Posts Tagged ‘Shirley Jackson’

Lawrence Person’s Books Wanted List

Thursday, August 19th, 2021

Some ten years ago I put up a books wanted list, and since then I’ve obtained a lot of things on it. Now here’s a greatly expanded list.

The vast majority of these are first edition first printings, mostly hardbacks, but I do have more PBOs listed this time around (especially for Michael Moorcock and Jack Vance). Hardback is the default, but other formats are listed where otherwise, as are a occasional first edition points for clarity or to jog my memory.

I don’t buy later printings, copies without dust jackets (when issued with same), copies with price-clipped dust jackets (unless all copies of the true first edition were released that way), copies with facsimile dust jackets, or overly crummy copies. Most of the books I buy are in Fine/Fine condition, but that relaxes a bit the older (and pricier) books become. I have picked up Ex-Library copies in dust jacket when the better copies of the true first can’t be found under a grand. I also only buy first state bindings and dust jackets, unless there’s no priority, or the true first state is insanely rare (such as with Stanley G. Weinbaum’s Dawn of Flame). I prefer signed copies to unsigned copies for most things, especially for dead writers (an ever-growing list). Trade editions of recent books from mainstream publishers are mainly here to jog my own memory when visiting bookstores.

I have a few books here under the writer’s pseudonym, so I can enter them under that name in various search fields.

Some of these are aspirational, as I doubt I’m going to find a first printing of The Hobbit I can afford, but you never know.

If you have nice copies of the below you’re willing to part with at an attractive price, feel free to drop me a line at lawrenceperson at gmail dot com.

