Posts Tagged ‘Philip Jose Farmer’

Library Additions for 2022

Monday, February 20th, 2023

It’s that time of the year again, where I compile every book I bought last year into one long post.

  • Adams, Richard. Watership Down. Macmillian, 1972. First American edition hardback, a Very Good copy with name marked out in black marker on front free endpaper, spine slightly worn, and slight staining at top edge, in a Very Good- dust jacket with one pinhead puncture to spine in “w,” small closed punctures along rear bottom spine join, a few pinhead dots of black staining to rear cover, shallow chipping at head, and age darkening to spine; slightly rough, but the page block is nice and square, and the UK first generally lists for well over a grand. Pringle, Modern Fantasy 51. Moorcock, Epic Pooh, pages [12-13-ish; the pages are unnumbered] (Mike is not a fan). Bought for $9.99.
  • Anderson, Poul and Gordon R. Dickson. Star Prince Charlie. Putnam’s, 1975. First edition hardback (no statement of printing on copyright page, as per Currey), a Fine copy in a Fine first state (slash between names on spine barely visible) dust jacket. Currey, page 13.
  • Anthony, Patricia. Gods Fires. Ace Books, 1997. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Anthony: “Hey-/Remember all those Wednesday nights over/on Walhat Hill, Jane?/Now we/only run/into each/other at cons. I miss/you sometimes! Email/me.” Then she’s altered her printed name to read “www.Patricia-Anthony.com”. Anthony died in 2013 and that domain is no longer active. Possibly an associational copy. Replaces an unsigned copy.

  • Bear, Greg. The Unfinished Land. Houghton Mifflin Harcourt, 2021. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bear, with a thank you note and several laminated bookmarks from the seller laid in. Bought for $49.95 from an eBay seller. My obituary for Bear can be found here.
  • Bester, Alfred. Virtual Unrealities: The Short Fiction of Alfred Bester. Vintage/Random House, 1997. First edition proof, trade paperback format, a Fine- copy with a tiny chip to tip of bottom front corner, gold “A Vintage Original” sticker on front cover and accompanying review page. Supplements a copy of the trade paperback original. Bought off eBay for $10.97.

  • Blaylock, James P. The Digging Leviathan. Ace, 1984. First edition paperback original, a Fine- copy with a tiny flake from the bottom front corner tip, inscribed by Blaylock: “To John Pelan,/the favorite of my/own books./Cheers/James P. Blaylock.” Replaces an unsigned copy and supplements an inscribed first of the Morrigan hardback. Bought for $5.

  • Blaylock, James P. The Disappearing Dwarf. Del Rey, 1983. First edition paperback original, a Fine- copy with edgewear and flake chips to outer rear corners, inscribed by Blaylock: “To John,/on the first anniversary/of a hell of a good idea./Cheers,/Jim,/aka James P. Blaylock.” Sequel to The Elfin Ship. Replaces an unsigned copy. Bought for $5.

  • Blaylock, James P. The Elfin Ship. Del Rey, 1983. First edition paperback original, a Near Fine- copy with slight spine creasing, inscribed by Blaylock: “To John Pelan,/My first book, but/not a bad one, I/hope./Best wishes/James P. Blaylock. Bought for $5.
  • Blaylock, James P. The Stone Giant. Ace, 1989. First edition paperback original, a Fine copy with the barest trace of edgewear. Inscribed by Blaylock: “James P. Blaylock/For John,/I hope this is readable./I write it about 5 years/ago and don’t rightly/remember./Cheers/Jim.” Sequel to The Disappearing Dwarf. Replaces an unsigned copy. Bought for $5.

  • Bloch, Robert. Midnight Pleasures. Doubleday, 1987. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Bloch: “Yours Truly, Robert Bloch!” Short story collection.

  • Bloch, Robert. The Opener of the Way. Arkham House, 1945. First edition hardback, a Near Fine+ copy with slight bumping at head and heel, slight wear in letters of spine, bookstore sticker to bottom of inner front cover, and a few touches of wear to boards, in a Near Fine- dust jacket with abrasion rub down right front fold edge, slight wear at head, slight loss at points, and slight dust soiling to rear cover, with auction sticker laid in, inscribed by Bloch: “To Charles R./Tanner with best wishes,/Robert Bloch, 1948.” What the people doing the Heritage description didn’t note (and possibly didn’t know) was that Charles R. Tanner was a fellow contemporary pulp writer (both had work in Amazing Stories), most famously of “Tumithak of the Corridors,” which appeared in Isaac Asimov’s Before the Golden Age. Flanagan, Robert Bloch: A Bio-Bibliography, page 49. Joshi, Sixty Years of Arkham House 10. Currey, page 46. Derleth, Thirty Years of Arkham House 10. Jaffery, Horrors and Unpleasantries 10. Nielsen, Arkham House Books: A Collector’s Guide 10 (also #23 on the Most Valuable list). Locke, Spectrum of Fantasy, page 36. Bleiler, Guide to Supernatural Fiction, 209. Chalker/Owings, pages 22-23. Kemp, The Anthem Series, page 299-300. (For an association copy signed to Robert Bloch, see this.)

  • Bloch, Robert. Out Of My Head. NESFA Press, 1986. First edition hardback, #371 of 800 hardback copies, a Fine copy in a Fine dust jacket, signed by Bloch. Chalker/Owings, page 303. Replaces an equally perfect unsigned copy in my collection.
  • Bloch, Robert. Psycho II. Whispers Press, 1982. First edition hardback, #516 of 750 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Supposedly very different than the movie of the same name. Supplements a trade edition. Chalker/Owings, page 476.
  • Brackett, Leigh. The Ginger Star. Ballantine Books, 1974. First edition paperback original, a Fine- copy with slight wear at heel, edges and points, otherwise a tight, square copy. Currey, page 52. Bought for $2.
  • Brackett, Leigh. The Hounds of Skaith. Ballantine Books, 1974. First edition paperback original, a Near Fine+ copy with slight bumping to bottom corner and a trace of edgewear, otherwise a tight, square copy. Currey, page 52. Bought for $2.

  • Bradbury, Ray. Dawn to Dusk: Cautionary Travels. Gauntlet, 2011. First edition hardback, #67 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. Somehow missed this when it came out, maybe because I was dealing with one of my periodic bouts of unemployment. Bought for $76 off eBay.

  • Bradbury, Ray. Farewell Summer. Morrow, 2006. First edition hardback, a Fine copy in a Fine dust jacket with “National Book Award Distinguished Contribution to American Letters” sticker (presumably as issued; he was awarded it in 2000), signed by Bradbury. Sequel to Dandelion Wine.
  • Bradbury, Ray. The Last Circus & The Electrocution. Lord John Press, 1980. First edition hardback, #105 of 300 copies signed by Bradbury and introduction author William F. Nolan, a Fine copy in a Fine slipcase, sans dust jacket, as issued. Two stories, an introduction by Nolan and an afterword by Bradbury. Supplements a signed trade copy.

  • Bradbury, Ray. The Machineries of Joy. Simon & Schuster, 1964. First edition hardback, a Near Fine copy with previous owner’s name, city, and date to FFE, corners slightly bumped, slight bend at head and heel, and slight wear along bottom board edges, in a Very Good+ dust jacket with 3/16″ triangular chip at head join, slight edgewear at head and heel, bit of wrinkling to top edge, a few small, closed tears, a tiny bit of loss at points, and a few slight spots of dust soiling, signed and dated (“12/12/86”) by Bradbury. Short story collection. Nolan, The Ray Bradbury Companion, pages 148-150. Weist, Bradbury: An Illustrated Life, page 72. Currey, page 56.

  • Bradbury, Ray. One For The Road. Morrow, 2002. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bradbury. Short story collection, including a smattering of older stories.
  • Bradbury, Ray. Phoenix 451. Gauntlet Press, 2022. First edition hardback, one of 350 unsigned copies, a Fine copy in a Fine dust jacket. Huge 833-page collection. “We are proud to be publishing five versions of Fahrenheit-451 he wrote beginning in 1955.” Plus a whole lot more, including color plates, play texts, ancillary material, etc. Bought from the publisher. I will have copies of this available in the next Lame Excuse Books catalog, which I intend to mail out Friday.

  • Bradbury, Ray. The Parrot Who Met Papa b/w David Aronovitz’s The Parrot Who Met Papa (concluded). The Pretentious Press, 1991. First edition chapbook original, a Fine copy, signed by Bradbury, then subsequently inscribed “Tom! Nov. 6, 1994.” Just about all these Pretentious Press chapbooks are hard to find and pricey. Bought from an online dealer for $150.

  • Bradbury, Ray. The Tonybee Convector. Knopf, 1988. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Bradbury: “Joe Anne &/Lee/Ray Bradbury/Dec. 10/1988.” Replaces an unsigned copy.
  • Bradbury, Ray. When Elephants Last In The Dooryard Bloomed. Knopf, 1973. First edition hardback, a Fine- copy with slight bend at head and heel, in a Near Fine, price-clipped dust jacket, signed and dated (“12/12/86”). Supplements a later printing.
  • (Bradbury, Ray) Sam Weller. Listen to the Echoes: The Ray Bradbury Interviews. Stopsmling Books, 2010. First edition trade paperback original (simultaneous with a small hardback run), a Fine copy, signed by Bradbury. Collection of interviews Weller did with Bradbury, plus a previously unpublished Paris Review interview. Bought for $40 from an online bookseller.
  • Brin, David. The River of Time. Dark Harvest, 1986. First edition hardback, copy “Q” of 52 signed, lettered copies, a Fine copy (maybe Fine- with the spine of the gold biding showing a slight greenish tinge) in a Fine wooden “slipcrate,” sans dust jacket, as issued. Short story collection. Chalker/Owings, page 119. A lot of the Dark Harvest slipcrate editions were leather or imitation leather, but I have no idea what to call this goldish binding. This is the fourth Dark Harvest slipcrate edition I’ve bought, after George R. R. Martin’s Portraits of His Children, Joe R. Lansdale’s The Nightrunners, and Chet Williamson’s Dreamthorpe. Bought from a UK dealer for £50, which works out to less than the original $100 list price.

  • Brunner, John. The Productions of Time. Signet, 1967. First paperback original, a Fine- copy with slight darkening to pages and a trace of edgewear to points. 1967 Nebula nominee for Best Novella. De Bolt, The Happening Worlds of John Brunner page 203. Currey, page 72 (he says the text was “badly edited” without Brunner’s approval). Bought for $2.99.
  • (Burroughs, William S.) Morgan, Ted. Literary Outlaw: The Life and Time of William S. Burroughs. Henry Holt, 1988. First edition hardback, a Fine copy in a Fine- dust jacket with slight haze rubbing. Reportedly one of the best biographies of Burroughs. Shoaf, Collecting William S. Burroughs in Print: A Checklist, IV.42. Bought for $7.99 at Half Price Books.
  • Campbell, John W. Cloak of Aesir. Shasta Publisher, 1952. First edition hardback, a Near Fine- copy with 2″ x 3/4″ light black staining to back rear cover (appears to be moisture staining from the cover dye), with a tiny bit of transfer to the very bottom outer tips of last few pages as well, with a few slightly light spots to boards, slight bumping at head and heel, and slight foxing along gutters, in a Very Good- dust jacket with light staining down spine, spots of light staining across back cover, shallow edge chipping at head, heel and points, signed by Campbell. Stories written under his Don A. Stuart pen name. Currey, page 97. Locke, Spectrum of Fantasy, page 46. Chalker Ownings, page 398. Kemp, The Anthem Series, page 166. Supplements an unsigned copy. Bought for £36.

  • Campbell, Ramsey (S. T. Joshi, editor). Certainly: Essays and Reviews, 2002-2017. PS Publishing, 2021. First edition hardback, #168 of 200 signed, numbered copies in slipcase, a Fine copy in a Fine dust jacket. Companion volume to Probably, which I also have. Bought from the publisher for £20. I will have one copy for sale in the next Lame Excuse Books catalog (probably May or June).

  • Cannell, Stephen J. White Sister. St. Martin’s Press, 2006. First edition hardback, a Fine copy in a Fine dust jacket, signed and dated (“9/12/06”) by Cannell. Bought off the Internet for $5.

  • Card, Orson Scott. Ender’s Way. Centipede Press, 2021. First edition, #156 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine two-piece capped cloth slipcase, still in shrinkwrap. With:
  • Card, Orson Scott. Speaker for the Dead. Centipede Press, 2020. First edition thus, #156 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine two-piece capped cloth slipcase. Hugo and Nebula winner for best novel. Both books bought for $400 off eBay, a significant discount off the original cover price for both ($250 for Ender’s Way and $295 for Speaker for the Dead.

  • Carter, Lin. Dreams from R’lyeh. Arkham House, 1975. First edition hardback, a Fine- copy with bumping at head and heel in a Near Fine- dust jacket with wear at head, heel and points, and dust soiling to rear cover, mostly along fold edge. Poetry collection. In terms of desirability, this one is way, way down the list of Arkhams that took forever to sell out, down there with Gary Myer’s In the House of the Worm and those very later novels from people nobody ever heard of. Honestly, I was sort of surprised to discover that I hadn’t already picked up a cheap copy somewhere along the line. Joshi, Sixty Years of Arkham House 133. Jaffery, Horrors and Unpleasantries 137. Nielsen, Arkham House Books 139.
  • Chabon, Michael. A Model World and Other Stories. Morrow, 1991. First edition hardback, a Fine copy in a Fine dust jacket, signed by Chabon, with review slip laid in. Short story collection, and Chabon’s second book. Bought for $10.

  • Chabon, Michael, editor. McSweeney’s Enchanted Chamber of Astonishing Stories. Vintage Books, 2004. First edition trade paperback original, a Fine copy. Anthology with stories by Stephen King, Peter Straub, Margaret Atwood, etc. Companion to McSweeny’s/Chabon’s Thrilling Tales volume, which I also have. Bought for $7 from Recycled Books.
  • Chambers, Robert W. (Lisa Morton, editor). A Little Yellow Book of Carcosa and Kings. Borderlands Press, 2022. First edition hardback, #462 of 500 copies signed by Morton, a Fine copy, sans dust, as issued. Four linked horror tales, all reprinted from The King in Yellow, all set in a then-future United States. Now sold out from the publisher. I have one copy of this still available through Lame Excuse Books.

  • Clarke, Arthur C. Tales From The White Hart. Harcourt, Brace & World, 1970. First hardback edition (no statement of printing on copyright page, as per Currey), a Near Fine+ copy with what appears to be a 1″ slight sticker pull inside front cover and tarnishing to “o” in “from” gold metal colored lettering on spine, in a Fine- dust jacket with just a trace of edgewear at heel. A collection of “club stories,” sort of the English version of the American tall tale. Currey, page 115. Bought for $40.

  • Clute, John. Sticking To the End. Beccon, 2022. First edition trade paperback original, a Fine- copy with a bump at head. Collection of reviews, essays, etc. Supposedly both Beccon and Clute’s last book. Bought from the publisher at the usual discount. I will have copies available in the next Lame Excuse Books catalog.

  • Coldiron, Katherine. Midnight Movie Monographs: Plan 9 From Outer Space. PS Publishing/Electric Dreamhouse, 2021. First edition hardback, #209 of 300 copies with a signed faux movie ticket laid in (along with a “Watch Bad Movies/Make Good Art” sticker), a Fine copy in decorated boards and a Fine dust jacket. A book-length study of Ed Wood’s infamous magnum opus of the same name, widely hailed (or derided) as the worst movie ever made, as featured in the Tim Burton film Ed Wood. Bought from the publisher at the usual discount. I have copies of this available though Lame Excuse Books.
  • Dann, Jack. Masters of Science Fiction: Jack Dann. Centipede Press, 2022. First edition hardback, #251 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. A very attractive volume, as are the other books in this series.

  • Davidson, Avram. Beer! Beer! Beer! Or All The Seas With Oysters Publishing (OATSWOP), 2021. First edition print-on-demand trade paperback (the only print edition offered), a Fine copy. An original prohibition tale unearthed by the Davidson estate and offered through Amazon, which is the only place it’s available.
  • Davidson, Avram. Rogue Dragon. Ace, 1965. First edition paperback original (no statement of printing and 40¢ cover price, as per Currey), a Fine- copy with just a trace of edgewear at top outer point, but tight and square with bright white portions of cover. Currey, page 131. Replaces a slightly less attractive copy. Bought from Half Price Books for $5.
  • Davidson, Avram. What Strange Stars and Skies. Ace, 1965. First edition paperback original (no statement of printing and 40¢ cover price, as per Currey), a Fine- copy with a tiny crease across the Ace logo at head, otherwise tight and square. Currey, page 131. Replaces a slightly less attractive copy. Bought for $3.

  • de Camp, L. Sprague and P. Schuyler Miller. Genus Homo. Fantasy Press, 1950. First edition hardback, first state (Currey A) binding of green cloth lettered in gold, #172 of 500 numbered copies signed by both authors, further inscribed by Miller “To Sylvester Brown, Jr./in the hope that we’ve guessed/all wrong about tomorrow,” a Near Fine- copy with non-authorial judgement of the book written in a neat hand on the inside front cover (hidden by dj flap), gold spine lettering slightly rubbed and bumping at heel, and trace of foxing to inside covers and end-papers, in a Very Good+ dust jacket with closed tear creases to the bottom 1/4″ to 1/8″ of the front bottom edge, smaller closed tear and creasing at heed, quarter-sized abrasion to front cover affecting G in “Genus,” edgewear at heel, slight dust soiling to white back cover, and a few other touches of rubbing (slightly exaggerated in scan). Sleeper awakes sort of novel about a busload of humans awakening in a far future world ruled by evolved primates (thirteen years before Pierre Boulle’s La Planète des singes). I had several de Camp signatures already, but not one for Miller. Currey, page 133. Chalker Owings, page 160. Kemp, The Anthem Series, page 32. Bought for £45.

  • Delany, Samuel R. Dhalgren. Gregg Press, 1977. First hardback edition (and first edition thus, containing textual differences), a Near Fine- copy with spine just starting to crease, a few of spots of light rubbing to the spine, light dust spotting to top and side page block edges, six small, neat red page numbers from the introduction written inside the front cover, and a few small annotations in the same red in the introduction itself, sans dust jacket, as issued. It’s hard to overstate just how massively wide this book is, over 1,000 pages with the lengthy introduction, easily the widest book Gregg Press ever published, and one of the hardest Gregg Press titles to find period (reportedly only 350 copies were published), probably only behind Dick’s Dr. Bloodmoney and possibly the two Locus volumes. L. W. Currey was already asking $300 for a copy in 1989, and they don’t tend to come on the market much. Though far from my own favorite of Delany’s work, it is probably the very hardest of his books to find. K. Leslie Steiner, “Some remarks on Reading Dhalgren,” pages 57-92 in Delany’s The Straits of Messina. Weedman, Samuel R. Delany, pages 61-69. McEvoy, Samuel R. Delany, pages 97-120. Barron, Anatomy of Wonder 4, 4-127. Magill, Survey of Science Fiction Literature, pages 533-538. (“Dhalgren marks the nadir of pessimism in science fiction’s tradition of social criticism.”) Currey, page 139. Bought for $300 from someone selling off their book collection.

    (Note: Ignore the blotches on the middle right part of the image, which is just the edge of another book I used to prop Dhalgren up on the scanner so I could scan the spine. And ignore the left side taper at the bottom.)

  • Delany, Samuel R. The Fall of the Towers. Gregg Press, 1977. First hardback edition, a Fine- copy with a tiny bit of bumping to top outer edge, sans dust jacket, as issued. Omnibus volume that includes Captives of the Flame (AKA Out of the Dead City), The Towers of Toron, and City of a Thousand Suns. McEvoy, Samuel R. Delany, pages 28-44. K. Leslie Steiner, “Ruins/Foundations, or The Fall of the Towers Twenty Years After,” pages 99-154 in Delany’s The Straits of Messina. Currey, page 140. Bought from a UK dealer for £67.50.
  • Derleth, August, and Mark Schorer. Colonel Markesan and Less Pleasant People. Arkham House, 1966. First edition hardback, a Fine copy in a Fine- dust jacket with a few touches of light dust staining to rear, the largest about dime-sized near the top where the back jacket copy begins. Story collection. Replaces a slightly less attractive copy. Joshi, Sixty Years of Arkham House 87. Derleth, Thirty Years of Arkham House 87. Nielsen, Arkham House Books 93. Bleiler, Guide to Supernatural Fiction 530.

  • Derleth, August, editor. Dark of the Moon: Poems of Fantasy and the Macabre. Arkham House, 1947. First edition hardback, a Near Fine copy with bumping to top corners, slight bumping at head and heel, and a trace of foxing to interior gutters, in a Very Good- first state (green) dust jacket with a 1″ x 1/2″ chip to top front cover, notable bump and creasing to top rear corner trace of dust soiling to perimeter of rear dust jacket slight loss at bottom rear corner, a light, thin 1″ abrasion scratch to spine just above “Arkham House,” a bit of general wear, and slight blind-side foxing; a nice copy in a flawed dust jacket. “A pioneering and well-nigh definitive anthology of weird poetry from the entire range of English and American literature…” – Joshi, Sixty Years of Arkham House 23. Derleth, Thirty Years of Arkham House 23. Jaffery, Horrors and Unpleasantries 26. Nielsen, Arkham House Books 24 (and 34th on his list of most valuable Arkham House books). Derleth, 100 Books By August Derleth 46. Bleiler, Checklist of Fantastic Fiction (1948), page 98. Bleiler, Checklist of Fantastic Fiction (1978), page 60.

  • Dick, Philip K. Selected Short Stories. The Folio Society, 2022. First edition hardback (“First Printing 2022”), a Fine copy in decorated boards and a decorated, die-cut slipcase that even sports a full-color illustration printed inside the slipcase, sans dust jacket, as issued. The pageblock edges even include a dye-pattern image of two eyes (appropriate to Dick’s frequent theme of paranoia). Plus a Jonathan Lethem introduction and a full-color illustration for each story from 24 different artists (including Dave McKean). It’s a very attractive package.

  • Dick, Philip K. The World Jones Made. Sidgwick & Jackson, 1968. First hardback editionb, an Ex-Library copy on which the dust jacket has been plasticized to the boards, with the front flap pasted onto the rear free endpaper, with library stamps, and slight age-darkening to pages; call it a Very Good Ex-Lib copy. Dick’s second published novel, originally published as half of an Ace Double. Probably the second hardest UK Dick hardback first to find (after The Penultimate Truth, which I already have), and it usually lists for several grand. Levack, 48g. Wintz & Hyde, Precious Artifacts, SF30.8. Currey, page 159. Bought from a UK book dealer for £327.

  • (Dick, Philip K.) R.D. Mullin, Istvan Csicsery Rosney, Jr., Arthur B. Evans and veronica Hollinger, editors. On Philip K. Dick: 40 Articleas from Science-Fiction Studies. SF-TH, Inc., 1992. First edition hardback, a Fine copy in a Fine dust jacket. Collection of critical essays on Dick from a wide variety of authors (Kim Stanley Robinson, Gregg Rickman, Stainislaw Lem, etc.). I was unaware that there was a hardback of this until it showed up in the catalog. Supplements a trade paperback copy. Bought for £112.50.

  • Di Filippo, Paul. Aeota. PS Publishing, 2019. First edition hardback, trade edition, a Fine copy in a Fine dust jacket. Supplements a signed, limited edition. Bought for £5. I have one copy of this available though Lame Excuse Books.
  • Drake, Leah Bodine. A Hornbook for Witches. Arkham House, 1950. First edition hardback, a Near Fine copy with foxing to gutters and under flaps, slight bumping at heel (and unlike most Arkham (and U.S.) books, the printing on the book is 180° off what you would expect, running up the spine rather than down, so from bottom to top it reads “Drake • A HORNBOOK FOR WITCHES • Arkham House”), and a very slight bit of wear to Arkham’s usual Black Novelex boards, in a Near Fine- dust jacket with shallow 1/16″ chipping at head, heel and points, and age darkening to spine; a fairly nice copy. One of the rarest Arkham House books, with only 553 copies printed, and Jaffrey states that Drake took “about 300 copies” for her own distribution. Derleth, Thirty Years of Arkham House, 43. Joshi, Sixty Years of Arkham House, 43. Jaffery, Horrors and Unpleasantries, 40 (“There are few copies around, and copies are really hard to come by”). Nielsen, Arkham House Books, 44 (and #5 on his list of “The Thirty-Five Most Valuable Arkham House Books”). Locke, A Spectrum of Fantasy Three, page 29. Kemp, The Anthem Series, pages 334 (“Scarcest Arkham House title of all.”), which also notes an audiobook edition of the title narrated by Vincent Price (though evidently only including four of the poems here). Bought from a fellow Biblio dealer for $832.

  • Dowling, Terry. The Complete Rynosseros (Volumes I, II and III). PS Publishing, 2020. First edition hardback, a PC copy of 300 signed, numbered sets, all Fine copies in decorated boards and Fine dust jackets and a Fine slipcase. All Dowling’s Tom Rynosseros stories. An attractive production with Nick Stathopoulos art. Volume III features Dowling discussing the origins and developments of every story. Volume I even has an introduction by Jack Vance! Bought for £60 for the set, a considerable discount from the £150 offering price.

  • (Doyle, Arthur Conan) Miranker, Cathy and Glen S., curators. Sherlock Holmes in 221 Objects: From the Collection of Glenn S. Miranker. The Grolier Club, 2022. First edition hardback, reportedly one of only 500 copies, a Fine copy, sans dust jacket, as issued. A descriptive catalog, with pictures, of items exhibited from Miranker’s Sherlock Holmes collection, including not only rare first editions (including the only know first edition, first printing of The Adventures of Sherlock Holmes in dust jacket), but also Doyle letters, original art, movie posters, etc. A fascinating and extensive collection.

  • Dozois, Gardner (Michael Swanwick, interviewer). In His Own Words. Dragonstairs, 2022. First edition chapbook original, #56 of 60 numbered copies signed by Swanwick, a Fine copy. Condensed transcription of an interview Swanwick conducted with Gardner at the 2001 Capclave. Instantly out of print from the publisher.

