at tips and traces of wear at head and heel, in a Fine- dust jacket with a few traces of wear and faint phantom crease down front flap, with signature card by artist Alicia Austin laid in (as issued) and Vance Estate stamp on title page. Hewett, A30d. Cunningham, B45b. Bought for $20.13 from the Vance Estate off eBay.
  • Vance, Jack. The Many Worlds of Magnus Ridolph. Dennis Dobson, 1977. First hardback edition, a Fine copy in a Near Fine, price-clipped dust jacket, signed by Vance. Hewett, a27f. Cunningham, b55b. Currey, page 499. Bought off eBay for $93.97. One of the few Vance hardbacks I lacked, and one of the more difficult ones signed.
  • Vance, Jack. Marune: Alastor 933. Ballantine Books, 1975. Currey, page 499. First edition paperback original (PBO), a Fine- copy with a trace of edgewear, signed by Vance. Hewett, A48. Cunningham, B56. Currey, page 499. Supplements the Underwood-Miller hardback. Bought off eBay for $16.50.
  • Vance, Jack. Maske: Thaery. Berkley, 1976. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny wrinkle at top of the front flap and a few tiny traces of edgewear. Signed by Vance. Replaces a slightly less attractive signed first. Hewett, A52. Cunningham, B57a. Currey, page 499. Bought off eBay for $14.99.
  • Vance, Jack. Night Lamp. Tor, 1996. First edition hardback, a Fine copy in a Fine dust jacket, signed by Vance. Cunningham, B61a. Supplements an unsigned trade first, the Underwood Books signed, limited edition, and Volume 42 of The Vance Integral Edition. Bought off eBay for $20.50.
  • Vance, Jack. Ports of Call. Tor, 1998. First edition hardback, a Fine copy in a Fine hardback, signed by Vance. Cunningham, B66a. Supplements an unsigned trade first, the Underwood Books signed/limited edition, and Volume 43 of The Vance Integral Edition. Bought off eBay for $14.99.
  • Vance, Jack. Sjambak. Wildside Press, 2010. First edition trade paperback original (perfect bound chapbook), a Fine copy, signed by Vance. I suspect this was produced because the story slipped out of copyright. Replaces an unsigned copy. Bought off eBay for $33.
  • Wagner, Karl Edward. HorrorStory Volume Four. Underwood-Miller, 1990. First edition hardback, #82 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine- traycase, with just a touch of blunting at points, a touch of edgewear around spine label, and a trace or two of wear. Omnibus and first hardback editions of Year’s Best Horror Stories X, XI and XII. Signed by Wagner, Harlan Ellison, Dennis Etchison, Michael Kube-McDowell, Richard Laymon, Michael Swanwick, David Drake, and many others. Chalker-Owings (1991), page 441. Supplements the trade edition. Bought off eBay for $65, or less than half the original offering price of $150.

  • Watts, Peter. Peter Watts is an Angry Sentient Tumor: revenge fantasies and essays. Tachyon, 2019. Bought from the publisher at the usual discount.
  • Wellman, Manly Wade. Many Are The Hearts: a play in one act. North Carolina Confederate Centennial Commission, 1961. First edition chapbook, a Near Fine- copy with small wrinkle on rear cover near head, touches of wear, some sun-fading around the edges, and rust bleed-through on the two staples. One act play about a confederate North Carolina artillery detachment. Even includes a detailed diagram of a 6-pounder field gun at rear; good luck to any theater company trying to get their hands on one of those! I think this is only the second copy I’ve seen offered for sale this decade. Currey, page 513. Bought for $38.25 off a fellow Biblio dealer.

