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Library Additions: June 14—December 31, 2013

Monday, January 6th, 2014

It’s been another landmark year for adding books to my library of science fiction first editions. This post documents everything I bought after my big Zelazny acquisition on June 13, including some books that have been covered in posts since, and many that haven’t. (What I bought earlier in the year before the big Zelazny purchase can be found here.) All are first edition hardbacks, Fine copies in Fine dust jackets, unless otherwise noted.

  • Adams, Douglas. The Hitchhiker’s Guide to the Galaxy. Harmony Books, 1979. First U.S. edition.
  • (Adams, Douglas) Gaiman, Neil. Don’t Panic: Douglas Adams & The Hitchhiker’s Guide to the Galaxy. Titan Books, 2003. First hardback edition and first edition thus (revised and updated), a Fine copy in a Fine dust jacket. Non-fiction reference work.
  • Aldiss, Brian. Moreau’s Other Island. Jonathan Cape, 1980. First edition hardback, a Fine copy in a Fine dust jacket, signed by Aldiss on the front free endpaper.
  • Aldiss, Brian. This World and Nearer Ones: Essays Exploring the Familiar. Weidenfield and Nicolson, 1979. First edition hardback, a Fine copy in a Fine dust jacket.
  • (Aldiss, Brian) Aldiss, Margaret. Item Eighty-Three: Brian W. Aldiss: A Bibliography: 1954—1972. SF Horizons, (1973). Chapbook, Fine. Non-fiction.
  • Asimov, Isaac. Nemesis. Doubleday, 1989. First edition hardback, number 485 out of 500 signed, numbered copies, a Fine copy in a Fine slipcase, sans dust jacket, as issued. This was a serendipitous find. I wasn’t looking for it (since I’m not generally a big fan of Asimov’s later work), but merely entered “signed limited edition” in Amazon’s books section just to see what I would find and this came up at $80. Given that it was originally issued at $125, and given that copies on Bookfinder start at $150, I thought it was a good price. Asimov isn’t actually a hard signature (especially compared to verified Philip K. Dick or Robert A. Heinlein signatures), but he has become fairly pricey one for his first editions.

  • Asimov, Isaac, edited by Stanley Asimov. Yours, Isaac Asimov. Doubleday, 1995. First edition hardback, a Near Fine copy with one tiny black remainder mark I missed, otherwise apparently new and unread, in a Fine dust jacket. Non-fiction collection of Asimov’s letters.
  • Ballard, J. G. Myths of the Near Future. Jonathan Cape, 1982.
  • Ballard, J. G. The Disaster Area. Jonathan Cape, 1967. First edition hardback, a Fine copy in a Near Fine dust jacket with edgewear and a few tiny spots of rubbing to dust jacket rear. Replaces a copy with a far more worn dust jacket. Bought for $100 at Half Price Books during a coupon sale.

    Disaster Area

  • Ballard, J. G. The Drought. Jonathan Cape, 1965. First hardback edition and first complete edition, a Near Fine+ copy, with spine of book itself slightly discolored and small sticker for London bookseller Foyles on inside cover, in a Fine dust jacket. Currey, page 22. Goddard and Pringle, J. G. Ballard: The First Twenty Years, item 59. Bought for $212.50, marked down from $425.

  • Ballingrud, Nathan, and Eileen Gunn. North American Monster Stories. Small Beer Press, 2013. Paperback chapbook original, Fine.
  • Banks, Iain. The Quarry. Little Brown, 2013.
  • Bear, Elizabeth. Book of Iron. Subterranean Press, 2013. Number 65 of 250 signed, numbered copies.
  • Bear, Elizabeth. Book of Iron. Subterranean Press, 2013. Trade edition.
  • Bear, Greg. Early Harvest. NESFA Press, 1988. First edition hardback, #173 of 250 signed, numbered copies (800 print run total), a Fine copy in a Fine dust jacket and slipcase. Supplements a signed trade copy. Bought off the Internet for $37.50.
  • Beaumont, Charles. The Intruder. Centipede Press, 2013. First edition thus, one of 200 copies signed by editor Roger Anker, William F. Nolan, and J.K. Potter. Basis of the Roger Corman film starring William Shatner.
  • Beaumont, Charles and John Tormerlin. Run From the Hunter. Centipede Press, 2013. First edition thus and first edition under authors’ actual names, one of 200 copies signed by John Tomerlin and J.K. Potter.
  • Beyer, William Gray. Minions of the Moon. Gnome Press, 1950. First edition hardback, a Very Good+ copy with small spotting to front and rear boards and wear at top and bottom boards, in a Near Fine+ dust jacket with wear along spine and front panel join and slight edgewear elsewhere; a really nice example of the Edd Cartier dust jacket. The eighth Gnome Press book. Chalker/Ownings (1991), page 198. Kemp, The Anthem Series, page 197. Trying to collect the entire Gnome Press line…

    Minions Moon

  • Blaylock, James P. with Kim Stanley Robinson. Two Views of a Cave Painting b/w Escape From Kathmandu. Axolotl Press, 1986. First edition hardback, #43 of 300 signed, numbered hardback copies, a Fine copy in a Fine dust jacket.
  • Bleiler, Richard. Supernatural Fiction Writers. Charles Scribner’s Sons/Thomson/Gale, 2003. First edition hardbacks of the Second Edition (stated inside, not on the cover), a two volume set, Fine- copies with slight dust soiling at heel in decorated boards with slight haze rubbing, sans dust jacket, as issued. Non-fiction reference work. Bought for $40, including dealer discount, which I though was a pretty good price, since non-Ex-Library copies list in the multiple hundreds. Note that the first edition was edited by the late E. F. Bleiler, while this second edition is edited by his son (who I’ve sold many a book to over the years…)
  • (Blish, James) Stableford, Brian M. A Clash of Symbols: The Triumph of James Blish. Borgo Press, 1979. First edition hardback, a Fine copy in a Fine dust jacket (somewhat uncommon for Borgo, who usually went for plasticized decorated boards for their hardbacks), #17 of 62 signed/numbered copies signed by Stableford. Bought for $28. Non-fiction critical work, part of the Milford series, which I pick up in hardback when I chance across them for authors I’m interested in.
  • Brackett, Leigh. The Sword of Rhiannon. Boardman, 1955. First hardback edition (“First published in Great Britain, 1955″, as per Currey), a Fine- copy with slight bend at head and heel and foxing to interior gutters, in a Very Good dust jacket with 1/4” of wear rubbing/chipping (dust jacket is present, but image has been worn away) at head, a similar, smaller amount of wear at heel, a shallow chip with associated wear at top rear, and crease along front cover spine join running the entire length of the jacket, and wear along extremities; despite all that, the rest of the jacket is quite bright and attractive. Currey, page 53. Cawthorn & Moorocock, Fantasy: The Hundred Best Books 75. A fairly uncommon book these days.

  • Bradbury, Ray. Collected Short Stories. Petersen Publishing Company (The Great Author Series), 2002. Presumed first edition hardback (no additional printings listed), a Fine copy in decorated boards, sans dust jacket, presumably as issued.

  • Bradbury, Ray. The Dragon. Footsteps Press, 1988. First edition chapbook, #72 of 300 signed, numbered copies, Fine. Has affixed wrappers with a transparent blue Mylar window (there were evidently also red and yellow window variants).

  • Bradbury, Ray. Driving Blind Avon Books, 1997. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed by Bradbury: “Marilyn! /Onward!/Ray Bradbury/Oct. 18, ’97”. Bought for $20 off eBay.
  • Bradbury, Ray. The Homecoming. Collins Design, 2006. First edition hardback in decorated boards, a Fine copy in a Fine dust jacket, signed by Bradbury. Illustrated by Dave McKean. Short story done as a short illustrated book. Bought for $30.51 off eBay.

  • Bradbury, Ray. The Veldt. The Perfection Form Company, 1982. (Possible) First edition chapbook original, a Fine copy in stapled wraps, inscribed by Bradbury on the cover. Reading comprehension questions at the back.

  • Bradbury, Ray. With Cat for Comforter. Gibbs Smith Publisher, 1997. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bradbury. Illustrated by Louise Reinoehl Max. Short poem turned into an illustrated children’s book. Replaces an unsigned copy in my library. Bought for $16.66 off eBay.

  • Bradley, Marion Zimmer. The Sword of Aldonis. Gregg Press, 1977. First hardback edition, Fine- with a trace of wear at tips, sans dust jacket, as issued. Darkover novel. Currey (1978), page 61.
  • Bradley, Marion Zimmer. The Heritage of Hastur. Gregg Press, 1977. First hardback edition, Fine- with a trace of wear at tips, sans dust jacket, as issued. Darkover novel. Currey (1978), page 62. Bought more as part of my long-term goal of collecting all the Gregg Press first editions…
  • Bramah, Earnest. The Moon of Much Gladness. Cassell & Company, 1932. First edition hardback (Berro A17), a Fine- copy with slight bends at head and heel in a VG+ dust jacket with a 1/8″ chip at rear head join, slight cracking at top edge of front cover, and dust soiling to rear, otherwise a fairly bright and attractive copy of a book seldom offered in dust jacket. Bought for $300 off the Internet from a major SF book dealer. (What appear to be tiny spots of white rubbing to the black dj are in fact scanner artifacts.)

    Moon Much Gladness

  • Brundage, Margaret (edited by Stephen D. Korshak and J. David Spurlock). The Alluring Art of Margaret Brundage, Queen of Pulp Pin-Up Art. Vanguard Productions/Shasta Phoenix, 2013. First edition hardback, slipcased limited edition with 16 additional pages of art, a Fine copy in a Fine dust jacket, new and unread. Brundage was the woman who did all those great “damsel in distress” covers for Weird Tales in the 1930s, and it’s great to finally have a book of her art.

    P1000125

  • Brunner, John. The Man Who Was Secrett and Other Stories. Ramble House/Dancing Tuatara Press, 2013. First edition POD hardback, Fine/Fine.
  • Budrys, Algis. Cerberus. Pulphouse, 1989. First edition hardback, #53 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket. Part of the “Pulphouse Convention Series.” Fourth book Pulphouse did, and the first one that wasn’t an issue of their namesake hardback magazine.
  • Campbell, Ramsey. Scared Stiff: Tales of Sex and Death. Scream Press, 1987. First edition hardback, #130 of 250 signed, numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued, in a Fine slipcase. Bought for $20. I’m sort of collecting a complete Scream Press collection, but it’s fairly low on my list of priorities…
  • Carriger, Gail (pen name of Tofa Borregaard). Heartless. Orbit, 2011. Paperback original, a Fine- copy. Parasol Protectorate #4.
  • Chabon, Michael. Fountain City: A Novel Wrecked. McSweeney’s, 2010. First edition paperback original, a small, slightly oblong format, roughly 5 1/4″ high, by 6 1/4″ long, a Fine- copy in Fine- fold over wrappers (which fold out into a sort of map picture), with a tiny, 1/16″ cut to top font cover. The opening chapters of a novel Chabon abandoned. Bought for $22.50, down from $45.