  • Anonymous (actually Dorothy Scarborough)’s The Wind (Harper & Brothers, 1925)
  • Douglas Adams’ The Hitchhiker’s Guide to the Galaxy (Arthur Baker, 1979)
  • Richard Adams’ Watership Down (Rex Collins, 1972)
  • Robert Aickman’s Sub Rosa (Gollancz, 1968)
  • Brian Aldiss’ At the Caligula Hotel (Sinclair-Stevenson, 1995) (trade paperback)
  • Brian Aldiss’ Greybeard (Harcourt Brace & World, 1964)
  • Brian Aldiss’ Helliconia Spring (Cape, 1982)
  • Brian Aldiss’ Helliconia Summer (Cape, 1983)
  • Brian Aldiss’ Helliconia Winter (Atheneum, 1985)
  • Brian Aldiss’ Hothouse (Faber & Faber, 1962)
  • Brian Aldiss’ A Plutonian Monologue (Frogmore Press, 2002) (chapbook)
  • Brian Aldiss’ At a Bigger House (Avernus, 2002) (chapbook)
  • Brian Aldiss’ The Dark Sun Rises (Avernus, 2002) (chapbook)
  • Poul Anderson’s The Broken Sword (Abelard-Schulman, 1954)
  • Poul Anderson’s The High Crusade (Doubleday, 1960)
  • Isaac Asimov’s The End of Eternity (Doubleday, 1955)
  • Isaac Asimov’s I, Robot (Gnome Press, 1950)
  • Isaac Asimov’s Liar! (Cambridge University Press, 1977) (chapbook)
  • Steve Aylett’s Shamanspace (Codex, 2001) (TPO)
  • Steve Aylett’s Dummyland (Gollancz, 2002) (TPO)
  • Paul Bailey’s Deliver Me From Eva (Murray & Gee, 1946)
  • J. G. Ballard’s Crash (Cape, 1973)
  • J. G. Ballard’s The Day of Forever (Gollancz, 1986)
  • J. G. Ballard’s The Drowned World (Gollancz, 1962)
  • J. G. Ballard’s Kingdom Come (Fourth Estate, 2006)
  • J. G. Ballard’s Low Flying Aircraft (Cape, 1976)
  • J. G. Ballard’s Rushing to Paradise (Flamingo, 1994)
  • Bill Barclay’s Somewhere in the Night (Compact PBO, 1966)
  • Clive Barker’s The Hellbound Heart (Earthling Publications, 2007)
  • Clive Barker’s The Scarlet Gospels (St. Martin’s, 2015)
  • Peter S. Beagle’s Lila the Werewolf (Capra Press, 1974) (1/75 signed hardbacks)
  • Michael Bishop’s Windows & Mirrors (The Moravian Press, 1977) (poetry chapbook)
  • Jerome Bixby’s The Devil’s Scrapbooks (Brandon House, 1964) (PBO)
  • (Blackwood, Algernon) Mike Ashley’s Algernon Blackwood: A Bio-Bibliography (Greenwood, 1987)
  • William Peter Blatty’s The Exorcist (Harper & Row, 1971)
  • James P. Blaylock’s Doughnuts (ASAP, 1994) (1/26 triptych copies)
  • James P. Blaylock’s Home Before Dark (Subterranean, 2000) (1/26 signed, lettered hardback copies)
  • James Blish’s The Day After Judgment (Doubleday, 1971, code L47 on p. 166)
  • Robert Bloch’s Atoms and Evil (Robert Hale, 1976)
  • Robert Bloch’s Blood Runs Colds (Simon and Schuster, 1961)
  • Robert Bloch’s Chamber of Horrors (Award Books, 1966) (PBO)
  • Robert Bloch’s Cold Chills (Doubleday, 1977)
  • Robert Bloch’s The Dead Beat (Simon and Schuster, 1960)
  • Robert Bloch’s Fear Today, Gone Tomorrow (Award, 1971) (PBO)
  • Robert Bloch’s The Laughter of a Ghoul/Whatever A Young Ghoul Should Know (Necrominocon Press, 1977) (chapbook)
  • Robert Bloch’s Once Around the Bloch (Tor, 1993)
  • Robert Bloch’s The Opener of the Way (Arkham House, 1945)
  • Robert Bloch’s Pleasant Dreams – Nightmares (Arkham House, 1960)
  • Robert Bloch’s The Scarf (Dial Press, 1947)
  • Robert Bloch’s Sea-Kissed (Utopian Publications, 1945)(PBO)
  • Robert Bloch’s The Skull of the Marquis de Sade and other stories (Robert Hale, 1975)
  • Robert Bloch and Ray Bradbury’s Bloch and Bradbury (Tower, 1969) (PBO)
  • Pierre Boulle’s Monkey Planet (Secker & Warburg, 1964)
  • Edward P. Bradbury’s Barbarians of Mars (Compact, 1965) (PBO)
  • Edward P. Bradbury’s Blades of Mars (Compact, 1965) (PBO)
  • Ray Bradbury’s About Norman Corwin (Santa Susana Press, 1979)(boxed art portfolio)
  • Ray Bradbury’s The Anthem Sprinters (Dial Press, 1963, hardback)
  • Ray Bradbury’s The April Witch (Creative Education, 1987) (hardback chapbook)
  • Ray Bradbury’s Beyond 1984: Remembrances of Things Future (Targ, 1979)
  • Ray Bradbury’s Christmas Greetings broadsides (all years except 1982, 1986, 1989, 1994, and 2008)
  • Ray Bradbury’s Christus Apollo: Cantata Celebrating the Eighth Day of Creation and the Promise of the Ninth (The Gold Stein Press, 1998) (1/50 signed hardback copies in traycase)
  • Ray Bradbury’s Dandelion Wine (Doubleday, 1957)
  • Ray Bradbury’s Dawn to Dusk (Gauntlet, 2011) (signed numbered or signed lettered edition)
  • Ray Bradbury’s The Day It Rained Forever. (Rupert Hart Davis, 1959) (Currey state A (navy blue binding))
  • Ray Bradbury’s The Day It Rained Forever: A Comedy in One Act (Samuel French, 1966) (play chapbook, 75¢ price)
  • Ray Bradbury’s A Device Out of Time (Dramatic Publishing, 1986)
  • Ray Bradbury’s The Engines Drive the Summer With Their Purr (Green Cat Press, 2001) (broadsheet)
  • Ray Bradbury’s Fahrenheit 451 (Ballantine Books, 1953) (any Currey hardback state (B-E))
  • Ray Bradbury’s Fahrenheit 451: The Authorized Adaption (Farrar, Straus & Giroux, 2009) (graphic novel)
  • Ray Bradbury’s Falling Upward (Dramatic Publishing Company, 1989) (play chapbook)
  • Ray Bradbury’s Farewell Summer (Morrow, 2006)
  • Ray Bradbury’s Farewell Summer (Subterranean, 2011) (lettered edition with extra book)
  • Ray Bradbury’s The Fog Horn (Creative Education, 1987) (hardback chapbook)
  • Ray Bradbury’s Fragments (Gauntlet, 2005)
  • Ray Bradbury’s Frost and Fire (DC Comics, 1985) (graphic novel)
  • Ray Bradbury’s From the Dust Returned (Morrow, 2001)
  • Ray Bradbury’s A Gathering of Authors & Their Admonitions (Castle Press, 1981) (broadsheet)
  • Ray Bradbury’s The God in Science Fiction (Santa Susana Press, 1978)(chapbook)
  • Ray Bradbury’s The Golden Apples of the Sun (Doubleday, 1953)
  • Ray Bradbury’s Halloween (Shuttlebop Press, 1983)
  • Ray Bradbury’s The Halloween Tree (Gauntlet Press, 2005) (1/52 lettered copies with metal case and popup tree)
  • Ray Bradbury’s Imagine (Lord John, 1981) (broadside, 1/100 signed)
  • Ray Bradbury’s I Live By The Invisible (Salmon Poetry, 2002) (TPO)
  • Ray Bradbury’s I Sing the Body Electric (Knopf, 1969)
  • Ray Bradbury’s Kaleidoscope (Dramatic Publishing, 1975)(play chapbook)
  • Ray Bradbury’s The Last Good Kiss (Santa Susana Press, 1984) (art portfolio thing)
  • Ray Bradbury’s Long After Ecclesiastes​ (Gold Stein Press, 1985; miniature book)
  • Ray Bradbury’s The Love Affair (Lord John Press, 1982) (1/300 signed hardbacks)
  • Ray Bradbury’s Long After Midnight (Knopf, 1976)
  • Ray Bradbury’s The Machineries of Joy Simon and Schuster, 1964)
  • Ray Bradbury’s Madrigals for the Space Age (Associated Music Publishers, 1972) (chapbook)
  • Ray Bradbury’s Man Dead? Then God Slain (Santa Susana Press, 1977) (1 of 26 numbered hardback copies in slipcase)
  • Ray Bradbury’s Match to Flame (Gauntlet, 2006) (Wooden slipcase lettered edition)
  • Ray Bradbury’s A Medicine for Melancholy (Doubleday, 1959)
  • Ray Bradbury’s My Cat Has Swallowed a Bumblebee (Green Cat Press, 2003) (broadsheet)
  • Ray Bradbury’s 1984 Will Not Arrive: A Prediction for the Greening of Scripps (Grant Dahlstrom at The Castle Press, 1975) (chapbook text lecture)
  • Ray Bradbury’s No Man Is An Island (Brandeis University, 1952) (chapbook)
  • Ray Bradbury’s The October Country (Ballantine Books, 1955; first state with inverted logo on spine)
  • Ray Bradbury’s One More For The Road (Morrow, 2002)
  • Ray Bradbury’s One the Years Were Numerous and the Funerals Few (broadsheet, 2004)
  • Ray Bradbury’s The Pedestrian (Roy Squires, 1964) (chapbook)
  • Ray Bradbury’s The Pedestrian: A Fantasy in One Act (Samuel French, 1966) (chapbook)
  • Ray Bradbury’s Pillar of Fire and Other Plays (Bantam Books, 1975) (PBO)
  • Ray Bradbury’s The Poet Considers His Resources (Lord John Press, 1979) (broadside)
  • Ray Bradbury’s R is for Rocket (Doubleday, 1962)
  • Ray Bradbury’s Ray Bradbury Chronicles (Volumes 1, 3 and 5) (Byron Preiss/NBM) (signed hardback graphic novels)
  • Ray Bradbury’s Samurai/Kabuki (Hill House, 2006 hardback)
  • Ray Bradbury’s S is for Space (Doubleday, 1966)
  • Ray Bradbury’s Skeletons (Subterranean, 2008) (lettered edition)
  • Ray Bradbury’s Something Wicked This Way Comes (Simon and Schuster, 1962)
  • Ray Bradbury’s The Stars (Gold Stein Press, 1/95, 1993, miniature book)
  • Ray Bradbury’s Sun and Shadow (Quenian Press, 1957) (chapbook)
  • Ray Bradbury’s Switch on The Night (Pantheon, 1955)(first state, no mention of Random House on copyright page)
  • Ray Bradbury’s That Ghost, That Bride of Time (Roy A. Squires, 1976)
  • Ray Bradbury’s That Son of Richard III: A Birth Announcement (Roy A. Squires, 1974)
  • Ray Bradbury’s Tomorrow Midnight (Ballantine Books, 1966) (PBO, ¢50)
  • Ray Bradbury’s To The Chicago Abyss (Dramatic Publishing Company, 1988) (play chapbook)
  • Ray Bradbury’s The Tonybee Convector (Knopf, 1988) (1/350 signed/numbered)
  • Ray Bradbury’s Twice 22 (Doubleday, 1966) (book club, code 47G on page 405)
  • Ray Bradbury’s The Trivial Pursuits Transporter (Hill House, 2006)
  • Ray Bradbury’s The Vintage Bradbury (Vintage Books, 1965)
  • Ray Bradbury’s Where Everything Ends (Subterranean Press, 2009) (1/26 lettered copies)
  • Ray Bradbury’s The Wish (Hill House, 2006)
  • Ray Bradbury’s The Wonderful Death of Dudley Stone (?, 1985) (chapbook)
  • Ray Bradbury’s Zen in the Art of Writing (Capra Press/ Joshua Odell Editions, 1973 (1/250 signed, numbered copies)
  • Ray Bradbury editor’s The Circus of Dr. Lao and Other Stories (Bantam Books, 1956) (PBO)
  • Ray Bradbury editor’s Timeless Stories for Today and Tomorrow (Bantam Books, 1953) (PBO, 35¢)
  • Ray Bradbury and Robert Bloch’s Bloch and Bradbury (PBO, Tower, 1969, Tower 43-246, 60¢)
  • (Ray Bradbury) Steven Ageliss’ Conversations With Ray Bradbury (University Press of Mississippi, 2004, paperback)
  • (Ray Bradbury) Jonathan R. Eller & William F. Touponce’s Ray Bradbury: The Life of Fiction (Kent State University Press, 2004)
  • (Ray Bradbury) Joseph Mugnaini: Drawings & Graphics (Scarecrow Press, 1982)
  • (Ray Bradbury) Joseph Mugnaini: Ten Views of the Moon (Lynton Kistler, 1981) (art portfolio with 10 signed prints)
  • (Ray Bradbury) Sam Weller’s Listen to the Echoes: The Ray Bradbury Interviews (Stopsmiling Books/Melville House, 2010) (TPO)
  • (Ray Bradbury) William F. Nolan’s Ray Bradbury Review (Graham Press, 1988)
  • Ernest Bramah’s Kai Lung: Six (Non-Profit Press, 1974)
  • William S. Burroughs’ Cities of the Red Night (Holt, Rinehart and Winston, Inc., 1981)
  • William S. Burroughs’ Naked Lunch (Grove Press, 1959 (i.e., 1962))
  • William S. Burroughs’ The Soft Machine (Grove Press, 1966)
  • John W. Campbell’s Invaders from the infinite (Fantasy Press, 1961) (one of 300 (actually 112) signed, numbered copies)
  • John W. Campbell’s Islands of Space (Fantasy Press, 1956) (1/50-odd signed copies)
  • John W. Campbell’s Who Goes There? (Shasta Publishers, 1952)
  • John Dickson Carr’s The Devil in Velvet (Harper & Brothers, 1951)
  • Angela Carter’s Heroes and Villains (Heinemann, 1969)
  • Edd Cartier’s The Known and the Unknown (De La Ree, 1977)
  • Michael Chabon’s Werewolves in Their Youth (Random House, 1999) (Number line ends with 2)
  • G. K. Chesterton’s Napoleon of Notting Hill (John Lane, 1904)
  • Arthur C. Clarke’s Childhood Ends (Portentious Press HB, 1996)
  • Arthur C. Clarke’s Expedition to Earth (Ballantine Books, 1953)
  • Arthur C. Clarke’s The Sands of Mars (Sidgwick & jackson, 1951)
  • Arthur C. Clarke’s Tales From the White Heart (Ballantine Books, 1957)
  • Arthur C. Clarke’s 2001: A Space Odyssey (NAL, 1968)
  • James Clavell’s King Rat (Little Brown, 1962)
  • Hal Clement’s Cycle of Fire (Ballantine, 1957)
  • Colvin, James. The Deep Fix (Compact, 1966) (PBO)
  • Avram Davidson’s And Don’t Forget The One Red Rose (Dryad Press, 1986) (1/15 hardbacks)
  • L. Sprague De Camp’s Lest Darkness Fall (Henry Holt, 1941)
  • L. Sprague De Camp’s The Tritonian Ring (Twayne, 1953)
  • L. Sprague De Camp and Fletcher Pratt’s The Castle of Iron (Fantasy Press, 1950)
  • L. Sprague De Camp and Fletcher Pratt’s The Incomplete Enchanter (Henry Holt & Co., 1941)
  • Samuel R. Delany’s Dhalgren (Gregg Press, 1977)
  • Samuel R. Delany’s The Einstein Intersection (Ace, 1967) (PBO)
  • Samuel R. Delany’s The Fall of the Towers (Gregg Press, 1977)
  • Samuel R. Delany’s Out of the Dead City (Sphere, 1968) (PBO)
  • (Samuel R. Delany) George Edgar Slusser’s The Delany Intersection (Borgo Press, 1977) (chapbook)
  • (Samuel R. Delany) James Sallis, editor. Ash of Stars: On the Writings of Writing of Samuel R. Delany (University of Mississippi Press, 1996)
  • August Derleth’s The Trail of Cthulhu (Arkham House, 1962)
  • Philip K. Dick’s Dr. Bloodmoney (Gregg Press, 1977)
  • Philip K. Dick’s Five Novels of the 1960s & 70s (Library of America, 2008) (in dust jacket with green band)
  • Philip K. Dick’s Five Novels of the 1960s & 70s (Library of America, 2008) (without dust jacket, in slipcase)
  • Philip K. Dick’s VALIS and Later Novels (Library of America, 2009) (in dust jacket with pink band)
  • Philip K. Dick’s VALIS and Later Novels (Library of America, 2009 (without dust jacket, in slipcase)
  • Philip K. Dick’s Flow My Tears, The Policeman Said (Doubleday, 1974) (no remainder spray)
  • Philip K. Dick’s The World Jones Made (Sidgwick & Jackson, 1968)
  • Gordon R. Dickson’s The Dragon and the George (Nelson Doubleday/SFBC, 1976) (book club hardback) (code G24 on page 243)
  • Thomas M. Disch’s Haikus of an Ampart (Coffee House Press, 1991) (chapbook)
  • Thomas M. Disch’s Orders of the Retina (Toothpaste Press, 1982) (1/100 signed, numbered hardbacks)
  • Thomas M. Disch’s Ringtime (Toothpaste Press, 1982, 1/100 signed, numbered hardbacks)
  • Thomas M. Disch’s Under Compulsion (Rupert Hart-Davis, 1968)
  • Thomas M. Disch, Marilyn Hacker and Charles Platt’s Highway Sandwiches (chapbook, 1970)
  • Gardner Dozois’s Sunk beneath the Waves (Dragonstairs Press, 2013) (chapbook)
  • Gardner Dozois’s The Year’s Best Science Fiction Volumes 15, 23, 24, 27, 28 (St. Martin’s hardbacks)
  • Robert Eighteen-Bisang’s A Vampire Bibliography: Volume One, Literature (Transylvania Press, 1996)
  • E. R. Eddison’s The Worm Ouroboros (Cape, 1922)
  • Harlan Ellison’s All the Sounds of Fear (Panther, 1973) (PBO)
  • Harlan Ellison’s Broken Glass (Avenue Victor Hugo, 1981) (broadside)
  • Harlan Ellison’s The Deadly Streets (Ace, 1958) (PBO)
  • Harlan Ellison’s Ellison Under Glass (Charnel House, 2019) (1/100 signed/numbered)
  • Harlan Ellison’s Ellison Wonderland (Paperback Library, 1962) (PBO, 50¢ cover price)
  • Harlan Ellison’s Ellison Wonderland with Pebbles From the Mountain (PS Publishing, 2015)
  • Harlan Ellison’s Footsteps (Footsteps Press, 1989) (chapbook)
  • Harlan Ellison’s Gentlemen Junkie (Regency, 1961) (PBO, 50¢ on the cover)
  • Harlan Ellison’s The Glass Teat & The Other Glass Teat (Charnel House, 2014)
  • Harlan Ellison’s I Have No Mouth And I Must Scream (Pyramid, 1967) (PBO, 60¢ on cover)
  • Harlan Ellison’s Jokes Without Punchlines (White Wolf, 1995) (chapbook)
  • Harlan Ellison’s The Juvies (Ace, 1961) (PBO, 35¢ on the cover)
  • Harlan Ellison’s The Man With Nine Lives b/w A Touch of Infinity (Ace, 1960) (PBO, 35¢ on the cover)
  • Harlan Ellison’s One Life, Furnished in Early Poverty (Lance Brown, 1993) (broadside, 1/100 copies)
  • Harlan Ellison’s Over the Edge (Belmont, 1970) (PBO, May 1970 on copyright page, 75¢ on cover)
  • Harlan Ellison’s Night of Black Glass (1981) (broadside)
  • Harlan Ellison’s Rockabilly (Fawcett, 1961) (PBO, First Printed October 1961 on copyright page, 35¢ on the cover)
  • Harlan Ellison’s Spider Kiss (Pyramid, 1975) (PBO, Pyramid Edition published July 1975 on copyright page, $1.25 on cover)
  • Harlan Ellison’s The Time of the Eye (Panther, 1974) (PBO, first published in Great Britain in 1974 on copyright page, 35p on cover)
  • Harlan Ellison’s Web of the City (Pyramid, 1975) (PBO, New Pyramid edition: December 1975 on copyright page, price of $1.50 on cover)
  • Harlan Ellison (& Steranko)’s “Repent, Harlequin,” Said The Ticktock Man (art Portfolio w/6 prints) (Baronet, 1978)
  • Harlan Ellison’s Vic and Blood (Edgeworks Abbey, 2003)
  • (Harlan Ellison) Ellen Weil and Gary K. Wolfe’s Harlan Ellison: The Edge of Forever (Ohio State University Press, 2002)
  • Philip Jose Farmer’s A Barnstormer in Oz (Phantasia Press S/L, 1982)
  • Philip Jose Farmer’s Blown or Sketches Among the Ruins of My Mind (Essex House, 1968, PBO)
  • Philip Jose Farmer’s Flesh (Doubleday, 1968)
  • Philip Jose Farmer’s Greatheart Silver and Other Pulp Heroes (Meteor House, 2019)
  • Philip Jose Farmer’s Image of the Beast (Essex House, 1966, PBO)
  • Philip Jose Farmer’s The Unreasoning Mask (Putnam, 1981) (signed/limited edition)
  • Philip Jose Farmer’s Strange Relations (Gollancz, 1964)
  • Gans T. Field’s Romance in Black (Utopian Publications, 1946) (chapbook)
  • Virgil Finlay’s The Book of Virgil Finlay (De La Ree, 1975)
  • Virgil Finlay’s The Third Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Fourth Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Fifth Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Sixth Book of Virgil Finlay (De La Ree, 1980)
  • Jack Finney’s Time and Again (Simon & Schuster, 1970) (1st stated, no book club mention on dj or embossed book club square on rear)
  • John Fowls’ The Magus (Cape, 1966)
  • Pat Frank’s Alas, Babylon (Lippincott, 1959)
  • Jane Gaskell’s The Shiny Narrow Grin (Hodder & Stoughton, 1964)
  • Neil Gaiman’s The Little Gold Book of Ghastly Stuff (Borderlands, 2011)
  • William Golding’s The Inheritors (Faber & Faber, 1955)
  • William Golding’s Lord of the Flies (Faber & Faber, 1954)
  • William Golding’s Pincher Martin (Faber & Faber, 1956)
  • Herbert Gorman’s The Place Called Dagon (Doran, 1927)
  • Charles L. Harness’s Flight Into Yesterday (Bouregy & Curl, 1953)
  • Roger Harris’ The LSD Dossier (Compact, 1966) (PBO)
  • Harry Harrison’s Make Room! Make Room! (Doubleday, 1966)
  • Robert A. Heinlein’s Between Planets (Scribner’s, 1951) (First Printing A & seal, unclipped $2.50 dj)
  • Robert A. Heinlein’s Beyond This Horizon (Fantasy Press, 1948)
  • Robert A. Heinlein’s The Cat Who Walks Through Walls (Putnam, 1985) (1/350 signed, numbered copies)
  • Robert A. Heinlein’s Citizen of the Galaxy (Scribner’s, 1957) (First Printing A & seal)
  • Robert A. Heinlein’s The Door Into Summer (Doubleday, 1957)
  • Robert A. Heinlein’s Farnham’s Freehold (Putnam, 1964)
  • Robert A. Heinlein’s Farmer in the Sky (Scribner’s, 1950)
  • Robert A. Heinlein’s Friday (Holt Reinhardt & Winston, 1982) (1/500 signed, numbered copies)
  • Robert A. Heinlein’s Glory Road (Putnam, 1963)(no statement of printing)
  • Robert A. Heinlein’s I Will Fear No Evil (Putnam, 1970)
  • Robert A. Heinlein’s Job: A Comedy of Justice (Del Rey, 1984, 1/750 signed, numbered copies)
  • Robert A. Heinlein’s The Menace From Earth (Gnome, 1959)
  • Robert A. Heinlein’s Methuselah’s Children (Gnome, 1st state binding (black boards), 1st state dj (“New York 3”)
  • Robert A. Heinlein’s Orphans of the Sky (Gollancz, 1963)
  • Robert A. Heinlein’s Red Planet (Scribner’s, 1949) (First Printing A & seal)
  • Robert A. Heinlein’s Rocket Ship Galileo (Scribner’s, 1947) (First Printing A & seal, unclipped $2.00 dj)
  • Robert A. Heinlein’s The Rolling Stones (Scribner’s, 1952) (First Printing A & seal)
  • Robert A. Heinlein’s Space Cadet (Scribner’s, 1948) (First Printing A & seal)
  • Robert A. Heinlein’s Starman Jones (Scribner’s, 1953) (First Printing A & seal)
  • Robert A. Heinlein’s Time Enough for Love (Putnam, 1973)
  • Robert A. Heinlein’s Time for the Stars (Scribner’s, 1956) (First Printing A & seal)
  • Robert A. Heinlein’s Tunnel in the Sky (Scribner’s, 1955) (First Printing A & seal)
  • Robert A. Heinlein’s Universe (Dell, 1951) (PBO)
  • Robert A. Heinlein’s The Unpleasant Profession of Jonathan Hoag (Gnome, 1959)
  • Robert A. Heinlein’s Waldo & Magic Inc. (Doubleday, 1950)
  • Peter Held’s Take My Face (Mystery House, 1957)
  • Mark Helprin’s Winter’s Tale (Harcourt Brace Jovanovich, 1983)
  • Joe Hill’s Basket Full of Heads (Hill House Comics/DC, 2020) (Hardback graphic novel)
  • Joe Hill’s Dying Is Easy (IDW, 2020) (Hardback graphic novel)
  • Joe Hill’s Plunge (Hill House Comics/DC, 2020) (Hardback graphic novel)
  • Joe Hill’s You Are Released (Lividian Publications, 2022) (chapbook)
  • Russell Hoban’s Riddley Walker (Cape, 1980)
  • William Hope Hodgson’s The Boats of the ‘Glen Garrig’ (Chapman and Hall, 1907) (no statement of printing)
  • William Hope Hodgson’s The Calling of the Sea (Selwyn & Blount, 1920)
  • William Hope Hodgson’s The Ghost Pirates (Stanley Paul, 1909) (red cloth binding)
  • William Hope Hodgson’s The Haunted Pampero (Donald M. Grant, 1991, 1/500 signed copies)
  • William Hope Hodgson’s The House on the Borderland (Chapman and Hall, 1908)
  • William Hope Hodgson’s Men of Deep Waters (Eveleigh Nash, 1914)
  • William Hope Hodgson’s The Night Land (Eveleigh Nash, 1911)
  • William Hope Hodgson’s Terror of the Seas (Donald M. Grant, 1996, with signed illustration sheet laid in)
  • William Hope Hodgson’s Voice of the Ocean (Selwyn & Blount, 1921)
  • (William Hope Hodgson) Ian Bell, editor William Hope Hodgson: Voyages And Visions (Bell, 1987 chapbook)
  • Nancy Holder’s Dead in the Water (Dell Abyss, 1994) (PBO)
  • Robert Holdstock’s Mythago Wood (Gollancz, 1984)
  • Gordon Honeycombe’s Neither the Sea Nor the Sand (Hutchison, 1969)
  • Geoffrey Household’s Dance of the Dwarfs (Michael Joseph, 1968)
  • Robert E. Howard’s Always Comes Evening (Arkham House, 1957)
  • Robert E. Howard’s “…and their memory was a bitter tree” (Black Bart, 2008) (1/500 signed slipcased)
  • Robert E. Howard’s Black Vulmea’s Vengence (Donald M. Grant, 1976)
  • Robert E. Howard’s Blades for France (George T. Hamilton, 1975) (chapbook)
  • Robert E. Howard’s Bloodstar (Morning Star Press, 1976) (Graphic novel, one of 1,500 signed by artist Corban)
  • Robert E. Howard’s Echoes From an Iron Harp (Donald M. Grant, 1972)
  • Robert E. Howard’s Etchings in Ivory (Glenn Lord, 1968) (chapbook)(see Currey for points)
  • Robert E. Howard’s The Grey God Passes (Charles Miller, 1975) (chapbook)
  • Robert E. Howard’s The Grim Land and Others (Stygian Isle Press, 1976, 1/1450)
  • Robert E. Howard’s A Gent From Bear Creek (Herbert Jenkins, 1937)
  • Robert E. Howard’s The Ghost Ocean (Gibbelins Gazatte Pubns, 1982, hardback)
  • Robert E. Howard’s The Grim Land and Others (Stygian isle Press, 1976) (chapbook)
  • Robert E. Howard’s The Illustrated Gods of the North (Necronomicon Press, 1977) (chapbook)
  • Robert E. Howard’s The Incredible Adventures of Dennis Dorgan (Fax Collector’s Edition, 1977)
  • Robert E. Howard’s The Iron Man and other tales (Donald M. Grant, 1976)
  • Robert E. Howard’s Isle of Pirate’s Doom (George T. Hamilton, 1975)
  • Robert E. Howard’s The King’s Service (George T. Hamilton, 1975)
  • Robert E. Howard’s Kull (Donald M. Grant, 1985)
  • Robert E. Howard’s The Hyborian Age (Los Angeles-New York Cooperative Publications, 1938)
  • Robert E. Howard’s The Lost Valley of Iskander (FAX Collector’s Edition, 1974)
  • Robert E. Howard’s The Last Cat Book (Dodd Mead, 1984)
  • Robert E. Howard’s The Pride of Bear Creek (Grant, 1966)
  • Robert E. Howard’s Red Blades of Black Cathay (Grant, 1971)
  • Robert E. Howard’s Red Shadows (Grant, 1968)
  • Robert E. Howard’s Shadows of Dreams (Donald M. Grant, 1989)
  • Robert E. Howard’s The Shadow of the Beast (George T. Hamilton, 1977)
  • Robert E. Howard’s Shadow of the Hun (George T.Hamilton, 1977)
  • Robert E. Howard’s Singers in the Shadows (Donald M. Grant, 1970)
  • Robert E. Howard’s Son of the White Wolf (Fax Collector’s Edition, 1977)
  • Robert E. Howard’s Spears of Clontarf (George T. Hamilton, 1978) (chapbook)
  • Robert E. Howard’s The Sword of Shahrazar (FAX Collector’s Editions, 1976)
  • Robert E. Howard’s Tigers of the Sea (Donald M. Grant, 1974)
  • Robert E. Howard’s Two Against Tyre (Dennis McHaney, 1976) (chapbook)(1/600 numbered)
  • Robert E. Howard’s Valley of the Lost (Chuck E. Miller, 1975)
  • Robert E. Howard’s Writer of the Dark (Dark Carnival Press, 1986) (trade paperback)(1/500)
  • Robert E. Howard, Frank Belknap Long, H.P. Lovecraft, A. Merritt and C.L. Moore’s The Challenge From Beyond (Weltschmertz Publications, 1954) (Mimeographed)
  • (Robert E. Howard) Glenn Lord’s The Last Celt: A Bio-Bibliography of Robert E. Howard
  • Jan Hudson’s Those Sexy Saucer People (Greenleaf Classics, 1966)
  • Shirley Jackson’s The Bad Children (Dramatic Publishing Company, 1958)
  • Shirley Jackson’s The Magic of Shirley Jackson (Farrar Straus, 1966)
  • Stephen King’s Salem’s Lot (Doubleday, 1976) (Father Cody and not price-clipped on front flap)
  • Henry Kuttner’s The Valley of the Flame (Ace, 1964) (PBO)
  • R. A. Lafferty’s The Audifaxes (2019 chapbook)
  • R. A. Lafferty’s Alaric: The Day The World Ended (United Mythologies Press, 1994)
  • R. A. Lafferty’s Anamnesis (United Mythologies Press, 1992) (chapbook)
  • R. A. Lafferty’s The Best of R.A. Lafferty (Gollancz, 2019) (trade paperback)
  • R. A. Lafferty’s The Best of R.A. Lafferty (Tor, 2021) (hardback)
  • R. A. Lafferty’s Cranky Old Man From Tulsa (United Mythologies Press, 1990)
  • R. A. Lafferty’s How Many Miles to Babylon (United Mythologies Press, 1989)
  • R. A. Lafferty’s Sodom and Gomorrah, Texas (Aegypan, 2007) (hardback chapbook)
  • R. A. Lafferty’s The Six Fingers of Time (Aegypan, 2011) (hardback chapbook)
  • R. A. Lafferty’s Strange Skies (United Mythologies Press, 1988) (chapbook)
  • R. A. Lafferty’s Funnyfingers & Cabrito (Pendragon Press HB)
  • (R. A. Lafferty) Boomer Flats Gazette (Volumes 1-4)
  • Joe R. Lansdale’s Blood and Shadows (volumes 1-4) (DC Vertigo, 1996)
  • Joe R. Lansdale’s Blood Dance (Subterranean, 2000) (lettered edition)
  • Joe R. Lansdale’s Bubba Ho-Tep (Hail To the King edition DVD with jacket packaging, 2007)
  • Joe R. Lansdale’s Conan and the Songs of the Dead (Dark Horse, 2007)
  • Joe R. Lansdale’s Crawling Sky (Antarctic Press, 2013) (graphic novel)
  • Joe R. Lansdale’s Dead in the West (Crossroads Press, 1994) (signed/limited)
  • Joe R. Lansdale’s Dead in the West (Night Shade Books, 2005) (1/150 signed, limited copies)
  • Joe R. Lansdale’s The Drive In Bus Tour (Subterranean, 2005) (lettered edition)
  • Joe R. Lansdale’s Freezer Burn (Crossroads Press, 1999) (lettered edition)
  • Joe R. Lansdale’s Freezer Burn (Crossroads Press, 1999) (Special Edition, 1 of 5 copies)
  • Joe R. Lansdale’s The Good, the Bad and the Indifferent (Subterranean Press, 1997) (lettered edition)
  • Joe R. Lansdale’s H.P. Lovecraft’s The Dunwich Horror (IDW, 2012) (graphic novel)
  • Joe R. Lansdale’s I Tell You It’s Love (SST Publications, 2014) (hardback graphic novel)
  • Joe R. Lansdale’s Jonah Hex: Two Gun Mojo (DC Vertigo, 1994) (graphic novel)
  • Joe R. Lansdale’s Lone Ranger & Tonto (Topps Comics, 1995) (graphic novel)
  • Joe R. Lansdale’s The Long Ones (Necro Publications, 1999) (lettered traycased edition)
  • Joe R. Lansdale’s The Magic Wagon (Borderlands Press signed/limited hardback, 1991)
  • Joe R. Lansdale’s The Nightrunners (Dark Harvest, 1987) (signed slipcased edition)
  • Joe R. Lansdale’s The Nightrunners (Dark Harvest, 1987) (signed leatherbound “slipcrate” edition)
  • Joe R. Lansdale’s On the Far Side with Dead Folks (Avalon, 2004) (graphic novel)
  • Joe R. Lansdale’s Orbit 1 & 2 (Subterranean, 2000) (hardback)
  • Joe R. Lansdale’s Pigeons From Hell (Dark Horse, 2009) (graphic novel TPO)
  • Joe R. Lansdale’s Something Lumber This Way Comes (Subterranean, 1999) (1/13 lettered editions)
  • Joe R. Lansdale’s The Steam Man (Dark Horse, 2016) (graphic novel TPO)
  • Joe R. Lansdale’s Tarzan and the Land That Time Forgot (TimeShifter/ECOF, 2018) (chapbook)
  • Joe R. Lansdale’s Tight Little Stitches in a Dead Man’s Back (Pulphouse hardback)
  • Joe R. Lansdale’s The Thicket (Earthling Publications, 2015) (1/250 signed/limited hardbacks)
  • Joe R. Lansdale’s Two-Bear Mambo (Cahill Press, 1995) (lettered edition)
  • Joe R. Lansdale’s Waltz of Shadows (Subterranean, 1999) (lettered edition)
  • Joe R. Lansdale and Lewis Shiner’s Private Eye Action As You Like It (Crossroads Press, 1998) (1/26 lettered editions)
  • Joe R. Lansdale’s The X-Files: Case Files (IDW, 2018) (hardback graphic novel)
  • Joe R. Lansdale’s Robert Bloch’s Yours Truly, Jack the Ripper (IDW, 2010) (graphic novel)
  • Fritz Leiber’s Conjure Wife (Twayne, 1953) (no statement of printing)
  • Fritz Leiber’s Gather, Darkness (Pellegrini & Cudhay, 1950)
  • Fritz Leiber’s The Green Millennium (Abelard, 1953) (no statement of printing, no overprice)
  • Fritz Leiber’s Night Monsters (Gollancz, 1974)

