Time for another roundup of what additions I’ve made to my library of science fiction first editions. This is what I’ve picked up in the last six months. All are Fine/Fine hardback first editions unless otherwise noted.


Related topics:
Time for another roundup of what additions I’ve made to my library of science fiction first editions. This is what I’ve picked up in the last six months. All are Fine/Fine hardback first editions unless otherwise noted.


Related topics:
David Langford puts up the 300th Issue of Ansible.
All of Auburn Lull‘s Begin Civil Twilight is worth listening to, but “Arc of an Outsider,” with it’s lovely, floating, wistful, waltz-time beauty, has always been my favorite.
Do we need really another go-round explaining all the problems with Prometheus?
Why, yes. Yes we do.
Which is why I’m linking to this Prometheus Captain’s Log, not least for this line: “Weyland Corporation must not give a crap about this mission since they hired Insane Clown Posse to be our science team.”
If the review Howard and I did of Prometheus wasn’t enough to warn you away, here’s a spoiler-filled and NSFW list of all the questions regarding various plot idiocies in the movie, some we covered, some we haven’t. Enjoy!
I see that some online sources are calling Maryland’s Black Tamborine (active during the first wave of Shoegaze in the 1990s) “Twee Pop.” Screw that. Sounds like Shoegazer to me.
I picked up an interesting lot in a recent Heritage auction: 12 of the 18 volumes in the Stellar Publishing Corporation Science Fiction Series. SF pioneer Hugo Gernsback formed Stellar Publishing Corporation in 1929, and I’m given to understand that many volumes were available for sale for decades in the back of various science fiction magazines.
Alas, there seems to be a dearth of information about Stellar Publishing itself out on the Internet. Fortunately, I have the very first science fiction bibliography ever published, Science Fiction Bibliography, VOL 1, NO 1 (and only), published by the “Science Fiction Syndicate” right here in Austin, Texas in 1935. Let’s see what it has to say about the series:
The titles and authors of these eighteen booklets are too well known to enumerate.
Well, thanks a lot, long-dead dumbasses!
All of these (except the Manly Wade Wellman volume) can only be considered VG (at best) because the previous owner punched a set of small binding holes near the spine, presumably to store them all in one binder. Still, I only paid $38 for the entire set.
All of these have browned pages due to the paper used, but the scanner slightly exaggerates the shading variation. List numbers are the number each volume comes in the series.
Generally, the Wellman is (along with Clark Ashton Smith’s The Immortals of Mercury and Jack Williamson and Dr. Miles J. Breuer’s The Girl From Mars, neither of which I’ve picked up yet) considered among the more desirable titles in the series. But the Lorraine and Bourne/Long titles are also getting somewhat hard to find as well.
The thing about Curve’s “No Escape From Heaven” that strikes me as I listen to it now is just how much it sounds like 1991. There was a huge amount of change going on that year, both grunge (Nirvana, Pearl Jam) and otherwise (Slowdive, Tori Amos), but there was a particular style of female lead vocals that featured bright, upbeat, autoharmonized choruses with a lush, vibrant, full sound, as though all the girl groups of the 1980s (Go Gos, Bananarama, etc.) were distilled into their essence, with an assist from the very latest recording technology. You could hear it everywhere, including bands people have completely forgotten about. (When is the last time you heard Voice of the Beehive on the radio?) Even though this is definitely Shoegaze, you can still hear the same tonalities to it.
Over at Locus Online. It wasn’t as good as we hoped it would be.
And it looks every bit as much fun as it sounded: