Posts Tagged ‘Tim Powers’

Library Addition: Charnel House edition of Tim Powers’ My Brother’s Keeper

Monday, February 12th, 2024

Another beautiful Charnel house Tim Powers book:

Powers, Tim. My Brother’s Keeper. Charnel House, 2023 (stated, actually 2024). First edition hardback, #54 of 200 signed, numbered copies, a Fine copy, sans dust jacket, as issued. The usual elaborate Charnel House production, with full-color illustrated endpapers. The Baen trade edition precedes. I will have copies of this in the next Lame Excuse Books catalog.

Library Additions for 2023

Monday, February 5th, 2024

Here are all the books I added to my library in 2023. Most (but not all) have been covered in previous posts.

  • Adams, Douglas (edited by Kevin Jon Davies). 42: The Wildly Improbable Ideas of Douglas Adams. Unbound, 2023. First edition hardback (number line ending with 1), a Fine copy, sans dust jacket, as issued. A compendium of scripts, drafts, notes, sketches etc. from the archives of this Dr. Who and Hitchhiker’s Guide to the Galaxy writer. I backed this on Kickstarter, and my name can be found on page 315. This book was actually a #1 Sunday Times bestseller. I’m not sure if this Kickstarter edition differs from the trade edition, though I count 320 pages, while Amazon UK says 336 pages, so, maybe? I have a copy of this available through Lame Excuse Books.

  • Aldiss, Brian W. Journey to the Goat Star. Pulphouse, 1991. Issue #22. Tiny bit of rubbing along spine. This is the first of a complete run of 61 Pulphouse Short Story paperbacks I bought for $61. All the subsequent listings for Pulphouse titles for this post are part of the Pulphouse Short Story Paperbacks line, and all are Fine copies, unless otherwise listed.

  • Aldrin, Buzz, and John Barnes. Encounter With Tiber. Warner Books, 1996. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Aldrin: “To Michael,/Buzz Aldrin.” Pretty sure Barnes did the overwhelming majority of the writing, but it’s pretty cool to own a book signed by a guy who walked on the moon. Bought for $7.99.

  • Anonymous. In the Future. Arno Press, 1974. First edition hardback thus, a reprint of a book originally published in 1867, a Fine- copy with slight bumps at points, sans dust jacket, as issued. Bought for $7.99.

  • Antieau, Kim. Blossoms. Pulphouse, 1991. Issue #5.
  • Aquilone, James, editor. Dead Detectives Society. Monsterous Books, 2023. First edition trade paperback original, a Fine copy, with extras bag including three cardstock illustrations and a Dead Detective’s Society Membership card. Includes stories by Joe and Kasey Lansdale, Nancy Collins, Kevin J. Anderson, etc. Bought off Kickstarter for $32.

  • Aquilone, James, editor. Kolchak: The Night Stalker: 50th Anniversary. Moonstone, 2022. First edition hardback graphic novel, the hardcover variant version (ISBN 978-1-946346-16-2), a Fine- copy with slight bumping to upper points, in decorated boards, sans dust jacket, as issued, with illustration card signed on the back by Aquilone laid in. Collection of stories (some graphic novel style some straight prose) based on the legendary Kolchak: The Night Stalker TV show. According to the Kickstarter page, there were 231 of this version backed.

  • Aquilone, James, editor. Kolchak: The Night Stalker: Satanic Panic ’88 + Two Other Uncanny Tales. Moonstone, 2022. First edition comic book, a Fine copy, signed by Aquilone. Bought from Kickstarter as an add-in to the above.

  • Aquilone, James, editor. Shakespeare Unleashed. Monstrous Books, 2023. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued, with Monstrous Books card laid in. Original anthology of Shakespeare-related horror stories, featuring stories from Joe and Kasey Lansdale, Steve Rasnick Tem, etc. Adding up the various hardware bundles, it looks like there were just over 500 copies of this done. My name can be found on page 356. You can buy the book through Amazon, though no guarantee that you’ll get a first printing, or received it unbumped.

    With:

  • Aquilone, James, editor. Shakespeare Unleashed One Shot. Monstrous Books, 2023. First edition graphic novel chapbook containing additional work.

  • “Author, J.Q.” Issue Zero. Pulphouse, 1991. Issue #0, a binding dummy for the entire run of the series, with bank pages. Would never have bought this on it’s own, but since I was buying the entire thing I got this too. This one has a tiny bit of edgewear on rear spine join.
  • Anderson, Poul. Loser’s Night. Pulphouse, 1991. Issue #1.

  • Bacigalupi, Paolo. The Water Knife. Knopf, 2015. First edition hardback, a Fine copy with a bound-in signature page, with a Fine dust jacket with a “SIGNED FIRST EDITION” sticker. Bought for $8. (Note: The Scanner does not like the “poly-chromatic on black” effect so I had to adjust it some to make it legible.)

  • Barry, Dave. Best. State. Ever. A Florida Man Defends His Homeland. Putnam, 2016. First edition hardback, a Fine copy in a Fine dust jacket, signed by Barry. Non-fiction humor book. Bought for $8.

  • Barry, Dave, and Alan Zweibel. Lunatics. Putnum, 2012. First edition hardback, a Fine copy in a Fine dust jacket, signed by Barry. This and the above are my second and third signed Barry firsts. I already had a book signed by Zweibel. Bought for $8.
  • Baxter, Stephen. Xeelee: Endurance. PS Publishing, 2017. First edition hardback, letter D of 26 lettered copies, a Fine copy in a decorated boards and a Fine dust jacket and a Fine decorated slipcase. I collected Baxter for a while until he become too prolific for me to keep up with, but I did like the Xeelee books. Bought from Camelot Books for $50.

  • Beagle, Peter S. The Essential Peter S. Beagle. Tachyon, 2023. First edition hardback, #95 of 474 signed, numbered copies, a Fine copy in silver decorated boards, sans dust jacket, as issued, with Tachyon sticker and business card laid in. Just what it says, a best of collection of stories for this beloved fantasy writer. This combines what are two volumes for the trade edition (which I have on order but haven’t seen yet). I have a small number of these available through Lame Excuse Books.

  • Bear, Greg Killing Titan. Orbit, 2015. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bear. Second book in the military SF trilogy started with War Dogs, which I just read. Bought for $18 from a fellow Biblio dealer.
  • Bear, Greg. Sisters. Pulphouse, 1992. Issue #43.

  • Beaumont, Charles. The Carnival and Other Stories. Subterranean Press, 2022. First edition hardback, #417 of 1,250 numbered copies, a Fine copy in a Fine dust jacket, new and unread. Short story collection.

  • Bell, M. Shayne. Inuit. Pulphouse, 1991. Issue #34.
  • Bernard, Dr. Raymond (pseudonym for Walter Siegmeister). The Hollow Earth. Fieldcrest Publishing, 1964. “New Edition” hardback (I think this amounts to the second printing of the first edition, which was evidently offset, so this might qualify as the first printed edition), a Very Good+ copy in red decorated boards with a few pinhead spots of staining to rear, slight wear at head and heel, slight blunting of points, and slight wear to gold lettering, lacking the dust jacket. Barnard wrote several books promulgating various fringe and pseudoscience beliefs (vegetarianism, parthenogentic reproduction, sexual abstinence, etc.), and this book discusses how UFOs actually come from the hollow earth. He also believed there was a hollow earth opening in Brazil, and tried to start a farming colony somewhere in the general vicinity of the entrance. Kafton-Minkel, Subterranean Worlds, pages 192-216. Standish, Hollow Earth pages 277-278 (“a distillate of virtually every crackpot theory about the hollow earth that had been accumulating for a hundred years or more”). Though this had many later printings, any Fieldcrest printing seems uncommon.

  • Bishop, Michael. The Quickening. Pulphouse, 1991. Issue #12.
  • Blackwood, Algernon (Mark Sieber, editor). A Little Black Book of Bedevilment. Borderlands Press, 2022. First edition hardback, #462 of 500 copies signed by the editor, a Fine copy. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.

  • Blaylock, James P. Lord Kelvin’s Machine. Arkham House, 1992. First edition hardback, a Fine copy in a Fine Mylar-protected dust jacket, signed by Blaylock. Joshi, Sixty Years of Arkham House 179. Nielsen, Arkham House Books 185. Replaces an unsigned copy.

  • Blaylock, James P. Paper Dragons. Pulphouse, 1992. Issue #57. A few small rubs along spine. Supplements a copy of the Axolotl Press hardback (which precedes).

  • Blaylock, James P. Pennies From Heaven. PS Publishing, 2022. First edition hardback, #167 of 200 signed, numbered copies, a Fine copy in a Fine dust jacket with repricing sticker over UPC, as issued. New novel. The signed edition is the only hardback edition, and the PS edition is the only edition thus far. 200 is a pretty small run for a Blaylock hardback.

  • Blaylock, James P. Winter Tides. Ace, 1997. First edition hardback, a Fine copy in a Fine Mylar-protected dust jacket, inscribed by Blaylock to the previous owner. Replaces an unsigned copy.

  • Bloch, Robert. The Skull of the Marquis de Sade. Pulphouse, 1992. Issue #51.

  • Bloch, Robert. Yours Truly, Jack The Ripper. Pulphouse, 1991. Issue #10. Not to be confused with the short story collection of the same name.
  • (Bloch, Robert) Larson, Russell D. The Complete Robert Bloch: An Illustrated Comprehensive Bibliography. Fandom Unlimited Enterprises, 1986. First edition trade paperback original, a Fine- copy with trace of wear at tips, signed by Bloch. Just what it says, an illustrated bibliography of Bloch’s work. Looks useful, though the type is a bit small for my aging eyes. Justice, Science Fiction, Fantasy and Horror Reference 185. Bought of eBay for $35 plus shipping.

  • Block, Lawrence. The Scoreless Thai. Subterranean Press, 2000. First hardback edition (previously published in a 1970s PBO), a trade edition, a Fine copy in a Fine dust jacket, signed by Block. Novella. Bought for $10, 1/3rd of publication price, and the trade edition wasn’t issued signed by Block.

  • Block, Lawrence. Tanner’s Tiger. Subterranean Press, 2001. First hardback edition (previously published as a 1968 paperback original), a Fine copy in a Fine dust jacket, signed by Block. Tanner novel. Bought for $10, 1/3rd of publication price, and the trade edition wasn’t issued signed by Block.
  • Boston, Bruce. All the Clocks are Melting. Pulphouse, 1991. Issue #4.

  • Bradbury, Ray (text) and Amanda Blanco (photographs). About Norman Corwin. Santa Susana Press, 1979. First edition traycased portfolio, an “artist’s proof” copy of 60 signed, numbered sets, a Fine- copy (there seem to be a couple of drops of moisture staining to the back of the signature page) in a Fine- traycase with a few small spots of staining to the inner right edge (though the case itself has a bit of an odd outward slant to the top and bottom edges). Loose printed cardstock pages, including a multi-page essay celebrating radio essayist Norman Corwin by Bradbury followed by 11 photographs of Corwin by Blanco. An odd, oversized item, and one that doesn’t fit entirely on my scanner, so either the bottom or top is chopped off. Bought for $250 off eBay after a touch of haggling.

  • Bradbury, Ray (Jonathan R. Eller, editor). The Collected Stories of Ray Bradbury: A Critical Edition: Volume 2: 1943-1944. Kent State University Press, 2014. First edition hardback, a Fine copy in a Fine- dust jacket with just a tiny bit of wrinkling at heel. Bought from Half Price Books for $37.49, considerably more than the $15 I paid for the first volume, but this one doesn’t seem to have been nearly as widely remaindered.
  • Bradbury, Ray. A Chapbook for Burnt-Out Priests, Rabbis and Ministers. Cemetery Dance, 2001. First edition trade hardback, a Fine copy in a Fine dust jacket, signed by Bradbury. Bought off eBay for $21.50. Replaces an unsigned copy and supplements a slipcased signed/limited edition copy.

  • Bradbury, Ray. Fahrenheit 451. Ballantine Books, 1953. First edition hardback (Currey (1978) D state/Currey (2002) C state, red boards lettered in yellow, no precedence among hardback states), a Near Fine copy with a few small indentations, very slight glue wrinkling (binding flaw) to bottom of rear cover, slight wear to bottom boards, slight wear at head, heel and points, in a Fine facsimile dust jacket, with a Bradbury signature plate laid in. Currey (1978), page 55, Currey (2002) page 44. Pringle, Science Fiction: The 100 Best Novels 8. Barron, Anatomy of Wonder 4 3-31. Locke, A Spectrum of Fantasy, page 39. Magill, Survey of Science Fiction Literature, pages 749-755. Heritage Rare Books and manuscripts Auction #675, page 87 (“one of the most influential and widely read science fiction tales ever published”). Heritage Americana Auction #658 & 65801, page 32. Heritage The Frank Collection Auctions #7001 and #684, page 58. A key 20th century science fiction novel, and the most difficult of Bradbury’s mainstream publisher hardback firsts by a good measure. Bought for $750 plus tax and shipping from an offer on eBay.

  • Bradbury, Ray. That Son of Richard III: A Birth Announcement. Roy A. Squires, 1974. First edition chapbook original, #332 of 400 numbered copies, a Fine copy in a Fine cloth traycase, inscribed by Bradbury to Lord John Press publisher Herb Yellen: “For Herb -/Good wishes/From/Ray Bradbury/ 9/28/28.” As Yellen later published several Bradbury chapbooks himself, this is an interesting association copy. According to Chalker/Owings, Squires only did 30 traycases, of which 25 were offered to buyers of the “Autograph Edition” (which this is not). Supplements an unsigned copy. Chalker/Owings, page 589. Bought from a PBA Galleries auction for $75 plus shipping and handling.

  • Bradbury, Ray. The Toynbee Convector. Knopf, 1988. First edition hardback, #36 of 350 signed, numbered copies, “printed on special paper and specially bound,” a Fine copy in a Mylar protector and a Fine slipcase, sans dust jacket, as issued. This version is not in the Locus database, but ISFDB says they came out the same month. Most limited editions from mainstream publishers are fairly unimpressive, but this is actually quite a nice production, with patterned boards and an attractive slipcase. Bought for $110.49 off eBay, a considerable discount off the original offering price of $150 (which must have seemed plenty pricey in 1988).

  • (Bradbury, Ray) Eller, Jonathan R. Becoming Ray Bradbury. University of Illinois Press, 2011. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head, heel and points. Biography of Bradbury that made use of his personal notes and correspondence. Bought for $17.49.

  • Brin, David. Dr. Pak’s Preschoool. Pulphouse, 1992. Issue #45. Supplements a copy of the Cheap Street edition (which precedes).

  • Brin, David. Piecework. Pulphouse, 1991. Issue #23.
  • Brin, David and Stephen W. Potts. Chasing Shadows: Visions of Our Coming Transparent World. Tor, 2017. First edition hardback, a Fine copy in a Fine dust jacket, signed by Brin on a signature page. Collection of essays by science fiction writers like Neal Stephenson, Bruce Sterling, William Gibson, Robert Silverberg, Vernor Vinge, etc. It says “Brin Presents” but Potts appears to be the actual editor. This and Lunatics are signed on this gray box in what assume is a tipped-in page, presumably something this particular bookseller does. It’s a bit odd. Bought for $8.

  • Brunner, John. A Case of Painters Ear. Pulphouse, 1991. Issue #2.
  • Brunner, John. The Traveler in Black. Ace, 1971. First edition paperback original (no statement of printing and 75¢ as per Currey), a Fine- copy with slight wear at points and a drop of discoloration to bottom page block at heel, otherwise a very nice copy. Celebrated fix-up of linked stories. Currey, page 74. De Bolt, The Happening Worlds of John Brunner, page 57.

  • Bryant, Edward. The Cutter. Pulphouse, 1991. Issue #8.
  • Busby, F.M. If This Is Winnetka, You Must be Judy. Pulphouse, 1992. Issue #54.
  • Bush, Barbara. A Memoir. Scribner’s, 1994. First edition hardback, a Fine copy in a Fine- dust jacket with slight bumping at heel and trace of wear at points, inscribed by Bush: “To Chris Hyatt/With best wishes/Barbara Bush/December 1998. Autobiography by First Lady Barbara Bush, wife of 41 and mother of 43, who died in 2018. Not my usual thing, but I stumbled across it checking for signatures in books by 41 and 43. Bought for $14.48 at Half Price Books.

  • Butler, Octavia. The Evening and the Morning and the Night. Pulphouse, 1991. Issue #38. Holy moley, the prices on this online are crazy. The prices for the signed hardback I can at least sort of understand, since Butler died young, but the prices for unsigned copies like this are still crazy. I had no idea.

  • Bryant, Edward. The Thermals of August. Pulphouse, 1992. Issue #56.
  • Cadigan, Pat. My Brother’s Keeper. Pulphouse, 1992. Issue #55.

  • Calvino, Italo. Invisible Cities. Harcourt Brace Jovanovich, 1974. First English language edition, a Near Fine+ copy with small name to front free endpaper, slight bumping at head and heel and uneven fading at top and bottom edges, in a Very Good+ dust jacket with two closed 3/4″ tears at top front cover, shallow chipping at head, crease to front inner flap, slight bumping at points, and traces of wear to reflective silver surfaces along spine board join, front edge-fold and rear cover (slightly exaggerated in the scan). Important slipstream work of European fantasy, or what John Clute would call “Fantastika.” Bought for $45.

  • Campbell, Ramsey. Six Stooges and Counting. PS Publishing, 2023. First edition hardback, #76 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket. Non-fiction overview of the work of The Three Stooges, year by year. (A nit: The title refers to all six of the named stooges, but the cover only depicts Moe, Curly and Larry, with nary a glimpse of Shemp or Joe Besser, and just a tiny image of Curly-Joe DeRita from The Three Stooges Meet Hercules at upper left.) I have one copy available through Lame Excuse Books.

  • Carter, Lin, editor. The Year’s Best Fantasy Stories. DAW, 1975. First edition paperback original, a Fine- copy with slight wear at points and along spine, otherwise apparently new and unread, with SFBC insert still present. Includes stories from Robert E. Howard and Clark Ashton Smith!

  • Caraker, Mary. I Remember, I Remember. Pulphouse, 1991. Issue #24.
  • Card, Orson Scott. Unaccompanied Sonata. Pulphouse, 1992. Issue #49.

  • Chabon, Michael. Summerland. Hyperion, 2002. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head and heel, signed by Chabon. Bought for $9.99, which, oddly enough, seems to be about market. After he won the Hugo and Nebula for the excellent The Yiddish Policeman’s Union, I though Chabon books were going to head steadily upward in value; the exact opposite seems to have happened. It looks like every single one of Chabon’s novels except The Amazing Adventures of Kavalier & Clay can be found in signed first edition hardbacks at or less than cover price. I can’t figure it out, as all three of the Chabon books I’ve read (The Yiddish Policeman’s Union, The Amazing Adventures of Kavalier & Clay, and Gentlemen of the Road) were excellent.
  • Charnes, Suzy McKee. Listening to Brahms. Pulphouse, 1991. Issue #19.

  • Clarke, Arthur C. A Fall of Moondust. Harcourt, Brace and World, 1961. First edition hardback, an Ex-Library copy with the usual flaws, including stamps, pocket removal, tape to boards, etc, but with a much better than usual dust jacket, with a couple of short closed tears on flap edges, a small sticker ghost on spine, and slight protector discoloration to edges; call it a G/NF Ex-Lib copy. Currey, page 114. Replaces a less attractive Ex-Library copy. Bought for $20.

  • Clemence, Bruce No Way Street. Pulphouse, 1991. Issue #15. Guy had this, and a story in Synergy 3, and that was it…
  • Crowley, John. Great Work of Time. Subterranean, 2023. First edition hardback, #219 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. I have a small number of these available through Lame Excuse Books.

  • Davidson, Avram. AD 100: Volume I and AD 100: Volume II. Or All the
    Sea With Oysters Publishing, 2023. First edition trade paperback
    originals (print on demand), as new. The Avram Davidson Society has set these up as Amazon print on demand originals. Together they include 100
    unpublished or uncollected Avram Davidson stories. If you’re interested in picking them up, click the links above.

  • Davidson, Avram. Naples. The Nutmeg Point District Mail/Temporary Culture, 2022. First edition self-wrappers chapbook original, one of 160 copies, a Fine copy, inside a black envelope with Mylar protective wrappers and with a mounted black and white photograph laid in. Bought for $150 (the subscriber price). Story reprinted from Charles L. Grant’s Shadows anthology.

  • DeChancie, John. A Little Gray Book of Alien Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of a 15 book lot.

  • Delany, Samuel R. The American Shore. Dragon Press, 1978. First edition hardback, #77 of 100 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Detailed, close-reading non-fiction critical analysis of Thomas Disch’s “Angouleme,” a segment of 334. Weedman, The Starmont Reader’s Guide to Samuel R. Delany, page 22 (“Here Delany exercises himself as the critic’s critic, remaining fairly inaccessible to a general audience.”). Chalker/Owings, page 132. Replaces an unsigned copy.
  • Delany, Samuel R. Babel-17. Ace, 1966. First edition paperback original, a Fine copy, though with slight age darkening to the pages. Nebula Award winner and Hugo nominee. Currey, page 139. Replaces a slightly less attractive copy. Bought for $5 at Recycled Books in Denton.

  • Delany, Samuel R. The Einstein Intersection. Easton Press, 1986 (stated; the Locus database lists this coming out in 1991). First edition thus, a special leatherbound collector’s edition, a Fine copy, sans dust jacket, as issued, inscribed by Delany to the previous owner and with an Ex-Libris plate and “Collector’s Notes” laid in. Nebula winner for Best Novel, Hugo finalist. Magill, Survey of Science Fiction pages 703-707. Supplements a signed copy of the Gollancz first hardback edition. Strictly speaking this is just a “nice to have,” but it is signed, and Easton Press makes attractive books.

  • Delany, Samuel R. The Straits of Messina. Serconia Press, 1989. First edition hardback, a Fine copy in a Fine dust jacket. Delany essays on Delany. Chalker/Owings, page 390 (“these at least are readable”). Replaces a copy with a less attractive dust jacket.

  • Delany, Samuel R. (edited by Kenneth R. James). In Search of Silence: The Journals of Samuel R. Delany Volume 1, 1957-1969. Wesleyan University Press, 2017. First edition hardback (“5 4 3 2 1” numberline), a Fine copy in a Fine dust jacket. Selections from Delany’s journals when he was first making his mark on the SF field. Bought for $9.95. I have copies of this available through Lame Excuse Books.

  • de Lint, Charles. Merlin Dreams in the Mondream Wood. Pulphouse, 1992. Issue #52.
  • de Lint, Charles. Uncle Dobbin’s Parrot Fair. Pulphouse, 1991. Issue #17.

  • Donaldson, Stephen R. The Wounded Land. Del Rey, 1980. First edition hardback (“First Edition: June 1980/1 2 3 4 5 6 7 8 9 10”), a Fine copy in a Near Fine dust jacket with faint crease down spine, small closed tear at top frotn, and wear at heel and points, signed and dated (“4/15/82”) by Donaldson, with bookmark for the trilogy laid in.

  • Donaldson, Stephen R. The One Tree. Del Rey, 1982. First edition hardback (“First Edition: April 1982”), a Fine copy in a Fine dust jacket, signed and dated (“4/15/82”) by Donaldson, with bookmark for the trilogy laid in. Note: While the other two first editions in the trilogy feature numberlines, this one does not. I know that this is not the book club edition (which I also have in hand), there are no pictures of a copyright page with a numberline for this title I can locate, and consensus is that they apparently just left it off.

  • Donaldson, Stephen R. White Gold Wielder. Del Rey, 1983. First edition hardback (“First Edition: April 1983/1 2 3 4 5 6 7 8 9 10”), a Fine copy in a Fine dust jacket, signed and dated (“5/6/89”) by Donaldson, with bookmark for the trilogy laid in.

  • Dozois, Gardner. The Peacemaker. Pulphouse, 1991. Issue #39. Supplements a copy of the Short Story Hardback edition.
  • Duchamp, L. Timmel. A Case of Mistaken Activity. Pulphouse, 1991. Issue #7.
  • Eddy, C.M. and Muriel E. Erased from Exile. Stygian Isle Press, 1976. First edition chapbook original, #234 of 300 copies signed (on stickers) by Muriel E. Eddy and illustrator Gene Day, a Near Fine+ copy with slightly bumped corners and two small black lines near top front outer corner. Stories and poetry by two members of Lovecraft’s circle, with illustrations by Day. Day, who did a lot of work for underground comics and role-playing games, died at the very untimely age of 31.

  • Effinger, George. Schrodinger’s Kitten. Pulphouse, 1992. Issue #42. Supplements the hardback version.
  • Eisenstein, Phyllis. The Crystal Palace. Grafton Books, 1991. First hardback edition, a Fine copy in a Fine dust jacket, signed by Eisenstein. Sequel to Sorceror’s Son. The U.S. paperback precedes, but this was the first hardback. This was part of the last big Zelazny purchase in 2020 and I’ve just now gotten around to cataloging it. As I’ve said before, there are few price points more attractive than “you’ve already paid for it.”

  • Ellison, Harlan. FOE: Friends of Ellison. Edgeworks Abbey, 2019. First edition (stated) trade paperback original (these are Print on Demand books; the POD barcode page states “10 February 2019,” making it possible that these were run off as part of the initial batch run off for the Ellison website sales), a Fine copy. Collection of non-fiction essays, introductions and appreciations of other writers (Jack Vance, Richard Matheson, Philip Jose Farmer, Robert Silverberg, etc.). Bought for $20 (half-off the $40 list price) from the Harlan Ellison Books website.

  • Ellison, Harlan. Why do you call me Ishmael when you know my name is Bernie?. Edgeworks Abbey, 2019. First edition (stated) trade paperback original (these are Print on Demand books; the POD barcode page states “16 June 2019”), a Fine copy. Collection of non-fiction essays on various topics, including one on Lafferty. Bought for $20 (half-off the $40 list price) from the Harlan Ellison Books website. This now shows up as out of print there.

  • Erickson, Steve, Our Ecstatic Days. Simon & Schuster, 2005. First edition hardback, a Fine copy in a Fine, Mylar-protected dust jacket. Bought at Recycled Books in Denton for $6.80.
  • Etchison, Dennis. The Dark Country. Pulphouse, 1991. Issue #21. Not to be confused with the short story collection of the same name.

  • Etchison, Dennis. Red Dreams. Scream/Press, 1984. First edition hardback, #192 of 250 numbered hardbacks signed by Etichson and artist J.K. Potter, a Fine copy in a Fine, Mylar-protected dust jacket and a Fine- slipcase with a trace of haze rubbing, and additionally signed by Etchison. The second short story collection by this acclaimed horror writer. The third publication of Scream/Press. Chalker/Owings, page 335. Supplements a trade copy. Bought for $30.

    (Surface wear is on the dust jacket protector.)

  • Fowler, Karen Joy. Booth. Putnam, 2022. First edition hardback, a Fine copy in a Fine- dust jacket with just a trace of edgewear, the signed publisher’s variant with a “Signed Copy” sticker on the cover and a page signed by Fowler bound in. Novel of the theatrical Booth family (including presidential assassin John Wilkes Booth) in early 19th century America. Bought for $13.99.

  • Fowler, Karen Joy. The War of the Roses. Pulphouse, 1991. Issue #28.

  • Friesner, Esther M. Ecce Hominid. Pulphouse, 1991. Issue #6.

  • Gaiman, Neil. A Little Gold Book of Ghastly Stuff. Borderlands Press, 2011. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Mixture of fiction, non-fiction, essays, speeches, poetry, etc. Cool cover illustration by Gahan Wilson. Probably the hardest of the Little Book series to find (followed by the Lansdale, Ligotti and Malerman volumes). Bought as part of the 15 book lot.

  • Gaiman, Neil. Norse Mythology. W. W. Norton, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Bought for $12.99.

  • Gaiman, Neil. Words of Fire. Arte Editions, 2022 (actually 2023). First edition trade paperback original (with self-flaps), #276 of 300 signed, numbered copies, a Fine copy. Poetry collection. There were two different hardback editions (the Portfolio Edition and the Roman edition), both of which were sold out by the time I heard about it. Now out of print from the publisher. I still have one copy left available through Lame Excuse Books.

  • Gardner, Craig Shaw. A Little Purple Book of Peculiar Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Bought as part of the 15 book lot.

  • Gibson, William. Agency. Berkley, 2020. First edition hardback, a Fine copy in a Fine dust jacket. Sequel to The Peripheral. Bought for $9.99.
  • Gotthelf, Jeremias (pseudonym for Albert Bitzius). The Black Spider. John Calder (Publishers) Ltd., 1958. First English language edition, a Near Fine+ copy with slight spine lean and former owners name inside front cover under flap, in a Very Good+ dust jacket with 1/4″ chip at head, two pinhead-sized abrasions at heel front join, wear at points, and moderate age darkening to white portion of spine. Nineteenth century allegorical horror story about evil made manifest as a giant black spider. Introduced and translated from the original German by H. M. Waidson. Barron, Horror Literature 2-35. Not in Bleiler’s Guide to Supernatural Fiction. Bought off a fellow Biblio dealer for $21.25.

  • Haldeman, Joe. More Than The Sum of His Parts. Pulphouse, 1991. Issue #14.

  • Haldeman, Joe. Worlds Enough and Time. Morrow, 1992. First edition hardback, a Fine copy in a Fine dust jacket, signed by Haldeman. Third book in the Worlds trilogy.

  • Hand, Elizabeth. Hard Light. Minotaur Books, 2016. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bend at heel, signed by Hand. “A Cass Neary Crime Novel.” Bought for $8.

  • Hample, Stuart. Dread & Superficiality: Woody Allen as Comic Strip. Abrams Comic Arts, 2009. First edition hardback, a Fine copy in a Near Fine dust jacket with slight waviness, slight grubbiness to uncoated stock, and a thin scratch across bottom of spine. Received as a Christmas gift only because, many moons ago, I noted to Dwight my incredulity that this comic strip ever existed at all. Yes, Woody Allen’s neurotic nebbish character was so well known in the 1970s that a comic strip based on it (but written and drawn by someone else) appeared in numerous newspapers from 1976-1964. I am equally incredulous that someone found the strip worth of a prestige retrospective collection. Supplements my copy of Non-Being and Somethingness, which contains selections from the strip.

  • Hample, Stuart. Non-Being and Something-ness: Selections from the Comic Strip Inside Woody Allen. Random House, 1974. First edition trade paperback original (numberline beginning with “2”, Random House’s deeply irritating method of identifying a first edition), a Near Fine copy with chip to top rear corner, crease to bottom front corner, nick to middle front edge, and a bit of wear. Dwight bought this for me based on my stumbling across this comic in a newspaper archive looking for something else and expressing surprise that it ever existed at all.

  • Heinlein, Robert A. Off the Main Sequence: The Other Science Fiction Stories of Robert A. Heinlein. Science Fiction Book Club, 2005. First edition hardback (stated “First SFBC Science Fiction Printing, October 2005”; the SFBC is the only edition), a Fine copy in a Fine dust jacket. Short story collection, including three (“My Object All Sublime,” “Pied Piper,” and “A Tenderfoot in Space”) that were previously uncollected. Bought for $5.95.
  • Hill, Doug and Jeff Weingrad. Saturday Night: A Backstage History of Saturday Night Live. Beech Tree Books, 1986. First edition hardback, a Fine- copy with bumping at head and heel in a Near Fine dust jacket with with one 1/16″ chip at heel, crease to bottom of front flap, slight bumping at head and heel and a bit of pull to top jacket edge. History of Saturday Night Live. Part of a very small collection of books on early SNL. Most people today don’t realize how amazingly funny, daring and groundbreaking the original cast SNL was. Bought for $4.99.

  • Holder, Nancy. The Ghosts of Tivoli. Pulphouse, 1992. Issue #44.
  • Hughes, Matthew. Ghost Dreams. PS Publishing, 2022. First edition hardback, #55 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket.

