Posts Tagged ‘Science Fiction’

John Crowley, RIP

Monday, August 10th, 2026

Writer John Crowley has died. He’s slightly difficult to talk about, in that I knew him (first from bumping into him at conventions and getting him to sign stuff, after which he friended me on Facebook), but not particularly well. I liked and collected his work, but he was a bit more hit and miss with me than the nigh-on-universal critical praise he received. I tried reading Little, Big around 18 or 19 and it didn’t click for me. (Despite which, I have the Gollancz first hardback edition of Little, Big, done in a ridiculously small print run of 300 copies, bought from Willie Siros’ personal collection and inscribed to him.) It was a slog getting through the first 120 pages of Engine Summer…but the last 40 pages are brilliant, and heartbreaking. Great Work of Time is a swell novella in which time a secret organization of time travelers trying to preserve the British Empire results in some rather radical changes up the line. I have all four volumes, but haven’t even tried reading his acclaimed Aegypt series yet.

I had just started reading Two Chapters in a Family Chronicle, one of four smallish books in The John Crowley Conway Miscellany set off Kickstarter (for which I still have signed copies available), when I heard news of his death.

He seemed like a nice guy, and a fine writer, and I enjoyed talking to him on the few occasions I got a chance to.

He will be missed.

Neuromancer Coming to Apple TV

Wednesday, July 29th, 2026

After decades of failed attempts to film it, an adaptation of William Gibson’s Neuromancer is finally coming to Apple TV.

My first reaction to the trailer is: I don’t hate it. It hits a lot of the right notes. And Gibson is an executive producer on the show, so presumably it won’t drift too far from the book. (Then again, Gibson wrote the screenplay for Johnny Mnemonic, so he’s not exactly infallible…)

Maybe it was fate that delayed a media adaptation until there actually were wild AIs running around lose in cyberspace.

30 or even 20 years ago, this would have been big exciting news, but a lot of water has flowed under that bridge. People that were blown away by Neuromancer in college are entering Social Security eligibility. Many of the ideas of Cyberpunk have already been woven into the fabric of science fiction as a whole, and classic high tech/low life tropes have been around so long that they’re just another flavor of nostalgia now.

Not to mention a whole bunch of the younguns what never lived under Communism, or even the 1970s, claiming we already live in a Cyberpunk Dystopia.

Obviously I had to do the meme.

So it’s hard to say how it will land in January 2027.

I don’t have any streaming services, so I’ll have to wait for others to let me know if it’s any good.

Library Addition: Signed First of Hal Clement’s Cycle of Fire

Monday, July 13th, 2026

I’m working on a complete Hal Clement collection, and this was one of the key titles I was missing.

Clement, Hal (pseudonym for Harry Clement Stubbs). Cycle of Fire. Ballantine Books, 1957. First edition hardback, an Ex-Library copy with all the usual flaws, including stamps on page block edged, inside covers and interior pages, tape ghosts, endpapers excised. etc., with wear along bottom boards, moderate crease to spine, and writing on lower spine, in a dust jacket with 1/4″ chips at head, sticker at heel, and severe sunfading to spine and an inch to free cover, completing fading the the title, and front label faded from orange to yellow, with a bit more wear at edges at points, otherwise intact; call it a Good/Very Good- Ex-Lib copy, signed by Clement (“Hal Clement” (Harry C. Stubbs)”). Hassley, Hal Clement, pages 33-37./ Currey, page 469. Pringle, Ultimate Guide to Science Fiction, page 76. ought off a fellow Biblio dealer for $100, bargained down from considerably more. It’s been decades since I’ve seen a Fine/Fine copy offered for sale, and even Ex-Lib copies tend to list for several hundred dollars.

I knew Hal a little bit, having given him a ride back from an Armadillocon dinner decades ago. We talked about him flying B-24 Liberators in World War II.

Library Addition: Signed First of Ray Bradbury’s S is for Space

Monday, July 6th, 2026

Another addition to my library of signed Ray Bradbury firsts:

Bradbury, Ray. S is for Space. Doubleday, 1966. First edition hardback(“First edition” stated, as per Currey), a Near Fine- copy with a 1/4″ stripe of lightness across front, back and spine, probably from the binding process, a former owner’s name and address on front free endpaper, and slight wear at head, heel and points, in a Very Good- dust jacket with 1/4″ chips at head and heel, and smaller chips at points, silver dollar sized spot of light staining to rear cover with slight blind-side foxing, signed by Ray Bradbury. Currey, page 58. Pringle, Ultimate Guide to Science Fiction, page 268. Bought off eBay for $200, bargained down from $250.

