Bradbury, Ray. The R.B., G.K.C., and G.B.S. Forever Orient Express. Joshua Odell Editions, 1994. First edition chapbook original, consisting of a long, skinny (17 1/2″ x 5 1/2″) outer cardstock binding with the four pages of the poem laid in (not stapled or otherwise attached), a Fine- copy with a pinhole through the top of the chapbook and one tiny white scratch to rear, otherwise mint. Reportedly done in an edition of 300 copies. Signed by Bradbury. Poem, longish by Bradbury standards, about Bradbury riding a train with G. K. Chesterton and George Bernard Shaw in the afterlife. The rear cover says that this is an excerpt from the forthcoming Journey to Far Metaphor: Further Essays on Creative Writing, Literature and the Arts, a book that Joshua Odell Editions evidently cancelled. This work would later show up in Bradbury’s collection The Cat’s Pajamas. Bought off eBay for $37.79.
Swanwick, Michael. Midwinter Fables. Dragonstairs Press, 2016. First edition chapbook original, #22 of 110 signed, numbered copies, a Fine copy, new and unread. Four short recastings of classic fables (“The Boy Who Cried Wolf,” “The Fox and the Crow,” “The Ant and the Grasshopper,” “The North Wind and the Sun”) and a frame story (“Midwinter Fables”).
Swanwick, Michael. Touchstones. Dragonstairs Press, 2017. First edition chapbook original, #9 of 50 signed, numbered copies, a Fine copy, new and unread. Three one page stories: “Lovers and Lunatics,” “Bradbury Jar 2.0” and “A Jarful of Keys,” as well as an Afterword. Related to Swanwick’s trip to China in 2017.
I’ll have copies of both of these available through the next Lame Excuse Books catalog.
Ellison, Harlan. Brain Movies: The Original Teleplays of Harlan Ellison Volume One. Edgeworks Abbey, 2011. First edition trade paperback original (no hardback state), the “Babylonian Limited Edition,” a Fine copy signed by both Ellison and introduction author J. Michael Straczynski. In addition to many of Ellison’s most celebrated teleplays (“Soldier,” “Demon With a Glass Hand,” etc.), it also includes “Memos From Purgatory” featuring numerous holographic corrections in Ellison’s hand. Not in ISFDB. Edgeworks Abbey is Ellison’s own press and he’s issued a whole lot of trade paperback books through it of previously unpublished or uncollected material. (The Brain Movies series alone is now up to six volumes.) Bought for $29.99 (the opening bid) off eBay.
Ellison, Harlan. Dreams With Sharp Teeth. Quality Paperback book Club, 1991. First edition paperback original, a Very Good+ copy with spine slightly concave, light crease across entire front cover, wear at points, and wrinkling to first few pages. Signed by Ellison. Omnibus edition of the collections I Have No Mouth & I Must Scream, Deathbird Stories and Shatterday, minus duplicated stories between the volumes plus an original introduction by Ellison and slightly revised texts and story introductions. Bought off eBay for $12.50. Below the condition I usually collect, but there were no other signed copies online at all…
I’d picked up the other two signed/limited Cadwell books cheap, but I needed this middle book to complete the trilogy.
Vance, Jack. Cadwell II: Ecce and Old Earth. Underwood/Miller, 1991. First edition hardback, #107 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket in a Fine- slipcase with one 1/8″ square spot of soiling to spine rear. Hewett, A84. Bought from a fellow Jack Vance collector who was downsizing for $75.
Last year this time I threw Stellarscope’s version of “Silent Night,” and I liked it so much I decided to turn it into one of those “holiday traditions” you hear so much about.
Lord John Press was an odd press, ranging from small-run SF first editions by Ray Bradbury, Ursula K. Le Guin and Stephen King to books by John Updike and Gerald R. Ford.
The two Dan Simmons books listed here (of four they did total) were the right author with the wrong titles at the wrong time at the wrong price points and the wrong print runs. Simmons was a hot writer at the time, but these books came after his “miracle year” duo of Carrion Comfort and Hyperion, were not nearly as well-regarded, were post-first limiteds (they didn’t beat the Putnam edition out) at high price points (starting at $125 and going up to $800) in too large a print run for too many states (500 quarter-leather, 250 half-leather, and 26-lettered copies in full leather). And they both came out the same year. They’re nice, but not so awesome as to inspire bibliolust in casual collectors. When I saw those price points and print runs, I went “Gonna pass,” and a lot of other collectors evidently said the same, as these limiteds have littered bookdealer inventories ever since.
I do like and collect Simmons, and I always thought I would pick them up when they got cheap enough. That finally happened.
Simmons, Dan. The Children of the Night. Lord John Press, 1992. First limited edition hardback, #221 of 500 signed, numbered copies, a Fine copy in a Fine slipcase, sans dust jacket, as issued. Bought for $35 from a fellow collector who was downsizing.
Simmons, Dan. The Hollow Man. Lord John Press, 1992. First limited edition hardback, #324 of 500 signed, numbered copies, a Fine copy in a Fine slipcase, sans dust jacket, as issued, with errata slip laid in. Bought for $35 from a fellow collector who was downsizing.
I also have Entropy’s Bed at Midnight and Summer Sketches, his other two Lord John Press books.