  • Fritz Leiber’s Two Sought Adventure (Gnome Press, 1957)
  • Fritz Leiber’s The Secret Songs (Rupert Hart-Davis, 1968)
  • Cornel Lengyel’s The Atom Clock (FPCI, 1951) (hardback or chapbook)
  • Doris Lessing’s Briefing for a Descent Into Hell (Cape, 1971)
  • C. S. Lewis’ Out of the Silent Planet (John Lane The Bodley Head, 1938)
  • C. S. Lewis’ That Hideous Strength (John Lane The Bodley Head, 1945)
  • David Lindsay’s A Voyage to Arcturus (Methuen, 1920) (Gilt-stamped spine, undated publisher’s catalog)
  • H. P. Lovecraft’s Essential Solitude: The Letters of H. P. Lovecraft and August Derleth (Hippocampus Press, 2013) (two volumes)
  • H. P. Lovecraft’s Juvenilia 1895-1905 (Necronomicon Press, 1984) (chapbook)
  • H. P. Lovecraft’s The Outsider and Others (Arkham House, 1939)
  • H. P. Lovecraft’s Beyond the Wall of Sleep (Arkham House, 1943)
  • (Lovecraft, H.P.) Donald R. Burleson’s Lovecraft: Disturbing the Universe (University of Kentucky Press, 1990)
  • (Lovecraft, H.P.) Peter Cannon’s The Chronology Out of Time (Necronomicon Press chapbook, 1986)
  • (Lovecraft, H.P.) S.T. Joshi’s H.P. Lovecraft: Selected Essays (Necronomicon Press, 2019)
  • (Lovecraft, H.P.) Joshi/Schultz’s Lovecraft Remembered: An Epicure of the Terrible (Fairleigh Dickinson University Press, 1991)
  • (Lovecraft, H.P.) Ave Atque Vale (Necronomicon HB, 2018)
  • (Lovecraft, H.P.) Maurice Levy’s Lovecraft: A Study in the Fantastic (Wayne State University Press, 1988)
  • (Lovecraft, H.P.) Anthony Pearsell’s The Lovecraft Lexicon (New Falcon, 2004) (TPO)
  • (Lovecraft, H.P.) Robert M. Price’s H.P. Lovecraft and the Cthulhu Mythos (Starmont, 1990)
  • George R. R. Martin’s Fevre Dream (Poseidon Press, 1982)
  • George R. R. Martin’s Wild Cards VIII: One-Eyed Jacks (Bantam Spectra, 1991) (PBO)
  • Cormac McCarthy’s Blood Meridian (Random House, 1985) (number line starts with 2)
  • Richard Matheson’s Bid Time Return (Viking, 1975) (“First published 1975”)
  • Richard Matheson’s A Stir of Echoes (Lippencott, 1958)
  • Ian McDonald’s The Best of Ian McDonald w/Floating Dogs (PS Publishing, 2016)(1/100 signed, numbered copies)
  • Ian McDonald’s Cyberabad Days (Orion, 2009)
  • Ian McDonald’s Luna: Moon Rising (Tor, 2015)
  • Ian McDonald’s Luna: New Moon (Tor, 2017)
  • Ian McDonald’s Luna: Wolf Moon (Tor, 2019)
  • Ian McDonald’s The Menace From Farside (Tor, 2019)
  • Ian McDonald’s Time Was (Tor, 2018) (chapbook)
  • Richard McKenna’s The Left-Handed Monkey Wrench (Naval Institute Press, 1986)
  • Paul Merchant’s Sex Gang (Nightstand Books, 1959) (PBO, 50¢)
  • Hope Mirrlees’ Lud-in-the-Mist (Collins, 1926)
  • Carlton Miller’s Incest Street (Narcissus, 1970, PBO)
  • Michael Moorcock’s The Adventures of Una Persson and Catherine Cornelius in the Twentieth Century (Quartet, 1975)
  • Michael Moorcock’s The Adventure of the Dorset Street Lodger (as John H. Watson, MD) (privately printed hardback, 1993)
  • Michael Moorcock’s An Alien Heat (MacGibbon & Kee, 1972)
  • Michael Moorcock’s Behold the Man and Other Stories (Phoenix House, 1994)
  • Michael Moorcock’s Blood Red Game (Sphere, 1970) (PBO)
  • Michael Moorcock’s Blades of Mars (Compact, 1965)
  • Michael Moorcock’s Breakfast in the Ruins and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Brothel in Rosenstrasse and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Bull and the Spear (Alison Busby, 1973)
  • Michael Moorcock’s City of the Beasts (Lancer, 1970) (PBO)
  • Michael Moorcock’s Count Brass (Mayflower, 1973) (PB0)
  • Michael Moorcock’s Chronicles of Castle Brass (Granada, 1977)
  • Michael Moorcock’s Champion of Garathorm (Mayflower, 1973) (PBO)
  • Michael Moorcock’s The Dreaming City (Lancer, 1972) (PBO)
  • Michael Moorcock’s Dreamthief’s Daughter (American Fantasy, 2001) (signed, limited hardback)
  • Michael Moorcock’s Earl Aubec and Other Stories (Millennium, 1993)
  • Michael Moorcock’s Elric of Melnibone (Blue Star, 1977)
  • Michael Moorcock’s Elric of Melnibone and Other Stories (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: Swords and Roses (Del Rey, 2010) (TPO)
  • Michael Moorcock’s Elric: Return to Melnibone (Unicorn, 1973) (chapbook)
  • Michael Moorcock’s Elric: The Revenge of the Rose (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Elric: The Sailor on the Seas of Fate (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: The Sleeping Sorceress (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: The Stealer of Souls (Del Rey, 2008) (TP0)
  • Michael Moorcock’s Elric at the End of Time (NEL, 1984)
  • Michael Moorcock’s The Entropy Tango (NEL, 1981)
  • Michael Moorcock’s Eternal Champion (Harper & Row, 1978)
  • Michael Moorcock’s Eternal Champion (Mayflower, 1970) (PBO)
  • Michael Moorcock’s Final Programme (Gregg Press, 1976)
  • Michael Moorcock’s Final Programme (Avon, 1968) (PBO)
  • Michael Moorcock’s The Fireclown (Compact, 1965) (PB0)
  • Michael Moorcock’s The Golden Barge (Savoy, 1979) (TPO)
  • Michael Moorcock’s Hawkmoon (Millennium, 1992)
  • Michael Moorcock’s The Ice Schooner (Harper & Row, 1977)
  • Michael Moorcock’s The Ice Schooner (Sphere, 1969)
  • Michael Moorcock’s The Inner Landscape (Allison & Busby, 1969)
  • Michael Moorcock’s Jerry Cornelius: His Lives and His Times (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Jewel in the Skull (White Lion, 1973)
  • Michael Moorcock’s Knight of the Swords (Alison Busby, 1977)
  • Michael Moorcock’s Knight of the Swords (Mayflower, 1971) (PBO)
  • Michael Moorcock’s The Land Leviathan (Doubleday, 1974)
  • Michael Moorcock’s Lives and Times of Jerry Cornelius: Stories of the Comic Apocalypse (Four Walls Eight Windows, 2003) (TPO)
  • Michael Moorcock’s London Bone (Scribner/Simon & Schuster UK, 2001) (TPO)
  • Michael Moorcock’s Lord of the Spiders (Lancer, 1971) (PBO)
  • Michael Moorcock’s Lunching with the Antichrist (Ziesing V. Ziesing, 1994) (Signed/limited edition)
  • Michael Moorcock’s The Mad God’s Amulet (White Lion, 1973)
  • Michael Moorcock’s Masters of the Pit (NEL, 1971) (PBO)
  • Michael Moorcock’s Michael Moorcock’s Elric: Tales of the White Wolf (White Wolf, 1994)
  • Michael Moorcock’s Michael Moorcock’s Legends of the Multiverse (Black Coat Press, 2017) (TPO)
  • Michael Moorcock’s My Experiences in the Third World War and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s The New Nature of Catastrophe (Millennium, 1993)
  • Michael Moorcock’s Nomad of Time (Nelson Doubleday/SFBC, 1982) (Book club HB, gutter code M47 on page 440)
  • Michael Moorcock’s Nomad of the Time Streams (Millennium, 1993)
  • Michael Moorcock’s The Oak and the Ram (Alison Busby, 1973)
  • Michael Moorcock’s Pawn of Chaos (White Wolf, 1996) (TPO)
  • Michael Moorcock’s Phoenix In Obsidian (Mayflower, 1970) (PBO)
  • Michael Moorcock’s Queen of the Swords (Berkeley, 1971) (PBO)
  • Michael Moorcock’s Quest for Tanelorn (Mayflower, 1975) (PBO)
  • Michael Moorcock’s The Real Life Mr. Newman (A.J. Callow, 1979) (1/500 copies, stapled and bound in masking tape (!))
  • Michael Moorcock’s Retreat from Liberty (Zomba, 1983) (TPO)
  • Michael Moorcock’s The Road Between Worlds (White Wolf, 1996)
  • Michael Moorcock’s The Runestaff (Mayflower, 1969) (PBO)
  • Michael Moorcock’s The Russian Intelligence (NEL, 1983)
  • Michael Moorcock’s Sailing to Utopia (Millennium, 1993)
  • Michael Moorcock’s The Shores of Death (Sphere, 1970) (PBO)
  • Michael Moorcock’s Singing Citadel (Mayflower, 1970) (PBO)
  • Michael Moorcock’s The Skrayling Tree (Warner Aspect, 2003)
  • Michael Moorcock’s The Sorcerer’s Amulet (Lancer, 1968) (PBO)
  • Michael Moorcock’s The Steel Tsar (Mayflower, 1981) (PBO)
  • Michael Moorcock’s The Sundered Worlds (Compact, 1965) (PBO)
  • Michael Moorcock’s Sword and the Stallion (Alison Busby, 1973)
  • Michael Moorcock’s Sword of the Dawn (Lancer, 1968) (PBO)
  • Michael Moorcock’s The Time Dweller (Rupert Hart Davis, 1969)
  • Michael Moorcock’s Time of the Hawklords (Star, 1976) (PBO)
  • Michael Moorcock’s Time of the Hawklords (Aidan Ellis, 1976)
  • Michael Moorcock’s The Twilight Man (Roberts & Vinter/Compact, 1966) (PBO)
  • Michael Moorcock’s The Transformation of Mavis Ming (W. H. Allen, 1977)
  • Michael Moorcock’s The Traps of Time (Rapp & Whiting, 1968)
  • Michael Moorcock’s Warlord of the Air (NEL, 1971)
  • Michael Moorcock’s Warrior of Mars (NEL, 1981) (hardback omnibus)
  • Michael Moorcock’s Warriors of Mars (Compact, 1965) (PBO)
  • Michael Moorcock’s The Wrecks of Time (b/w Tramontane) (Ace Double, 1967) (PBO)
  • Michael Moorcock and James Cawthorne’s Fantasy the 100 Best Books (Xanadu, 1988)
  • (Moorcock, Michael) Frank Brunner’s Elric Portfolio (Looking Glass, 1979) (art portfolio, 1/1000)
  • (Moorcock, Michael) Tawn, Brian Dude’s Dream: The Music Of Michael Moorcock (Hawkfan, 1997) (TPO)
  • Kim Newman’s The Original Dr. Shade (Pocket Books, 1994)(PBO)
  • Larry Niven’s Inconstant Moon (Gollancz, 1973)
  • Larry Niven’s Neutron Star (Macdonald, 1969)
  • Larry Niven’s Protector (Compton Russell, 1976)
  • Larry Niven’s World of Ptavvs (Macdonald, 1986)
  • Charles Neutzel’s Queen of Blood (Greenleaf Classic, 1966) (PBO)
  • Andre Norton’s Witch World (Gregg Press, 1977)
  • George Orwell’s Animal Farm (Secker & Warburg, 1945, 1st state dust jacket)
  • Lewis Padgett’s A Gnome There Was (Simon & Schuster, 1950)