  • Jeter, K.W. Star Wars: Hard Merchandise. Bantam Spectra, 1999. First edition paperback original, a Fine- copy with just a trace of wear at points. The third book in the Bounty Hunter Wars trilogy, and evidently the hardest one to find. Supplements a signed first of the SFBC Bounty Hunter Wars Trilogy I bought from the Fred Duarte estate sale. I supposed now I need to find a PBO first of Slave Ship, the second in the trilogy, but it seems the easiest to find of the three. Bought from Half Price Books for $4.49.
  • King, Florence. Reflections in a Jaundiced Eye. St. Martin’s Press, 1989. First edition hardback, a Near Fine copy with slight bumping at head and heel and thrift store stamp to insider rear cover, in a Fine- dust jacket with slight bumping at head, in a Mylar dust jacket protector. Collection of essays. Replaces an Ex-Library copy. Bought for $7.99.

  • Jordan, Will. Dark Harvest. Blackstone Publishing, 2022. First edition hardback, a Fine copy in a Fine dust jacket. Science fiction novel/technothriller Mike bought for me. Jordan is generally better known as YouTube movie reviewer The Critical Drinker.
  • Joshi, S. T. Black Wings VII: New Tales of Lovecraftian Horror. PS Publishing, 2023. First edition hardback, one of 200 copies signed by all the contributors, a Fine copy in a Fine dust jacket and a Fine slipcase. Original anthology, including stories from John Shirley, Ramsey Campbell and Steve Rasnick Tem. Bought from the publisher at the usual discount.

  • Keene, Brian. A Little Silver Book of Street Wise Stories. Borderlands Press, 2008. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Bought as part of the 15 book lot.

  • King, Stephen. The Long Walk. Centipede Press, 2023. First edition thus and first separate hardback edition (a previous Turtleback library hardback binding appears to be just a rebind of the Signet trade paperback edition), one of 1,400 trade copies, a Fine copy in a Fine dust jacket, still in shrinkwrap. Near future SF dystopia, my favorite of the Bachman books, and one of my favorite of King’s books, period. Instantly out of print from the publisher. I have copies available through Lame Excuse Books.

  • King, Stephen, Richard Chizmar, and Stewart O’Nan. A Face in the Crowd b/w The Longest December. Cemetery Dance, 2023. First hardback edition and first edition thus (with King and O’Nan’s “A Face in the Crowd” previously only available in a eBook edition, and Chizmar’s “The Longest December” stating “Expanded Version,” but ISFDB doesn’t show a previous edition), a Fine copy in a Fine dust jacket. Two novellas. Bought off eBay for $20 plus shipping.
  • Kress, Nancy. The Price of Oranges. Pulphouse, 1992. Issue #53.

  • Kuttner, Henry. The Best of Henry Kuttner. Nelson Doubleday (SFBC), 1975. First edition hardback (code “01 R” on page 335, as per Currey), a Fine- copy with trace of bumping at points in a Fine- dust jacket with slight edgewear and small fold to tip of bottom front flap. Introduction by ray Bradbury. Currey, page 291. Bought for $6 at the Book Cellar in Temple.

  • Lafferty, R. A. Alaric: The Day The World Ended. United Mythologies Press, 1993. First edition hardback, a Fine copy, sans dust jacket, as issued. Reprint of The Fall of Rome, and the last book done by the press. Chalker/Owings (2002), page 931. Think I paid $50 for this.

  • Lafferty, R. A. The Back Door of History. United Mythologies Press, 1988. First edition chapbook original, #126 of 150 (according to Chalker/Owings) signed, numbered copies, a Fine copy, with errata notice laid in and conclusion of “Phoenic” pasted in after page 34. Chalker/Owings (2002), page 928. Supplements a trade edition.

  • Lafferty, R. A. The Collected Short Fiction Volume Seven: Mad Man. Centipede Press, 2023. First edition hardback, #40 of 300 copies signed by introduction author Scott Bradfield, a Fine copy in a Fine dust wrapper, still in shrinkwrap. Yes, I have matching numbers of all the rest. Bought from the publisher at the usual discount.
  • Lafferty, R. A. Cranky Old Man From Tulsa. United Mythologies Press, 1990. First edition chapbook, trade edition, a Fine copy. Three pieces of biographical non-fiction. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. The Elliptical Grave. United Mythologies Press, 1989. First edition trade paperback original, a review copy of 70 signed, numbered copies with an extra story (“The Man Who Lost His Magic”), a Fine- copy with a slight bump at bottom right corner.

  • Lafferty, R. A. The Early Lafferty. United Mythologies Press, 1988. First edition chapbook original, #147 of (according to Chalker/Owings) 150 copies, a Fine copy. The first United Mythologies Press item. Chalker/Owings (2002), page 928. Supplements an unsigned copy.

  • Lafferty, R. A. Funnyfingers & Cabrito. Pendragon Press, 1976. First edition hardback, letter av of 50 signed, lettered copies, a Fine copy, sans dust jacket, as issued. This actually completes my R.A. Lafferty in hardback collection (which is to say that every Lafferty first edition that came out in hardback I have, though not every one is signed, and I don’t necessarily have the signed/limited state of every Lafferty book that was issued in one). Chalker/Owings (1991), page 328. I paid $100 for it.

  • Lafferty, R. A. How Many Miles To Babylon. United Mythologies Press, 1989. First edition chapbook original, #94 of (according to Chalker/Owings) 150 copies. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. Promontory Goats. United Mythologies Press, 1989. First edition chapbook original, #132 of (according to Chalker/Owings) 150 copies, a Fine copy. The second United Mythologies Press book. Supplements an unsigned copy. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. Strange Skies. United Mythologies Press, 1988. First edition chapbook original, #182 of 300 copies, a Fine copy. The third United Mythologies Press book. Chalker/Owings (2002), page 928.

  • Lansdale, Joe R. Cold in July. Mark V. Ziesing, 1989. First hardback edition, #388 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine- slipcase with a bump at bottom rear. Isajenko, World Lansdalean A011.b. With Lansdale, Joe R. Savage Season. Mark V. Ziesing, 1989. First edition hardback, #388 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, in the same slipcase. Isajenko, World Lansdalean A013.a. Supplements a PC set (received as part of typing Cold in July into a computer from galley proofs) and a signed “mock” limited set. Bought from a private collector for $50.
  • Lansdale, Joe R. The Donut Legion. Mulholland Books/Little Brown and Company, 2023. First edition hardback, a Fine copy in a Fine dust jacket, inscribed to me by Lansdale. Bought from Book People at cover price during a signing. It was good to see Joe again.
  • Lansdale, Joe R. The Drive-In (A B-Movie With Blood and Popcorn, Made in Texas). Bantam Spectra, 1988. First edition paperback original, #57 of 100 aftermarket copies from The Overlook Connection with a special limitation page pasted in, a Fine- copy with pinprick of abrasion to bottom rear tip, in a Mylar-bag, in a Fine embossed aftermarket slipcase. Isajenko, World Lansdalean A010.a. With Lansdale, Joe R. The Drive-In 2 (Not Just One Of Them Sequels). Bantam Spectra, 1989. First edition paperback original, #57 of 100 aftermarket copies from The Overlook Connection with a special limitation page pasted in, a Fine copy, in a Mylar-bag, in the same slipcase. Isajenko, World Lansdalean A012.a. Supplements inscribed copies of the ordinary PBOs, plus inscribed hardback firsts of the Kinnell editions, plus The Complete Drive-In from Centipede Press. These Overlook Press aftermarket paperback limiteds were weird things, which is why I didn’t pick these up until I found a set at the right price. Bought from the same private collector for $35.

  • Lansdale, Joe R. The Events Concerning. Subterranean Press, 2022. First edition hardback, #371 of 1,250 signed, numbered copies, a Fine copy in a Fine dust jacket. Short story collection. Bought from the publisher. I’ll have copies of this available in the next

  • Lansdale, Joe R. Edge of Dark Water. PS Publishing, 2012. First edition hardback, letter D of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Supplements a signed Mullholland Books first and both a signed PS trade edition and a signed, numbered copy. Not really an impressive limited, as it’s identical to a signed, numbered copy, but it was only $75, which is about what the regular numbered edition goes for these days. Isajanko, A044.d.ii (but he doesn’t list this lettered edition).
  • Lansdale, Joe R. (illustrated by Ted DiLucia). Incident On and Off a Mountain Road. Crystal Lake Publishing, 2023. First edition hardback (“10 9 8 7 6 5 4 3 2 1” numberline), a Fine copy in decorated boards, sans dust jacket, as issued. Illustrated version of the dark suspense novelette originally published in Night Visions 8 and later adapted as an episode of the Showtime Masters of Horror TV anthology series. Amazon seems to be the main fulfillment avenue for this book, so I provided an Amazon link above.

  • Lansdale, Joe R. Shooting Star. Pandi Press, 2023. First edition trade paperback original, a Fine copy with signed plate (and two bookmarks) laid in. At 43 pages long, it’s somewhere in the novelette/novella range.

  • Lansdale, Joe R. The Steel Valentine. Pulphouse, 1991. Issue #11. Isajanko, The World Lansdalean C01.a.i. Supplements another copy and a Short Story Hardback version.

  • Lansdale, Joe R. (as Ray Slater). Texas Night Riders. leisure, 1983. First edition paperback original, a Fine- copy with tiny loss at very tip of top rear outer corner and some foxing to inside covers, otherwise tight, square and apparently unread. This is far and away the best copy I’ve ever seen. Supplements a less attractive copy of the PBO inscribed to me, the Chivers Press large print (and first hardback edition) inscribed to me, and both the lettered and numbered editions of the Subterranean signed/limited edition. Isajenko, A003.a. Bought for $40 from Half Price Books.

  • Lansdale, Joe R. Things Get Ugly: The Best Crime Stories of Joe R. Lansdale. Tachyon, 2023. First edition trade paperback original, a Fine copy. Bought from the publisher at the usual discount.

  • Lansdale, Joe R. Tight Little Stitches in a Dead Man’s Back. Pulphouse, 1992. Issue #46. Isajanko, The World Lansdalean C03.a.i. Supplements a copy of the Short Story hardback version.

  • Lansdale, Joe R. and Kasey Lansdale. Dark Kin. Thunderstorm Books, 2023. First edition hardback, #232 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket. Collection of collaborative stories, one of which appears here for the first time. Bought from the publisher at a dealer discount. I have copies of this available through Lame Excuse Books.

  • Lansdale, Joe R. and Kasey Lansdale. Terror is Our Business: The Dana Roberts Casebook of Horrors. Short Scary Tales (SST) Publications, 2023. First edition hardback, #101 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, with tissue paper closure sticker laid in.

  • Lansdale, Joe R. (edited by Christopher Golden and Brain Keene). The Drive-In: Multiplex. Pandi Press, 2023. First edition trade paperback original, a Fine copy.

  • Lansdale, Joe R. and Keith Lansdale. Prisoner of Violence. Dark Regions Press, 2023. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued, into which I’ve laid a signature plate by Joe and Keith Lansdale. Graphic novel that was announced several years ago, but only recently came out. I have copies of this available through Lame Excuse Books.

  • Lansdale, Joe R. (and Andreas Guinaldo). Joe R. Lansdale’s The Drive-In. Avatar, 2005. First edition graphic novel original thus (no additional printings listed, preceded by four individual comic book issues), a Fine copy, signed by Lansdale. Graphic novel adaptation of the novel.

  • (Lansdale, Joe R.) Andrew J. Rausch and Mark Slade, editors. Conversations with Joe R. Lansdale. University Press of Mississippi, 2022. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Collection of interviews with Lansdale, including the ones Dwight Brown and I did for Nova Express. Bought from the publisher. I’ll have signed copies of this available through Lame Excuse Books catalog.

  • (Lansdale, Joe R.) Andrew J. Rausch and Mark Slade, editors. Conversations with Joe R. Lansdale. University Press of Mississippi, 2022. First edition trade paperback original (simultaneous with the much smaller hardback run), a Fine copy. Sent to me as a contributor’s copy.
  • Lee, Tanith. Into Gold. Pulphouse, 1991. Issue #32.Tiny rub on spine.

  • Le Fanu, Sheridan (edited by Eric J. Guignard). A Little Fuchsia Book of Fears. Borderlands Press, 2023. First edition hardback, #462 of 500 numbered copies signed by the editor, a Fine copy, sans dust jacket, as issued. I will have copies of this available in the next Lame Excuse Books catalog.

  • Le Guin, Ursula K. Nine Lives. Pulphouse, 1992. Issue #50.
  • Ligotti, Thomas. Pictures of Apocalypse. Chiroptera Press, 2023. First edition hardback, a Fine copy in a Fine dust jacket, still in shrinkwrap. Also includes a special 24 page Pictures of Apocalypse: Interviews and Sketches chapbook, including new interviews with the author and artist, “Concept to finish” art documentation, outtakes, a thank you card, and a bookmark. A verse cycle. A fairly elaborate small press production for this stylish horror writer. The book is no longer on the publisher’s website, so I assume it is now out of print. But I still have copies through Lame Excuse Books (including the extras bag).

  • Locke, George. Voyages in Space: A Bibliography of Interplanetary Fiction 1801-1914. Ferret Fantasy, 1975. First edition hardback, #17 of 18 signed, numbered hardback copies (plus an additional 10 copies not for sale), a Fine copy, sans dust jacket, as issued. The definitive bibliography on early space travel fiction. Chalker/Owings, page 527. Tymn/Schlobin/Currey A Research Guide to Science Fiction Studies 47. Barron mentions this in Anatomy of Wonder 4 7-7 (on Currey’s Science Fiction and Fantasy Authors), but does not have a separate listing for it. Not in Justice. Supplements an inscribed copy of the trade paperback.

  • Long, Frank Belknap (S. T. Joshi, editor). Library of Weird Fiction: Frank Belknap Long. Centipede Press, 2022. First edition hardback, a Fine copy in a Fine dust jacket, still in shrinkwrap. Massive 800+ page collection of fiction by this contemporary and correspondent of H. P. Lovecraft. Bought for $40.

  • Lovecraft, H. P. The Dream Quest of Unknown Kadath. Shroud: Publishers, 1955. First edition trade paperback original (Currey A, orange wrapper bound with brown tape) simultaneous with a small hardback run, #1341 of 1,500 copies, a Near Fine copy with former owner’s name on front free endpaper and some evenly-spaced diagonal wrinkles to spine (possibly as issued by Shroud), in a Very Good first state (publisher’s address of 819 Michigan Avenue, Buffalo 3, New York, as per Currey) dust jacket with shallow chipping at head and heel and staining along spine and at top front near edgefold. First edition of this Dunsanean Dreamlands novella, which ties into Lovecraft’s Cthulhu Mythos but is also distinct from it. Shroud was an odd press, and this book displays Shroud’s “amateurish” (to quote Chalker/Ownings) quality. Currey, page 322. Chalker & Owings, The Science Fantasy Publishers, pages 403-404. Joshi, H.P. Lovecraft: A Comprehensive Bibliography I.31. Bleiler, The Guide to Supernatural Fiction 1048 (“repetitious, alternately aiming for childishness and horror, maundering and wandering, it has little to offer except a rather pointless integration of the earlier Dunsanean stories”). Magill, Survey of Modern Fantasy Literature, pages 431-435. Bought from a Potter & Potter auction for $187.50.

  • Lovecraft, H. P. Miskatonic Missives. Helios House, 2022 (actually 2023). First edition hardback, one of 521 Limited Collector’s Edition sets (given the number of kickstarter backers), containing three volumes, plus a fake book that’s actually a traycase to contain the ephemera extras, all Fine copies, sans dust jacket, as issued, in a Fine slipcase.

    Each volume contains a reprint of one of H.P. Lovecraft’s most interesting letters, presented alongside related archival material such as contemporary short stories, art, maps, etc., as well as original art and new scholarship.

    Each volume is also packaged with a set of exclusive extras—replicas of related contemporary materials such as photos, maps, ticket stubs, postcards, news clippings, and diary pages. The Collector’s set packages all of these extras in a custom box which nests in the slipcase alongside the three books. Each Limited Edition Collector’s set is supplied with a Certificate of Ownership signed by editors Andrew Leman and Sean Branney of the H.P. Lovecraft Historical Society, and a collectible enamel pin.

    This is just the loose extras; there are additional extras for each volume, in their individual envelopes in the Ephemera traycase.

    with

  • Lovecraft, H. P. (Sean Branney and Andrew Lman, editors and annotators). The Spirit of Revision: Lovecraft’s Letters to Zeila Brown Reed Bishop. Helios House, 2022. Second Edition hardback (I believe the first edition was trade paperback only), a Fine copy, sans dust jacket, as issued. Bought with the above as an add-in.

  • (Lovecraft, H. P.) Houllebecq, Michel. H. P. Lovecraft: Against the World, Against Life. Cernunnos, 2019. First edition hardback, a Fine copy in a Fine dust jacket. Critical analysis of Lovecraft and his work by the French writer and critic. Introduction by Stephen King. Bought for $9.95.

  • (Lovecraft, H.P.) Day, Gene. Richard Upton Pickman: A Portfolio with Dirk W. Mosig’s H. P. Lovecraft: Psychological Realist. Stellar Z. Publications, 1977. First edition chapbook originals (for each), a Near Fine+ copy of the portfolio, with slight bending at the corners, and a Fine copy of the smaller Mosig critical chapbook. 10 art prints based on Lovecraft’s “Pickman’s Model,” plus a chapbook from a psychologist who has done a lot of essays on Lovecraft. There’s not a lot of Internet hits on either of these, and the few hits on the portfolio don’t appear to have the Mosig chapbook. I’m not sure what the print run on this was. I even reached out to Mosig himself (who’s still alive and teaching at a university) to ask the print run, but he didn’t know.

    (Though they seem the same size here (the blog image default size), the Mosig chapbook is much smaller, which makes sense given it probably shipped inside the portfolio.)

  • (Lovecraft, H.P., Robert E. Howard, Clark Ashton Smith) Jones, Stephen. The Weird Tales Boys. First edition hardback, #92 of 100 signed (by Jones, introduction author Ramsey Campbell, artist Lee Edwards, and facsimile signatures for Lovecraft, Howard and Smith), numbered copies, a Fine copy in a Fine slipcase. A triple biography of H.P. Lovecraft, Robert E. Howard and Clark Ashton Smith as the most important writers for Weird Tales. Now sold out from the publisher. A small number of copies of this will be available in the next Lame Excuse Books catalog.

  • Machen, Arthur (attributed). From the London Evening News. The Arthur Machen Society/Four Ducks Press, 1959. First edition chapbook original, #33 of 50 copies printed, a Fine copy, with a letter enclosed presenting the work from J. H. Stewart, Jr. to Joseph Kelly Vodray (who left an archive of Machen papers to Princeton) describing how the book was designed and printed by Bill Jackson. Three stories covering purportedly supernatural events reprinted from the London Evening News tentatively identified as the work of Arthur Machen. This is a remarkably attractive chapbook, crisply designed and printed in multiple colors inside, and really looks like something printed 20 years later. No online listings, though Worldcat does locate 13 copies in various libraries (including UT’s Harry Ransom Center).

  • (Machen, Arthur) Wesley D. Sweeter and Adrian H. Goldstone. Arthur Machen. Arthur Machen Society, 1960. First edition hardback chapbook, one of 200 copies, a Near Fine copy with sports of rubbing to extremities and cover and the decorative bookplate of Paul Jordan Smith (Literary Editor of The Los Angeles Times for 25 years and noted Machen fan) affixed to insider front cover. Reprints two pieces on Machen from The Aylesford Review: Sweeter’s “Machen: A Biographical Study” and Goldstone’s “Men About Machen,” discussing some of the more notable members of the Society (including Vodray and Smith).

  • Maclay, John. A Little Red Book of Vampire Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

    .

  • MacLeod, Fiona (pseudonym for William Sharp). The Hills of Ruel and Other Stories. Heinemann, 1921. First edition hardback, a Near Fine+ copy in decorated boards (the design matching the dust jacket) with sight bumping at head, heel and points and slight foxing to inside covers and endpapers in a Very Good- dust jacket with a 7/8″ chip at head, 1/2″ chip at heel, smaller losses at top and bottom edges and wear along outer edges. Beliler Checklist (1978) page 131.

  • MacLeod, Ian R. Ragged Maps. Subterranean Press, 2023. First edition hardback, #171 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Short story collection.

  • Martin, George R. R. The Pear-Shaped Man. Pulphouse, 1991. Issue #37.

  • Martin, George R. R., editor. Wild Cards VI: Ace in the Hole. Bantam Books/SFBC, 1989. First hardback edition, the SFBC book club edition, preceded by the PBO, a Fine- copy with bumping at head, heel and top points, in a Near Fine+ dust jacket with slight bumping at head, heel and top points, a couple of phantom creases across rear cover, and slight edgewear. Bought for $6 at the Book Cellar in Temple.

  • Martin, George R. R. Wild Cards VIII: One-Eyed Jacks. Bantam Spectra, 1991. First edition paperback original, a Near Fine copy with mild spine creasing and a trace of wear at points. This completes my Wild Cards paperback collection. Bought for $2.49.

  • Massie, Elizabeth. A Little Magenta Book of Mean Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Matheson. Richard. Duel: Terror Stories By Richard Matheson. Tor, 2003. First edition hardback, a Fine- with slight bend at heel copy in a Fine- dust jacket with a slight wrinkle at rear bottom. Supplements a trade paperback edition. Bought for $12.99.
  • McBride, H. W. A Rifleman Went to War. Small-Arms Tactical Publishing Company, 1935. First edition, second printing (according to Dwight’s bibliography of this press), a Near Fine copy with a slight bit of spine wear and previous owner’s bookplate, in a Very Good- dust jacket with 1 1/2″ wide x 1/2″ deep chip at head, small chip at heel, creasing along front flap fold, and general wear, but no loss of lettering anywhere, in a Mylar dust jacket protector. Memoirs of the experiences of an American rifleman who joined the Canadian expeditionary forces during World War I (my second favorite World War). A Christmas gift from Dwight, who collects this press.

  • McCarthy, Cormac. The Crossing. Knopf, 1994. First edition hardback, a Fine copy in a Fine dust jacket, with McCarthy signature plate attached to half-title page. Second book in the Border Trilogy, preceded by his breakthrough bestseller and National Book Award winner All the Pretty Horses. Supplements an unsigned first. Bought for $400 (with discount) from a fellow dealer.

  • Merritt, A (and Hannes Bok). The Black Wheel. New Collector’s Group, 1947. First edition hardback, in a first state (Currey A) binding, #571 of 1,000 copies, a Near Fine- copy with slight bumping at head and heel, abrasions to title on front cover, inner hinge before title page just starting at top, with copyright correction pasted to copyright page. Novel started by Merritt and finished by Bok, who also illustrates the book. Currey, page 364. Chalker/Owings (2002), pages 608-9. Chalker/Owings (1991), page 308. Kemp, The Anthem Series, pages 384-385.

  • Merritt, A (and Hannes Bok). The Black Wheel. New Collector’s Group, 1947. First edition hardback, in a second state (Currey B) binding, a Very Good+ copy with BB-sized indention to front board (extending to front free endpaper), bumping at head, heel and points, large former owner plate for Robert C. Culp affixed to inside front cover, and foxing to interior gutters, and no number on copyright page, in a Near Fine FFF dust jacket (see Chalker/Owings for details, though they note the yellow jacket had “no illustrations,” which is clearly incorrect) with bumping at head, and a faint, dime-sized damp-staining drop and slight creasing to rear panel. Novel started by Merritt and finished by Bok, who also illustrates the book and the post-publication jacket. Currey, page 364. Chalker/Owings (2002), pages 608-9. Chalker/Owings (1991), page 308. Kemp, The Anthem Series, pages 384-385.

  • Mirrlees, Hope. Lud-In-The-Mist. W. Collins & Sons, 1926. First edition hardback, a Fine- copy with a couple of abrasion spots on front cover, slight bend and head and heel, and small bookseller sticker to bottom of rear inside cover, otherwise a nice, sharp copy in an immaculate facsimile dust jacket. Bleiler, Checklist (1978), page 141. Magill, Survey of Modern Fantasy Literature, pages 926-931. Barron, Fantasy Literature 3-250 (“A beautifully written allegory unashamedly celebrating the necessity of enchantment”). Tymn Zahorsky Boyer, Fantasy Literature pages 141-142. Widely considered one of the classic novels of pre-Tolkien fantasy. Bought for $395 plus shipping.

  • Monteleone, Thomas F. A Little Brown Book of Bizarre Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Moorcock, Michael, editor (John Brunner, Roger Zelazny, J. G. Ballard, etc.). New Worlds March 1966, Vol. 49, No. 160. Compact SF, 1966. First edition magazine in the form of a paperback original, a Near Fine copy with slight glue ridging to spine, slight wear at points, a faint, thin line of abrasion down rear cover near outer edge, and a few touches of general wear. Right in the middle of Moorcock’s acclaimed run as editor of New Worlds when it became the epicenter of the New Wave, with a murder’s row of writers in this issue. The Zelazny is the first appearance of the classic “For a Breath I Tarry” (Levack, Stories 69a), and this came from the last purchase of books from Bob Pylant’s Zelazny collection.
  • Moore, Ward. Caduceus Wild. Pinnacle Books, 1978. First edition paperback original, a Near Fine- copy with one tiny spine crease near front join, bookstore stamp inside, slight rubbing to rear cover, trace of magic marker left over price on front cover (Bestine took care of the rest), and touch of edgewear. Moore’s last novel. Replaces a slightly less attractive copy. Bought for $1.99.

  • Morlan, A.R. The Cat With The Tulip Face. Pulphouse, 1991. Issue #29.
  • Morrell, David. Creepers. CDS Books, 2005. First edition hardback, a Fine copy in a Fine, Mylar-protected dust jacket, signed by Morrell. Bought for $8.
  • Mundy, Talbot. Full Moon. D. Appleton-Century, 1935. First edition hardback (“(1)” on page 312), a very Good copy with slight spotting to top and bottom page block edges (and possibly side, but it’s hard to tell with deckled edges), slight concavity at top of spine, slight bend at head and heel, light foxing to inside covers, and a few penciled notes front and back, in a Very Good dust jacket with shallow chipping at head, heel and points, spine faded, top rear flap corner clipped (but front panel and price intact), wear along front fold edge, slight dust staining to white rear panel, one 1/2″ closed tear to top front and one 1/4″ closed tear to rear bottom, and slight foxing to flaps; not pristine, but nice for the age. Oriental adventure with magic set in India. Grant, Talbot Mundy: Messanger of Deastiny, page 184. Day, Talbot Mundy Biblio, page 5. Bleiler, Checklist (1978), page 145. Bought for $40 at Antiquarian Book Mart in San Antonio.

  • Murphy, Pat. Rachel in Love. Pulphouse, 1992. Issue #48.
  • Murray, Charles. Losing Ground: American Social Policy 1950-1980. Basic Books, 1984. Third printing, a Fine- copy in a Fine- dust jacket, with slighting bumping at head and heel, a trace of wear at points, and a touch of surface wear, inscribed by Murray: “To Dr. Harry Schmitt,/with best wishes/Charles Murray/18 July 1986.” (I wonder if this was inscribed to former astronaut and Republican senator Harrison Schmitt.) This is probably the most important book ever written about the American welfare state, in which Murray showed in meticulously researched detail why the welfare state expansions instituted by Lyndon Baines Johnson’s Great Society inflicted lasting economic and social harm to black families in America. Without Losing Ground, the welfare reform act of 1996 never would have happened. It came out back when some Democrats will still willing to look at research and data rather that automatically calling critics of the welfare state racist. Highly recommended. Supplements an unsigned first printing. (I had a second printing inscribed to me that I foolish lent out and never had returned.) Bought for $5.99.

  • Oates, Joyce Carol. The Bingo Master. Pulphouse, 1992. Issue #41.
  • Page, Gerald W., editor. The Year’s Best Horror Stories VII. DAW, 1979. First edition paperback original, a Fine- copy with tiny crease to very tip of bottom front corner and a trace of edgewear. Includes stories from Stephen King, Jack Vance, Manly Wade Wellman and Lisa Tuttle, among others.
  • Piccirilli, Tom A Little Black Book of Noir Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Piper, H. Beam. Lord Kalvan of Otherwhen. Garland Publishing, 1975. First hardback edition, a Fine copy, sans dust jacket, as issued. Novel of a modern day state trooper accidentally sucked into an alternate timeline where he uses his knowledge of military tactics and technology (such as the composition of gunpowder) to topple a corrupt theocracy. Part of the Garland Library of Science Fiction, reprinted from slightly blown-up pages from the Ace paperback original. Supplements a PBO first. Bought for £68 plus shipping from a UK seller.

  • Powers, Tim. The Anubis Gates. Mark V. Ziesing, 1989. First edition thus, part of the signed, limited edition of 500, but lacking a number and a slipcase, a Fine- copy in a Fine- Mylar-protected dust jacket with slight bend at head. Berlyne, A4h.2, who notes that Ziesing says many slipcases were destroyed in a flood. Chalker/Owings (2002), page 1000, who says Ziesing had an overrun of slipcases. Supplements an inscribed PBO first, an inscribed Chatto & Windus first hardback, a slightly flawed copy of the Centipede Press limited edition, and the holograph manuscript copy included in the ultralimited edition of the Berlyne bibliography.

  • Powers, Tim. Declare. Morrow, 2001. First trade edition hardback (preceded by the Subterranean Press limited edition), a Fine copy in a Fine Mylar-protected dust jacket, signed by Powers. Berlyne, A11b. Supplements a copy of the Subterranean Press limited.

  • Powers, Tim. Earthquake Weather. Legend, 1997. First edition hardback, a Fine copy (though with the characteristic page darkening for Legend books of this era) in a Fine Mylar-protected dust jacket, signed by Powers. Berlyne, A10a (who notes that reportedly only 800 copies were produced). Replaces an unsigned copy.

  • Powers, Tim. An Epitaph in Rust. Charnel House 2023. First edition hardback thus, #54 of 200 numbered copies, a Fine copy, sans dust jacket, as issued. Bought from the publisher at the usual discount.

  • Resnick, Mike. Kirinyaga. Pulphouse, 1992. Issue #58. Just the novelette. Kelleghan, Mike Resnick: An Annotated Bibliography and Guide to His Work A39.

  • Robinson, Kim Stanley. Black Air. Pulphouse, 1991. Issue #20.
  • Robinson, Kim. New York 2040. Orbit, 2017. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head and a trace of edgewear. Bought for $9.99.

  • Romero, George A. and Daniel Kraus. The Living Dead. Short Scary Tales (SST) Publications, 2023. First edition hardback, 322 of 400 copies signed by Suzanne Romero, Daniel Kraus, Vincenzo Natali and Francois Vaillancourt, a Fine copy in a Fine dust jacket. Hefty 736 page original novel set in Romero’s Living Dead universe. Now sold out from the publisher, though I do have one copy available through Lame Excuse Books.

  • Russell, Eric Frank. Wasp. Avalon Books, 1957. First edition hardback, a Fine- copy with a tiny bit of bend at head and heel in a Fine- dust jacket with one 1/2″ closed tear are top rear head, and tiny bit of wrinkling on bottom front edge near heel, and just the barest traces of dust soiling to an otherwise bright white dust jacket. Military SF adventure novel of a spy sent to a hostile alien planet to bring down the government through psychological and guerilla warfare, like a wasp crashing a car by attacking the driver. Bought from a notable UK dealer for £200 plus shipping.

  • Sagan, Carl. Contact. Simon and Schuster, 1985. First edition hardback, a Fine- copy with slight bumping at head, slight dust soiling to outer page block, and slight bunting of points, in a Fine- dust jacket with slight bumping at head, slight wear at points, and a trace of staining to blind side. Sagan’s only novel, and the basis of the 1997 film. Bought for $8.49.

