Another Half Price Books find:
Hill, Joe. NOS4A2. HarperCollins, 2013. First edition hardback, a Fine copy in a Fine- dust jacket with a slight bit of crimping at head and heel. Magic girl vs. Rolls Royce-driving vampire. Basis of a TV show. Bought for $13.04.
Lifeforce
Directed by Tobe Hooper
Written by Dan O’Bannon and Don Jakoby, based on Colin Wilson’s The Space Vampires
Starring Steve Railsback, Mathilda May, Peter Firth, Frank Finlay, Patrick Stewart
I avoided Lifeforce when it came out because the reviews were considerably less than positive, it was a Golan-Globus production (two names that did not spell quality), and the whole thing had a whiff of cheesiness about it. But with Halloween approaching, we thought it was time to give it a try.
I actually enjoyed it a bit more than I expected, despite the fact that it steals generously from just about every successful 1979-1984 science fiction/fantasy/horror film, from Alien (O’Bannon) to Poltergeist (Hooper) to Dawn of the Dead to The Hunger to The Keep, plus a big helping of Quartermass and the Pit.
A multinational expedition is sent to Hailey’s Comet, where they discover a huge, 100+ mile long derelict spaceship. Exploration reveals dead giant bat-like creatures…and three naked, perfect human beings in suspended animation inside crystalline coffins. Naturally they take them on board.
You can guess how well that works out for them.
Soon the female (Mathilda May) is wandering around London naked, sucking the lifeforce (via swirly blue beams) out of people, who in turn become lifeforce vampires themselves. And the race is on to track her down, lead by the captain and sole mission survivor (Steve Railsback) who has a deep psychic bond with her, along with an SAS colonel (Peter Firth). And they soon find out that their quarry can switch bodies…
Despite it’s reputation, Lifeforce has a lot going for it. Hooper keeps things moving along at a steady clip, the disparate elements mostly make sense together, the John Dykstra special effects are generally more than passable, and the movie (budgeted at a then-pretty-hefty $25 million) avoids the usual Golan-Globus cheapness. There’s an excellent cast of British character actors (including a post-Equus Firth and a pre-Star Trek Patrick Stewart) in supporting roles. Plus it hales from The 1980s Golden Age of Mainstream Female Movie Nudity, and a 20-year old Mathilda May is very easy on the eyes.
Also, it may be the first use of “body hoping psychic vampire” idea, which I didn’t encounter until Stephen Gallagher’s Valley of Lights (1987). I assume that (and many other elements) are taken directly from the Colin Wilson novel, which I own but haven’t read yet.
Not everything makes sense, but usually the movie moves quickly enough that you don’t have time to think about it. The “London goes crazy” scenes are good, but probably go on too long, and look more like an attack of zombies than vampires. The special effects for the “real form” of the vampires seen near the climax looks pretty cheesy. Oh, and you get possibly Patient Zero of the now ubiquitous “glowing blue space beam” trope.
Here’s the (R-rated) trailer:
It isn’t so great that you should pay $80 bucks for the Shout Factory Blu-ray of it. But if you’re looking for a gory-but-not-really-scary science fiction horror action film for the Halloween season, you could certainly do a lot worse.
In which I pick up a signed, limited edition of a book for less than I paid for the trade eition.
Shepard, Lucius. The Golden. Mark V. Ziesing, 1993. First edition hardback, #243 of 500 signed, numbered copies, a Fine copy in a Fine- dust jacket with one 1/16″ closed tear at heel in a Fine- slipcase with a tiny rub at top. Supplements a trade edition signed by Shepard. I saw this on eBay for $24, and the book pricing part of my brain went “That’s a good price…but I bet I can do a little better.” Bought off eBay for a $20 buy it now offer. List publication price was $65. Chalker/Owings (2002), page 1003. Part of my plan to pick up every Ziesing book in every state, since I already had most of the trade editions anyway…
Before the Kolchak: The Night Stalker TV show came the original TV movie The Night Stalker, which first introduced dogged yet deeply-irritating reporter Carl Kolchak, brilliantly and unforgettably played by Darrin McGavin. Our grizzled, disheveled hero starts listening to his own notes on a tape recorder, about a very strange murder case. We see a Vegas girl get killed by an incredibly powerful man, then cut to an autopsy performed by a pre-M*A*S*H Larry Linville (who would go on to play a Police Captain of The Week Who’s Annoyed With Kolchak’s Shenanigans in the TV series), who discovers that a body has been completely drained of blood. So three minutes in, any viewer is going to figure a vampire is stalking Las Vegas. (And it was obviously filmed in Vegas; everyone looks believably hot and sweaty.) It takes the Vegas police a whole lot longer to figure things out.
Enter our intrepid seersucker-clad hero.
