Whirr has been around a while and done some albums on Graveface records. Here’s “Lean” off their split EP with Nothing.
Shoegazer Sunday: Whirr’s “Lean”
April 4th, 2021Movie Review: Kong: Skull Island
April 2nd, 2021Kong: Skull Island
Directed by Jordan Vogt-Roberts
Written By Dan Gilroy, Max Borenstein, Derek Connolly and John Gatins
Starring Samuel L. Jackson, John Goodman, Tom Hiddleston, John C. Riley, Brie Larson
With Godzilla vs. Kong upon us, I finally watched Kong: Skull Island. Even though I’m a Godzilla partisan, overall I think it’s the best executed of the Monsterverse films. (I’m seeing Godzilla vs. Kong this weekend.)
In 1973, with the Vietnam War winding down, LANDSAT has discovered Skull Island in the South Pacific, previously hidden because it’s perpetually ringed by storms. An Air Cav force, lead by Samuel L. Jackson in the Samuel L. Jackson role, escort a group of ostensible scientists to the island, including John Goodman (head of barely-funded Monarch, secretly looking for monsters), Tom Hiddleston (an ex-SAS pathfinder/tracker mercenary) and Brie Larson (a photographer). Soon they run into Kong, who crashes their helicopters a lot quicker than the Viet Cong. Jackson immediately goes full Ahab while another group runs for their life and right into John C. Riley, playing the American version of Sir Basil St. Exposition as a stranded WWII American flyer, along with the silent but friendly native tribe. Riley quickly explains to them that not only is Kong king, but he’s the good king, saving people from the monstrous subterranean “Skullcrawlers,” which look like giant tatzelwurms with vaguely possum-ish snouts.
The plot unfolds more or less the way you would expect.
This seems the best of the monsterverse movies because it has the best cast, and director Jordan Vogt-Roberts (who’s primarily worked in TV) seems to have come closest to realizing his vision for it. It quickly and efficiently gets the ensemble to the island with a minimum of character exposition accompanied by a great classic rock soundtrack that runs the gamut of CCR, Jefferson Airplane and Black Sabbath. Jackson, Goodman and Riley all turn in their usual solid work in roles that might seem trite with less stellar performers (see: everyone who’s not Brian Cranston in the previous Monsterverse films). Larson is less annoying than her Marvel role. The support cast of mostly redshirts also do good work. Only Hiddleston comes across as Johnny Onenote And His Pet Stoic Gaze, but the script doesn’t give him much to do.
The special effects work on Kong is extremely solid (which you would expect from Industrial Light & Magic), even if not as expressive as the Andy Serkis version from Peter Jackson’s remake. The Skullcrawlers are appropriately menacing. But it’s the Huey flight sequences where the effects really shine. It’s obvious from the shot composition that Vogt-Roberts watched Apocalypse Now a whole bunch of times…
By jettisoning the “Kong takes Manhattan” plot from the previous versions, and dialing the Beauty and the Beast bits down to a bare whisper, Legendary Films has created a swift-moving kaiju film that even casual fans of the genre should enjoy.
Library Additions: Three Subterranean Press Firsts
March 30th, 2021The Carriger is the last book from the Subterranean PC sale, while the Hand and Smith are normal Lame Excuse Books stock purchases:
Library Additions: Limited and Lettered Editions of Neal Stephenson’s Atmosphæra Incognita
March 18th, 2021Still more books from the Subterranean Press PC sale:
Lettered edition on left, numbered edition on right
All editions are long sold out.
St. Patrick’s Day Music: Mr. Irish Bastard’s “I Hope They Sell Beer In Hell”
March 17th, 2021For a rowdy St. Patrick’s Day drinking song, here’s everyone’s favorite German Celtic Punk band Mr. Irish Bastard with “I Hope They Sell Beer In Hell”:
Library Addition: Lettered Edition of The Horror Stories of Robert E. Howard
March 16th, 2021Another book from the Subterranean Press PC sale:
Howard, Robert E. The Horror Stories of Robert E. Howard. Subterranean Press, 2010. First limited edition hardback (the Del Rey trade edition precedes), a PC copy of 50 signed, numbered (so says the limitation page, though this is the Lettered edition) leatherbound copies, signed by artist Greg Staples, a Fine copy in a Fine traycase, sans dust jacket, as issued. A lavish production. Supplements a copy of the ordinary numbered edition. Bought for $200, a hefty 50% off the original offering price of $400.
Library Addition: Lettered Edition of China Mieville’s The Last Days of New Paris
March 15th, 2021More from the Subterranean PC sale:
Mieville, China. The Last Days of New Paris. Subterranean Press, 2017. First limited edition hardback (the Del Rey trade edition precedes), a PC copy of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. Supplements a copy of the numbered edition. Long out of print. Bought for the original offering price of $250.
Library Additions: Three Clive Barker Lettered Editions
March 11th, 2021Three more books from the Subterranean Press PC sale. All these were long sold out from the publisher. As with Blood’s A Rover, Subterranean has provided plastic bags for both the traycase and the book inside the traycase for all of these.
All in all, these are a little plain compared to all the other items I’ve cataloged from the sale…
Library Addition: Lettered Edition of Harlan Ellison’s Blood’s A Rover
March 9th, 2021Another purchase from the Subterranean Press PC sale:
Ellison, Harlan (edited by Jason Davis). Blood’s A Rover. Subterranean Press/Edgeworks Abbey, 2015. First edition hardback, a PC copy of 26 signed, numbered copies (the only signed edition), a Fine copy in patterned boards and a Fine traycase, sans dust jacket (though the art used for the trade edition dust jacket forms the fold-out frontispiece) as issued. (Most Subterranean books ship with a plastic bag around the book, while lettered editions have the bag around the traycase; this is the first case I’ve seen where they did both.) Collects all Ellison’s Vic and Blood stories. Dedicated to Michael Moorcock and A Boy and His Dog director L. Q. Jones. Long out of print. Bought for $500 (the original offering price).
Library Addition: Signed, Limited Edition of Neil Gaiman’s Smoke and Mirrors
March 8th, 2021Another book from the Subterranean Press PC sale:
Gaiman, Neil. Smoke & Mirrors. Subterranean Press, 2014. First edition hardback thus, a PC copy of 500 numbered copies signed by Gaiman and illustrator Dave McKean. Preceded by both the Dreamhaven Angels and Visitations in 1993 and the Avon Smoke and Mirrors from 1998 (both of which I have). Includes new art by McKean. Sold out quickly the year of publication. Bought for $250 (the offering price).