  • Clarke, Arthur C. Imperial Earth. Gollancz, 1975.
  • Clement, Hal (writing name of Harry C. Stubbs). Fossil. DAW, 1993. First edition paperback original, Fine- with a tiny bit of edgewear.
  • Clement, Hal. Small Changes. Doubleday, 1969. First edition hardback, a Near Fine+ copy with blindstamp on title page and crimping at head and heel, in a Near Fine- dust jacket with dust soiling to white background and a small closed tear and associated wrinkle to top front flap. Signed “”Hal Clement” (Harry C. Stubbs)”. Not overly common these days. Bought for $28.
  • Dick, Philip K. The Collected Stories of Philip K. Dick Volume 4: Minority Report. Subterranean Press, 2013. First thus.
  • Dick, Philip K. A Handful of Darkness. Rich & Cowan, 1955. First edition hardback, Currey binding A (blue boards lettered in silver) in a first state dust jacket (no mention of World of Chance), an Ex-Library copy with most of the usual flaws, including protected dust jacket flaps taped to boards (and inner cardboard sleeve additionally taped) and stamp for Eeeling Science Fiction Postal Library on inner cover; dust jacket is completely intact, the only flaws being “D11/2” written in white on bottom spine just above publisher, and slight dust staining to white rear cover; call it a VG/NF Ex-Lib copy. Levack, 21a. Currey (1978), page 157. Dick’s first short story collection and first hardback book. (Hairline crack on left is a scanner artifact.)

  • (Dick, Philip K.) Peake, Anthony. A Life of Philip K. Dick: The Man Who Remembered the Future. Arcturus, 2013. Non-fiction.
  • Di Filippo, Paul. Time’s Black Lagoon. DH Press, 2006. Paperback original, a Fine, unread copy. Sequel to the movie The Creature From the Black Lagoon.
  • Dozois, Gardner and George R. R. Martin, editors. Songs of Love & Death. Gallery Books, 2010.
  • Egan, Greg. The Eternal Flame (Orthogonal Book 2). Night Shade Books, 2012.
  • Ellison, Harlan. All the Lies That Are My Life. Underwood/Miller, 1980. First edition hardback, one of 400 unsigned trade hardcover copies, a Fine copy in a Fine dust jacket. Chalker/Owings, page 432.
  • Ellison, Harlan. Harlan Ellison is Watching. Underwood/Miller, 1989. First edition hardback, #46 of 600 signed, numbered copies, a Fine copy in a Fine dust jacket and slipcase. Chalker/Owings, page 440.
  • Ellison, Harlan. Stalking the Nightmare. Phantasia Press, 1982. First edition hardback, #240 of 700 signed hardback copies, a Fine copy in a Fine dust jacket and slipcase. Supplements a copy of the trade edition. Chalker/Owings, page 340.
  • Farmer, Philip Jose. Lord Tyger. Doubleday, 1970. First edition hardback, a Fine- copy with slight crimping at head and heel and trace of foxing along gutters, in a Fine- dust jacket with slight darkening to spine and a few traces of dust soiling. Signed by Farmer. Farmer’s SF take on Tarzan. Currey (1979), page 153. Bought for $60.

    Lord Tyger

  • Gaiman, Neil. Fortunately the Milk…. HarperCollins (UK), 2013. First edition hardback (the UK and U.S. edition were evidently simultaneous), slipcased limited edition (“with exclusive bookmark”) sold by UK bookstore chain Foyle’s signed by Gaiman and illustrator Chris Riddle, a Fine copy, sans dust jacket, as issued, still in shrinkwrap. I think this state came out about a month after the trade edition. Young adult novella. Bought for £19.99 plus shipping off eBay.

    Gaiman Milk

  • Gaiman, Neil, with David McKean. Mythological Creatures. The Royal Mail, 2009. First edition folded broadside, legal-paper sized printed cardstock, two-sided, with six stamps in attached Mylar pouches, Fine. Collectable stamp folder with six mini-stories by Gaiman, one for each mythological creature on the stamps, with Dave McKean art. An odd item I only recently became aware of, and one that may frustrate Gaiman completists a few years hence…

    Mythical Creatures

  • Gibson, William. Zero History. Putnum, 2010. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Gibson. Bought for $12 (marked down from $20) at a Half Price Books during a coupon sale.
  • Haldeman, Joe. A Separate War and Other Stories. Ace, 2006.
  • Harrison, Harry. Skyfall. Faber & Faber, 1976. First edition hardback, a Fine copy in a Fine dust jacket, signed and dated (“82”) by Harrison. Bought for $20.
  • Heinlein, Robert A. The Number of the Beast. New English Library, 1980. First hardback edition, a Fine copy in a Fine dust jacket. Reportedly Heinlein’s worst novel, but if you’re collecting the whole set…

    Heinlein Number Beast

  • Heinlein, Robert A. The Puppet Masters. Doubleday, 1951. First edition hardback, a Fine- copy with slight foxing to endpapers and tiny touches of wear at heel in a in a Near Fine- dust jacket with extremely shallow surface chipping at head and slight fading of purple coloring on spine. A very nice copy of one of Heinlein’s most important early novels. Currey (1978), page 233. Pringle, SF 100 4.

    Puppet Masters

  • (Heinlein, Robert A.) Patterson, William H. Robert A. Heinlein in Dialogue With His Century Volume 1: Learning Curve: 1907-1948. Tor, 2010. First edition hardback, a Fine copy in a Fine dust jacket. Non-fiction biography.
  • Hill, Joe. Locke & Key 3: Crown of Shadows. Subterranean Press, 2013. #31 of 250 signed, numbered copies, in slipcase. Graphic novel.
  • Howard, Robert E. Cormac MacArt Baen, 1995. First edition paperback original, Fine- with a tiny bit of edgewear, foxing inside covers, and a phantom crease along rear cover. Mostly reprints Howard stories from Tigers of the Sea, but adds a new Cormac MacArt story by David Drake.
  • Howard, Robert E. Kull Baen, 1995. First edition paperback original thus (“First Complete Edition”), a Fine copy.
  • Howard, Robert E. Kull: Exile of Atlantis. Subterranean Press, 2013. Hardback first edition thus, #305 of 1,500 copies signed by artist Justin Sweet, a Fine copy in a Fine dustjacket and slipcase.
  • Howard, Robert E. The Sower of Thunder. Donald M. Grant, 1975. First edition hardback, a Fine copy in a Fine dust jacket, signed by illustrator Roy G. Krenkel. Currey (1978), page 252.
  • Howard, Robert E. (edited by Robert M. Price). Nameless Cults: The Cthulhu Mythos Fiction of Robert E. Howard. Chaosium, 2001. Trade paperback original, Fine. Includes four Howard story fragments finished by others.
  • Hubin, Allen J. Crime Fiction, 1749-1980: A Comprehensive Bibliography with 1981-1985 Supplement to Crime Fiction, 1749-1980: A Comprehensive Bibliography. Garland, 1984/1988. First edition hardbacks, Near Fine copies with dust staining at head and traces of wear at points and heel, sans dust jacket, as issued. Bought from Half Price Books for $5 for the set (marked down from an original price of $60). I’m a sucker for comprehensive bibliographies…
  • (Jeter, K. W. and Ferret, as Dr. Adder and Mink Mole). Alligator Alley. Morrigan Books, 1989. First edition hardback, copy #104 of 210 signed, numbered copies, a Fine copy in a Fine dust jacket and slipcase, as well as a cassette tape of material related to the novel. Does not include the T-shirt that was sold with some of the slipcased copies. Supplements my trade edition. Jeter told me he actually had very little to do with the novel…
  • Jones, Sergent Morgan, and Damien Lewis. The Embassy House. Threshold Editions, 2013. Non-fiction on Benghazi embassy attack. Withdrawn by the publisher under political pressure.
  • Jones, Stephen, Editor. Weird Shadows Over Innsmouth. Fedogan & Breamer, 2005. Cthulhu Mythos anthology.
  • Jones, Stephen, Editor. Weirder Shadows Over Innsmouth. Fedogan & Breamer, 2013. Cthulhu Mythos anthology.
  • Klaw, Rick, editor. Rayguns Over Texas. Fandom Association of Central Texas, 2013. First edition trade paperback original, a Fine copy, new and unread, signed by 13 of the contributors. Anthology of SF stories from Texas writers published for the 2013 Worldcon in San Antonio. I have a story in here, “Novel Properties of Certain Complex Alkaloids,” that’s like a Greg Egan story by way of H. P. Lovecraft and Timothy Leary. Introduction by Bruce Sterling. This copy signed by myself, editor Rick Klaw, cover artist Rocky Kelly, Don Webb, Chris Brown, Matthew Bay, Stina Leicht, Nicky Drayden, Rhonda Eudaly, Derek Austin Johnson, Marshall Maresca, Sanford Allen, and Josh Roundtree. I also have an additional copy inscribed to me by several of the contributors in my contributor copy library.
  • (Koontz, Dean R.) Kotker, Joan G. Dean Koontz: A Critical Companion. Greenwood Press, 1996 (stated; probably more recent). Reprint hardback, Fine, sans dust jacket, as issued. Non-fiction.
  • Lake, Jay. Dogs in the Moonlight. Prime Books, 2004. First edition hardback, a Fine copy in a Fine- dust jacket with a bit of wear at the tips. Signed by Lake. Missed this when it came out, mainly because Prime was still part of Wildside. Bought for $24 off the Internet.
  • Lake, Jay. Endurance. Tor, 2011. Signed by Lake. Bought for 20% off cover at the San Antonio Worldcon.
  • Lansdale, Joe R. Bleeding Shadows. Subterranean, 2013. Short story collection.
  • Lansdale, Kasey, editor. Impossible Monsters. Subterranean Press, 2013.
  • Leiber, Fritz. The Moon is Green and Other Tales. Armchair Fiction, 2013. First edition trade paperback original (POD), a Fine copy, new and unread.
  • (Leiber, Fritz) Morgan, Chris. Fritz Leiber: a bibliography, 1934—1979. Morgenstern, 1979. Chapbook original, one of 1000 copies, a Near Fine+ copy with spots of age darkening to cover.
  • Leinster, Murray and Charles L. Fontenay. Planet of Dread b/w Twice Upon a Time. Armchair Fiction, 2010. First edition trade paperback original (POD), a Fine copy, new and unread. Honestly, I just picked this up for the cool, retro giant spider cover.

  • Lem, Stainslaw. A Perfect Vacuum. Harcourt Brace Jovanovich, 1979. First English language edition hardback, a Fine copy in a Fine- dust jacket with small closed tear at bottom front and a few touches of wear. Reviews of imaginary books. Replaces an Ex-Library copy in my library.
  • Lethem, Jonathan. Chronic City. Doubleday, 2009.
  • Littell, Jonathan. The Kindly Ones. Harper, 2009. First U.S. edition of a book original published in French as Les Bienveillantes, a Fine copy in a Fine- dust jacket with a few touches of wear at edges. In 1989 Littell published a 3rd-generation cyberpunk PBO called Bad Voltage, then slipped from public view until he published Les Bienveillantes, a novel about the Holocaust, in France in 2006 (he’s a dual U.S. French citizen), which won the prestigious Prix Goncourt literary award.
  • (Lovecraft, H.P.) Lockhart, Ross E., editor. The Book of Cthulhu II. Night Shade Press, 2012. Trade paperback original. Anthology.
  • Martin, George R. R. and John J. Miller. Wild Cards Volume VII: Dead Man’s Hand. Bantam Spectra, 19990. First edition paperback original, a Fine- copy with a trace of edgewear.
  • (Martin, George R. R.) Samuelson, Todd, Editor. Deeper Than Swords: Celebrating the Work of George R. R. Martin. Texas A&M University Cushing memorial Library and Archives, 2013. Oversized trade paperback, a Fine copy. Illustrated critical companion to Martin’s work, published as part of an event at the library with Martin on March 22, 2013.
  • Matheson, Richard. The Memoirs of Wild Bill Hickock. Jove, 1996. Paperback original, VG with creasing.
  • Matheson, Richard. The Shrinking Man. Gregg Press, 1979. First Gregg Press edition, Fine, sans dust jacket, as issued.
  • Mieville, China. London’s Overthrow. The Westbourne Press, 2012. First edition trade paperback original, Fine, new and unread. Non-fiction. Appears to be a political rant with pictures.
  • McDevitt, Jack. Echo. Ace, 2010. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of wrinkling at top edge.
  • Moorcock, Michael. Sailor on the Seas of Fate. Quartet Books, 1976. First edition hardback, a Near Fine copy with a chip out of the corner of the front free endpaper, in a Fine dust jacket. Currey, page 372.
  • Moore, C.L. Judgment Night. Gnome Press, 1952. First edition hardback, a Near Fine+ copy with slight crimping at head and heel, mild foxing to inner gutters, and a few tiny spots of wear to bottom boards, in a Near Fine+ dust jacket with 1/4″ closed tear at heel, slight wrinkling at rear head, and a touch of edgewear. A truly superb, bright example of the dust jacket. Collection of five longer stories. Currey (1978), Page 377. Chalker/Owings (1991), page 199. Anatomy of Wonder 4, 3-130. Another notable book from the golden age of the genre small press. Bought for $65 off eBay.

    Judgment Night

  • Picacio, John. John Picacio 2014 Calendar. Lone Boy, 2013. First edition, Fine, signed by the artist, with Kickstarter specials, including six oversized loteria cards, a sketcbook, and a signed pencil.

    P1000119

  • Pohl, Frederik, with Jack Williamson. The Saga of Cuckoo. Nelson Doubleday (SFBC), 1983. First edition thus and first hardback (a book club omnibus edition of Farthest Star and A World Around a Star, both previously published only in paperback), code “N34” on page 433 (as per ISFDB), a Fine- copy with a tiny bit of crimping at head and heel, in a Fine dust jacket. Signed by both Pohl and Williamson. Bought for $22.50 off eBay.
  • Powers, Tim/James P. Blaylock. The Way Down the Hill/The Pink of Fading Neon. Axoltl Press, 1986. First Edition hardback, #178 of 300 hardback copies by both authors and introducers Ed Bryant and Charles De Lint, a Fine copy in a Fine dust jacket. Bought for $30 plus shipping from Heritage Auctions. One of those books I wasn’t sure whether I owned or not, since I had the other Axolotl Press Powers and Blaylock books…
  • Rainey, Stephen Mark. Song of Cthulhu. Chaosium, 2001. Trade paperback original, Fine. Anthology.
  • Reynolds, Alastair. Dr. Who: Harvest of Time. BBC Books, 2013. Signed by Reynolds at the 2013 San Antonio Worldcon.
  • Roberts, Adam (as A. R. R. R. Roberts). The Soddit, or Let’s Cash In Again. Gollancz, 2003. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Roberts. Parody of The Hobbit.
  • Robinson, Kim Stanley. 2312. Orbit, 2012. First UK edition (I think the U.S. precedes by two days), a Fine- copy with slight wrinkling to top of dust jacket.
  • Schweitzer, Darrell. Cthulhu’s Reign. DAW, 2010. paperback original, Fine. Anthology.
  • Sennholz, Mary. On Freedom and Free Enterprise. Von Nostrand, 1956. First edition hardback, a Near Fine copy with slight dust-staining to head and crimping at head and heel in a very Good+ dust jacket with 1/4″ tears at head and heel. Collection of free market essays, published in honor of the 50th anniversary of Ludvig von Mises’ receiving his doctorate. Bought for $5 at Half Price Books.
  • Shaver, Richard S. The Shaver Mystery, Book One. Armchair Fiction, 2011. First edition trade paperback original, Fine, new.
  • Shaver, Richard S. The Shaver Mystery, Book Two. Armchair Fiction, 2011. First edition trade paperback original, Fine, new.
  • Shaver, Richard S. The Shaver Mystery, Book Three. Armchair Fiction, 2012. First edition trade paperback original, Fine, new.
  • Shaver, Richard S. The Shaver Mystery, Book Four. Armchair Fiction, 2013. First edition trade paperback original, Fine, new. The four volumes collect stories and ancillary material from the “Shaver Mystery,” Shaver’s weird, strangely compelling conspiracy theory/alternate reality in which a hateful race of “deros” (“detrimental robots”) lived inside he earth, beaming mind-control rays at surface dwellers (and occasionally kidnapping them for torture, food, or sport). Shaver’s elaborate, unhinged vision brought a vast legion of cranks out of the shadows and onto the subscriber ranks of Amazing, whose editor Ray Palmer started publishing Shaver’s stories in the 1940s, which was to have a considerable impact on SF fandom. I doubt much of this has seen print since it’s original appearance in Amazing, or in Palmer’s subsequent The Hidden World. If you’re a connoisseur of crank literature, Shaver is up there with the whackiest.
  • Shea, Michael. Assault on Sunrise. Tor, 2013. Sequel to The Extra.
  • Shea, Michael. The Incomplete Nifft. Baen, 2000. First edition paperback original thus, an omnibus edition of Nifft the Lean and The Mines of Behemoth, a NF copy, with a crease on the bottom back cover.
  • Silverberg, Robert. Capricorn Games. Random House, 1976. Signed by Silverberg. Currey (1979), page 436.
  • Silverberg, Robert. The Collected Stories of Robert Silverberg Volume 8: Hot Times in Magma City: 1990-1995. Subterranean Press, 2013. Fine, sands dust jacket, as issued.
  • (Simak, Clifford D.) Becker, Muriel R. Clifford D. Simak: a primary and secondary bibliography. G. K. Hall, 1980. First edition hardback, a Fine copy, sans dust jacket, as issued. Non-fiction. I do wish the books were separated from the short fiction listings…
  • Smith, Clark Ashton. Lost Worlds. Arkham House, 1944. First edition hardback, a Near Fine+ copy with slight crimping at head and heel, bump to top front corner, usual age darkening to pages, and a trace of foxing to gutters, in a Near Fine dust jacket with age darkening to light-colored portion of spine, short closed tear and associated 1/2″ wrinkle crease at head, a tiny bit of rubbing at heel, and age darkening around edges and crease folds. Smith’s second prose collection and the seventh Arkham House book published. Currey (1978), page 453. Locke, Spectrum of Fantasy One, page 200. Bleiler, Guide to Supernatural Fiction, 1485. Tymn, 4-202. Joshi, Sixty Years of Arkham House 7. Derleth, 30 Years of Arkham House, 7. Jaffery (1982), 7. Nielsen, 7. Bought for $172 off the Internet.

    CAS Lost Worlds

  • Smith, Edward E., Ph.D. Skylark Three. Fantasy Press, 1948. First edition hardback, one of 500 subscriber copies with a signature page inscribed by Smith bound in: “To Hugh F. Henry—/Three in a row — Hot dog!/And thanks a million for/the compliment./Edward E. Smith, Ph.D.” (Doc Smith had marvelously clear handwriting), a Fine- copy with a tiny bit of crimping at head and heel and faint foxing to gutters, in a Near Fine dust jacket with slight rubbing to top 1/2″ of front, slight edgewear at head, and slight dust soiling to rear cover. E. E. “Doc” Smith is someone I only pick up as a target of opportunity, but I couldn’t pass up a chance to pick up a very attractive example of one of the Fantasy Press subscriber copies for one of their most popular writers for approximately $150 after sale discount.

  • Smith, George O. The Brain Machine. Garland Press, 1975. First hardback edition, Fine, sans dust jacket, as issued. Originally a paperback original under the title The Fourth “R”. Currey (1979), page 458. Garland, like Gregg Press, usually did interesting hardback reprints.
  • Smith, George O. Hellflower. Abelard Press, 1953. First hardback edition, a Fine copy in a Near Fine+ dust jacket with slight spine fade to red portions and tiny traces of wear, otherwise a complete, bright and attractive dust jacket. Currey (1979), page 458.

    Hellflower

  • Stephenson, Neal. Some Remarks. Atlantic Books, 2012. First UK edition. Non-fiction.
  • Sturgeon, Theodore. A Touch of Sturgeon. Simon & Schuster (UK), 1987. Fine-/Fine- with sight crimping at head.
  • Swainston, Steph. The Modern World. Inscribed by the author: “S. Swainston/12.05.07/’All things from eternity are of like forms/And come round in a circle.’ — Marcus Aurelius”. With photograph of the author laid in. Bought for $24. I should really get around to reading The Year of Our War some day…
  • Swanwick, Michael. Moon Dogs. NESFA Press, 2000. First edition hardback, one of 175 signed slipcased copies, a Fine copy in a Fine dust jacket. Supplements an inscribed trade copy.
  • Swanwick, Michael. Tumbling. Dragonstairs Press, 2013. First edition micro-chapbook original, 3″ x 2 3/4″ inches, #10 of 50 signed, numbered copies, Fine, new and unread.