  • Lewis Padgett’s Tomorrow and Tomorrow and Tomorrow & The Fairy Chessman (Gnome, 1951)
  • Edgar Pangborn’s A Mirror for Observers (Doubleday, 1954)
  • Keith Roberts’s Pavane (Rupert Hart-Davis, 1968)
  • Mervyn Peake’s Titus Groan (Eyre & Spottiswoode, 1946)
  • Mervyn Peake’s Gormenghast (Eyre & Spottiswoode, 1950)
  • Mervyn Peake’s Titus Alone (Eyre & Spottiswoode, 1959)
  • H. Beam Piper’s Lord Kalvan of Otherwhen (Garland HB, 1975)
  • H. Beam Piper’s (and Andre Norton’s) A Planet For Texans (and Star Born) (Ace, 1958) (PBO, 35¢)
  • H. Beam Piper’s Space Viking (Ace, 1962) (PBO, 40¢)
  • Frederik Pohl & C. M. Kornbluth’s Gladiator-At-Law (Ballantine Books, 1955)
  • Frederik Pohl & C. M. Kornbluth’s Presidential Year (Ballantine Books, 1956)
  • Frederik Pohl & C. M. Kornbluth’s Search the Sky (Ballantine Books, 1954)
  • Terry Prachett’s The Colour of Magic (Colin Smythe, 1983)
  • Terry Prachett’s The Light Fantastic (Colin Smythe, 1986)
  • Thomas Pynchon’s Gravity’s Rainbow (Viking, 1973) (First issue dj with ISBN lettered in white over red on rear panel, date code 0273 on lower front flap)
  • Ellery Queen’s And On the Eighth Day (Random House, 1964)
  • Ellery Queen’s The Fourth Side of the Triangle (Random House, 1965)
  • Ellery Queen’s The Player on The Other Side (Random House, 1963)
  • Alastair Reynold’s The Prefect (Gollancz, 2007)
  • Alastair Reynold’s Elysium Fire (Gollancz, 2018)
  • Alastair Reynold’s Machine Vendetta (Gollancz, 2024)
  • Matt Ruff’s Lovecraft Country. (Harper, 2016)
  • Salman Rushdie’s Grimus (Gollancz, 1975)
  • Eric Frank Russell’s Far Stars (Dobson, 1961)
  • Eric Frank Russell’s The Great Explosion (Dobson, 1962)
  • Eric Frank Russell’s Wasp (Avalon, 1957)
  • Clifford D. Simak’s Ring Around the Sun (Simon & Schuster, 1953)
  • Clifford D. Simak’s Way Station (Doubleday, 1963)
  • Norman Spinrad’s The Iron Dream (Gregg Press, 1977)
  • Bob Shaw’s Orbitsville (Gollancz, 1975) (No statement of printing on copyright page)
  • Robert Sheckley’s Journey Beyond Tomorrow (Gollancz, 1964)
  • Lucius Shepard’s Cantata Of Death, Weakmind & Generation (Lillabulero Press, 1967) (chapbook)
  • Clark Ashton Smith’s The Abominations of Yondo (Arkham House, 1960)
  • Clark Ashton Smith’s Cycles (Roy A. Squires, 1963) (broadside)
  • Clark Ashton Smith’s The Dark Chateau (Arkham House, 1951)
  • Clark Ashton Smith’s From the Crypts of Memory (Roy A. Squires, 1963)(chapbook)
  • Clark Ashton Smith’s Grotesques and Fantastiques (De La Ree, 1973) (1/50 signed hardback copies)
  • Clark Ashton Smith’s The Ghoul and the Sereph (Gargoyle Press, 1950) (chapbook)
  • Clark Ashton Smith’s Genius Loci and Other Tales (Arkham House, 1948)
  • Clark Ashton Smith’s Hesperian Fall (Clyde Beck, 1961) (chapbook)
  • Clark Ashton Smith’s The Hills of Dionysus (Roy A. Squires, 1962) (1/175 black hardback copies and/or 1/40 green hardback copies))
  • Clark Ashton Smith’s Klarkash-Ton and Monstro Ligriv (Gerry de la Ree, 1974) (1/50 hardback copies)
  • Clark Ashton Smith’s The Mortuary (Roy Squires chapbook)
  • Clark Ashton Smith’s Nero and Other Poems (Futile Press, 1937)
  • Clark Ashton Smith’s Spells and Philtres (Arkham House, 1958)
  • Clark Ashton Smith’s Sandalwood (The Auburn Journal Press, 1925)(chapbook)
  • Clark Ashton Smith’s The Titans in Tartarus (Roy Squires)(chapbook)
  • Clark Ashton Smith’s The White Sybil (with David H. Keller’s Men of Avalon) (Fantasy Publications, no date (1934)) (chapbook)
  • (Clark Ashton Smith) Jack L. Chalker’s In Memorium: Clark Ashton Smith (Mirage Press, 1963) (1/10 hardback copies)
  • Norman Spinrad’s The Iron Dream (Gregg Press, 1977)
  • Brian Stableford’s The Walking Shadow (Fontana, 1979) (PBO)
  • Theodore Sturgeon’s Aliens 4 (Avon, 1959) (PBO, 35¢)
  • Theodore Sturgeon’s Baby is Three/…And My Fear Is Great (Galaxy, 1965) (PBO)
  • Theodore Sturgeon’s Caviar (Ballantine Books, 1955)
  • Theodore Sturgeon’s The Cosmic Rape (Dell, 1958) (PBO, 35¢)
  • Theodore Sturgeon’s The Cosmic Rape (Gregg Press, 1977)
  • Theodore Sturgeon’s E. Pluribus Unicorn (Abelard-Schuman, 1953)
  • Theodore Sturgeon’s More Than Human (Farrar, Straus and Young, 1953)
  • Theodore Sturgeon’s Venus Plus X (Pyramid, 1960) (PBO, 35¢)
  • Theodore Sturgeon’s Venus Plus X (Gollancz, 1969)
  • Theodore Sturgeon’s A Way Home (Funk and Wagnalls, 1955)
  • Patrick Suskind’s Perfume (Hamish Hamilton, 1986)
  • Michael Swanwick’s American Cigarettes (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s The Brain Baron (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s A Midwinter’s Tale (Dragonstairs, 2010) (chapbook)
  • Michael Swanwick’s Millie’s Recipes (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s One Mile Below (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s Song of the Lorelei (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s Valentine Moon (Dragonstairs, 2020) (chapbook)
  • William Tenn’s Of All Possible Worlds (Ballantine Books HB, 1955)
  • William Tenn’s Time In Advance (Gollancz, 1963)
  • J. R. R. Tolkein’s The Hobbit (George Allen & Unwin, 1937) (First printed 1937, “Dodgeson” on back dj flap)
  • J. R. R. Tolkein’s The Fellowship of the Ring (George Allen & Unwin, 1954) (no later date on copyright page)
  • J. R. R. Tolkein’s The Two Towers (George Allen & Unwin, 1954) (no later date on copyright page)
  • J. R. R. Tolkein’s The Return of the King (George Allen & Unwin, 1955) (no later date on copyright page)