  • Saki (H.H. Munro) (edited by Stuart David Schiff). A Little Red Book of Wit & Shudders. Bands Press, 2023. First edition hardback, #462 of 500 copies signed by Schiff, a Fine copy, sans dust jacket, as issued. I have copies available through Lame Excuse Books.

  • Sammons, Brian M. Tales From Arkham Sanitarium. Dark Regions Press, 2022. First edition hardback, a Fine- copy in decorated boards with one tiny bump near bottom front corner, sans dust jacket, as issued. Cthulhu Mythos anthology, featuring a few familiar names (Don Webb, W. H. Pugmire, etc.).

  • Sarrantonio, Al. A Little Yellow Book of Fevered Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Schow, David J. Sedalia. Pulphouse, 1991. Issue #25.

  • Searight, Richard F. The Sealed Casket. The Strange Company, 1975. First edition prose portfolio (wrappers containing loose pages for the story), one of 100 copies, a Fine- copy with a touch of bumping or creasing at the points. Short story from another Lovecraft circle writer, and Hippocampus Press published a volume of their correspondence (combined with Lovecraft correspondence with E. Hoffman Price), one copy of which I have available for sale through Lame Excuse Books.

  • Selznick, Brian. The Invention of Hugo Cabret. Scholastic Press, 2007. First edition hardback, a Fine copy in a Fine dust jacket. Illustrated young adult novel. Winner of the 2008 Caldecott Medal and basis of the 2011 film Hugo, which I also enjoyed.

  • Shatner, William (with Chris Kresski). Star Trek Memories. HarperCollins, 1993. First edition hardback, limited issue, one of 4,500 signed, numbered copies, a Fine copy in a Fine slipcase, sans dust jacket, as issued, still in shrinkwrap. Non-fiction memoir of his time on the original Star Trek TV series. Bought for $65, less than cover price and less than a fourth of what it lists for these days.

  • Sheckley, Robert. Xolotl. Pulphouse, 1991. Issue #3.

  • Shepard, Lucius. The Ends of the Earth. Arkham House, 1991. First edition hardback, #5 of 100 copies signed and numbered by Shepard, a Fine copy in a Fine dust jacket (with SIGNED sticker on spine). This is a post-first limited that Lucius did himself, much like Greg Bear did his 250 copy limited edition of The Wind From A Burning Woman. Chalker/Owings (2002), page 73 (where he says this edition was sold at $100 a pop). Joshi, Sixty Years of Arkham House 178 (where he doesn’t mention this limited edition). Nielsen, Arkham House Books: A Collector’s Guide 184 (he doesn’t mention this edition either). Supplements an unsigned copy (which I must not have had the last time Lucius came through Austin). Bought for $17.50 plus shipping (which is less than even the original Arkham House cover price).

  • Shiner, Lewis. More Collected Stories. Subterranean Press, 2023. First edition perfect bound chapbook, a Fine copy, in publisher’s plastic bag. Six stories Lew has published since Subterranean’s Collected Stories. Bought from the publisher.

  • Shiner, Lewis. Twilight Time. Pulphouse, 1991. Issue #30.
  • Silverberg, Robert. Monsters and Things. PS Publishing, 2023. First edition hardback, #100 of 100 signed, numbered copies in decorated boards signed by Silverberg, editor Stephen Jones, and illustrator Randy Brocker, a Fine copy in a Fine dust jacket and a Fine slipcase, with erratum sheet laid in noting that one of these stories (many of them written under pseudonyms) actually was from Donald Westlake writing as Richard Stark. Oops! Already sold out from the publisher. I will have a small number of these available in the next Lame Excuse Books catalog.

  • Silva, David B. A Little White Book of Lies. Borderlands Press, 2005. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • (Sime, Sydney H.) Skeeters, Paul W. (introduction by Ray Bradbury). Sidney H. Sime: Master of Fantasy. Ward Ritchie Press, 1978. First edition hardback, #178 of 200 copies signed by Skeeters and Bradbury, a Fine copy, sans dust jacket, as issued. Art book featuring Sime’s illustration work. This was a pleasant surprise, as I thought it was just a trade hardback lacking the dust jacket, but it’s actually the limited edition signed by Ray Bradbury, which alone is worth just shy of what I paid for the entire lot. Chalker/Owings, page 1072 (not a listing for the book, but a description of the post-publication dust jacket for the limited edition that George Locke printed up). Supplements a copy of the unsigned trade paperback edition.

  • Simmons, Dan. Entropy’s Bed at Midnight. Lord John Press, 1990. First edition hardback, #93 of 100 signed, limited copies, a Fine copy, sans dust jacket, as issued, in a Fine slipcase. Reginald, Science Fiction and Fantasy Literature, 1975-1991 33966 (but not this state). Supplements a signed, non-slipcased 1/300 edition.

  • Sloca, Sue Ellen. Candles on the Pond. Pulphouse, 1992. Issue #59. As far as I can tell, this is her only publication anywhere.
  • Smith, Clark Ashton. Seer of the Cycles. CASiana Literary Enterprises (i.e., Roy A. Squires), 1976. First edition chapbook, #223 of 325 copies, a Fine copy in a slightly worn printed envelope that’s starting to split at the top fold. Fifth volume in the Second Series of Fugitive Poems (Xiccarph Edition). Joshi/Schultz/Connors, Clark Ashton Smith: A Comprehensive Bibliography, I.A.38 (for the Fugitive Poems: Second Series as a whole). Not in Currey. I also have Titans in Tartarus from this series. Bought off eBay for $35.

  • Smith, Clark Ashton (Scott Connors and Ron Hilger, editors). The Miscellaneous Writings of Clark Ashton Smith. Night Sahde Books, 2011. First edition hardback, a Fine copy in a Fine dust jacket. I already had the five volume collected fantasies, but somehow never picked this one up, perhaps because Night Shade was so horrible at fulfillment. Bought for $14.99.

  • Somtow, S. P. Fiddling for Waterbuffaloes. Pulphouse, 1992. Issue #47.
  • Stableford, Brian. Slumming in Voodooland. Pulphouse, 1991. Issue #26.

  • Straub, Peter. A Little Blue Book of Rose Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Swanwick, Michael. The Best of Michael Swanwick Volume Two. Subterranean Press, 2023. First edition hardback, #204 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag, with a Subterranean bookmark laid in. Supplements the first volume Subterranean did back in 2008. I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Brief Essays on Genre. Dragonstairs Press, 2023. First edition chapbook original, #10 of 75 signed, numbered copies, a Fine copy. 25 brief essays on genre fiction. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Red Fox, Blue Moon. Dragonstairs Press, 2023. First edition chapbook original, #64 of 69 signed, numbered copies, a Fine copy. Vignettes about a fox, inspired by a fox that visited Swanwick’s backyard. “This is the story of how she saved the world. Well, her world.” I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Transits of Venus. Dragonstairs Press, 2023. First edition chapbook original, #28 of 36 signed, numbered copies, a Fine copy with interlocking geometric pattern cover (there were also floral pattern versions). I have one copy this available through Lame Excuse Books.

  • Swanwick, Michael. The Vinter’s Guide to Remarkable Wines. Dragonstairs Press, 2023. First edition chapbook original, #36 of 55 signed, numbered copies, a Fine copy. Collection of vignettes around wine themes. I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Winter Songs. Dragonstairs Press, 2022 (not offered for sale until 2023). First edition chapbook original, #37 of 115 copies, a Fine copy. I will have copies of this available in the next Lame Excuse Books catalog.

  • Tiptree, James Jr. (Alice Sheldon). The Voice That Murmurs in the Darkness. Subterranean Press, 2023. First edition hardback, #389 of 1,000 numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Includes out of print and previously uncollected work, including the essay “How to Have An Absolutely Hilarious Heart Attack” and the story “Beam Us Home.”

  • Thorburn, Wayne. Red State: An Insiders Story of How the GOP Came to Dominate Texas Politics. University of Texas Press, 2014. First edition hardback, a Fine copy in a Fine-dust jacket with just a touch of wear, signed by Thorburn. This is an interesting book that describes (among other things) how leftists deliberately drove conservatives and moderates out of the Texas Democratic Party so they could control it. Of course, they expected voters would simply keep voting for Democrats, but that didn’t happen. Recommended. Bought for $7. Replaces an unsigned copy.

  • Vance, Jack. The Languages of Pao and The Dragon Masters. The Vance Integral Edition, 2002. First edition hardback, a Fine copy, sans dust jacket, as issued. The first edition restoring Vance’s original texts. This was bought from a collector as part of a small Jack Vance lot. I think I could have bought this for $32 at the time, but having paid for the VIE itself (a considerable chunk of change), I didn’t want to spend more for work that would later be included in the complete VIE anyway. Chalker/Owings (2002), page 946, which states there were 500 copies of this volume produced, but it seems a bit rarer than that. Also, I finally had a chance to add the proof dust jacket I bought back in 2020.

  • Vance, Jack. Night Lamp. Tor, 1996. First edition hardback (precedes the Underwood Books edition), a Fine copy in a Fine dust jacket, signed by Vance. Cunningham, 61a. Supplements the Underwood Books limited edition.

  • Vance, Jack. The Space Pirate. Toby Press, 1953. First edition trade paperback original (no statement of printing, as per Currey), a Fine- copy with a bare trace of dust soiling/age darkening to rear cover, plus the usual age darkening to pages; all but perfect, and far and away the nicest copy I’ve seen. Vance’s second novel. Hewett, A2. Cunningham, B.75.a. Currey, page 500. Supplements a signed but less attractive copy. Bought for $12 from Recycled Books in Denton.

  • (Vance, Jack) Hewitt, Jerry, and Daryl F. Mallett. The Work of Jack Vance: An Annotated Bibliography & Guide. Borgo Press/Underwood -Miller, 1994. First edition hardback, #121 of 200 numbered copies signed by Vance, introduction author Robert Silverberg, Hewett and Mallett, a Fine copy, sans dust jacket, as issued, in a Fine- slipcase with a bump to the top rear that I probably inflicted myself. The definitive Vance bibliography. Supplements a trade copy. Hewitt, M166 (yes, a reference to the book in the book itself). Cunningham E.2. Jerry tells me that Mallett was actually the editor rather than co-compiler, and on my trade copy he’s crossed out “Borgo” and written in “Bozo” on the title page. I sense some tension there…

  • (Vance, Jack) Temianka, Dan. The Jack Vance Lexicon: From Ahuloh to Zipahgote. Underwood-Miller, 1992. First edition hardback, #87 of 200 numbered copies signed by Vance and Temianka, a Fine- copy with a slight bit of bend at heel, sans dust jacket, as issued, in a Fine slipcase. Just what it says, a Lexicon of Vancian vocabulary. Supplements a trade copy. Hewitt, M163. Cunningham I.3.
  • (Vance, Jack) Levack, Daniel J. H. and Tim Underwood. Fantasms: A Bibliography of the Literature of Jack Vance. Underwood-Miller, 1978. First edition trade paperback original (simultaneous with a much smaller hardback run), one of 900 copies, a Fine- copy with slight bumping to points, signed by Jack Vance. The first serious, professional bibliography of Vance’s work. Hewett, M47. Cunningham, E1. Stephensen-Payne/Benson, M3.

  • (Vance, Jack) Stephensen-Payne, Phil and Gordon Benson, Jr. Jack Vance: A Fantasmic Imagination (2nd Revised Edition) A Working Bibliography. Galactic Central, no date (but 1990). First edition of one-sided brad-bound sheets, either Fine- (for the condition of the sheets), with a two penciled notes at bottom of front page, or Very Good+ is you count the wrinkled condition of the Duotang thin cardstock brad binder, but it is unreasonable to expect such to last decades in pristine condition. Back before the rise of Internet bibliographies, a number of projects were started to make comprehensive science fiction bibliographies. (Willie Siros was involved in one, until he said he hit the undocumented limit of many-to-many links in the Macintosh 4D database software.) Galactic Central was one project working on an author-by-author basis, this being the 28th in a series that eventually reached 58 before petering out. Hewitt, M152. (He states that Borgo Press even did a hardback of this! I’ve never seen one.) Not in Cunningham.

    (Vance, Jack). Rawlins, Jack. Demon Prince: The Dissonant Worlds of Jack Vance. Borgo Press, 1986. First edition hardback (plasticized boards), a Fine copy with “KATER-BOUND” sticker to rear cover (presumably as issued). Critical companion to the works of Jack Vance. Depending on the title, Borgo either did plasticized boards with the trade paperback encased, or cloth with the cover of the trade paperback pasted to the front; this is one of the former. I can’t recall ever seeing any copy of this title before, much less the hardback variant. Hewett, M.126. Cunningham, F.2.

  • (Vance, Jack) Jean Luc Esteban. Jack Vance: Works published in PULPS magazines 1945-1975. LuLu, 2023. First edition (POD) hardback, a Fine copy in decorated boards, sans dust jacket, as issued. An odd reference work, showing the full-color cover illustrations, title pages, first few story pages, and interior black and white illustrations, for every story Jack Vance published in pulp magazines for the covered period. (Never mind that by the 1970s, the magazines publishing Jack Vance weren’t pulps and hadn’t been for some time.) Sort of an strange work, with high production values (all the page are slick stock, not just the ones for the color illustrations) and odd editorial choices (the Table of Contents is at the rear, and there are a lot of pages left unnecessarily blank). Also, there is no magazine or illustrator index. But buying this is a whole lot less expensive than tracking down every single issue covered. If this is the sort of reference work you think you need, then you need it, and if you don’t, you don’t. Note also that there are four slightly variant titles this could be known under: the spine says Jack Vance in Pulps 1945-1975, the front cover says Jack Vance in Pulps First issues 1945-1975, the half-title page says Jack Vance Pulps Editions 1945-1975, and the title page says Jack Vance: Works published in PULPS magazines 1945-1975. Yeah, the book could have used an editor…

  • (Vance, Jack) Parmentier, Gregg. The Vance Phile issues 1 through 6. First edition center-stapled fanzine originals, each #5 of 30 copies, signed by Parmentier (and sometimes other contributors), each a Fine copy. Fanzines full of interesting articles from Vance fans, from reprints of rare Vance works to a lot of bibliographic updates (include some from Jerry Hewett to his Vance bibliography). Strangely, I’ve been on a private Vance collector’s list with Gregg for decades now, but I believe I started getting those only after his period of publishing these, so I never heard about it. There was evidently an Issue 7 I’m still trying to track down a print copy of.

  • (Vance, Jack) George L. Mina, editor. Cosmopolis: a nexus for the admirers of of the works of Jack Vance. George L. Mina, 1988. First edition comb-bound with clear plastic covers fanzine original, a Fine copy, with letters from Mina and L.W. Currey laid in. Fanzine miscellanea related to Vance, including Vance’s essay “The Symbol,” which according to Hewett (D20) is its only appearance. Hewett, M140 (which notes a total of 75 copies: 12 copies with hand-colored illustrations for contributors and 63 copies with uncolored illustrations (this edition) for subscribers). Not to be confused with the later newsletter of the same name published by the Vance Integral Edition project.

  • (Vance, Jack) Offut, Robert Jr. The Many World of Jack Vance Vol. 1 No. 1 Spring 1977. First edition fanzine original, #185 of 300 numbered copies, a Near Fine+ copy with a touch of staining along staple fold edge, signed by Vance. Includes an appreciation by Poul Anderson, a lengthy interview by Tim Underwood, and some bibliographic material. Hewett, M31a.

  • (Vance, Jack) Robert Offutt Jr., editor. The Many Worlds of Jack Vance & The Horns of Elfland. Robert Offutt Jr., 1978. First edition illustrated fanzine, a Fine- copy with a couple of small spots of dust staining to rear, signed by Vance. Features Vance’s “The Secret,” the first chapter of an illustrated adaptation of The Eyes of the Overworld, etc. Second (and last) volume of an illustrated, semiprozine quality publication dedicated to Vance’s work (though the cover illustration, “Boromir’s Fall,” is obviously from The Lord of the Rings). Chock-full of illustrations from Rod Whigham, who later did a great deal of comic book work. Hewett, M31b, who notes there were 1,000 copies of this printed. Replaces an unsigned and less attractive copy.

  • (Vance, Jack) V-Con [7] Program Book. V-Con 7, 1979. First edition program chapbook original (10 3/4″ tall by 8 1/4″ wide), a Fine- copy with just a tiny bit of fading to the stapled spine edge, signed by Vance. Program books for a 1979 convention in Vancouver, British Columbia, where Jack Vance was Guest of Honor (and Frank Herbert Toastmaster).

  • (Vance, Jack) (Tim Underwood and Chuck Miller, unlisted editorsThe Book of the Sixth World Fantasy Convention. Underwood/Miller, 1980. First edition hardback, one of 1000 copies, a Fine- copy, with slight bumping at head and heel, sans dust jacket, as issued, with pocket program and card for the convention laid in. World Fantasy Convention where Jack Vance was Guest of Honor. Hewett, M88.

  • (Vance, Jack) Laws, Robin D. The Kaain Player’s Guide: A Supplement for the Dying Earth RPG. Pelgrane Press, 2002. First edition (“First printing June 2002”) trade paperback original, a Fine copy. Supplement for the Dying Earth RPG. My role-playing game days are long behind me, and I haven’t really made a point of picking up RPG stuff for authors I collect, but this was cheap, and I have some books from the Amber Diceless RPG I haven’t cataloged yet from the last Bob Pylant purchase. Now I just need to find a place to put them…

  • Wagner, Karl Edward. Where the Summer Ends. Pulphouse, 1991. Issue #31.

  • Wagner, Karl Edward, and David Drake. Killer. Baen Books, 1985. First edition paperback original, a Near Fine- copy with slight spine creasing, edgewear, and foxing to insider covers. Hunting an alien killer in ancient Rome. Bought for $1.49.

  • Waldrop, Howard (George R. R. Martin and Bradley Denton, editors). H’ard Starts. Subterranean Press, 2023. First edition hardback, #414 of 750 numbered copies signed by Waldrop, Martin and Denton. Collection of early, rare Waldrop stories from a wide variety sources, including a 25 copy self-published story from 1966! (I have a copy and provided George with the text.) Available through Lame Excuse Books. My memorial to Howard can be found here.

  • Wallace, Edgar (Stephen Jones, editor). Kong: An Original Screenplay. PS Publishing/Electric Dreamhouse, 2023. First edition hardback, a Fine copy in a Fine dust jacket. The original screenplay for King Kong, which evidently differs considerably from the final film. Slightly oversized (10 1/2″ high) and profusely illustrated, with a good 90 pages of notes from Jones, who worked from “Wallace’s personal copy of his original draft script with his own corrections and interpolations” plus “a boys’ story-paper adaptation of the film, preliminary production stills and art-work, and a colour portfolio of King Kong posters from around the world.” A couple of production sketches are from the lost spider pit scene.

  • Wells, H. G. The Country of the Blind and Other Stories. Thomas Nelson and Sons, no date (but 1911). First edition hardback (as per Currey), a Very Good copy with a dime-sized, light black dot to center of front cover, slight wear to bottom boards, slight wear at tips, head and heel and small “Fiction ● 1855” written in two different colors of ink (black and blue) at the top of the inside front cover and check-marks and red underlining on table of contents, five lines of penciled bookseller notes on the back of the color frontispiece page, and a few other touches of wear, lacking the rare dust jacket. Short story collection, including five previously uncollected stories. Scheck and Cox, H. G. Wells: A Reference Guide, page XXV, which lists the five stories first published in book form here as “A Vision of Judgment,” “The Empire of the Ants,” “The Door in the Wall,” “The Beautiful Suit,” and “The Country of the Blind.” H. G. Wells: A Comprehensive Bibliography 42. Currey, page 517. Bleiler (1978), page 205. Oddly enough, Locke’s A Spectrum of Fantasy page 225 lists five different editions of The Country of the Blind, but not this true first.

  • Wells, H. G. The First Men in the Moon. George Newnes, Limited, 1901. First UK hardback edition (and first edition with complete text), second state binding (white rather than black endpapers, as per Currey), a Very Good copy with a 1 1/2″ x 3/4″ slight abrasion/rub to front cover, wear at head, heel and points and along spine, with small W.H. Smith blindstamp and inscription “M. G. Walkin-Graves/from K.M.K, J.H.A.H/Jan. 25. 1904” and price and “BL 1705” on front free endpaper, along with a large rectangle of light foxing there and a similar rectangle on rear free endpaper. His novel (possibly the first) of man landing on the moon, plus the Selenite civilization they find there. Filmed at least three times, most famously in 1964. H. G. Wells: A Comprehensive Bibliography 18. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Williamson, H. G. Wells: Critic of Progress, pages 111-119. Currey, page 518. Locke, A Spectrum of Fantasy, page 226. Locke, Science Fiction First Editions, page 56. Locke, Voyages in Space 208.Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. 333, page 68. Anatomy of Wonder 4 1-98. Magill, Survey of Science Fiction, pages 782-785.

  • Wells, H. G. The Food of the Gods and How It Came to Earth. Macmillan and Co., Limited, 1904. First edition hardback, first state (Currey A) binding (green cloth with cover lettered in gold, top edge in gilt) in first issue (Currey (1) state (16 page catalog at rear dated 20.7.04)), a Very Good+ copy with wear along bottom boards, at head, heel and points, and just a trace of foxing to insider covers, with PRESENTATION COPY blindstamp on title page and inscribed and initialed by Wells: “Henry Newbolt/ 26 [August? Sept?] 1904/[line]/from H.G.W.” The signature matches examples online of Wells’ signing with just initials. Newbolt was a writer and poet contemporary of Wells, with one fantasy novel, Aladore, to his name. On page 761 of Experiment in Autobiography, Wells stated that Newbolt was a member of his club the “Coefficients,” a Fabien Socialist dining club.

    The exact same copy previously sold in an earlier Heritage Auction for $1,625, coming from the John McLaughlin/Book Sail Collection. They obviously did not check carefully enough to see that it had come back to them in this lot, as there was no indication that any of the books in that lot were signed. And the earlier listing didn’t mention the “Coefficients” connection.

    H. G. Wells: A Comprehensive Bibliography 24. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Williamson, H. G. Wells: Critic of Progress, pages 39-43. Parrinder, H.G. Wells: The Critical Heritage, pages 103-109. Currey, page 519. Locke, A Spectrum of Fantasy, page 226. Locke, Science Fiction First Editions, page 56. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. 333, page 68. Anatomy of Wonder 4 1-99. Magill, Survey of Science Fiction, pages 807-812. Heritage Rare Book Auction ##6094 catalog, page 115 (this copy).

  • Wells, H. G. In the Days of the Comet. Macmillan and Company Limited, 1906. First edition hardback, (Currey B) state, with “PRINTED BY/WILLIAM CLOWES AND SONS, LIMITED/LONDON AND BECCLES” and publisher’s catalog dated “20.8.06” at rear, which was the first issued edition (only one copy of Currey (A) known to exist, that being the British Library deposit copy, which Locke (see below) believes to be a bound proof rather than a true first printing), a Very Good copy with slight abrasion above title on front cover, slight bumping at head, heel and points, slight wear along bottom boards and along top front spine join and near outer board edges on point, slight foxing to inside covers, and bookseller pencil notices to FFE and inside front cover, with a letter from Bertram Rota, London bookseller, to a Lawrence Davern Esq. of Washington, D.C., discussing the first edition points of the title. Locke, Science Fiction First Editions, pages 56-57 and pages 94-96 (and this is the reference Currey cites). Currey, pages 519-520. H. G. Wells: A Comprehensive Bibliography 27. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Parrinder, H.G. Wells: The Critical Heritage, pages 133-145. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.

  • Wells, H. G. The Island of Dr. Moreau. William Heinemann, 1896. First edition hardback (Currey A binding, publisher’s monogram stamped in blind on rear cover, with Currey (2) (no priority) catalog state (32 page catalog starting with The Manxman and ending with Out of Due Season)), a Very Good copy with soiling along the spine, top and outer edges and head, and rounded points. Currey, 520. H. G. Wells: A Comprehensive Bibliography 8. Williamson, H.G. Wells: Critic of Progress, pages 74-82. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Parrinder, H.G. Wells: The Critical Heritage, pages 43-62. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Barron, Anatomy of Wonder 4 1-100. Magill, Survey of Science Fiction Literature, pages 1079-1083.

  • Wells, H. G. The Plattner Story and Other Stories. Methuem & Co., 1897. First edition hardback (no statement of printing on copyright page, and 40 page catalog (in this case with most of the leaves unopened) dated March 1897 inserted at rear, as per Currey), a Very Good copy with spine significantly darkened, a bit of bumping to tips, and slight spots of dark staining to front boards, with previous owner having written “Ellis Parker/1905” on the front free endpaper (there was a famous American detective by that name, but I can’t find any examples of his signature online to compare), with a sales slip from Nigel Williams Rare Books to Gary Munson laid in (he paid $540 after discount). Wells’ second short story collection. Currey, 522. H. G. Wells: A Comprehensive Bibliography 10. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Parrinder, H.G. Wells: The Critical Heritage, pages 43-62. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.

  • Wells, H.G. The Sea Lady: A Tissue of Moonshine. Methuen & Co., 1902. First edition hardback (red cloth stamped in gold and 40 page catalog dated JULY 1902, as per Currey), a Near Fine- copy with spine slightly darkened and corners slightly bumped, but all gilt lettering present, with 4 1/2″ x 1″ catalog listing slip rectangle from 1979 pasted in just at the very top of the inside front cover, rear gutter starting, tiny bit of separation to front gutter, foxing to second front free endpaper, and trace of foxing to front free endpaper gutter, otherwise a very nice, attractive copy. Novel about a mermaid who comes ashore in England with a desire to join high society. One of Wells’ less reprinted novels. Currey, page 522. H. G. Wells: A Comprehensive Bibliography 10. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.

  • Wells, H. G. The Stolen Bacillus and Other Incidents. Methuen and Co., 1895. First edition hardback (no statement of printing and publisher’s catalog at rear dated SEPTEMBER 1895, as per Currey), a Very Good copy with bumps to top and bottom boards (most slight, one with a dime-sized bumped area to front boards), bumping and creasing to head and heel, points slightly bumped, and partial cracking to front and rear hinges, with picture postcard of H. G. Wells laid in. His first book of short stories. Wells’ sixth published book and first short story collection. Currey, 523. H. G. Wells: A Comprehensive Bibliography 6. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. P Locke, A Spectrum of Fantasy, page 225 (not a listing, but a mention that he had traded away the only acceptable and affordable copy he had run across). Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Bleiler, The Guide to Supernatural Fiction 1674 for “The Temptation of Harringay” and “The Moth.”

  • Wells, H. G. The War in the Air, and Particularly How Mr. Bert Smallways Fared While It lasted. George Bell and Sons, 1908. First edition hardback, first issue binding (Currey A, with lettering on front cover in and spine in gilt, GEORGE BELL & SONS at base of spine), a Very Good copy with slight spine creasing, a split at heel, three small splits at head, slight wear to bottom boards, wear along spine edges, trace of wear at points, light foxing blocks to front and rear free endpapers, and frontispiece tissue guard present, with sales slip to Gary Munson laid in. Novel that anticipated aerial warfare. Currey, page 526. Locke, Science Fiction First Editions, page 58 and pages 93-94. H. G. Wells: A Comprehensive Bibliography 36 (“two pages of ads,” check). Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Clarke, Voices Prophesying War (new edition), pages 88-89. Locke, A Spectrum of Fantasy, page 227-228. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Barron, Anatomy of Wonder 4 1-104. Magill, Survey of Science Fiction Literature, pages 2407-2410.

  • Wentworth, Jim. Giants in the Earth: Ray Palmer, Oahspe and the Shaver Mystery. Palmer Publications, 1973. First edition? (no additional printings mentioned) trade paperback original, a Near Fine- copy with one tackhead-sized chip at the end of a crease to top front corner and slight wear at points, otherwise a fairly nice copy. Mishmash of Shaver Mystery, spiritualism, UFOs, Shaver’s “rock books,” and a dozen other fringe ideas, mostly taken from Palmer’s publications. Not in Kafton-Minkel or Standish.

  • White, Edward Lucas. A Little Green Book of Grue. Borderlands Press, 2023. First edition hardback, #462 of 500 signed, numbered copies, a Fine copy. A shame they didn’t make it a little white book of some sort…

  • Whitehead, Henry S. (Thomas Tessier, editor). A Little Orange Book of Voodoo Tales. Borderlands Press, 2023. First edition hardback, #462 of 500 numbered copies signed by the editor, a Fine copy, sans dust jacket, as issued. Five stories, two of which (“Jumbee” and “West India Lights”) were the title stories of his two Arkham House collections. Weirdly, this book has about 130 pages of text, then another 30 numbered but blank pages at the back. I have copies of this available through Lame Excuse Books.

  • Wilhelm, Kate The Girl Who Fell Into the Sky. Pulphouse, 1991. Issue #9.

  • Williams, Walter Jon. Dinosaurs. Pulphouse, 1991. Issue #18.
  • Williamson, Chet. A Little Blue Book of Bibliomancy. Borderlands Press, 2016. First edition hardback, #456 of 500 signed, numbered copies, a Fine copy. Bought off eBay for $14.06.

  • Willis, Connie. Daisy, in the Sun. Pulphouse, 1991. Issue #33. Tiny rub on spine.
  • Wilson, F. Paul. The Peabody-Ozymandias Traveling Circus & Oddity Emporium. Necessary Evil Press, 2007. First edition hardback, a Fine copy in a Fine- dust jacket with a 3/4″ closed tear to bottom front near spine. Bought for $30 from a Half Price Books location in the Metroplex.

  • Wilson, F. Paul. A Little Beige Book of Nondescript Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Wilson, F. Paul. The Shade of Lo Man Gong. Pulphouse, 1991. Issue #35.

  • Wilson, F. Paul. Buckets. Pulphouse, 1991. Issue #36.
  • Wolfe, Gene. The Dead Man and Other Horror Stories. Subterranean Press, 2023. First edition hardback, #870 of 1,000 numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Now out of print from the publisher.

  • Wolfe, Gene. The Hero as Werewolf. Pulphouse, 1991. Issue #40. This is one I did actually need, and I still need the hardback version.

  • Wong, David (pseudonym of Jason Pargin). Futuristic Violence and Fancy Suits. St. Martin’s, 2015. First edition hardback, a Fine copy in a Fine- dust jacket with one tiny wrinkle at heel and a trace of wear at top points. Bought for $13.49.

  • Wu, William F. Shaunessy Fong. Pulphouse, 1992. Issue #60. Has some slight rubbing along front near spine. Last in the Short Story Paperbacks series.

  • Yarbro, Chelsea Quinn. The Spider Glass. Pulphouse, 1991. Issue #16.
  • Yolan, Jane. The Sword and the Stone. Pulphouse, 1991. Issue #27.
  • Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth. Pulphouse, 1991. Issue #13. Not to be confused with the short story collection of the same name. I needed this for my Zelazny collection.

  • Library Additions: Three Signed Tim Powers Firsts

    Thursday, December 28th, 2023

    Three more purchases from that private collector that I hadn’t cataloged and shelved yet because I had run out of bookcase space. But I recently finished staining and finishing two more book cases, so now I can finish cataloging that purchase.

  • Powers, Tim. The Anubis Gates. Mark V. Ziesing, 1989. First edition thus, part of the signed, limited edition of 500, but lacking a number and a slipcase, a Fine- copy in a Fine- Mylar-protected dust jacket with slight bend at head. Berlyne, A4h.2, who notes that Ziesing says many slipcases were destroyed in a flood. Chalker/Owings (2002), page 1000, who says Ziesing had an overrun of slipcases. Supplements an inscribed PBO first, an inscribed Chatto & Windus first hardback, a slightly flawed copy of the Centipede Press limited edition, and the holograph manuscript copy included in the ultralimited edition of the Berlyne bibliography.

  • Powers, Tim. Declare. Morrow, 2001. First trade edition hardback (preceded by the Subterranean Press limited edition), a Fine copy in a Fine Mylar-protected dust jacket, signed by Powers. Berlyne, A11b. Supplements a copy of the Subterranean Press limited.

  • Powers, Tim. Earthquake Weather. Legend, 1997. First edition hardback, a Fine copy (though with the characteristic page darkening for Legend books of this era) in a Fine Mylar-protected dust jacket, signed by Powers. Berlyne, A10a (who notes that reportedly only 800 copies were produced). Replaces an unsigned copy.

  • Library Addition: Charnel House Limited of Tim Powers’ An Epitaph in Rust

    Thursday, August 31st, 2023

    Another volume in the Charnel House signed, limited edition reprint line of all Powers’ novels.

    Powers, Tim. An Epitaph in Rust. Charnel House 2023. First edition hardback, #54 of 200 numbered copies, a Fine copy, sans dust jacket, as issued. Bought from the publisher at the usual discount.

    I will have one copy available in the next Lame Excuse Books catalog.

    Library Additions for 2022

    Monday, February 20th, 2023

    It’s that time of the year again, where I compile every book I bought last year into one long post.

  • Adams, Richard. Watership Down. Macmillian, 1972. First American edition hardback, a Very Good copy with name marked out in black marker on front free endpaper, spine slightly worn, and slight staining at top edge, in a Very Good- dust jacket with one pinhead puncture to spine in “w,” small closed punctures along rear bottom spine join, a few pinhead dots of black staining to rear cover, shallow chipping at head, and age darkening to spine; slightly rough, but the page block is nice and square, and the UK first generally lists for well over a grand. Pringle, Modern Fantasy 51. Moorcock, Epic Pooh, pages [12-13-ish; the pages are unnumbered] (Mike is not a fan). Bought for $9.99.
  • Anderson, Poul and Gordon R. Dickson. Star Prince Charlie. Putnam’s, 1975. First edition hardback (no statement of printing on copyright page, as per Currey), a Fine copy in a Fine first state (slash between names on spine barely visible) dust jacket. Currey, page 13.
  • Anthony, Patricia. Gods Fires. Ace Books, 1997. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Anthony: “Hey-/Remember all those Wednesday nights over/on Walhat Hill, Jane?/Now we/only run/into each/other at cons. I miss/you sometimes! Email/me.” Then she’s altered her printed name to read “www.Patricia-Anthony.com”. Anthony died in 2013 and that domain is no longer active. Possibly an associational copy. Replaces an unsigned copy.

  • Bear, Greg. The Unfinished Land. Houghton Mifflin Harcourt, 2021. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bear, with a thank you note and several laminated bookmarks from the seller laid in. Bought for $49.95 from an eBay seller. My obituary for Bear can be found here.
  • Bester, Alfred. Virtual Unrealities: The Short Fiction of Alfred Bester. Vintage/Random House, 1997. First edition proof, trade paperback format, a Fine- copy with a tiny chip to tip of bottom front corner, gold “A Vintage Original” sticker on front cover and accompanying review page. Supplements a copy of the trade paperback original. Bought off eBay for $10.97.

  • Blaylock, James P. The Digging Leviathan. Ace, 1984. First edition paperback original, a Fine- copy with a tiny flake from the bottom front corner tip, inscribed by Blaylock: “To John Pelan,/the favorite of my/own books./Cheers/James P. Blaylock.” Replaces an unsigned copy and supplements an inscribed first of the Morrigan hardback. Bought for $5.

  • Blaylock, James P. The Disappearing Dwarf. Del Rey, 1983. First edition paperback original, a Fine- copy with edgewear and flake chips to outer rear corners, inscribed by Blaylock: “To John,/on the first anniversary/of a hell of a good idea./Cheers,/Jim,/aka James P. Blaylock.” Sequel to The Elfin Ship. Replaces an unsigned copy. Bought for $5.

  • Blaylock, James P. The Elfin Ship. Del Rey, 1983. First edition paperback original, a Near Fine- copy with slight spine creasing, inscribed by Blaylock: “To John Pelan,/My first book, but/not a bad one, I/hope./Best wishes/James P. Blaylock. Bought for $5.
  • Blaylock, James P. The Stone Giant. Ace, 1989. First edition paperback original, a Fine copy with the barest trace of edgewear. Inscribed by Blaylock: “James P. Blaylock/For John,/I hope this is readable./I write it about 5 years/ago and don’t rightly/remember./Cheers/Jim.” Sequel to The Disappearing Dwarf. Replaces an unsigned copy. Bought for $5.

  • Bloch, Robert. Midnight Pleasures. Doubleday, 1987. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Bloch: “Yours Truly, Robert Bloch!” Short story collection.

  • Bloch, Robert. The Opener of the Way. Arkham House, 1945. First edition hardback, a Near Fine+ copy with slight bumping at head and heel, slight wear in letters of spine, bookstore sticker to bottom of inner front cover, and a few touches of wear to boards, in a Near Fine- dust jacket with abrasion rub down right front fold edge, slight wear at head, slight loss at points, and slight dust soiling to rear cover, with auction sticker laid in, inscribed by Bloch: “To Charles R./Tanner with best wishes,/Robert Bloch, 1948.” What the people doing the Heritage description didn’t note (and possibly didn’t know) was that Charles R. Tanner was a fellow contemporary pulp writer (both had work in Amazing Stories), most famously of “Tumithak of the Corridors,” which appeared in Isaac Asimov’s Before the Golden Age. Flanagan, Robert Bloch: A Bio-Bibliography, page 49. Joshi, Sixty Years of Arkham House 10. Currey, page 46. Derleth, Thirty Years of Arkham House 10. Jaffery, Horrors and Unpleasantries 10. Nielsen, Arkham House Books: A Collector’s Guide 10 (also #23 on the Most Valuable list). Locke, Spectrum of Fantasy, page 36. Bleiler, Guide to Supernatural Fiction, 209. Chalker/Owings, pages 22-23. Kemp, The Anthem Series, page 299-300. (For an association copy signed to Robert Bloch, see this.)

  • Bloch, Robert. Out Of My Head. NESFA Press, 1986. First edition hardback, #371 of 800 hardback copies, a Fine copy in a Fine dust jacket, signed by Bloch. Chalker/Owings, page 303. Replaces an equally perfect unsigned copy in my collection.
  • Bloch, Robert. Psycho II. Whispers Press, 1982. First edition hardback, #516 of 750 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Supposedly very different than the movie of the same name. Supplements a trade edition. Chalker/Owings, page 476.
  • Brackett, Leigh. The Ginger Star. Ballantine Books, 1974. First edition paperback original, a Fine- copy with slight wear at heel, edges and points, otherwise a tight, square copy. Currey, page 52. Bought for $2.
  • Brackett, Leigh. The Hounds of Skaith. Ballantine Books, 1974. First edition paperback original, a Near Fine+ copy with slight bumping to bottom corner and a trace of edgewear, otherwise a tight, square copy. Currey, page 52. Bought for $2.

  • Bradbury, Ray. Dawn to Dusk: Cautionary Travels. Gauntlet, 2011. First edition hardback, #67 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. Somehow missed this when it came out, maybe because I was dealing with one of my periodic bouts of unemployment. Bought for $76 off eBay.

  • Bradbury, Ray. Farewell Summer. Morrow, 2006. First edition hardback, a Fine copy in a Fine dust jacket with “National Book Award Distinguished Contribution to American Letters” sticker (presumably as issued; he was awarded it in 2000), signed by Bradbury. Sequel to Dandelion Wine.
  • Bradbury, Ray. The Last Circus & The Electrocution. Lord John Press, 1980. First edition hardback, #105 of 300 copies signed by Bradbury and introduction author William F. Nolan, a Fine copy in a Fine slipcase, sans dust jacket, as issued. Two stories, an introduction by Nolan and an afterword by Bradbury. Supplements a signed trade copy.

  • Bradbury, Ray. The Machineries of Joy. Simon & Schuster, 1964. First edition hardback, a Near Fine copy with previous owner’s name, city, and date to FFE, corners slightly bumped, slight bend at head and heel, and slight wear along bottom board edges, in a Very Good+ dust jacket with 3/16″ triangular chip at head join, slight edgewear at head and heel, bit of wrinkling to top edge, a few small, closed tears, a tiny bit of loss at points, and a few slight spots of dust soiling, signed and dated (“12/12/86”) by Bradbury. Short story collection. Nolan, The Ray Bradbury Companion, pages 148-150. Weist, Bradbury: An Illustrated Life, page 72. Currey, page 56.

  • Bradbury, Ray. One For The Road. Morrow, 2002. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bradbury. Short story collection, including a smattering of older stories.
  • Bradbury, Ray. Phoenix 451. Gauntlet Press, 2022. First edition hardback, one of 350 unsigned copies, a Fine copy in a Fine dust jacket. Huge 833-page collection. “We are proud to be publishing five versions of Fahrenheit-451 he wrote beginning in 1955.” Plus a whole lot more, including color plates, play texts, ancillary material, etc. Bought from the publisher. I will have copies of this available in the next Lame Excuse Books catalog, which I intend to mail out Friday.

  • Bradbury, Ray. The Parrot Who Met Papa b/w David Aronovitz’s The Parrot Who Met Papa (concluded). The Pretentious Press, 1991. First edition chapbook original, a Fine copy, signed by Bradbury, then subsequently inscribed “Tom! Nov. 6, 1994.” Just about all these Pretentious Press chapbooks are hard to find and pricey. Bought from an online dealer for $150.

  • Bradbury, Ray. The Tonybee Convector. Knopf, 1988. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Bradbury: “Joe Anne &/Lee/Ray Bradbury/Dec. 10/1988.” Replaces an unsigned copy.
  • Bradbury, Ray. When Elephants Last In The Dooryard Bloomed. Knopf, 1973. First edition hardback, a Fine- copy with slight bend at head and heel, in a Near Fine, price-clipped dust jacket, signed and dated (“12/12/86”). Supplements a later printing.
  • (Bradbury, Ray) Sam Weller. Listen to the Echoes: The Ray Bradbury Interviews. Stopsmling Books, 2010. First edition trade paperback original (simultaneous with a small hardback run), a Fine copy, signed by Bradbury. Collection of interviews Weller did with Bradbury, plus a previously unpublished Paris Review interview. Bought for $40 from an online bookseller.
  • Brin, David. The River of Time. Dark Harvest, 1986. First edition hardback, copy “Q” of 52 signed, lettered copies, a Fine copy (maybe Fine- with the spine of the gold biding showing a slight greenish tinge) in a Fine wooden “slipcrate,” sans dust jacket, as issued. Short story collection. Chalker/Owings, page 119. A lot of the Dark Harvest slipcrate editions were leather or imitation leather, but I have no idea what to call this goldish binding. This is the fourth Dark Harvest slipcrate edition I’ve bought, after George R. R. Martin’s Portraits of His Children, Joe R. Lansdale’s The Nightrunners, and Chet Williamson’s Dreamthorpe. Bought from a UK dealer for £50, which works out to less than the original $100 list price.

  • Brunner, John. The Productions of Time. Signet, 1967. First paperback original, a Fine- copy with slight darkening to pages and a trace of edgewear to points. 1967 Nebula nominee for Best Novella. De Bolt, The Happening Worlds of John Brunner page 203. Currey, page 72 (he says the text was “badly edited” without Brunner’s approval). Bought for $2.99.
  • (Burroughs, William S.) Morgan, Ted. Literary Outlaw: The Life and Time of William S. Burroughs. Henry Holt, 1988. First edition hardback, a Fine copy in a Fine- dust jacket with slight haze rubbing. Reportedly one of the best biographies of Burroughs. Shoaf, Collecting William S. Burroughs in Print: A Checklist, IV.42. Bought for $7.99 at Half Price Books.
  • Campbell, John W. Cloak of Aesir. Shasta Publisher, 1952. First edition hardback, a Near Fine- copy with 2″ x 3/4″ light black staining to back rear cover (appears to be moisture staining from the cover dye), with a tiny bit of transfer to the very bottom outer tips of last few pages as well, with a few slightly light spots to boards, slight bumping at head and heel, and slight foxing along gutters, in a Very Good- dust jacket with light staining down spine, spots of light staining across back cover, shallow edge chipping at head, heel and points, signed by Campbell. Stories written under his Don A. Stuart pen name. Currey, page 97. Locke, Spectrum of Fantasy, page 46. Chalker Ownings, page 398. Kemp, The Anthem Series, page 166. Supplements an unsigned copy. Bought for £36.

  • Campbell, Ramsey (S. T. Joshi, editor). Certainly: Essays and Reviews, 2002-2017. PS Publishing, 2021. First edition hardback, #168 of 200 signed, numbered copies in slipcase, a Fine copy in a Fine dust jacket. Companion volume to Probably, which I also have. Bought from the publisher for £20. I will have one copy for sale in the next Lame Excuse Books catalog (probably May or June).

  • Cannell, Stephen J. White Sister. St. Martin’s Press, 2006. First edition hardback, a Fine copy in a Fine dust jacket, signed and dated (“9/12/06”) by Cannell. Bought off the Internet for $5.

  • Card, Orson Scott. Ender’s Way. Centipede Press, 2021. First edition, #156 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine two-piece capped cloth slipcase, still in shrinkwrap. With:
  • Card, Orson Scott. Speaker for the Dead. Centipede Press, 2020. First edition thus, #156 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine two-piece capped cloth slipcase. Hugo and Nebula winner for best novel. Both books bought for $400 off eBay, a significant discount off the original cover price for both ($250 for Ender’s Way and $295 for Speaker for the Dead.

  • Carter, Lin. Dreams from R’lyeh. Arkham House, 1975. First edition hardback, a Fine- copy with bumping at head and heel in a Near Fine- dust jacket with wear at head, heel and points, and dust soiling to rear cover, mostly along fold edge. Poetry collection. In terms of desirability, this one is way, way down the list of Arkhams that took forever to sell out, down there with Gary Myer’s In the House of the Worm and those very later novels from people nobody ever heard of. Honestly, I was sort of surprised to discover that I hadn’t already picked up a cheap copy somewhere along the line. Joshi, Sixty Years of Arkham House 133. Jaffery, Horrors and Unpleasantries 137. Nielsen, Arkham House Books 139.
  • Chabon, Michael. A Model World and Other Stories. Morrow, 1991. First edition hardback, a Fine copy in a Fine dust jacket, signed by Chabon, with review slip laid in. Short story collection, and Chabon’s second book. Bought for $10.

  • Chabon, Michael, editor. McSweeney’s Enchanted Chamber of Astonishing Stories. Vintage Books, 2004. First edition trade paperback original, a Fine copy. Anthology with stories by Stephen King, Peter Straub, Margaret Atwood, etc. Companion to McSweeny’s/Chabon’s Thrilling Tales volume, which I also have. Bought for $7 from Recycled Books.
  • Chambers, Robert W. (Lisa Morton, editor). A Little Yellow Book of Carcosa and Kings. Borderlands Press, 2022. First edition hardback, #462 of 500 copies signed by Morton, a Fine copy, sans dust, as issued. Four linked horror tales, all reprinted from The King in Yellow, all set in a then-future United States. Now sold out from the publisher. I have one copy of this still available through Lame Excuse Books.

  • Clarke, Arthur C. Tales From The White Hart. Harcourt, Brace & World, 1970. First hardback edition (no statement of printing on copyright page, as per Currey), a Near Fine+ copy with what appears to be a 1″ slight sticker pull inside front cover and tarnishing to “o” in “from” gold metal colored lettering on spine, in a Fine- dust jacket with just a trace of edgewear at heel. A collection of “club stories,” sort of the English version of the American tall tale. Currey, page 115. Bought for $40.

  • Clute, John. Sticking To the End. Beccon, 2022. First edition trade paperback original, a Fine- copy with a bump at head. Collection of reviews, essays, etc. Supposedly both Beccon and Clute’s last book. Bought from the publisher at the usual discount. I will have copies available in the next Lame Excuse Books catalog.

  • Coldiron, Katherine. Midnight Movie Monographs: Plan 9 From Outer Space. PS Publishing/Electric Dreamhouse, 2021. First edition hardback, #209 of 300 copies with a signed faux movie ticket laid in (along with a “Watch Bad Movies/Make Good Art” sticker), a Fine copy in decorated boards and a Fine dust jacket. A book-length study of Ed Wood’s infamous magnum opus of the same name, widely hailed (or derided) as the worst movie ever made, as featured in the Tim Burton film Ed Wood. Bought from the publisher at the usual discount. I have copies of this available though Lame Excuse Books.
  • Dann, Jack. Masters of Science Fiction: Jack Dann. Centipede Press, 2022. First edition hardback, #251 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. A very attractive volume, as are the other books in this series.

  • Davidson, Avram. Beer! Beer! Beer! Or All The Seas With Oysters Publishing (OATSWOP), 2021. First edition print-on-demand trade paperback (the only print edition offered), a Fine copy. An original prohibition tale unearthed by the Davidson estate and offered through Amazon, which is the only place it’s available.
  • Davidson, Avram. Rogue Dragon. Ace, 1965. First edition paperback original (no statement of printing and 40¢ cover price, as per Currey), a Fine- copy with just a trace of edgewear at top outer point, but tight and square with bright white portions of cover. Currey, page 131. Replaces a slightly less attractive copy. Bought from Half Price Books for $5.
  • Davidson, Avram. What Strange Stars and Skies. Ace, 1965. First edition paperback original (no statement of printing and 40¢ cover price, as per Currey), a Fine- copy with a tiny crease across the Ace logo at head, otherwise tight and square. Currey, page 131. Replaces a slightly less attractive copy. Bought for $3.

  • de Camp, L. Sprague and P. Schuyler Miller. Genus Homo. Fantasy Press, 1950. First edition hardback, first state (Currey A) binding of green cloth lettered in gold, #172 of 500 numbered copies signed by both authors, further inscribed by Miller “To Sylvester Brown, Jr./in the hope that we’ve guessed/all wrong about tomorrow,” a Near Fine- copy with non-authorial judgement of the book written in a neat hand on the inside front cover (hidden by dj flap), gold spine lettering slightly rubbed and bumping at heel, and trace of foxing to inside covers and end-papers, in a Very Good+ dust jacket with closed tear creases to the bottom 1/4″ to 1/8″ of the front bottom edge, smaller closed tear and creasing at heed, quarter-sized abrasion to front cover affecting G in “Genus,” edgewear at heel, slight dust soiling to white back cover, and a few other touches of rubbing (slightly exaggerated in scan). Sleeper awakes sort of novel about a busload of humans awakening in a far future world ruled by evolved primates (thirteen years before Pierre Boulle’s La Planète des singes). I had several de Camp signatures already, but not one for Miller. Currey, page 133. Chalker Owings, page 160. Kemp, The Anthem Series, page 32. Bought for £45.

  • Delany, Samuel R. Dhalgren. Gregg Press, 1977. First hardback edition (and first edition thus, containing textual differences), a Near Fine- copy with spine just starting to crease, a few of spots of light rubbing to the spine, light dust spotting to top and side page block edges, six small, neat red page numbers from the introduction written inside the front cover, and a few small annotations in the same red in the introduction itself, sans dust jacket, as issued. It’s hard to overstate just how massively wide this book is, over 1,000 pages with the lengthy introduction, easily the widest book Gregg Press ever published, and one of the hardest Gregg Press titles to find period (reportedly only 350 copies were published), probably only behind Dick’s Dr. Bloodmoney and possibly the two Locus volumes. L. W. Currey was already asking $300 for a copy in 1989, and they don’t tend to come on the market much. Though far from my own favorite of Delany’s work, it is probably the very hardest of his books to find. K. Leslie Steiner, “Some remarks on Reading Dhalgren,” pages 57-92 in Delany’s The Straits of Messina. Weedman, Samuel R. Delany, pages 61-69. McEvoy, Samuel R. Delany, pages 97-120. Barron, Anatomy of Wonder 4, 4-127. Magill, Survey of Science Fiction Literature, pages 533-538. (“Dhalgren marks the nadir of pessimism in science fiction’s tradition of social criticism.”) Currey, page 139. Bought for $300 from someone selling off their book collection.

    (Note: Ignore the blotches on the middle right part of the image, which is just the edge of another book I used to prop Dhalgren up on the scanner so I could scan the spine. And ignore the left side taper at the bottom.)

  • Delany, Samuel R. The Fall of the Towers. Gregg Press, 1977. First hardback edition, a Fine- copy with a tiny bit of bumping to top outer edge, sans dust jacket, as issued. Omnibus volume that includes Captives of the Flame (AKA Out of the Dead City), The Towers of Toron, and City of a Thousand Suns. McEvoy, Samuel R. Delany, pages 28-44. K. Leslie Steiner, “Ruins/Foundations, or The Fall of the Towers Twenty Years After,” pages 99-154 in Delany’s The Straits of Messina. Currey, page 140. Bought from a UK dealer for £67.50.
  • Derleth, August, and Mark Schorer. Colonel Markesan and Less Pleasant People. Arkham House, 1966. First edition hardback, a Fine copy in a Fine- dust jacket with a few touches of light dust staining to rear, the largest about dime-sized near the top where the back jacket copy begins. Story collection. Replaces a slightly less attractive copy. Joshi, Sixty Years of Arkham House 87. Derleth, Thirty Years of Arkham House 87. Nielsen, Arkham House Books 93. Bleiler, Guide to Supernatural Fiction 530.

  • Derleth, August, editor. Dark of the Moon: Poems of Fantasy and the Macabre. Arkham House, 1947. First edition hardback, a Near Fine copy with bumping to top corners, slight bumping at head and heel, and a trace of foxing to interior gutters, in a Very Good- first state (green) dust jacket with a 1″ x 1/2″ chip to top front cover, notable bump and creasing to top rear corner trace of dust soiling to perimeter of rear dust jacket slight loss at bottom rear corner, a light, thin 1″ abrasion scratch to spine just above “Arkham House,” a bit of general wear, and slight blind-side foxing; a nice copy in a flawed dust jacket. “A pioneering and well-nigh definitive anthology of weird poetry from the entire range of English and American literature…” – Joshi, Sixty Years of Arkham House 23. Derleth, Thirty Years of Arkham House 23. Jaffery, Horrors and Unpleasantries 26. Nielsen, Arkham House Books 24 (and 34th on his list of most valuable Arkham House books). Derleth, 100 Books By August Derleth 46. Bleiler, Checklist of Fantastic Fiction (1948), page 98. Bleiler, Checklist of Fantastic Fiction (1978), page 60.

  • Dick, Philip K. Selected Short Stories. The Folio Society, 2022. First edition hardback (“First Printing 2022”), a Fine copy in decorated boards and a decorated, die-cut slipcase that even sports a full-color illustration printed inside the slipcase, sans dust jacket, as issued. The pageblock edges even include a dye-pattern image of two eyes (appropriate to Dick’s frequent theme of paranoia). Plus a Jonathan Lethem introduction and a full-color illustration for each story from 24 different artists (including Dave McKean). It’s a very attractive package.

  • Dick, Philip K. The World Jones Made. Sidgwick & Jackson, 1968. First hardback editionb, an Ex-Library copy on which the dust jacket has been plasticized to the boards, with the front flap pasted onto the rear free endpaper, with library stamps, and slight age-darkening to pages; call it a Very Good Ex-Lib copy. Dick’s second published novel, originally published as half of an Ace Double. Probably the second hardest UK Dick hardback first to find (after The Penultimate Truth, which I already have), and it usually lists for several grand. Levack, 48g. Wintz & Hyde, Precious Artifacts, SF30.8. Currey, page 159. Bought from a UK book dealer for £327.

  • (Dick, Philip K.) R.D. Mullin, Istvan Csicsery Rosney, Jr., Arthur B. Evans and veronica Hollinger, editors. On Philip K. Dick: 40 Articleas from Science-Fiction Studies. SF-TH, Inc., 1992. First edition hardback, a Fine copy in a Fine dust jacket. Collection of critical essays on Dick from a wide variety of authors (Kim Stanley Robinson, Gregg Rickman, Stainislaw Lem, etc.). I was unaware that there was a hardback of this until it showed up in the catalog. Supplements a trade paperback copy. Bought for £112.50.

  • Di Filippo, Paul. Aeota. PS Publishing, 2019. First edition hardback, trade edition, a Fine copy in a Fine dust jacket. Supplements a signed, limited edition. Bought for £5. I have one copy of this available though Lame Excuse Books.
  • Drake, Leah Bodine. A Hornbook for Witches. Arkham House, 1950. First edition hardback, a Near Fine copy with foxing to gutters and under flaps, slight bumping at heel (and unlike most Arkham (and U.S.) books, the printing on the book is 180° off what you would expect, running up the spine rather than down, so from bottom to top it reads “Drake • A HORNBOOK FOR WITCHES • Arkham House”), and a very slight bit of wear to Arkham’s usual Black Novelex boards, in a Near Fine- dust jacket with shallow 1/16″ chipping at head, heel and points, and age darkening to spine; a fairly nice copy. One of the rarest Arkham House books, with only 553 copies printed, and Jaffrey states that Drake took “about 300 copies” for her own distribution. Derleth, Thirty Years of Arkham House, 43. Joshi, Sixty Years of Arkham House, 43. Jaffery, Horrors and Unpleasantries, 40 (“There are few copies around, and copies are really hard to come by”). Nielsen, Arkham House Books, 44 (and #5 on his list of “The Thirty-Five Most Valuable Arkham House Books”). Locke, A Spectrum of Fantasy Three, page 29. Kemp, The Anthem Series, pages 334 (“Scarcest Arkham House title of all.”), which also notes an audiobook edition of the title narrated by Vincent Price (though evidently only including four of the poems here). Bought from a fellow Biblio dealer for $832.

  • Dowling, Terry. The Complete Rynosseros (Volumes I, II and III). PS Publishing, 2020. First edition hardback, a PC copy of 300 signed, numbered sets, all Fine copies in decorated boards and Fine dust jackets and a Fine slipcase. All Dowling’s Tom Rynosseros stories. An attractive production with Nick Stathopoulos art. Volume III features Dowling discussing the origins and developments of every story. Volume I even has an introduction by Jack Vance! Bought for £60 for the set, a considerable discount from the £150 offering price.

  • (Doyle, Arthur Conan) Miranker, Cathy and Glen S., curators. Sherlock Holmes in 221 Objects: From the Collection of Glenn S. Miranker. The Grolier Club, 2022. First edition hardback, reportedly one of only 500 copies, a Fine copy, sans dust jacket, as issued. A descriptive catalog, with pictures, of items exhibited from Miranker’s Sherlock Holmes collection, including not only rare first editions (including the only know first edition, first printing of The Adventures of Sherlock Holmes in dust jacket), but also Doyle letters, original art, movie posters, etc. A fascinating and extensive collection.

  • Dozois, Gardner (Michael Swanwick, interviewer). In His Own Words. Dragonstairs, 2022. First edition chapbook original, #56 of 60 numbered copies signed by Swanwick, a Fine copy. Condensed transcription of an interview Swanwick conducted with Gardner at the 2001 Capclave. Instantly out of print from the publisher.

  • Dozois, Gardner, editor. The Very Best of the Best. St. Martins, 2019. First edition hardback, a Fine- copy with slight bends at head and heel in a Fine- dust jacket with slight curl at head and heel. A best of best of collection.
  • Ellison, Harlan. The Man With Nine Lives/A Touch of Infinity. Ace Books, 1960. First edition paperback original (35¢ on cover, as per Currey), a Near Fine- copy with wear at head and heel and the usual age-darkening to pages, signed twice by Ellison at each of the two title pages. The Man With Nine Lives is a novella and A Touch of Infinity is a short story collection. Quite an attractive copy, nice and square with quite bright covers, and better than usually found. Richmond, Fingerprints on the Sky, page 107-108. Currey, page 178. Bought off eBay for $44.95.

  • Farmer, Philip Jose. Flesh. Doubleday, 1968. First hardback edition and first revised edition, a Fine- copy with slight bumping at heel in a Near Fine dust jacket with slight age-toning to white dust jacket, a few tiny closed tears at top edge, and some small black marks at head that may have one been a price written there, signed by Farmer. Currey, page 184. Bought from the same notable UK bookseller as Dwellers in the Mirage for £52.

  • Farmer, Philip Jose. Dark is the Sun. Del Rey, 1979. First edition hardback, a Fine copy in a Fine dust jacket, signed by Farmer. Bought off eBay for $35.
  • Farmer, Philip Jose. The Lovers. Ballantine Books, 1961. First edition paperback original (PBO), a Very Good+ copy with crease across bottom rear corner and slight spine lean, signed by Farmer. One of the first science fiction novels to deal frankly with sexual themes. Brizzi, The Work of Philip Jose Farmer, pages 18-24. Currey, page 185. Barron, Anatomy of Wonder 4, *3-69. Supplements a signed copy of the later hardback first edition. Won off eBay for $9.99.

  • Farmer, Philip Jose. Tarzan Alive: A Definitive Biography of Lord Greystoke. Doubleday, 1972. First edition hardback, a Near Fine+ copy with bumping at head, heel and top front corner, in a Very Good+ dust jacket with several small closed tears (and associated creases) at heel, slight dust soiling to white portions of dust jacket, and a few other touches of wear, inscribed by Farmer: “To Mitchell Haneson/from/Philip Jose Farmer/Oct 21,/1989/Chicago.” Fictional biography of Tarzan, and a central text in Farmer’s “Wold Newton Universe,” which ties a vast array of fictional heroes, from Sherlock Holmes to Doc Savage, into one extended family. Brizzi, Philip Jose Farmer, page 72. Currey, page 185. Bought off eBay for $39.99. Replaces an unsigned copy.

  • Ford, Jeffrey. The Best of Jeffrey Ford. PS Publishing, 2020. First edition hardback, a PC copy of 100 signed, numbered copies, a Fine copy in a Fine dust jacket and a fine slipcase. Supplements a trade copy. Bought for £15 plus shipping.
  • Ford, Jeffrey. The Best of Jeffrey Ford. PS Publishing, 2020. First edition hardback, a Fine copy in a Fine dust jacket. 550+ page volume. Bought for £5. I have one copy of this available though Lame Excuse Books.
  • Frazier, Charles. Cold Mountain. Atlantic Monthly Press, 1997. First edition hardback, a Fine copy in a Fine- Mylar-protected dust jacket with faint 1/4″ scratch with John Berendt blurb sticker on it (as issued), in a Fine- after-market slipcase with one small bump to bottom rear corner. National Book Award winning Civil War novel that was the basis of the acclaimed 2003 movie of the same name. Bought from Half-Price Books for $30. I see these particular aftermarket slipcases sold on eBay, where they list for $85.

  • Gaiman, Neil (Gary Gianni, illustrator). The Case of Death and Honey. Arte Editions, 2022. First edition hardback, #254 of 500 numbered copies signed by Gianni (plus an additional 70 publisher’s copies), a Fine copy in a Fine slipcase, sans dust jacket, as issued. A very attractive book, stamped in gold and black on full red cloth binding, black and red printing, numerous black and white (and one color) illustrations from Gianni. A Sherlock Holmes story from Gaiman. There were numbered and lettered editions signed by Gaiman in different bindings that were already sold out by the time I found out about this book. Bought from the publisher at a thin discount. Note: The slipcase was extra, and is not included in every copy of this edition.

  • Gaiman, Neil. Trigger Warning. HarperCollins, 2015. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of crimping at head. Short story collection. Bought for $12.14
  • Gevers, Nick, and Peter Crowther, editors. New Worlds Issue #1. PS Publishing, 2021 (i.e., 2022). First edition hardback, #49 of 200 copies, a Fine copy in decorated boards and a Fine dust jacket, and a Fine embossed slipcase. Latest resurrection of this venerable UK fiction title, most famous for Michael Moorcock’s New Wave editorship in the 1960s, and Moorcock contributes a story (and signature) here, as do Alan Moore, Michael Swanwick, Ken MacLeod, James Lovegrove, Ian Watson, Ian R. MacLeod, etc. The trade paperback version came out last year, but this hardback edition is already out of print. Bought from the publisher at the usual discount.