  • Taine, John. The Time Stream. Buffalo Book Company, 1946. First edition hardback, a Near Fine copy with foxing to inside covers and a few faint pinpoint spots on boards, in a VG- dust jacket with uneven loss to top edge, mostly 1/16″ but occasionally as much as 1/4″. According to Chalker/Owings (1991), page 78, only 500 copies were ever bound, and half of those were lost in a rainstorm. Currey (1979), page 29. Bleiler Checklist, 1978, page 191. Locke, Spectrum of Fantasy One, page 211. 333, page 63. An important early SF specialty book.

    Taine Time Stream

  • Tucker, Wilson. Ice and Iron. Doubleday, 1974. First edition hardback, a Fine copy in a Fine- dust jacket with edgewear at head and heel, with review slip laid in. Inscribed by Tucker: “For Dave, at Nashville,/Wilson Bob Tucker/May 19, 1979”. Tucker was famous both as a writer and as a noted fan. Bought for $20.
  • Turner, Gary, and Marty Halpern. The Silver Griffith. Golden Gryphon, 2003. First edition hardback, #34 of 100 numbered copies signed by all the contributors, a Fine copy in a Fine dust jacket, in slipcase.
  • Utley, Steven. Silurian Tales — Volume 1: The 400-Million-Year-Itch. Ticonderoga, 2012.
  • Utley, Steven. Silurian Tales — Volume 2: Invisible Kingdoms. Ticonderoga, 2012.
  • Vance, Jack. Araminta Station. Underwood Miller, 1987. First edition hardback, #443 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase. First book of the Caldwell Chronicles. Precedes both the NEL and Tor editions by six months. Hewett, A79. Chalker/Owings (1991), pages 437-438. Bought for $120.

    Araminta Station

  • Vance, Jack (as John Holbrook Vance). The Deadly Isles. Bobbs-Merrill, 1969. First edition hardback, a Fine- copy with a tiny bit of crimping at head and heel in a Fine- dust jacket with a few bare traces of dust soiling and a tiny bit of rubbing at extremities. Overall a beautiful copy of this Vance mystery. Currey, p. 497. Hewett, A33.

    Vance, Jack. Gold and Iron. Underwood/Miller, 1982. First edition hardback, a Fine copy in a Fine- dust jacket with a slight wrinkle at rear heel. Previously published in paperback as Slaves of the Klau. Hewett, A9e.

    Vance Gold Iron

  • Vance, Jack. Lyonesse: Suldrun’s Garden. Underwood/Miller, 1983. First hardback edition, #78 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. (Note: Unlike the signed, numbered edition of Lyonesse: The Green Pearl, this was not issued in a slipcase.) Hewett, A70b. Chalker/Owings (1991), page 436. Supplements my copy of the unsigned library edition in decorated boards issued without a dust jacket. Bought for $100.

    Suldrun's Garden

  • Vinge, Joan D. World’s End. Bluejay Books, 1984. First edition hardback, #127 of 750 signed numbered copies in slipcase, a Fine copy in a Fine dust jacket. This copy has been additionally inscribed by Vinge: “To Marcia Adams/-with all my best wishes-!/Joan D. Vinge/2005.” There was a PBS cooking show host and cook book author by that name who died in 2011; not sure if that’s who it’s inscribed to or not. I do wonder how many of these slipcased hardcovers Bluejay Books did. I have their slipcased edition of K. W. Jeter’s Dr. Adder, and I know they did a few others, but there does not appear to be a list online. I’ll write Jim Frenkel and ask…
  • Waldrop, Howard. The Horse of a Different Color. Small Beer Press, 2013. Inscribed to me to by the author.
  • Webb, Don. The War With The Belatrin/A Velvet of Vamphyres. Wildside, 2012. Trade paperback original, a Fine copy, inscribed by Webb.
  • Webb, Don & Gary Lovisi. Do the Weird Crime, Do The Weird Time/Gargoyle Nights. Wildside, 2012. Trade paperback original, a Fine copy, inscribed by Webb.
  • Weinbaum, Stanley G. Dawn of Flame. Ruppert Printing Service (for The Milwaukee Fictioneers), 1936. One of only 245 copies of the Currey B state (with the Lawrence A. Keating introduction), a Near Fine+ copy with very faint spine creasing and slight gray staining to bottom page block (or possibly where the red page block staining has worn away), sans dust jacket, as issued. Currey, page 510. Chalker/Owings, page 279. Bleiler, Checklist (1978), page 204. Locke, Spectrum of Fantasy (I), page 224. Bought at the San Antonio Worldcon for $1,200 (negotiated down from $1,500) from Erle Melvin Korshak. And if I’m remembering correctly, it was on consignment from Sam Moskowitz’s widow through Robert Weinberg to Korshak.

  • Wellman, Manly Wade. The Ghost Battalion. Ives Washburn, 1958. First edition hardback, most likely a repaired Ex-Library copy, Very Good with tape ghosts on boards, front free endpaper excised and another attached in it’s place, slight wear at heel, dust soiling at head, and slight crimping at head and heel, in a Near Fine dust jacket with edgewear and about 1/16″ inch of color loss at heel, and possible spine fading (hard to tell, since it’s a different color than the front and back covers). Second book in the Iron Scouts Civil War YA trilogy. Bought for $18 off eBay.

    Ghost Batallion

  • Wellman, Manly Wade. What Dreams May Come. Doubleday, 1983. First Edition hardback, a Fine copy in a Fine dust jacket, with signature plate signed by Wellman attached to front free endpaper. Features supernatural detective John Thundstone. Replaces an Ex-Library copy in my collection. Bought for $20 from a major SF book dealer.

    Wellman What Dreams

  • Wellman, Manly Wade. Worse Things Waiting. Carcosa, 1973. First edition hardback, Trade Edition issue, a Fine- copy with a couple of pinpricks of wear, in a Fine dust jacket. Inscribed to fellow horror writer Dennis Etchison: “Better Things Waiting/for/Dennis Etchison/Manly Wade Wellman/Dec 7, 1979”. Being a Wellman collector, I could hardly pass up an associational copy of this, his best and most important collection, inscribed to another top horror writer. (This is the second Wellman-inscribed association copy I own along with Third String Center inscribed to Wellman’s own brother, western writer Paul I. Wellman.) Currey (1979), page 515. Chalker/Owings (1991), page 87. Bleiler, Guide to Supernatural Fiction, 1672. Jones/Newman, Horror 100, 70. Bought for $100.

    Worse Things Waiting

    Worse Things Inscription

  • Wells, H. G. (edited by Robert Philmus and David y. Hughes). Early Writings in Science and Science Fiction by H. G. Wells. University of California Press, 1975. Presumed first edition hardback (no additional printings listed), a Fine- copy with slight crimping at head and heel and trace of foxing to inside front covers, in a VG- dust jacket with a 1/2″ square chip missing from bottom front cover and a 3/8″ chunk tapering to a point over 3″ missing at top rear. Not in Currey. Reginald, 1975-1991, 36697. Dictionary of Literary Biography: Volume 178: British Fantasy and Science-Fiction Writers Before World War I, page 242. Not a great dust jacket, but it was only $8, and copies online are somewhat pricey…
  • Wilson, Gahan. Everybody’s Favorite Duck. Mysterious Press, 1988.
  • Wolfe, Gene. Home Fires. Tor, 2010. Already read it in ARC.
  • Wolfe, Gene. A Wolfe Family Album. United Mythologies Press, 1991. First edition chapbook original, a Fine copy. Signed by Gene Wolfe. Chapbook of mostly Wolfe family photos, evidently issued with the hardback edition of Letters Home (which I’ve owned for some time, but which didn’t come with the chapbooks when I bought it).

    Wolfe Family Album

  • Wolfe, Gene (Mooney, J. E. and Bill Fawcett, editors. Shadows of the New Sun: Stories in Honor of Gene Wolfe. Tor, 2013. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. A tribute anthology.
  • Zelazny, Roger. Home is the Hangman. SFBC, 1996. First separate hardback edition. Kovacs, VI-7-a.
  • Zelazny, Roger. Knight of Shadows. Ultramarine Press, 1989. First limited hardback edition, #20 of 40 signed, numbered copies, bound in quarter leather, a Fine copy, sans dust jacket, as issued. Kovacs, 27-d-i. Chalker/Owings (1991), page 612. Proof that being a collector drives you slightly insane. (“Slightly?” asks the peanut gallery.) Ultramarine Press would take the sheets of the trade edition, then add a signed limitation page and leather binding. Honestly, I’m less than impressed with both their business model and most of the books produced, and I’m not too wild about post-first edition limiteds, but this edition seems nicer than many, 40 is a pretty low limitation for a Zelazny limited, and since I have such an extensive Zelazny collection, I decided to pony up for it. Bought for $240.

    Zelazny Knight

  • Zelazny, Roger, and Thomas T. Thomas. Flare. Baen, 1992. First edition paperback original, Fine.
  • (Zelazny, Roger) Kovacs, Christopher, compiler. The Ides of Octember: A Pictorial Bibliography of Roger Zelazny. NESFA Press/Camelot Books, 2011. First hardback edition, letter M of 21 lettered copies with a Zelazny signature sheet (taken from unused Ultramarine press Zelazny books), a Fine copy in three-quarters bound leather, in a Fine patterned traycase with the pictorial cover from the trade paperback edition, sans dust jacket, as issued. An elaborate aftermarket edition of this Zelazny incorporating unbound NESFA sheets obtained by the compiler. I paid $191 for it, considerably less than the $500 list price it was offered at.

    Octember HD

  • (Zelazny, Roger) Yoke, Karl. Roger Zelazny/Andre Norton: Proponents of Individualism State library of Ohio, 1979. First edition chapbook original, Near Fine+ with some age toning. Non-fiction.

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    Books Bought in Denton December 20, 2013: A through J

    Friday, December 27th, 2013

    And here’s the second set of books, following yesterday’s list of exceptional volumes from the same trip. All are first edition hardbacks, Fine copies in Fine dust jackets, unless otherwise noted.