  • Henry Treece’s The Golden Strangers (The Bodley Head, 1956)
  • Henry Treece’s The Great Captains (The Bodley Head, 1956)
  • Jack Vance’s The Complete Magnus Ridolph (Underwood Miller, 1984)
  • Jack Vance’s Dream Castles (Subterranean Press, 2012) (signed, lettered edition)
  • Jack Vance’s The Dying Earth (Hillman, 1947)(PBO)
  • Jack Vance’s Future Tense (Ballantine, 1964)(PBO)
  • Jack Vance’s Grand Crusades (Subterranean, 2015) (signed, lettered edition)
  • Jack Vance’s Hard Luck Diggings (Subterranean, 2010) (signed, lettered edition)
  • Jack Vance’s The Jack Vance Reader (Subterranean Press, 2008) (signed, lettered edition)
  • Jack Vance’s The Jack Vance Treasury (Subterranean Press, 2007) (signed, lettered edition)
  • Jack Vance’s The Languages of Pao and The Dragon Masters (Vance Integral Edition, 2002)
  • Jack Vance’s Magic Highways (Subterranean, 2013) (signed, lettered edition)
  • Jack Vance’s The Man in the Cage (Random House, 1960)
  • Jack Vance’s Wild Thyme, Green Magic (Subterranean, 2009) (signed, lettered edition)
  • (Jack Vance) The Many Worlds of Jack Vance (fanzine, 1/300)
  • (Jack Vance) Songs of the Dying Earth (Subterranean, 2009) (signed, lettered edition)
  • Kurt Vonnegut’s Cat’s Cradle (Holt, Reinhardt & Winston, 1963)
  • Kurt Vonnegut’s The Sirens of Titan (Houghton-Mifflin, 1961)
  • Alan Wade’s Isle of Peril (Mystery House, 1957))
  • Peter Watts’ Echopraxia (Tor, 2014)
  • Ian Watson’s The Embedding (Gollancz, 1973)
  • H. G. Wells’ The Time Machines (Henry Holt, 1895) (true first edition with his name misspelled “H. S. Wells” on the title page)
  • Manly Wade Wellman’s Carolina Pirate (Washburn, 1968)
  • Manly Wade Wellman’s Gray Riders (Aladdin, 1954)
  • Manly Wade Wellman’s Haunts of Drowning Creek (Holiday House, 1951)
  • Manly Wade Wellman’s Jamestown Adventure (Washburn, 1967)
  • Manly Wade Wellman’s Mystery at Bear Paw Gap (Washburn, 1965)
  • Manly Wade Wellman’s The Specter of Bear Paw Gap (Washburn, 1966)
  • Gary Westfahl’s The Greenwood Encyclopedia of Science Fiction & Fantasy: Themes, Works, and Wonders (three volume hardcover set)
  • J. X. Williams’ ESP Orgy (Greenleaf Classics adult PBO)
  • Jack Williamson’s The Collected Stories of jack Williamson Volume Five: The Crucible of Power (Haffner Press, 2006)
  • Jack Williamson’s The Collected Stories of jack Williamson Volume Six: Gateway to Paradise (Haffner Press, 2008)
  • Gene Wolfe’s The Grave Secret (Portentous Press) (chapbook)
  • Gene Wolfe’s The Land Across (Tor, 2013)
  • Gene Wolfe’s The Old Woman Whose Rolling Pin Was the Sun (Cheap Street, 1991) (chapbook)
  • (Gene Wolfe)Michael Andre-Driussi’s A Quick and Dirty Guide To The Long Sun Whorl (Sirius Fiction) (chapbook)
  • John Wyndham’s The Day of the Triffids (Doubleday, 1951)
  • John Wyndham’s The Kraken Wakes (Michael Joseph, 1953)
  • John Wyndham’s The Midwich Cuckoos (Michael Joseph, 1957)
  • Cheslea Quin Yarboro’s Aristo (Pocket, 1980) (PBO)
  • Collier Young’s The Todd Dossier (Delacorte Press, 1969)
  • Roger Zelazny’s The Doors of His Face, The Lamps of His Mouth (Pulphouse, 1991) (hardback of just that story)
  • Roger Zelazny’s The Magic: (October 1961-October 1967) Ten Tales (Positronic Publishing, 2018)
  • Roger Zelazny’s Lord of Light. (Easton Press, 1994) (tan leather)
  • (Roger Zelazny) Jane Lindskold’s Roger Zelazny (Twayne, 1992)
  • (Roger Zelazny) Joseph L. Sanders’ Roger Zelazny: A Primary and Secondary Bibliography (G. K. Hall, 1982)
  • (Roger Zelazny) Karl B. Yoke’s Roger Zelazny: Starmont Reader’s Guide (Borgo Press, 1979) (Library binding hardback)
  • Halloween Horrors: My First Edition of the Haunting of Hill House

    Wednesday, October 31st, 2018

    This is not a library addition, but rather describing a book I’ve owned since 1989. With all the attention paid the new Netflix series of the same name, I thought I would put up a post on my own first edition of the book.