  • Dozois, Gardner, editor. The Very Best of the Best. St. Martins, 2019. First edition hardback, a Fine- copy with slight bends at head and heel in a Fine- dust jacket with slight curl at head and heel. A best of best of collection.
  • Ellison, Harlan. The Man With Nine Lives/A Touch of Infinity. Ace Books, 1960. First edition paperback original (35¢ on cover, as per Currey), a Near Fine- copy with wear at head and heel and the usual age-darkening to pages, signed twice by Ellison at each of the two title pages. The Man With Nine Lives is a novella and A Touch of Infinity is a short story collection. Quite an attractive copy, nice and square with quite bright covers, and better than usually found. Richmond, Fingerprints on the Sky, page 107-108. Currey, page 178. Bought off eBay for $44.95.

  • Farmer, Philip Jose. Flesh. Doubleday, 1968. First hardback edition and first revised edition, a Fine- copy with slight bumping at heel in a Near Fine dust jacket with slight age-toning to white dust jacket, a few tiny closed tears at top edge, and some small black marks at head that may have one been a price written there, signed by Farmer. Currey, page 184. Bought from the same notable UK bookseller as Dwellers in the Mirage for £52.

  • Farmer, Philip Jose. Dark is the Sun. Del Rey, 1979. First edition hardback, a Fine copy in a Fine dust jacket, signed by Farmer. Bought off eBay for $35.
  • Farmer, Philip Jose. The Lovers. Ballantine Books, 1961. First edition paperback original (PBO), a Very Good+ copy with crease across bottom rear corner and slight spine lean, signed by Farmer. One of the first science fiction novels to deal frankly with sexual themes. Brizzi, The Work of Philip Jose Farmer, pages 18-24. Currey, page 185. Barron, Anatomy of Wonder 4, *3-69. Supplements a signed copy of the later hardback first edition. Won off eBay for $9.99.

  • Farmer, Philip Jose. Tarzan Alive: A Definitive Biography of Lord Greystoke. Doubleday, 1972. First edition hardback, a Near Fine+ copy with bumping at head, heel and top front corner, in a Very Good+ dust jacket with several small closed tears (and associated creases) at heel, slight dust soiling to white portions of dust jacket, and a few other touches of wear, inscribed by Farmer: “To Mitchell Haneson/from/Philip Jose Farmer/Oct 21,/1989/Chicago.” Fictional biography of Tarzan, and a central text in Farmer’s “Wold Newton Universe,” which ties a vast array of fictional heroes, from Sherlock Holmes to Doc Savage, into one extended family. Brizzi, Philip Jose Farmer, page 72. Currey, page 185. Bought off eBay for $39.99. Replaces an unsigned copy.

  • Ford, Jeffrey. The Best of Jeffrey Ford. PS Publishing, 2020. First edition hardback, a PC copy of 100 signed, numbered copies, a Fine copy in a Fine dust jacket and a fine slipcase. Supplements a trade copy. Bought for £15 plus shipping.
  • Ford, Jeffrey. The Best of Jeffrey Ford. PS Publishing, 2020. First edition hardback, a Fine copy in a Fine dust jacket. 550+ page volume. Bought for £5. I have one copy of this available though Lame Excuse Books.
  • Frazier, Charles. Cold Mountain. Atlantic Monthly Press, 1997. First edition hardback, a Fine copy in a Fine- Mylar-protected dust jacket with faint 1/4″ scratch with John Berendt blurb sticker on it (as issued), in a Fine- after-market slipcase with one small bump to bottom rear corner. National Book Award winning Civil War novel that was the basis of the acclaimed 2003 movie of the same name. Bought from Half-Price Books for $30. I see these particular aftermarket slipcases sold on eBay, where they list for $85.

  • Gaiman, Neil (Gary Gianni, illustrator). The Case of Death and Honey. Arte Editions, 2022. First edition hardback, #254 of 500 numbered copies signed by Gianni (plus an additional 70 publisher’s copies), a Fine copy in a Fine slipcase, sans dust jacket, as issued. A very attractive book, stamped in gold and black on full red cloth binding, black and red printing, numerous black and white (and one color) illustrations from Gianni. A Sherlock Holmes story from Gaiman. There were numbered and lettered editions signed by Gaiman in different bindings that were already sold out by the time I found out about this book. Bought from the publisher at a thin discount. Note: The slipcase was extra, and is not included in every copy of this edition.

  • Gaiman, Neil. Trigger Warning. HarperCollins, 2015. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of crimping at head. Short story collection. Bought for $12.14
  • Gevers, Nick, and Peter Crowther, editors. New Worlds Issue #1. PS Publishing, 2021 (i.e., 2022). First edition hardback, #49 of 200 copies, a Fine copy in decorated boards and a Fine dust jacket, and a Fine embossed slipcase. Latest resurrection of this venerable UK fiction title, most famous for Michael Moorcock’s New Wave editorship in the 1960s, and Moorcock contributes a story (and signature) here, as do Alan Moore, Michael Swanwick, Ken MacLeod, James Lovegrove, Ian Watson, Ian R. MacLeod, etc. The trade paperback version came out last year, but this hardback edition is already out of print. Bought from the publisher at the usual discount.

  • Gingrich, Newt and William R. Forstchen. Never Call Retreat: Lee and Grant: The Final Victory. St. Martins, 2005. First edition hardback, a Fine copy in a Fine dust jacket, signed by Gingrich. Bought from Half Price Books for $7.99.

  • Golding, William. The Inheritors. Faber and Faber, 1955. First edition hardback, a Fine- copy with a bump at head in a Near Fine dust jacket with a few faint, tiny spots to top rear outer corner, slight spotting at very top and bottom of flaps, slight bump at head, and numerous small blind side spots. All in all a very nice copy. Novel of Homo Sapiens driving the last Neanderthals to extinction. Pringle, Science Fiction: The 100 Best Novels 19. Magill, Survey of Science Fiction Literature, pages 1036-1039. Bought from a fellow Biblio dealer for £179.80 (including shipping).

  • Harrison, Harry. The Man From P.I.G.. Avon/Camelot Original, 1968. First edition paperback original, a Near Fine copy with one spine crease and usual mild age-darkening of pages. Currey, page 225. Bought for $1.99.
  • Heinlein, Robert A. Beyond This Horizon. Fantasy Press, 1948. First edition hardback, #413 of 500 signed, numbered subscriber copies (Currey State A), a Very Good copy with former owner George Price’s name and address on inside front cover and a quote from Hamlet (“There are more things in heaven and earth, Horatio, / Than are dreamt of in your philosophy.”) written on the front free endpaper in the same hand, with bumping at head and heel and a few faint spots of foxing to first few pages, in a Good+ dust jacket with 1/2″ chips to heel and bottom front cover, 1/4″ tackhead-sized chip to spine (affecting bottom of “O” in “HORIZON”), plus a few lesser chips, creases, rubs and general wear. Inscribed by Heinlein: “For George W. Price/All good wishes!/Robert A. Heinlein.” George W. Price ran Advent Publishers and participated in the 1959 Chicago Worldcon bid, and he seems to be still alive at age 93. Heinlein’s second novel. Currey, page 232. Chalker/Owings, page 158. Barron, Anatomy of Wonder 4, 3-84. Bought for £350 from a notable UK book dealer.

  • Heinlein, Robert A. Glory Road. Putnam, 1963. First edition hardback (no statement of printing on copyright page, as per Currey), an Ex-Library copy with front free endpaper excised, discard stamps, abrasion wear along bottom boards, light paste-ghosts to inside covers, reinforcement to front and rear gutters, etc.; call it a Good+ Ex-Lib copy in a Very Good+ dust jacket with 1/32″ strip of loss at very bottom of heel, slight wear and creasing at head and heel, trace of crease along front spine join, thin, closed 2″ tear/crack along spine to middle of back cover, slight wear at points, and the barest trace of those paste ghosts to blind side; actually a very presentable copy of the dust jacket. Replaces another Ex-Library copy (non-first) in my collection. Currey, page 232. Bought for $16 from a collector culling his collection.

  • Heinlein, Robert A. The Man Who Sold The Moon. Shasta Publishers, 1950. First edition hardback, one of 250 copies signed by Heinlein, a Very Good copy with spine slightly concave at top, slight bumping at head and heel, slight rub ear to lettering at head and heel, points slightly bumping, and traces of wear to boards, with the “FUTURE HISTORY/1951-2600 A.D.” sticker added to front free endpaper and inside back cover (as issued), in a Very Good- dust jacket with 1/8″ loss across heel, 1/8″ ship at head points and associated creasing, 3/4″ abrasion (possibly a sticker pull) near bottom of spine, not affecting any lettering, moderate creasing along spine and flap folds, slight age darkening to spine, very slight darkening to rear cover and tops of flaps, and usual blind side foxing. A fairly nice copy that I’ll probably ended up swapping the better dust jacket on my trade copy with. Bought from a private seller for $500. Chalker/Owings, page 398. Kemp, The Anthem Series, page 162. Locke, A Spectrum of Fantasy, page 109. Currey, page 233.

  • Heinlein, Robert A. The Menace From Earth. Gnome Press, 1959. First edition hardback, a Near Fine+ copy with slight bumping at head, heel and points (and far less than usual age darkening to the cheap later Gnome Press paper) in a Near Fine+ dust jacket with one 1/8″ closed tear and associated triangular crease to bottom rear dust jacket, very slight age darkening to spine, trace of edgewear to rear flap, and a few traces of dust soiling to white over, otherwise an extremely nice example of the dust jacket. Short story collection, including the classic “By His Bootstraps.” Currey, page 233. Locke, A Spectrum of Fantasy, page 109. Chalker/Owings, page 205. Kemp, The Anthem Series, page 278. Barron, Anatomy of Wonder 4, 3-87. ISFDB notes no price on dust jacket (as is the case here). Bought for £250 from a notable UK book dealer.

  • Heinlein, Robert A. Rocket Ship Galileo. Scribner’s, 1947. First edition hardback (Scribner’s seal and “A” printing code, as per Currey), a Near Fine copy with non-authorial inscription on FFE and mild blocks of foxing to inner covers and endpapers, in a Near Fine first state (unclipped $2.00 price) dust jacket with a pinhead-sized hole near heel and spine fading, and a tiny bit of wrinkling to bottom rear flap, otherwise a bright, vibrant example of the dust jacket. It’s a really attractive copy, and because the area of the hole and the board color are both dark, it doesn’t jump out at you. Currey, page 234. Locke, Spectrum of Fantasy, page 109 (he calls for “light yellow” endpapers, but these are really more of a light tan). Barron, Anatomy of Wonder 4, *5-62. Franklin, Robert A. Heinlein: America as Science Fiction, pages 75-76. Not in 333. Not in Magill’s Survey of Science Fiction Literature. Bought off a fellow Biblio dealer for $360.

  • Hill, Joe. The Fireman. Morrow, 2016. First edition hardback, a Fine copy in a Fine dust jacket. Supplements a later limited edition. Bought for $14.99 at Half Price Books.
  • Hill, Joe. Strange Weather. William Morrow, 2017. First edition hardback, “Barnes & Noble Black Friday Signed Edition” as per the ISBN and copyright page (the first signed edition listed), one of an undetermined number with a signature page bound in (very similar to the one in Full Throttle), a Fine copy in a Fine dust jacket. Collection of four novellas. Bought for $40.05 from a fellow Biblio dealer.
  • Hill, Joe. Strange Weather: Aloft, Rain, Loaded, and Snapshot. Cemetery Dance, 2022. First edition thus and first separate editions of all four individual titles, all of which were originally published in Hill’s 2017 Strange Weather novella collection, each volume one of 948 copies signed by the artist (Charles Paul Wilson III for Aloft, Renae De Luz and Ray Dillon for Rain, and Zach Howard for Loaded), and Snapshot being numbered 781 and signed by both Hill and artist Gabriel Rodriguez, all Fine copies in Fine dust jackets and a Fine slipcase. (There was also evidently a 52 copy lettered edition offered for $1,000 I haven’t seen.) An attractive production. Bought for cover price, and sold out five years before publication…

  • Hodgson, William Hope (Michael Bailey, editor). A Little Aquamarine Book of Agitated Water. Borderlands Press, 2022. First edition hardback, #462 of 500 copies signed by the editor, a Fine copy, sans dust jacket, as issued. Includes many (but by no means all) of Hodgson’s eerie stories and poems about the sea, something he really excelled in.

  • Holkins, Jerry and Mike Krahulik. Lexcalibur II: The Word in the Stone. Penny Arcade, 2021 (i.e., 2022). First edition hardback, a Fine copy in a Fine dust jacket. More fantasy-gaming themed humorous poetry, and sequel to the first Lexcalibur.

  • Howard, Robert E. Always Comes Evening. Arkham House, 1957. First edition hardback, a Fine- copy with an old bookstore sticker inside the front cover and just a trace of foxing to gutters, in a Near Fine, price-slipped dust jacket with slight dust soiling to rear cover and slight age-darkening to letters, and a few other touches of wear. “Another volume that must be called a landmark.” – S. T. Joshi, Sixty Years of Arkham House. Howard’s first poetry collection, the second of three Howard books published by Arkham House, compiled by Howard estate executor Glenn Lord. Derleth, Thirty Years of Arkham House, 50. Joshi, Sixty Years of Arkham House 50. Jaffrey, Horrors and Unpleasantries, 49. Nielsen, Arkham House Books 53. Nielsen also ranks it 9th for scarcity and 13th most valuable, though the latter is out of date, since it’s much pricier and harder to find that Skull-Face and Others these days. Bought off eBay for $650.

  • Howard, Robert E. (Tim Underwood, editor). “…and their memory was a bitter tree…”. BlackBart, 2008. First edition hardback, #45 of 500 copies signed by illustrator Brom, a Fine copy in a Fine dust jacket and a Fine slipcase. A volume lavishly illustrated in color by Brom and Frank Frazetta, with a preface by Arnie Fenner and an afterword by H. P. Lovecraft. Bought for $125. This appears to be the only book BlackBart ever did.

  • Howard, Robert E. Bran Mak Morn: The Last King. Wandering Star, 2005. First edition hardback, #634 of 850 numbered copies signed by illustrator Gary Gianni, a Fine copy in a Fine dust jacket and a Fine- slipcase with a trace of wear at points, with a CD containing a reading of “Worms of the Earth” laid in. This and the other Wandering Star books here have gilt top edges. Bought for $125.

  • Howard, Robert E. The Iron Man. Donald M. Grant, 1976. First edition hardback, a Near Fine copy with a 1/2″ high area of abrasion across bottom of front and back boards near spine (but not at the spine itself), in a Fine- dust jacket with slight touches of wear at points and elsewhere. Howard’s boxing stories. Obtained as a throw-in freebie on another order.
  • Howard, Robert E. Robert E. Howard’s Conan of Cimmeria: Volume One (1932-1933). Wandering Star, 2002. First edition hardback, #89 of 100A [sic] numbered slipcased copies signed by artist Mark Schultz, with eight pages of black and white sketches after page 348, a Fine copy in a Fine dust jacket and a Fine slipcase, bought still in shrinkwrap (taken out to verify the state). Bought for $300 (which is all of $30 more than original cover price 20 years ago, and the trade edition typically lists for more) from a private collector.

  • Howard, Robert E. Robert E. Howard’s Complete Conan of Cimmeria Volume Two (1934). Wandering Star, 2005. First edition hardback, #1462 of 1950 numbered copies signed by illustrator Gary Gianni, a Fine copy in a Fine dust jacket and a Fine slipcase, with flyer for volume 3 with limitation number laid in. Bought for $187.50.

  • Howard, Robert E. Robert E. Howard’s Complete Conan of Cimmeria Volume Three (1935). Wandering Star, 2005. First edition hardback, 401 of 1000 numbered copies signed by illustrator Gregory Manchess. Bought for $175.

  • Howard, Robert E. The Ultimate Triumph: The Heroic Fantasy of Robert E Howard. Wandering Star, 1999. First edition hardback, #0507 of 1,500 slipcased copies, a Fine copy in a Fine dust jacket and a Fine slipcase, still in shrinkwrap, with limitation bookmark. Bought for $125 from a private collector.

  • (Howard, Robert E.) Joe R. Lansdale, Nathan Fox and Dave Stewart. Pigeons From Hell. Dark Horse, 2009. First edition graphic novel trade paperback original, a Fine copy, signed by Lansdale. Based on the Robert E. Howard novella. Bought for $10 from a private collector.
  • Hubbard, L. Ron. Ole Doc Methuselah. Theta Press, 1970. First edition hardback, a Fine copy in a Fine- dust jacket with age-darkening to white portions. Fixup novel of linked stories originally published 1946-1950. Strangely, there is no printing at all on the spine or cover of the book itself. Currey, page 256. Bought for $12 from Recycled Books.

  • Hughes, Matt. One More Kill. PS Publishing, 2018. First edition hardback, #22 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought for £8 plus shipping. I will have one copy of this available in the next Lame Excuse Books catalog.

  • James, M. R. (edited and illustrated by Stephen R. Jones). A Little Jasmine Book of M. R. James. Borderlands Books, 2022. First edition hardback, #462 of 500 copies signed by Jones, a Fine copy, sans dust jacket, as issued. Six tales from the master of the ghost story, plus some nonfiction pieces from James, Jones and others, including a select bibliography.

  • Kelly, James Patrick. Think Like A Dinosaur. Golden Gryphon Press, 1997. First edition hardback, a Fine- copy with about 3/8″ slight abrasion or fade to the very top of the front cover, in a Fine- dust jacket with slight wrinkling at head and heel and slight edgewear at points and top of dust jacket, inscribed by Kelly: “To Katelein/Keep writing/+/:/Yr pal/Jim/ 4/19/98.” Short story collection. Supplements a perfect but unsigned copy. Bought for $11.49.
  • King, Stephen. The Dead Zone. Viking, 1979. First edition hardback (“First published in 1979 by the Viking Press” on the copyright page), a Fine copy in a Fine, first state (price of $11.95 and code 0879 on the bottom of the flap), Mylar-protected dust jacket, inscribed by King: “To Brian —/Be well, hope you/like this/Stephen King/10/13/79.”). King’s seventh novel, and the fifth under his own name. Collings, Horror Plumbed, A7. Spignesi, The Shape Under the Sheet, pages 241-247. Waiter/Golden/Wagner, Stephen King Universe (Cemetery Dance edition), pages 187-194. Bought for $240.

  • King, Stephen. Elevation. Hodder & Stoughton, 2018. First edition hardback (the UK and the US edition came out the same day, which means the UK should precede by several hours, if that matters), a Fine copy in a Fine- dust jacket with a tiny bit of surface wear. Castle Rock novella that looks like a cross between Thinner, Peyton Place and Up. Bought for $9.99 at Half Price Books.

  • King, Stephen. Gerald’s Game. Viking, 1992. First edition “preview edition,” one of 2,000 hardback copies with a handwritten note by King printed on the front free endpaper distributed at the 1992 American Booksellers Association convention, a Fine copy in a Fine printed and stapled cardboard slipcase, sans dust jacket, as issued. Collings, Horror Plumbed, A45. Waiter/Golden/Wagner, Stephen King Universe (Cemetery Dance edition), pages 285-290. Bought for $48.

  • King, Stephen. Pet Sematary. Doubleday, 1983. First edition hardback, a Fine copy in a Fine dust jacket. Replaces a slightly less attractive copy. Collings, Horror Plumbed, A22. Spignesi, The Shape Under the Sheet, pages 301-304. Waiter/Golden/Wagner, Stephen King Universe (Cemetery Dance edition), pages 269-278. Bought for $15.
  • (King, Stephen and Stanley Kubrik) Oldham, Craig, editor. The Shining: A Visual and Cultural Haunting (Epiphany Edition). Rough Trade Books (via Kickstarter), 2022. First edition, printed pages and pamphlets loose in a decorated cardboard box, a Fine copy. It’s an elaborate production.

    The loose sheets:

  • 16 x typed replica sheets with All Work And No Play Makes Jack A Dull Boy as discovered by Wendy in the film.
  • 120 x one-page pieces analysing, exploring, and extrapolating the films ideas, themes, influences, contexts and critiques.
  • 10 x original typewriter art portraits made using the same model of Adler typewriter used by Jack Torrance.
  • Some examples:

    Plus “Contributor Booklets” (which are more like brochures):

    9 x 8-page cultural contributor essays from a range of celebrated artists, musicians, authors, architects and curators designed to evoke the film’s intertitle cards.

    Original and exclusive piece from actor Dan Lloyd (Danny Torrance), an extraordinarily rare opportunity to share memories, stories and insights from this usually private person, as well as the coup of a rare interview with Shelley Duvall (conducted by Ryan Obermeyer) shedding light on her performance and experience of the film.

    Artist Gavin Turk examines myths, mirrors and mazes and looks at the film through art, whilst fashion designer Margaret Howell takes us through her iconic maroon jacket worn by Jack in the closing act of the film.

    Artist and musician Cosey Fanni Tutti on sound and the unfolding domestic violence within the film. Architecture expert and writer John Grindrod on the role of The Overlook Hotel itself and the impact of such spaces on our behaviour.

    Producer and Record Label head James Lavelle (UNKLE) tells of his enduring inspiration and love for Kubrick and his art whilst author Jen Calleja looks into Shelley Duvall, folklore and fairytales.

    And BFI Curator and Author Michael Blyth cross-examines the character of Wendy as she appears in both the film and the original Stephen King novel.

    3 x 16 page reproduced texts including essays from H.P. Lovecraft, Sigmund Freud, and a short story which was a key influence for Kubrick when developing the film.

    H.P. Lovecraft — Supernatural Horror in Literature An extract from the seminal yet largely overlooked essay that significantly influenced decisions not to explain the horrors which unfold at The Overlook.

    Stephen Crane — The Blue Hotel First serialised in 1898, the American author’s story was highlighted by Kubrick in interviews as similar to events unfolding in The Shining and offers an insight into the director’s read of the film.

    Sigmund Freud — The Uncanny Diane Johnson (co-writer of The Shining) cited Freud’s influential 1919 essay “The Uncanny” as a key text in Kubrick’s research. Freud explores many ideas that are woven through the film: retracing steps, recurring numbers and motifs, and the significance of the double. We will re-publish an extract from the essay.

  • Koontz, Dean R. Odd Thomas. Bantam Books, 2003. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head and heel, slight haze rubbing to reflective surfaces, and one small spot of blind-side staining at heel. Another book Scott Cupp recommended. Bought for $7.20.
  • Lake, Jay. Last Plane to Heaven. Tor, 2014. First edition hardback, a Fine copy in a Fine dust jacket. Short story collection. Foreword by Gene Wolfe. Bought for $7.19.
  • Lansdale, Joe R. Born For Trouble: The Further Adventures of Hap and Leonard. Tachyon Press, 2022. First edition trade paperback original, a Fine copy. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.
  • Lansdale, Joe R. Dread Island. IDW Publishers, 2010. First edition hardback, #60 of 100 signed, numbered copies, a Fine- copy with slight wear at head and small abrasion to bottom board edge, in a Fine- dust jacket with slight wear, in a Fine slipcase. Supplements a signed, non-slipcased copy. Bought off eBay as part of an under $100 lot. Isajanko, A039aii.

  • Lansdale, Joe R. Gothic Wounds. Short Scary Tales, 2022. First edition hardback, #101 of 550 signed, numbered copies, a Fine copy in a Fine dust jacket with tissue paper sealing sticker, shipping thanks card and SST business card laid in. The fourth in the Lansdale collected stories series. Bought from the publisher at the usual discount. I will have copies of this available in the next Lame Excuse Books catalog.

  • Lansdale, Joe R. The Magic Wagon. Borderlands Press, 1991. First limited edition hardback, #597 of 750 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase. Supplements an inscribed copy of the true Double-D western hardback first, the UK hardback first, and the BookVoice signed/limited hardback edition. Bought off eBay for $43.
  • Lansdale, Joe R. Moon Lake. Short Scary Tales Publications (SST), 2022. First limited edition hardback, #101 of 500 signed, numbered copies (matching my other SST Lansdale limiteds), a Fine copy in a Fine dust jacket with business card, shipping card and tissue paper seal laid in.

  • Lansdale, Joe R. The Two-Bear Mambo. James Cahill Publishing, 1995. First edition hardback, letter T of 26 lettered copies, a Fine copy, sans dust jacket (as issued), in a Fine slipcase. Supplements a copy of the regular Cahill limited edition, which is distinctly less attractive than this. I saw a picture of someone else’s copy of this and went “That’s pretty! I need to pick that up!” Isajanko, A017aii. Bought off a fellow dealer for $200.

  • Lansdale, Joe R. Radiant Apples. Subterranean Press, 2021. First edition hardback, #347 of 1,500 signed, numbered copies, a Fine copy in a Fine dust jacket. Deadwood Dick novella. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.
  • Lansdale, Joe R. Zeppelins West. Subterranean Press, 2001. First edition hardback, #222 of 350 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. This edition includes extra sketches at the back. Bought from a UK book dealer for £54.
  • Lansdale, Joe R. (with Timothy Truman and Sam Glanzman). Jonah Hex: Two Gun Mojo. DC Vertigo, 1994. First edition graphic novel (preceded by the individual comic issues), trade paperback format, a Fine copy. According to comics decoding, the “00111” code on the bar code on the back cover indicates issue 1, cover variant 1 (don’t think there were any others in this case), and first printing (the last 1). Bought off eBay for $9.99.
  • Lansdale, Joe R., and Timothy Truman. On the Far Side With Dead Folks. Avatar, 2004. First edition graphic novel trade paperback original, a Fine copy. Adapted from Lansdale’s “On the Far Side Of The Cadillac Desert With Dead Folks.” Bought for $10 from a private collector.
  • Lansdale, Joe R., editor. Retro Pulp Tales. Subterranean Press, 2006. First edition hardback, Letter J of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine slipcase, signed by all the contributors (Bill Crider, Kim Newman, etc.) to this pulp fiction anthology as well as Lansdale. Bought from a private collector for $250 plus shipping.

  • (Lansdale, Joe R.) Bubba Ho-Tep: Hail To The King Edition. DVD, 2007. First edition thus, a Limited Edition with the case wrapped in a miniature Elvis Presley jacket, a Near Fine+ copy, still sealed, with some peel from the black plastic at the top of the case that can probably be fixed once I open it up to watch or get Joe to sign. DVD of the movie starring Bruce Campbell and Ossie Davis, based on the Lansdale story, with a script by Lansdale and director Don Coscarelli. Bought off eBay for $15.