Library Addition: First of Jack Vance’s Isle of Peril

Monday, June 22nd, 2026

If you’re collecting every first edition of a popular, prolific writer’s books, chances are you may have to settle for a less-than-ideal copy of famous or (as in this case) hard-to-find titles.

Vance, Jack (as Alan Wade). Isle of Peril. Mystery House, 1957. First edition hardback, an Ex-Library copy with most of the usual flaws (pocket removal, old style dust jacket protector, etc.), otherwise a Good+ copy with wear to bottom boards, bumping at head and heel, black marks along top and bottom board edges due to an old-style dust jacket protector, a long, thin crease to spine, etc., in a Good only dust jacket with long (5″) now-closed tear across top third of dust jacket front, wrapping across spine and along to back panel, where it turns into a crease, held in place by the old style dust jacket protector, spine fading, and a wide variety of small lesser nicks, stains, etc.; a very well worn Ex-Library copy, but both book and jacket are essentially intact. Mystery novel. Hewett, A6.a. Cunningham, B.42. Currey, page 499. Stephenson-Payne/Benson, Jack Vance: A Fantastic Imagination (2nd revised Edition), B36. Hubin, page 408. Later republished as Bird Isle. In my experience, this is the hardest of Vance’s first edition novels to find. Bought off eBay for $32, and even in this condition, copies usually go for over $100.

Library Addition: Signed First of Greg Bear’s Take Back the Sky

Monday, June 8th, 2026

I picked this up because I had the first two books in the War Dogs trilogy and I found this signed first for less than cover price.

Bear, Greg. Take back the Sky. Orbit, 2016. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bear. Third book in the War Dogs trilogy. Bought off a fellow Biblio dealer for $20.66 plus shipping

Marcia Lucas, RIP

Sunday, June 7th, 2026

Marcia Lucas, the Oscar-winning editor of Star Wars and wife of George Lucas, died at the end of May.

Marcia Lucas, the Oscar-winning editor who first took audiences to a galaxy far, far away with 1977’s “Star Wars,” has died at the age of 80, her family confirmed.

Marcia, part of the editorial team for both “Star Wars” and “Return of the Jedi,” was married to the franchise’s founder George Lucas from 1969 to 1983. She died after a battle with metastatic cancer.

“Marcia will be remembered as a brilliant storyteller, a trailblazer for women in film, a loving mother and grandmother, a generous host and a loyal friend whose humor and sparkle filled every room she entered,” the family said in a statement. “Her influence on film is indelible, but those who knew her best will remember the way she made life feel more vivid, more beautiful, more fun and more full of love.”

Snip.

She won an Academy Award for Best Film Editing for her work on the original “Star Wars” movie, an award that came four years after she was nominated for editing George’s previous film, “American Graffiti.” She additionally edited his debut feature, “THX 1138.”

Beyond these collaborations with her then-husband, Marcia worked as an editor with other acclaimed filmmakers like Martin Scorsese and Francis Ford Coppola. She was credited as sole editor for Scorsese’s “Alice Doesn’t Live Here Anymore,” and served as supervising editor for “Taxi Driver” and “New York, New York.”

Marcia served as part of a three-person crew editing both “Star Wars” and “Return of the Jedi.” On the first film, she worked alongside Paul Hirsch and Richard Chew and was personally responsible for editing the Battle of Yavin — otherwise known as the iconic “trench run” sequence near the end of the film.

I wanted to do this obit because the attack on the Death Star is one off the greatest, best-edited action scenes in all of film history.

The swift inter-cutting between different shots does a great job of ratcheting up the tension. Indeed, the state of the film when Marcia Lucas started working on it included two Luke trench attack runs, the first where he used the targeting computer that was unsuccessful. She had a huge role in salvaging a film that George Lucas thought was a failure upon viewing the first rough cut, helping turn it into a masterpiece.

Library Addition: Dozois Year’s Best SF 28th

Tuesday, May 19th, 2026

The final library addition from that Dozois auction buy.

Dozois, Gardner, editor. The Year’s Best Science Fiction: Twenty-Eighth Collection. St. Martin’s Press, 2011. First edition hardback, a Fine copy in a Fine, Mylar-protected dust jacket, new and unread. One of the years St. Martin’s printed this on thin paper, so the volume is slimmer than usual even though it has the same number of pages as other Dozois volumes.

(Note: What look like whitish smudges near the top are scanner reflections from the Mylar dust jacket protector.)

Now the only Dozois Year’s Best volume I lack from my want list is Fifteenth.