  • Asimov, Isaac, edited by Stanley Asimov. Yours, Isaac Asimov. Doubleday, 1995. First edition hardback, a Near Fine copy with one tiny black remainder mark I missed, otherwise apparently new and unread, in a Fine dust jacket. Non-fiction collection of Asimov’s letters.
  • Ballard, J. G. Myths of the Near Future. Jonathan Cape, 1982.
  • Beyer, William Gray. Minions of the Moon. Gnome Press, 1950. First edition hardback, a Very Good+ copy with small spotting to front and rear boards and wear at top and bottom boards, in a Near Fine+ dust jacket with wear along spine and front panel join and slight edgewear elsewhere; a really nice example of the Edd Cartier dust jacket. The eighth Gnome Press book. Chalker/Ownings (1991), page 198. Kemp, The Anthem Series, page 197. Trying to collect the entire Gnome Press run as well…

    Minions Moon

  • Blaylock, James P. with Kim Stanley Robinson. Two Views of a Cave Painting b/w Escape From Kathmandu. Axolotl Press, 1986. First edition hardback, #43 of 300 signed, numbered hardback copies, a Fine copy in a Fine dust jacket.
  • Bleiler, Richard. Supernatural Fiction Writers. Charles Scribner’s Sons/Thomson/Gale, 2003. First edition hardbacks of the Second Edition (stated inside, not on the cover), a two volume set, Fine- copies with slight dust soiling at heel in decorated boards with slight haze rubbing, sans dust jacket, as issued. Non-fiction reference work. Bought for $40, including dealer discount, which I though was a pretty good price, since non-Ex-Library copies list in the multiple hundreds. Note that the first edition was edited by the late E. F. Bleiler, while this second edition is edited by his son (who I’ve sold many a book to over the years…)
  • Bradley, Marion Zimmer. The Sword of Aldonis. Gregg Press, 1977. First hardback edition, Fine- with a trace of wear at tips, sans dust jacket, as issued. Darkover novel. Currey (1978), page 61.
  • Bradley, Marion Zimmer. The Heritage of Hastur. Gregg Press, 1977. First hardback edition, Fine- with a trace of wear at tips, sans dust jacket, as issued. Darkover novel. Currey (1978), page 62. Bought more as part of my long-term goal of collecting all the Gregg Press first editions…
  • Budrys, Algis. Cerberus. Pulphouse, 1989. First edition hardback, #53 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket. Part of the “Pulphouse Convention Series.” Fourth book Pulphouse did, and the first one that wasn’t an issue of their namesake hardback magazine.

    Budrys Cerberus

  • Di Filippo, Paul. More Plumage From Pegasus. PS Publishing, 2013. Short humorous fictional vignettes from F&SF.

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    Library Additions: The Signed, Limited Edition of Isaac Asimov’s Nemesis

    Monday, October 21st, 2013

    Picked up another book for my collection:

    Asimov, Isaac. Nemesis. Doubleday, 1989. First edition hardback, number 485 out of 500 signed, numbered copies, a Fine copy in a Fine slipcase, sans dust jacket, as issued.

    This was a serendipitous find. I wasn’t looking for it (since I’m not generally a big fan of Asimov’s later work), but merely entered “signed limited edition” in Amazon’s books section just to see what I would find and this came up at $80. Given that it was originally issued at $125, and given that copies on Bookfinder start at $150, I thought it was a good price. Asimov isn’t actually a hard signature (especially compared to verified Philip K. Dick or Robert A. Heinlein signatures), but he has become fairly pricey one for his first editions.

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    Library Additions: Various Interesting Books Bought on Sale

    Monday, August 12th, 2013

    Unlike the Zelazny or Bradbury book acquisition posts, the only common theme among these books is who I bought them from and why. The who, in this case, is Cold Tonnage Books in the UK. The why is that they had a 40% off sale if you bought more than £500 worth of books. I saw this as a chance to pick up several important first editions cheaper than I would have been able to otherwise. So this is a mixture of first rate titles in areas I collect, valuable firsts too cheap to pass up, signed, pristine copies of some relatively cheap books, and a few odds and ends.

  • Aldiss, Brian. Moreau’s Other island. Jonathan Cape, 1980. First edition hardback, a Fine copy in a Fine dust jacket, signed by Aldiss on the front free endpaper.
  • Aldiss, Brian. This World and Nearer Ones: Essays Exploring the Familiar. Weidenfield and Nicolson, 1979. First edition hardback, a Fine copy in a Fine dust jacket.
  • (Aldiss, Brian) Aldiss, Margaret. Item Eighty-Three: Brian W. Aldiss: A Bibliography: 1954—1972. SF Horizons, (1973). Chapbook, Fine. Non-fiction.
  • Asimov, Isaac. Nine Tomorrows. Doubleday, 1959. First edition hardback, a Fine copy in a Near Fine dust jacket with moderate wear at heel and slight wear along folds. A very nice copy of this important Asimov short story collection. Currey, page 19. Replaces an Ex-Lib copy in my library.

  • Brackett, Leigh. The Sword of Rhiannon. Boardman, 1955. First hardback edition (“First published in Great Britain, 1955″, as per Currey), a Fine- copy with slight bend at head and heel and foxing to interior gutters, in a Very Good dust jacket with 1/4” of wear rubbing/chipping (dust jacket is present, but image has been worn away) at head, a similar, smaller amount of wear at heel, a shallow chip with associated wear at top rear, and crease along front cover spine join running the entire length of the jacket, and wear along extremities; despite all that, the rest of the jacket is quite bright and attractive. Currey, page 53. Cawthorn & Moorocock, Fantasy: The Hundred Best Books 75. A fairly uncommon book these days.

  • Ellison, Harlan. All the Lies That Are My Life. Underwood/Miller, 1980. First edition hardback, one of 400 unsigned trade hardcover copies, a Fine copy in a Fine dust jacket. Chalker/Owings, page 432.
  • Ellison, Harlan. Harlan Ellison is Watching. Underwood/Miller, 1989. First edition hardback, #46 of 600 signed, numbered copies, a Fine copy in a Fine dust jacket and slipcase. Chalker/Owings, page 440.
  • Ellison, Harlan. Stalking the Nightmare. Phantasia Press, 1982. First edition hardback, #240 of 700 signed hardback copies, a Fine copy in a Fine dust jacket and slipcase. Supplements a copy of the trade edition. Chalker/Owings, page 340.
  • (Leiber, Fritz) Morgan, Chris. Fritz Leiber: a bibliography, 1934—1979. Morgenstern, 1979. Chapbook original, one of 1000 copies, a Near Fine+ copy with spots of age darkening to cover.
  • Moorcock, Michael. Sailor on the Seas of Fate. Quartet Books, 1976. First edition hardback, a Near Fine copy with a chip out of the corner of the front free endpaper, in a Fine dust jacket. Currey, page 372.
  • Roberts, Adam (as A. R. R. R. Roberts). The Soddit, or Let’s Cash In Again. Gollancz, 2003. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Roberts. Parody of The Hobbit.
  • (Simak, Clifford D.) Becker, Muriel R. Clifford D. Simak: a primary and secondary bibliography. G. K. Hall, 1980. First edition hardback, a Fine copy, sans dust jacket, as issued. Non-fiction. I do wish the books were separated from the short fiction listings…
  • Smith, Edward E., Ph.D. Skylark Three. Fantasy Press, 1948. First edition hardback, one of 500 subscriber copies with a signature page inscribed by Smith bound in: “To Hugh F. Henry—/Three in a row — Hot dog!/And thanks a million for/the compliment./Edward E. Smith, Ph.D.” (Doc Smith had marvelously clear handwriting), a Fine- copy with a tiny bit of crimping at head and heel and faint foxing to gutters, in a Near Fine dust jacket with slight rubbing to top 1/2″ of front, slight edgewear at head, and slight dust soiling to rear cover. E. E. “Doc” Smith is someone I only pick up as a target of opportunity, but I couldn’t pass up a chance to pick up a very attractive example of one of the Fantasy Press subscriber copies for one of their most popular writers for approximately $150 after sale discount.

  • Turner, Gary, and Marty Halpern. The Silver Griffith. Golden Gryphon, 2003. First edition hardback, #34 of 100 numbered copies signed by all the contributor, a Fine copy in a Fine dust jacket, in slipcase.
  • Vance, Jack (as John Holbrook Vance). The Deadly Isles. Bobbs-Merrill, 1969. First edition hardback, a Fine- copy with a tiny bit of crimping at head and heel in a Fine- dust jacket with a few bare traces of dust soiling and a tiny bit of rubbing at extremities. Overall a beautiful copy of this Vance mystery. Currey, p. 497. Hewett, A33.

    • Also a signed first of Iain Banks A Song of Stone that came in with a couple of dust jacket flaws; I’ll end up marrying the signed book to my existing pristine dust jacket…

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    Library Additions: January 1, 2013—June 13, 2013

    Thursday, June 20th, 2013

    Time for another roundup of the books I’ve bought over the lat (roughly) half year. (Why June 13 rather than the end of the month? Because I’ve just purchased a large Roger Zelazny collection I have yet to catalog, and I want to get all this out of the way and posted before I start cataloging that.)

    As always, all books listed here are Fine first edition hardbacks in Fine dust jackets unless otherwise noted.

  • Anderson, Poul. Homebrew. NESFA Press, 1976. First edition hardback, one of 500 copies signed by Anderson (Currey B, no priority), a Fine- copy with slight bumping at head and heel in a Fine- dust jacket with a tiny bit of dust patterning to rear dust jacket. Currey (1978), pages 10-11. Three short stories plus miscellany.

  • Ashley, Mike, editor. Steampunk. Fall River Press, 2011. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Anthology.
  • Asimov, Isaac. Foundations Edge. Whispers Press, 1982. First limited edition (consensus seems to be that the Doubleday trade edition precedes by about a month), #282 of 1,000 signed, numbered copies, a Fine copy in quarter-bound leather over embossed cloth boards, top edge gilded in real gold, sans dust jacket, as issued. Hugo winner and Nebula Finalist. Chalker/Owings, p. 476. Bought off the Internet for $160.

  • Asimov, Isaac and Theodosius Dobzhansky. The Genetic Effects of Radiation. U.S. Atomic Energy Commission, 1966. Presumed first edition chapbook (no additional printings listed), a Near Fine copy with slight dust soiling and age darkening to covers, and phantom crease to bottom corner. Non-fiction pamphlet. Marjorie M. Miller, Asimov: A Checklist, page 48.

  • Baker, Kage and Kathleen Bartholomew. Nell Gwynnes’s At Land and At Sea. Subterranean Press, 2013.
  • Baxter, Stephen. Gravity Dreams. PS Publishing, 2011. First edition hardback, #17 of 100 signed, numbered copies, Fine in a Fine dust jacket.
  • Benford, Gregory. At the Double Solstice. Cheap Street, 1986. First edition chapbook original, a Fine copy, in original mailing envelope. Chalker/Owings, page 108, which lists this copy (with publisher’s greetings on (unnumbered) page 23) as one of 60 copies thus, one of apparently four states.

  • Benford, Gregory. Time’s Rub. Cheap Street, 1984. First edition chapbook original, a Fine copy, in original mailing envelope. Chalker/Owings, page 107, which lists this copy (with publisher’s greetings on (unnumbered) page 19) as one of 73 copies thus, one of apparently four states.