  • Lengyel, Cornel. The Atom Clock. Fantasy Publishing Company, Inc. (FPCI), 1951. First edition chapbook original, one of 750 copies (simultaneous with a 250 copy hardback run), a Near Fine copy with sticker pull at top right of title page, over which is a small inked price of $125, in a Very Good+ dust jacket with a shallow chip and associated small crease at top right of the front cover, a closed 1/16th triangular tear at top rear, slight rubbing to front cover, and slight dust soiling to white rear cover. Anti-atomic play. Won awards, but I’m sure the sentiment of the thing would strike me as naive and dated. Chalker & Owings (1991), page 179, where they note that the hardback is “almost never seen.” Kemp, The Anthem Series, pages 89-90. Bought off eBay for a $30 offer.

  • Lovecraft, H. P. (Peter Straub, editor). Tales. Library of America, 2005. First edition hardback (and First printing stated), a Fine copy in a Fine subscribers copy slipcase, sans dust jacket, as issued. Has just about every one of Lovecraft’s greatest hits. Bought off eBay for a Make Offer price of $15.

  • Lovecraft, H. P., etc. (collected by August Derleth). Tales of the Cthulhu Mythos. Arkham House, 1969. First edition hardback, a Fine copy in a Fine- dust jacket with just a trace of dust soiling to the rear panel. Beautiful copy. “A volume that has come to be regarded as the definitive anthology of tales utilizing the framework of the ‘Cthulhu Mythos’…” – Joshi, Sixty Years of Arkham House 102. Derleth, Thirty Years of Arkham House 97. Jaffery, Horrors and Unpleasantries 109. Nielsen, Arkham House Books 108.

  • (Lovecraft, H.P.) Derleth, August. Some Notes on H. P. Lovecraft. Arkham House, 1959. First edition chapbook original, a Very Good copy to which someone has attached a now-yellowing plastic protector, as well as attaching the bookplate of late antiquarian book dealer Franklin Victor Spellman to the inside front cover. Joshi, Sixty Years of Arkham House 55. Derleth, Thirty Years of Arkham House 55. Jaffery, Horrors and Unpleasantries 55. Nielsen, Arkham House Books 58. Joshi, Sixty Years of Arkham House (unnumbered item between 86 and 87 on page 84). Joshi, H.P. Lovecraft: A Comprehensive Bibliography, III.C.32. Tymn/Schlobin/Currey, A Research Guide to Science Fiction Studies, 284.
  • Machen, Arthur. The Great God Pan and The Inmost Light. John Lane, The Bodley head/Roberts Bros., 1895. Second edition, a Very Good copy with wear along spine edges, wear at head and heel, touches of wear at points, pencil scribbling on front free endpaper, a few stray words of pencil writing, former owner Bookplate of William H. Sahud and small bookstore label to inside front cover (plus foxing shadow of that label on FFE), front inner hinge just starting to crack, and age darkening to pages. This was a screw-up, as I missed the Second Edition statement, and didn’t know off the top of my head that the true first came out in 1894, not 1895. Denielson, Arthur Machen: A Bibliography page 21. Bleiler, Guide to Supernatural Fiction 1070. Bleiler, Checklist of Science-Fiction & Supernatural Fiction (1978), page 130. Bought for $240 at Recycled Books. (“This is one of those damn ‘learning opportunities,’ isn’t it?”)

  • “Chambers, Robert W.” (i.e., Arthur Machen)(Bentley Little, editor). A Little Brown Book of Unnatural Narratives. Borderlands Press, 2022. First edition hardback, #462 of 500 copies signed by Little, a Fine copy, sans dust, as issued. Three stories (“The Inmost Light,” “The Shining Pyramid” and “The Novel of the White Powder”) all reprinted from previous Machen collections. Hilariously, Borderlands accidentally kept the author embossing for Chambers from the above volume on the cover design when they printed this Machen collection, which is probably the funniest mistake since “Karl Edward Wanger” on the first state dust jacket of Gods in Darkness. With inserted slip apologizing for the typo laid in. I’ll have a few copies of this available in the next Lame Excuse Books catalog.

  • Malerman, Josh. A Little Red Book of Requests. Borderlands Press, 2019. First edition hardback, #290 of 500 signed copies, a Fine copy, sans dust jacket, as issued. This came out the year after the Bird Box movie, so I imagine it disappeared very quickly.

  • Martin, George R. R., editor, Melinda Snodgrass. Wild Cards X: Double Solitaire. Bantam Spectra, 1992. First edition paperback original, a Near Fine- copy with one light spine crease, edgewear, wear at points, and slight foxing to inside covers.
  • Martin, George R. R., editor, Victor Milan. Wild Cards XII: Turn of the Cards. Bantam Spectra, 1993. First edition paperback original, a Near Fine copy with mild spine creasing, a trace of edgewear and slight foxing to inside covers.

  • (George R. R. Martin, editor) Miller, John J. . Wild Cards: Death Draws Five. iBooks, 2006. First edition hardback, a Fine- copy with slight bumping at head and two small indents to bottom boards and slight bumping at top points in a Fine- dust jacket with slight bumping at head and top points. Solo Wild Card novel by Miller. At some con years back, Miller told me this was actually the rarest Wild Cards book. Precedes the Tor edition by 15 years. Bought from Half Price Books for $11.48.

  • Matheson, Richard. Purge Among Peanuts. Gauntlet Publications, 2001. First edition chapbook original, #20 of 500 signed, numbered copies, a Fine copy. Bought from the same dealer as The Parrot Who Met Papa for $22.50.

  • Matheson, Richard, and Richard Christian Matheson. Pride. Gauntlet Press, 2002. First edition hardback, letter R of 52 lettered copies, a Fine- copy with a slight outlines of the enclosed CD of the authors reading the story on the rear cover, and a Fine traycase with a manuscript page inserted on the inside lid, sans dust jacket, as issued. A somewhat elaborate production. Features iterative drafts of this collaborative father-and-son short story. Bought from a fellow Biblio dealer for $65.

  • McCarthy, Cormac. Blood Meridian. Folio Society, 2022. First edition thus, an illustrated prestige reprint edition, a Fine copy in decorated boards, sans dust jacket, as issued, in Fine slipcase, with packed-by sip laid in. His celebrated ultra-violent western. While I was in the Dallas area, I saw two firsts of Blood Meridian at two different Half Price Books stores: one was $3,500, and the other was $4,000. So I may not be able to track down an affordable first of that any time soon. Bought from the Folio Society at cover price.

  • McCarthy, Cormac. Cities of the Plain. Knopf, 1998. First edition hardback, a Fine copy in a Fine dust jacket. The third book in the Border trilogy. Bought for $9.99

  • McCarthy, Cormac. The Passenger and Stella Maris. Knopf, 2022. Each is a stated first edition (though there was an earlier solo release of The Passenger with a different dust jacket; without a copy of that in hand I can’t tell if the two are otherwise identical, so either first edition thus or first edition in a second state dust jacket), each a Fine copy in a Fine dust jacket and a fine decorated slipcase. Stella Maris is “a tightly controlled coda, told entirely in dialogue” to The Passenger. Bought from Amazon for $45.45 for the pair.

  • McCrumb, Sharyn. Bimbos of the Death Sun. TSR, 1987. First edition paperback original (PBO), a Near Fine- copy with a dime-sized sticker pull on the top left front cover, foxing to inner covers, and touches of edgewear. Her acclaimed, Edgar-Award winning murder mystery set at a science fiction convention. Replaces a less attractive copy. Bought for $2.24.
  • McCutheon, Marc. The Online Price Guide to Science Fiction, Fantasy & Horror. McCutheon, 2000. First edition trade paperback original (essentially just side-stapled 8 1/2″ x 11″ sheets), a Fine- copy with slight bend at top front corners. An odd self-published volume claiming to list online prices realized for a wide variety of SF/F/H books, and while the authors hit most of the biggest names, the selection is otherwise somewhat random and haphazard. Has some tidbits for things that are potentially useful, but fails to provide a lot of title-specific first edition point information (like the various dj states of Stephen King’s Salem’s Lot). I can see this being slightly useful for a real newbie the year it was published, but is of extremely dubious utility now. An oddity I bought cheap just because I had never heard of it and there was almost no information about it on the internet.

  • McDevitt, Jack. Return To Glory. Subterranean Press, 2022. First edition hardback, #448 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket, with bookmark and Packed By slip laid in. This will be in the next Lame Excuse Books catalog.

  • Merritt, A. Dwellers in the Mirage. Liverlight, 1932. First edition hardback (no statement of printing on copyright page, as per Currey), a Near Fine+ copy with slight foxing to inside covers from dust jacket flaps and just a tiny bit of bend at head and heel, with gilt embossing on spine entirely intact, in a Very Good+ dust jacket with shallow chipping at head, heel and points and modest dust staining to white dust jacket and a few touches of wear, otherwise intact and unclipped. A pretty nice copy of a classic inter-war fantasy novel in dust jacket. Cawthorn & Moorcock, Fantasy: The Hundred Best Books 44. Currey, page 365. Locke, A Spectrum of Fantasy, page 155. Teitler, By the World Forgot, 855. Barron, Fantasy Literature, *3-242. Bought for £240.

  • (Moorcock, Michael) Kirkland, James. Urish’s Hoard. Dreaming City Books, 2021. First edition? (no printing indicated, and it may well be a print-on-demand book) trade paperback original, a Fine copy. There was a Kickstarter for this back in early 2021, but after it was funded this was almost immediately available on Amazon, which is where I bought this. Though the first edition information can be had in more comprehensive forms elsewhere, there is a wealth of information on Elric comic book adaptations, art portfolios, music, games and RPG supplements, and even miniatures! There’s also a discussion of the foul-up behind the Melniboné Mythos section in the AD&D Deities and Demigods. I’d always thought TSR had done it without permission, but Mike had given his permission, not realizing that his agent had already sold RPG rights to Chaosium. Oops…

  • Morrow, James. Reality By Other Means: The Best Short Fiction of James Morrow. Wesleyan University Press, 2015. First edition hardback, a Fine copy in a Fine dust jacket. I’ll have one of these available in the next Lame Excuse Books catalog.

  • Nolan, William F. A Little Gray Book of Shadows. Borderlands Press, 2018. First edition hardback, #290 of 500 signed copies, a Fine copy, sans dust jacket, as issued.

  • Oldham, Craig, editor. They Live: A Visual and Cultural Awakening. Rough Trade Books, 2018. First edition (stated) trade paperback original, a Fine copy. A critical companion to the 1988 John Carpenter film. Bought as an add-in with the Shining box above.

  • O’Leary, Patrick. 51. Tachyon Press, 2022. First edition trade paperback original, a Fine copy. Roswell/Area 51 novel. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.
  • Pohl, Frederik. Midas World. St. Martin’s, 1983. First edition hardback, a Fine- copy with the barest bit of bumping at head and heel, and a trace of fixing to inside covers, in a Very Good+ dust jacket with a 3/16th” chip at head, a 1″ closed triangular tear with associated nailhead-sized chip to upper front near spine (and small piece of blindside tape reinforcement), and a few pinpricks of abrasion along the spine, signed by Pohl. Over-graded by the seller as Fine/Fine, but I only paid $12 for it, and a copy with a better jacket to marry should be cheap.
  • Pohl, Frederik, and C. M. Kornbluth. The Space Merchants. Ballantine Books, 1953. First edition paperback original (no statement of printing, and simultaneous with the hardback edition, as per Currey), a Fine- copy with a touch of edgewear at points, otherwise new and unread. Pringle, SF 100 12. Currey, pages 289 and 405. Barron, Anatomy of Wonder 4 *3-147. Magill, Survey of Science Fiction volume 5, pages 2127-2131. Supplements a hardback first inscribed to my by Pohl. Bought for $3 from Half Price Books.

  • Pohl, Frederik, and Jack Williamson. Starchild. Ballantine Books, 1965. First edition paperback original (“”First printing: November 1965″ and 50¢ price, as per Currey), a Fine- copy with just a trace of edgewear at head and heel and a tiny 3/16” non-breaking indention to front cover, otherwise tight, square and unread. Second book in the Starchild trilogy. Currey, pages 405 and 544. Supplements the SFBC Omnibus The Starchild Trilogy inscribed to me by Pohl and Williamson. Bought for $3 from Half Price Books.

  • Powers, Tim. Always Going On. Subterranean Press, 2020. First edition hardback, #183 of 250 signed, numbered copies, a Fine copy, sans dust jacket, as issued, with Subterranean “packed by” slip laid in. Only available as a set with Subterranean: Tales of Dark Fantasy 3 (see below).

  • Powers, Tim. The Skies Discrowned. Charnel House, 2022. First edition hardback, #54 of 200 signed, numbered copies, a Fine copy, sans dust jacket, as issued. “Handbound in Indigo Night Cave Paper (Belgium Flax dyed with Indigo & Walnut). This Cave Paper was made by hand for this edition. Each one of a kind sheet sheet guaranties that each book is unique. Exquisitely printed on 80lb Mohawk Superfine.” Part of a uniform prestige edition that Charnel House is doing of all Powers’ books. I will have one copy of this available in the next Lame Excuse Books catalog.

  • Powers, Tim. Stolen Skies. Charnel House, 2022. First limited edition hardback, #54 of 150 signed, numbered copies, a Fine copy, sans dust jacket, as issued. The third in the trilogy started with Alternate Routes and Forced Perspectives. The usual beautiful Charnel House edition.

  • Riddell, Charlotte (AKA Mrs J. H. Riddell) (Meghan Arcuri, editor). A Little Purple Book of Sharp Wit. Borderlands Press, 2022. First edition hardback, #462 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. The latest in their reprints of 19th century authors series. Riddell was a prolific writer in her day, only a portion of which were ghost stories, four of which are collected here. It will be interesting to see if this volume sells for them, given that she’s no Robert W. Chambers when it comes to collectability.

  • Roy, Arundhati. The God of Small Things. Flamingo, 1997. First edition hardback, a Fine copy in a Fine dust jacket. Booker Prize winner. Bought for $7.99.
  • Russell, Eric Frank. Somewhere A Voice. Dennis Dobson, 1965. First edition hardback, a Fine- copy with a small Foyle’s stickler on inside front cover under flap in a Near Fine- dust jacket with a 3/4″ split to bottom of front fold (and faint associated crease to front), a nail-head sized semi-closed circular chip to rear spine join near head, slight age darkening to edges of white portion of jacket, a faint, intermittant line of rubbing near right front cover edge, and slight foxing to blind side of dust jacket spine, otherwise a fairly bright example of the dust jacket. Short story collection. Currey, page 424. Locke, Spectrum of Fantasy III, page 70. Bought from a notable UK book dealer for £32.

  • Scarborough, Dorothy (as Anonymous). The Wind. Harper & Brothers, 1925. First edition hardback, a Good+ copy with spine cracked, front hinge cracked, spots and abrasions to cover, slight fraying to head and heel, with small former owner plate for Violet Hayden Dowell (a Dallas author and art collector) on inside front cover, and a different ownership name written on FFE, along with “[Scarborough, Dorothy]. Tale of a women in west Texas driven insane by the incessant blowing of the wind. The novel was the basis of the 1928 film starring Lilian Gish. Bought for $36.

  • Schafer, William, editor. Subterranean: Tales of Dark Fantasy 3. Subterranean Press, 2020. First edition hardback, #183 of 250 numbered copies signed by all the contributors, a Fine copy in a Fine dust jacket, with Subterranean “packed by” slip laid in. Anthology with stories by Robert R. McCammon, Richard Kadrey, etc. Sold as a set with Tim Powers’ Always Going On (see above), bought as a set from Subterranean for $75, 50% off the original cover price. Now sold out from the publisher.
  • Sheckley, Robert. Masters of Science Fiction: Robert Sheckley. Centipede Press, 2022. First edition hardback, #350 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, still in publisher’s shrinkwrap. “Signed by Jim & Ruth Keegan, with facsimile signatures by Robert Sheckley, Christopher Priest, and John Pelan.” The signed edition is sold out from the publisher, but I’ll have a few copies in the next Lame Excuse Books catalog.

  • Shepard, Lucius (edited by Bill Sheehan). The Best of Lucius Shepard Volume 2. Subterranean Press, 2021. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Huge, 800+ page collection.

  • Shepard, Lucius (edited by Bill Sheehan). The Best of Lucius Shepard Volume 2. Subterranean Press, 2021 (seen 2022). First edition hardback, #160 of 200 numbered copies, a Fine copy in a Fine dust jacket, new and unread.
  • Shepard, Lucius. Youthful Folly and Other Lost Stories. Subterranean Press, 2021 (seen 2022). First edition hardback, #160 of 200 numbered copies, a Fine copy in a Fine dust jacket, new and unread. Companion volume “which contains an additional 400 pages of previously uncollected fiction,” only available with the limited edition, much like Skull City, the companion volume to the limited edition of the first The Best of Lucius Shepard volume. Alas, unlike that set, there’s no slipcase for the two books.

  • Sholly, Pete Von. The PS Book of Fantastic Fictioneers: A History of the Incredible (Volume One Ackerman to Jackson and Volume Two: James To Wood.). PS Publishing, 2019. First edition hardbacks, Fine copies in Fine (One) and Near Fine (Volume Two, due to a 1″ slit along the spine edge) dust jackets. Profusely illustrated non-fiction book set covering creators of the fantastic, from Edgar Allen Poe to Ray Bradbury to Jim Henson to Joel Hodgson. Bought for £20 for the set.
  • Silverberg, Robert. The Book of Skulls. Scribner’s, 1972. First edition hardback, a Fine copy in a Fine dust jacket, signed by Silverberg. Hugo and Nebula finalist. Replaces a slightly less Fine signed copy. Bought for $45.

  • Silverberg, Robert. Among Strangers. Subterranean Press, 2022. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Massive, 760 page omnibus of three novels (Those Who Watch, The Man in the Maze, and Tom O’Bedlam), plus novelette “The Way to Spook City,” each dealing with aliens. I already have copies of this available through Lame Excuse Books.

  • Smith, Clark Ashton. The Abominations of Yondo. Arkham House, 1960. First edition hardback, a Fine copy in a Fine dust jacket. Really an excellent copy. Joshi, Schultz & Connors, Clark Ashton Smith: A Comprehensive Bibliography, I.15.a. Joshi, Sixty Years of Arkham House 57. Derleth, Thirty Years of Arkham House 57. Jaffery, Horrors and Unpleasantries 57. Nielsen, Arkham House Books: A Collector’s Guide, 60. Currey, page 453. Locke, A Spectrum of Fantasy, page 200. Bleiler, The Guide to Supernatural Fiction 1487. Chalker/Owings, page 29. Bought as part of the Heritage lot.

  • Smith, Clark Ashton. The Dark Chateau. Arkham House, 1951. First edition hardback, a Near Fine copy with slight crimping and a touch of wear at head, small embossed name at bottom of half-title page, moderate foxing to rear gutters, slight foxing to front gutters, and a thumbnail edge-like indention to the top of the first few pages, in a Near Fine- dust jacket with slight loss at points and age-darkening to white lettering on spine. Only 563 copies printed, one of the smaller Arkham House runs. Joshi, Schultz & Connors, Clark Ashton Smith: A Comprehensive Bibliography, I.13.a. Sidney-Fryer, Emperor of Dreams, page 27. Joshi, Sixty Years of Arkham House, 44. Derleth, Thirty Years of Arkham House, 44. Jaffrey, Horrors and Unpleasantries, 42. Nielsen, Arkham House Books, 46 (also ranked as the eighth scarcest Arkham House volume, and the ninth priciest). Bought from PBA Auctions for $406.25 plus shipping.

  • Smith, Clark Ashton. Genius Loci and other tales. Arkham House, 1948. First edition hardback, a Near Fine copy with small owners name in ink on front free endpaper, moderate rubbing to letters on spine, an slight bumping at head and heel, in a Very Good+ dust jacket with 2″ of moderate dampstaining along rear join at heel, a much fainter example of same along head join, age darkening to spine, and general wear. The third Arkham House collection of Smith stories. Joshi, Schultz & Connors, Clark Ashton Smith: A Comprehensive Bibliography, I.a.11. Joshi, Sixty Years of Arkham House 35. Derleth, Thirty Years of Arkham House 35. Jaffery, Horrors and Unpleasantries 35. Nielsen, Arkham House Books: A Collector’s Guide, 36. Currey, page 453. Locke, A Spectrum of Fantasy, page 200. Bleiler, The Guide to Supernatural Fiction 1486. Chalker/Owings, page 26. Kemp, The Anthem Series 35 (page 323). Bought as part of the Heritage lot.

  • Smith, Clark Ashton. Spells and Philtres. Arkham House, 1958. First edition hardback, a Fine- copy with slight bump to top front corner and the barest trace of foxing to inside covers, in a Fine- dust jacket with slight age darkening to white portions of jacket, a few traces of dust soiling, and a trace of rubbing along front spine join near heel and at points. A really attractive copy of Smith’s first poetry collection from Arkham House. Joshi, Schultz & Connors, Clark Ashton Smith: A Comprehensive Bibliography, Joshi, Sixty Years of Arkham House 51. Derleth, Thirty Years of Arkham House 51. Jaffery, Horrors and Unpleasantries 51. Nielsen, Arkham House Books: A Collector’s Guide, 54. Chalker/Owings, page 28. Bought from a notable UK dealer for £400.

  • Smith, Clark Ashton. The Star-Treader and other poems. A.M. Robinson/Philopolis Press, 1912. First edition hardback, a Fine- copy with start of a crease to top of spine and slight bumping at heel, in a Fine- dust jacket with one short stray pencil mark on front cover near spine, one small, faint teardrop stain affecting “r” in Star and hyphen, signed “Clark Ashton Smith/Auburn, Cal./Nov. 25th, 1912, with printed portrait of Smith laid in. (There is also a small stray pen-mark matching Clark’s fountain pen signature color to bottom inside front cover, which I don’t regard as a flaw.) By far the best of the three copies of this book I’ve handled, and replaces a less attractive copy. Smith’s first published book. Joshi, Schultz & Connors, Clark Ashton Smith: A Comprehensive Bibliography I.1.a. Bought as part of the Heritage lot.

  • Smith, Cordwainer. Space Lords. Pyramid, 1965. First edition paperback original, a Fine copy save a trace of foxing to inside covers. Currey, page 315. Bought for $4.00.
  • Smith, Cordwainer. The Underpeople. Pyramid, 1968. First edition paperback original, a Near Fine copy with one faint spine crease, bookstore stamp to blurb page, and edgewear. Part two of Nostrilia. Currey, page 315. Pringle, SF 100 46 (for Nostrilia). Bought for $1.99 from Half Price Books.

  • Smith, E. E. “Doc”. The Galaxy Primes. Ace Books, 1965. First edition paperback original (no statement of printing and 40¢ price, as per Currey), a Fine copy save for a trace of foxing to inside covers, otherwise tight, square and unread. Lucchetti, Doc: First Galactic Roamer, pages 50-51 (“Never issued in hardback.”) Currey, page 456. Bought for $3 from Half Price Books.

  • Smith, Michael Marshall. The Servants. Earthling Publications, 2007. First edition hardback, a Fine copy in a Fine- dust jacket with a small wrinkle to the bottom of the front flap. Precedes the UK and Eos editions. Bought from Half Price Books for $7.99.

  • Stephenson, Neal. The System of the World. William Morrow, 2004. First edition hardback, a Fine- copy with trace of crimping at head, a couple of small spots of dust staining to boards and a small bump along bottom front board, in a Fine- dust jacket with slight crimping at head and touch of crimping at points, inscribed by Stephenson: “To Harris,/Neal Stephenson.” Bought for $7.19.
  • Strand, Jeff. Clowns vs. Spiders. No Publisher, 2019 (2022). Print on demand trade paperback original, a Fine copy. I picked it up because of the ridiculous title, and because I have a weakness for giant spider novels. Bought for $9.99 at Half Price Books.

  • Stross, Charles. Empire Games. Tor, 2016. First edition hardback, a Fine- copy with bumping at head and heel in a Fine- dust jacket with bumping at head and heel. Merchant Princes novel. Bought from Half Price Books for $4.99.
  • Sturgeon, Theodore. Voyage to the Bottom of the Sea. Pyramid, 1961. First edition paperback original (“First printing, June 1961” on copyright page, as per Currey), a Near Fine copy with slight wear at points, slight edgewear, and usual slight foxing to inside covers and slight age darkening to pages, otherwise a nice, square copy, signed by Sturgeon. Novelization of the Irwin Allen film. Diskin, Theodore Sturgeon: a primary and secondary bibliography, A148. Currey, page 473. Replaces an unsigned copy. Bought off eBay for $25.

  • Swanwick, Michael. The Proceedings of the American Martini Institute: A Report of the American Martini Laboratory: The Once And Future Rye: The Whisky that Was America. Dragonstairs Press, 2022. First edition chapbook original, #20 of 80 signed copies, a Fine copy. A history of rye whisky in America, in the same vein as Swanwick’s The Evolution of the Martini. Ten more of these and he’ll have enough for a book! Bought from the publisher at the usual discount.

  • Swanwick, Michael. Fantasia Romantica. Dragonstairs Press, 2022. First edition chapbook original, #9 of 48 signed, numbered copies, a Fine copy. “Fantasia Romantica is Michael Swanwick’s witty take on the romantic lives of six fictional heroines. Was Rosie waiting when Sam Gamgee came home? And what was going on with Susan Pevensie?” Out of print almost instantly upon publication.

  • Swanwick, Michael. Solstice Veritas or The Christmas Cat and Other Memories. Dragonstairs Press, 2021. First edition chapbook original, #101 of 120 signed, numbered copies, a Fine copy. Printed last year, but only offered for sale this year. “A collection of eight, well, true stories, memories and musings on holidays past.” Bought from the publisher at the usual discount. I will have a few copies of this available in the next Lame Excuse Books catalog, currently in progress.

  • Tarantino, Quentin. Cinema Speculation. HarperCollins, 2022. First edition hardback, a Fine copy in a Fine dust jacket. Non-fiction book about the films Tarantino saw as a child in the 1970s, from Dirty Harry to Taxi Driver. Seems pretty interesting.

  • Tiptree, Jr. James. Up the Walls of the World. Berkley Putnam, 1978. First edition hardback (no statement of printing on copyright page, as per ISFDB), a Fine- copy with slight bending at head and a small ding to top front board, in a near Fine- dust jacket with a long crease along bottom front cover and associated 1/4″ closed tear. Tiptree’s only novel. Bought as part of a four book lot for $15.
  • Tartt, Donna. The Goldfinch. Little, brown and Company, 2013. First edition hardback, a Fine copy in a Near Fine- dust jacket with a few small abrasions to front cover (unfortunately, the uncoated dust jacket seems designed to degrade) and slight bumping at heel. Pulitzer Prize winner for fiction. Bought for $14.99.