  • Gingrich, Newt and William R. Forstchen. Never Call Retreat: Lee and Grant: The Final Victory. St. Martins, 2005. First edition hardback, a Fine copy in a Fine dust jacket, signed by Gingrich. Bought from Half Price Books for $7.99.

  • Golding, William. The Inheritors. Faber and Faber, 1955. First edition hardback, a Fine- copy with a bump at head in a Near Fine dust jacket with a few faint, tiny spots to top rear outer corner, slight spotting at very top and bottom of flaps, slight bump at head, and numerous small blind side spots. All in all a very nice copy. Novel of Homo Sapiens driving the last Neanderthals to extinction. Pringle, Science Fiction: The 100 Best Novels 19. Magill, Survey of Science Fiction Literature, pages 1036-1039. Bought from a fellow Biblio dealer for £179.80 (including shipping).

  • Harrison, Harry. The Man From P.I.G.. Avon/Camelot Original, 1968. First edition paperback original, a Near Fine copy with one spine crease and usual mild age-darkening of pages. Currey, page 225. Bought for $1.99.
  • Heinlein, Robert A. Beyond This Horizon. Fantasy Press, 1948. First edition hardback, #413 of 500 signed, numbered subscriber copies (Currey State A), a Very Good copy with former owner George Price’s name and address on inside front cover and a quote from Hamlet (“There are more things in heaven and earth, Horatio, / Than are dreamt of in your philosophy.”) written on the front free endpaper in the same hand, with bumping at head and heel and a few faint spots of foxing to first few pages, in a Good+ dust jacket with 1/2″ chips to heel and bottom front cover, 1/4″ tackhead-sized chip to spine (affecting bottom of “O” in “HORIZON”), plus a few lesser chips, creases, rubs and general wear. Inscribed by Heinlein: “For George W. Price/All good wishes!/Robert A. Heinlein.” George W. Price ran Advent Publishers and participated in the 1959 Chicago Worldcon bid, and he seems to be still alive at age 93. Heinlein’s second novel. Currey, page 232. Chalker/Owings, page 158. Barron, Anatomy of Wonder 4, 3-84. Bought for £350 from a notable UK book dealer.

  • Heinlein, Robert A. Glory Road. Putnam, 1963. First edition hardback (no statement of printing on copyright page, as per Currey), an Ex-Library copy with front free endpaper excised, discard stamps, abrasion wear along bottom boards, light paste-ghosts to inside covers, reinforcement to front and rear gutters, etc.; call it a Good+ Ex-Lib copy in a Very Good+ dust jacket with 1/32″ strip of loss at very bottom of heel, slight wear and creasing at head and heel, trace of crease along front spine join, thin, closed 2″ tear/crack along spine to middle of back cover, slight wear at points, and the barest trace of those paste ghosts to blind side; actually a very presentable copy of the dust jacket. Replaces another Ex-Library copy (non-first) in my collection. Currey, page 232. Bought for $16 from a collector culling his collection.

  • Heinlein, Robert A. The Man Who Sold The Moon. Shasta Publishers, 1950. First edition hardback, one of 250 copies signed by Heinlein, a Very Good copy with spine slightly concave at top, slight bumping at head and heel, slight rub ear to lettering at head and heel, points slightly bumping, and traces of wear to boards, with the “FUTURE HISTORY/1951-2600 A.D.” sticker added to front free endpaper and inside back cover (as issued), in a Very Good- dust jacket with 1/8″ loss across heel, 1/8″ ship at head points and associated creasing, 3/4″ abrasion (possibly a sticker pull) near bottom of spine, not affecting any lettering, moderate creasing along spine and flap folds, slight age darkening to spine, very slight darkening to rear cover and tops of flaps, and usual blind side foxing. A fairly nice copy that I’ll probably ended up swapping the better dust jacket on my trade copy with. Bought from a private seller for $500. Chalker/Owings, page 398. Kemp, The Anthem Series, page 162. Locke, A Spectrum of Fantasy, page 109. Currey, page 233.

  • Heinlein, Robert A. The Menace From Earth. Gnome Press, 1959. First edition hardback, a Near Fine+ copy with slight bumping at head, heel and points (and far less than usual age darkening to the cheap later Gnome Press paper) in a Near Fine+ dust jacket with one 1/8″ closed tear and associated triangular crease to bottom rear dust jacket, very slight age darkening to spine, trace of edgewear to rear flap, and a few traces of dust soiling to white over, otherwise an extremely nice example of the dust jacket. Short story collection, including the classic “By His Bootstraps.” Currey, page 233. Locke, A Spectrum of Fantasy, page 109. Chalker/Owings, page 205. Kemp, The Anthem Series, page 278. Barron, Anatomy of Wonder 4, 3-87. ISFDB notes no price on dust jacket (as is the case here). Bought for £250 from a notable UK book dealer.

  • Heinlein, Robert A. Rocket Ship Galileo. Scribner’s, 1947. First edition hardback (Scribner’s seal and “A” printing code, as per Currey), a Near Fine copy with non-authorial inscription on FFE and mild blocks of foxing to inner covers and endpapers, in a Near Fine first state (unclipped $2.00 price) dust jacket with a pinhead-sized hole near heel and spine fading, and a tiny bit of wrinkling to bottom rear flap, otherwise a bright, vibrant example of the dust jacket. It’s a really attractive copy, and because the area of the hole and the board color are both dark, it doesn’t jump out at you. Currey, page 234. Locke, Spectrum of Fantasy, page 109 (he calls for “light yellow” endpapers, but these are really more of a light tan). Barron, Anatomy of Wonder 4, *5-62. Franklin, Robert A. Heinlein: America as Science Fiction, pages 75-76. Not in 333. Not in Magill’s Survey of Science Fiction Literature. Bought off a fellow Biblio dealer for $360.

  • Hill, Joe. The Fireman. Morrow, 2016. First edition hardback, a Fine copy in a Fine dust jacket. Supplements a later limited edition. Bought for $14.99 at Half Price Books.
  • Hill, Joe. Strange Weather. William Morrow, 2017. First edition hardback, “Barnes & Noble Black Friday Signed Edition” as per the ISBN and copyright page (the first signed edition listed), one of an undetermined number with a signature page bound in (very similar to the one in Full Throttle), a Fine copy in a Fine dust jacket. Collection of four novellas. Bought for $40.05 from a fellow Biblio dealer.
  • Hill, Joe. Strange Weather: Aloft, Rain, Loaded, and Snapshot. Cemetery Dance, 2022. First edition thus and first separate editions of all four individual titles, all of which were originally published in Hill’s 2017 Strange Weather novella collection, each volume one of 948 copies signed by the artist (Charles Paul Wilson III for Aloft, Renae De Luz and Ray Dillon for Rain, and Zach Howard for Loaded), and Snapshot being numbered 781 and signed by both Hill and artist Gabriel Rodriguez, all Fine copies in Fine dust jackets and a Fine slipcase. (There was also evidently a 52 copy lettered edition offered for $1,000 I haven’t seen.) An attractive production. Bought for cover price, and sold out five years before publication…

  • Hodgson, William Hope (Michael Bailey, editor). A Little Aquamarine Book of Agitated Water. Borderlands Press, 2022. First edition hardback, #462 of 500 copies signed by the editor, a Fine copy, sans dust jacket, as issued. Includes many (but by no means all) of Hodgson’s eerie stories and poems about the sea, something he really excelled in.

  • Holkins, Jerry and Mike Krahulik. Lexcalibur II: The Word in the Stone. Penny Arcade, 2021 (i.e., 2022). First edition hardback, a Fine copy in a Fine dust jacket. More fantasy-gaming themed humorous poetry, and sequel to the first Lexcalibur.

  • Howard, Robert E. Always Comes Evening. Arkham House, 1957. First edition hardback, a Fine- copy with an old bookstore sticker inside the front cover and just a trace of foxing to gutters, in a Near Fine, price-slipped dust jacket with slight dust soiling to rear cover and slight age-darkening to letters, and a few other touches of wear. “Another volume that must be called a landmark.” – S. T. Joshi, Sixty Years of Arkham House. Howard’s first poetry collection, the second of three Howard books published by Arkham House, compiled by Howard estate executor Glenn Lord. Derleth, Thirty Years of Arkham House, 50. Joshi, Sixty Years of Arkham House 50. Jaffrey, Horrors and Unpleasantries, 49. Nielsen, Arkham House Books 53. Nielsen also ranks it 9th for scarcity and 13th most valuable, though the latter is out of date, since it’s much pricier and harder to find that Skull-Face and Others these days. Bought off eBay for $650.

  • Howard, Robert E. (Tim Underwood, editor). “…and their memory was a bitter tree…”. BlackBart, 2008. First edition hardback, #45 of 500 copies signed by illustrator Brom, a Fine copy in a Fine dust jacket and a Fine slipcase. A volume lavishly illustrated in color by Brom and Frank Frazetta, with a preface by Arnie Fenner and an afterword by H. P. Lovecraft. Bought for $125. This appears to be the only book BlackBart ever did.

  • Howard, Robert E. Bran Mak Morn: The Last King. Wandering Star, 2005. First edition hardback, #634 of 850 numbered copies signed by illustrator Gary Gianni, a Fine copy in a Fine dust jacket and a Fine- slipcase with a trace of wear at points, with a CD containing a reading of “Worms of the Earth” laid in. This and the other Wandering Star books here have gilt top edges. Bought for $125.

  • Howard, Robert E. The Iron Man. Donald M. Grant, 1976. First edition hardback, a Near Fine copy with a 1/2″ high area of abrasion across bottom of front and back boards near spine (but not at the spine itself), in a Fine- dust jacket with slight touches of wear at points and elsewhere. Howard’s boxing stories. Obtained as a throw-in freebie on another order.
  • Howard, Robert E. Robert E. Howard’s Conan of Cimmeria: Volume One (1932-1933). Wandering Star, 2002. First edition hardback, #89 of 100A [sic] numbered slipcased copies signed by artist Mark Schultz, with eight pages of black and white sketches after page 348, a Fine copy in a Fine dust jacket and a Fine slipcase, bought still in shrinkwrap (taken out to verify the state). Bought for $300 (which is all of $30 more than original cover price 20 years ago, and the trade edition typically lists for more) from a private collector.

  • Howard, Robert E. Robert E. Howard’s Complete Conan of Cimmeria Volume Two (1934). Wandering Star, 2005. First edition hardback, #1462 of 1950 numbered copies signed by illustrator Gary Gianni, a Fine copy in a Fine dust jacket and a Fine slipcase, with flyer for volume 3 with limitation number laid in. Bought for $187.50.

  • Howard, Robert E. Robert E. Howard’s Complete Conan of Cimmeria Volume Three (1935). Wandering Star, 2005. First edition hardback, 401 of 1000 numbered copies signed by illustrator Gregory Manchess. Bought for $175.

  • Howard, Robert E. The Ultimate Triumph: The Heroic Fantasy of Robert E Howard. Wandering Star, 1999. First edition hardback, #0507 of 1,500 slipcased copies, a Fine copy in a Fine dust jacket and a Fine slipcase, still in shrinkwrap, with limitation bookmark. Bought for $125 from a private collector.

  • (Howard, Robert E.) Joe R. Lansdale, Nathan Fox and Dave Stewart. Pigeons From Hell. Dark Horse, 2009. First edition graphic novel trade paperback original, a Fine copy, signed by Lansdale. Based on the Robert E. Howard novella. Bought for $10 from a private collector.
  • Hubbard, L. Ron. Ole Doc Methuselah. Theta Press, 1970. First edition hardback, a Fine copy in a Fine- dust jacket with age-darkening to white portions. Fixup novel of linked stories originally published 1946-1950. Strangely, there is no printing at all on the spine or cover of the book itself. Currey, page 256. Bought for $12 from Recycled Books.

  • Hughes, Matt. One More Kill. PS Publishing, 2018. First edition hardback, #22 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought for £8 plus shipping. I will have one copy of this available in the next Lame Excuse Books catalog.

  • James, M. R. (edited and illustrated by Stephen R. Jones). A Little Jasmine Book of M. R. James. Borderlands Books, 2022. First edition hardback, #462 of 500 copies signed by Jones, a Fine copy, sans dust jacket, as issued. Six tales from the master of the ghost story, plus some nonfiction pieces from James, Jones and others, including a select bibliography.

  • Kelly, James Patrick. Think Like A Dinosaur. Golden Gryphon Press, 1997. First edition hardback, a Fine- copy with about 3/8″ slight abrasion or fade to the very top of the front cover, in a Fine- dust jacket with slight wrinkling at head and heel and slight edgewear at points and top of dust jacket, inscribed by Kelly: “To Katelein/Keep writing/+/:/Yr pal/Jim/ 4/19/98.” Short story collection. Supplements a perfect but unsigned copy. Bought for $11.49.
  • King, Stephen. The Dead Zone. Viking, 1979. First edition hardback (“First published in 1979 by the Viking Press” on the copyright page), a Fine copy in a Fine, first state (price of $11.95 and code 0879 on the bottom of the flap), Mylar-protected dust jacket, inscribed by King: “To Brian —/Be well, hope you/like this/Stephen King/10/13/79.”). King’s seventh novel, and the fifth under his own name. Collings, Horror Plumbed, A7. Spignesi, The Shape Under the Sheet, pages 241-247. Waiter/Golden/Wagner, Stephen King Universe (Cemetery Dance edition), pages 187-194. Bought for $240.

  • King, Stephen. Elevation. Hodder & Stoughton, 2018. First edition hardback (the UK and the US edition came out the same day, which means the UK should precede by several hours, if that matters), a Fine copy in a Fine- dust jacket with a tiny bit of surface wear. Castle Rock novella that looks like a cross between Thinner, Peyton Place and Up. Bought for $9.99 at Half Price Books.

  • King, Stephen. Gerald’s Game. Viking, 1992. First edition “preview edition,” one of 2,000 hardback copies with a handwritten note by King printed on the front free endpaper distributed at the 1992 American Booksellers Association convention, a Fine copy in a Fine printed and stapled cardboard slipcase, sans dust jacket, as issued. Collings, Horror Plumbed, A45. Waiter/Golden/Wagner, Stephen King Universe (Cemetery Dance edition), pages 285-290. Bought for $48.

  • King, Stephen. Pet Sematary. Doubleday, 1983. First edition hardback, a Fine copy in a Fine dust jacket. Replaces a slightly less attractive copy. Collings, Horror Plumbed, A22. Spignesi, The Shape Under the Sheet, pages 301-304. Waiter/Golden/Wagner, Stephen King Universe (Cemetery Dance edition), pages 269-278. Bought for $15.
  • (King, Stephen and Stanley Kubrik) Oldham, Craig, editor. The Shining: A Visual and Cultural Haunting (Epiphany Edition). Rough Trade Books (via Kickstarter), 2022. First edition, printed pages and pamphlets loose in a decorated cardboard box, a Fine copy. It’s an elaborate production.

    The loose sheets:

  • 16 x typed replica sheets with All Work And No Play Makes Jack A Dull Boy as discovered by Wendy in the film.
  • 120 x one-page pieces analysing, exploring, and extrapolating the films ideas, themes, influences, contexts and critiques.
  • 10 x original typewriter art portraits made using the same model of Adler typewriter used by Jack Torrance.
  • Some examples:

    Plus “Contributor Booklets” (which are more like brochures):

    9 x 8-page cultural contributor essays from a range of celebrated artists, musicians, authors, architects and curators designed to evoke the film’s intertitle cards.

    Original and exclusive piece from actor Dan Lloyd (Danny Torrance), an extraordinarily rare opportunity to share memories, stories and insights from this usually private person, as well as the coup of a rare interview with Shelley Duvall (conducted by Ryan Obermeyer) shedding light on her performance and experience of the film.

    Artist Gavin Turk examines myths, mirrors and mazes and looks at the film through art, whilst fashion designer Margaret Howell takes us through her iconic maroon jacket worn by Jack in the closing act of the film.

    Artist and musician Cosey Fanni Tutti on sound and the unfolding domestic violence within the film. Architecture expert and writer John Grindrod on the role of The Overlook Hotel itself and the impact of such spaces on our behaviour.

    Producer and Record Label head James Lavelle (UNKLE) tells of his enduring inspiration and love for Kubrick and his art whilst author Jen Calleja looks into Shelley Duvall, folklore and fairytales.

    And BFI Curator and Author Michael Blyth cross-examines the character of Wendy as she appears in both the film and the original Stephen King novel.

    3 x 16 page reproduced texts including essays from H.P. Lovecraft, Sigmund Freud, and a short story which was a key influence for Kubrick when developing the film.

    H.P. Lovecraft — Supernatural Horror in Literature An extract from the seminal yet largely overlooked essay that significantly influenced decisions not to explain the horrors which unfold at The Overlook.

    Stephen Crane — The Blue Hotel First serialised in 1898, the American author’s story was highlighted by Kubrick in interviews as similar to events unfolding in The Shining and offers an insight into the director’s read of the film.

    Sigmund Freud — The Uncanny Diane Johnson (co-writer of The Shining) cited Freud’s influential 1919 essay “The Uncanny” as a key text in Kubrick’s research. Freud explores many ideas that are woven through the film: retracing steps, recurring numbers and motifs, and the significance of the double. We will re-publish an extract from the essay.

  • Koontz, Dean R. Odd Thomas. Bantam Books, 2003. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head and heel, slight haze rubbing to reflective surfaces, and one small spot of blind-side staining at heel. Another book Scott Cupp recommended. Bought for $7.20.
  • Lake, Jay. Last Plane to Heaven. Tor, 2014. First edition hardback, a Fine copy in a Fine dust jacket. Short story collection. Foreword by Gene Wolfe. Bought for $7.19.
  • Lansdale, Joe R. Born For Trouble: The Further Adventures of Hap and Leonard. Tachyon Press, 2022. First edition trade paperback original, a Fine copy. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.
  • Lansdale, Joe R. Dread Island. IDW Publishers, 2010. First edition hardback, #60 of 100 signed, numbered copies, a Fine- copy with slight wear at head and small abrasion to bottom board edge, in a Fine- dust jacket with slight wear, in a Fine slipcase. Supplements a signed, non-slipcased copy. Bought off eBay as part of an under $100 lot. Isajanko, A039aii.

  • Lansdale, Joe R. Gothic Wounds. Short Scary Tales, 2022. First edition hardback, #101 of 550 signed, numbered copies, a Fine copy in a Fine dust jacket with tissue paper sealing sticker, shipping thanks card and SST business card laid in. The fourth in the Lansdale collected stories series. Bought from the publisher at the usual discount. I will have copies of this available in the next Lame Excuse Books catalog.

  • Lansdale, Joe R. The Magic Wagon. Borderlands Press, 1991. First limited edition hardback, #597 of 750 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase. Supplements an inscribed copy of the true Double-D western hardback first, the UK hardback first, and the BookVoice signed/limited hardback edition. Bought off eBay for $43.
  • Lansdale, Joe R. Moon Lake. Short Scary Tales Publications (SST), 2022. First limited edition hardback, #101 of 500 signed, numbered copies (matching my other SST Lansdale limiteds), a Fine copy in a Fine dust jacket with business card, shipping card and tissue paper seal laid in.

  • Lansdale, Joe R. The Two-Bear Mambo. James Cahill Publishing, 1995. First edition hardback, letter T of 26 lettered copies, a Fine copy, sans dust jacket (as issued), in a Fine slipcase. Supplements a copy of the regular Cahill limited edition, which is distinctly less attractive than this. I saw a picture of someone else’s copy of this and went “That’s pretty! I need to pick that up!” Isajanko, A017aii. Bought off a fellow dealer for $200.

  • Lansdale, Joe R. Radiant Apples. Subterranean Press, 2021. First edition hardback, #347 of 1,500 signed, numbered copies, a Fine copy in a Fine dust jacket. Deadwood Dick novella. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.
  • Lansdale, Joe R. Zeppelins West. Subterranean Press, 2001. First edition hardback, #222 of 350 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. This edition includes extra sketches at the back. Bought from a UK book dealer for £54.
  • Lansdale, Joe R. (with Timothy Truman and Sam Glanzman). Jonah Hex: Two Gun Mojo. DC Vertigo, 1994. First edition graphic novel (preceded by the individual comic issues), trade paperback format, a Fine copy. According to comics decoding, the “00111” code on the bar code on the back cover indicates issue 1, cover variant 1 (don’t think there were any others in this case), and first printing (the last 1). Bought off eBay for $9.99.
  • Lansdale, Joe R., and Timothy Truman. On the Far Side With Dead Folks. Avatar, 2004. First edition graphic novel trade paperback original, a Fine copy. Adapted from Lansdale’s “On the Far Side Of The Cadillac Desert With Dead Folks.” Bought for $10 from a private collector.
  • Lansdale, Joe R., editor. Retro Pulp Tales. Subterranean Press, 2006. First edition hardback, Letter J of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine slipcase, signed by all the contributors (Bill Crider, Kim Newman, etc.) to this pulp fiction anthology as well as Lansdale. Bought from a private collector for $250 plus shipping.

  • (Lansdale, Joe R.) Bubba Ho-Tep: Hail To The King Edition. DVD, 2007. First edition thus, a Limited Edition with the case wrapped in a miniature Elvis Presley jacket, a Near Fine+ copy, still sealed, with some peel from the black plastic at the top of the case that can probably be fixed once I open it up to watch or get Joe to sign. DVD of the movie starring Bruce Campbell and Ossie Davis, based on the Lansdale story, with a script by Lansdale and director Don Coscarelli. Bought off eBay for $15.

  • Lengyel, Cornel. The Atom Clock. Fantasy Publishing Company, Inc. (FPCI), 1951. First edition chapbook original, one of 750 copies (simultaneous with a 250 copy hardback run), a Near Fine copy with sticker pull at top right of title page, over which is a small inked price of $125, in a Very Good+ dust jacket with a shallow chip and associated small crease at top right of the front cover, a closed 1/16th triangular tear at top rear, slight rubbing to front cover, and slight dust soiling to white rear cover. Anti-atomic play. Won awards, but I’m sure the sentiment of the thing would strike me as naive and dated. Chalker & Owings (1991), page 179, where they note that the hardback is “almost never seen.” Kemp, The Anthem Series, pages 89-90. Bought off eBay for a $30 offer.

  • Lovecraft, H. P. (Peter Straub, editor). Tales. Library of America, 2005. First edition hardback (and First printing stated), a Fine copy in a Fine subscribers copy slipcase, sans dust jacket, as issued. Has just about every one of Lovecraft’s greatest hits. Bought off eBay for a Make Offer price of $15.

  • Lovecraft, H. P., etc. (collected by August Derleth). Tales of the Cthulhu Mythos. Arkham House, 1969. First edition hardback, a Fine copy in a Fine- dust jacket with just a trace of dust soiling to the rear panel. Beautiful copy. “A volume that has come to be regarded as the definitive anthology of tales utilizing the framework of the ‘Cthulhu Mythos’…” – Joshi, Sixty Years of Arkham House 102. Derleth, Thirty Years of Arkham House 97. Jaffery, Horrors and Unpleasantries 109. Nielsen, Arkham House Books 108.

  • (Lovecraft, H.P.) Derleth, August. Some Notes on H. P. Lovecraft. Arkham House, 1959. First edition chapbook original, a Very Good copy to which someone has attached a now-yellowing plastic protector, as well as attaching the bookplate of late antiquarian book dealer Franklin Victor Spellman to the inside front cover. Joshi, Sixty Years of Arkham House 55. Derleth, Thirty Years of Arkham House 55. Jaffery, Horrors and Unpleasantries 55. Nielsen, Arkham House Books 58. Joshi, Sixty Years of Arkham House (unnumbered item between 86 and 87 on page 84). Joshi, H.P. Lovecraft: A Comprehensive Bibliography, III.C.32. Tymn/Schlobin/Currey, A Research Guide to Science Fiction Studies, 284.
  • Machen, Arthur. The Great God Pan and The Inmost Light. John Lane, The Bodley head/Roberts Bros., 1895. Second edition, a Very Good copy with wear along spine edges, wear at head and heel, touches of wear at points, pencil scribbling on front free endpaper, a few stray words of pencil writing, former owner Bookplate of William H. Sahud and small bookstore label to inside front cover (plus foxing shadow of that label on FFE), front inner hinge just starting to crack, and age darkening to pages. This was a screw-up, as I missed the Second Edition statement, and didn’t know off the top of my head that the true first came out in 1894, not 1895. Denielson, Arthur Machen: A Bibliography page 21. Bleiler, Guide to Supernatural Fiction 1070. Bleiler, Checklist of Science-Fiction & Supernatural Fiction (1978), page 130. Bought for $240 at Recycled Books. (“This is one of those damn ‘learning opportunities,’ isn’t it?”)

  • “Chambers, Robert W.” (i.e., Arthur Machen)(Bentley Little, editor). A Little Brown Book of Unnatural Narratives. Borderlands Press, 2022. First edition hardback, #462 of 500 copies signed by Little, a Fine copy, sans dust, as issued. Three stories (“The Inmost Light,” “The Shining Pyramid” and “The Novel of the White Powder”) all reprinted from previous Machen collections. Hilariously, Borderlands accidentally kept the author embossing for Chambers from the above volume on the cover design when they printed this Machen collection, which is probably the funniest mistake since “Karl Edward Wanger” on the first state dust jacket of Gods in Darkness. With inserted slip apologizing for the typo laid in. I’ll have a few copies of this available in the next Lame Excuse Books catalog.

  • Malerman, Josh. A Little Red Book of Requests. Borderlands Press, 2019. First edition hardback, #290 of 500 signed copies, a Fine copy, sans dust jacket, as issued. This came out the year after the Bird Box movie, so I imagine it disappeared very quickly.

  • Martin, George R. R., editor, Melinda Snodgrass. Wild Cards X: Double Solitaire. Bantam Spectra, 1992. First edition paperback original, a Near Fine- copy with one light spine crease, edgewear, wear at points, and slight foxing to inside covers.
  • Martin, George R. R., editor, Victor Milan. Wild Cards XII: Turn of the Cards. Bantam Spectra, 1993. First edition paperback original, a Near Fine copy with mild spine creasing, a trace of edgewear and slight foxing to inside covers.

  • (George R. R. Martin, editor) Miller, John J. . Wild Cards: Death Draws Five. iBooks, 2006. First edition hardback, a Fine- copy with slight bumping at head and two small indents to bottom boards and slight bumping at top points in a Fine- dust jacket with slight bumping at head and top points. Solo Wild Card novel by Miller. At some con years back, Miller told me this was actually the rarest Wild Cards book. Precedes the Tor edition by 15 years. Bought from Half Price Books for $11.48.

  • Matheson, Richard. Purge Among Peanuts. Gauntlet Publications, 2001. First edition chapbook original, #20 of 500 signed, numbered copies, a Fine copy. Bought from the same dealer as The Parrot Who Met Papa for $22.50.

  • Matheson, Richard, and Richard Christian Matheson. Pride. Gauntlet Press, 2002. First edition hardback, letter R of 52 lettered copies, a Fine- copy with a slight outlines of the enclosed CD of the authors reading the story on the rear cover, and a Fine traycase with a manuscript page inserted on the inside lid, sans dust jacket, as issued. A somewhat elaborate production. Features iterative drafts of this collaborative father-and-son short story. Bought from a fellow Biblio dealer for $65.

  • McCarthy, Cormac. Blood Meridian. Folio Society, 2022. First edition thus, an illustrated prestige reprint edition, a Fine copy in decorated boards, sans dust jacket, as issued, in Fine slipcase, with packed-by sip laid in. His celebrated ultra-violent western. While I was in the Dallas area, I saw two firsts of Blood Meridian at two different Half Price Books stores: one was $3,500, and the other was $4,000. So I may not be able to track down an affordable first of that any time soon. Bought from the Folio Society at cover price.

  • McCarthy, Cormac. Cities of the Plain. Knopf, 1998. First edition hardback, a Fine copy in a Fine dust jacket. The third book in the Border trilogy. Bought for $9.99

  • McCarthy, Cormac. The Passenger and Stella Maris. Knopf, 2022. Each is a stated first edition (though there was an earlier solo release of The Passenger with a different dust jacket; without a copy of that in hand I can’t tell if the two are otherwise identical, so either first edition thus or first edition in a second state dust jacket), each a Fine copy in a Fine dust jacket and a fine decorated slipcase. Stella Maris is “a tightly controlled coda, told entirely in dialogue” to The Passenger. Bought from Amazon for $45.45 for the pair.

  • McCrumb, Sharyn. Bimbos of the Death Sun. TSR, 1987. First edition paperback original (PBO), a Near Fine- copy with a dime-sized sticker pull on the top left front cover, foxing to inner covers, and touches of edgewear. Her acclaimed, Edgar-Award winning murder mystery set at a science fiction convention. Replaces a less attractive copy. Bought for $2.24.
  • McCutheon, Marc. The Online Price Guide to Science Fiction, Fantasy & Horror. McCutheon, 2000. First edition trade paperback original (essentially just side-stapled 8 1/2″ x 11″ sheets), a Fine- copy with slight bend at top front corners. An odd self-published volume claiming to list online prices realized for a wide variety of SF/F/H books, and while the authors hit most of the biggest names, the selection is otherwise somewhat random and haphazard. Has some tidbits for things that are potentially useful, but fails to provide a lot of title-specific first edition point information (like the various dj states of Stephen King’s Salem’s Lot). I can see this being slightly useful for a real newbie the year it was published, but is of extremely dubious utility now. An oddity I bought cheap just because I had never heard of it and there was almost no information about it on the internet.

  • McDevitt, Jack. Return To Glory. Subterranean Press, 2022. First edition hardback, #448 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket, with bookmark and Packed By slip laid in. This will be in the next Lame Excuse Books catalog.

  • Merritt, A. Dwellers in the Mirage. Liverlight, 1932. First edition hardback (no statement of printing on copyright page, as per Currey), a Near Fine+ copy with slight foxing to inside covers from dust jacket flaps and just a tiny bit of bend at head and heel, with gilt embossing on spine entirely intact, in a Very Good+ dust jacket with shallow chipping at head, heel and points and modest dust staining to white dust jacket and a few touches of wear, otherwise intact and unclipped. A pretty nice copy of a classic inter-war fantasy novel in dust jacket. Cawthorn & Moorcock, Fantasy: The Hundred Best Books 44. Currey, page 365. Locke, A Spectrum of Fantasy, page 155. Teitler, By the World Forgot, 855. Barron, Fantasy Literature, *3-242. Bought for £240.

  • (Moorcock, Michael) Kirkland, James. Urish’s Hoard. Dreaming City Books, 2021. First edition? (no printing indicated, and it may well be a print-on-demand book) trade paperback original, a Fine copy. There was a Kickstarter for this back in early 2021, but after it was funded this was almost immediately available on Amazon, which is where I bought this. Though the first edition information can be had in more comprehensive forms elsewhere, there is a wealth of information on Elric comic book adaptations, art portfolios, music, games and RPG supplements, and even miniatures! There’s also a discussion of the foul-up behind the Melniboné Mythos section in the AD&D Deities and Demigods. I’d always thought TSR had done it without permission, but Mike had given his permission, not realizing that his agent had already sold RPG rights to Chaosium. Oops…

  • Morrow, James. Reality By Other Means: The Best Short Fiction of James Morrow. Wesleyan University Press, 2015. First edition hardback, a Fine copy in a Fine dust jacket. I’ll have one of these available in the next Lame Excuse Books catalog.

  • Nolan, William F. A Little Gray Book of Shadows. Borderlands Press, 2018. First edition hardback, #290 of 500 signed copies, a Fine copy, sans dust jacket, as issued.

  • Oldham, Craig, editor. They Live: A Visual and Cultural Awakening. Rough Trade Books, 2018. First edition (stated) trade paperback original, a Fine copy. A critical companion to the 1988 John Carpenter film. Bought as an add-in with the Shining box above.