  • Bishop, Michael and Steven Utley, editors. Passing for Human. PS Publishing, 2009. First edition hardback, #189 of 200 numbered copies signed by all the contributors, supposedly in a slipcase, but this copy actually came in a traycase, Fine in a Fine dust jacket and traycase.
  • Bok, Hannes. Bok 1. Glenn Nigra, 1975. Portfolio with 12 loose Hannes Bok illustration sheets, portfolio folder Fine- with bumping to corners, all illustrations Fine. Uneven shading in pic is a scanner artifact, as the portfolio folder is actually slightly too large to fit on the scanner.

  • Bradbury, Ray. Nemo! Subterranean Press, 2013.
  • Buekes, Lauren. The Shining Girls. Umuzi (South Africa), 2013. First edition hardback, #224 of 1000 copies signed and numbered by the author, a Fine copy in a Fine dust jacket, new and unread. Precedes both UK and U.S. editions.

  • Dann. Jack. Insinuations. PS Publishing, 2010. First edition hardback, one of 100 signed, numbered copies (my number could either be 04, 14, or 64), Fine in a Fine dust jacket. Autobiography (non-fiction).
  • Davidson, Avram. The Beasts of the Elysian Fields by Conrad Amber. The Nutmeg Point District Mail, 2001. First edition chapbook, Fine.

  • Davidson, Avram. The Wailing of the Gaulish Dead The Nutmeg Point District Mail, 2013. Perfect-bound chapbook first edition, one of 200 copies in heavy cardstock with self-wrapper flaps and errata sheet pasted inside, a Fine copy. I’ll have copies for sale in the next Lame Excuse Books catalog.

  • De Camp, L. Sprague, and Fletcher Pratt. The Carnelian Cube. Gnome Press, 1948. First edition hardback, a Very Good+ copy with bumping at head and heel and wear at heel and tips, and slight dust soiling at head, in a Very Good- dust jacket with 1/4″ loss at head, and slightly less loss at heel and tips, significant fading to red ink on spine (the cube is barely carnelian anymore), partial stamp on rear flap, top front (non-price) flap trimmed at very tip, and general wear. The first Gnome Press book. Chalker & Owings, page 197. Earl Terry Kemp, The Anthem Series (see below), page 191. Currey (1978), page 132.

    Really only a placeholder copy, and I wouldn’t even have picked it up if it hadn’t been part of a lot with:

  • De Camp, L. Sprague, and Fletcher Pratt. Land of Unreason. Henry Holt and Company, 1942. First edition hardback, a Near Fine+ plus copy, with slight bumping at head and heel and slight dust soiling to page block at heel, in a Near Fine dust jacket with age darkening to rear cover. A very nice copy, and a splendid example of the Boris Artzybasheff dust jacket. Bought for $34 for this and the above (plus shipping and buyers premium) off Heritage Auctions.

  • DeVore, Chuck. The Texas Model: Prosperity in the Lone Star State and Lessons for America. Texas Public Policy Foundation, 2012. Trade Paperback Original, Fine. Inscribed by the author. Non-fiction.
  • Dick, Philip K. The Collected Stories of Philip K. Dick volume 3: On the Dull Earth. Subterranean, 2012.
  • Dick, Philip K./Howard L. Cory. The Unteleported Man/The Mind Monsters. Ace, 1966. First edition paperback original (PBO) (Ace Double G-602, 50¢ price on cover), a Near Fine copy with faint spine crease, touches of edgewear, a few dog-eared pages, and slighting foxing. Levack, PKD, 43a. Currey, page 159.
  • Dick, Philip K. The Unteleported Man. Berkley, 1983. First edition paperback original thus, with previously unpublished original ending, VG+ with spine creasing.
  • Di Filippo, Paul. Roadside Bodhisattva. PS Publishing, 2010. First edition hardback, one of 100 signed copies in traycase.

  • Ellis, Novalyne Price. One Who Walked Alone: Robert E. Howard: The Final Years. Donald M. Grant, 1986. Non-fiction. Basis of the movie The Whole Wide World.

  • Ellison, Harlan. The Deadly Streets. Edgeworks Abbey/Subterranean Press, 2013. First hardback edition. One of 750 trade copies.
  • Ellison, Harlan. Gentlemen Junkie. Edgeworks Abbey/Subterranean Press, 2013. First hardback edition. One of 750 trade copies.
  • Fanthorpe, R. L. (as Pel Torro). Galaxy 666. Tower Books, 1968. First American paperback edition, a Fine- copy with a touch of edgewear and a penciled letter at head. Reported to be the worst science fiction novel ever professionally published.
  • Gaiman, Neil. Day of the Dead: An Annotated Babylon 5 Script. DreamHaven Book, 1998. First edition trade paperback original, Fine. Bought for $1.
  • Gingrich, Newt. To Renew America. Harper Collins, 1995. First edition hardback, a Fine copy in a Near Fine dust jacket with crease to front inner flap. Inscribed to me by the author. Non-fiction.
  • Haldeman, Joe. The Best of Joe Haldeman. Subterranean Press, 2013. First edition hardback, #147 of 250 signed, numbered copies.
  • Haldeman, Joe. The Best of Joe Haldeman. Subterranean Press, 2013. First edition hardback, trade edition.
  • Howard, Robert E. Lord of the Dead. Donald M. Grant, 1981.
  • Kemp, Earl Terry. The Anthem Series: A Guide to the Science Fiction, Fantasy, Horror and Weird Specialty Publisher’s of the Golden Age. The Last Stand, 2012. First edition trade paperback edition, oversized, a Fine copy (or it was before I started reading it). Non-fiction. I’ll try to finish a review of this in the near future.

  • Kinsella, W. P. Shoeless Joe. Houghton Mifflin Company, 1982. First edition hardback, a Near Fine- copy with a trace of spine lean and faint dust soiling at heel in a Fine- dust jacket with a thin line of very slight discoloration at the very top. Locke, Spectrum of Fantasy Three, page 49.
  • Klaw, Rick, editor. The Apes of Wrath. Tachyon, 2013. Trade paperback original, Fine. Inscribed to me by the author.
  • Lake, Jay (with illustrations by Frank Wu). Greetings From Lake Wu. Traife Buffet, 2006. First hardback edition, one of 250 copies signed by the author and illustrator, a Fine copy in decorated boards and cut-out slipcase, sans dust jacket, as issued. Contents differ considerably from 2003 trade edition. When this originally came out I thought “$150 for 250 signed, numbered copies? That’s a reasonable price point…for a Neil Gaiman limited.” (Sorry, Jay.) I picked this up for $30.

  • Lansdale, Joe R. Dead Aim. Subterranean Press, 2013. One of 400 signed, numbered copies.
  • Lansdale, Joe R. Dead Aim. Subterranean Press, 2013. Trade edition.
  • Lansdale, Joe R. (writing as Ray Slater). Texas Night Riders. Chivers Press/Curley Publishing, 1991. First hardback edition (preceded by the 1983 Leisure Books paperback original), an ex-library copy with minimal markings (a stamp on front free endpaper), otherwise VG in decorated boards with bumping along extremities, sans dust jacket, as issued. Part of the Large Print Atlantic Western line. Hankow, A Checklist of Joe R. Lansdale, A3b.

  • (Lansdale, Joe R.) Michael Blaine, Dennis Etchison, James Kisner, Dean R. Koontz, Joe R. Lansdale, Richard Christian Matheson, Robert R. McCammon, William F. Nolan, Alan Rodgers, David B. Silva, J. N. Williamson and Chelsea Quinn Yarbro. The Monitors of Providence. World Fantasy Convention, 1986. First edition chapbook original, one of 1000 copies given out at the 1986 World fantasy Convention in Providence, RI, a Fine copy.

  • Leiber, Fritz. In the Beginning. Cheap Street, 1983. First edition hardback, #67 of 128 copies of the “Collectors’ Edition” signed by both Leiber and illustrator Alicia Austin (there were also 10 lettered collector’s copies, and 7 lettered and 32 number publisher’s copies), a Fine copy, in full cloth with title labels pasted on front and spine, sans dust jacket, as issued, with prospectus laid in. Chalker/Ownings, pages 106-107.

  • Ligotti, Thomas. The Agonizing Resurrection of Victor Frankenstein & Other Gothic Tales. Silver Salamander Press, 1994. First edition hardback, number 116 of 125 hardback copies, a Fine copy in a Fine dust jacket, with small black and white art plate laid in. Bought for $200, marked down from $400, from the Half Price Books on 183 with their 50% off coupon (I showed up when the door opened). Probably the rarest Ligotti hardback. (Evidently the hardback state of The Silver Scarab Press edition of Songs From a Dead Dreamer is spurious; proof yet again you can’t completely trust Chalker & Ownings.)

  • (Lovecraft, H. P.) Burleson, Donald R. H.P. Lovecraft: A Critical Study. Greenwood Press, 1983. Non-fiction.
  • (Lovecraft, H. P.) Price, Robert M., editor. Worlds of Cthulhu. Fedogan & Breamer, 2012. Cthulhu Mythos anthology. Good to see Fedogan & Breamer wake from their deathless slumbers. I’ll have copies of this for sale in the next Lame Excuse Books catalog.
  • MacLeod, Ian R. Wake Up and Dream. PS Publishing, 2011. First edition hardback, #38 of 100 signed, numbered copies, Fine in a Fine dust jacket and slipcase.
  • McKillip, Patricia A. The Forgotten Beasts of Eld. Atheneum, 1974. First edition hardback, a Near Fine copy with bend at head and heel in a Near Fine- dust jacket with crimping at head and heel, edgewear and a closed 1/4″ tear at top front cover. The very first winner of the World Fantasy Award for Best Novel. Pringle, Modern Fantasy 100, #54. Bought for $26 off the Internet.

  • Martin, George R. R. (and Roger Zelazny). The Last Defender of Camelot. Subterranean Press, 2003. First edition chapbook, a Fine copy, new and unread. Includes Martin’s teleplay for the revived Twilight Zone as well as Zelazny’s original story. Evidently done as part of the slipcased edition of Martin’s GRRM career retrospective collection.

  • McCammon, Robert. I Travel By Night. Subterranean Press, 2013. Trade edition.
  • McCammon, Robert. I Travel By Night. Subterranean Press, 2013. #306 of 474 signed, numbered copies. The trade edition precedes by about 8 weeks.
  • Moorcock, Michael. Epic Pooh. British Fantasy Society, 1978. First edition chapbook, Fine- with tiny bit of creasing to bottom outer corner tip. Non-fiction.