    Jackson, Shirley. The Haunting of Hill House. Viking, 1959. First edition hardback, a Near Fine copy with slight bumping at head and heel in a Very Good dust jacket with shallow chipping and wear at head, heel and points, slight cracking along folds, and slight dust staining to white rear cover, but otherwise intact. Arguably the most important horror novel of the 20th century. Bleiler, Supernatural Horror in Literature, 1766 (in the Supplemental Section on page 547). Locke, A Spectrum of Fantasy, page 121. Barron, Horror Literature, 4-155. Tymn, Horror Literature, 4-119. Magill, Survey of Modern Fantasy Literature, pages 710-714. Bleiler, Supernatural Fiction Writers Volume I, page 483. St. James Guide to Horror Writers, page 292. Basis of the the classic 1963 film The Haunting, the not-at-all classic 1999 remake of same, and the 2018 Netflix miniseries. Bought for $45 at the 1989 Boston Worldcon, the first book for which I ever paid more than $35.

    Problems in Fantasy Perception

    Thursday, March 7th, 2013

    Background
    In The Wizard of Oz (the movie), protagonist Dorothy wakes up at the end and finds out her entire trip to Oz was just a dream.

    In Shirley Jackson’s We Have Always Lived in the Castle, Merricat, the first-person protagonist, believes she can work a sort of sympathetic magic through wards and charms to keep the world at bay. When these charms are breached by an interloper, the outside world (and disaster) come crashing in. Also, one character believes Merricat is a ghost and never interacts with her, and by the end of the novel, several characters in the village she and her sister Constance live in have come to believe they are a witches.

    Problem

    Is either of these novels a fantasy, neither, or both? Explain your answer.

    This will make up 10% of your grade.

    My Book-Hunting Trip to Archer City and Points East (and New Acquisitions Found There)

    Sunday, January 24th, 2010

    Since I attended a family event in the Dallas Metroplex over the 1/15/10-1/17/10 weekend, I took the opportunity to do something I had long wanted to do: Visit Larry McMurtry’s Booked-Up book store (actually spread across four buildings) in Archer City.

    The drive itself (a solid five hours) completely redefined my “ass end of nowhere” scale. It’s pretty far away from anything else, so only serious bibliophiles need apply.

    As for the store itself, there’s a huge amount of stuff for a general book hunter to look for (especially in areas like pamphlets, foreign language books, Texana, literary criticism, and probably several others), but not a whole lot of SF/F/H. I found about $50 worth of stuff, most of it in the general fiction section.

    Then I drove to Recycled Books in Denton, and bought $1,200+ worth of stuff (and that was after my dealer discount).

    By contrast, I found very little of interest at the main Half Price Books just of 75 in Dallas; all they seemed to have were multiple copies of very common titles. (I did a lot better when they were in a smaller building just down the block, the one with the boat-shaped section in the middle of the store.) Maybe their non-fiction section is more worth browsing.

    Below is the list of books I’m adding to my own library, including items from Recycled Books, Booked Up, and a three different Half Price Books. All of these are Fine/Fine first edition hardback copies, unless otherwise noted:

    • Ash, Brian. Who’s Who in Science Fiction. Elm Tree, 1976.
    • Beagle, Peter S. The Folk of the Air. Del Rey, 1986.
    • Bear, Greg. Beyond Heaven’s River. Dell, 1980. PBO. VG+. Also have the hardback.
    • Bear, Greg. Quantico. HarperCollins (UK), 2005.
    • Blaylock, James P. The Rainy Season. Ace, 1999.
    • Brunner, John. No Future in It. Gollancz, 1962.
    • Cherry, C. J. Voyager in Night. DAW, 1984. (Book club and only hardback.)
    • De Camp, L. Sprague. Solomon’s Stone. Avalon, 1957.
    • Emshwiller, Carol. Joy in Our Cause. Harper & Row, 1974.
    • Franzen, Charles. Cold Mountain. Fine/Fine save for name written inside. Pulitzer Prize winner that I’d been looking for for several years, and an example of why you look at 199 copies of an otherwise common book to see if each is a first edition, because that 200th copy just might be it…
    • Jackson, Shirley. Come Along With Me. Viking, 1968. Fine in a Near Fine- dj with price sticker on inner flap and very shallow (less than 1/32″) chipping at head and heel.
    • Koontz, Dean R. (as Leigh Nichols). Shadowfires. Avon, 1987. Book club and first hardback edition.
    • Kornbluth, C. M. Christmas Eve. Michael Joseph, 1956.
    • Lafferty, R. A. The Devil is Dead. Gregg Press, 1978. Replaces a more worn copy in my library.
    • Le Guin, Ursula. Rocannon’s World. Garland Press, 1975. First hardback edition, Fine, sans dj, as issued.
    • Lupoff, Pat & Dick. The Best of Xero. Tachyon Publications, 2004.
    • Malzberg, Barry. In the Stone House. Arkham House, 2000.
    • Moorcock, Michael. The Lives and Times of Jerry Cornelius. Alison & Busby, 1976.
    • Moorcock, Michael. The Lives and Times of Jerry Cornelius. HAARP, 1987. (Contents differ from the above.)
    • Morrow, James. The Wine of Violence. Holt, Reinhardt & Winston, 1984.
    • Mundy, Talbot. The Purple Pirate. Gnome Press, 1959. (First Gnome Press edition.)
    • Niven, Larry & Jerry Pournelle. Oath of Fealty. Phantasia Press, 1981. One of 750 signed, numbered copies, Fine/Fine in slipcase.
    • Pratt, Fletcher. Well of the Unicorn. William Sloane, 1948. Fine/Near Fine dj, with review slip laid in.
    • Sheckley, Robert. Journey Beyond Tomorrow. Gollancz, 1964. First hardback.
    • Sheckley, Robert. Mindswap, Delacorte Press, 1966. Signed.
    • Standish, David. Hollow Earth: The Long and Curious History of Imagining Strange Lands, Fantastical Creatures, Advanced Civilizations, and Marvelous Machines Below the Earth’s Surface. De Capo, 2006.
    • Temple, WIlliam F. 88 Gray’s Inn Road. Sansato Press (AKA Ferret Fantasy), 2000. Roman-a-clef that features a thinly-disguised Arthur C. Clarke (who provides the introduction) as a character, with Clarke’s signature plate affixed to the FFE, reportedly one of only 50 such copies. Replaces the trade edition in my library.
    • Wilhelm, Kate. Juniper Time. Harper & Row, 1979.
    • Vance, Jack. Bird Isle/Take My Face. Underwood/Miller, 1988. One of 500 signed, numbered sets in slipcase.
    • Vance, Jack. The Dark Side of the Moon. Underwood/Miller, 1986. One of 200 signed/numbered copies. Replaces a trade copy I’ll sell via my next Lame Excuse For a Book Catalog (in preparation).
    • Vance, Jack. Trullion: Alastor 2262. Ballantine Books, 1973. (PBO)
    • Waggoner, Diana. The Hills of Faraway A Guide to Fantasy. Atheneum, 1978.
    • Williamson, Jack. Wonder’s Child: My Life in Science Fiction. Bluejay, 1984.
    • Williamson, Jack (& E. C. Tubb). The Iron God (& Tomorrow). Gryphon Double Novel, 1999. TPO.
    • Zelazny, Roger. Bridge of Ashes. Gregg Press, 1979. (Replaces my Ex-Library copy.)
    • Zelazny, Roger. Nine Princes in Amber. Doubleday, 1970. An Ex-Library copy, but cleaner than the Ex-Library copy previously in my collection.

    I also found a bunch more books that are going in this month’s Lame Excuse Books catalog.

    So, if you’re going to be book shopping in the Dallas/Ft. Worth area, by all means visit Recycled Books, which seems to be the best used bookstore in Texas. Visit Booked Up if you have the time to drive out that way, but the SF selection is fairly poor.

    Lawrence Person’s Library of Science Fiction First Editions

    Thursday, December 31st, 2009

    I’ve been meaning to take pictures of my library for quite a while, and I finally got around to doing it. These are just the ones in my fiction library; I haven’t taken pictures of the non-fiction up in my office yet.

    I started collecting hypermodern (i.e., post-Neuromancer) science fiction first editions in the late 1980s, concentrating on hardbacks of works and authors I felt were important. I have essentially completed that collection (though I am always adding new books as they come out), and am now trying to amass a collection of first editions of every important post-WWII work of science fiction, as well as selected fantasy and horror authors, which should keep me busy quite a while. Save one Stephen King ultralimited I bought pre-publication, I have never spent more than $400 for any single book (and precious few over $300). I won’t settle for later printings or copies with corner-clipped dust jackets, but my price ceiling has forced me to settle for ex-library copies of a handful of key works (for example, Dune and The Man in the High Castle). When I refer to an “imperfect” first, it’s generally (but not always) an Ex-Library copy. The rest tend to be Fine/Fine or gently read copies, though with a bit more flexibility for older titles. I am one “difficult” book away from having a complete collection of Hugo winners, and save the most recent one, have a complete collection of Nebula Winners, as well as many World Fantasy and Bram Stoker award winners, plus a smattering of literary firsts and prize winners picked up when I chanced across them.

    Mine is a very extensive SF collection, but far from the largest or most valuable, even in private hands. I’m sure there are many old fans whose libraries would (or may still) put mine to shame. Before being broken up, the legendary collections of Sam Moskowitz and Forrest J. Ackerman would have easily blown mine away. Although David Hartwell has started selling pieces of his, from talking to him I’m sure what remains of David’s collection still exceeds mine by a good measure. Kurt Baty has assembled very close to a complete collection of all science fiction works ever published, but has not concentrated on first editions. Given the number of auctions I’ve lost to him over the years, I’m sure Larry Bigman’s collection leaves mine in the shade. Allen Lewis’ collection of hypermodern science fiction has a breadth that far exceeds my own. Mike Berro and Jerry Hewett have collections at least comparable to my own (and far more complete when it comes to Jack Vance). If I had to guess, my collection might sneak into the top 50 in private hands, but that may be too high.

    Previous and far less complete attempts to document my library are here and here.

    Unless otherwise noted, all the volumes listed under highlights are either the true first edition, or the first hardback edition (frequently British) when the true first was a paperback original. If the UK edition preceded the American, then the true first is the one I have, unless otherwise indicated.

    These pictures were taken with a Kodak EasyPic V803 and edited in iPhoto. The gaps visible on shelves are what I call “expansion joints,” and are there so I can add new acquisitions. Caveats: I don’t have a tripod, and I don’t know how to do keystone correction for camera angle (especially apparent on the eight-high bookshelves). Still, an acute observer should be able to pic out numerous individual volumes…

    Note: This is my personal/professional library, and none of these are for sale. For science fiction books I do have for sale, please see the Lame Excuse Books website.


    A-B

    • Some Isaac Asimov, including a complete Gnome Press Foundation trilogy, plus The Gods Themselves and imperfect copies of many of his early novels and short story collections.
    • A. A. Attanasio’s Radix.
    • Nicholas Baker’s Mezzanine.
    • Some signed J. G. Ballard, including The Atrocity Exhibition (the true UK first, not the later but rarer pulped US edition) and some later books, plus unsigned copies of High Rise and Empire of the Sun, and an imperfect Crystal World.
    • A complete Iain Banks collection (save his most recent one), including The Wasp Factory and Use of Weapons.
    • A nearly-complete Clive Barker collection (missing some of the graphic novel and illustration stuff, as well as a recent book or two), including copies of The Damnation Game, various states of The Books of Blood, Cabal and the UK Weaveworld, the last two signed.
    • An nearly complete Neal Barrett, Jr. collection (discounting the media tie-in stuff).
    • A signed copy of Stephen Baxter’s The Time Ships, plus Timelike Infinity and imperfect firsts of Raft, Anti-Ice, and Ring. My Baxter collection is collection is complete up to the point (sometime shortly after 2000 or so) when he started cranking them out so fast I couldn’t even hope to keep up with him.
    • A nearly complete Greg Bear collection (missing the Cheap Street Sleepside Story and one or two recent ones), including Blood Music, Eon, The Wind from a Burning Woman, Darwin’s Radio and Early Harvest, most signed or inscribed.