  • O’Leary, Patrick. 51. Tachyon Press, 2022. First edition trade paperback original, a Fine copy. Roswell/Area 51 novel. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.
  • Pohl, Frederik. Midas World. St. Martin’s, 1983. First edition hardback, a Fine- copy with the barest bit of bumping at head and heel, and a trace of fixing to inside covers, in a Very Good+ dust jacket with a 3/16th” chip at head, a 1″ closed triangular tear with associated nailhead-sized chip to upper front near spine (and small piece of blindside tape reinforcement), and a few pinpricks of abrasion along the spine, signed by Pohl. Over-graded by the seller as Fine/Fine, but I only paid $12 for it, and a copy with a better jacket to marry should be cheap.
  • Pohl, Frederik, and C. M. Kornbluth. The Space Merchants. Ballantine Books, 1953. First edition paperback original (no statement of printing, and simultaneous with the hardback edition, as per Currey), a Fine- copy with a touch of edgewear at points, otherwise new and unread. Pringle, SF 100 12. Currey, pages 289 and 405. Barron, Anatomy of Wonder 4 *3-147. Magill, Survey of Science Fiction volume 5, pages 2127-2131. Supplements a hardback first inscribed to my by Pohl. Bought for $3 from Half Price Books.

  • Pohl, Frederik, and Jack Williamson. Starchild. Ballantine Books, 1965. First edition paperback original (“”First printing: November 1965″ and 50¢ price, as per Currey), a Fine- copy with just a trace of edgewear at head and heel and a tiny 3/16” non-breaking indention to front cover, otherwise tight, square and unread. Second book in the Starchild trilogy. Currey, pages 405 and 544. Supplements the SFBC Omnibus The Starchild Trilogy inscribed to me by Pohl and Williamson. Bought for $3 from Half Price Books.

  • Powers, Tim. Always Going On. Subterranean Press, 2020. First edition hardback, #183 of 250 signed, numbered copies, a Fine copy, sans dust jacket, as issued, with Subterranean “packed by” slip laid in. Only available as a set with Subterranean: Tales of Dark Fantasy 3 (see below).

  • Powers, Tim. The Skies Discrowned. Charnel House, 2022. First edition hardback, #54 of 200 signed, numbered copies, a Fine copy, sans dust jacket, as issued. “Handbound in Indigo Night Cave Paper (Belgium Flax dyed with Indigo & Walnut). This Cave Paper was made by hand for this edition. Each one of a kind sheet sheet guaranties that each book is unique. Exquisitely printed on 80lb Mohawk Superfine.” Part of a uniform prestige edition that Charnel House is doing of all Powers’ books. I will have one copy of this available in the next Lame Excuse Books catalog.

  • Powers, Tim. Stolen Skies. Charnel House, 2022. First limited edition hardback, #54 of 150 signed, numbered copies, a Fine copy, sans dust jacket, as issued. The third in the trilogy started with Alternate Routes and Forced Perspectives. The usual beautiful Charnel House edition.

  • Riddell, Charlotte (AKA Mrs J. H. Riddell) (Meghan Arcuri, editor). A Little Purple Book of Sharp Wit. Borderlands Press, 2022. First edition hardback, #462 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. The latest in their reprints of 19th century authors series. Riddell was a prolific writer in her day, only a portion of which were ghost stories, four of which are collected here. It will be interesting to see if this volume sells for them, given that she’s no Robert W. Chambers when it comes to collectability.

  • Roy, Arundhati. The God of Small Things. Flamingo, 1997. First edition hardback, a Fine copy in a Fine dust jacket. Booker Prize winner. Bought for $7.99.
  • Russell, Eric Frank. Somewhere A Voice. Dennis Dobson, 1965. First edition hardback, a Fine- copy with a small Foyle’s stickler on inside front cover under flap in a Near Fine- dust jacket with a 3/4″ split to bottom of front fold (and faint associated crease to front), a nail-head sized semi-closed circular chip to rear spine join near head, slight age darkening to edges of white portion of jacket, a faint, intermittant line of rubbing near right front cover edge, and slight foxing to blind side of dust jacket spine, otherwise a fairly bright example of the dust jacket. Short story collection. Currey, page 424. Locke, Spectrum of Fantasy III, page 70. Bought from a notable UK book dealer for £32.

  • Scarborough, Dorothy (as Anonymous). The Wind. Harper & Brothers, 1925. First edition hardback, a Good+ copy with spine cracked, front hinge cracked, spots and abrasions to cover, slight fraying to head and heel, with small former owner plate for Violet Hayden Dowell (a Dallas author and art collector) on inside front cover, and a different ownership name written on FFE, along with “[Scarborough, Dorothy]. Tale of a women in west Texas driven insane by the incessant blowing of the wind. The novel was the basis of the 1928 film starring Lilian Gish. Bought for $36.

  • Schafer, William, editor. Subterranean: Tales of Dark Fantasy 3. Subterranean Press, 2020. First edition hardback, #183 of 250 numbered copies signed by all the contributors, a Fine copy in a Fine dust jacket, with Subterranean “packed by” slip laid in. Anthology with stories by Robert R. McCammon, Richard Kadrey, etc. Sold as a set with Tim Powers’ Always Going On (see above), bought as a set from Subterranean for $75, 50% off the original cover price. Now sold out from the publisher.
  • Sheckley, Robert. Masters of Science Fiction: Robert Sheckley. Centipede Press, 2022. First edition hardback, #350 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, still in publisher’s shrinkwrap. “Signed by Jim & Ruth Keegan, with facsimile signatures by Robert Sheckley, Christopher Priest, and John Pelan.” The signed edition is sold out from the publisher, but I’ll have a few copies in the next Lame Excuse Books catalog.

  • Shepard, Lucius (edited by Bill Sheehan). The Best of Lucius Shepard Volume 2. Subterranean Press, 2021. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Huge, 800+ page collection.

  • Shepard, Lucius (edited by Bill Sheehan). The Best of Lucius Shepard Volume 2. Subterranean Press, 2021 (seen 2022). First edition hardback, #160 of 200 numbered copies, a Fine copy in a Fine dust jacket, new and unread.
  • Shepard, Lucius. Youthful Folly and Other Lost Stories. Subterranean Press, 2021 (seen 2022). First edition hardback, #160 of 200 numbered copies, a Fine copy in a Fine dust jacket, new and unread. Companion volume “which contains an additional 400 pages of previously uncollected fiction,” only available with the limited edition, much like Skull City, the companion volume to the limited edition of the first The Best of Lucius Shepard volume. Alas, unlike that set, there’s no slipcase for the two books.

  • Sholly, Pete Von. The PS Book of Fantastic Fictioneers: A History of the Incredible (Volume One Ackerman to Jackson and Volume Two: James To Wood.). PS Publishing, 2019. First edition hardbacks, Fine copies in Fine (One) and Near Fine (Volume Two, due to a 1″ slit along the spine edge) dust jackets. Profusely illustrated non-fiction book set covering creators of the fantastic, from Edgar Allen Poe to Ray Bradbury to Jim Henson to Joel Hodgson. Bought for £20 for the set.
  • Silverberg, Robert. The Book of Skulls. Scribner’s, 1972. First edition hardback, a Fine copy in a Fine dust jacket, signed by Silverberg. Hugo and Nebula finalist. Replaces a slightly less Fine signed copy. Bought for $45.

  • Silverberg, Robert. Among Strangers. Subterranean Press, 2022. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Massive, 760 page omnibus of three novels (Those Who Watch, The Man in the Maze, and Tom O’Bedlam), plus novelette “The Way to Spook City,” each dealing with aliens. I already have copies of this available through Lame Excuse Books.

  • Smith, Clark Ashton. The Abominations of Yondo. Arkham House, 1960. First edition hardback, a Fine copy in a Fine dust jacket. Really an excellent copy. Joshi, Schultz & Connors, Clark Ashton Smith: A Comprehensive Bibliography, I.15.a. Joshi, Sixty Years of Arkham House 57. Derleth, Thirty Years of Arkham House 57. Jaffery, Horrors and Unpleasantries 57. Nielsen, Arkham House Books: A Collector’s Guide, 60. Currey, page 453. Locke, A Spectrum of Fantasy, page 200. Bleiler, The Guide to Supernatural Fiction 1487. Chalker/Owings, page 29. Bought as part of the Heritage lot.

  • Smith, Clark Ashton. The Dark Chateau. Arkham House, 1951. First edition hardback, a Near Fine copy with slight crimping and a touch of wear at head, small embossed name at bottom of half-title page, moderate foxing to rear gutters, slight foxing to front gutters, and a thumbnail edge-like indention to the top of the first few pages, in a Near Fine- dust jacket with slight loss at points and age-darkening to white lettering on spine. Only 563 copies printed, one of the smaller Arkham House runs. Joshi, Schultz & Connors, Clark Ashton Smith: A Comprehensive Bibliography, I.13.a. Sidney-Fryer, Emperor of Dreams, page 27. Joshi, Sixty Years of Arkham House, 44. Derleth, Thirty Years of Arkham House, 44. Jaffrey, Horrors and Unpleasantries, 42. Nielsen, Arkham House Books, 46 (also ranked as the eighth scarcest Arkham House volume, and the ninth priciest). Bought from PBA Auctions for $406.25 plus shipping.

  • Smith, Clark Ashton. Genius Loci and other tales. Arkham House, 1948. First edition hardback, a Near Fine copy with small owners name in ink on front free endpaper, moderate rubbing to letters on spine, an slight bumping at head and heel, in a Very Good+ dust jacket with 2″ of moderate dampstaining along rear join at heel, a much fainter example of same along head join, age darkening to spine, and general wear. The third Arkham House collection of Smith stories. Joshi, Schultz & Connors, Clark Ashton Smith: A Comprehensive Bibliography, I.a.11. Joshi, Sixty Years of Arkham House 35. Derleth, Thirty Years of Arkham House 35. Jaffery, Horrors and Unpleasantries 35. Nielsen, Arkham House Books: A Collector’s Guide, 36. Currey, page 453. Locke, A Spectrum of Fantasy, page 200. Bleiler, The Guide to Supernatural Fiction 1486. Chalker/Owings, page 26. Kemp, The Anthem Series 35 (page 323). Bought as part of the Heritage lot.

  • Smith, Clark Ashton. Spells and Philtres. Arkham House, 1958. First edition hardback, a Fine- copy with slight bump to top front corner and the barest trace of foxing to inside covers, in a Fine- dust jacket with slight age darkening to white portions of jacket, a few traces of dust soiling, and a trace of rubbing along front spine join near heel and at points. A really attractive copy of Smith’s first poetry collection from Arkham House. Joshi, Schultz & Connors, Clark Ashton Smith: A Comprehensive Bibliography, Joshi, Sixty Years of Arkham House 51. Derleth, Thirty Years of Arkham House 51. Jaffery, Horrors and Unpleasantries 51. Nielsen, Arkham House Books: A Collector’s Guide, 54. Chalker/Owings, page 28. Bought from a notable UK dealer for £400.

  • Smith, Clark Ashton. The Star-Treader and other poems. A.M. Robinson/Philopolis Press, 1912. First edition hardback, a Fine- copy with start of a crease to top of spine and slight bumping at heel, in a Fine- dust jacket with one short stray pencil mark on front cover near spine, one small, faint teardrop stain affecting “r” in Star and hyphen, signed “Clark Ashton Smith/Auburn, Cal./Nov. 25th, 1912, with printed portrait of Smith laid in. (There is also a small stray pen-mark matching Clark’s fountain pen signature color to bottom inside front cover, which I don’t regard as a flaw.) By far the best of the three copies of this book I’ve handled, and replaces a less attractive copy. Smith’s first published book. Joshi, Schultz & Connors, Clark Ashton Smith: A Comprehensive Bibliography I.1.a. Bought as part of the Heritage lot.

  • Smith, Cordwainer. Space Lords. Pyramid, 1965. First edition paperback original, a Fine copy save a trace of foxing to inside covers. Currey, page 315. Bought for $4.00.
  • Smith, Cordwainer. The Underpeople. Pyramid, 1968. First edition paperback original, a Near Fine copy with one faint spine crease, bookstore stamp to blurb page, and edgewear. Part two of Nostrilia. Currey, page 315. Pringle, SF 100 46 (for Nostrilia). Bought for $1.99 from Half Price Books.

  • Smith, E. E. “Doc”. The Galaxy Primes. Ace Books, 1965. First edition paperback original (no statement of printing and 40¢ price, as per Currey), a Fine copy save for a trace of foxing to inside covers, otherwise tight, square and unread. Lucchetti, Doc: First Galactic Roamer, pages 50-51 (“Never issued in hardback.”) Currey, page 456. Bought for $3 from Half Price Books.

  • Smith, Michael Marshall. The Servants. Earthling Publications, 2007. First edition hardback, a Fine copy in a Fine- dust jacket with a small wrinkle to the bottom of the front flap. Precedes the UK and Eos editions. Bought from Half Price Books for $7.99.

  • Stephenson, Neal. The System of the World. William Morrow, 2004. First edition hardback, a Fine- copy with trace of crimping at head, a couple of small spots of dust staining to boards and a small bump along bottom front board, in a Fine- dust jacket with slight crimping at head and touch of crimping at points, inscribed by Stephenson: “To Harris,/Neal Stephenson.” Bought for $7.19.
  • Strand, Jeff. Clowns vs. Spiders. No Publisher, 2019 (2022). Print on demand trade paperback original, a Fine copy. I picked it up because of the ridiculous title, and because I have a weakness for giant spider novels. Bought for $9.99 at Half Price Books.

  • Stross, Charles. Empire Games. Tor, 2016. First edition hardback, a Fine- copy with bumping at head and heel in a Fine- dust jacket with bumping at head and heel. Merchant Princes novel. Bought from Half Price Books for $4.99.
  • Sturgeon, Theodore. Voyage to the Bottom of the Sea. Pyramid, 1961. First edition paperback original (“First printing, June 1961” on copyright page, as per Currey), a Near Fine copy with slight wear at points, slight edgewear, and usual slight foxing to inside covers and slight age darkening to pages, otherwise a nice, square copy, signed by Sturgeon. Novelization of the Irwin Allen film. Diskin, Theodore Sturgeon: a primary and secondary bibliography, A148. Currey, page 473. Replaces an unsigned copy. Bought off eBay for $25.

  • Swanwick, Michael. The Proceedings of the American Martini Institute: A Report of the American Martini Laboratory: The Once And Future Rye: The Whisky that Was America. Dragonstairs Press, 2022. First edition chapbook original, #20 of 80 signed copies, a Fine copy. A history of rye whisky in America, in the same vein as Swanwick’s The Evolution of the Martini. Ten more of these and he’ll have enough for a book! Bought from the publisher at the usual discount.

  • Swanwick, Michael. Fantasia Romantica. Dragonstairs Press, 2022. First edition chapbook original, #9 of 48 signed, numbered copies, a Fine copy. “Fantasia Romantica is Michael Swanwick’s witty take on the romantic lives of six fictional heroines. Was Rosie waiting when Sam Gamgee came home? And what was going on with Susan Pevensie?” Out of print almost instantly upon publication.

  • Swanwick, Michael. Solstice Veritas or The Christmas Cat and Other Memories. Dragonstairs Press, 2021. First edition chapbook original, #101 of 120 signed, numbered copies, a Fine copy. Printed last year, but only offered for sale this year. “A collection of eight, well, true stories, memories and musings on holidays past.” Bought from the publisher at the usual discount. I will have a few copies of this available in the next Lame Excuse Books catalog, currently in progress.

  • Tarantino, Quentin. Cinema Speculation. HarperCollins, 2022. First edition hardback, a Fine copy in a Fine dust jacket. Non-fiction book about the films Tarantino saw as a child in the 1970s, from Dirty Harry to Taxi Driver. Seems pretty interesting.

  • Tiptree, Jr. James. Up the Walls of the World. Berkley Putnam, 1978. First edition hardback (no statement of printing on copyright page, as per ISFDB), a Fine- copy with slight bending at head and a small ding to top front board, in a near Fine- dust jacket with a long crease along bottom front cover and associated 1/4″ closed tear. Tiptree’s only novel. Bought as part of a four book lot for $15.
  • Tartt, Donna. The Goldfinch. Little, brown and Company, 2013. First edition hardback, a Fine copy in a Near Fine- dust jacket with a few small abrasions to front cover (unfortunately, the uncoated dust jacket seems designed to degrade) and slight bumping at heel. Pulitzer Prize winner for fiction. Bought for $14.99.

  • Tolkien, J.R.R. The Lord of the Rings Illustrated Deluxe Edition. William Morrow, 2021 (stated; actually published October 2022). First edition hardback thus, a Fine copy in a Fine slipcase (with a cutout for the eye of Sauron on the book itself), sans dust jacket, as issued, with oversized folding maps of Middle Earth and Gondor/Mordor, cardstock reprint of The King’s Letter (from Aragon to Samwise) in silver tengwar on one side with a en English translation on the other, “Leaves from the Book of Mazarbul” in a waxpaper envelope, and the rear shrinkwraped book description laid in. A sturdy, gilt-edged omnibus edition containing all three volumes, with Tolkien’s own artwork and Middle Earth language calligraphy as full page color plates.

    Even the box it ships to you is way too cool to throw away:

    And the map pattern continues all the way around the box.

    It’s a very attractive production, and if you’re interested in it, Amazon has now lowered the price to $140.01.

  • Treece, Henry. The Golden Strangers. The Bodley Head, 1956. First edition hardback, a Near Fine copy with neat previous owner’s name on inside front cover partially obscured by dj flap, one small bump to top front board edge, slight bend at head and heel and slight blunting of points, in a Near Fine dust jacket with slight dust staining to white rear cover, and slight wear at head, heel and points, with review slip laid in. A fantasy novel of the Celtic invasion of neolithic Britain. Cawthorn and Moorcock, Fantasy: The 100 Best Books 77. Bought from $42.12 plus shipping from a UK Biblio dealer.

  • Twain, Mark. Autobiography of Mark Twain Volume 2. University of California Press, 2013. First edition hardback, a Fine copy in a Fine, Mylar-covered dust jacket. The second massive volume in Twain’s anecdotal autobiography, the one he insisted not be published until 100 years after his death. Supplements a copy of Volume 1. Bought for $8.99.
  • Vance, Jack (Terry Dowling and Jonathan Strahan, editors). The Jack Vance Treasury. Subterranean Press, 2006. First edition hardback, a Fine copy in a Fine, Mylar-protected dust jacket, new and unread. When this was published, I managed to pick up the signed, limited edition (probably on sale), but not the regular trade edition. Out of print for over a decade, but bought from Camelot Books at the original cover price of $38.
  • Vance, Jack. The Kragen. Subterranean Press, 2007. First edition hardback, Letter Z of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. Supplements a copy of the signed, numbered edition. Bought off eBay for $295.95.

  • Vance, Jack. The Last Castle. Underwood/Miller, 1980. First hardback edition, number 121 of 200 numbered copies signed by Vance and illustrator Alicia Austin, a Fine copy in a Near Fine+ just jacket with one tiny 1/32″ chip to top of inner rear flap and a trace of wear at points, with additional signature card by Austin laid in. Oversized, lavishly illustrated version of this fine Vance novella. Hewett, A31d. Cunningham, 45bBought off eBay for $51.

  • Vance, Jack. Showboat World. Pyramid, 1975. First edition paperback original (“March 1975” on copyright page and $1.25 cover price, as per Currey), a Near Fine+ copy with one slight spine wrinkle near heel, a few very small, very faint phantom crease on rear cover, and two very faint parallel printing lines across teaser page (looks like an artifact of the printing process). I read this last year and it’s still great fun. Hewett A47a. Cunningham 71a. Currey, page 500. Bought for $2.99 from Half Price Books.
  • Vance, Jack. The Star King. Berkley Medallion, 1964. First edition paperback original, a near Fine copy with wrinkle along spine join, slight bumping at head, heel and bottom front corner, slight small creases to outer top corners, trace of age darkening and soiling to white cover, and slight foxing to inside covers, signed by Vance, with color laser-printed picture of Vance signing laid in. The first Demon Princes novel, shortened to Star King for many subsequent editions. Hewett, A15a. Cunningham, 76a. Bought off eBay for $15.50.

  • Vance, Jack. When The Five Moons Rise. Underwood Miller, 1992. First edition hardback, #245 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Short story collection. Hewett A86. Cunningham, 83a. Showed up on eBay with a Buy It Now price of $50, easily $100 below what they usually go for, so naturally I jumped on it.
  • van Vogt, A. E. The Weapon Makers. Hadley Publishers, 1947. First edition hardback, a Near Fine copy with wear at head and heel, trace of rubbing to spine, and some dime-sized spots of foxing to inside covers, in a Very Good dust jacket with long wrinkles across back cover, shallow loss at points, spine quite faded, and a few additional touches of wear, inscribed by the author: “To/Fred C. Brown/best wishes,good luck/and cheerio. A. E. van Vogt.” Hadley was one of the earliest SF specialty publishers, and I now have three of their four books (including Campbell’s The Mightiest Machine and L. Ron Hubbard’s Final Blackout, but lacking E.E. “Doc” Smith’s The Skylark of Space, as it was a reprint of the Buffalo Book Company true first edition (which I have)). Currey, page 496. 333, page 65. Locke, Spectrum of Fantasy, page 217. Chalker Owings, page 231. Kemp, The Anthem Series, page 345-346. Bought for £112.50.

  • Waggoner, Tim. A Little Aqua Book of Marine Tales. Borderlands Press, 2018. First edition hardback, #290 of 500 signed copies, a Fine copy, sans dust jacket, as issued.
  • Waldrop, Howard. Strange Monsters of the Recent Past. Ace, 1991. First edition paperback original thus, adding A Dozen Tough Jobs to the contents of All About Strange Monsters of the Recent Past, a Fine copy, now inscribed to me by Waldrop. I’ve had a lot of copies of this over the years, but since I already had All About Strange Monsters of the Recent Past and A Dozen Tough Jobs, I never added a copy to my own library until now. Bought for $3 from Half Price Books.

  • Watts, Peter. Blindsight. Centipede Press, 2020. First limited edition hardback, #177 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket. Watts Hugo-Award nominated novel about a mission sent to examine an alien probe in the Kupier Belt. Supplements a copy of the Tor true first edition.

  • Watts, Peter. Echopraxia. Centipede Press, 2020. First limited edition hardback, #177 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket. Sequel to Blindsight that I haven’t read yet. Sets of these went out of print shortly after their announcement, and seems to be pretty close to Unobtanium on the secondary market. Bought for $400 with Blindsight from a private collector.

  • Weinstein, Sol. Loxfinger: A Thrilling Adventure of Hebrew Secret Agent Oy-Oy-7. Pocket books, 1965. First edition trade paperback original, a Very Good copy with two quarter-sized sticker pulls on front cover, the top one affecting the letters “ER” at the end of the title. The first in a series of Jewish James Bond parodies, published during a boom for Bond parodies. Weinstein was evidently a gag writer for several well-known comedians in the 1960s. This looks so silly that ever since I saw this title in a book catalog some quarter century ago, I’ve wanted to own a copy, and $5 seems like a fair price to pay. But I should probably read Goldfinger first to really appreciate it…

  • Wellman, Manly Wade. The Haunts of Drowning Creek. Holiday House, 1951. First edition hardback, a Good only copy with cracked front and rear inner hinges, a 1/4″ triangular board loss at heel, pocket removal, former owner’s name on inside front cover, bumped corners, and general spotting and wear. Reading copy only, but this is possibly the hardest Wellman Young Adult novel to find. Bought off eBay for $15 as part of a two book Wellman lot.
  • Wellman, Manly Wade. Jamestown Adventure. Ives Washburn, 1967. First edition hardback, an Ex-Library copy with usual stamps, checkout card, discard stamp, dust jacket taped to boards, sticker to spine and bottom price clipped (top price intact). (There was also an Uncle Sam sticker (presumably to indicate historical fiction) on the old-style Plasti-Kleer protector that has left a ghost image on the dust jacket through the protector.) Young adult historical novel. Currey, page 513. Bought from an online dealer for $2.83.

  • Wellman, Manly Wade. The Specter of Bear Paw Gap. Ives Washburn, 1966. First edition hardback, a Near Fine copy in decorated boards with parallel bumps to top and non-authorial inscription to FFE, in a Near Fine- dust jacket with clipped top price (bottom price intact), several small closed tears at top and bottom (including two with associated triangular creases), slight rubbing along folds, and gold “Guaranteed Binding” on bottom front cover extending across spine (possibly as issued). Young adult historical novel, the second in the Bear Paw Gap between The Mystery of Bear Paw Gap and Battle at Bear Paw Gap, both of which I already owned. Currey, page 514.

  • Wells, H. G. The Island of Dr. Moreau. Suntup Editions, 2021. First edition hardback thus, one of 1,000 copies signed by artists Benz & Chang, a Fine copy in a Fine dust jacket and a Fine slipcase, with bookmark for the title laid in. (For a list of the additional material included, see here.) Originally offered at $130 and sold out. Bought off eBay for $90.

  • Wells, Stuart W., III. The Science Fiction Heroic Fantasy Author index. Purple Unicorn books, 1978. First edition trade paperback original (simultaneous with a hardback edition), a Very Good+ copy with 1/2″ tear at bottom of front spine-join, with light soiling along spine. A reference listing of genre books that was (like Marshall B. Tymn’s American Fantasy and Science Fiction: Toward a Bibliography of Works Published in the United States, 1949—1973) born obsolete, already superseded by far more comprehensive reference works published the same year.
  • Wilson, F. Paul. Sims Book 5: Thy Brother’s Keeper. Cemetery Dance, 2010. First edition hardback, letter R of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. Bought from a notable UK dealer for £52.60.

  • Williamson, Jack. The Silicon Dagger. Tor, 1999. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Williamson: “For/Vicky/Foreman/Jack Williamson/3-2-2000.” Jack’s second-to-last novel. Hauptmann, The Work of Jack Williamson, A78 (still forthcoming at the time). Won off eBay for $5.

  • (Gene Wolfe) Andre-Driussi, Michael. A Chapter Guide for the Long Sun & the Short Sun. Sirius Fiction, 2022. First edition POD hardcover, a Fine copy in decorated boards, sans dust jacket, as issued. Just what it says, a chapter-by-chapter summary of The Book of the Long Sun and The Book of the Long Sun and The Book of the Short Sun, including lists of characters and unusual terms that show up in each chapter.

  • (Gene Wolfe) Andre-Driussi, Michael. Gene Wolfe’s The Book of the New Sun: A Chapter Guide. Sirius Fiction, 2019 (2022). First edition POD hardcover, a Fine copy in decorated boards, sans dust jacket, as issued. Same as the above, but for The Book of the New Sun.

  • (Gene Wolfe) Andre-Driussi, Michael. Gene Wolfe: 14 Articles. Sirius Fiction, 2016 (2022). First edition POD trade paperback original, a Fine copy. Various essays on Wolfe’s work.
  • Wright, Lyle H. American Fiction 1774 – 1850: A Contribution Toward a Bibliography. The Huntington Library, 1969. Second Revised Edition, a Fine- copy with slight bend at head and heel in a Near Fine dust jacket with two 1/4″ closed tears to front, a slight age darkening to spine, and a trace of dust soiling to rear. Wright compiled two more volumes that go up through 1900, which I intend to pick up as targets of opportunity. Bought online for $5; a good deal for the price, but I was miffed that the eBay seller mailed it without any padding whatsoever, just in wrapping paper. This is not acceptable.

  • Pellegrino, Charles, and George Zebrowski. The Killing Star. AvoNova, 1995. First edition hardback, a Fine copy in a Fine dust jacket, signed by Zebrowksi. Supplements a paperback edition inscribed to me by Zebrowski I received for Nebula consideration. Bought for $9.
  • Library Additions: Two Signed Tim Powers Firsts+

    Wednesday, November 9th, 2022

    Three books, including two signed Tim Powers firsts.

  • Powers, Tim. Always Going On. Subterranean Press, 2020. First edition hardback, #183 of 250 signed, numbered copies, a Fine copy, sans dust jacket, as issued, with Subterranean “packed by” slip laid in. Only available as a set with Subterranean: Tales of Dark Fantasy 3 (see below).

  • Powers, Tim. The Skies Discrowned. Charnel House, 2022. First edition hardback, #54 of 200 signed, numbered copies, a Fine copy, sans dust jacket, as issued. “Handbound in Indigo Night Cave Paper (Belgium Flax dyed with Indigo & Walnut). This Cave Paper was made by hand for this edition. Each one of a kind sheet sheet guaranties that each book is unique. Exquisitely printed on 80lb Mohawk Superfine.” Part of a uniform prestige edition that Charnel House is doing of all Powers’ books. I will have one copy of this available in the next Lame Excuse Books catalog.

  • Schafer, William, editor. Subterranean: Tales of Dark Fantasy 3. Subterranean Press, 2020. First edition hardback, #183 of 250 numbered copies signed by all the contributors, a Fine copy in a Fine dust jacket, with Subterranean “packed by” slip laid in. Anthology with stories by Robert R. McCammon, Richard Kadrey, etc. Sold as a set with Always Going On, bought as a set from Subterranean for $75, 50% off the original cover price. Now sold out from the publisher.
  • Library Addition: Signed/Limited Edition of Tim Powers Stolen Skies

    Monday, June 6th, 2022

    Now the trilogy is complete:

    Powers, Tim. Stolen Skies. Charnel House, 2022. First limited edition hardback, #54 of 150 signed, numbered copies, a Fine copy, sans dust jacket, as issued. The third in the trilogy started with Alternate Routes and Forced Perspectives. The usual beautiful Charnel House edition.

    I will have one set of this trilogy available in the next Lame Excuse Books catalog.

    Library Addition: Charnel House Limited of Tim Powers Last Call

    Monday, November 8th, 2021

    Here’s a limited edition I’ve long wanted to pick up. Indeed, the lettered edition of this is considered one of the most extravagant and desirable modern limited editions, but that was sold out before I even heard about it, and the last time I saw one for sale it went for something like $6,500.

    Powers, Tim. Last Call. Charnel House, 1992. First edition hardback (“by a whisker” says Chalker/Owings), #141 of 350 signed, numbered copies, a Fine copy in a Fine- decorated slipcase with some rubbing to bottom and at points. His celebrated “playing poker with Tarot cards” book, and the first (and best) in a loose trilogy. Berlyne, A8b.1. Chalker/Owings (2002), page 211. Bought from a noted SF book dealer for $325. I think I now have all the Charnel House Powers limiteds (at least in numbered state).

    Library Addition: Tim Powers Artificial Light

    Wednesday, June 16th, 2021

    Another Tim Powers limited edition from Charnel House:

    Powers, Tim. Artificial Light. Charnel House, 2021. First edition hardback, #67 of 100 signed, numbered hardback copies in Japanese Red Snow Dust silk (the same material used for Charnel Houses’ edition of Powers’ Collected Stories), a Fine copy, sans dust jacket, as issued. A beautiful Charnel House production. Bought from the publisher at the usual discount. There’s also a lettered state and a wraps state (not seen).

    I’ll have copies of this available in the next Lame Excuse Books catalog.

    Library Additions for 2020

    Monday, February 15th, 2021

    I didn’t manage to break it up into two posts this year, so this is a roundup of every book I bought (or that came in) between January 1 and December 31, 2020. Most, but not all, of these were already listed in blog posts between March 2020 and February 2021:

  • Adams, Douglas. Dirk Gently’s Holistic Detective Agency. Simon & Schuster, 1987. First edition hardback (simultaneous with the UK Heinemann edition), a Fine copy in a Fine dust jacket. Bought for $9.99.
  • Ballard, J. G. The Terminal Beach. Gollancz, 1964. First hardback edition (preceded by the Berkley paperback), a Near Fine copy with small owner’s name on FFE, small Australian bookstore sticker at bottom inside front cover near gutter, uniform dust soiling to top and side edges, and slight bumping at head and heel, in a Very Good+ price-clipped dust jacket with a 3/16″ chip at heel, shallow chipping at points, slight dust staining to spine and edges. A fairly nice copy of a key Ballard short story collection, including the title story and “The Drowned Giant.” Goddard & Pringle, J. G. Ballard: The First Twenty Years, 54. Currey, page 23. Bought at auction for A$500 plus shipping. Replaces an Ex-Library copy.