  • Tolkien, J.R.R. The Lord of the Rings Illustrated Deluxe Edition. William Morrow, 2021 (stated; actually published October 2022). First edition hardback thus, a Fine copy in a Fine slipcase (with a cutout for the eye of Sauron on the book itself), sans dust jacket, as issued, with oversized folding maps of Middle Earth and Gondor/Mordor, cardstock reprint of The King’s Letter (from Aragon to Samwise) in silver tengwar on one side with a en English translation on the other, “Leaves from the Book of Mazarbul” in a waxpaper envelope, and the rear shrinkwraped book description laid in. A sturdy, gilt-edged omnibus edition containing all three volumes, with Tolkien’s own artwork and Middle Earth language calligraphy as full page color plates.

    Even the box it ships to you is way too cool to throw away:

    And the map pattern continues all the way around the box.

    It’s a very attractive production, and if you’re interested in it, Amazon has now lowered the price to $140.01.

  • Treece, Henry. The Golden Strangers. The Bodley Head, 1956. First edition hardback, a Near Fine copy with neat previous owner’s name on inside front cover partially obscured by dj flap, one small bump to top front board edge, slight bend at head and heel and slight blunting of points, in a Near Fine dust jacket with slight dust staining to white rear cover, and slight wear at head, heel and points, with review slip laid in. A fantasy novel of the Celtic invasion of neolithic Britain. Cawthorn and Moorcock, Fantasy: The 100 Best Books 77. Bought from $42.12 plus shipping from a UK Biblio dealer.

  • Twain, Mark. Autobiography of Mark Twain Volume 2. University of California Press, 2013. First edition hardback, a Fine copy in a Fine, Mylar-covered dust jacket. The second massive volume in Twain’s anecdotal autobiography, the one he insisted not be published until 100 years after his death. Supplements a copy of Volume 1. Bought for $8.99.
  • Vance, Jack (Terry Dowling and Jonathan Strahan, editors). The Jack Vance Treasury. Subterranean Press, 2006. First edition hardback, a Fine copy in a Fine, Mylar-protected dust jacket, new and unread. When this was published, I managed to pick up the signed, limited edition (probably on sale), but not the regular trade edition. Out of print for over a decade, but bought from Camelot Books at the original cover price of $38.
  • Vance, Jack. The Kragen. Subterranean Press, 2007. First edition hardback, Letter Z of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. Supplements a copy of the signed, numbered edition. Bought off eBay for $295.95.

  • Vance, Jack. The Last Castle. Underwood/Miller, 1980. First hardback edition, number 121 of 200 numbered copies signed by Vance and illustrator Alicia Austin, a Fine copy in a Near Fine+ just jacket with one tiny 1/32″ chip to top of inner rear flap and a trace of wear at points, with additional signature card by Austin laid in. Oversized, lavishly illustrated version of this fine Vance novella. Hewett, A31d. Cunningham, 45bBought off eBay for $51.

  • Vance, Jack. Showboat World. Pyramid, 1975. First edition paperback original (“March 1975” on copyright page and $1.25 cover price, as per Currey), a Near Fine+ copy with one slight spine wrinkle near heel, a few very small, very faint phantom crease on rear cover, and two very faint parallel printing lines across teaser page (looks like an artifact of the printing process). I read this last year and it’s still great fun. Hewett A47a. Cunningham 71a. Currey, page 500. Bought for $2.99 from Half Price Books.
  • Vance, Jack. The Star King. Berkley Medallion, 1964. First edition paperback original, a near Fine copy with wrinkle along spine join, slight bumping at head, heel and bottom front corner, slight small creases to outer top corners, trace of age darkening and soiling to white cover, and slight foxing to inside covers, signed by Vance, with color laser-printed picture of Vance signing laid in. The first Demon Princes novel, shortened to Star King for many subsequent editions. Hewett, A15a. Cunningham, 76a. Bought off eBay for $15.50.

  • Vance, Jack. When The Five Moons Rise. Underwood Miller, 1992. First edition hardback, #245 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Short story collection. Hewett A86. Cunningham, 83a. Showed up on eBay with a Buy It Now price of $50, easily $100 below what they usually go for, so naturally I jumped on it.
  • van Vogt, A. E. The Weapon Makers. Hadley Publishers, 1947. First edition hardback, a Near Fine copy with wear at head and heel, trace of rubbing to spine, and some dime-sized spots of foxing to inside covers, in a Very Good dust jacket with long wrinkles across back cover, shallow loss at points, spine quite faded, and a few additional touches of wear, inscribed by the author: “To/Fred C. Brown/best wishes,good luck/and cheerio. A. E. van Vogt.” Hadley was one of the earliest SF specialty publishers, and I now have three of their four books (including Campbell’s The Mightiest Machine and L. Ron Hubbard’s Final Blackout, but lacking E.E. “Doc” Smith’s The Skylark of Space, as it was a reprint of the Buffalo Book Company true first edition (which I have)). Currey, page 496. 333, page 65. Locke, Spectrum of Fantasy, page 217. Chalker Owings, page 231. Kemp, The Anthem Series, page 345-346. Bought for £112.50.

  • Waggoner, Tim. A Little Aqua Book of Marine Tales. Borderlands Press, 2018. First edition hardback, #290 of 500 signed copies, a Fine copy, sans dust jacket, as issued.
  • Waldrop, Howard. Strange Monsters of the Recent Past. Ace, 1991. First edition paperback original thus, adding A Dozen Tough Jobs to the contents of All About Strange Monsters of the Recent Past, a Fine copy, now inscribed to me by Waldrop. I’ve had a lot of copies of this over the years, but since I already had All About Strange Monsters of the Recent Past and A Dozen Tough Jobs, I never added a copy to my own library until now. Bought for $3 from Half Price Books.

  • Watts, Peter. Blindsight. Centipede Press, 2020. First limited edition hardback, #177 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket. Watts Hugo-Award nominated novel about a mission sent to examine an alien probe in the Kupier Belt. Supplements a copy of the Tor true first edition.

  • Watts, Peter. Echopraxia. Centipede Press, 2020. First limited edition hardback, #177 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket. Sequel to Blindsight that I haven’t read yet. Sets of these went out of print shortly after their announcement, and seems to be pretty close to Unobtanium on the secondary market. Bought for $400 with Blindsight from a private collector.

  • Weinstein, Sol. Loxfinger: A Thrilling Adventure of Hebrew Secret Agent Oy-Oy-7. Pocket books, 1965. First edition trade paperback original, a Very Good copy with two quarter-sized sticker pulls on front cover, the top one affecting the letters “ER” at the end of the title. The first in a series of Jewish James Bond parodies, published during a boom for Bond parodies. Weinstein was evidently a gag writer for several well-known comedians in the 1960s. This looks so silly that ever since I saw this title in a book catalog some quarter century ago, I’ve wanted to own a copy, and $5 seems like a fair price to pay. But I should probably read Goldfinger first to really appreciate it…

  • Wellman, Manly Wade. The Haunts of Drowning Creek. Holiday House, 1951. First edition hardback, a Good only copy with cracked front and rear inner hinges, a 1/4″ triangular board loss at heel, pocket removal, former owner’s name on inside front cover, bumped corners, and general spotting and wear. Reading copy only, but this is possibly the hardest Wellman Young Adult novel to find. Bought off eBay for $15 as part of a two book Wellman lot.
  • Wellman, Manly Wade. Jamestown Adventure. Ives Washburn, 1967. First edition hardback, an Ex-Library copy with usual stamps, checkout card, discard stamp, dust jacket taped to boards, sticker to spine and bottom price clipped (top price intact). (There was also an Uncle Sam sticker (presumably to indicate historical fiction) on the old-style Plasti-Kleer protector that has left a ghost image on the dust jacket through the protector.) Young adult historical novel. Currey, page 513. Bought from an online dealer for $2.83.

  • Wellman, Manly Wade. The Specter of Bear Paw Gap. Ives Washburn, 1966. First edition hardback, a Near Fine copy in decorated boards with parallel bumps to top and non-authorial inscription to FFE, in a Near Fine- dust jacket with clipped top price (bottom price intact), several small closed tears at top and bottom (including two with associated triangular creases), slight rubbing along folds, and gold “Guaranteed Binding” on bottom front cover extending across spine (possibly as issued). Young adult historical novel, the second in the Bear Paw Gap between The Mystery of Bear Paw Gap and Battle at Bear Paw Gap, both of which I already owned. Currey, page 514.

  • Wells, H. G. The Island of Dr. Moreau. Suntup Editions, 2021. First edition hardback thus, one of 1,000 copies signed by artists Benz & Chang, a Fine copy in a Fine dust jacket and a Fine slipcase, with bookmark for the title laid in. (For a list of the additional material included, see here.) Originally offered at $130 and sold out. Bought off eBay for $90.

  • Wells, Stuart W., III. The Science Fiction Heroic Fantasy Author index. Purple Unicorn books, 1978. First edition trade paperback original (simultaneous with a hardback edition), a Very Good+ copy with 1/2″ tear at bottom of front spine-join, with light soiling along spine. A reference listing of genre books that was (like Marshall B. Tymn’s American Fantasy and Science Fiction: Toward a Bibliography of Works Published in the United States, 1949—1973) born obsolete, already superseded by far more comprehensive reference works published the same year.
  • Wilson, F. Paul. Sims Book 5: Thy Brother’s Keeper. Cemetery Dance, 2010. First edition hardback, letter R of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. Bought from a notable UK dealer for £52.60.

  • Williamson, Jack. The Silicon Dagger. Tor, 1999. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Williamson: “For/Vicky/Foreman/Jack Williamson/3-2-2000.” Jack’s second-to-last novel. Hauptmann, The Work of Jack Williamson, A78 (still forthcoming at the time). Won off eBay for $5.

  • (Gene Wolfe) Andre-Driussi, Michael. A Chapter Guide for the Long Sun & the Short Sun. Sirius Fiction, 2022. First edition POD hardcover, a Fine copy in decorated boards, sans dust jacket, as issued. Just what it says, a chapter-by-chapter summary of The Book of the Long Sun and The Book of the Long Sun and The Book of the Short Sun, including lists of characters and unusual terms that show up in each chapter.

  • (Gene Wolfe) Andre-Driussi, Michael. Gene Wolfe’s The Book of the New Sun: A Chapter Guide. Sirius Fiction, 2019 (2022). First edition POD hardcover, a Fine copy in decorated boards, sans dust jacket, as issued. Same as the above, but for The Book of the New Sun.

  • (Gene Wolfe) Andre-Driussi, Michael. Gene Wolfe: 14 Articles. Sirius Fiction, 2016 (2022). First edition POD trade paperback original, a Fine copy. Various essays on Wolfe’s work.
  • Wright, Lyle H. American Fiction 1774 – 1850: A Contribution Toward a Bibliography. The Huntington Library, 1969. Second Revised Edition, a Fine- copy with slight bend at head and heel in a Near Fine dust jacket with two 1/4″ closed tears to front, a slight age darkening to spine, and a trace of dust soiling to rear. Wright compiled two more volumes that go up through 1900, which I intend to pick up as targets of opportunity. Bought online for $5; a good deal for the price, but I was miffed that the eBay seller mailed it without any padding whatsoever, just in wrapping paper. This is not acceptable.

  • Pellegrino, Charles, and George Zebrowski. The Killing Star. AvoNova, 1995. First edition hardback, a Fine copy in a Fine dust jacket, signed by Zebrowksi. Supplements a paperback edition inscribed to me by Zebrowski I received for Nebula consideration. Bought for $9.
  • Library Additions: Two Signed Philip Jose Farmer Firsts

    Thursday, October 20th, 2022

    Two signed farmer firsts, bought from different sources.

  • Farmer, Philip Jose. Flesh. Doubleday, 1968. First hardback edition and first revised edition, a Fine- copy with slight bumping at heel in a Near Fine dust jacket with slight age-toning to white dust jacket, a few tiny closed tears at top edge, and some small black marks at head that may have one been a price written there, signed by Farmer. Currey, page 184. Bought from the same notable UK bookseller as Dwellers in the Mirage for £52.

  • Farmer, Philip Jose. Dark is the Sun. Del Rey, 1979. First edition hardback, a Fine copy in a Fine dust jacket, signed by Farmer. Bought off eBay for $35.
  • Library Addition: Signed PBO First of Philip Jose Farmer’s The Lovers

    Wednesday, July 20th, 2022

    Another signed PBO:

    Farmer, Philip Jose. The Lovers. Ballantine Books, 1961. First edition paperback original (PBO), a Very Good+ copy with crease across bottom rear corner and slight spine lean, signed by Farmer. One of the first science fiction novels to deal frankly with sexual themes. Brizzi, The Work of Philip Jose Farmer, pages 18-24. Currey, page 185. Barron, Anatomy of Wonder 4, *3-69. Supplements a signed copy of the later hardback first edition. Won off eBay for $9.99.

    Library Addition: Signed First of Philip Jose Farmer’s Tarzan Alive

    Tuesday, May 31st, 2022

    Here’s a case of replacing an unsigned copy with a signed copy:

    Farmer, Philip Jose. Tarzan Alive: A Definitive Biography of Lord Greystoke. Doubleday, 1972. First edition hardback, a Near Fine+ copy with bumping at head, heel and top front corner, in a Very Good+ dust jacket with several small closed tears (and associated creases) at heel, slight dust soiling to white portions of dust jacket, and a few other touches of wear, inscribed by Farmer: “To Mitchell Haneson/from/Philip Jose Farmer/Oct 21,/1989/Chicago.” Fictional biography of Tarzan, and a central text in Farmer’s “Wold Newton Universe,” which ties a vast array of fictional heroes, from Sherlock Holmes to Doc Savage, into one extended family. Brizzi, Philip Jose Farmer, page 72. Currey, page 185. Bought off eBay for $39.99. Replaces an unsigned copy.

    Library Additions: Signed Firsts of Bierce, Farmer and King (Not Signed by Bierce, Farmer or King)

    Thursday, December 30th, 2021

    Something of an oddball category, all true firsts, all signed by contributors, but not by the most famous author.

  • Bierce, Ambrose. A Little Blue Book of Civil War Horror Stories. Borderlands Press, 2021. First edition hardback, #462 of 500 numbered copies signed by introduction author Lawrence C. Connolly, a Fine copy, sans dust jacket, as issued. Bierce famously disappeared in Mexico after riding with Pancho Villa. Since he was born in 1842, I’m going to go out on a limb and guess that he won’t be signing any more books. Bought from the publisher at the usual discount. I will have copies of this available in the next Lame Excuse Books catalog.

  • Farmer, Philip Jose. Greatheart Silver and Other Pulp Heroes. Meteor House, 2019. First edition hardback, a Fine copy in a Fine dust jacket, signed by editor Michael Croteau and introduction author Garyn G. Roberts. Collection of pulp hero tales. Bought off eBay for $24.

  • King, Stephen, and Richard Chizmar. Gwendy’s Button Box. Cemetery Dance, 2017. First edition hardback, a Fine copy in a Fine dust jacket, signed by Chizmar. “A brand new Castle Rock novella.” Bought at a Half Price Books in Houston for $30.

  • Lawrence Person’s Books Wanted List

    Thursday, August 19th, 2021

    Some ten years ago I put up a books wanted list, and since then I’ve obtained a lot of things on it. Now here’s a greatly expanded list.

    The vast majority of these are first edition first printings, mostly hardbacks, but I do have more PBOs listed this time around (especially for Michael Moorcock and Jack Vance). Hardback is the default, but other formats are listed where otherwise, as are a occasional first edition points for clarity or to jog my memory.

    I don’t buy later printings, copies without dust jackets (when issued with same), copies with price-clipped dust jackets (unless all copies of the true first edition were released that way), copies with facsimile dust jackets, or overly crummy copies. Most of the books I buy are in Fine/Fine condition, but that relaxes a bit the older (and pricier) books become. I have picked up Ex-Library copies in dust jacket when the better copies of the true first can’t be found under a grand. I also only buy first state bindings and dust jackets, unless there’s no priority, or the true first state is insanely rare (such as with Stanley G. Weinbaum’s Dawn of Flame). I prefer signed copies to unsigned copies for most things, especially for dead writers (an ever-growing list). Trade editions of recent books from mainstream publishers are mainly here to jog my own memory when visiting bookstores.

    I have a few books here under the writer’s pseudonym, so I can enter them under that name in various search fields.

    Some of these are aspirational, as I doubt I’m going to find a first printing of The Hobbit I can afford, but you never know.

    If you have nice copies of the below you’re willing to part with at an attractive price, feel free to drop me a line at lawrenceperson at gmail dot com.