    B-C

    • Gregory Benford’s Timescape.
    • A mint copy of Alfred Bester’s The Demolished Man with his business card laid in, as well as an imperfect but inscribed copy of Who He?.
    • A complete Michael Bishop collection, including No Enemy But Time, several inscribed to me.
    • A nearly complete James P. Blaylock collection (missing one or two of the recent ones), including one of 100 hardback copies of the Axolotl Paper Dragons, as well as the signed, limited editions of The Last Coin and The Magic Spectacles.
    • A mostly complete Robert Bloch collection, including an imperfect copy of Psycho.
    • A woefully incomplete Ray Bradbury collection, some signed.
    • A true (UK) first of Ernest Bramah’s Kai Lung Unrolls His Mat in dust jacket.
    • David Brin’s Startide Rising and Uplift War.
    • A mostly complete Poppy Z. Brite collection, including the hardback of Plastic Jesus.
    • Peter Currell Brown’s Smallcreep’s Day
    • An imperfect first of John Brunner’s Stand on Zanzibar, as well as a signed first of The Sheep Look Up, and an inscribed copy of The Stone That Never Came Down that formerly belonged to Christopher Priest.
    • Stephen Brust’s To Reign in Hell.
    • The Easton Press signed first hardbacks of Lois McMaster Bujold Barryar and The Vor Game, as well as the hardback first of Mirror Dance and The Paladin of Souls.
    • A complete Octavia Butler collection (several signed), including Survivor, the rarest of her books.


    C-D

    • A complete Pat Cadigan collection (discounting some media tie-in stuff).
    • Something like a complete Jack Cady collection.
    • Inscribed firsts of Orson Scott Card’s Ender’s Game, as well as Songmaster, A Planet Called Treason and Cardography; indeed, all Card’s fiction hardbacks up to Xenocide; I read that and Prentice Alvin, and after that I stopped buying his books.
    • A complete Jonathan Carroll collection, all signed or inscribed, including The Land of Laughs.
    • Angela Carter’s The Passion of New Eve and copy of The Infernal Desire Machines of Dr. Hoffman that formerly belonged to Carter.
    • Inscribed firsts of Michael Chabon’s The Yiddish Policeman’s Union and The Amazing Adventures of Kavalier and Clay.
    • A signed copy of Suzy McKee Charnes’ The Vampire Tapestry.
    • C.J. Cherryh’s Cyteen and an inscribed SFBC (first hardback) Downbelow Station.
    • An imperfect Ballantine Books hardback of Arthur C. Clarke’s Childhood’s End, a decent Earthlight, a very nice Against the Fall of Night, an imperfect Rendezvous With Rama, a nice The Fountains of Paradise and the signed, slipcased PS Publishing edition of Tales from the White Hart.
    • Some Hal Clement, including a signed, imperfect Mission of Gravity and a nice Iceworld.
    • An extensive Storm Constantine collection.
    • A nearly complete John Crowley collection, including signed or inscribed copies of Little, Big (reportedly Gollancz only did 300 hardbacks), The Deep and Engine Summer.
    • A complete run (at least up through issue 17) of the signed hardback state of Postscripts (including Ray Bradbury, Stephen King, Joe Hill, etc.).
    • A bunch of Jack Dann.


    D

    • Closing in on a complete Avram Davidson collection, including one of only 25 hardback copies of El Vilvoy de las Islas
    • An extensive Samuel R. Delany collection up to 1980 or so, all signed, including solid (but not pristine) Gollancz hardback firsts of Babel-17 and The Einstein Intersection.
    • A complete Bradley Denton collection, all signed or inscribed, including The Calvin Coolidge Home for Dead Comedians/A Conflagration Artist and Blackburn’s Lady.
    • August Derleth’s Someone in the Dark (the second Arkham House book), sadly lacking the dust jacket, and a signed copy of The Mask of Cthulhu
    • A not-yet complete Philip K. Dick collection, including Imperfect firsts of Do Androids Dream of Electric Sheep?, Time Out of Joint, The Man in the High Castle, The Three Stigmata of Palmer Eldritch, Ubik, and The Penultimate Truth, a nice set of The Collected Stories of Philip K. Dick, nice copies of The Man Whose Teeth Were Exactly Alike, Martian Time Slip, The Game Players of Titan, Confessions of a Crap Artist, A Scanner Darkly and the slipcased Valis set with Cosmogony and Cosmology. (A number of paperback firsts appear on the paperback shelf, and a number of non-fiction works are upstairs in my reference library.)
    • A complete Paul Di Filippo collection, including one of 100 signed hardback copies of Ciphers.
    • An extensive Thomas Disch collection, including Camp Concentration, 334 and Torturing Mr. Amberwell.
    • A complete hardback set (save a few of the most recent volumes) of Gardner Dozois’s The Year’s Best Science Fiction, including the very rare first three Bluejay Books editions, several signed by many of the contributors.


    D-G

    • A complete Greg Egan collection, including a copy of Axiomatic inscribed to his editor David Pringle (Egan signatures, much less inscriptions, are vanishingly rare), as well as firsts of An Unusual Angle (only 100 hardback copies), Quarantine, and Permutation City.
    • A complete George Alec Effinger collection, many inscribed to me.
    • A nearly-complete Harlan Ellison hardback collection (though I lack several of the most difficult paperbacks).
    • A fair amount of Philip Jose Farmer, including a beautiful copy of To Your Scattered Bodies Go (formerly Buck and Juanita Coulson’s copy), plus signed copies of Doc Savage: His Apocalyptic Life, Love Song, The Adventure of the Peerless Peer and Up from the Bottomless Pit.
    • The first English-language edition of Camille Flammarion’s Urania and the first U.S. edition of Lumen.
    • A not-quite complete Neil Gaiman collection, including 1/26 signed, lettered, traycased copies of M is for Magic (with an original drawing by Gahan Wilson on the limitation page), one of 500 signed, numbered copies of Neverwhere, Murder Mysteries: A Play for Voices and Snow Glass Apples: A Play for Voices (both signed and limited in slipcase), Angels and Visitations, the signed/limited editions of American Gods and Anansi Boys, as well as signed copies of the trade state, plus a bunch of other signed Gaiman (not shown: hardback collections of the complete run of Sandman (both the first and the four-volume Absolute Sandman), plus a bunch of other Gaiman graphic novels, most signed, up in the graphic novel section on the second floor).
    • An extensive John Gardner collection, including Grendel.
    • A bunch of Ray Garton, including the Charnel House (true first) signed/limited edition of The New Neighbor.
    • A nearly complete Jane Gaskell collection, including Strange Evil and King’s Daughter.
    • A complete Mary Gentle collection (discounting her pseudonymous porn novels), including Ash: A Secret History.


    G-J

    • A complete William Gibson book collection (discounting Agrippa), all signed, including a Fine Gollancz Neuromancer (one of the highpoints of the entire collection) and a copy of Gibson and Bruce Sterling’s The Difference Engine signed by both.
    • William Goldman’s The Princess Bride.
    • Alasdair Gray’s Lanark.
    • A signed copy of Curme Gray’s Murder in Millennium VI.
    • Signed copies of Ken Grimwood’s Elise and The Voice Outside.
    • U.S. first edition of General Sir John Hackett’s The Third World War: August 1985, with a signed typed letter by Hackett laid in.
    • Inscribed firsts of Joe Haldeman’s Forever Peace, The Accidental Time Machine and Camouflage, plus an inscribed, imperfect first of The Forever War.
    • Peter F. Hamilton’s first ten or so phone books, including an inscribed first of The Reality Dysfunction.
    • A fair amount (but by no means a complete collection) of Robert A. Heinlein, including imperfect firsts of The Moon is a Harsh Mistress, Double Star, Stranger in a Strange Land, and Starship Troopers (the last rather nice), and a pristine first of Sixth Column.
    • A very imperfect true first of Frank Herbert’s Dune.
    • Two different states of the signed, limited edition of Joe Hill’s 20th Century Ghosts.
    • The Gnome Press editions of Robert E. Howard’s Conan the Barbarian, Conan the Conqueror and King Conan.
    • Barry Hughart’s Bridge of Birds, The Story of the Stone, and Eight Skilled Gentlemen, plus the signed Subterranean press omnibus.
    • One of less than 100 copies of the H. P. Lovecraft/Russ Meyer crossover anthology, Hastur, Pussycat! Kill! Kill!




    J-M

    • An essentially complete Shirley Jackson collection, including The Haunting of Hill House, The Road Through the Wall, Hangsaman and an imperfect copy of The Lottery.
    • A complete K. W. Jeter collection (save the media tie-in work), including the signed, limited hardback of Dr. Adder.
    • Ha Jin’s Waiting.
    • One of 52 signed hardback copies of Graham Joyce’s Leningrad Nights, the second PS Publishing novella.
    • Essentially complete James Patrick Kelly and John Kessel collections, including Freedom Beach, one of only 100 hardback copies, signed by both.
    • Daniel Keyes’ Flowers for Algernon.
    • I have a fair amount of Stephen King, but nothing approaching a complete collection (I may be an insane collector, but I’m not that insane), including one of 99 copies total (and one of only 33 with this cover art) of the PS Publishing (first hardback edition) signed, limited, tray-cased edition of Stephen King’s The Colorado Kid, plus a copy of the signed, limited edition of same, one of 1,250 signed, limited copies of the Mark V. Ziesing (true first) edition of Insomnia, the first four Donald M. Grant Dark Tower books, the signed, limited edition of Under the Dome (reportedly 1,500 copies, all of which were sold out within a day of being available for order), and an imperfect first of The Shining.
    • A complete Russell Kirk fiction collection (including The Surly Sullen Bell, Old House of Fear, and his two Arkham House Books, The Princess of All Lands and Watchers at the Straight Gates, most signed.
    • Henry Kuttner’s Robots Have No Tails.
    • A complete R. A. Lafferty hardback collection (save the two Pendragon Press chapbooks I have in wraps), including Tales of Chiacago, Tales of Midnight, and Argo, and the Gregg Press The Devil is Dead.
    • An essentially complete Joe R. Lansdale collection (see if you can spot the oddball exception), all signed, including the lettered edition of For a Few Stories More (with a young-adult vampire novel, Shadow Time, found only in this edition), the signed/limited edition of The Bottoms, one of only 26 signed, hardback copies of My Dead Dog Bobby and Triple Feature, one of only 100 signed hardback copies of Veil’s Visit (with Andrew Vachess) and Private Eye Action, As You Like It (with Lewis Shiner), inscribed copies of The Magic Wagon and The Nightrunners.
    • Imperfect firsts of Ursula K. Le Guin’s The Left Hand of Darkness, The Dispossessed, and A Wizard of Earthsea.
    • Something approaching a complete Fritz Leiber collection, including the Gregg Press (first hardback) editions of The Big Time and The Sinful Ones, as well as Nights Black Agents, The Wanderer, and Manly Wade Wellman’s copy of Rime Isle, inscribed to him by the publisher.
    • The first English-language edition of Stanislaw Lem’s Solaris.
    • Being only slightly insane, I don’t have a complete H. P. Lovecraft collection, but I do have several of the latter Arkham House books, including The Horror in the Museum. (I also have the complete Letters and Essays up in my non-fiction library.)
    • A complete Ken MacLeod collection.
    • A complete George R. R. Martin (discounting some Wild Cards SFBC hardbacks), including the signed/limited edition Songs the Dead Men Sing, plus A Game of Thrones and GRRM.
    • I’m closing in on a complete Richard Matheson collection, including the signed, slipcased state of Collected Stories, Hell House and an imperfect first of I Am Legend (though I do still need the Chamberlain Born of Man and Woman, Stir of Echoes, and the UK Shrinking Man).
    • A complete Paul J. McAuley collection, save for a few recent ones.
    • A complete Robert R. McCammon collection (including Blue World) save the UK Baal and a couple of recent ones.
    • Cormac McCarthy’s The Road.
    • A complete Ian McDonald collection.
    • Vonda McIntyre’s Dreamsnake and The Sun and the Moon.
    • Larry McMurtry’s Lonesome Dove.
    • A complete China Mieveille collection, including Perdido Street Station and one of 400 signed, numbered hardbacks of The Tain.
    • An imperfect first of A Canticle for Leibowitz.
    • A few Yukio Mishima firsts (or rather, first American/English Language editions).
    • David Mitchell’s Cloud Atlas.
    • An inscribed copy of Elizabeth Moon’s The Speed of Dark.
    • A somewhat random assortment of Michael Moorcock firsts, including Glorianna, all signed or inscribed.
    • Signed copies of C. L. Moore’s Mutant and Black God’s Shadow.