  • Wellman, Manly Wade. Mystery at Bear Paw Gap. Ives Washburn, 1965. First edition hardback, a Very Good Ex-Library copy in the Hercules library binding, with pockets and interior stamps, with wear at head and heel, a 1″ very light stain to bottom page block, a couple of pinprick spots to top page block, and blunting of points, but no external stamps, sans dust jacket, as expected for the library binding. One of Wellman’s more difficult YA novels. Currey, page 513. Bought for $29.99 off eBay.
  • Wilhelm, Kate (John Pelan, editor). Masters of Science Fiction: Kate Wilhelm (Volumes One and Two). Centipede Press, 2020. First edition hardback, #457 of 500 numbered hardbacks signed by the editor and artists Jim and Ruth Keegan, both Fine copies in Fine dust jackets, with dust jacket protectors, new and unread.
  • (Wolfe, Gene) Swanwick, Michael. Swan/Wolfe. Dragonstairs Press, 2020. First edition chapbook original, #50 of 100 signed, numbered copies, a Fine copy (save some slight wrinkling at head; since the outer paper wrapper is bigger than the inner chapbook page block, I suspect this is an endemic problem). Transcription of a Swanwick interview with the ReReadingWolfe podcast. As noted in the acknowledgements, I actually suggested the creation of this chapbook. Bought from the publisher at the usual bookseller discount. Sold out shortly after publication. I have copies of this for sale through Lame Excuse Books.

  • Zelazny, Roger. Blood of Amber. Arbor House/SFBC, 1986. First book club edition, a Fine copy in a Fine- dust jacket with slight age darkening to the white portions of the dust jacket flap, signed by Zelazny. Kovacs, I.2.d.
  • Zelazny, Roger. Changeling. Ace, 1980. First edition trade paperback original, a Fine copy. Kvocs, I5v.
  • Zelazny, Roger. The Changing Land. Underwood Miller, 1981. First hardback edition, #128 of 200 numbered copies signed by Zelazny and artist Thomas Canty, a Fine copy in a Fine dust jacket. Levack, 4b.
  • Zelazny, Roger. The Changing Land. Del Rey/SFBC, 1981. Book club hardback, a Fine copy in a Fine- dust jacket with slight age darkening to white flaps, signed by Zelazny. Supplements signed copies of the PBO and the Underwood-Miller signed/limited hardback. Kovacs, I.6.d. Levack, 4c.
  • Zelazny, Roger. Damnation Alley. Faber & Faber, 1971. First UK edition hardback, a Fine copy in a Fine- dust jacket with a trace of edgewear, with slip of paper signed by Zelazny laid in. Levack, 9c.

  • Zelazny, Roger. Damnation Alley. Gregg Press, 1979. First hardback edition thus, a Fine copy in a Fine dust jacket. Adds 24 pages of photos from the movie of the same name. Supplements a signed copy of the first Putnam edition, an unsigned copy of same, and a signed copy of the paperback movie tie-in edition. Kovacs, I.10.k. Levack, 9r.
  • Zelazny, Roger. Dilvish, The Damned. Del Rey/SFBC, 1981. Book club hardback, a Fine copy in a Fine- dust jacket with slight age darkening to white flaps, with signed letter from Zelazny laid in. Supplements signed copies of the PBO and the Underwood-Miller signed/limited hardback. Kovacs, I.15.d.
  • Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth, And Other Stories. Doubleday, 1971. First edition hardback, a Fine- copy with very slight bend at head and heel and a trace of foxing to inside front gutter, in a Fine- dust jacket with touches of wear and a tiny bit of age darkening to the spine and at top rear. With signed Zelazny bookplate laid in. Kovacs, V9a. Levack, 12a. Currey, page 570. Replaces an Ex-Library copy.

  • Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth. Pulphouse. 1991. First edition paperback original, Fine- copy with trace of rubbing along front spine join and pinpricks of soiling to front cover, signed by Zelazny. Short story paperback #13. I still need the Short Story Hardback of this…
  • Zelazny, Roger. The Dream Master. Gregg Press, 1976. First U.S. hardback edition, a Fine copy in a Fine aftermarket dust jacket Bob made from blowing up a copy of the Frank Kelly Freas PBO cover, with a signed title page removed from an Ace paperback edition laid in. This and the Gregg Press editions of Lord of Light, Nine Princes in Amber and Bridge of Ashes (which I already had) all share the same Freff cover art featuring characters from all those novels. Supplements a signed first of the Rupert Hart-Davis hardback, a signed first of the Ace PBO, and an unsigned copy of same. Kovacs, I.18.e. Levack, 14i.
  • Zelazny, Roger. The Dream Master. SFBC, 2004. Book club hardback, a Fine- copy with uniformly age-darkened pages in a Fine dust jacket. SFBC 50th Anniversary edition book. Kovacs, I.18.n.
  • Zelazny, Roger. Gone to Earth. Pulphouse, 1991. First edition hardback, #40 of 50 signed, numbered copies bound in leather, a Fine copy, sans dust jacket, as issued. (Well, they say leather; I have my doubts. Also note that between volumes 18 and 19, the color of the “leather” edition went from a dark gray to a dark blue.) Author’s Choice Monthly #29. Supplements a signed “trade” clothbound hardcover in dust jacket. Kovacs, V13iv. Chalker/Owings (2002), page 728. I suppose that now I should look for one of the 10-copy red leather staff editions…
  • Zelazny, Roger. Knight of Shadows. Morrow/SFBC, 1989. First book club edition, a Fine copy in a Fine- dust jacket with slight age darkening to the very top white portions of the dust jacket flap, signed by Zelazny. Kovacs, I.27.c.
  • Zelazny, Roger. The Last Defender of Camelot. Pocket Books/SFBC, 1980. Book club and first hardback edition (gutter code L10 on page 278, as per Kovacs), a Fine- copy with slight age darkening to pages in a Fine dust jacket. Inscribed by Zelazny: “To Liz,/All sorts of good wishes -/ — Roger Zelazny.” Supplements the Underwood-Miller limited edition, and another copy of this edition inscribed to me in a more worn dust jacket. Kovacs, V.15.c. Levack, 24b.
  • Zelazny, Roger. Lord of Light. Gregg Press, 1979. First Gregg Press hardback edition, a Fine copy in a Fine dust jacket, with a letter from Betsy Groban of G. K. Hall laid in talking about how they had gotten Freff to do the artwork. Hugo and Nebula Award winner for Best Novel. Kovacs, I.29.1. Levack, 25s.

  • Zelazny, Roger. Lord of Light. Easton Press, 1994. Hardback, a Fine copy bound in decorated leather, sans dust jacket, as issued, with unused personalization bookplate sticker laid in (as issued), as well as a signed Zelazny signature plate. According to Kovacs, copies in aquamarine-colored leather like this one are reprints. Kovacs, I29m.

  • Zelazny, Roger. Madwand. Ace/SFBC, 1981. Book club edition hardback, a Fine copy in a Fine- dust dust jacket with slight age darkening to the white jacket. Kovacs, I.30.d. Levack, 26c.
  • Zelazny, Roger. Manna From Heaven. DNA Publications/Wildside Press, 2003. Hardback, a Fine copy in non-decorated boards and a Fine dust jacket. The 1-59224-199-9 ISBN matches the first edition listed at the ISFDB, but Kovacs says this is the UK Lightening Source hardback reprint. Signed by publisher Warren Lapine. Kovacs, V18b. Supplements the first printing with pictorial boards.
  • Zelazny, Roger. Nine Princes in Amber. Gregg Press, 1979. First Gregg Press hardback edition, a Fine copy in a Fine dust jacket, with a signed title page from a paperback laid in. Kovacs, I.34.g. Levack, 28n.
  • Zelazny, Roger. Prince of Chaos. Morrow/SFBC, 1991. First book club edition, a Fine copy in a Fine dust jacket, signed by Zelazny. Kovacs, I.35.d.
  • Zelazny, Roger. Roadmarks. Macdonald Futura, 1981. First UK edition hardback, a Fine-/Fine- copy with slight bumping/wrinkling at head and heel. Kovacs, I37d. Supplements a signed first.

  • Zelazny, Roger. Sign of Chaos. Arbor House/SFBC, 1987. First book club edition, a Fine copy in a Fine- dust jacket with slight age darkening to the white portions of the dust jacket flap, signed by Zelazny. Kovacs, I.38.c.
  • Zelazny, Roger. This Immortal. Garland Publishing, 1975. First (and only) edition thus, a hardback reprint for the library trade, a Fine copy in a Fine- aftermarket dust jacket Bob created from a copy of the SFBC/Ace Books reprint from 1988 with Richard Powers’ cover art, and which has some faint creasing along the folds. Signed by Zelazny. This edition is reproduced from the 1973 Ace third paperback printing, as stated on the reproduced Ace copyright page. Part of the Garland Library of Science Fiction. Kovacs, I40c.