If you’re looking for individual Dozois Year’s Best hardback first volumes, I’m going to have a whole bunch of pristine copies of carious years in the next Lame Excuse Books catalog, currently in progress.

Highlights from the David Aronovitz Auction

Monday, May 18th, 2026

That Heritage auction of the David Aronovitz collection happened last week, and there were some truly breathtaking prices achieved. Here’s a look at some of them.

  • An unsigned, first edition of J.R.R. Tolkien’s The Hobbit went for a jaw-dropping $450,000. Pretty sure that smashes the record for that title.
  • Speaking of Tolkien, an unsigned but exceptionally nice first edition, first state set of The Lord of the Rings went for a similarly astounding $325,000.
  • An inscribed, first edition of Stephen King’s Salem’s Lot in a first state dust jacket (Father Cody and unclipped, original $8.95 price on the dust jacket), pretty much a holy grail for King collectors, went for a breathtaking $68,750.
  • Speaking of King, an asbestos-bound Firestarter went for $75,000.
  • Somehow Aronovitz had gathered all three dedicate copies of Robert A. Heinlein’s Stranger in a Strange Land (to Robert Cornog, Frederic Brown, and Philip Jose Farmer), and the lot went for a whopping $118,750. I only have an Ex-Library first of this.
  • An associational copy of Isaac Asimov’s I, Robot inscribed to John W. Campbell (which is a great associational copy) went for an eye-popping $87,500.00.
  • A first English-language edition in dust jacket of Eugene Zamiatin/Yevgeny Zamyatin classic dystopia We went for $52,500. I’m not sure I’ve seen a copy offered in the dust jacket. I have a reprint of a later translation Bruce Sterling gave me. (I should probably read it some time…)
  • A green-jacketed first of George Orwell’s Nineteen Eighty-Four went for $32,500. Interestingly, a copy of the more desirable red-jacked version, with the paper Evening Standard recommendation band, went in a Freeman’s auction for $48,000. I have a less attractive copy in a green jacket.
  • A nice but unsigned first of Philip K. Dick’s Do Androids Dream of Electric Sheep? went for $37,500.00. I only have an Ex-Library first of this.
  • In a really inexplicable result, a signed Currey D binding (pretty much the ordinary hardback state) of Ray Bradbury’s Fahrenheit 451 went for $42,500, which is much more than the much rarer “asbestos-bound” copy went for in the same auction ($25,000), and than an association copy of the presentation state B inscribed to longtime friend and fan Forrest J. Ackerman went for $23,750.00. Similar signed Currey D copies can be had for much less online. My own, less desirable D-state copy is covered here.
  • A very nice inscribed first of Frank Herbert’s Dune went for $75,000. I only have an Ex-Library first of this.
  • A copy of the Gollancz hardback first of Larry Niven’s Ringworld in the very rare proof state dust jacket (I know of only one other copy) went for $8,125.
  • A very nice (but unsigned) trade first of Aldous Huxley’s Brave New World in dust jacket went for $32,500, which is more than the one of 324 signed, limited copies went for ($8,125). I have an unsigned, jacketless copy of the trade first.
  • A nice, but not pristine, first of H. G. Wells First Men in the Moon signed by astronauts Neil Armstrong and Buzz Aldrin went for $10,625. I have a less-attractive first of First Men in the Moon. I also have a first of another book signed by Buzz Aldrin.
  • A partial manuscript first draft of Gene Wolfe’s The Shadow of the Torturer went for $16,875.
  • Not everything went for crazy money. An E. E. “Doc” Smith History of Civilization set with box and lid went for $7,500, less than $2,000 more than a similar set with lid sold for all the way back in 2008. A copy of Stanley G. Weinbaum’s Dawn of Flame went for $1,250, or all of $50 more than I paid for my copy back in 2013. A nice copy of H. P. Lovecraft’s The Outsider and Others went for $5,625, which seems around market to me. A signed Gollancz Neuromancer went for $6,875, down considerably off recent over $10,000 highs (though $3,500 for a signed first of the PBO is probably a new record).

    But generally, the very highest highpoint firsts of SF/F/H seem to be appreciating in value more rapidly than similar literary highpoints,

    Library Addition: Dozois Year’s Best SF 27th

    Thursday, May 14th, 2026

    Another addition from those Dozois auction lots.

    Dozois, Gardner, editor. The Year’s Best Science Fiction: Twenty-Seventh Collection. St. Martin’s Press, 2010. First edition hardback, a Fine copy in a Fine, Mylar-protected dust jacket, new and unread.