  • Anonymous (actually Dorothy Scarborough)’s The Wind (Harper & Brothers, 1925)
  • Douglas Adams’ The Hitchhiker’s Guide to the Galaxy (Arthur Baker, 1979)
  • Richard Adams’ Watership Down (Rex Collins, 1972)
  • Robert Aickman’s Sub Rosa (Gollancz, 1968)
  • Brian Aldiss’ At the Caligula Hotel (Sinclair-Stevenson, 1995) (trade paperback)
  • Brian Aldiss’ Greybeard (Harcourt Brace & World, 1964)
  • Brian Aldiss’ Helliconia Spring (Cape, 1982)
  • Brian Aldiss’ Helliconia Summer (Cape, 1983)
  • Brian Aldiss’ Helliconia Winter (Atheneum, 1985)
  • Brian Aldiss’ Hothouse (Faber & Faber, 1962)
  • Brian Aldiss’ A Plutonian Monologue (Frogmore Press, 2002) (chapbook)
  • Brian Aldiss’ At a Bigger House (Avernus, 2002) (chapbook)
  • Brian Aldiss’ The Dark Sun Rises (Avernus, 2002) (chapbook)
  • Poul Anderson’s The Broken Sword (Abelard-Schulman, 1954)
  • Poul Anderson’s The High Crusade (Doubleday, 1960)
  • Isaac Asimov’s The End of Eternity (Doubleday, 1955)
  • Isaac Asimov’s I, Robot (Gnome Press, 1950)
  • Isaac Asimov’s Liar! (Cambridge University Press, 1977) (chapbook)
  • Steve Aylett’s Shamanspace (Codex, 2001) (TPO)
  • Steve Aylett’s Dummyland (Gollancz, 2002) (TPO)
  • Paul Bailey’s Deliver Me From Eva (Murray & Gee, 1946)
  • J. G. Ballard’s Crash (Cape, 1973)
  • J. G. Ballard’s The Day of Forever (Gollancz, 1986)
  • J. G. Ballard’s The Drowned World (Gollancz, 1962)
  • J. G. Ballard’s Kingdom Come (Fourth Estate, 2006)
  • J. G. Ballard’s Low Flying Aircraft (Cape, 1976)
  • J. G. Ballard’s Rushing to Paradise (Flamingo, 1994)
  • Bill Barclay’s Somewhere in the Night (Compact PBO, 1966)
  • Clive Barker’s The Hellbound Heart (Earthling Publications, 2007)
  • Clive Barker’s The Scarlet Gospels (St. Martin’s, 2015)
  • Peter S. Beagle’s Lila the Werewolf (Capra Press, 1974) (1/75 signed hardbacks)
  • Michael Bishop’s Windows & Mirrors (The Moravian Press, 1977) (poetry chapbook)
  • Jerome Bixby’s The Devil’s Scrapbooks (Brandon House, 1964) (PBO)
  • (Blackwood, Algernon) Mike Ashley’s Algernon Blackwood: A Bio-Bibliography (Greenwood, 1987)
  • William Peter Blatty’s The Exorcist (Harper & Row, 1971)
  • James P. Blaylock’s Doughnuts (ASAP, 1994) (1/26 triptych copies)
  • James P. Blaylock’s Home Before Dark (Subterranean, 2000) (1/26 signed, lettered hardback copies)
  • James Blish’s The Day After Judgment (Doubleday, 1971, code L47 on p. 166)
  • Robert Bloch’s Atoms and Evil (Robert Hale, 1976)
  • Robert Bloch’s Blood Runs Colds (Simon and Schuster, 1961)
  • Robert Bloch’s Chamber of Horrors (Award Books, 1966) (PBO)
  • Robert Bloch’s Cold Chills (Doubleday, 1977)
  • Robert Bloch’s The Dead Beat (Simon and Schuster, 1960)
  • Robert Bloch’s Fear Today, Gone Tomorrow (Award, 1971) (PBO)
  • Robert Bloch’s The Laughter of a Ghoul/Whatever A Young Ghoul Should Know (Necrominocon Press, 1977) (chapbook)
  • Robert Bloch’s Once Around the Bloch (Tor, 1993)
  • Robert Bloch’s The Opener of the Way (Arkham House, 1945)
  • Robert Bloch’s Pleasant Dreams – Nightmares (Arkham House, 1960)
  • Robert Bloch’s The Scarf (Dial Press, 1947)
  • Robert Bloch’s Sea-Kissed (Utopian Publications, 1945)(PBO)
  • Robert Bloch’s The Skull of the Marquis de Sade and other stories (Robert Hale, 1975)
  • Robert Bloch and Ray Bradbury’s Bloch and Bradbury (Tower, 1969) (PBO)
  • Pierre Boulle’s Monkey Planet (Secker & Warburg, 1964)
  • Edward P. Bradbury’s Barbarians of Mars (Compact, 1965) (PBO)
  • Edward P. Bradbury’s Blades of Mars (Compact, 1965) (PBO)
  • Ray Bradbury’s About Norman Corwin (Santa Susana Press, 1979)(boxed art portfolio)
  • Ray Bradbury’s The Anthem Sprinters (Dial Press, 1963, hardback)
  • Ray Bradbury’s The April Witch (Creative Education, 1987) (hardback chapbook)
  • Ray Bradbury’s Beyond 1984: Remembrances of Things Future (Targ, 1979)
  • Ray Bradbury’s Christmas Greetings broadsides (all years except 1982, 1986, 1989, 1994, and 2008)
  • Ray Bradbury’s Christus Apollo: Cantata Celebrating the Eighth Day of Creation and the Promise of the Ninth (The Gold Stein Press, 1998) (1/50 signed hardback copies in traycase)
  • Ray Bradbury’s Dandelion Wine (Doubleday, 1957)
  • Ray Bradbury’s Dawn to Dusk (Gauntlet, 2011) (signed numbered or signed lettered edition)
  • Ray Bradbury’s The Day It Rained Forever. (Rupert Hart Davis, 1959) (Currey state A (navy blue binding))
  • Ray Bradbury’s The Day It Rained Forever: A Comedy in One Act (Samuel French, 1966) (play chapbook, 75¢ price)
  • Ray Bradbury’s A Device Out of Time (Dramatic Publishing, 1986)
  • Ray Bradbury’s The Engines Drive the Summer With Their Purr (Green Cat Press, 2001) (broadsheet)
  • Ray Bradbury’s Fahrenheit 451 (Ballantine Books, 1953) (any Currey hardback state (B-E))
  • Ray Bradbury’s Fahrenheit 451: The Authorized Adaption (Farrar, Straus & Giroux, 2009) (graphic novel)
  • Ray Bradbury’s Falling Upward (Dramatic Publishing Company, 1989) (play chapbook)
  • Ray Bradbury’s Farewell Summer (Morrow, 2006)
  • Ray Bradbury’s Farewell Summer (Subterranean, 2011) (lettered edition with extra book)
  • Ray Bradbury’s The Fog Horn (Creative Education, 1987) (hardback chapbook)
  • Ray Bradbury’s Fragments (Gauntlet, 2005)
  • Ray Bradbury’s Frost and Fire (DC Comics, 1985) (graphic novel)
  • Ray Bradbury’s From the Dust Returned (Morrow, 2001)
  • Ray Bradbury’s A Gathering of Authors & Their Admonitions (Castle Press, 1981) (broadsheet)
  • Ray Bradbury’s The God in Science Fiction (Santa Susana Press, 1978)(chapbook)
  • Ray Bradbury’s The Golden Apples of the Sun (Doubleday, 1953)
  • Ray Bradbury’s Halloween (Shuttlebop Press, 1983)
  • Ray Bradbury’s The Halloween Tree (Gauntlet Press, 2005) (1/52 lettered copies with metal case and popup tree)
  • Ray Bradbury’s Imagine (Lord John, 1981) (broadside, 1/100 signed)
  • Ray Bradbury’s I Live By The Invisible (Salmon Poetry, 2002) (TPO)
  • Ray Bradbury’s I Sing the Body Electric (Knopf, 1969)
  • Ray Bradbury’s Kaleidoscope (Dramatic Publishing, 1975)(play chapbook)
  • Ray Bradbury’s The Last Good Kiss (Santa Susana Press, 1984) (art portfolio thing)
  • Ray Bradbury’s Long After Ecclesiastes​ (Gold Stein Press, 1985; miniature book)
  • Ray Bradbury’s The Love Affair (Lord John Press, 1982) (1/300 signed hardbacks)
  • Ray Bradbury’s Long After Midnight (Knopf, 1976)
  • Ray Bradbury’s The Machineries of Joy Simon and Schuster, 1964)
  • Ray Bradbury’s Madrigals for the Space Age (Associated Music Publishers, 1972) (chapbook)
  • Ray Bradbury’s Man Dead? Then God Slain (Santa Susana Press, 1977) (1 of 26 numbered hardback copies in slipcase)
  • Ray Bradbury’s Match to Flame (Gauntlet, 2006) (Wooden slipcase lettered edition)
  • Ray Bradbury’s A Medicine for Melancholy (Doubleday, 1959)
  • Ray Bradbury’s My Cat Has Swallowed a Bumblebee (Green Cat Press, 2003) (broadsheet)
  • Ray Bradbury’s 1984 Will Not Arrive: A Prediction for the Greening of Scripps (Grant Dahlstrom at The Castle Press, 1975) (chapbook text lecture)
  • Ray Bradbury’s No Man Is An Island (Brandeis University, 1952) (chapbook)
  • Ray Bradbury’s The October Country (Ballantine Books, 1955; first state with inverted logo on spine)
  • Ray Bradbury’s One More For The Road (Morrow, 2002)
  • Ray Bradbury’s One the Years Were Numerous and the Funerals Few (broadsheet, 2004)
  • Ray Bradbury’s The Pedestrian (Roy Squires, 1964) (chapbook)
  • Ray Bradbury’s The Pedestrian: A Fantasy in One Act (Samuel French, 1966) (chapbook)
  • Ray Bradbury’s Pillar of Fire and Other Plays (Bantam Books, 1975) (PBO)
  • Ray Bradbury’s The Poet Considers His Resources (Lord John Press, 1979) (broadside)
  • Ray Bradbury’s R is for Rocket (Doubleday, 1962)
  • Ray Bradbury’s Ray Bradbury Chronicles (Volumes 1, 3 and 5) (Byron Preiss/NBM) (signed hardback graphic novels)
  • Ray Bradbury’s Samurai/Kabuki (Hill House, 2006 hardback)
  • Ray Bradbury’s S is for Space (Doubleday, 1966)
  • Ray Bradbury’s Skeletons (Subterranean, 2008) (lettered edition)
  • Ray Bradbury’s Something Wicked This Way Comes (Simon and Schuster, 1962)
  • Ray Bradbury’s The Stars (Gold Stein Press, 1/95, 1993, miniature book)
  • Ray Bradbury’s Sun and Shadow (Quenian Press, 1957) (chapbook)
  • Ray Bradbury’s Switch on The Night (Pantheon, 1955)(first state, no mention of Random House on copyright page)
  • Ray Bradbury’s That Ghost, That Bride of Time (Roy A. Squires, 1976)
  • Ray Bradbury’s That Son of Richard III: A Birth Announcement (Roy A. Squires, 1974)
  • Ray Bradbury’s Tomorrow Midnight (Ballantine Books, 1966) (PBO, ¢50)
  • Ray Bradbury’s To The Chicago Abyss (Dramatic Publishing Company, 1988) (play chapbook)
  • Ray Bradbury’s The Tonybee Convector (Knopf, 1988) (1/350 signed/numbered)
  • Ray Bradbury’s Twice 22 (Doubleday, 1966) (book club, code 47G on page 405)
  • Ray Bradbury’s The Trivial Pursuits Transporter (Hill House, 2006)
  • Ray Bradbury’s The Vintage Bradbury (Vintage Books, 1965)
  • Ray Bradbury’s Where Everything Ends (Subterranean Press, 2009) (1/26 lettered copies)
  • Ray Bradbury’s The Wish (Hill House, 2006)
  • Ray Bradbury’s The Wonderful Death of Dudley Stone (?, 1985) (chapbook)
  • Ray Bradbury’s Zen in the Art of Writing (Capra Press/ Joshua Odell Editions, 1973 (1/250 signed, numbered copies)
  • Ray Bradbury editor’s The Circus of Dr. Lao and Other Stories (Bantam Books, 1956) (PBO)
  • Ray Bradbury editor’s Timeless Stories for Today and Tomorrow (Bantam Books, 1953) (PBO, 35¢)
  • Ray Bradbury and Robert Bloch’s Bloch and Bradbury (PBO, Tower, 1969, Tower 43-246, 60¢)
  • (Ray Bradbury) Steven Ageliss’ Conversations With Ray Bradbury (University Press of Mississippi, 2004, paperback)
  • (Ray Bradbury) Jonathan R. Eller & William F. Touponce’s Ray Bradbury: The Life of Fiction (Kent State University Press, 2004)
  • (Ray Bradbury) Joseph Mugnaini: Drawings & Graphics (Scarecrow Press, 1982)
  • (Ray Bradbury) Joseph Mugnaini: Ten Views of the Moon (Lynton Kistler, 1981) (art portfolio with 10 signed prints)
  • (Ray Bradbury) Sam Weller’s Listen to the Echoes: The Ray Bradbury Interviews (Stopsmiling Books/Melville House, 2010) (TPO)
  • (Ray Bradbury) William F. Nolan’s Ray Bradbury Review (Graham Press, 1988)
  • Ernest Bramah’s Kai Lung: Six (Non-Profit Press, 1974)
  • William S. Burroughs’ Cities of the Red Night (Holt, Rinehart and Winston, Inc., 1981)
  • William S. Burroughs’ Naked Lunch (Grove Press, 1959 (i.e., 1962))
  • William S. Burroughs’ The Soft Machine (Grove Press, 1966)
  • John W. Campbell’s Invaders from the infinite (Fantasy Press, 1961) (one of 300 (actually 112) signed, numbered copies)
  • John W. Campbell’s Islands of Space (Fantasy Press, 1956) (1/50-odd signed copies)
  • John W. Campbell’s Who Goes There? (Shasta Publishers, 1952)
  • John Dickson Carr’s The Devil in Velvet (Harper & Brothers, 1951)
  • Angela Carter’s Heroes and Villains (Heinemann, 1969)
  • Edd Cartier’s The Known and the Unknown (De La Ree, 1977)
  • Michael Chabon’s Werewolves in Their Youth (Random House, 1999) (Number line ends with 2)
  • G. K. Chesterton’s Napoleon of Notting Hill (John Lane, 1904)
  • Arthur C. Clarke’s Childhood Ends (Portentious Press HB, 1996)
  • Arthur C. Clarke’s Expedition to Earth (Ballantine Books, 1953)
  • Arthur C. Clarke’s The Sands of Mars (Sidgwick & jackson, 1951)
  • Arthur C. Clarke’s Tales From the White Heart (Ballantine Books, 1957)
  • Arthur C. Clarke’s 2001: A Space Odyssey (NAL, 1968)
  • James Clavell’s King Rat (Little Brown, 1962)
  • Hal Clement’s Cycle of Fire (Ballantine, 1957)
  • Colvin, James. The Deep Fix (Compact, 1966) (PBO)
  • Avram Davidson’s And Don’t Forget The One Red Rose (Dryad Press, 1986) (1/15 hardbacks)
  • L. Sprague De Camp’s Lest Darkness Fall (Henry Holt, 1941)
  • L. Sprague De Camp’s The Tritonian Ring (Twayne, 1953)
  • L. Sprague De Camp and Fletcher Pratt’s The Castle of Iron (Fantasy Press, 1950)
  • L. Sprague De Camp and Fletcher Pratt’s The Incomplete Enchanter (Henry Holt & Co., 1941)
  • Samuel R. Delany’s Dhalgren (Gregg Press, 1977)
  • Samuel R. Delany’s The Einstein Intersection (Ace, 1967) (PBO)
  • Samuel R. Delany’s The Fall of the Towers (Gregg Press, 1977)
  • Samuel R. Delany’s Out of the Dead City (Sphere, 1968) (PBO)
  • (Samuel R. Delany) George Edgar Slusser’s The Delany Intersection (Borgo Press, 1977) (chapbook)
  • (Samuel R. Delany) James Sallis, editor. Ash of Stars: On the Writings of Writing of Samuel R. Delany (University of Mississippi Press, 1996)
  • August Derleth’s The Trail of Cthulhu (Arkham House, 1962)
  • Philip K. Dick’s Dr. Bloodmoney (Gregg Press, 1977)
  • Philip K. Dick’s Five Novels of the 1960s & 70s (Library of America, 2008) (in dust jacket with green band)
  • Philip K. Dick’s Five Novels of the 1960s & 70s (Library of America, 2008) (without dust jacket, in slipcase)
  • Philip K. Dick’s VALIS and Later Novels (Library of America, 2009) (in dust jacket with pink band)
  • Philip K. Dick’s VALIS and Later Novels (Library of America, 2009 (without dust jacket, in slipcase)
  • Philip K. Dick’s Flow My Tears, The Policeman Said (Doubleday, 1974) (no remainder spray)
  • Philip K. Dick’s The World Jones Made (Sidgwick & Jackson, 1968)
  • Gordon R. Dickson’s The Dragon and the George (Nelson Doubleday/SFBC, 1976) (book club hardback) (code G24 on page 243)
  • Thomas M. Disch’s Haikus of an Ampart (Coffee House Press, 1991) (chapbook)
  • Thomas M. Disch’s Orders of the Retina (Toothpaste Press, 1982) (1/100 signed, numbered hardbacks)
  • Thomas M. Disch’s Ringtime (Toothpaste Press, 1982, 1/100 signed, numbered hardbacks)
  • Thomas M. Disch’s Under Compulsion (Rupert Hart-Davis, 1968)
  • Thomas M. Disch, Marilyn Hacker and Charles Platt’s Highway Sandwiches (chapbook, 1970)
  • Gardner Dozois’s Sunk beneath the Waves (Dragonstairs Press, 2013) (chapbook)
  • Gardner Dozois’s The Year’s Best Science Fiction Volumes 15, 23, 24, 27, 28 (St. Martin’s hardbacks)
  • Robert Eighteen-Bisang’s A Vampire Bibliography: Volume One, Literature (Transylvania Press, 1996)
  • E. R. Eddison’s The Worm Ouroboros (Cape, 1922)
  • Harlan Ellison’s All the Sounds of Fear (Panther, 1973) (PBO)
  • Harlan Ellison’s Broken Glass (Avenue Victor Hugo, 1981) (broadside)
  • Harlan Ellison’s The Deadly Streets (Ace, 1958) (PBO)
  • Harlan Ellison’s Ellison Under Glass (Charnel House, 2019) (1/100 signed/numbered)
  • Harlan Ellison’s Ellison Wonderland (Paperback Library, 1962) (PBO, 50¢ cover price)
  • Harlan Ellison’s Ellison Wonderland with Pebbles From the Mountain (PS Publishing, 2015)
  • Harlan Ellison’s Footsteps (Footsteps Press, 1989) (chapbook)
  • Harlan Ellison’s Gentlemen Junkie (Regency, 1961) (PBO, 50¢ on the cover)
  • Harlan Ellison’s The Glass Teat & The Other Glass Teat (Charnel House, 2014)
  • Harlan Ellison’s I Have No Mouth And I Must Scream (Pyramid, 1967) (PBO, 60¢ on cover)
  • Harlan Ellison’s Jokes Without Punchlines (White Wolf, 1995) (chapbook)
  • Harlan Ellison’s The Juvies (Ace, 1961) (PBO, 35¢ on the cover)
  • Harlan Ellison’s The Man With Nine Lives b/w A Touch of Infinity (Ace, 1960) (PBO, 35¢ on the cover)
  • Harlan Ellison’s One Life, Furnished in Early Poverty (Lance Brown, 1993) (broadside, 1/100 copies)
  • Harlan Ellison’s Over the Edge (Belmont, 1970) (PBO, May 1970 on copyright page, 75¢ on cover)
  • Harlan Ellison’s Night of Black Glass (1981) (broadside)
  • Harlan Ellison’s Rockabilly (Fawcett, 1961) (PBO, First Printed October 1961 on copyright page, 35¢ on the cover)
  • Harlan Ellison’s Spider Kiss (Pyramid, 1975) (PBO, Pyramid Edition published July 1975 on copyright page, $1.25 on cover)
  • Harlan Ellison’s The Time of the Eye (Panther, 1974) (PBO, first published in Great Britain in 1974 on copyright page, 35p on cover)
  • Harlan Ellison’s Web of the City (Pyramid, 1975) (PBO, New Pyramid edition: December 1975 on copyright page, price of $1.50 on cover)
  • Harlan Ellison (& Steranko)’s “Repent, Harlequin,” Said The Ticktock Man (art Portfolio w/6 prints) (Baronet, 1978)
  • Harlan Ellison’s Vic and Blood (Edgeworks Abbey, 2003)
  • (Harlan Ellison) Ellen Weil and Gary K. Wolfe’s Harlan Ellison: The Edge of Forever (Ohio State University Press, 2002)
  • Philip Jose Farmer’s A Barnstormer in Oz (Phantasia Press S/L, 1982)
  • Philip Jose Farmer’s Blown or Sketches Among the Ruins of My Mind (Essex House, 1968, PBO)
  • Philip Jose Farmer’s Flesh (Doubleday, 1968)
  • Philip Jose Farmer’s Greatheart Silver and Other Pulp Heroes (Meteor House, 2019)
  • Philip Jose Farmer’s Image of the Beast (Essex House, 1966, PBO)
  • Philip Jose Farmer’s The Unreasoning Mask (Putnam, 1981) (signed/limited edition)
  • Philip Jose Farmer’s Strange Relations (Gollancz, 1964)
  • Gans T. Field’s Romance in Black (Utopian Publications, 1946) (chapbook)
  • Virgil Finlay’s The Book of Virgil Finlay (De La Ree, 1975)
  • Virgil Finlay’s The Third Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Fourth Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Fifth Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Sixth Book of Virgil Finlay (De La Ree, 1980)
  • Jack Finney’s Time and Again (Simon & Schuster, 1970) (1st stated, no book club mention on dj or embossed book club square on rear)
  • John Fowls’ The Magus (Cape, 1966)
  • Pat Frank’s Alas, Babylon (Lippincott, 1959)
  • Jane Gaskell’s The Shiny Narrow Grin (Hodder & Stoughton, 1964)
  • Neil Gaiman’s The Little Gold Book of Ghastly Stuff (Borderlands, 2011)
  • William Golding’s The Inheritors (Faber & Faber, 1955)
  • William Golding’s Lord of the Flies (Faber & Faber, 1954)
  • William Golding’s Pincher Martin (Faber & Faber, 1956)
  • Herbert Gorman’s The Place Called Dagon (Doran, 1927)
  • Charles L. Harness’s Flight Into Yesterday (Bouregy & Curl, 1953)
  • Roger Harris’ The LSD Dossier (Compact, 1966) (PBO)
  • Harry Harrison’s Make Room! Make Room! (Doubleday, 1966)
  • Robert A. Heinlein’s Between Planets (Scribner’s, 1951) (First Printing A & seal, unclipped $2.50 dj)
  • Robert A. Heinlein’s Beyond This Horizon (Fantasy Press, 1948)
  • Robert A. Heinlein’s The Cat Who Walks Through Walls (Putnam, 1985) (1/350 signed, numbered copies)
  • Robert A. Heinlein’s Citizen of the Galaxy (Scribner’s, 1957) (First Printing A & seal)
  • Robert A. Heinlein’s The Door Into Summer (Doubleday, 1957)
  • Robert A. Heinlein’s Farnham’s Freehold (Putnam, 1964)
  • Robert A. Heinlein’s Farmer in the Sky (Scribner’s, 1950)
  • Robert A. Heinlein’s Friday (Holt Reinhardt & Winston, 1982) (1/500 signed, numbered copies)
  • Robert A. Heinlein’s Glory Road (Putnam, 1963)(no statement of printing)
  • Robert A. Heinlein’s I Will Fear No Evil (Putnam, 1970)
  • Robert A. Heinlein’s Job: A Comedy of Justice (Del Rey, 1984, 1/750 signed, numbered copies)
  • Robert A. Heinlein’s The Menace From Earth (Gnome, 1959)
  • Robert A. Heinlein’s Methuselah’s Children (Gnome, 1st state binding (black boards), 1st state dj (“New York 3”)
  • Robert A. Heinlein’s Orphans of the Sky (Gollancz, 1963)
  • Robert A. Heinlein’s Red Planet (Scribner’s, 1949) (First Printing A & seal)
  • Robert A. Heinlein’s Rocket Ship Galileo (Scribner’s, 1947) (First Printing A & seal, unclipped $2.00 dj)
  • Robert A. Heinlein’s The Rolling Stones (Scribner’s, 1952) (First Printing A & seal)
  • Robert A. Heinlein’s Space Cadet (Scribner’s, 1948) (First Printing A & seal)
  • Robert A. Heinlein’s Starman Jones (Scribner’s, 1953) (First Printing A & seal)
  • Robert A. Heinlein’s Time Enough for Love (Putnam, 1973)
  • Robert A. Heinlein’s Time for the Stars (Scribner’s, 1956) (First Printing A & seal)
  • Robert A. Heinlein’s Tunnel in the Sky (Scribner’s, 1955) (First Printing A & seal)
  • Robert A. Heinlein’s Universe (Dell, 1951) (PBO)
  • Robert A. Heinlein’s The Unpleasant Profession of Jonathan Hoag (Gnome, 1959)
  • Robert A. Heinlein’s Waldo & Magic Inc. (Doubleday, 1950)
  • Peter Held’s Take My Face (Mystery House, 1957)
  • Mark Helprin’s Winter’s Tale (Harcourt Brace Jovanovich, 1983)
  • Joe Hill’s Basket Full of Heads (Hill House Comics/DC, 2020) (Hardback graphic novel)
  • Joe Hill’s Dying Is Easy (IDW, 2020) (Hardback graphic novel)
  • Joe Hill’s Plunge (Hill House Comics/DC, 2020) (Hardback graphic novel)
  • Joe Hill’s You Are Released (Lividian Publications, 2022) (chapbook)
  • Russell Hoban’s Riddley Walker (Cape, 1980)
  • William Hope Hodgson’s The Boats of the ‘Glen Garrig’ (Chapman and Hall, 1907) (no statement of printing)
  • William Hope Hodgson’s The Calling of the Sea (Selwyn & Blount, 1920)
  • William Hope Hodgson’s The Ghost Pirates (Stanley Paul, 1909) (red cloth binding)
  • William Hope Hodgson’s The Haunted Pampero (Donald M. Grant, 1991, 1/500 signed copies)
  • William Hope Hodgson’s The House on the Borderland (Chapman and Hall, 1908)
  • William Hope Hodgson’s Men of Deep Waters (Eveleigh Nash, 1914)
  • William Hope Hodgson’s The Night Land (Eveleigh Nash, 1911)
  • William Hope Hodgson’s Terror of the Seas (Donald M. Grant, 1996, with signed illustration sheet laid in)
  • William Hope Hodgson’s Voice of the Ocean (Selwyn & Blount, 1921)
  • (William Hope Hodgson) Ian Bell, editor William Hope Hodgson: Voyages And Visions (Bell, 1987 chapbook)
  • Nancy Holder’s Dead in the Water (Dell Abyss, 1994) (PBO)
  • Robert Holdstock’s Mythago Wood (Gollancz, 1984)
  • Gordon Honeycombe’s Neither the Sea Nor the Sand (Hutchison, 1969)
  • Geoffrey Household’s Dance of the Dwarfs (Michael Joseph, 1968)
  • Robert E. Howard’s Always Comes Evening (Arkham House, 1957)
  • Robert E. Howard’s “…and their memory was a bitter tree” (Black Bart, 2008) (1/500 signed slipcased)
  • Robert E. Howard’s Black Vulmea’s Vengence (Donald M. Grant, 1976)
  • Robert E. Howard’s Blades for France (George T. Hamilton, 1975) (chapbook)
  • Robert E. Howard’s Bloodstar (Morning Star Press, 1976) (Graphic novel, one of 1,500 signed by artist Corban)
  • Robert E. Howard’s Echoes From an Iron Harp (Donald M. Grant, 1972)
  • Robert E. Howard’s Etchings in Ivory (Glenn Lord, 1968) (chapbook)(see Currey for points)
  • Robert E. Howard’s The Grey God Passes (Charles Miller, 1975) (chapbook)
  • Robert E. Howard’s The Grim Land and Others (Stygian Isle Press, 1976, 1/1450)
  • Robert E. Howard’s A Gent From Bear Creek (Herbert Jenkins, 1937)
  • Robert E. Howard’s The Ghost Ocean (Gibbelins Gazatte Pubns, 1982, hardback)
  • Robert E. Howard’s The Grim Land and Others (Stygian isle Press, 1976) (chapbook)
  • Robert E. Howard’s The Illustrated Gods of the North (Necronomicon Press, 1977) (chapbook)
  • Robert E. Howard’s The Incredible Adventures of Dennis Dorgan (Fax Collector’s Edition, 1977)
  • Robert E. Howard’s The Iron Man and other tales (Donald M. Grant, 1976)
  • Robert E. Howard’s Isle of Pirate’s Doom (George T. Hamilton, 1975)
  • Robert E. Howard’s The King’s Service (George T. Hamilton, 1975)
  • Robert E. Howard’s Kull (Donald M. Grant, 1985)
  • Robert E. Howard’s The Hyborian Age (Los Angeles-New York Cooperative Publications, 1938)
  • Robert E. Howard’s The Lost Valley of Iskander (FAX Collector’s Edition, 1974)
  • Robert E. Howard’s The Last Cat Book (Dodd Mead, 1984)
  • Robert E. Howard’s The Pride of Bear Creek (Grant, 1966)
  • Robert E. Howard’s Red Blades of Black Cathay (Grant, 1971)
  • Robert E. Howard’s Red Shadows (Grant, 1968)
  • Robert E. Howard’s Shadows of Dreams (Donald M. Grant, 1989)
  • Robert E. Howard’s The Shadow of the Beast (George T. Hamilton, 1977)
  • Robert E. Howard’s Shadow of the Hun (George T.Hamilton, 1977)
  • Robert E. Howard’s Singers in the Shadows (Donald M. Grant, 1970)
  • Robert E. Howard’s Son of the White Wolf (Fax Collector’s Edition, 1977)
  • Robert E. Howard’s Spears of Clontarf (George T. Hamilton, 1978) (chapbook)
  • Robert E. Howard’s The Sword of Shahrazar (FAX Collector’s Editions, 1976)
  • Robert E. Howard’s Tigers of the Sea (Donald M. Grant, 1974)
  • Robert E. Howard’s Two Against Tyre (Dennis McHaney, 1976) (chapbook)(1/600 numbered)
  • Robert E. Howard’s Valley of the Lost (Chuck E. Miller, 1975)
  • Robert E. Howard’s Writer of the Dark (Dark Carnival Press, 1986) (trade paperback)(1/500)
  • Robert E. Howard, Frank Belknap Long, H.P. Lovecraft, A. Merritt and C.L. Moore’s The Challenge From Beyond (Weltschmertz Publications, 1954) (Mimeographed)
  • (Robert E. Howard) Glenn Lord’s The Last Celt: A Bio-Bibliography of Robert E. Howard
  • Jan Hudson’s Those Sexy Saucer People (Greenleaf Classics, 1966)
  • Shirley Jackson’s The Bad Children (Dramatic Publishing Company, 1958)
  • Shirley Jackson’s The Magic of Shirley Jackson (Farrar Straus, 1966)
  • Stephen King’s Salem’s Lot (Doubleday, 1976) (Father Cody and not price-clipped on front flap)
  • Henry Kuttner’s The Valley of the Flame (Ace, 1964) (PBO)
  • R. A. Lafferty’s The Audifaxes (2019 chapbook)
  • R. A. Lafferty’s Alaric: The Day The World Ended (United Mythologies Press, 1994)
  • R. A. Lafferty’s Anamnesis (United Mythologies Press, 1992) (chapbook)
  • R. A. Lafferty’s The Best of R.A. Lafferty (Gollancz, 2019) (trade paperback)
  • R. A. Lafferty’s The Best of R.A. Lafferty (Tor, 2021) (hardback)
  • R. A. Lafferty’s Cranky Old Man From Tulsa (United Mythologies Press, 1990)
  • R. A. Lafferty’s How Many Miles to Babylon (United Mythologies Press, 1989)
  • R. A. Lafferty’s Sodom and Gomorrah, Texas (Aegypan, 2007) (hardback chapbook)
  • R. A. Lafferty’s The Six Fingers of Time (Aegypan, 2011) (hardback chapbook)
  • R. A. Lafferty’s Strange Skies (United Mythologies Press, 1988) (chapbook)
  • R. A. Lafferty’s Funnyfingers & Cabrito (Pendragon Press HB)
  • (R. A. Lafferty) Boomer Flats Gazette (Volumes 1-4)
  • Joe R. Lansdale’s Blood and Shadows (volumes 1-4) (DC Vertigo, 1996)
  • Joe R. Lansdale’s Blood Dance (Subterranean, 2000) (lettered edition)
  • Joe R. Lansdale’s Bubba Ho-Tep (Hail To the King edition DVD with jacket packaging, 2007)
  • Joe R. Lansdale’s Conan and the Songs of the Dead (Dark Horse, 2007)
  • Joe R. Lansdale’s Crawling Sky (Antarctic Press, 2013) (graphic novel)
  • Joe R. Lansdale’s Dead in the West (Crossroads Press, 1994) (signed/limited)
  • Joe R. Lansdale’s Dead in the West (Night Shade Books, 2005) (1/150 signed, limited copies)
  • Joe R. Lansdale’s The Drive In Bus Tour (Subterranean, 2005) (lettered edition)
  • Joe R. Lansdale’s Freezer Burn (Crossroads Press, 1999) (lettered edition)
  • Joe R. Lansdale’s Freezer Burn (Crossroads Press, 1999) (Special Edition, 1 of 5 copies)
  • Joe R. Lansdale’s The Good, the Bad and the Indifferent (Subterranean Press, 1997) (lettered edition)
  • Joe R. Lansdale’s H.P. Lovecraft’s The Dunwich Horror (IDW, 2012) (graphic novel)
  • Joe R. Lansdale’s I Tell You It’s Love (SST Publications, 2014) (hardback graphic novel)
  • Joe R. Lansdale’s Jonah Hex: Two Gun Mojo (DC Vertigo, 1994) (graphic novel)
  • Joe R. Lansdale’s Lone Ranger & Tonto (Topps Comics, 1995) (graphic novel)
  • Joe R. Lansdale’s The Long Ones (Necro Publications, 1999) (lettered traycased edition)
  • Joe R. Lansdale’s The Magic Wagon (Borderlands Press signed/limited hardback, 1991)
  • Joe R. Lansdale’s The Nightrunners (Dark Harvest, 1987) (signed slipcased edition)
  • Joe R. Lansdale’s The Nightrunners (Dark Harvest, 1987) (signed leatherbound “slipcrate” edition)
  • Joe R. Lansdale’s On the Far Side with Dead Folks (Avalon, 2004) (graphic novel)
  • Joe R. Lansdale’s Orbit 1 & 2 (Subterranean, 2000) (hardback)
  • Joe R. Lansdale’s Pigeons From Hell (Dark Horse, 2009) (graphic novel TPO)
  • Joe R. Lansdale’s Something Lumber This Way Comes (Subterranean, 1999) (1/13 lettered editions)
  • Joe R. Lansdale’s The Steam Man (Dark Horse, 2016) (graphic novel TPO)
  • Joe R. Lansdale’s Tarzan and the Land That Time Forgot (TimeShifter/ECOF, 2018) (chapbook)
  • Joe R. Lansdale’s Tight Little Stitches in a Dead Man’s Back (Pulphouse hardback)
  • Joe R. Lansdale’s The Thicket (Earthling Publications, 2015) (1/250 signed/limited hardbacks)
  • Joe R. Lansdale’s Two-Bear Mambo (Cahill Press, 1995) (lettered edition)
  • Joe R. Lansdale’s Waltz of Shadows (Subterranean, 1999) (lettered edition)
  • Joe R. Lansdale and Lewis Shiner’s Private Eye Action As You Like It (Crossroads Press, 1998) (1/26 lettered editions)
  • Joe R. Lansdale’s The X-Files: Case Files (IDW, 2018) (hardback graphic novel)
  • Joe R. Lansdale’s Robert Bloch’s Yours Truly, Jack the Ripper (IDW, 2010) (graphic novel)
  • Fritz Leiber’s Conjure Wife (Twayne, 1953) (no statement of printing)
  • Fritz Leiber’s Gather, Darkness (Pellegrini & Cudhay, 1950)
  • Fritz Leiber’s The Green Millennium (Abelard, 1953) (no statement of printing, no overprice)
  • Fritz Leiber’s Night Monsters (Gollancz, 1974)