  • Barksdale, Dante, with Grace Kearney. Growing Up Barksdale: A True Baltimore Story. No publisher listed, printed 2020. Trade paperback POD reprint, a Fine copy. Autobiography by a former Baltimore gang member who’s family’s story provided some of the grist for David Simon’s The Wire. A Christmas gift from Dwight.
  • Beaumont, Charles. The Magic Man and Other Science-Fantasy Stories. Fawcett Gold Medal, 1965. First edition paperback original, a Very Good- copy with crease across bottom front corner, spine creasing and abrasions, age darkening to pages and general wear. Reginald, Science Fiction and Fantasy Literature Volume 1, page 40. Obtained free.
  • Beaumont, Charles. Shadow Play. Panther, 1964. First UK edition and first edition under this title, a Very Good- copy with chipper bottom front corner, spine creasing, age darkening to pages and general wear. Originally published in the U.S. in hardback as The Hunger and Other Stories. Reginald, Science Fiction and Fantasy Literature Volume 1, page 40. Some overlap between these two. Obtained free.
  • Bennett, Robert Jackson. In the Shadows of Men. Subterranean, 2020. First edition hardback, #134 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket. Novella by the author of Mr. Shivers and Company Man.
  • Bethke, Bruce. Headcrash. Warner Books, 1995. Advanced reading copy of the paperback original first edition, also mass market paperback size, a Fine copy, signed by the author. Bethke was doing some pioneering cyberpunk work (indeed, his story “Cyberpunk” probably coined the word in 1980, but wasn’t published until 1983), but most of it didn’t get published until after the 1980s. This is his first stand-alone non-tie-in novel. Philip K. Dick award winner. Obtained directly from the author.
  • Blaylock, James P. The Gobblin’ Society. Subterranean Press, 2020. First edition hardback, #259 of 1000 signed, numbered copies, a Fine copy in a Fine dust jacket. Blaylock’s latest Steampunk Langdon St. Ives adventure.
  • Blaylock, James P. The Magic Spectacles. Morrigan Publications, 1991. First edition hardback, a Fine copy in a Fine dust jacket, with a full page inscription to SF writer Scott Cupp and his wife Sandy: “For Scott & Sandi,/This loony children’s book, starring/my sons at what now seems to/me to be an impossibly young/age. Here’s to Italian food &/trips to California. Cheers,/Jim.” Replaces an unsigned copy.

  • Blish, James. Black Easter. Doubleday, 1968. An Ex-library copy I bought for $4 for the quite bright Near Fine+ dust jacket to marry to another copy.
  • Bond, Nelson. Nightmares and Daydreams. Arkham House, 1968. First edition hardback, a Fine- copy with slightly bumped points, in a Fine- dust jacket with slight wear at points and the barest trace of dust soiling to white rear cover. Signed by Bond. Joshi, Sixty Years of Arkham House 98. Jaffrey, Horrors and Unpleasantries, 106. Nielsen, 104. Derleth, Thirty Years of Arkham House, 96. Currey (1979), page 49. Locke, A Spectrum of Fantasy, page 38. Bought off eBay for $35.

  • Bradbury, Ray. Forever and the Earth. Croissant & Company, 1984. First edition hardback, #20 of 300 signed, numbered copies, a Fine copy in a glassine dust wrapper, as issued. Script for a radio dramatization. Bought for $50.

  • Bradbury, Ray. A Chapbook for Burnt-Out Priests, Rabbis and Ministers. Cemetery Dance, 2001. First edition hardback, a PC copy of 350 signed and numbered copies, a Fine copy save a dime-sized spot of discoloration on front free endpaper (possibly a paper flaw), in a Fine dust jacket and a Fine slipcase. Mixture of prose and poetry. Supplements a trade copy. Bought for $29.99.
  • Bradbury, Ray. The Ray Bradbury Chronicles Volume 4. Byron Preiss Visual Publications, 1993. First edition hardback, #548 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought for $35. I now lack only volumes 1, 3 and 5. Weist, Ray Bradbury: An Illustrated Life, page 183.
  • (Bradbury, Ray) James Tucker and Erin Mckee, editors. Touchstone: Celebrating the Lives of Fritz Leiber and Ray Bradbury. Mysterious Stranger Press, 1978. First edition trade paperback original, a Near Fine copy with slight crease to bottom front corner, a stray ink mark to bottom outer pageblock edge, and a touch of grubbiness to the uncoated covers, signed by Bradbury and McKee, with 183/977 written at the bottom right corner of the title page (presumably the limitation). Odd mélange of festschrift, bits of fiction from the two authors, a bibliography, etc. Includes contributions from Harlan Ellison, Poul Anderson, William F. Nolan, Richard Lupoff (as Ova Hamlet), etc. Reginald, Science Fiction and Fantasy Literature 1975-1991, 29608. Not in Currey. Not in The Undead (which had a lot of obscure Bradbury items listed). Not in Morgan, Fritz Leiber: a Bibliography 1934—1979. Not in Staicar, Fritz Leiber. Not in a whole damn lot of things it should have been in (but it is in the ISFDB). Found literally in Dreamhaven’s basement, and I think I ended up paying something like $16.

  • Bryant, Edward, and Harlan Ellison. Phoenix Without Ashes. Fawcett, 1975. First edition paperback original, a Near Fine+ copy with one faint spine crease and a few touches of edgewear, otherwise apparently new and unread. Currey, page 76 and 178. Richmond, Fingerprints on the Sky, page 108. Supplements a slightly less attractive copy. Now I can file one copy under Bryant and one under Ellison. Bought for $2 from a fundraiser sale for the Joe R. Lansdale documentary All Hail The Popcorn King.
  • Butler, Octavia. Unexpected Stories. Subterranean Press, 2020. First edition hardback, #391 of 1000 copies, a Fine copy in a Fine dust jacket, new and unread. Contains two newly unearthed stories, plus an introduction by Nisi Shawl and an afterword by Butler’s agent and literary executor Merrilee Heifetz.
  • Campbell, Ramsey. A Little Green Book of Grins & Gravity. Borderlands Press, 2020. First edition hardback, #498 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. A novella, “The Enigma of the Flat Policeman,” supposedly in the manner of John Dickson Carr, along with an introduction and an afterword.
  • Castle, Mort. A Little Cobalt Book of Old Blue Stories…And Stuff. Borderlands Press, 2018. First edition hardback, #492 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Nine stories, one original to this volume.
  • Chiang, Ted. Exhalation. Subterranean Press, 2020. First signed, limited edition (preceded by the Knopf hardback), #212 of 300 copies, a Fine copy in a Fine dust jacket. Bought from the publisher at the usual discount. Now sold out from the publisher. I will have a very small number of copies available in the next Lame Excuse Books catalog.
  • Crouch, Blake. A Little Orange Book of Obsessions. Borderlands Press, 2020. First edition hardback, #498 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Three stories, one from an online-only source. Now out of stock from the publisher. I still have copies available through Lame Excuse Books.

  • Davidson, Avram, editor. The Best From Fantasy and Science Fiction Fourteenth Series. Doubleday, 1965. First edition hardback, a Fine copy in a Near Fine- dust jacket with a 1/16″ chip at head, slight edgewear a heel, and some darkening/dust soiling to white rear cover. Currey, page 131.
  • de Camp, L. Sprague. Warlocks and Warriors. Putnam, 1970. First edition hardback, a Fine- copy with five tiny ink “x”s next to stories on the copyright page and a trace of bend at head and heel, in a Fine- dust jacket with traces of edgewear along flap folds. Signed by de Camp. Includes Zelazny’s “The Bells of Shoredan.” The Zelazny and others include maps for their stories that I’m not sure I’ve seen anywhere else.
  • Delaney, Samuel R. Babel-17. Ace, 1966. First edition paperback original (no statement of printing and 40¢ price on cover, as per Currey), a Near Fine copy with rubbing along front spine join, slight edgewear, and slight age darkening to pages. Nebula Award winner for best novel. Currey, page 139. Bought for $2 from the Lansdale documentary fundraiser sale.

  • Delaney, Samuel R. City of a Thousand Suns. Ace, 1965. First edition paperback original (no statement of printing and 40¢ price on cover, as per Currey), a Near Fine+ copy with considerable foxing to inside covers, age darkening to pages, and trace of dust soiling to white covers. Currey, page 139. Bought for $2 from the Lansdale documentary fundraiser sale.

  • de la Ree, Gerry. Fantasy Collector’s Annual – 1975. Gerry de la Ree, 1974. First edition hardback, #50 of 80 bound hardback copies a Fine- copy with top rear spine hinge gutter paste-down starting to tear, otherwise a nice, square copy. Miscellany of fantasy-related items, including Virgal Finley art, facsimiles of letters from Seabury Quinn to Finley, J.J. Weguelin’s art of H. Rider Haggard’s Montezuma’s Daughter, a note on the secret reprint edition of August Derleth’s Someone in the Dark, facsimile examples of inscriptions by several fantasy notables including, Ray Cummuings, A. A. Merrit, and Wernher von Braun, and a reprint of a The Mars Gazette, a chemical company advertising pamphlet in science fictional form extolling the virtues of “liquid peptonoids.” Chalker/Owings, page 128. Bought from an online dealer for $60.

  • De Palma, Brian and Susan Lehman. Are Snakes Necessary? Hard-Case Crime, 2020. First edition hardback, a Fine copy in a Fine dust jacket, signed by both authors. Bought from The Mysterious Bookstore at a dealer discount.

  • Dick, Philip K. Mary and the Giant. Arbor House, 1987. First edition hardback, a Fine copy in a Fine dust jacket. For some reason I ended up with a copy of the UK first edition and the Ultramarine Press leather-bound-with-the-cancelled check edition, but never picked up the American trade edition (the true first) until now. Precious Artifacts, MS5.2. Bought for $20 from Dreamhaven.
  • Dick, Philip K. The Slave Race. Sangrail Press, 2020. First edition chapbook, #69 of 250 copies, a Fine copy, with additional linocut of the cardstock frontispiece illustration affixed inside the firstpage and note from publisher laid in. First separate publication of a 15-year old Dick’s first SF short story that appeared in the Berkeley Daily Gazette Young Author’s Club column on May 8th, 1944. Bought directly from the publisher at a dealer discount.

  • Disch, Thomas. Fun With Your New Head. Doubleday, 1971. First U.S. edition and first edition under this title, previously published as Under Compulsion in the UK three years before, a Near Fine copy with purple remainder speckling at heel, owners name of “Scott Imes” written in ink on inside top back cover under flap, and slight bend at head and heel, in a Fine- dust jacket with slight age darkening to spine and a few traces of dust soiling. Inscribed by Disch: “For Margee & Scott,/Best,/Thomas M. Disch.” Imes was the long-time manager of Uncle Hugo’s SF bookstore store. Currey, page 164. Bought for $28.
  • Disch, Thomas M. Echo Round His Bones. Berkley Medallion, 1967. First edition paperback original, a Near Fine+ copy with slight edgewear, touches of wear elsewhere, and usual slight foxing and slight age-darkening of pages. Currey (1979), page 164. Obtained free.
  • Disch, Thomas M. The Genocides. Berkley, 1965. First edition paperback original, a Fine- copy with just a trace of edgewear and the usual foxing and age darkening to pages. Supplements the UK first hardback edition. Currey (1979), page 164. His first novel. Obtained free.
  • Disch, Thomas M. White Fang Goes Dingo. Arrow Books, 1970 (interestingly, Currey (both 1979 and 2002) says 1971). First edition paperback original under this title (an expanded version of 102 H-Bombs), a Fine- copy with slight edgewear and slight age-darkening to edges of pages. Currey (1979), page 165.
  • Dozois, Gardner, with Michael Swanwick. ‘She Saved Us From World War Three’: Gardner Dozois Remembers James Tiptree, Jr. Temporary Culture, 2020. First edition chapbook original, one of 225 copies printed, a Fine copy in a Fine black envelope, as issued. Swanwick interviews Dozois on the subject of the reclusive Alice Sheldon AKA James Tiptree, Jr., who corresponded with Dozois and met him in person at least once. Haven’t read it yet, but the story Gardner told was that as a CIA analyst, Sheldon was told to look at satellite photographs the government, fearful of a nuclear first strike, thought showed hundred of mobile Soviet missile launchers. She told them they were hay drying carts for the fall harvest. (Neal Barrett, Jr. used to tell a story about how he had prevented World War III. He was with the army in West Germany in the late 1950s, and his night watch superior had gotten liquored up and wanted to invade East Germany. “I don’t think that’s a very good idea, sir.”)

  • Dozois, Gardner, editor. The Year’s Best Science Fiction: Thirtieth Annual Collection. St. Martin’s, 2013. First edition hardback, a Fine copy in a Fine dust jacket. Bought from Dreamhaven for cover price minus 20%. The remaining volumes I lack are 15, 23, 24, 27 and 28.
  • Effinger, George Alec. The Exile Kiss. Doubleday Foundation, 1991. First edition hardback, a Fine- copy with a wrinkle at heel in a Fine- dist jacket with just a trace of darkening to the very tops of the white flaps. Inscribed by Effinger: “To Ed —/With supreme best wishes/(Which I haven’t bestowed even/on Willie or Fred) —/At Armadillocon 13 —/George.” I strongly suspect this book was inscribed to Ed Graham, who was the chair of Armadillocon 12. (His wife, Casey Hamilton, chaired Armadillocon 13, and together they chaired Armadillocon 16.) Willie Siros and Fred Duarte were other Armadillocon chairs. Replaces an unsigned trade first in my library, and supplements a copy of the signed/limited state.

  • Egan, Greg. Dispersion. Subterranean Press, 2020. First edition hardback, #173 of 1000 numbered copies, a Fine copy in a Fine dust jacket, new and unread. “In a world not quite our own, every living thing is born into one of six discrete ‘fractions’ that are incompatible with—and often invisible to—each other. These fractions have coexisted peacefully for centuries, but now a disease has appeared that seems to drag the infected parts of the body into a different fraction. The effects are devastating. Individual victims suffer painful, protracted deaths. Entire communities turn against one another, and a state approaching perpetual war takes hold.”
  • Ellison, Harlan. Getting in the Wind. Kicks Books/Edgework Abbey, 2012. First edition paperback original, a Fine copy with four postcards, a pair of dice, a signature plate signed by Ellison, in a dropbox, with a picture of the cover pasted on front, in a plastic bag with a seal for “Sex Gang Perfume.” (This one with the seal broken so I could look at the contents.) An elaborate production. This copy and the following reprint all the stories from Ellison’s very early PBO Sex Gang, published as by Paul Merchant in 1959, along with other very early Ellison stories. Richmond, Fingerprints in the Sky, page 52. Bought for $50 off eBay, 1/3rd the original offering price.

  • Ellison, Harlan. Partners in Wonder. Walker, 1971. First edition hardback, a Near Fine+ copy with a light, dime-sized black smudge along rear spine-join, in a Near Fine- dust jacket with two quarter-sized light charcoal colored stains on the spine panel, and slight edgewear at head and heel. Inscribed by Ellison: “For Mila,/Merry Christmas/1977/Harlan Ellison.” Collection of collaborative stories. Supplements a nicer copy signed by Robert Silverberg (but not Ellison). Fingerprints on the Sky, page 56. Currey, page 178.

  • Ellison, Harlan. Pulling a Train. Kicks Books/Edgework Abbey, 2012. First edition paperback original, a Fine copy with four postcards, a switchblade comb, a signature plate signed by Ellison, in a dropbox, with a picture of the cover pasted on front, in a plastic bag with a seal for “Sex Gang Perfume.” (This one with the seal unbroken.) An elaborate production. This copy and the above reprint all the stories from Ellison’s very early PBO Sex Gang, published as by Paul Merchant in 1959, along with other very early Ellison stories. Richmond, Fingerprints in the Sky, page 56. Bought for $50 off eBay, 1/3rd the original offering price.
  • (Ellison, Harlan) Ellen Weil and Gary K. Wolfe. Harlan Ellison: The Edge of Forever. Ohio State University Press, 2002. First edition trade paperback original, a Fine- copy with bottom outer edges slightly bumped. Bought for $12.49.
  • Finn, Mark. Gods New and Used. Clockwork Storybook, 2001. First edition trade paperback original, a Fine copy, signed by Finn, with a “Signed by Author at Book People” sticker on it. Collection of linked stories. Bought at Half Price Books for $10.

  • Gaiman, Neil. The View from the Cheap Seats. William Morrow, 2016. First edition hardback, a Fine copy in a Fine dust jacket, signed by Gaiman. Collection of non-fiction (essays, interview, etc.).
  • Grant, Charles L. (Hank Wagner and Kathryn Ptacek, editors). A Little Black book of Quiet Horror. Borderlands Press, 2019. First edition hardback, #498 of 500 numbered copies signed by the editors, a Fine copy, sans dust jacket, as issued. Four stories. Now out of print from the publisher.
  • Greenberg, Martin H. Dragons: The Greatest Stories. MJF Books, 1997. First edition hardback, a Fine copy in a Fine dust jacket. Anthology. A few mysteries about this copy: Has a numberline ending in one (which would typically indicate a first edition rather than a book club edition), but no price on the dust jacket (which would typically indicate the opposite), and has a red binding along the spine. The ISFDB lists two editions, one at a price of $19.95, and the other at a price of $7.98, the latter of which it indicates is taken from the Locus database, which also lists only one edition of the book and that as an instant remainder (which would explain the lack of a price). The Don Maitz cover appears to be a cropped example of the fuller dust jacket illustration that originally appeared on Kathleen Sky’s Witchdame in 1985; copies of this anthology with green spine and the fuller illustration (still with no price on the dust jacket) appear to be second printings. Still another mystery is the not-quite-right Zelazny signatures on the title page and at his story “The George Business,” which would be a neat trick since Zelazny died in 1995. No idea if Bob or someone else created the spurious signatures. It would seem that this instant remainder edition was done first and the pricier retail edition (if it even exists) may have been done later.

  • Haldeman, Joe. War Stories. Night Shade Books, 2005. First edition hardback, one of 175 signed, numbered copies, a Fine copy in a Fine dust jacket. Omnibus editions of Haldeman’s Vietnam War stories and poems, including his novel War Year. On one hand, 175 is a pretty low limitation for a Haldeman limited. On the other hand, literally the only difference is the signed limitation page. Supplements a trade copy inscribed to me. Bought off eBay for $24.50.
  • (Heinlein, Robert A.) Patterson, William H., Jr. Robert A. Heinlein In Dialogue With His Century — Volume 2: The Man Who Learned Better | 1948—1988. The second half of Patterson’s mammoth biography. Bought at Half Price Books for $17.49.
  • Hill, Joe. Full Throttle. Subterranean Press, 2020. First signed, limited edition thus, #43 of 750 numbered copies signed by Hill and artist Dave McKean, a Fine copy in a Fine dust jacket and Fine slipcase. An elaborate, lavishly illustrated edition in a square form-factor. I have copies available for sale through Lame Excuse Books.

  • Holkins, Jerry and Mike Krahulik. Penny Arcade 6: The Halls Below. Del Rey, 2010. First edition hardback, #885 of 1000 signed, numbered copies, a Fine copy with inset color cover illustration, sans dust jacket, as issued. Collection of Penny Arcade cartoons. Bought from the Penny Arcade store for $30.

  • Howard, Robert E. Skull-Face And Others. Arkham House, 1946. First edition hardback, a Near Fine copy with slight bumping at points, slight bend at head and heel, trace of rubbing to center of gold designs along spine, in a Near Fine dust jacket with slight sun-fading to spine, slight wear at points, a 1/16″ closed tear at head, slight wrinkling at top right cover, a touch of dust soiling around just the edge of white rear cover, and blindside foxing to dust jacket; all in all, an extremely nice copy of this key Howard and Arkham House work. Joshi, Sixty Years of Arkham House, 17. Jaffrey, Horrors and Unpleasantries, 19. Nielsen, Arkham House Books, 17. Derleth, Thirty Years of Arkham House, 17. Currey, page 251. Bleiler, Guide to Supernatural Fiction, 852. Locke, Spectrum of Fantasy, page 117. Bleiler, Checklist (1978), page 104. Bleiler, Checklist (1948), page 153. Chalker/Owings (1991), page 23 (“What The Outsider and Others is to Lovecraft, this book is to Howard”). Kemp, Anthem Series, pages 305-6. Barron, Horror Literature, 3-95 (but not in the companion Fantasy Literature volume). One of four “tall” Arkham house volumes, of which I now have two. Bought for $382.46 from a fellow Biblio dealer.

  • Ipcar, Dahlov. A Dark Horn Blowing. Viking Press, 1978. First edition hardback, a Near Fine copy with slight bend at head and heel, a short, thin line of rust-colored staining at very bottom of front free endpaper, and a trace of age-darkening to pages, in a Near Fine dust jacket with a vertical crease running along the edge of the rear flap. Fantasy novel of a woman kidnapped to elfland to nurse a newborn elf prince. Never heard of it, but Bob Pylant said it was a good novel. In the Encyclopedia of fantasy, John Clute calls her work “atmospheric and densely conceived.”
  • Kelly, James Patrick. King of the Dogs, Queen of the Cats. Subterranean Press, 2020. First edition hardback, #131 of 1000 signed numbered copies, a Fine copy in a Fine dust jacket, new and unread. Novella about a circus of uplifted cats and dogs.
  • King, Stephen. Lisey’s Story. Scribner, 2006. First edition hardback, a Fine copy in a Fine dust jacket. Bought at Goodwill for $3.99. I generally don’t pick up King’s new trade editions because I know they will show up used cheap. And I generally can’t afford the signed limited editions unless they’re coming out from a publisher I’m already a regular customer of and can pick them up at a (usually slight) discount pre-publication. But $3.99 for a perfect copy falls into “good enough” territory.
  • Kuttner, Henry and C.L. Moore (as Lewis Padgett). The Day He Died. Duell, Sloan and Pierce, 1947. First edition hardback, a Fine- copy with a little bit of bend at head and heel in a Near Fine+ dust jacket with small chip at heel and associated 1/2″ closed tear, lus a trace of wear at points. Mystery. I saw a less attractive copy in an online auction go for considerably more than I was willing to spend, so I bought this (the nicest copy online) from a notable SF dealer for $220.

  • Lansdale, Joe R. Act of Love. Zebra Books, 1981. First edition paperback original, a Very Good copy with 1/4″ chip at top front cover near spine, slight spine creasing and slight general wear. Inscribed by Lansdale: “For Robert,/Hope you like it). Joe Lansdale.” (Robert said he had another copy of this title). His first novel. Supplements at least four other editions (including the Kinnell hardback first), but I lacked the PBO until now. Person, “Joe Lansdale: Notes Toward A Bibliography,” Nova Express Volume 3, Number 4, page 26, I.1. Hankow, A Checklist of Joe Lansdale, A1.
  • Lansdale, Joe R. Act of Love. Cemetery Dance, 1992. First limited edition hardback (preceded by both the Leisure books PBO and the Kinnell UK hardback), #465 of 750 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Bought off eBay for $36 (list price is $50).

  • Lansdale, Joe R. The Big Blow. Subterranean Press, 2000. First edition hardback, #178 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Bought for $30.40 after dealer discount.
  • Lansdale, Joe R. The Big Blow. Subterranean Press, 2000. First edition hardback, copy of D of 13 lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. Bought for $124.80 after dealer discount. Thirteen is an awfully small number for a Lansdale lettered edition…

  • Lansdale, Joe R. Bleeding Shadows. Subterranean Press, 2013. First edition hardback, #78 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase, with publisher’s bookmark laid in. Supplements a trade edition (which has a different dust jacket). Bought from an online dealer for $75.
  • Lansdale, Joe R. The Boar. Subterranean Press, 1998. First edition hardback, a PC copy of 26 signed, numbered, quarter leather-bound copies, a Fine copy, sans dust jacket, as issued, with a PC copy of the 1/750 signed/limited (regular) edition, a Fine copy with a Fine dust jacket, with an advanced uncorrected proof, a Fine- copy with a touch of wear at head and heel, signed by Lansdale, all together in a Fine slipcase. Chalker/Owings (2002), page 853, which states textual differences between the lettered and numbered editions (though pagination seems identical), and fails to note the included proof. Bought off eBay for $125.

  • Lansdale, Joe R. The Boar. Night Shade Books, 2009. First edition hardback thus, #7 of 150 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought from an Internet book dealer for $30. Supplements the Subterranean Press first edition. Originally announced as a Mark V. Ziesing book under the title Git Back, Satan!.
  • Lansdale, Joe R. Deadman’s Road. Subterranean Press, 2010. First edition hardback, #18 of 200 copies, a Fine copy in a Fine dust jacket and Fine slipcase. Supplements a signed trade copy. Bought off an Internet book dealer for $50.40.
  • Lansdale, Joe R. For A Few Stories More. Subterranean Press, 2002. First edition hardback, #550 of 1,000 copies, a Fine copy in a Fine dust jacket. Supplements the Lettered edition, but weirdly I never picked up this trade edition until now. Bought from Kasey Lansdale.
  • Lansdale, Joe R. Hap and Leonard: Blood and Lemonade. Short Scary Tales (SST) Press, 2020. First hardback edition and first signed limited edition (preceded by the Tachyon trade paperback), #101 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. I have copies available through Lame Excuse Books.
  • Lansdale, Joe R. Jane Goes North. Subterranean Press, 2020. First edition hardback, #264 of 2,000 signed, numbered copies, a Fine copy in a Fine dust jacket. Road trip novel. I have copies available through Lame Excuse Books.
  • Lansdale, Joe R. Joe R. Lansdale’s Christmas With The Dead. Write-On Movies, 2012. Presumed first edition (?) DVD, a new copy, inscribed to me by Joe R. Lansdale and signed by Kasey Lansdale. I don’t usually record DVDs I buy here, but they’re not usually signed. Bought from Kasey Lansdale.

  • Lansdale, Joe R. The Magic Wagon. BookVoice Publishing, 2018. First edition thus, #408 of 500 signed, numbered hardback copies, a Fine copy in a Fine dust jacket. This edition includes a rare western story by Joe, “Man With two Lives,” not in any other edition, a new introduction by Joe, and a new afterword by Keith Lansdale. Supplements a signed copy of the Doubleday first edition. Bought from Kasey Lansdale. Now I need to pick up that Crossroad Press limited edition.
  • Lansdale, Joe R. Of Mice and Minestrone. Tachyon, 2020. First edition trade paperback original, a Fine copy. “Hap and Leonard: The Early Years.” I have copies available through Lame Excuse Books.
  • Lansdale, Joe R. Paradise Sky. Short Scary Tales (SST) Press, 2016. First UK edition and first limited edition hardback, a PC copy of 350 signed, numbered copies, a Fine copy in a Fine dust jacket and decorated boards. Bought for $30 of eBay.

  • Lansdale, Joe R. Red Range: A Wild West Adventure. It’s Alive, 2017. First edition hardback graphic novel, the Kickstarter edition, a Fine copy in decorated boards, sans dust jacket, as issued. I am unclear on the precedence between this version (with the block cover) and the regular hardback with the red cover. Weird western featuring a hollow earth with dinosaurs and such. I have copies available through Lame Excuse Books.

  • Lansdale, Joe R. The Sky Done Ripped. Subterranean Press, 2019. First edition hardback, one of 2000 signed copies, a Fine copy in a Fine dust jacket. New (and final) Ned the Seal adventure. I have copies of this available through Lame Excuse Books.
  • Lansdale, Joe R. Waltz of Shadows. Subterranean Press, 1999. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Although the limitation calls for a 1/1000 signature page, it’s not in this copy, though it still has the FIRST EDITION/SEPTEMBER 1999 statement, making this a previously unrecorded variant (not in the 2002 Chalker/Owings CD). Bought from Kasey Lansdale. I have one copy of this available through Lame Excuse Books.
  • Lansdale, Joe R. Wet Juju. Short Scary Tales (SST) Publications, 2020. First edition hardback, #101 of 550 signed, numbered hardbacks, a Fine copy in a Fine dust jacket, with SST tissue paper closure sticker laid in. Bought from the publisher at the usual discount, and out of print upon publication. Massive collection. I will have copies available in the next Lame Excuse Books catalog, but prepare for it to be pricey.

  • Lansdale, Joe R. and Keith Lansdale. Big Lizard. Short Scary Tales (SST) Publications, 2020. First edition hardback, #101 of 1,500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. A botched supernatural ceremony gives the protagonist ” the power to transform into a big lizard who can run fast, has incredible strength, and a large tail.” Full color illustrated endpapers and signature page. Looks like fun. I will have copies available in the next Lame Excuse Books catalog.
  • Lansdale, Joe R., editor. Son of Retro Pulp Tales. Subterranean Press, 2009. First edition hardback, a Fine copy in a Fine dust jacket, signed by Joe and Keith Lansdale. Trade edition. I actually picked up a copy of the limited edition, only to realize that not only did I already have one, but for some reason I hadn’t added the trade edition to my library, even though I already had it in Lame Excuse Books stock. Bought from the publisher at the usual discount way back when. Indeed, I still have copies of this available through Lame Excuse Books.
  • Lansdale, Keith. Red Range: Pirates of Fireworld. It’s Alive, 2019. First edition comic, a Fine copy, as issued. Lansdale the Younger continues the story. I have copies available through Lame Excuse Books.
  • Lee, Tanith. Sometimes, After Sunset. Nelson Doubleday/SFBC, 1980. First edition hardback, an omnibus edition of Sabella, or The Blood Stone and Kill the Dead (neither of which had any other hardback editions), a Fine copy in a Near Fine+ dust jacket with slight wear at points, a thin 1/2″ scratch at top front spine join, a trace of rubbing along front flap join bend edge, and slight age darkening to white flaps. Nice early Maitz cover.
  • Le Guin, Ursula K., editor. Nebula Award Stories 11. Gollancz, 1976. First edition hardback (precedes the U.S. edition by a year), a Fine- copy with slight bend at head and heel, traces of foxing to front free endpaper, and slight dust soiling at head, in a Near Fine copy with spine fading and a trace of edgewear at points. Includes the Nebula-winning Zelazny novella “Home is the Hangman.”
  • Lovecraft, H.P. A Winter Wish and Other Poems. Whispers Press, 1977. First edition hardback, #160 of 200 signed, numbered hardback signed by editor Tom Collins, publisher Stuart Schiff, and artist Steve Fabian, a Fine copy in a Fine dust jacket and a Fine (and very tight) slipcase. Bought from Dreamhaven for $60.
  • Malzberg, Barry. The Many Worlds of Barry Malzberg. First edition paperback original (no statement of printing on copyright page and $1.25 price, as per Currey), a Fine- copy, with a trace of edgewear and one pinhead-sized black mark near bottom edge of back cover. Short story collection.
  • Malzberg, Barry. Galaxies. Pyramid, 1975. First edition paperback original, a Fine- copy with edgewear and moderate darkening to page edges. Pringle SF 100 list #77. Supplements a Gregg Press first hardback edition.
  • Martin, George R. R. Fire and Blood. Subterranean Press, 2019. First signed, limited edition hardback (the Bantam and Harper Voyager trade hardbacks precede by a year), #619 of 750 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase. A novel set some 300 years before A Song of Fire & Ice proper. A handsome production.

  • Martin, George R. R., editor. Mississippi Roll. Tor, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Wild cards novel. Bought at the San Marcos Book Warehouse for $7.99.
  • Martin, George R. R. Nightflyers. Bluejay Books, no date (but 1985). First edition uncorrected proof of the trade paperback original, a Near Fine+ copy with blue bunching along front spine (not uncommon among proofs), and a 1″ square dragon stamp in red at top right corner of half title page. Bought from Dreamhaven for I think $16.