    M-P

    • A complete Richard Morgan collection, most signed, including Altered Carbon.
    • Some David Morrell, including First Blood.
    • A good bit of James Morrow, many signed.
    • Signed copies of Haruki Murakami’s A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World.
    • Pat Murphy’s The Falling Woman.
    • John Myers Myers’ Silverlock in a rubbed dust jacket.
    • Something approaching a complete collection of Kim Newman’s works under his own name (don’t have the Jack Yeovil/GDW stuff), including Anno Dracula.
    • Complete set of the Night Visions series, some (Barker, Lansdale, Martin) signed or inscribed.
    • I don’t have a complete Larry Niven collection, but I do have a fair amount, including a Gollancz Ringworld, marred only by an excised front free endpaper, as well as an imperfect first of The Mote in God’s Eye.
    • A complete Jeff Noon collection.
    • The first three Naomi Novik books.
    • A nearly complete Chad Oliver collection, including Mists of Dawn.
    • Alexi Panshin’s Rite of Passage.


    P-R

    • Some Frederik Pohl, including signed or inscribed firsts of The Space Merchants, Man Plus and Gateway.
    • Charles Portis’ True Grit.
    • A pretty completely Tim Powers collection, including The Anubis Gates, the Charnel House Stress of Her Regard and Where They Are Hid, the Subterranean Press Declare, Three Days to Never and Ten Poems, the Hypatia Press The Drawing of the Dark, the Cahill The Skies Discrowned, and the NESFA An Epitaph in Rust.
    • Christopher Priest’s The Prestige.
    • A complete run of Pulphouse: The Hardback Magazine.
    • Thomas Pynchon’s The Crying of Lot 49 (however, the Gravity’s Rainbow is, alas, a book club edition).
    • A complete Alastair Reynolds collection, including Revelation Space.
    • Some early Anne Rice, including Interview With a Vampire and The Claiming of Sleeping Beauty, and a signed copy of Queen of the Damned.
    • Maurice Richardson’s The Exploits of Engelbrecht.


    R-S

  • A complete Kim Stanley Robinson collection (save a few recent books), including the true UK first editions of Red Mars, Green Mars, and Blue Mars, as well as The Blind Geometer.
  • A mostly complete Rudy Rucker collection (I lack a couple of the recent ones), including 1 of 200 signed, numbered copies of Transreal!
  • An imperfect first of Salman Rushdie’s Midnight’s Children and a U.S. first of The Satanic Verses.
  • A bunch of Geoff Ryman.
  • A complete John Scalzi collection (save, I think, the hardback state of the first Subterranean Press chapbook), including Old Man’s War, all of it signed or inscribed.
  • Elizabeth Ann Scarborough’s The Healer’s War.
  • Complete David J. Schow collection, including The Shaft.
  • A complete Michael Shea collection, including Polyphemus and the Hypatia edition of Nifft the Lean.
  • The Collected Stories of Robert Sheckley.
  • A complete Lucuis Shepard collection (save that poetry collection he did way back when), including The Jaguar Hunter, Nantucket Slayrides, Barnacle Bill the Spacer, and The Last Time.


    S

    • A complete Lewis Shiner collection, some inscribed to me.
    • A complete John Shirley collection (save a few recent books and some of the paperback pseudonyms), including one of only 50 signed hardback copies of Black Glass, and one of 100 signed, slipcased copies of Really, Really, Really, Really Weird Stories.
    • A small collection of Robert Silverberg (especially compared to his overall output), including Dying Inside, A Time of Changes, and The Book of Skulls.
    • A complete Dan Simmons collection (save a few recent ones), many signed or inscribed, including Hyperion, Song of Kali, Carrion Comfort and Entropy’s Bed at Midnight.
    • Closing in on a complete John Sladek collection, including Roderick.
    • Some Clark Ashton Smith, including some later Arkham Houses, including Collected Poems.
    • A complete Cordwainer Smith collection, including Atomsk, Ria, and Carola. (I also have Psychological Warfare and The Political Doctrines of Sun Yat San upstairs in the non-fiction library.)




    S-W

    • A complete William Browning Spencer collection, all signed or inscribed, including Resume With Monsters.
    • Some Brian Stableford, including Empire of Fear and all three of The Werewolves of London trilogy.
    • L. Sprague De Camp’s copy of Olaf Stapledon’s To the End of Time, with his ownership plate pasted in.
    • A nearly complete Neal Stephenson collection, most signed or inscribed, including Snow Crash and The Diamond Age.
    • A nearly complete Sean Stewart collection (lacking his most recent and a media tie-in novel), including Nobody’s Son, Resurrection Man and Mockingbird, most signed.
    • A complete Bruce Sterling collection, including The Artificial Kid, all signed or inscribed to me. (I also have one of only 200 hardback copies of Shaping Things up in the non-fiction library. When I had Bruce sign it, he said he had never seen the hardback edition before…)
    • A complete Charles Stross collection, many signed.
    • The Collected Stories of Theodore Sturgeon.
    • A complete Michael Swanwick fiction collection, including one of only 30 signed hardbacks of Puck Aleshire’s Abecedary, as well as Stations of the Tide.
    • Bernard Taylor’s Sweetheart, Sweetheart inscribed to his niece.
    • Wilson Tucker’s The Long, Loud Silence (formerly Bruce Pelz’s copy).
    • I’m working on a complete Jack Vance collection, but still have many gaps. One thing I do have is The Jack Vance Integral Edition, containing all his works (except, I think, the Ellery Queen mysteries) with the original text and titles restored, in a uniform edition of 44 volumes; because I was one of the first 200 subscribers, the last volume (which contains previously uncollected material) is signed by Vance. I also have the Underwood/Miller firsts of many Vance works, including Night Lamp and Ports of Call.
    • A. E. van Vogt’s World of Null A and The War Against the Rull.
    • A signed copy of Joan D. Vinge’s The Snow Queen.
    • A complete Vernor Vinge collection, including A Fire Upon the Deep and A Deepness in the Sky, all but The Witling and Rainbows End inscribed.
    • A complete Howard Waldrop collection, including both Cheap Street books (the traycased You Could Go Home Again and Flying Saucer Rock and Roll), as well as All About Strange Monsters of the Recent Past, all signed or inscribed to me (Howard rented out a spare room in my house for a little over six months in 2007).
    • Alice Walker’s The Color Purple.
    • A complete Don Webb collection, save one of the 15 hardback copies of When They Came.
    • Closing in on a complete Manly Wade Wellman collection, including Who Fears the Devil? and the the two Carcosa House collections, Worse Things Waiting and Lonely Vigils, and a copy of Third String Center inscribed to his brother, western writer Paul I. Wellman, noting that he “should recognize some of the players.” I lack the Avalon Giants from Eternity and a few of the juveniles. (I also have a collection of Wellman non-fiction upstairs.)


    Oversized Hardbacks
    Some Ray Bradbury, Richard Matheson, etc. I think this photo is large enough that you can easily read the titles…


    W

    • A complete Martha Wells collection (Save the media-tie-in novels), all inscribed to me, including An Element of Fire.
    • A complete Edward Whittimore collection.
    • Kate Wilhelm’s Where Late the Sweet Birds Sang.
    • Some Jack Williamson, including Darker Than You Think.
    • A complete Connie Willis collection, most inscribed to me, including Doomsday Book and To Say Nothing of the Dog.
    • A complete Robert Charles Wilson collection (including Spin), save his most recent.
    • A complete Gene Wolfe collection, including Shadow of the Torturer, The Castle of the Otter the two Cheap Street hardbacks, Empires of Flowers and Foliage and Biblioman, and the hardback states of The Young Wolfe and Letters From Home, many signed or inscribed to me.


    W-Z, and Trade Paperbacks (including chapbooks, proofs, etc.)

    • Closing in on a complete Roger Zelazny collection, including a very clean, signed ex-library copy of Lord of Light, This Immortal, an Ex-Library Nine Princes in Amber, etc., some signed or inscribed to me.

      Trade Paperbacks

    • One of 100 signed copies of J. G. Ballard’s News from the Sun
    • A proof of David Brin’s The Tides of Kithrup, the name of which was later changed to Startide Rising.
    • Greg Egan’s Our Lady of Chernobyl, Quarantine and An Unusual Angle.
    • An inscribed copy of George Alec Effinger’s Maureen Birnbaum, Barbarian Swordsperson.
    • Matthew Hughes’ The Farouche Assemblage
    • An ARC of the Random House edition of Sherry Jones’ The Jewel of Medina, the publication of which was canceled by that publisher.
    • Both blue and green variant covers of Neil Gaiman and Gene Wolfe’s A Walking Tour of the Shambles, inscribed to me by both.
    • Numerous R. A. Lafferty chapbooks, some signed
    • Proofs of Joe R. Lansdale’s The Drive-In and The Drive-In 2, plus the original publication of Dead in the West, various chapbooks, and a copy of Cross Plains Universe (which I have a story in) inscribed to me by most of the contributors.
    • Signed copies of Michael Moorcock’s The Great Rock-and-Roll Swindle (printed in tabloid newspaper format) and the festschrift Moorcock@60, signed by Mike as well as contributors Rick Klaw and Howard Waldrop.
    • James Morrow’s The Adventures of Smoke Baily, a novella only included as part of the packaging for a video game.
    • A proof of Chad Oliver’s last novel, The Cannibal Owl.
    • A proof of Susan Palwick’s Chambers of the Blood, the title of which was changed to Flying in Place for publication.
    • A copy of Lewis Shiner’s one-off fiction fanzine Modern Stories signed by contributors William Gibson, Joe R. Lansdale, Howard Waldrop, Steven Utley, and Walton Simons.
    • Dan Simmons’ Banished Dreams
    • Inscribed copies of Neal Stephenson’s The Big U and Zodiac, as well as signed proofs of Interface and The Cobweb.
    • Jack Vance’s The Space Pirates.
    • Some signed Howard Waldrop, including one of only 25 copies of The Soul-Taker, self-published as from “The Vorpal Press” in 1966.
    • Manly Wade Wellman’s The Invading Asteroid.
    • Several Gene Wolfe volumes, including three Cheap Street chapbooks, a proof of The Island of Dr. Death and Other Stories and Other Stories and several more recent proofs.
    • Roger Zelazny’s Poems and A Rhapsody in Amber.


    Mass Market Paperbacks

    • All six volumes of Clive Barker’s Books of Blood, first editions, first printings, first states, signed by Barker.
    • A copy of John Brunner’s pseudonymously published porn novel The Incestuous Lovers.
    • All Neal Barrett Jr.’s non-media tie-in paperbacks, signed or inscribed by Neal.
    • PBOs of Lois McMaster Bujold’s The Vor Game and Barrayar.
    • Several inscribed Pat Cadigan PBOs.
    • Several A. Bertram Chandler PBOs.
    • Several C. J. Cherryh PBOs.
    • Several Avram Davidson PBOs.
    • Several Philip K. Dick PBOs.
    • Several Harlan Ellison PBOs.
    • Several Ray Garton PBOs.
    • Several K. W. Jeter PBOs, including Seeklight, The Dreamfields and Morlock Night, all signed or inscribed.
    • Several R. A. Lafferty PBOs, including Ringing Changes.
    • Several Joe R. Lansdale PBOs, including pseudonymous porn novel Molly’s Sexual Follies, signed by both Lansdale and co-author Brad Foster, the three MIA Hunter books he wrote, and Texas Night Riders, all signed or inscribed.
    • A fair number of Tanith Lee PBOs.
    • Jonathan Littell’s Bad Voltage.
    • Some H. P. Lovecraft, including the Avon edition of The Lurking Fear.
    • All Daniel Keyes Moran’s PBOs.
    • A complete collection of Tim Powers’ PBOs, including An Epitaph in Rust and The Skies Discrowned, all signed or inscribed.
    • Spider Robinson’s Antimony.
    • Most of Rudy Rucker’s PBOs, including White Light and The Sex Sphere.
    • All Michael Shea’s PBOs, including Nifft the Lean.
    • A lot of signed John Shirley PBOs, including City Come A’Walkin and The Brigade, plus several books he wrote in the Traveler series of post-apocalyptic men’s adventure novels.
    • Complete set of John Skipp & Craig Spector PBOs.
    • Several Brian Stableford PBOs.
    • Bruce Sterling’s Involution Ocean, signed.
    • Several Thomas Burnet Swann PBOs.
    • Some Manly Wade Wellman PBOs, including the rare movie novelization A Double Life.
    • A complete collection of Nichola Yermakov books, up until he changed his name to Simon Hawke.
    • Several Roger Zelazny paperbacks, including some PBOs, several signed.
    • Several Zoran Zivkovic books printed by his press in Belgrade.