  • Zelazny, Roger. Today We Choose Faces. Gregg Press, 1978. First U.S. hardback edition, a Fine copy with a Fine aftermarket dust jacket Bob created from a Signet reprint featuring Dean Ellis art. Signed by Zelazny. Supplements a signed Millington hardback first and a signed PBO first. Kovacs, I.42.d. Levack, 37h.
  • Zelazny, Roger. To Die In Italbar. Faber & Faber, 1975. First UK edition hardback, a Fine copy in a Fine dust jacket with a small Zelazny signature plate pasted to the front free endpaper. Kovacs, I41d. Supplements a signed first.
  • Zelazny, Roger. Trumps of Doom. Arbor House/SFBC, 1985. First book club edition, a Fine copy in a Fine- dust jacket with slight age darkening to the white portions of the dust jacket, signed by Zelazny. Kovacs, I.43.d.
  • Zelazny, Roger and Jane Lindskold. Donnerjack. Avon Books, 1997. First edition hardback, either a Fine or a Poor copy (depending on how you count the annotations), in a Fine dust jacket. Novel started by Zelazny and finished by Lindskold after Zelazny’s death. Zelazny was a famously lean prose stylist, and Bob felt that Lindskold was not, so he has annotated the book by crossing out in brown or blue marker every section he felt was un-Zelazny-like from page 167 on. I passed on picking this up in the first bulk buys, but took it this time around because, well, it’s not like I can sell it to anyone else, and who else would know or appreciate the story behind it? Kovacs, I16b. Supplaments a Fine/Fine copy inscribed to me by Lindskold.

  • Zelazny, Roger and Neil Randall. Roger Zelazny’s Visual Guide to Castle Amber. Avon, 1988. First edition trade paperback original, a Fine- copy with slight edgewear. Kovacs, X14a. Supplements a signed copy of the SFBC (only hardback) edition.
  • Zelazny, Roger and Fred Saberhagen. Coils. Wallaby Books/Simon & Schuster, 1982. First edition trade paperback original, a Near Fine copy with one faint top front corner crease and slight age darkening to pages. Signed by Zelazny. Kovacs, I7a. Supplements a copy of the SFBC (and only hardback) edition inscribed to me. Kovacs, XIB1a.
  • Zelazny, Roger and Robert Sheckley. A Farce to be Reckoned With. Trade paperback, presumably a POD reprint, as it lacks the numberline of the first edition, and includes the usual POD barcode on the last page, a Fine- copy with slight edgewear and wear at points. Interestingly, despite having the same ISBN, this is a larger trim size (9″ x 6″) than the first edition (8 1/4″ x 5 1/2″), and could pass as a large print edition, except it is not so marked. This edition not in Kovacs.

    First edition on left, this copy on right.

  • Zelazny, Roger, editor. Nebula Award Stories 3. Gollancz, 1968. First UK edition hardback, a Fine copy in a Fine dust jacket. Kovacs, IX2b. Supplements a signed first of Nebula Award Stories III.

  • (Zelazny, Roger) Greenberg, Martin H., editor. Lord of the Fantastic: Stories in Honor of Roger Zelazny. Avon Eos, 1998. First edition trade paperback original, a Near Fine copy with a previous ownership plate inside front cover and a few touches of wear. Zelazny tribute anthology.
  • (Zelazny, Roger) Yoke, Karl. Roger Zelazny. Stamont House, 1979. First edition trade paperback original, a Very Good+ copy with bumping at heel and head, abrasion at front right bottom point, touches of wear along spine and elsewhere, and a touch of staining to inside front cover and blurb page. Starmont Reader’s Guide 2. Levack, “Works About Roger Zelazny” 15, page 140. Kovacs, XXIII11a. There is a Borgo Press hardback binding done three years later I still need to track down.