  • Martin, George R. R. and Lisa Tuttle. Windhaven. Subterranean Press, 2019. First edition hardback, #259 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. Supplements the 1981 Timescape first edition inscribed to me by Martin and Tuttle. It’s been my experience that only a small fraction of Martin’s Game of Thrones fans exhibit any interest in his science fiction and horror work. Bought for $62.50.
  • Matheson, Richard. Counterfeit Bills. Gauntlet, 2004. First edition chapbook original, a Fine copy, signed by Matheson. Bought off eBay for $36.52.
  • McCammon, Robert. A Little Amber Book of Wicked Shots. Borderlands Press, 2020. First edition hardback, #498 of 750 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Four stories, all of which involve alcoholic drinks. Plus an extra cocktail recipe in the introduction! I have copies of this available through Lame Excuse Books.
  • McCarthy, Cormac. All the Pretty Horses. Knopf, 1992. First edition hardback, an Ex-Library copy with all the usual flaws, otherwise Very Good. A true first of his first Pulitzer winner and first book of the Border trilogy. Bought for $6.99.
  • Meacham, Beth. Terry’s Universe. Tor, 1988. Uncorrected bound proof (trade paperback format) of the hardback first edition, a Fine copy. Tribute anthology to the late Terry Carr. Includes Zelazny’s “Deadstone Donner and the Flintstone Cup.”
  • Mieville, China. The Scar. Subterranean Press, 2019. First edition hardback, #404 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. Supplements a signed copy of the 2002 Macmillan (UK) first edition. Bought for $62.50.
  • Miller, Jr., Walter M. The Best of Walter M. Miller, Jr. Pocket Books, 1980. First edition paperback original, a Near Fine copy with faint spine creasing and touches of wear. Short story collection, all from the 1950s.
  • Moorcock, Michael. Legends From The End of Time. Harper & Row, 1976. First edition hardback, a Fine- copy with bumping at head and heel in a Near Fine+ dust jacket with slight wear at head and heel, slight age darkening to white rear panel, and slight dust soiling to same. Inscribed by Moorcock: “To Bob,/With all good wishes/from Michael M.” Tanelorn Archives, page 24, a. Precedes the W. H. Allen edition (which I also have).

  • Moorcock, Michael. The White Wolf’s Son. Warner Aspect, 2005. First edition hardback, a Fine copy in a Fine dust jacket. Elric/von Beck novel. Bought at Half Price Books for $7.98.
  • Moore, Ward. Lot & Lot’s Daughter. Tachyon, 1996. First edition hardback, #52 of 100 numbered, leatherbound hardback copies (the only hardback state), copies signed by introduction author Michael Swanwick, a Fine copy in a Fine- dust jacket with touches of wear at points and elsewhere. Two linked nuclear holocaust stories. Bought off eBay for $40.

  • Morrell, David. A Little Gold Book of Protector Tales. Borderlands Press, 2017. First edition hardback, #337 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Three stories, plus an introduction.
  • Morrow, James. The Continent of Lies. Holt, Reinhardt and Winston, 1984. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Morrow: “For Scott/This book of/dreams & desires…/best wishes,/James Morrow.” Formerly Scott Cupp’s copy.

  • Niven, Larry & Steven Barnes. The Seascape Tattoo. Tor, 2016. Bought at Half Price Books for $7.99.
  • Niven, Larry & Jerry Pournelle. The Burning City. Pocket Books, 2000. First edition hardback, a Fine copy in a Fine dust jacket, signed by both authors. Set in Niven’s The Magic Goes Away universe. Bought off an Internet book dealer for $9.75.
  • Niven, Larry & Jerry Pournelle. Burning Tower. Pocket Books, 2005. First edition hardback, a Fine copy in a Fine dust jacket, signed by both authors, with certificate of authenticity laid in. Bought off eBay for $25.83.

  • Perez, Malia A., editor (Joe R. Lansdale). Speculative Poets of Texas. The House of the Fighting Chupacabra Press, 2015. First edition trade paperback original (“First printing” stated), a Fine copy, new and unread. Includes poems from Peter Holland, Joe R. Lansdale, Juan Manuel Perez, Waide Aaron Riddle, and Rie Sheridan Rose. Bought from Amazon.
  • Pinborough, Sarah. A Little Magenta Book of Malevolence. Borderlands Press, 2020. First edition hardback, #498 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. I have copies of this available for sale through Lame Excuse Books.
  • Piper, H. Beam. Federation. Ace, 1981. First edition trade paperback edition, a Fine copy, new and unread. Bought at Half Price Books for $3.99.
  • Proctor, Geo W. Fire at the Center. Fawcett Gold Medal, 1981. First edition paperback original, a near Fine- copy with 1/32″ deep x 1/4″ wide loss at head of top front cover, slight edgewear, rim of foxing to interior covers, and slight age darkening to pages. Novel dedicated to the early Turkey City Writer’s workshop attendees. Obtained free.
  • Powers, Tim. Forced Perspectives. Charnel House, 2020. First signed/limited edition (the Baen hardback precedes), hardback, #54 of 150 signed, numbered copies, a Fine copy in decorated boards with a gold-foil sphinx embossed on the front cover (matching the look of Alternate Routes), sans dust jacket, as issued. I have one copy of this available for sale through Lame Excuse Books.

  • Powers, Tim. The Properties of Rooftop Air. Subterranean Press, 2020. First edition hardback, #277 of 474 numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. An Anubis Gates story. I have copies of this available through Lame Excuse Books as well.
  • Pumelia, Joe, and Bill Wallace (as M. M. Moamrath). The Cruse of the Kritix. “Deathnell Publications, 1932″ (actually Kenneth Donnell, 1976). First edition chapbook original, a Fine copy in a Very Good+ dust jacket with semi-closed 1/4” tear at top front with associated wrinkle, faint spotting along spine, and a few very small tears elsewhere. Lovecraftian parody. Obtained free.

  • Rice, Jeff (Richard Matheson). The Night Strangler. First edition paperback original, a Fine- copy with slight glue wrinkling near top of spine and slight spine fading, otherwise new and unread, signed by Richard Matheson. Novel by Jeff Rice based on Matheson’s screenplay for The Night Strangler, the sequel to The Night Stalker and the second TV movie starring Darren McGavin as reporter Carl Kolchak. Bought off eBay for $42. Copies that are both nice and signed by Matheson are uncommon.

  • Robinson, Kim Stanley. Stan’s Kitchen. NESFA Press, 2020. First edition hardback, #171 of 600 signed, numbered copies, a Fine copy in a Fine dust jacket. Short story collection.
  • Russell, Mary Doria. Doc. Random House, 2011. First edition hardback, a Fine copy in a Fine dust jacket, signed by Russell. Western novel about Doc Holliday. Bought from The Mysterious Bookstore for $10.
  • Saberhagen, Fred. Berserker Base. Tor, 1985. First edition trade paperback original, a Fine- copy with a touch of edgewear and slight age-darkening to pages. Theoretically a fix-up novel set in Saberhagen’s Beserker universe, but really more of a Beserker anthology with some filler material by Saberhagen. Includes the Zelazny story “Itself Surprised,” which originally appeared in Omni the year before.
  • Schiff, Stuart David, editor. The Best of Whispers. Borderlands Press, 1994. First edition hardback, #375 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Signed by all the then-living contributors (Fritz Leiber died in 1992), including Zelazny, Ray Bradbury, Karl Edward Wagner, Russell Kirk, Hugh B. Cave, Lucius Shepard, Jerry Sohl and Alan Ryan. Includes Zelazny’s “The Horses of Lir.”

  • Scholz, Carter. Cuts. Chris Drumm, 1995. First edition chapbook original, a Fine- copy with slight age darkening to edges. Short story collection. Obtained free,
  • Shepard, Lucius. The Golden. Mark V. Ziesing, 1993. First edition hardback, #243 of 500 signed, numbered copies, a Fine copy in a Fine- dust jacket with one 1/16″ closed tear at heel in a Fine- slipcase with a tiny rub at top. Supplements a trade edition signed by Shepard. I saw this on eBay for $24, and the book pricing part of my brain went “That’s a good price…but I bet I can do a little better.” Bought off eBay for a $20 buy-it-now offer. List publication price was $65. Chalker/Owings (2002), page 1003. Part of my plan to pick up every Ziesing book in every state, since I already had most of the trade editions anyway…
  • Silverberg, Robert. Reflections & Refractions: Thoughts on Science Fiction, Science and Other Matters. Underwood Books, 1997. First edition hardback, #180 of 300 signed, numbered copies, a Fine copy in decorated boards and Fine slipcase, sans dust jacket, as issued. Collection of essays, most (but not all) from his “Reflections” series of columns in Amazing and Asimov’s. Bought off eBay for $25, exactly half off the original list price of $50.
  • Silverberg, Robert. Rough Trade. PS Publishing, 2017. First edition hardback, #99 of 100 signed and numbered copies, a Fine copy in decorated boards a Fine dust jacket and a Fine slipcase. Supplements a trade copy. Bought off eBay for $40.

  • Silverberg, Robert, editor (Vonda N. McIntyre, Marta Randall, Joan D. Vinge). The Crystal Ship. The Science Fiction Book Club (UK)/Reader’s Union, 1981. Book club reprint, a Fine copy in a Fine dust jacket. Signed by editor Robert Silverberg, and contributors Marta Randall and Joan D. Vinge (each twice, once on the title page and once at their novella). Bought for $9, marked down from $15 at Half Price Books during a coupon sale just before the lockdown came down.

  • Simak, Clifford D. and Jeff Sutton. So Bright the Vision b/w The Man Who Saw Tomorrow. Ace Double, 1968. First edition (no statement of printing and price of 60¢, as per Currey), a Very Good+ copy with small chips at corners of Sutton side, spine creasing, name or word on Sutton blurb page. Plus usual foxing. Currey (1979), page 447.
  • Smith, Brenden Powell. Assassination! The Brick Chronicle of Attempts on the Lives Twelve US Presidents. Skyhorse Publishing, 2013. Lego recreations of presidential assassinations. One of those books you have to buy to prove it actually exists. Bought from Half Price Books for $5.99.
  • Stephenson, Neal. Seveneves. HarperCollins, 2015. First edition hardback, special signed edition with gold “Signed First Edition” sticker on the cover and “THIS SIGNED EDITION OF/seveneves/by/Neal Stephenson/[signature]/HAS BEEN SPECIALLY BOUND/BY THE PUBLISHER” signature page bound in before the half-title page, a Fine copy in a Fine dust jacket. Bought for $9.99.
  • Sterling, Bruce. Schismatrix Plus. Ace, 1996. First edition trade paperback original, Near Fine- with slight spine crease, slight sun fading to spine, and edgewear, signed by Sterling. Contains the novel plus the Shaper/Mechanist stories from Crystal Express. I never bothered to pick this up when it came out because I already had first editions of both, but picking up variant titles is classic late-phase book collecting behavior. Bought for $7.49.
  • Sturgeon, Theodore. Sturgeon Is Alive And Well…. Putnam, 1971. First edition hardback, a Fine- copy with a tiny bit of bend at head and heel in a Near Fine dust jacket with slight edgewear at head and heel, a bit of dust soiling to white rear panel, and slight age darkening to top of white rear panel and edges of white flaps. Signed by Sturgeon. Short story collection, one I greatly enjoyed reading in my youth. I particularly remember “It Was Nothing—Really!,” about man who figures out that perforations make things stronger, and eventually invents invisible wall of impenetrable nothingness, and “Suicide,” about a man who jumps off a cliff to kill himself, and awakens still alive, hurt, down the cliff, and struggles to climb back up. According to Bought off eBay for $39.99. Currey, page 472.

  • Swanwick, Michael. Blue as the Moon. Dragonstairs Press, 2020. First edition chapbook original, #2 of 69 signed, numbered copies, a Fine copy. Seven horror vignettes (“White as a Sheet,” “Yellow as Corn,” “Green as the Sea,” “Red as the Revolution,” “Purple as Prose,” “Orange as an Orange,” and “Black as Sin”), plus an introduction (“Blue as the Moon”). Offered at moonrise (5:54 PM EDT) on October 30, 2020 to celebrate the blue moon, and sold out that night.

  • Swanwick, Michael. The Death of Aubrey Darger. Dragonstairs Press, 2020. First edition chapbook thus, #14 of 100 signed, numbered copies, a Fine copy. Excerpted from the 2015 novel Chasing the Phoenix.

  • Swanwick, Michael. The Devil’s Bestiary. Dragonstairs Press, 2020. First edition chapbook, #8 of 45 signed, numbered copies, a Fine copy in dyed paper wrappers. A short alphabetical vignette bestiary of supernatural creatures. Out of print upon publication.

  • Swanwick, Michael. Gulliver’s Wife. Dragonstairs Press, 2020. First edition chapbook original, #33 of 50 signed, numbered copies, a Fine copy. Sold out upon publication. Bought from the publisher at full price.

  • Swanwick, Michael. The Postutopian Adventures of Darger and Surplus. Subterranean Press, 2020. First edition hardback, #183 of 1000 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. Swanwick’s loveable con artists are back in this short story collection.
  • Swanwick, Michael and Sean Swanwick. In Memoriam: Gardner Dozois 1947-2018. Dragonstairs Press, 2020. First edition chapbook, #60 of 70 signed, numbered copies, a Fine copy. Came in the mail with a “with the Compliments of the Press” notice laid in. Originally appeared in the Philcon 2018 program book.

  • Swanwick, Michael. Reindeer Season. Dragonstairs Press, 2019. First edition chapbook original, #20 of 120 signed, numbered copies. “It includes ten very brief musings on the magical nature of reindeer and their relationship with Claus-tse. Issued in an edition of 120, Reindeer Season is 4 1/4” x 5 1/2”, hand-stitched, numbered, and signed by the author. Most copies have been given to friends, family, and colleagues, but 37 are offered for sale.” There are two states of the chapbook: a.) A cream colored wrapper (as this copy), and b.) a mottled beige cover. All copies for sale sold out the day they were offered.
  • Swanwick, Michael. Reindeer Season. Dragonstairs Press, 2019. First edition chapbook original, #101 of 120 signed, numbered copies. There are two states of the chapbook: a.) A cream colored wrapper, and b.) A mottled beige cover (as this copy). All copies for sale sold out the day they were offered.

  • (Tolkien, J. R. R.) Day, David. An Encyclopedia of Tolkien: The History and Mythology That inspired Tolkien’s World. Canterbury Classics, 2019. First edition hardback, a Fine copy bound in embossed leather, sans dust jacket, as issued. Tolkien reference work by an author who has done a lot of other Tolkien reference works. A very attractive book, with gilded edges and full-color illustrated endpapers, from a publisher that mostly seems to do leatherbound prestige reprints. Bought for $12.49.

  • Vance, Jack. The Dragon Masters/ b/w The Five Gold Bands. Ace Double, 1962. First edition paperback original, a very Good- copy with wrinkling to covers, spine creasing, edgewear and usual age-darkening to pages. Hewett, A11. Cunningham, 26a. Currey, page 498. Supplements a first hardback edition. Bought for $2 from the Lansdale documentary fundraiser sale.
  • Vance, Jack (Terry Dowling and Jonathan Strahan, editors). Minding the Stars (The Early Jack Vance, Volume Four). Subterranean Press, 2014. First edition hardback, a PC copy of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine- traycase with one small fingernail-tip sized indention at bottom front, with a provenance card from the Vance estate laid in. The only edition signed by Vance. Bought off eBay for $255.00. The other traycase editions I bid on went for substantial more.

  • Vance, Jack. The Languages of Pao/The Dragon Masters. Vance Integral Edition, no date. Unpublished paper dust jacket proof for the “Science Fiction Volume” containing those two novels produced by the Vance Integral Edition in 2002. Ultimately they decided not to use dust jackets for either that or the Vance Integral Edition itself. Bought from the Jack Vance estate off eBay for $33, and with the Vance Estate stamp on the blind side. The scan below is only what would fit on my scanner:

  • Vance, Jack. The Last Castle. Underwood-Miller, 1980. First hardback edition, a Fine- copy with slight bumping at tips and traces of wear at head and heel, in a Fine- dust jacket with a few traces of wear and faint phantom crease down front flap, with signature card by artist Alicia Austin laid in (as issued) and Vance Estate stamp on title page. Hewett, A30d. Cunningham, B45b. Bought for $20.13 from the Vance Estate off eBay.
  • Vance, Jack. The Many Worlds of Magnus Ridolph. Dennis Dobson, 1977. First hardback edition, a Fine copy in a Near Fine, price-clipped dust jacket, signed by Vance. Hewett, a27f. Cunningham, b55b. Currey, page 499. Bought off eBay for $93.97. One of the few Vance hardbacks I lacked, and one of the more difficult ones signed.
  • Vance, Jack. Marune: Alastor 933. Ballantine Books, 1975. Currey, page 499. First edition paperback original (PBO), a Fine- copy with a trace of edgewear, signed by Vance. Hewett, A48. Cunningham, B56. Currey, page 499. Supplements the Underwood-Miller hardback. Bought off eBay for $16.50.
  • Vance, Jack. Maske: Thaery. Berkley, 1976. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny wrinkle at top of the front flap and a few tiny traces of edgewear. Signed by Vance. Replaces a slightly less attractive signed first. Hewett, A52. Cunningham, B57a. Currey, page 499. Bought off eBay for $14.99.
  • Vance, Jack. Night Lamp. Tor, 1996. First edition hardback, a Fine copy in a Fine dust jacket, signed by Vance. Cunningham, B61a. Supplements an unsigned trade first, the Underwood Books signed, limited edition, and Volume 42 of The Vance Integral Edition. Bought off eBay for $20.50.
  • Vance, Jack. Ports of Call. Tor, 1998. First edition hardback, a Fine copy in a Fine hardback, signed by Vance. Cunningham, B66a. Supplements an unsigned trade first, the Underwood Books signed/limited edition, and Volume 43 of The Vance Integral Edition. Bought off eBay for $14.99.
  • Vance, Jack. Sjambak. Wildside Press, 2010. First edition trade paperback original (perfect bound chapbook), a Fine copy, signed by Vance. I suspect this was produced because the story slipped out of copyright. Replaces an unsigned copy. Bought off eBay for $33.
  • Wagner, Karl Edward. HorrorStory Volume Four. Underwood-Miller, 1990. First edition hardback, #82 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine- traycase, with just a touch of blunting at points, a touch of edgewear around spine label, and a trace or two of wear. Omnibus and first hardback editions of Year’s Best Horror Stories X, XI and XII. Signed by Wagner, Harlan Ellison, Dennis Etchison, Michael Kube-McDowell, Richard Laymon, Michael Swanwick, David Drake, and many others. Chalker-Owings (1991), page 441. Supplements the trade edition. Bought off eBay for $65, or less than half the original offering price of $150.

  • Watts, Peter. Peter Watts is an Angry Sentient Tumor: revenge fantasies and essays. Tachyon, 2019. Bought from the publisher at the usual discount.
  • Wellman, Manly Wade. Many Are The Hearts: a play in one act. North Carolina Confederate Centennial Commission, 1961. First edition chapbook, a Near Fine- copy with small wrinkle on rear cover near head, touches of wear, some sun-fading around the edges, and rust bleed-through on the two staples. One act play about a confederate North Carolina artillery detachment. Even includes a detailed diagram of a 6-pounder field gun at rear; good luck to any theater company trying to get their hands on one of those! I think this is only the second copy I’ve seen offered for sale this decade. Currey, page 513. Bought for $38.25 off a fellow Biblio dealer.

  • Wellman, Manly Wade. Mystery at Bear Paw Gap. Ives Washburn, 1965. First edition hardback, a Very Good Ex-Library copy in the Hercules library binding, with pockets and interior stamps, with wear at head and heel, a 1″ very light stain to bottom page block, a couple of pinprick spots to top page block, and blunting of points, but no external stamps, sans dust jacket, as expected for the library binding. One of Wellman’s more difficult YA novels. Currey, page 513. Bought for $29.99 off eBay.
  • Wilhelm, Kate (John Pelan, editor). Masters of Science Fiction: Kate Wilhelm (Volumes One and Two). Centipede Press, 2020. First edition hardback, #457 of 500 numbered hardbacks signed by the editor and artists Jim and Ruth Keegan, both Fine copies in Fine dust jackets, with dust jacket protectors, new and unread.
  • (Wolfe, Gene) Swanwick, Michael. Swan/Wolfe. Dragonstairs Press, 2020. First edition chapbook original, #50 of 100 signed, numbered copies, a Fine copy (save some slight wrinkling at head; since the outer paper wrapper is bigger than the inner chapbook page block, I suspect this is an endemic problem). Transcription of a Swanwick interview with the ReReadingWolfe podcast. As noted in the acknowledgements, I actually suggested the creation of this chapbook. Bought from the publisher at the usual bookseller discount. Sold out shortly after publication. I have copies of this for sale through Lame Excuse Books.

  • Zelazny, Roger. Blood of Amber. Arbor House/SFBC, 1986. First book club edition, a Fine copy in a Fine- dust jacket with slight age darkening to the white portions of the dust jacket flap, signed by Zelazny. Kovacs, I.2.d.
  • Zelazny, Roger. Changeling. Ace, 1980. First edition trade paperback original, a Fine copy. Kvocs, I5v.
  • Zelazny, Roger. The Changing Land. Underwood Miller, 1981. First hardback edition, #128 of 200 numbered copies signed by Zelazny and artist Thomas Canty, a Fine copy in a Fine dust jacket. Levack, 4b.
  • Zelazny, Roger. The Changing Land. Del Rey/SFBC, 1981. Book club hardback, a Fine copy in a Fine- dust jacket with slight age darkening to white flaps, signed by Zelazny. Supplements signed copies of the PBO and the Underwood-Miller signed/limited hardback. Kovacs, I.6.d. Levack, 4c.
  • Zelazny, Roger. Damnation Alley. Faber & Faber, 1971. First UK edition hardback, a Fine copy in a Fine- dust jacket with a trace of edgewear, with slip of paper signed by Zelazny laid in. Levack, 9c.

  • Zelazny, Roger. Damnation Alley. Gregg Press, 1979. First hardback edition thus, a Fine copy in a Fine dust jacket. Adds 24 pages of photos from the movie of the same name. Supplements a signed copy of the first Putnam edition, an unsigned copy of same, and a signed copy of the paperback movie tie-in edition. Kovacs, I.10.k. Levack, 9r.
  • Zelazny, Roger. Dilvish, The Damned. Del Rey/SFBC, 1981. Book club hardback, a Fine copy in a Fine- dust jacket with slight age darkening to white flaps, with signed letter from Zelazny laid in. Supplements signed copies of the PBO and the Underwood-Miller signed/limited hardback. Kovacs, I.15.d.
  • Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth, And Other Stories. Doubleday, 1971. First edition hardback, a Fine- copy with very slight bend at head and heel and a trace of foxing to inside front gutter, in a Fine- dust jacket with touches of wear and a tiny bit of age darkening to the spine and at top rear. With signed Zelazny bookplate laid in. Kovacs, V9a. Levack, 12a. Currey, page 570. Replaces an Ex-Library copy.

  • Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth. Pulphouse. 1991. First edition paperback original, Fine- copy with trace of rubbing along front spine join and pinpricks of soiling to front cover, signed by Zelazny. Short story paperback #13. I still need the Short Story Hardback of this…
  • Zelazny, Roger. The Dream Master. Gregg Press, 1976. First U.S. hardback edition, a Fine copy in a Fine aftermarket dust jacket Bob made from blowing up a copy of the Frank Kelly Freas PBO cover, with a signed title page removed from an Ace paperback edition laid in. This and the Gregg Press editions of Lord of Light, Nine Princes in Amber and Bridge of Ashes (which I already had) all share the same Freff cover art featuring characters from all those novels. Supplements a signed first of the Rupert Hart-Davis hardback, a signed first of the Ace PBO, and an unsigned copy of same. Kovacs, I.18.e. Levack, 14i.
  • Zelazny, Roger. The Dream Master. SFBC, 2004. Book club hardback, a Fine- copy with uniformly age-darkened pages in a Fine dust jacket. SFBC 50th Anniversary edition book. Kovacs, I.18.n.
  • Zelazny, Roger. Gone to Earth. Pulphouse, 1991. First edition hardback, #40 of 50 signed, numbered copies bound in leather, a Fine copy, sans dust jacket, as issued. (Well, they say leather; I have my doubts. Also note that between volumes 18 and 19, the color of the “leather” edition went from a dark gray to a dark blue.) Author’s Choice Monthly #29. Supplements a signed “trade” clothbound hardcover in dust jacket. Kovacs, V13iv. Chalker/Owings (2002), page 728. I suppose that now I should look for one of the 10-copy red leather staff editions…
  • Zelazny, Roger. Knight of Shadows. Morrow/SFBC, 1989. First book club edition, a Fine copy in a Fine- dust jacket with slight age darkening to the very top white portions of the dust jacket flap, signed by Zelazny. Kovacs, I.27.c.
  • Zelazny, Roger. The Last Defender of Camelot. Pocket Books/SFBC, 1980. Book club and first hardback edition (gutter code L10 on page 278, as per Kovacs), a Fine- copy with slight age darkening to pages in a Fine dust jacket. Inscribed by Zelazny: “To Liz,/All sorts of good wishes -/ — Roger Zelazny.” Supplements the Underwood-Miller limited edition, and another copy of this edition inscribed to me in a more worn dust jacket. Kovacs, V.15.c. Levack, 24b.
  • Zelazny, Roger. Lord of Light. Gregg Press, 1979. First Gregg Press hardback edition, a Fine copy in a Fine dust jacket, with a letter from Betsy Groban of G. K. Hall laid in talking about how they had gotten Freff to do the artwork. Hugo and Nebula Award winner for Best Novel. Kovacs, I.29.1. Levack, 25s.

  • Zelazny, Roger. Lord of Light. Easton Press, 1994. Hardback, a Fine copy bound in decorated leather, sans dust jacket, as issued, with unused personalization bookplate sticker laid in (as issued), as well as a signed Zelazny signature plate. According to Kovacs, copies in aquamarine-colored leather like this one are reprints. Kovacs, I29m.

  • Zelazny, Roger. Madwand. Ace/SFBC, 1981. Book club edition hardback, a Fine copy in a Fine- dust dust jacket with slight age darkening to the white jacket. Kovacs, I.30.d. Levack, 26c.
  • Zelazny, Roger. Manna From Heaven. DNA Publications/Wildside Press, 2003. Hardback, a Fine copy in non-decorated boards and a Fine dust jacket. The 1-59224-199-9 ISBN matches the first edition listed at the ISFDB, but Kovacs says this is the UK Lightening Source hardback reprint. Signed by publisher Warren Lapine. Kovacs, V18b. Supplements the first printing with pictorial boards.
  • Zelazny, Roger. Nine Princes in Amber. Gregg Press, 1979. First Gregg Press hardback edition, a Fine copy in a Fine dust jacket, with a signed title page from a paperback laid in. Kovacs, I.34.g. Levack, 28n.
  • Zelazny, Roger. Prince of Chaos. Morrow/SFBC, 1991. First book club edition, a Fine copy in a Fine dust jacket, signed by Zelazny. Kovacs, I.35.d.
  • Zelazny, Roger. Roadmarks. Macdonald Futura, 1981. First UK edition hardback, a Fine-/Fine- copy with slight bumping/wrinkling at head and heel. Kovacs, I37d. Supplements a signed first.

  • Zelazny, Roger. Sign of Chaos. Arbor House/SFBC, 1987. First book club edition, a Fine copy in a Fine- dust jacket with slight age darkening to the white portions of the dust jacket flap, signed by Zelazny. Kovacs, I.38.c.
  • Zelazny, Roger. This Immortal. Garland Publishing, 1975. First (and only) edition thus, a hardback reprint for the library trade, a Fine copy in a Fine- aftermarket dust jacket Bob created from a copy of the SFBC/Ace Books reprint from 1988 with Richard Powers’ cover art, and which has some faint creasing along the folds. Signed by Zelazny. This edition is reproduced from the 1973 Ace third paperback printing, as stated on the reproduced Ace copyright page. Part of the Garland Library of Science Fiction. Kovacs, I40c.

  • Zelazny, Roger. Today We Choose Faces. Gregg Press, 1978. First U.S. hardback edition, a Fine copy with a Fine aftermarket dust jacket Bob created from a Signet reprint featuring Dean Ellis art. Signed by Zelazny. Supplements a signed Millington hardback first and a signed PBO first. Kovacs, I.42.d. Levack, 37h.
  • Zelazny, Roger. To Die In Italbar. Faber & Faber, 1975. First UK edition hardback, a Fine copy in a Fine dust jacket with a small Zelazny signature plate pasted to the front free endpaper. Kovacs, I41d. Supplements a signed first.
  • Zelazny, Roger. Trumps of Doom. Arbor House/SFBC, 1985. First book club edition, a Fine copy in a Fine- dust jacket with slight age darkening to the white portions of the dust jacket, signed by Zelazny. Kovacs, I.43.d.
  • Zelazny, Roger and Jane Lindskold. Donnerjack. Avon Books, 1997. First edition hardback, either a Fine or a Poor copy (depending on how you count the annotations), in a Fine dust jacket. Novel started by Zelazny and finished by Lindskold after Zelazny’s death. Zelazny was a famously lean prose stylist, and Bob felt that Lindskold was not, so he has annotated the book by crossing out in brown or blue marker every section he felt was un-Zelazny-like from page 167 on. I passed on picking this up in the first bulk buys, but took it this time around because, well, it’s not like I can sell it to anyone else, and who else would know or appreciate the story behind it? Kovacs, I16b. Supplaments a Fine/Fine copy inscribed to me by Lindskold.

  • Zelazny, Roger and Neil Randall. Roger Zelazny’s Visual Guide to Castle Amber. Avon, 1988. First edition trade paperback original, a Fine- copy with slight edgewear. Kovacs, X14a. Supplements a signed copy of the SFBC (only hardback) edition.
  • Zelazny, Roger and Fred Saberhagen. Coils. Wallaby Books/Simon & Schuster, 1982. First edition trade paperback original, a Near Fine copy with one faint top front corner crease and slight age darkening to pages. Signed by Zelazny. Kovacs, I7a. Supplements a copy of the SFBC (and only hardback) edition inscribed to me. Kovacs, XIB1a.
  • Zelazny, Roger and Robert Sheckley. A Farce to be Reckoned With. Trade paperback, presumably a POD reprint, as it lacks the numberline of the first edition, and includes the usual POD barcode on the last page, a Fine- copy with slight edgewear and wear at points. Interestingly, despite having the same ISBN, this is a larger trim size (9″ x 6″) than the first edition (8 1/4″ x 5 1/2″), and could pass as a large print edition, except it is not so marked. This edition not in Kovacs.

    First edition on left, this copy on right.

  • Zelazny, Roger, editor. Nebula Award Stories 3. Gollancz, 1968. First UK edition hardback, a Fine copy in a Fine dust jacket. Kovacs, IX2b. Supplements a signed first of Nebula Award Stories III.

  • (Zelazny, Roger) Greenberg, Martin H., editor. Lord of the Fantastic: Stories in Honor of Roger Zelazny. Avon Eos, 1998. First edition trade paperback original, a Near Fine copy with a previous ownership plate inside front cover and a few touches of wear. Zelazny tribute anthology.
  • (Zelazny, Roger) Yoke, Karl. Roger Zelazny. Stamont House, 1979. First edition trade paperback original, a Very Good+ copy with bumping at heel and head, abrasion at front right bottom point, touches of wear along spine and elsewhere, and a touch of staining to inside front cover and blurb page. Starmont Reader’s Guide 2. Levack, “Works About Roger Zelazny” 15, page 140. Kovacs, XXIII11a. There is a Borgo Press hardback binding done three years later I still need to track down.