  • Moorcock, Michael. Wizardry and Wild Romance. Gollancz, 1987. Non-fiction.
  • Novik, Naomi. Empire of Ivory. Harper Voyager, 2007. First hardback edition; the U.S. edition, which I have, is a PBO that precedes by a month. The fourth Temeraire, and since I have the rest in hardback, and just read the third one, I thought it was high time to pick this up…
  • Potter, J. K. (William Schafer and Bill Sheehan, editors). Embrace the Mutation. Subterranean Press, 2002. First edition hardback, one of 250 copies signed by the artist and editors. Anthology of stories based on Potter’s work.
  • Powers, Tim. Salvage and Demolition. Subterranean Press, 2013. One of 350 signed, numbered copies.
  • Powers, Tim. Salvage and Demolition. Subterranean Press, 2013. Trade edition.
  • Resnick, Mike. Lucifer Jones. Warner Questar, 1992. First edition paperback original this, a Fine- copy with just a trace of wear at tips.
  • Russell, Eric frank. The Space Willies b/w Six Worlds Yonder. Ace Books, 1958. Paperback reprint, VG with spine creasing and wear.
  • Scalzi, John. Redshirts. Tor, 2012. Bought for half cover price at Half Price Books.
  • Simmons, Dan. The Guiding Nose of Ulfänt Banderōz. Subterranean Press, 2013. First separate hardback edition, #179 of 250 signed, numbered copies.
  • Simmons, Dan. The Guiding Nose of Ulfänt Banderōz. Subterranean Press, 2013. First separate hardback edition. Trade edition.
  • Smith, Clark Ashton. The Tartarus of the Suns. Roy A. Squires, 1970. First edition thread-bound chapbook, a Fine copy in envelope. The Fugitive Poems, First Fascicle, Zothique Edition. This is copy 105. Donald Sydney-Fryer, Emperor of Dreams: A Clark Ashton Smith Bibliography, P. 140. Chalker Owings, P. 588.

  • Smith, Clark Ashton. The Titans in Tartarus. Roy A. Squires, 1974. First edition thread-bound chapbook, a Fine copy in envelope. The Fugitive Poems, Second Series, First Volume, Xigarph edition. This is copy 30 of the “small” edition (as opposed to the “manuscript” sized edition). Donald Sydney-Fryer, Emperor of Dreams: A Clark Ashton Smith Bibliography, P. 140. Chalker Owings, P. 589.

  • (Smith, Clark Ashton) Sidney-Fryer, Donald. Clark Ashton Smith: The Sorcerer Departs. Tsathoggua Press, 1997. First edition chapbook, Fine-. A critical miscellany, plus one poem by Smith.

  • (Smith, Clark Ashton). The Tales of Clark Ashton Smith: A Bibliography. Thomas C. L. Cockcoft, 1951. First edition chapbook, one of 500 copies, Near Fine- with a few small spots of soiling, phantom crease to rear dust jacket, and age darkening. Non-fiction. Currey (1978), P. 455. Tymn Schlobin Currey, A Research Guide to Science Fiction Studies, 323. A very early Clark Ashton Smith bibliography. Not as useful as I hoped it would be.

  • Smith, Michael Marshall (translation and re-translation by Benoît Domis and Nicholas Royle). The Gist. Subterranean Press, 2013. One of 300 signed, numbered copies. Literary experiment in which a story by Smith is translated into French, and then translated back.
  • Smith, Michael Marshall (translation and re-translation by Benoît Domis and Nicholas Royle). The Gist. Subterranean Press, 2013. Trade edition.
  • Smith, Reginald. Weird Tales in the Thirties. Self published, no date (but 1966). First edition, 8 1/2″ x 11″ side-stapled, mimeographed from typewritten copy, Near Fine- copy with small abrasion at top front, and slight bend to front and rear self-covers. Long essay about the magazine. Joshi, H. P. Lovecraft: An Annotated Bibliography, III-D-574.

  • Stableford, Brian. Optiman. DAW, 1980. First edition paperback original, a Fine- copy with a few pinpoint rubs.
  • Swanwick, Michael. It Came Upon a Midnight. Dragonstairs Press, 2011. First edition chapbook original, #81 of 100 signed, numbered copies, a Fine- copy with one faint stray mark to front.

  • Swanwick, Michael. Midwinter Elves. Dragonstairs Press, 2012. First edition chapbook original, #15 of 100 signed, numbered copies, a Fine- copy with small stain on rear.

  • Vance, Jack. The Avatar’s Apprentice. Sadlark Press, 2011. First edition chapbook, one of 30 copies printed from photopolymer plates, a Fine copy, new and unread. According to the publisher “I collected all the excerpts from the five Demon Princes novels that dealt with the Avatar’s Apprentice: Scroll from the Ninth Dimension, and put them into one book. I letterpress printed, illustrated, and hand bound an edition of thirty-five. I used photopolymer to print all the text and images in this book.” I’ve comfirmed with the publisher via email that the edition is actually the 30 stated on the limitation page at back.

  • Vance, Jack. The Eyes of the Overworld. Gregg Press, 1977. First hardback edition, a Fine copy, sans dust jacket, as issued. Sequel to The Dying Earth featuring Cugel the Clever. Precedes the Underwood/Miller edition. Hewett, A26g. Currey (1978), page 498.

  • Vance, Jack (writing as Ellery Queen). Four Men Called John. Gollancz Detection, 1976. First hardback edition a Fine- copy in a Fine- dust jacket with a tiny bit of crimping at head, and a few faint invisible, non-breaking surface scratches. Hewett, A14j. Actually, Jerry Hewett was the one who picked this up for me, since he knew I was looking for it…

  • Vance, Jack. Magic Highways. Subterranean Press, 2013. First edition hardback. Omnibus.
  • Vance, Jack. Strange Notions with The Dark Ocean. Underwood/Miller, 1985. First edition hardbacks, number 47 of 500 signed (Strange Notions only, as issued), numbered sets in slipcase, Fine, sans dust jackets, as issued. Mystery novels. Hewett, A75 and A76.

  • Vance, Jack. To Live Forever. Ballantine books, 1956. First edition hardback, a Fine- copy in a Near Fine- dust jacket with slight spine fading and tiny (1/32″) chipping at head and heel. Signed by Vance. Currey (1978), page 500, A1 (dark blue) binding. Hewett, A4ab.

  • Varley, John. Good-bye, Robinson Crusoe and Other Stories. Subterranean Press, 2013. First edition hardback, #146 of 1,000 signed, numbered copies.
  • Vinge, Vernor. Children of the Sky. Tor, 2011
  • Waldrop, Howard. Strange Things in Closeup. Legend, 1989. Trade paperback original, Near Fine- with slight spine crease and the usual age darkening to the paper (ubiquitous for Orbit/Legend books of this era).
  • Wellman, Manly Wade. The Complete John Thunstone. Haffner Press, 2012.
  • (Wells, H. G.) William J. Scheick and J. Randolph Cox. H. G. Wells: A Reference Guide. G. L. Hall & Co., 1988. Fine-, with tiny crimps at head and heel, sans dust jacket, as issued.
  • Williams, Tad. Diary of a Dragon. Subterranean Press, 2013. Trade paperback chapbook first edition, #86 of 750 signed, numbered copies.
  • Wilson, Robert Charles. Vortex. Tor, 2011.
  • Wolfe, Gary K. American Science Fiction: Nine Classic Novels of the 1950s. The Library of America, 2012. First Edition hardback thus, being a two volume compilation of some of the best American SF novels of the 1950s: Frederik Pohl and C. M. Kornbluth’s The Space Merchants, Theodore Sturgeon’s More Than Human, Leigh Brackett’s The Long Tomorrow, Richard Matheson’s The Shrinking Man, Robert A. Heinlein’s Double Star, Alfred Bester’s The Stars My Destination, James Blish’s A Case of Conscience, Algis Budrys’ Who?, and Fritz Leiber’s The Big Time, both volumes Fine in Fine dust jackets, new and unread, in a Fine slipcase. This is an example of book collecting madness, since I either have first editions of, or have already read, all the books here except Who?, but I thought this was a handsome set when it came out, and snapped this up when it showed up at Half Price Books.

  • (Wolfe, Gene) Andre-Driussi, Michael. Gate of Horn, Book of Silk. Sirius Press, 2012. Non-fiction.

  • (Wolfe, Gene) Fawcett, Bill and J.E. Mooney, editors. Shadows of the New Sun: Stories in Honor of Gene Wolfe. Tor, 2013. Uncorrected proof (trade paperback format) of the first edition, Fine.

  • Wyly, Sam and Andrew. Texas Got It Right! Melcher Media, 2012. Trade Paperback Original, Fine. Non-fiction.
  • Zelazny, Roger. Damnation Alley. Putnam, 1969. First edition hardback, a Fine copy in a Fine- dust jacket with just a tiny bit of edgewear along top front. Levack, Amber Dreams, 9a. Currey (1978), page 570.

  • Zelazny, Roger and Robert Sheckley. If At Faust You Don’t Succeed. Bantam, 1993. Uncorrected proof (trade paperback format) of the trade paperback original first edition, Fine, new and unread.

  • Zivkovic, Zoran. The Ghostwriter. PS Publishing, 2012. #44 of 100 signed, numbered copies. Fine in a Fine dust jacket.

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    Library Addition: Signed Edition of Isaac Asimov’s Foundation’s Edge

    Tuesday, May 14th, 2013

    You may remember that I’m collecting all the Hugo winners in first edition hardback. I finally picked up a limited edition of one of the ones I lacked.

    Asimov, Isaac. Foundations Edge. Whispers Press, 1982. First limited edition (consensus seems to be that the Doubleday trade edition precedes by about a month), #282 of 1,000 signed, numbered copies, a Fine copy in quarter-bound leather over embossed cloth boards, top edge gilded in real gold, sans dust jacket, as issued. Hugo winner and Nebula Finalist. Chalker/Owings, p. 476. Bought off the Internet for $160.

    By no means as good as the first three Foundation books. The trade edition is extremely common, but this signed edition isn’t. I’ll probably pick up the trade edition as well, but I’m waiting for a Fine/Fine copy to come along super-cheap…

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    After Action Report on Heritage Auction’s Sale of the Jerry Weist Collection

    Monday, September 19th, 2011

    Every year or two, Heritage Auctions in Dallas conducts a big auction of a major science fiction book collection. In 2007, it was the Ventura Collection.

    The Ventura Collection auction was very successful, and since it occurred right before the advent of The Great Recession, many of the prices achieved in that auction have not since been equaled. (It may also be the first auction catalog Heritage mass-mailed to prospective SF collectors; I had not received any before then.)

    In 2008, it was The Robert and Diane Yaspan collection, which included a vast array of SF firsts as well as several SF manuscripts and a few select non-SF firsts, such as many firsts by mystery writer Earle Stanley Gardener.

    Later in 2008 was the auction of The Frank Collection, which was mainly SF art, but included a number of notable SF first editions as well.