  • Fritz Leiber’s Two Sought Adventure (Gnome Press, 1957)
  • Fritz Leiber’s The Secret Songs (Rupert Hart-Davis, 1968)
  • Cornel Lengyel’s The Atom Clock (FPCI, 1951) (hardback or chapbook)
  • Doris Lessing’s Briefing for a Descent Into Hell (Cape, 1971)
  • C. S. Lewis’ Out of the Silent Planet (John Lane The Bodley Head, 1938)
  • C. S. Lewis’ That Hideous Strength (John Lane The Bodley Head, 1945)
  • David Lindsay’s A Voyage to Arcturus (Methuen, 1920) (Gilt-stamped spine, undated publisher’s catalog)
  • H. P. Lovecraft’s Juvenilia 1895-1905 (Necronomicon Press, 1984) (chapbook)
  • H. P. Lovecraft’s The Outsider and Others (Arkham House, 1939)
  • H. P. Lovecraft’s Beyond the Wall of Sleep (Arkham House, 1943)
  • (Lovecraft, H.P.) Peter Cannon’s The Chronology Out of Time (Necronomicon Press chapbook, 1986)
  • (Lovecraft, H.P.) S.T. Joshi’s H.P. Lovecraft: Selected Essays (Necronomicon Press, 2019)
  • (Lovecraft, H.P.) Joshi/Schultz’s Lovecraft Remembered: An Epicure of the Terrible (Fairleigh Dickinson University Press, 1991)
  • (Lovecraft, H.P.) Ave Atque Vale (Necronomicon HB, 2018)
  • (Lovecraft, H.P.) Maurice Levy’s Lovecraft: A Study in the Fantastic (Wayne State University Press, 1988)
  • (Lovecraft, H.P.) Anthony Pearsell’s The Lovecraft Lexicon (New Falcon, 2004) (TPO)
  • (Lovecraft, H.P.) Robert M. Price’s H.P. Lovecraft and the Cthulhu Mythos (Starmont, 1990)
  • George R. R. Martin’s Fevre Dream (Poseidon Press, 1982)
  • George R. R. Martin’s Wild Cards VIII: One-Eyed Jacks (Bantam Spectra, 1991) (PBO)
  • Cormac McCarthy’s Blood Meridian (Random House, 1985) (number line starts with 2)
  • Richard Matheson’s Bid Time Return (Viking, 1975) (“First published 1975”)
  • Richard Matheson’s A Stir of Echoes (Lippencott, 1958)
  • Ian McDonald’s The Best of Ian McDonald w/Floating Dogs (PS Publishing, 2016)(1/100 signed, numbered copies)
  • Ian McDonald’s Cyberabad Days (Orion, 2009)
  • Ian McDonald’s Luna: Moon Rising (Tor, 2015)
  • Ian McDonald’s Luna: New Moon (Tor, 2017)
  • Ian McDonald’s Luna: Wolf Moon (Tor, 2019)
  • Ian McDonald’s The Menace From Farside (Tor, 2019)
  • Ian McDonald’s Time Was (Tor, 2018) (chapbook)
  • Richard McKenna’s The Left-Handed Monkey Wrench (Naval Institute Press, 1986)
  • Paul Merchant’s Sex Gang (Nightstand Books, 1959) (PBO, 50¢)
  • Hope Mirrlees’ Lud-in-the-Mist (Collins, 1926)
  • Carlton Miller’s Incest Street (Narcissus, 1970, PBO)
  • Michael Moorcock’s The Adventures of Una Persson and Catherine Cornelius in the Twentieth Century (Quartet, 1975)
  • Michael Moorcock’s The Adventure of the Dorset Street Lodger (as John H. Watson, MD) (privately printed hardback, 1993)
  • Michael Moorcock’s An Alien Heat (MacGibbon & Kee, 1972)
  • Michael Moorcock’s Behold the Man and Other Stories (Phoenix House, 1994)
  • Michael Moorcock’s Blood Red Game (Sphere, 1970) (PBO)
  • Michael Moorcock’s Blades of Mars (Compact, 1965)
  • Michael Moorcock’s Breakfast in the Ruins and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Brothel in Rosenstrasse and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Bull and the Spear (Alison Busby, 1973)
  • Michael Moorcock’s City of the Beasts (Lancer, 1970) (PBO)
  • Michael Moorcock’s Count Brass (Mayflower, 1973) (PB0)
  • Michael Moorcock’s Chronicles of Castle Brass (Granada, 1977)
  • Michael Moorcock’s Champion of Garathorm (Mayflower, 1973) (PBO)
  • Michael Moorcock’s The Dreaming City (Lancer, 1972) (PBO)
  • Michael Moorcock’s Dreamthief’s Daughter (American Fantasy, 2001) (signed, limited hardback)
  • Michael Moorcock’s Earl Aubec and Other Stories (Millennium, 1993)
  • Michael Moorcock’s Elric of Melnibone (Blue Star, 1977)
  • Michael Moorcock’s Elric of Melnibone and Other Stories (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: Swords and Roses (Del Rey, 2010) (TPO)
  • Michael Moorcock’s Elric: Return to Melnibone (Unicorn, 1973) (chapbook)
  • Michael Moorcock’s Elric: The Revenge of the Rose (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Elric: The Sailor on the Seas of Fate (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: The Sleeping Sorceress (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: The Stealer of Souls (Del Rey, 2008) (TP0)
  • Michael Moorcock’s Elric at the End of Time (NEL, 1984)
  • Michael Moorcock’s The Entropy Tango (NEL, 1981)
  • Michael Moorcock’s Eternal Champion (Harper & Row, 1978)
  • Michael Moorcock’s Eternal Champion (Mayflower, 1970) (PBO)
  • Michael Moorcock’s Final Programme (Gregg Press, 1976)
  • Michael Moorcock’s Final Programme (Avon, 1968) (PBO)
  • Michael Moorcock’s The Fireclown (Compact, 1965) (PB0)
  • Michael Moorcock’s The Golden Barge (Savoy, 1979) (TPO)
  • Michael Moorcock’s Hawkmoon (Millennium, 1992)
  • Michael Moorcock’s The Ice Schooner (Harper & Row, 1977)
  • Michael Moorcock’s The Ice Schooner (Sphere, 1969)
  • Michael Moorcock’s The Inner Landscape (Allison & Busby, 1969)
  • Michael Moorcock’s Jerry Cornelius: His Lives and His Times (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Jewel in the Skull (White Lion, 1973)
  • Michael Moorcock’s Knight of the Swords (Alison Busby, 1977)
  • Michael Moorcock’s Knight of the Swords (Mayflower, 1971) (PBO)
  • Michael Moorcock’s The Land Leviathan (Doubleday, 1974)
  • Michael Moorcock’s Lives and Times of Jerry Cornelius: Stories of the Comic Apocalypse (Four Walls Eight Windows, 2003) (TPO)
  • Michael Moorcock’s London Bone (Scribner/Simon & Schuster UK, 2001) (TPO)
  • Michael Moorcock’s Lord of the Spiders (Lancer, 1971) (PBO)
  • Michael Moorcock’s Lunching with the Antichrist (Ziesing V. Ziesing, 1994) (Signed/limited edition)
  • Michael Moorcock’s The Mad God’s Amulet (White Lion, 1973)
  • Michael Moorcock’s Masters of the Pit (NEL, 1971) (PBO)
  • Michael Moorcock’s Michael Moorcock’s Elric: Tales of the White Wolf (White Wolf, 1994)
  • Michael Moorcock’s Michael Moorcock’s Legends of the Multiverse (Black Coat Press, 2017) (TPO)
  • Michael Moorcock’s My Experiences in the Third World War and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s The New Nature of Catastrophe (Millennium, 1993)
  • Michael Moorcock’s Nomad of Time (Nelson Doubleday/SFBC, 1982) (Book club HB, gutter code M47 on page 440)
  • Michael Moorcock’s Nomad of the Time Streams (Millennium, 1993)
  • Michael Moorcock’s The Oak and the Ram (Alison Busby, 1973)
  • Michael Moorcock’s Pawn of Chaos (White Wolf, 1996) (TPO)
  • Michael Moorcock’s Phoenix In Obsidian (Mayflower, 1970) (PBO)
  • Michael Moorcock’s Queen of the Swords (Berkeley, 1971) (PBO)
  • Michael Moorcock’s Quest for Tanelorn (Mayflower, 1975) (PBO)
  • Michael Moorcock’s The Real Life Mr. Newman (A.J. Callow, 1979) (1/500 copies, stapled and bound in masking tape (!))
  • Michael Moorcock’s Retreat from Liberty (Zomba, 1983) (TPO)
  • Michael Moorcock’s The Road Between Worlds (White Wolf, 1996)
  • Michael Moorcock’s The Runestaff (Mayflower, 1969) (PBO)
  • Michael Moorcock’s The Russian Intelligence (NEL, 1983)
  • Michael Moorcock’s Sailing to Utopia (Millennium, 1993)
  • Michael Moorcock’s The Shores of Death (Sphere, 1970) (PBO)
  • Michael Moorcock’s Singing Citadel (Mayflower, 1970) (PBO)
  • Michael Moorcock’s The Skrayling Tree (Warner Aspect, 2003)
  • Michael Moorcock’s The Sorcerer’s Amulet (Lancer, 1968) (PBO)
  • Michael Moorcock’s The Steel Tsar (Mayflower, 1981) (PBO)
  • Michael Moorcock’s The Sundered Worlds (Compact, 1965) (PBO)
  • Michael Moorcock’s Sword and the Stallion (Alison Busby, 1973)
  • Michael Moorcock’s Sword of the Dawn (Lancer, 1968) (PBO)
  • Michael Moorcock’s The Time Dweller (Rupert Hart Davis, 1969)
  • Michael Moorcock’s Time of the Hawklords (Star, 1976) (PBO)
  • Michael Moorcock’s Time of the Hawklords (Aidan Ellis, 1976)
  • Michael Moorcock’s The Twilight Man (Roberts & Vinter/Compact, 1966) (PBO)
  • Michael Moorcock’s The Transformation of Mavis Ming (W. H. Allen, 1977)
  • Michael Moorcock’s The Traps of Time (Rapp & Whiting, 1968)
  • Michael Moorcock’s Warlord of the Air (NEL, 1971)
  • Michael Moorcock’s Warrior of Mars (NEL, 1981) (hardback omnibus)
  • Michael Moorcock’s Warriors of Mars (Compact, 1965) (PBO)
  • Michael Moorcock’s The Wrecks of Time (b/w Tramontane) (Ace Double, 1967) (PBO)
  • Michael Moorcock and James Cawthorne’s Fantasy the 100 Best Books (Xanadu, 1988)
  • (Moorcock, Michael) Frank Brunner’s Elric Portfolio (Looking Glass, 1979) (art portfolio, 1/1000)
  • (Moorcock, Michael) Tawn, Brian Dude’s Dream: The Music Of Michael Moorcock (Hawkfan, 1997) (TPO)
  • Kim Newman’s The Original Dr. Shade (Pocket Books, 1994)(PBO)
  • Larry Niven’s Inconstant Moon (Gollancz, 1973)
  • Larry Niven’s Neutron Star (Macdonald, 1969)
  • Larry Niven’s Protector (Compton Russell, 1976)
  • Larry Niven’s World of Ptavvs (Macdonald, 1986)
  • Charles Neutzel’s Queen of Blood (Greenleaf Classic, 1966) (PBO)
  • Andre Norton’s Witch World (Gregg Press, 1977)
  • George Orwell’s Animal Farm (Secker & Warburg, 1945, 1st state dust jacket)
  • Lewis Padgett’s A Gnome There Was (Simon & Schuster, 1950)

  • Lewis Padgett’s Tomorrow and Tomorrow and Tomorrow & The Fairy Chessman (Gnome, 1951)
  • Edgar Pangborn’s A Mirror for Observers (Doubleday, 1954)
  • Keith Roberts’s Pavane (Rupert Hart-Davis, 1968)
  • Mervyn Peake’s Titus Groan (Eyre & Spottiswoode, 1946)
  • Mervyn Peake’s Gormenghast (Eyre & Spottiswoode, 1950)
  • Mervyn Peake’s Titus Alone (Eyre & Spottiswoode, 1959)
  • H. Beam Piper’s Lord Kalvan of Otherwhen (Garland HB, 1975)
  • H. Beam Piper’s (and Andre Norton’s) A Planet For Texans (and Star Born) (Ace, 1958) (PBO, 35¢)
  • H. Beam Piper’s Space Viking (Ace, 1962) (PBO, 40¢)
  • Frederik Pohl & C. M. Kornbluth’s Gladiator-At-Law (Ballantine Books, 1955)
  • Frederik Pohl & C. M. Kornbluth’s Presidential Year (Ballantine Books, 1956)
  • Frederik Pohl & C. M. Kornbluth’s Search the Sky (Ballantine Books, 1954)
  • Terry Prachett’s The Colour of Magic (Colin Smythe, 1983)
  • Terry Prachett’s The Light Fantastic (Colin Smythe, 1986)
  • Thomas Pynchon’s Gravity’s Rainbow (Viking, 1973) (First issue dj with ISBN lettered in white over red on rear panel, date code 0273 on lower front flap)
  • Ellery Queen’s And On the Eighth Day (Random House, 1964)
  • Ellery Queen’s The Fourth Side of the Triangle (Random House, 1965)
  • Ellery Queen’s The Player on The Other Side (Random House, 1963)
  • Alastair Reynold’s The Prefect (Gollancz, 2007)
  • Alastair Reynold’s Elysium Fire (Gollancz, 2018)
  • Alastair Reynold’s Machine Vendetta (Gollancz, 2024)
  • Matt Ruff’s Lovecraft Country. (Harper, 2016)
  • Salman Rushdie’s Grimus (Gollancz, 1975)
  • Eric Frank Russell’s Far Stars (Dobson, 1961)
  • Eric Frank Russell’s The Great Explosion (Dobson, 1962)
  • Eric Frank Russell’s Wasp (Avalon, 1957)
  • Clifford D. Simak’s Ring Around the Sun (Simon & Schuster, 1953)
  • Clifford D. Simak’s Way Station (Doubleday, 1963)
  • Norman Spinrad’s The Iron Dream (Gregg Press, 1977)
  • Bob Shaw’s Orbitsville (Gollancz, 1975) (No statement of printing on copyright page)
  • Robert Sheckley’s Journey Beyond Tomorrow (Gollancz, 1964)
  • Lucius Shepard’s Cantata Of Death, Weakmind & Generation (Lillabulero Press, 1967) (chapbook)
  • Clark Ashton Smith’s The Abominations of Yondo (Arkham House, 1960)
  • Clark Ashton Smith’s Cycles (Roy A. Squires, 1963) (broadside)
  • Clark Ashton Smith’s The Dark Chateau (Arkham House, 1951)
  • Clark Ashton Smith’s From the Crypts of Memory (Roy A. Squires, 1963)(chapbook)
  • Clark Ashton Smith’s Grotesques and Fantastiques (De La Ree, 1973) (1/50 signed hardback copies)
  • Clark Ashton Smith’s The Ghoul and the Sereph (Gargoyle Press, 1950) (chapbook)
  • Clark Ashton Smith’s Genius Loci and Other Tales (Arkham House, 1948)
  • Clark Ashton Smith’s Hesperian Fall (Clyde Beck, 1961) (chapbook)
  • Clark Ashton Smith’s The Hills of Dionysus (Roy A. Squires, 1962) (1/175 black hardback copies and/or 1/40 green hardback copies))
  • Clark Ashton Smith’s Klarkash-Ton and Monstro Ligriv (Gerry de la Ree, 1974) (1/50 hardback copies)
  • Clark Ashton Smith’s The Mortuary (Roy Squires chapbook)
  • Clark Ashton Smith’s Nero and Other Poems (Futile Press, 1937)
  • Clark Ashton Smith’s Spells and Philtres (Arkham House, 1958)
  • Clark Ashton Smith’s Sandalwood (The Auburn Journal Press, 1925)(chapbook)
  • Clark Ashton Smith’s The Titans in Tartarus (Roy Squires)(chapbook)
  • Clark Ashton Smith’s The White Sybil (with David H. Keller’s Men of Avalon) (Fantasy Publications, no date (1934)) (chapbook)
  • (Clark Ashton Smith) Jack L. Chalker’s In Memorium: Clark Ashton Smith (Mirage Press, 1963) (1/10 hardback copies)
  • Norman Spinrad’s The Iron Dream (Gregg Press, 1977)
  • Brian Stableford’s The Walking Shadow (Fontana, 1979) (PBO)
  • Theodore Sturgeon’s Aliens 4 (Avon, 1959) (PBO, 35¢)
  • Theodore Sturgeon’s Baby is Three/…And My Fear Is Great (Galaxy, 1965) (PBO)
  • Theodore Sturgeon’s Caviar (Ballantine Books, 1955)
  • Theodore Sturgeon’s The Cosmic Rape (Dell, 1958) (PBO, 35¢)
  • Theodore Sturgeon’s The Cosmic Rape (Gregg Press, 1977)
  • Theodore Sturgeon’s E. Pluribus Unicorn (Abelard-Schuman, 1953)
  • Theodore Sturgeon’s More Than Human (Farrar, Straus and Young, 1953)
  • Theodore Sturgeon’s Venus Plus X (Pyramid, 1960) (PBO, 35¢)
  • Theodore Sturgeon’s Venus Plus X (Gollancz, 1969)
  • Theodore Sturgeon’s A Way Home (Funk and Wagnalls, 1955)
  • Patrick Suskind’s Perfume (Hamish Hamilton, 1986)
  • Michael Swanwick’s American Cigarettes (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s The Brain Baron (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s A Midwinter’s Tale (Dragonstairs, 2010) (chapbook)
  • Michael Swanwick’s Millie’s Recipes (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s One Mile Below (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s Song of the Lorelei (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s Valentine Moon (Dragonstairs, 2020) (chapbook)
  • William Tenn’s Of All Possible Worlds (Ballantine Books HB, 1955)
  • William Tenn’s Time In Advance (Gollancz, 1963)
  • J. R. R. Tolkein’s The Hobbit (George Allen & Unwin, 1937) (First printed 1937, “Dodgeson” on back dj flap)
  • J. R. R. Tolkein’s The Fellowship of the Ring (George Allen & Unwin, 1954) (no later date on copyright page)
  • J. R. R. Tolkein’s The Two Towers (George Allen & Unwin, 1954) (no later date on copyright page)
  • J. R. R. Tolkein’s The Return of the King (George Allen & Unwin, 1955) (no later date on copyright page)

  • Henry Treece’s The Golden Strangers (The Bodley Head, 1956)
  • Henry Treece’s The Great Captains (The Bodley Head, 1956)
  • Jack Vance’s The Complete Magnus Ridolph (Underwood Miller, 1984)
  • Jack Vance’s Dream Castles (Subterranean Press, 2012) (signed, lettered edition)
  • Jack Vance’s The Dying Earth (Hillman, 1947)(PBO)
  • Jack Vance’s Future Tense (Ballantine, 1964)(PBO)
  • Jack Vance’s Grand Crusades (Subterranean, 2015) (signed, lettered edition)
  • Jack Vance’s Hard Luck Diggings (Subterranean, 2010) (signed, lettered edition)
  • Jack Vance’s The Jack Vance Reader (Subterranean Press, 2008) (signed, lettered edition)
  • Jack Vance’s The Jack Vance Treasury (Subterranean Press, 2007) (signed, lettered edition)
  • Jack Vance’s The Languages of Pao and The Dragon Masters (Vance Integral Edition, 2002)
  • Jack Vance’s Magic Highways (Subterranean, 2013) (signed, lettered edition)
  • Jack Vance’s The Man in the Cage (Random House, 1960)
  • Jack Vance’s Wild Thyme, Green Magic (Subterranean, 2009) (signed, lettered edition)
  • (Jack Vance) The Many Worlds of Jack Vance (fanzine, 1/300)
  • (Jack Vance) Songs of the Dying Earth (Subterranean, 2009) (signed, lettered edition)
  • Kurt Vonnegut’s Cat’s Cradle (Holt, Reinhardt & Winston, 1963)
  • Kurt Vonnegut’s The Sirens of Titan (Houghton-Mifflin, 1961)
  • Alan Wade’s Isle of Peril (Mystery House, 1957))
  • Peter Watts’ Echopraxia (Tor, 2014)
  • Ian Watson’s The Embedding (Gollancz, 1973)
  • H. G. Wells’ The Time Machines (Henry Holt, 1895) (true first edition with his name misspelled “H. S. Wells” on the title page)
  • Manly Wade Wellman’s Carolina Pirate (Washburn, 1968)
  • Manly Wade Wellman’s Gray Riders (Aladdin, 1954)
  • Manly Wade Wellman’s Haunts of Drowning Creek (Holiday House, 1951)
  • Manly Wade Wellman’s Jamestown Adventure (Washburn, 1967)
  • Manly Wade Wellman’s Mystery at Bear Paw Gap (Washburn, 1965)
  • Manly Wade Wellman’s The Specter of Bear Paw Gap (Washburn, 1966)
  • Gary Westfahl’s The Greenwood Encyclopedia of Science Fiction & Fantasy: Themes, Works, and Wonders (three volume hardcover set)
  • J. X. Williams’ ESP Orgy (Greenleaf Classics adult PBO)
  • Jack Williamson’s The Collected Stories of jack Williamson Volume Five: The Crucible of Power (Haffner Press, 2006)
  • Jack Williamson’s The Collected Stories of jack Williamson Volume Six: Gateway to Paradise (Haffner Press, 2008)
  • Gene Wolfe’s The Grave Secret (Portentous Press) (chapbook)
  • Gene Wolfe’s The Land Across (Tor, 2013)
  • Gene Wolfe’s The Old Woman Whose Rolling Pin Was the Sun (Cheap Street, 1991) (chapbook)
  • (Gene Wolfe)Michael Andre-Driussi’s A Quick and Dirty Guide To The Long Sun Whorl (Sirius Fiction) (chapbook)
  • John Wyndham’s The Day of the Triffids (Doubleday, 1951)
  • John Wyndham’s The Kraken Wakes (Michael Joseph, 1953)
  • John Wyndham’s The Midwich Cuckoos (Michael Joseph, 1957)
  • Cheslea Quin Yarboro’s Aristo (Pocket, 1980) (PBO)
  • Collier Young’s The Todd Dossier (Delacorte Press, 1969)
  • Roger Zelazny’s The Doors of His Face, The Lamps of His Mouth (Pulphouse, 1991) (hardback of just that story)
  • Roger Zelazny’s The Magic: (October 1961-October 1967) Ten Tales (Positronic Publishing, 2018)
  • Roger Zelazny’s Lord of Light. (Easton Press, 1994) (tan leather)
  • (Roger Zelazny) Jane Lindskold’s Roger Zelazny (Twayne, 1992)
  • (Roger Zelazny) Joseph L. Sanders’ Roger Zelazny: A Primary and Secondary Bibliography (G. K. Hall, 1982)
  • (Roger Zelazny) Karl B. Yoke’s Roger Zelazny: Starmont Reader’s Guide (Borgo Press, 1979) (Library binding hardback)
  • Library Addition: Signed, Limited Edition of Philip Jose Farmer’s The Lavalite World

    Thursday, August 8th, 2019

    Another signed Farmer first:

    Farmer, Philip Jose. The Lavalite World. Phantasia Press, 1983. First edition hardback, #192 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. The fifth World of Tiers novel. Chalker/Owings, page 340. Bought off eBay for $34.99.

    Library Additions: July 1-December 31, 2018

    Tuesday, January 15th, 2019

    Once again it’s time for a half-year book purchase roundup! This post covers all the books I bought between July 1 and December 31, 2018. Most, but not all of these, were covered by individual library addition posts.

  • Adams, Scott. Fugitive From the Cubicle Police: A Dilbert Book. Andrews & McMeel, 1996. First edition? (no additional printings listed) trade paperback original, a Fine- copy with touches of edgewear. Cartoon collection. Bought for $2.50.
  • (Aldiss, Brian)(Frank Hatherly, editor, with Margaret Aldiss and Malcom Edwards). A is for Brian: A 65th Birthday Present. Avernus, 1990. First edition trade paperback original, a Fine- copy with very slight wear at points. Signed by Aldiss. A festschrift put together by Aldiss’ friends, with tributes by J.G. Ballard, Michael Moorcock, Robert Silverberg, etc. Bought for £18 after discount. I also have festschrifts for John Clute (Polder) and Moorcock (Moorcock@60).

  • Allston, Aaron. Sidhe Devil. Baen, 2001. First edition paperback original, a Fine- copy with foxing to inside covers. Inscribed to fellow Austin SF writer Don Webb: “Don: Hope you like it!/On the other hand, you’ve paid/for it anyway, so what the hell…)/Aaron Allston/ 4/27/01.” Bought from Don for $5. Replaces a signed but uninscribed copy.

  • Beagle, Peter S. The Last Unicorn: The Lost Journey. Tachyon, 2018. First edition hardback, #14 of 250 numbered copies signed by Beagle and illustrator Stephanie Law, a Fine copy in decorated boards, sans dust jacket, as issued. The first, unpublished version of The Last Unicorn.

  • Beagle, Peter S. The Overneath. Tachyon, 2017. First edition trade paperback original, Fine. Signed by Beagle. Short story collection.