Kolchak is pretty much fully formed the moment he walks into the news office, a smart, cynical, sarcastic reporter with authority issues. You quickly see how he would get on just about anyone’s nerves. (Later he recites all the cities he’s been fired from newspapers in. “Wasn’t it twice in Boston?” his much too young and pretty girlfriend (played by the recently deceased Carol Lynley) asks, to which he holds up three fingers.) He doesn’t think much of being assigned the first murder, but when a second one shows up, also drained of blood, with no tracks leading to her final sandy resting place, he realizes something is up, and tenaciously goes digging into the story, despite staunch opposition from both the police chief (Claude Aikens) and his own editor Tony Vincenzo (Simon Oakland, in a role he’d reprise in The Night Strangler sequel and the TV show).
The plot moves along at a quick pace, police procedural fashion, as it quickly becomes apparent to Kolchak that an actual vampire is killing young women in Las Vegas. The “vampire police procedural” has been done plenty of times since, but this was pretty much the first media instance (though Leslie H. Whitten’s novel The Progeny of the Adder preceded by seven years), and even today, despite the obvious budgetary constraints of a TV movie, it has a compelling intensity to it that later examples have never duplicated.
But McGavin’s Kolchak is what holds the entire thing together. He was a great, underrated actor, and in the scene where the police finally break down and promise to follow his lead and give him the exclusive, he’s so wonderfully, unbearably smug that you know exactly why he keeps getting fired. The movie has a panoply of solid TV character actors, tight direction, and plenty of tension when (inevitably) Kolchak tracks the vampire back to his lair…
We watched a beautiful Kino Lorber Blu Ray, but the movie is also available on YouTube if you want to get a taste:
There are a few extras on the Blu-Ray, including with producer Dan Curtis and director John Llewellyn Moxey, who said it was much easier to get a TV movie made in the early 70s. You had an idea (comedy, drama, horror, whatever), and if someone at the network liked it, you got a greenlight to do it. He said that now there are too many people involved in the process to get anything approved anymore. Wikipedia says that it was made for $450,000 and earned “a 33.2 rating and 48 share,” which is absolutely unheard of for a TV movie in today’s media landscape.
(More thoughts from Dwight.)
Actually more like two-and-a-half collections with some odd additional material. All these were left over from other National Book Auction lots and, after checking them out, I decided to incorporate them into my library for, essentially, free. (There were several books from those lots I’m passing on, so each of these looked to have some point of interest.)
Vampire Effect
Directed by Dante Lam and Donnie Yen
Written by Hing-Ka Chan and Wai Lun Ng
Starring Ekin Cheng, Charlene Choi, Gillian Chung, Anthony Wong Chau-Sang, Edison Chen, Jackie Chan, Mickey Hardt
If you like Hong Kong supernatural martial arts films, you’ll probably enjoy Vampire Effect (AKA Twins Effect, since the two female leads are evidently in the same pop band). Modern-day vampire hunter gets cute new partner who clashes with his cute sister, who just happens to be dating an Emo vampire prince whose essence a vampire king wants to eat to unlock a vampire grimoire. Martial arts ensue.
You know, the usual.
Jackie Chan has an extended supporting role that’s pretty much unnecessary, except you get to see Jackie Chan fight vampires. He’s third-billed and gets about 15 minutes of screen time, so it doesn’t even make Top Ten Most Dishonest Uses of Jackie Chan’s Name on the DVD Cover list. (I’m looking at you, Drunken Fist Boxing.)
This hasn’t gotten great reviews, and it’s not a patch on the best work in the genre by the late, great Ching-Ying Lam. The romance subplot drags a bit. The pace and style of the film does rip off the Blade movies…which in turn were ripping off Hong Kong action films, which ripped off everything they could lay their hands on, so par for the course. But it’s funny, and the action scenes work, which is pretty much all I ask as a threshold for enjoyment for this kind of film.
The “sequel” Twins Effect II is evidently a historical martial arts epic with much of the same cast, but none of the same characters.
Supposedly the American DVD (I saw it on-demand) has some scenes chopped that hinder the continuity. When it comes to Hong Kong action films, continuity does not rank high on my list of requirements. I saw the version with lots of martial arts.
I almost missed the news that Jonathan Frid, who starred as vampire Baranabas Collins in the original Dark Shadows, died April 13 (Friday the 13th). It’s tempting to say that he died after seeing the trailer for the Tim Burton version.
I have extremely vague memories of watching the original when I was very young (including one scene where characters were trapped in a web and menaced by a giant spider that, even to my 5-year old self, looked incredibly fake), but I was never a devoted fan of the original series. Even so, it was obviously a very interesting pop culture artifact, a failing soap opera that desperately threw in a stage actor playing a vampire that turned it into a sudden cult hit.
Even so, I have to wonder why Tim Burton decided to camp it up like the movie version of The Brady Bunch. They few elements it shares with the original are so attenuated that he could have made the same “18th century vampire out of water” movie and changed a few names without calling it Dark Shadows, and since it stars the always-watchable Depp it would still have made money.
I can only imagine how real fans of the series must feel.
It’s sort of ironic that in the late 1960s, Batman was camp and Dark Shadows was melodrama, and now in 2012, Dark Shadows is camp, and The Dark Knight Rises is drama. And we all get ready for the next turn of the wheel…