    The just completed auction of the Jerry Weist collection was of the same caliber. There was some original art and pulp magazines in the collection, but the bulk of it was collectible SF/F/H first editions. The auction realized more than $1 million (though a significant fraction of that was for the artworks).

    I’m going to talk about some of the more interesting items sold, and how the prices realized compared to comparable copies of the same firsts in previous years. I’ll also mention when I have a copy of the first edition discussed in my own library.

    A few general observations:

  • Unlike previous Heritage SF Auctions, there were very few multi-volume lots of less desirable titles. I think Heritage will be selling those books individually on their weekly Internet book auctions.
  • Weist, like myself, settled for less than perfect copies of many difficult titles, including some worn, corner-clipped, or ex-library copies. (By contrast, the vast majority of the Ventura collection were pristine copies.)
  • The Weist collection was very strong in Golden Age and pre-Golden Age authors, but very weak in Hypermodern SF.
  • It was strong in Ray Cummings and Edgar Rice Burroughs (neither of which I collect), Isaac Asimov, John W. Campbell, Arthur C. Clarke, Philip K. Dick, Robert A. Heinlein, William Hope Hodgson (many if not all of the firsts published in his lifetime), Robert E. Howard, Curt Siodmak (more about which anon), Clark Ashton Smith, and Olaf Stapledon.

  • Conversely, assuming the volumes presented in the auction do constitute the cream of the crop and nothing has been held back, it was weak in Jack Vance, Stephen King, Avram Davidson, R. A. Lafferty, Gene Wolfe and (save the two Fahrenheit 451s) Ray Bradbury.
  • I’ve tried to do some trending for various titles here, but there’s a lot of volatility at the high of the market. A book that normally goes for $100-200 might hit $2,000 for a signed copy at auction If two deep-pocketed collectors each need it to complete their collection.

    • Holy Grails

    To me, far and away the most interesting and desirable item was one of only five copies of Stanley G. Weinbaum’s Dawn of Flame to have the unsigned introduction by Amazing editor Ray Palmer. Weinbaum’s widow evidently objected to the introduction, which is why only five copies were so produced. Even the 245 copy Currey B state (with Lawrence Keating’s introduction replacing Palmer’s) is rare enough, and the book is widely considered the first true SF small press book. I don’t believe I’d seen a copy of the Palmer state for sale before, but I think one was sold when the Sam Moskowitz collection was auctioned off (they didn’t send me a catalog). Moreover, this particular copy once belonged to legendary collector and fan Forrest J. Ackerman, and was inscribed by him to Weist. Counting the buyer’s premium (a little shy of 20%, and which I’m going to include for all the other prices listed here), it went for $9,560.00; it wouldn’t have surprised me to see it go for twice that much.

    There were some other SF collecting “holy grails” sold there:

  • One of 50 copies of the signed, presentation hardback state of Ray Bradbury’s Fahrenheit 451, which went for $8,365.00. This represents an increase over the $5,377 a copy fetched in the Yaspan auction.
  • One of 200 asbestos bound copies of Fahrenheit 451 graded Very Good, went for $5,975.00. This represents something of a decline; a Fine copy went $15,535 in the Ventura Collection auction, a Very Good copy in the Yaspan collection went for $8,962, and a Near Fine copy in the Frank auction went for $9,560.
  • To me one of the most surprising outcomes was seeing a signed copy of Philip K. Dick’s Confessions of a Crap Artist go for $5,078.75, since there’s at least one signed copy from the 90 copies originally signed by Dick available online for $1,500. (And I think there were two copies for well under $5,000 when the auction commenced…) I have one of the unsigned firsts, which goes for considerably less.
  • Speaking of Dick, a copy of Do Androids Dream of Electric Sheep? went for $6,572.50, despite tape stains on the jacket folds. I thought the $9,560 fetched by a Near Fine copy in the Ventura auction was outrageous at the time, but the value seems to have held up. (I have an ex-library copy myself, and even Ex-Lib copies list online for two to four grand.)
  • One of only 75 sets of E. E. “Doc” Smith’s History of Civilization, the six volume signed, leatherbound Fantasy Press set (in box, but without lid) went for $5,377.50. A set with the lid went for $5,676.25 in the Yaspan auction.

    • Other Notable Books

    From Holy Grails we move on to books that are merely Really Freaking Expensive. There are usually a few copies of these bumping around on Bookfinder.com, albeit with a comma in the price.

  • A signed copy of Isaac Asimov’s Foundation and Empire ($1,912) went for more than a signed (via bookplate) I, Robot ($1,553.50), probably due to some mild water damage to the latter. A Fine but price-clipped copy of I, Robot went for $2,270 in the Ventura auction, while another imperfect copy went for $1,434 in the Yaspan auction. I, Robot has become by far the hardest to find among the Gnome Press Asimovs.
  • A signed, Near Fine copy of Alfred Bester’s The Demolished Man went for $872.35. I have a Fine copy, but not signed.
  • A merely Very Good copy of Bester’s Tiger! Tiger! (the hardback first of The Stars My Destination) went for $1,015.75, which is probably about market. A Fine copy in the Ventura auction went for $1,792.
  • The late Jack Chalker’s inscribed copy of Hal Clement’s Cycle of Fire went for $1,015.75. The title is harder to find than most of Ballantine Books SF hardbacks of the fifties.
  • Bob Weinberg’s inscribed ex-library copy of Philip Jose Farmer’s Green Odyssey went for a relatively modest $334.60. Like Cycle of Fire, this is one of the most difficult Ballantine Books hardbacks to find, especially for non-ex-library copies. Despite that, a Very Good signed copy failed to sell in the Yaspan auction, while a restored ExLib copy went for $448.13 in the Ventura auction.
  • A Fine, signed copy of the Gollancz (first hardback) edition of William Gibson’s Neuromancer, probably the essential novel of Hypermodern Science Fiction, went for $1,553.50. This is one of the few items for which you can see a clear, unambiguous decline across auctions, as a similarly Fine, signed copy went for $2,695 in the Ventura auction, while a similarly Fine, signed copy went for $2,151 in the Yaspan auction. I have a signed Fine- copy.
  • A copy of Robert A. Heinlein’s Podkayne of Mars went for $985.88. I don’t think it’s quite as good as the copy I just picked up last month for $235.
  • A Very Good+ copy of Heinlein’s Starship Troopers went for $2,270.50. A Fine copy fetched $4,780 in the Ventura auction. I have a very nice Ex-Library copy.
  • A Near Fine copy of Frank Herbert’s Dune went for $4,780. A Fine- copy (a rating I thought was a bit generous, given the rubbing along the dj spine) in the Ventura auction went for $10,755. I have a very worn Ex-Library copy.
  • An inscribed, Near Fine copy of Daniel Keyes’ Flowers for Algernon went for $2,390. A similar copy (though with a tipped-in signature rather than an inscription) went for $1,434. My copy is a bit less fine, and unsigned.
  • A copy of H.P. Lovecraft’s The Outsider and Others (the first Arkham House book and a cornerstone for both SF and horror collections) went for a healthy $3,883.75.
  • Another rare Lovecraft item, an exceptionally nice copy of the Visionary Publishing edition of The Shadow Over Innsmouth, went for a hefty $7,170.00. That’s toward the high end for an unsigned copy (since it was published in Lovecraft’s lifetime, signed copies do exist, and can be had for less than the price of a new Lexus), but there’s a dizzying number of variant states, and I’m not sure which are considered the more desirable among high-end Lovecraft collectors.
  • A Very Good+ copy of Walter M. Miller’s A Canticle for Leibowitz went for $2,031.50, mainly because it has the rare orange promotional band. I have an Ex-Library copy.
  • An inscribed, conservatively graded Very Good copy of the Gollancz (first hardback) edition of Larry Niven’s Ringworld went for $2,390.00. In the Ventura auction, a Fine signed copy went for $5,206.25, while in the Yaspan auction, the better of two copies (not signed) went for $1,792. I have an unusually clean Ex-Lib Gollancz Ringworld, which might pass for Fine save an excised front free endpaper. (Did you know there was an unused dust jacket state for the Gollancz Ringworld? Lord knows how this guy (who I believe also owns this amazing Jack Vance collection) got a copy of it…)
  • A price-clipped copy of Connie Willis’ Doomsday Book went for $507.88. One of the more interesting outliers at the Ventura collection was a Fine signed copy going for an eye-popping $1,912. I have a Fine copy Connie inscribed to me after she attended Turkey City I picked up when it came out at cover price.

    • One of the most puzzling results of the auction was a signed first of Curt Siomdak’s Skyport was initially reported going for a stunning $8,611.17. That’s only about $8,500 more than it’s worth. But now when you go to the auction page for the item itself, it shows a far saner $101.58. I’m assuming there was some sort of glitch.

    Slightly less puzzling was a signed, Near Fine copy of L. Sprague de Camp’s The Wheels of If (which has one of Hannes Bok’s most famous dust jacket illustrations) went for $717, which is a good bit more than it usually goes for; Lloyd Currey has a comparable-to-better signed copy online right now for $150. Before this I had the impression de Camp was out of fashion among collectors (and thus I have been able to pick up a number of signed copies of his work pretty cheap). I suspect this is an outlier.

    Although I bid on several items, I only won one: an Ex-Library first of the UK David Bruce & Watson (first hardback) edition of Richard Matheson’s The Shrinking Man for $95.60. Fine copies go for over a grand.

    Related Topics

    Other science fiction book collecting topics (and glimpses into my own bibliomania) you might find of interest:

  • A description of my own library of science fiction first editions
  • My Books Wanted List
  • Lame Excuse Books, my own side SF/F/H book business, where a discerning collector may find several books of potential interest.
  • Other book related posts (including new acquisitions to my library)

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    Director of Independence Day to film Isaac Asimov’s Foundation as a “3D epic”

    Saturday, February 13th, 2010

    Slashdot tells us that Roland Emmerich, the towering cinematic genius* who brought us such classic films* as Independence Day, The Day After Tomorrow, and 2012, is going to be filming Isaac Asimov’s Foundation series as a “3D Epic.”

    My thoughts:

    • Man, those 3D scenes where Hari Seldon writes the complex equations of Psychohistory on a blackboard are going to be awesome.
    • It’s been a long time since I’ve read them, but I seem to remember exactly one space battle in the first three Foundation book…and I don’t think any shots were actually fired, since the Foundation guys had pre-“hacked” the software they sold the bad guys. (Though that scene probably predates the first computer-related use of the term “hacking.”) This would not seem to play to Mr. Emmerich’s strengths in Big Things That Explode Real Good.
    • If we’re really lucky, they’ll get Patrick Stewart to play Hari Seldon. More likely: Will Smith.

    * Warning: Content may be 95% sarcasm by weight.

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