  • Beagle, Peter S. Summerlong. Tachyon, 2016. First edition trade paperback original, Fine. Signed by Beagle. Novel.
  • Beagle, Peter S. and Patricia A. McKillip. The Karkadann Triangle. Tachyon, 2018. First edition chapbook original, a Fine copy, signed by Beagle. Two unicorn stories, one by each author.
  • Beagle, Peter S. and Jacob Weisman, editor. The New Voices of Fantasy. Tachyon, 2017. First edition trade paperback original, Fine. Anthology. Signed by Beagle and Weisman.
  • Beatts, Anne and John Head. Saturday Night Live: Host, Francisco Franco. Avon, 1977. First edition trade paperback original, a Near Fine+ copy with wear at point. Sort of a mock scrapbook with pictures, scripts, jokes, etc. from the first few seasons of Saturday Night Live (you know, back when it was funny). The price sticker on the cover is actually part of the design. Bought for $2.50.

  • Bester, Alfred. Tiger! Tiger!. Sidgwick and Jackson, no date (but 1956). First edition hardback (no statement of printing on copyright page, as per Currey), a Near Fine- copy with bookstore stickers (Foyle’s) inside front cover (under flap), slight bumping at head and heel, darkening to page edges, and a tiny bit of spine lean, in a Very Good- dust jacket with three significant chips at top front, longest two 1″ long by 1/8″ high and 3/4″ high by 1/4″ long near flap join, with shallower chipping at head, heel and points, slight age darkening to white rear cover, and a 1 1/2″ closed tear at top front cover near spine join. These would be significant enough flaws that I would have avoided buying this copy except that it was only $40! That’s somewhere between 1/5th and 1/10th what it’s worth. The true first edition, first printing of Bester’s masterwork, later published in the U.S. as The Stars My Destination, and a science fiction keystone I’ve lacked for a long, long time. I will probably purchase facsimile dust jackets to wrap around to better display both this and the Heinlein below better. Currey (1979), page 33. Locke, A Spectrum of Fantasy, page 33. Locke, Science Fiction First Editions, pages 18-19. Wendell, Alfred Bester, pages 28-36. Barron, Anatomy of Wonder 4, 3-19. Magill, Survey of Science Fiction Literature, pages 2168—2172. Day, Supplemental Checklist of Fantastic Literature, page 8. Aldiss, Billion Year Spree, page 247.

  • Blaylock, James P. River’s Edge. Subterranean Press, 2018. First edition hardback, #487 of 1000 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread, in publisher’s bag. New Langdon St. Ives steampunk adventure.
  • Blish, James. A Case of Conscience. Faber and Faber Limited, 1959. First hardback edition (“First published mcmlix” on copyright page, as per Currey), a Very Good copy with spine lean and dust soiling along top, in a Very Good dust jacket with a 1″ closed tear along top front and moderate dust soiling to white rear cover, and slight rubbing and wear at points. All in all, better condition than I expected from a description of “Good”. Hugo winner for Best Novel. The first volume in the After Such Knowledge thematic trilogy. Currey (1979), page 40. Pringle, SF 100 26. Locke, A Spectrum of Fantasy, page 36. Locke, Science Fiction First Editions, pages 19-20. Barron, Anatomy of Wonder 4, 3-21 (referencing the Ballantine PBO). Magill, Survey of Science Fiction Literature, pages 303-307. Bought for £60.63 from an online UK book dealer know more for quantity than quality, which is why it was a risk, but just slightly better copies list for over a grand. Supplements a copy of the Walker first U.S. hardback edition.

  • Bradbury, Ray. Dogs Think Every Day is Christmas. Gibbs/Smith, 1997. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Bradbury: “Marion! Chuck!/Enjoy! Love!/Ray Bradbury/Valentine’s /Day/1999!” Small trim size hardback containing the illustrated title poem and an introduction. I suspect this and the companion volume, With Cat For Comforter, were issued for the pet store trade. Replaces an unsigned copy. Bought off eBay for $36.

  • Bradbury, Ray. The Martian Chronicles. Doubleday, 1950. First edition hardback (stated, as per Currey (1979), page 56), a Very Good+ copy with faint crease and fading to spine, non-authorial ownership plate on inside front cover, foxing on inside covers, FFE and RFE, slight bumping at head and heel and very slight wear at points, in a Very Good corner-clipped dust jacket with 1/2″ chip at heel join, 1/4″ shallow chipping to head, 1/8″ shallow chipping at heel and points, and age-darkening to spine. With a Ray Bradbury signature plate laid in. Weist, Bradbury: An Illustrated Life, pages 50-52. Pringle, SF 100 3. Locke, A Spectrum of Fantasy (1), page 39. Barron, Anatomy of Wonder 4, 3-32. Magill, Survey of Science Fiction Literature, Volume 3, pages 1348-1352. A great book and a vitally important science fiction keystone. Bought for $334.56.

  • Bradbury, Ray. They Have Not Seen The Stars. Stealth Press, 2002. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Bradbury. Bradbury’s collected poetry. Bought off eBay for $40. Stealth Press was an interesting publishing experiment that probably lost it’s backers a ton of money…

  • Bradbury, Ray. We’ll Always Have Paris. Morrow, 2009. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed by Bradbury: “Russ,/Ray Bradbury.” Short story collection. Tiny story: At the most recent Half Price Books coupon sale, they had several signed early Bradbury firsts from the late Fred Duarte estate for sale, but the condition was too poor for me to buy any of them. Then they had a signed copy of this, which was unpriced. “How much for this one?” “Let me check.” Comes back a minute later. “$150.” “Pass.” Then I went online and found this copy for $25, including shipping…
  • Bradbury, Ray (with Dave Gibbons, James Sherman, Daniel Torres, Raph Reese, Mark Charello, and Bernard Krigstein). The Ray Bradbury Chronicles Volume 2. Byron Preiss/NBM, 1992. First edition hardback graphic novel,#250 of 1200 signed, numbered copies, a Near Fine copy with trace of dampstaining to bottom boards (but not pages) in a Near Fine dust jacket with slight waviness at bottom and slight blindside dye transfer from boards, along with a few other traces of wear. Signed by Bradbury, Gibbons, Reese and Charello. Tempted to send it back, but the terse listing only said VG, so, eh, caveat emptor. Bought for $37 off eBay.

  • (Bradbury, Ray) Kipen, David, Campbell Iriving and Erika Koss. Reader’s Guide: Ray Bradbury’s Fahrenheit 451. National Endowment for the Arts, 2006. Presumed first edition chapbook (no additional printings stated), a Fine- copy with a couple of specks of edgewear. Inscribed by Bradbury on the cover: “Carol!/Love!/Ray/B.” With a photograph of Bradbury signing books laid in. Non-fiction critical companion. Bought off eBay for $29.99.

  • Cadigan, Pat. Mindplayers. Bantam, 1987. First edition paperback original, a Fine- copy with foxing to inside covers. Inscribed: “For/Rosemary / & / Don /With stray/ideas &/peculiar behavior/Best,/Pat Cadigan /Armadillocon/1987.” Bought from Don Webb for $5.

  • Campbell, Bruce. If Chins Could Kill: Confessions of a B-Movie Actor. St. Martin’s Press, 2001. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed by Campbell: “Hey Audio Adam/Stay Groovy!/Bruce Campbell.” Autobiography of the Evil Dead star. Bought for $9 from Half Price Books, discounted from $18.

  • Cargill, C. Robert. Dreams and Shadows. Gollancz, 2013. First edition trade paperback original, a Fine copy. Inscribed: “It was a pleasure/sharing a table/with you./Robert Cargill.” Cragill is an Austin science fiction writer most famous for having written the screenplay for Doctor Strange. Bought from Don Webb for $5.

  • Chabon, Michael. Moonglow. Harper, 2016. First edition hardback, one of an unstated number of signed limited copies sold by Powell’s Books, a Fine copy in a Fine dust jacket in a special slipcase, with a non-fiction Moonglow chapbook containing “The Box,” “The Facts,” and “The Interview” (Near Fine, with slight creasing) laid in. #63 in the Powells’ “Indiespensible” series, special signed editions sent out to book club members with various extras. Bought for $25.
  • Chabon, Michael. The Yiddish Policeman’s Union. HarperCollins, 2007. First edition hardback, one of 1,000 copies signed by Chabon in a wooden slipcase, a Fine copy in a Fine dust jacket and slipcase, still in publisher’s shrinkwrap (I think it’s the publisher’s, which is why I haven’t removed it). Winner of the Hugo and Nebula Awards for Best Novel. Supplements a trade copy of the novel inscribed to me by Chabon right after he won the Nebula for it. Original list price was $150. Bought off eBay for $50.

  • Cooper, James. In Conversation: A Writer’s Perspective: Volume One: Horror. British Fantasy Society, 2009. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Interviews with various horror writers, including Joe R. Lansdale, Graham Joyce, Ray Garton, etc. Bought for £9 after discount.

  • Crais, Robert. The Wanted. Putnam, 2017. First edition hardback, a Fine copy in a Fine dust jacket, signed by Crais. I was looking through the discounted section of a Half Price Books, saw that this was a nice copy, thought to myself “I wonder if it’s signed,” picked it up, and it was. Hence George Locke’s dictum: “Don’t look for books, look at books.” Mystery novel. Bought for $3.00.

  • Crowther, Pete and Nick Gevers. Postscripts 30/31: Memoryville Blues. PS Publishing, 2013. First edition hardback, a Fine copy in decorated boards in a Fine dust jacket. Trade edition. Supplements a signed, limited, traycased edition.
  • Gevers, Nick. Postscripts 32/33: Far Voyager. PS Publishing, 2014. First edition hardback, a Fine copy in decorated boards in a Fine dust jacket. Trade edition.
  • Gevers, Nick, editor. Postscripts 34/35: Breakout. PS Publishing, 2015. First edition hardback, a Fine copy in a Fine dust jacket. Volume in the long-running anthology series. Includes two posthumous Steven Utley collaborations (among other works). Bought for £12 after discount.
  • Gevers, Nick. Postscripts 36/37: The Dragons of the Night. PS Publishing, 2016. First edition hardback, a Fine copy in decorated boards in a Fine dust jacket. Trade edition. All three Postscripts bought for £12.99, plus shipping.
  • Datlow, Ellen, editor. Lovecraft’s Monsters. Tachyon Press, 2014. First edition trade paperback original, a Fine copy. Signed by Datlow. Mostly reprints, with a couple of originals. Bought for £6 after discount.
  • De Camp, L. Sprague and Catherine Crook. Spirits Stars And Spells: The Perils and Profits of Magic. Canaveral Press, 1966. First edition hardback, a Fine copy in a Near Fine, price-clipped (but otherwise mint) dust jacket; Chalker/Owings says Owlswick obtained extra stock and printed a dust jacket “overprinted in red,” which matches this one. Signed by both authors. Non-fiction. Laughlin/Levack, de Camp: An L. Sprague de Camp Bibliography, 82a. Chalker/Owings (1991), page 84. Bought for £12 plus shipping.

  • Delany, Samuel R. The Motion of Light in Water: Sex and Science Fiction Writing in the East Village: 1957-1965. First edition hardback, a Fine- copy with just a trace of foxing to inside front covers in a Fine- dust jacket with just a touch of wear. Inscribed by Delany: “To/Don + Rosemary/in remembrance/of a wonderful/evening at/the County Line/from/Samuel R. Delany/Austin/Feb. 1988” The County Line is a local BBQ chain, and Delany came down for Sercon 2 that month. Nonfiction autobiography. Hugo Award Winner for Best Nonfiction. Supplements an unsigned copy (which I forget to bring when I had Delany sign all my hardback fiction firsts at Readercon in 2009). Bought for $20 from Don Webb.

  • Derleth, August. The Chronicles of Solar Pons. Mycroft & Moran, 1973. First edition hardback, a Fine copy in a Fine- dust jacket with a thin line of wear at the very bottom of the heel. Collection of Derleth’s Sherlockian Solar Pons stories from Arkham House’s sister imprint. Joshi, Sixty Years of Arkham House, M&M15, page 183. Jaffrey, Horrors and Unpleasantries, 128. Nielsen, Arkham House Books: A Collector’s Guide, M15, page 154. Bought for £9 after discount.

  • Di Filippo, Paul. Harp, Pipe and Sympathy (with Walking the Great Road). Prime Books, 2004. First edition hardback (though Prime is a division of Wildside, so usual PD caveats apply), a Fine copy in a Fine dust jacket, signed by Di Filippo, with Walking the Great Road chapbook laid in. I’ve heard that only 100 copies were signed with the chapbook laid in, but that limitation isn’t stated anywhere. Replaces an unsigned copy without the chapbook. Bought off an Internet book dealer for $10.

  • Dozois, Gardner, editor. The Year’s Best Science Fiction: Thirty Fifth Annual Collection. St. Martin’s, 2018. First edition hardback, a Fine copy in a Fine dust jacket. The last Dozois annual, alas. Obtained for trade credit.
  • Farmer, Philip Jose. The Purple Book. Tor, 1982. First edition paperback original, a Near Fine- copy that, while tight and square, shows numerous small spots of rubbing across the front and rear cover as well as slight age-darkening to pages. Inscribed to fellow SF/F author Robert Adams of Horseclans fame: “To Bob Adams/From/Philip Jose/Farmer.” Thematic collection, containing “The Oögenesis of Bird City,” “Riders of the Purple Wage,” “Spiders of the Purple Mage,” “The Making of Revelation, Part I”, and “The Long Wet Purple Dream of Rip van Winkle.” Bought for $10 off eBay.

  • Duncan, Andy and Ellen Klages. Wakulla Springs. Tor, 2015. First edition hardback (evidently a reprint of an electronic version), a Fine copy in decorated boards, sans dust jacket, presumably as issued. Weird trim factor, being a small format hardback sightly smaller than a paperback. Bought for $4.99.

  • (Ellison, Harlan) Richmond, Tim, compiler and editor. Fingerprints on the Sky: The Authorized Harlan Ellison Bibliography. Edgeworks Abbey/Subterranean Press, 2017. First edition hardback, #238 of 500 numbered copies signed by Ellison and Richmond, a Fine copy in a Fine dust jacket. Massive oversized hardback, roughly 12 1/2″ high by 11″ wide. Lacks an index. Bought for $30, marked down from $75.

  • (Farmer, Philip Jose) Croteau, Michael. The Best of Farmerphile: The Magazine of Philip Jose Farmer. Meteor House, 2017. First edition hardback, one of 175 hardcovers signed by five of the contributors, a Fine copy in a Fine dust jacket. Contains a mixture of Farmer’s fiction, non-fiction, and essays about Farmer and his works by others. Bought for $20, marked down from $50.

  • Fawstin, Bosch. My Mohammed Cartoons Vol. 1. Oink Comics, 2018. First edition trade paperback original, a Fine copy, signed by Fawstin on the cover. Mohammed cartoons by the winner of the Draw Mohammed Contest in Garland. Evidently I got one of the last copies.

  • (Francis, Bruce (uncredited), compiler/editor, with Ray Bradbury, Robert Bloch, Elvira, Rowena, and William F. Nolan.) The Undead (AKA The Book Sail 16th Anniversary Catalogue). McLaughlin Press, 1984. First edition hardback, #326 of 550 copies of the Deluxe (and only hardback) edition, a Near Fine copy with fading to spine, in a Near Fine slipcase, from which the cloth is starting to peel away at the bottom (which I intended to repair), sans dust jacket, as issued. An extremely elaborate affair for a book catalog, including a lenticular image of horror hostess Elvira (who has signed a signature page in the book) embedded in the cover, a Rowena full-page, full-color illustration, “Sorceress,” opposite her signature, which looks like something of a self-portrait, a signed Forward from Ray Bradbury, a signed story (“The Undead”) from Robert Bloch, and a signed William F. Nolan chapbook (“The Dandelion Chronicles”) inserted into a special pocket at the back of the book. In addition to all that, there’s also an extensive book and manuscript catalog which makes up the bulk of the book, including a ridiculous amount of Lovecraft material, including amateur press publications, original manuscripts, letters, postcards, etc. It also includes Sonia Haft Greene Lovecraft’s passport, which I’ve seen at listed for sale/auction least twice since (from L. W. Currey and later listed by Heritage Auctions). Also includes many non-book rarities, including the first appearance of Siegel and Shuster’s Superman character in a fanzine (where he was a bald villain), an original stop-motion armature of King Kong, and Judy Garland’s contract for The Wizard of Oz. Bought for $75 off eBay.

  • Goodfellow, Cody. Radiant Dawn. Perilous Publishers, 2000. First edition trade paperback original, a Fine copy. Inscribed: “For Don Webb/who dares/mess with/Texas?/Cody Goodfellow.” Bought from Don Webb for $5.

  • Golden, Christopher, editor (Clive Barker, Joe R. Lansdale, Charles L. Grant, John Ferris, etc). Cut! Horror Writers on Horror Film. Borderlands Press, 1992. First hardback edition and first edition thus, #318 of 500 signed, numbered copies signed by most of the contributors (doesn’t look like Anne Rice signed it), a Fine copy in a Fine dust jacket and Fine slipcase. Bought for $20 marked down from $50 (list price was $65).

  • Greenberg, Martin, editor. Coming Attractions. Gnome Press, 1957. First edition hardback, a Near Fine- copy with two 1/4″ tears at head, dusty top and bottom page blocks and the usual age-darkening to pages for Gnome Press books of this era, in a Very Good dust jacket with shallow 1/8″ deep by 1″ wide chip at top rear cover, tears and shallow chipping at head, slight loss at top points, and slight spine fading (on the plus side, the white portions of the dust jacket are much brighter and free of dust staining than usually found). Anthology of speculative non-fiction about the future. Chalker/Owings (1991), page 203. Kemp, Gnome Press #64, page 258. Bought for $9.98 off eBay.

  • Haldeman, Joe. Forever Peace. To Stop War.. Temporary Culture, 2008. Second edition chapbook original, A very good copy with some creasing and wear. Two page poem with illustrations by Judith Clute. The first edition was a 25 copy hardback at a list price of $1,000 (not seen). Free.
  • Haldeman, Joe. Vietnam and Other Alien Worlds. NESFA Press, 1993. First edition hardback, #18 of 175 signed and numbered (and 8 lettered) copies, a Fine copy in a Fine dust jacket and slipcase. Supplements a trade copy. Bought for $25 from Half Price Books, discounted from $50.
  • Hendrix, Grady. Paperbacks From Hell: The Twisted History of ’70s and ’80s Horror Fiction. Quirk Books, 2017. First edition trade paperback original, a Fine copy. Oversized illustrated trade paperback popular history of horror paperbacks of the 1970s and 80s, broken up by theme. Lacks key bibliographic information about the books covered, alas. Bought for £10.80 after discount.

  • Heinlein, Robert A. The Past Through Tomorrow. Putnam, 1967. Second printing, a Very Good copy with one BB-sized indention in the spine with a small hole in the middle, with slight bumping at head and heel, in a Poor dust jacket (and it’s not even the right dust jacket, having coming from a book club edition) with the front, back and spine split into three panels (now taped back together), with further chips, tears, separation between the pieces, etc. Inscribed by Heinlein: “To Karol, Best Wishes/Robert A. Heinlein.” For some reason, this is one of the hardest of his books to find signed by Heinlein. Bought for $200. This is only the second signed Heinlein in my collection, after a signed book club edition of Time for the Stars I bought from David Hartwell for $40.

  • Hill, Joe. The Fireman. Signed, limited edition hardback, #472 of 900 signed, numbered copies, a Fine copy in decorated boards in a Fine dust jacket and Fine slipcase, with tissue paper laid in at signature page. An attractive edition, though it was preceded by no less than three U.S. signed/limited editions, specific to different bookstore chains. The scan is the front of the decorated slipcase. Bought for £19, marked down from £70.

  • Howard, Robert E. Trails in Darkness. Baen, 1996. First edition paperback original, a Fine- copy with slight edgewear to top front cover and slight foxing to inside covers. Volume VII in the Robert E. Howard library.
  • Howard, Robert E. Beyond the Borders. Baen, 1996. First edition paperback original, a Fine copy. Volume VI in the Robert E. Howard library.
  • Hunter, Stephen. I, Sniper. Simon & Schuster, 2009. First edition hardback, a Fine copy in a Fine Mylar-protected dust jacket, with bookstore event slip laid in. Signed and dated (“Jan 17, 2010”) by Hunter. Bought at auction for $6.15 plus shipping.

  • Keene, Brian and Nick Mamatas. The Damned Highway: Fear and Loathing in Arkham. Dark Horse Books, 2011. First edition trade paperback original, a Fine copy. A “Hunter S. Thompson does the Cthulhu Mythos” pastiche novel. Nice mock-Steadman Ian Miller cover. Bought from Half Price Books for $4.99.
  • King, Stephen, with John Mellencamp and T. Bone Burnett. Ghost Brothers of Darkland County. Concord Music Group, 2013. Trade paperback original in slipcase, the size and shape of an old multi-record LP boxed set, with two CDs of music and a DVD in pockets at the back. Libretto for a “Southern Gothic supernatural musical thriller.” The cast they’ve assembled to sing this thing is amazing: Elvis Costello, Neko Case, Kris Kristofferson, Roseanne Cash, Sheryl Crowe, etc. Bought for $19.99 marked down from $49.99.

  • Koontz, Dean R. The Darkest Evening of the Year. Charnel House, 2007. First limited edition hardback, #26 of 350 signed, numbered hardbacks, a Fine copy in a Fine slipcase, sans dust jacket, as issued. Bought for $75.

  • Koontz, Dean R. (as K. W. Dwyer). Dragonfly. Random House, 1975. First edition hardback (“First Edition” and numberline starting with “2”, as per Random house practice), an Ex-Library copy with most of the usual flaws, including stamps at head and page block side, tape ghosts inside covers, spine lean, ink writing and some edge-staining on FFE; call it a Very Good- Ex-Lib copy, in a Fine- dust jacket with a bit of wrinkling at head and heel. Kotker, Dean R. Koontz: A Critical Companion, page 175. Bought at Half Price Books for $2.
  • Koontz, Dean R. Dean Koontz’s Frankenstein. Charnel House, 2005. First edition hardback, #209 of 750 numbered copies, a Fine- copy (the Japanese Silver Wave silk the book is bound in appears darker on the spine than the rest of the book; that may be sun fading, or just air exposure the rest of the slipcased book did not get) in a Fine slipcase. A original script for a TV pilot that the network evidently so butchered that Koontz had his name taken off the production. Bought for $75.

  • Kurtz, Scott. PVP: The Dork Ages. Image Comics, 2004. First edition thus (“First Printing” stated), a compilation of the first six issues of the PvP comic books, which were themselves a spinoff of the web comic. Bought from Half Price Books for $2.
  • Kuttner, Henry (& C. L. Moore). Clash By Night. Hamlyn, 1980. First edition paperback original, a Very Good copy with a a long crease across the front cover. Short story collection. Kuttner’s name alone appears on the cover, but the title page also has C.L. Moore’s name, and all the stories are collaborations between the two.
  • Lafferty, R.A. It’s Down the Slippery Cellar Stairs. Chris Drumm, 1984. First edition chapbook original, #76 of 100 signed, numbered copies, a Fine copy. Drumm Booklet No. 14. Non-fiction collection. Bought off eBay for $23.95. Obviously I should have bought all these signed Lafferty chapbooks from Drumm back when they were $5 each, but I wasn’t collecting him then…

  • Lansdale, Joe. R. By Bizarre Hand. Mark V. Ziesing, 1989. First edition hardback, #347 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Supplements a trade copy. Bought from Half Price Books for $30 after the 50% off coupon.

  • Lansdale, Joe R. Coco Butternut. Subterranean Press, 2017. First edition hardback, 244 of 400 signed, numbered copies, a Fine copy in a Fine dust jacket. Hap and Leonard novella. Supplements a trade copy. Bought for $18, marked down from $45.
  • Lansdale, Joe R, editor. Cosmic Interruptions. Short Scary Tales (SST) Publications, 2018. First edition hardback, #105 of 550 signed, numbered hardbacks, a Fine copy in a Fine dust jacket. New short story collection from this UK publisher, weighing in at a hefty 528 pages. Also have copies for sale through Lame Excuse Books.
  • Lansdale, Joe R. Driving to Geronimo’s Grave and Other Stories. First edition hardback, #571 of 1500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread, in publisher’s bag.
  • Lansdale, Joe R. A Fist Full of Stories (And Articles). Cemetery Dance, 1996. First edition hardback, 420 of 500 signed, limited copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Supplements a trade copy and a traycased lettered copy. Bought for $26, marked down from $65.
  • Lansdale, Joe R. Honky Tonk Samurai. Gauntlet Press, 2017. First limited edition hardback, #60 of 500 signed, numbered copies. Supplements the Mulholland Books trade edition (which precedes). Bought for $24, marked down from $60.
  • Lansdale, Joe R. Jackrabbit Smile. Mullholland Books/Little Brown, 2018. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed to me by Lansdale. Hap and Leonard novel.
  • Lansdale, Joe R. Jonah Hex: Shadows West. DC Comics, 2013. First edition trade paperback graphic novel thus, compiled from previous individual comic books, a Fine copy, inscribed to me by Lansdale.

  • Lansdale, Joe R. Rusty Puppy. Mullholland Books/Little Brown, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Lansdale. Hap and Leonard novel.
  • Lansdale, Joe R, editor. The Horror Hall of Fame. Cemetery Dance, 2011. First edition hardback, one of 550 signed (by Lansdale) copies, a Fine copy in a Fine dust jacket. Bought for $26, marked down from $65.
  • Lansdale, Joe R., editor. The Horror Hall of Fame. Cemetery Dance, 2011. First edition hardback, a Fine copy in a Fine dust jacket. Trade edition. Bought for $14, marked down from $35.
  • Lansdale, Joe R, editor. Retro Pulp Tales. Subterranean Press, 2006. First edition hardback, 129 of 250 numbered copies signed by all the contributors, a Fine copy in a Fine dust jacket and a Fine slipcase. Supplements a trade edition copy. Bought for $26, marked down from $65.
  • Leiber, Fritz. The Pale Brown Thing. Swan River Press, 2016. First edition hardback, one of only 350 hardback copies, a Fine copy in decorated boards and a Fine dust jacket, with a postcard reprinting the cover of F&SF the story originally appeared in laid in. In addition to the story, there are extensive notes about how Leiber expanded the story into his novel Our Lady of Darkness. Bought for £16.80 after discount. There were plenty of scans of the dust jacket on the Internet, but none of the book itself, so the scan below shows the cover of the book itself (which, oddly enough, has no printing on the spine).

  • Lovecraft, H.P. and Willis Conover. Lovecraft at Last. Carrollton-Clark, 1975. First edition hardback, a Fine copy in a Fine dust jacket. Oversized volume that reprints the correspondence between Lovecraft and the then-teen-aged Conover, some in two-color facsimile. Joshi, H. P. Lovecraft: An Annotated Bibliography, I-A-62. Chalker/Owings (1991), page 91, who note that Conover lost tens of thousands of dollars on the project. Bought for £24 after discount.

  • (Lovecraft, H.P.) S.T. Joshi. H.P. Lovecraft: A Comprehensive Bibliography. University of Tampa Press, 2009. First edition hardback, a Fine copy in a Fine dust jacket. An update of Joshi’s 1981 Lovecraft bibliography. Weighs in at a hefty 681 pages. 200 Books by S. T. Joshi, I33a.

  • (Lovecraft, H.P.) S.T. Joshi. An Index to the Selected Letters of H. P. Lovecraft. Necronomicon Press, 1980. First edition chapbook original, a Fine copy. Reference work. Joshi, H. P. Lovecraft: An Annotated Bibliography, Supplement C-III, page 412. Bought for £12 after discount.

  • (Lovecraft, H.P.) Joshi, S.T., editor. Black Wings IV: New Tales of Lovecraftian Horror. PS Publishing, 2015. First edition hardback, a Fine copy in decorated boards and a Fine dust jacket. Bought for £9.33 as part of a bundle.
  • (Lovecraft, H.P.) Joshi, S.T., editor. Black Wings V: New Tales of Lovecraftian Horror. PS Publishing, 2016. First edition hardback, #94 of 300 copies, a Fine copy in decorated boards and a Fine dust jacket, in a Near Fine slipcase with 1 1/4″ x 2″ abraded spot at back cover bottom, with tissue paper laid in at signature page. Bought for $12.99, marked down from £50.
  • (Lovecraft, H.P.) Joshi, S.T., editor. Black Wings VI: New Tales of Lovecraftian Horror. PS Publishing, 2015. First edition hardback, a Fine copy in decorated boards and a Fine dust jacket. Bought for £9.33 as part of a bundle.
  • MacAvoy, R. A. Trio for Lute. Nelson Doubleday (SFBC), 1984. First hardback and first omnibus edition thus (with code P08 on page 631, as per ISFDB), a Very Good copy with some dampistaining transfer to blind side of dust jacket, in a Very Good- dust jacket with same, as well as multiple small tears at head, slight wear at head and heel, and abrasions along rear flap fold. Signed by MacAvoy: “For Fred/Bertie/MacAvoy.” Almost certainly another book from Fred Duarte’s library. Omnibus edition of Damiano, Damiano’s Lute and Raphael. Bought for $2.

  • MacCargo, J.T. Mannix # 1: The Faces of Murder. Belmont Tower, 1975. First edition paperback original, a very Good copy with spine creasing and fading and general wear. TV novelization. Bought for me by Dwight as a Christmas present because we’ve been working our way through Season 2 of the Mannix TV show.
  • MacLeod, Ian R. Hector Douglas Makes a Sale. PS Publishing, 2011. First edition chapbook original, a Fine copy. Signed by MacLeod. Freebie given away at the 2011 Eastercon to promote MacLeod’s forthcoming collection Wake Up and Dream. Bought for £3 after discount.

  • MacLeod, Ian R. Red Snow. PS Publishing, 2017. First edition hardback, #86 of 100 signed, numbered copies a Fine copy in decorated boards in a Fine dust jacket and Fine slipcase, with tissue paper laid in at signature page. Bought for £12.99, marked down from £50.
  • Matheson, Richard. Generations. Gauntlet Press, 2012. First edition hardback, a Fine copy in a Fine dust jacket. Autobiographical novel. Bought for $9.98, marked down from $24.95.
  • Matheson, Richard. Matheson Uncollected Volume I. Gauntlet Press, 2008. First edition hardback, #105 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought for $30 marked down from $75.
  • Matheson, Richard. Matheson Uncollected Volume II. Gauntlet Press, 2010. First edition hardback, #129 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought for $30 marked down from $75.
  • Matheson, Richard. Other Kingdoms: Original Draft. Gauntlet Press, 2011. First edition hardback, #75 of 300 signed, numbered copies (though Matheson, ailing at the time, only initialed copies), a Fine copy in a Fine dust jacket. Bought for $20 marked down from $50.

  • Matheson, Richard. Through Channels. Footsteps Press, 1990. First edition chapbook original, #53 of 550 copies, a Fine copy, signed by Matheson, with gray full-page illustration laid in.

  • Matheson, Richard Christian. The Ritual of Illusion. PS Publishing, 2013. First edition hardback, #205 of 250 signed, numbered copies, a Fine copy in decorated boards and a Fine dust jacket. Bought for $19.80 marked down from $49.50.
  • McDevitt, Jack. A Voice in the Night. Subterranean, 2018. First edition hardback, one of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket. Purchased at the usual dealer discount from the publisher. Copies will be available through Lame Excuse Books.
  • Moorcock, Michael. A Cornelius Calendar. Phoenix House, 1993. First edition hardback, a Fine copy in a Fine dust jacket. Jerry Cornelius omnibus that includes four novels (The Adventures of Una Persson and Catherine Cornelius in the Twentieth Century, The Entropy Tango, Gold Diggers of 1977 (AKA The Great Rock’n’Roll Swindle), and The Alchemist’s Question (AKA The Opium General)). First hardback edition of Gold Diggers of 1977/The Great Rock’n’Roll Swindle, originally published in tabloid newspaper format (which I also have). Bought for £12 after discount.

  • Moorcock, Michael. Jerusalem Commands. Jonathan Cape, 1992. First edition hardback, a Fine copy in a Fine dust jacket. Colonel Pyat novel. Bought for £9 after discount.

  • Moorcock, Michael. Moorcock’s Book of Martyrs. Quartet Books, 1976. First edition paperback a original, a Fine copy save for slight page yellowing (endemic to many UK books of this era). Short story collection. No hardback edition. Currey (1979), page 371. Tanelorn Archives, page 25. Bought for £6 after discount.

  • Moorcock, Michael. My Experiences in the Third World War. Savoy Books, 1980. First edition trade paperback original, a Fine copy save the slight page yellowing. Signed by Moorcock. Short story collection. Bought for £9 after discount.

  • Moorcock, Michael. Pegging the President. PS Publishing, 2018. First edition hardback, #71 of 100 signed, numbered copies (reportedly; production difficulties meant I got short shipped this for Lame Excuse Books, so there may be less than 100 copies existent), a Fine copy in a Fine dust jacket, new and unread, with tissue paper protector for signature page laid in. A new Jerry Cornelius novella.

  • Moore, C.L. The Best of C. L. Moore. Nelson Doubleday, 1975. First Edition hardback (as per Currey, with printing code 42 R in the gutter of page 307), a Near Fine- copy with a line and the letter A in blue ink at head, and slight wear at head and heel, in a Very Good dust jacket with a 3″ split along rear flap, with slight loss along it and front flap, as well as general wear. Signed by C.L. Moore. I collect C. L. Moore, but it didn’t occur to me to looked for signed copies of this title until this showed up. Bought off eBay for $16.

  • Morrell, David. Black Evening. Cemetery Dance, 1999. First edition hardback, one of 1500 copies signed by Morrell, a Fine copy in a Fine dust jacket. Short story collection. Bought for $16, marked down from $40.
  • Morrell, David. Stars in My Eyes: My Love Affair With Books, Movies and Music. Gauntlet Press, 2016. First edition hardback, #29 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket. Essays on Morell’s favorite books, movies and music, including essays on Richard Matheson, Dan Simmons and William Tenn, in addition to Geoffrey Household’s Rogue Male, the inspiration for First Blood. Bought for $20, marked down from $50.

  • Morrell, David. Rambo: First Blood II. Borderlands Press/Gauntlet Press, 2016. First hardback edition, first signed/limited edition, and first edition thus, with material not in the Jove paperback novelization, #27 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. (The original First Blood is a very good action movie, but it’s a great novel.) Bought for $24, marked down from $60.

  • Morrow, James. The Madonna and the Starship. Tachyon, 2014. First edition trade paperback original, a Fine copy, signed by Morrow. Bought for $4.99.
  • Powers, Tim. The Collected Stories of Tim Powers. Charnel House, 2018. First edition hardback (or first thus; see below), #58 of 124 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Even though this was sold out shortly after it was announced, I will have copies for sale in the next Lame Excuse Books catalog.

  • (Pournelle, Jerry) Acres, Mark. Combat Command in the World of Jerry E. Pournelle’s Janissaries: Lord of Lances. Ace, 1988. First edition paperback original, a Fine- copy with some edgewear. These Combat Command novels were strategic “pick your own path” adventures. Sort of an oddball concept. I also have the one for did for Zelazny’s Amber. Bought for $1.
  • Reynolds, Alastair. Pushing Ice. Gollancz, 2005. First edition hardback, a Fine copy in a Fine dust jacket. One of the few Reynolds novels I didn’t manage to snag when it first came out. Bought for £24 after discount.
  • Russell, Eric Frank. Dark Tides. Dobson, 1962. First edition hardback, a Very Good+ copy with two Australian ownership stamps (one for “McGill’s Agency Book Department;” possibly a literary agent’s copy) along with the number “2456” written in ink on the FFE and the same number written in ink on the half-title page, in a Near Fine- price-clipped dust jacket with wear at head, heel and points. Short story collection. Currey (1979), page 423. Bought for £30 after discount.

  • Ruz, Bruce. Hollywood vs. The Aliens: The Motion Picture Industry’s Participation in UFO Disinformation. Frog Limited, 1997. First edition trade paperback original, a Near Fine- with a crease across back top cover. Conspiracy theory movie history. Bought from Don Webb for $5. Don: “Well worth reading for the shock around page 120 when you realize that he’s serious.”
  • Sammon, Paul M., editor. Splatterpunks: Extreme Horror. St. Martin’s Press, 1990. First edition hardback, a Fine copy in a Fine- dust jacket with slight edgewear at head, heel and points. Signed by contributors Joe R. Lansdale, Ed Bryant, Nancy Collins and Chas. Balun. I had a copy of this (and I’m cited as an expert in here), but I didn’t get Ed Bryant to sign my copy, so this was a nice find. Bought for $12.49.

  • (Shaver, Richard) Toronto, Richard. War Over Lemuria: Richard Shaver, Ray Palmer and the Strangest Chapter of 1940s Science Fiction. McFarland, 2013. First edition trade paperback original, a Fine- copy that looks like it’s been read once. With review slip laid in. Book on the Shaver Mystery by someone who knew Shaver and published the Shaverton fanzine. Bought from Don Webb for $5.
  • Shaw, Bob. The Best of the Bushel (complete BoSh-vol 1). Paranoid/Inca Press, 1978. First edition chapbook original, a Fine- copy with a slight bit of sunning along the spine. Inscribed by Shaw: “For Ted, /with best wishes/Bob Shaw.” Collection of fan work by this British SF author. Not in Currey.

  • Shaw, Bob. The Eastercon Speeches (Complete BoSh-vol 2). Paranoid/Inca Press, 1979. First edition chapbook original, a Fine copy. Inscribed by Shaw: “Best wishes/Bob Shaw.” Collection of fan work by this British SF author, and companion volume to the above. Not in Currey. The pair bought off eBay for $9.

  • Shiner, Lewis. Heroes and Villains. Subterranean Press, 2017. First edition hardback, #547 of 750 signed, numbered copies, a Fine copy in a Fine dust jacket protected by Mylar. Bought of eBay for $10.80 plus shipping.
  • Shiras, William. Children of the Atom. Gnome Press, 1953. First edition hardback, a Fine- copy with slight dust soiling to top page block, in a Near Fine- dust jacket with, alas, small ink “x”s next to 13 titles on the back cover, as well as slight dust staining to white rear cover and wear along points and edges; save those flaws, an extremely nice, bright example of the dust jacket. Chalker/Owings (1991), page 200. Kemp, Gnome Press #28, page 215. Locke, A Spectrum of fantasy [One], page 197. Bought off eBay for $44.99.

  • Silverberg, Robert. The Emperor and the Maula. First edition hardback, #239 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread, in publisher’s bag. Far future Scheherazade novella, never published in complete form before.
  • Silverberg, Robert. Time and Time Again. Three Rooms Press, 2018. Advanced Reading Copy of the trade paperback original first edition, a Fine copy, new and unread. All Silverberg’s time travel stories in one place. Bought for $9.99 off eBay.

  • Smith, Clark Ashton. Ebony and Crystal: Poems in Verse and Prose. Auburn Journal, 1922. First edition hardback, #522 of 525 signed, numbered copies, a Very Good copy with pronounced foxing to inside front and rear covers, cracked inner hinge and cloth pulled away from binding staples to rear (which, looking from the construction, I’m guessing is an endemic flaw for this book), slight bend at head and heel and slight wear at points, sans dust jacket, as issued. Currey, page 453. Not in Bleiler’s Guide to Supernatural Horror. Bleiler Checklist (1978), page 181. Sidney-Fryer, Emperor of Dreams, page 128-128.

  • Smith, Clark Ashton. In the Realms of Mystery and Wonder: Collected Prose Poems and Artwork of Clark Ashton Smith. Centipede Press, 2017. First edition hardback, #36 of 300 signed (by editor Scott Conners) and numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. This actually sold out before I could pick it up, but I ended up buying this copy off eBay for $110.06, which is less than half the $225 offering price.

  • Smith, Clark Ashton. Odes and Sonnets. The Book Club of San Francisco, 1918. First edition hardback, #70 of 300 copies, a Very Good copy with long, thin abrasion along outer front edge, pinhead black spot to spine, word “Clark” worn away from spine label, and two faint dime-sized splash marks to rear cover, sans dust jacket, as issued. Thin, oversized volume printed in three colors (red, green and black) on uncut sheets (so half the poems are rather difficult to read). Not in Currey. Not in Bleiler’s Guide to Supernatural Horror. Not in Bleiler’s Checklist (1978). Sidney-Fryer, Emperor of Dreams, page 127.

  • Smith, Clark Ashton. The Star-Treader and Other Poems. A.M. Robertson, 1912. First edition hardback original, a Near Fine+ copy with top front point bumped, a few traces of grubbiness to rear boards, and an Ex-Libris sticker inside front cover under flap, in a Very Good+ dusty jacket with slight loss at head and top points, a few pots of grubbiness here and there, a crease to inside front flap at bottom, a thin line of abrasion at heel; quite a nice copy for a book more than 100 years old. Not in Currey. Not in Bleiler’s Guide to Supernatural Horror. Bleiler Checklist (1978), page 181. Sidney-Fryer, Emperor of Dreams, page 128.

  • Smith, Clark Ashton (David E. Schultz and Scott Conners, editors). Selected Letters of Clark Ashton Smith. Arkham House, 2003. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Conners. Bought for $30 off eBay.
  • (Smith, Cordwainer) MacNair, Harley Farnsworth. The Real Conflict Between China and Japan. University of Chicago Press, 1938. First edition hardback, a Very Good copy with spine and page blocks slightly grubby, lacking a dust jacket (possibly as issued). Formerly Paul M. A. Linebarger’s copy, with his signature, “Duke” and “1938” written at the top of the front free endpaper. Linebarger is most famous for writing science fiction under the pen name Cordwainer Smith (as well as Carmichael Smith and Felix C. Forrest). He was also a renowned Sinologist whose father was one of the chief advisors for Chinese nationalist leader Sun Yat-Sen (I also own a copy of Linebarger’s non-fiction work The Political Doctrine of Sun Yat-Sen, as well as his book Psychological Warfare, which was used for many years as a text at West Point). Books signed by him are uncommon. Bought off eBay for $45.

  • Spencer, Robert. The History of Jihad: From Muhammad to ISIS. Bombardier Books, 2018. Presumed first edition hardback (no additional printings listed), a Fine copy in a Fine dust jacket.
  • Spinrad, Norman. The Iron Dream. Avon, 1972. First edition paperback original, a Very Good+ copy with spine creasing, slight foxing, and general wear. Currey (1979), page 463. Bought from Don Webb for $3.
  • Steiger, Brad. The Werewolf Book. Visible Ink Press, 1999. First edition trade paperback original, a near Fine copy with wear along edges, a tiny crese to bottom front corner, and a few bits of writing inside. Non-fiction book on werewolves and other shapechangers in folklore and media. Bought from Don Webb for $5.
  • Straub, Peter. 5 Stories. Borderlands Press, 2007. First edition hardback, #328 of 350 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought for $24, marked down from $60.

  • Swanwick, Michael. The Third Frankenstein. Dragonstairs Press, 2018. First edition chapbook original, #60 of 100 signed copies, a Fine copy. Essay written to celebrate the 200th anniversary of Mary Shelly’s novel.

  • Swanwick, Michael. small wonders. Dragonstairs Press, 2018. First edition chapbook original, #5 of 120 copies, a Fine copy. Three short-shorts. Though you can’t tell from the scans, this is a much smaller trim size than the above.

  • Tatulli, Mark. Lio: Happiness is a Squishy Cephalopod. First edition trade paperback original, a Fine copy, inscribed: “To Meshke[sic]/(drawing of Lio’s head)/MT/Mark Tatulli.” Comic strip collection. Bought for $5.00 from Half Price Books.
  • Vance, Jack. Coup de Grace and Other Stories. Vance Integral Edition, 2001. First edition hardback, a Fine copy, sans dust jacket, as issued, matching the appearance of the “Reader’s Edition” of the Vance Integral Edition. Short story collection done as a “preview” edition to generate interest in the VIE project. Offered at $75. Chalker & Owings (2002), page 946. Chalker & Owings list a print run of 1,000 copies, which seems to high given the relative scarcity of the title, though several were evidently distributed at the Frankfurt Book Fair. Bought off eBay for $102.50.

  • Vance, Jack. Gold and Iron. Underwood-Miller, 1982. First edition hardback, one of 200 copies signed by Vance, a Fine copy in a Fine dust jacket. Originally published in paperback original as Slaves of the Klau. Supplements the trade edition. Hewett, A9e. Won off eBay for $81.

  • Vance, Jack. Maske: Thaery. Berkley, 1976. First edition hardback, a Fine copy in a Very Good+ dust jacket with shallow chipping at head and a few other nicks. Signed by Jack Vance. Hewett, A52. Won off eBay for $40.96.
  • Vance, Jack. Showboat World (or, to use the title embossed into the front boards of the book itself, The Magnificent Showboats of the Lower Vissel River, Lune XXIII South, Big Planet). Underwood-Miller, 1983. First hardback edition, a Presentation Copy of 200 signed, numbered copies, a Fine- copy with slight bumping at points in a Fine- dust jacket with a few small spots of slight browning discoloration. Hewett, A47h, who notes there were 28 Presentation Copies. Cunningham, Jack Vance: Critical Appreciations and a Bibliography, 71c, who notes that there were 20 Presentation Copies. Supplements a copy of the trade edition. Bought off eBay for $76.

  • Vance, Jack. Strange She Hasn’t Written/Death of a Solitary Chess Player/The Man Who Walks Behind (AKA 14 bis). Vance Integral Edition, 2006. First edition hardback, a Fine copy, sans dust jacket, as issued, matching the appearance of the “Reader’s Edition” of the Vance Integral Edition. The original titles for three mystery novels originally published under the Ellery Queen pseudonym as (respectively) The Four Johns, A Room to Die In and The Madman Theory, with textual corrections based on evidence of Vance’s original manuscripts uncovered as part of the VIE text correction process. Evidently one of 400 copies printed. ISFDB gives an offering price of $63, [Edited to add: Though this issue of Cosmopolis says they were available to subscribers like myself for $45]. Bought off eBay for $122.50. [Edited to add: This source says that there were only 100 copies of this volume printed, which accords much more with how rarely I’ve seen it offered…]

  • Wakfield, H.R. Strayers From Sheol. Arkham House, 1961. First edition hardback, a Fine copy in a Fine- dust jacket with just a trace of dust soiling to the white cover (exaggerated in the scan). Joshi, Sixty Years of Arkham House, 60. Jaffrey, Horrors and Unpleasantries, 60. Nielsen, Arkham House Books: A Collector’s Guide, 63. Bleiler, Supernatural Horror in Literature, 1647. Chalker/Owings (1991), page 30. Bought for £30 after discount.

  • Walton, Jo. Starlings. Tachyon, 2018. First edition trade paperback original, Fine. Short story collection.
  • Watson, Ian. The Uncollected Ian Watson. PS Publishing, 2014. First edition hardback, a Fine copy in decorated boards and a Fine dust jacket. Bought for £5, marked down from £25.
  • Watts, Peter. The Freeze-Frame Revolution. Tachyon, 2018. First edition trade paperback original, Fine. New novel. “How do you stage a mutiny when you’re only awake one day in a million? How do you engage an enemy that never sleeps, that sees through your eyes and hears through your ears and relentlessly, honestly, only wants what best for you?” Looks interesting.
  • Wellman, Manly Wade and Wade. Sherlock Holmes’s War of the Worlds. Warner Books, 1975. First edition paperack original, a Near Fine copy with age darkening to white spine and rear cover and Rosemary Webb’s ownership inscription on blurb page. Replaces a less attractive copy. Currey (1979), page 514. Bought from Don Webb for $5.
  • Williams, Liz, and Trevor Jones. Diary of a Witchcraft Shop. NewCon Press, 2011. First edition hardback, #49 of 50 signed, numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued. I already owned the second volume, of which there were 100 hardbacks. Bought for $12 marked down from $30.
  • Williamson, Chet. Dreamthrop. Dark Harvest, 1989. First edition hardback, Letter G of 26 signed, lettered copies, a Fine copy in a Fine wooden slipcase. Horror novel. Chalker/Owings (1991), page 121. Chalker/Owings (2002), page 1045. Bought off eBay for $49.

  • Wilson, Richard (John Pelan, editor). Masters of Science Fiction: Richard Wilson. Centipede Press, 2018. First edition hardback, #350 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread, still in shrinkwrap. A hefty 700 page short story collection from the Nebula-winning author of “Mother Goddess of the World.” Bought from the publisher at the usual dealer discount, and I’ll have a copy available in the next Lame Excuse Books catalog.

  • Finally, two non-books worth noting: I won a promotional photo for the movie IT signed by Stephen King at auction for $25 (which I tucked inside my copy of Knowing darkness: Artists Inspired by Stephen King, and a Dean R. Koontz letter to some UN official for $5.90, which I tucked inside the Land of Enchantment edition of Twilight Eyes.

    Library Additions: Five Reference Books (And One Oddity)

    Saturday, December 29th, 2018

    The last of the books from the Camelot 60% off sale. All but one of these are reference books, and the other is an oddity I just didn’t include with the previously listed books.

  • (Ellison, Harlan) Richmond, Tim, compiler and editor. Fingerprints on the Sky: The Authorized Harlan Ellison Bibliography. Edgeworks Abbey/Subterranean Press, 2017. First edition hardback, #238 of 500 numbered copies signed by Ellison and Richmond, a Fine copy in a Fine dust jacket. Massive oversized hardback, roughly 12 1/2″ high by 11″ wide. Lacks an index. Bought for $30, marked down from $75.

  • (Farmer, Philip Jose) Croteau, Michael. The Best of Farmerphile: The Magazine of Philip Jose Farmer. Meteor House, 2017. First edition hardback, one of 175 hardcovers signed by five of the contributors, a Fine copy in a Fine dust jacket. Contains a mixture of Farmer’s fiction, non-fiction, and essays about Farmer and his works by others, so I’ll probably end up shelving this under fiction anyway. Bought for $20, marked down from $50.

  • Golden, Christopher, editor (Clive Barker, Joe R. Lansdale, Charles L. Grant, John Ferris, etc). Cut! Horror Writers on Horror Film. Borderlands Press, 1992. First hardback edition and first edition thus, #318 of 500 signed, numbered copies signed by most of the contributors (doesn’t look like Anne Rice signed it), a Fine copy in a Fine dust jacket and Fine slipcase. Bought for $20 marked down from $50 (list price was $65).

  • King, Stephen, with John Mellencamp and T. Bone Burnett. Ghost Brothers of Darkland County. Concord Music Group, 2013. Trade paperback original in slipcase, the size and shape of an old multi-record LP boxed set, with two CDs of music and a DVD in pockets at the back. Libretto for a “Southern Gothic supernatural musical thriller.” The cast they’ve assembled to sing this thing is amazing: Elvis Costello, Neko Case, Kris Kristofferson, Roseanne Cash, Sheryl Crowe, etc. Bought for $19.99 marked down from $49.99.

  • (Lovecraft, H.P.) S.T. Joshi. H.P. Lovecraft: A Comprehensive Bibliography. University of Tampa Press, 2009. First edition hardback, a Fine copy in a Fine dust jacket. An update of Joshi’s 1981 Lovecraft bibliography. Weighs in at a hefty 681 pages. 200 Books by S. T. Joshi, I33a.

  • Williams, Liz, and Trevor Jones. Diary of a Witchcraft Shop. NewCon Press, 2011. First edition hardback, #49 of 50 signed, numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued. I already owned the second volume, of which there were 100 hardbacks. Bought for $12 marked down from $30.
  • Library Addition: Philip Jose Farmer’s The Purple Book Inscribed to Robert Adams

    Thursday, October 18th, 2018

    I picked up another Philip Jose Farmer paperback original associational copy:

    Farmer, Philip Jose. The Purple Book. Tor, 1982. First edition paperback original, a Near Fine- copy that, while tight and square, shows numerous small spots of rubbing across the front and rear cover as well as slight age-darkening to pages. Inscribed to fellow SF/F author Robert Adams of Horseclans fame: “To Bob Adams/From/Philip Jose/Farmer.” Thematic collection, containing “The Oögenesis of Bird City,” “Riders of the Purple Wage,” “Spiders of the Purple Mage,” “The Making of Revelation, Part I”, and “The Long Wet Purple Dream of Rip van Winkle.” Bought for $10 off eBay.

    Another Farmer PBO inscribed to an SF author in my library can be found here.