This is a two-pack of Hompavo LED Flame Light Bulbs. It simulates having a flickering firelight instead of your outdoor lights for the Halloween season. I’ve been using them since 2021 and they still work fine. If you like that sort of thing for Halloween, I recommend them.
See this?
It’s “Red Light Bulb 9W (60W Equivalent) E26 Base, LED Colored Light Bulbs for Halloween Christmas Party Holiday Lighting 2-Pack.” They’re absolute worthless garbage. Both bulbs stopped working within minutes of screwing them in and turning them on. No wonder there’s page after page of one-star reviews.
All around the world, people hear strange things from the sky. Here’s a roundup of the various “sky trumpets,” booming noises, hums and other things people have no explanation for.
I saw the Peter Gabriel concert at the Moody Center in Austin on October 18. It was the third time I’d seen Gabriel perform live, and he put on a good show. We had tickets facing center stage in the mezzanine section, and they were quite pricey.
About half the songs are off the forthcoming I/O album, while the other half are from other parts of his career (“Sledgehammer,” “Solsbury Hill,” etc.). His tour ensemble was a mixture of old familiar faces (the always excellent Tony Levin, Manu Katche and David Rhodes) and new (cellist/vocalist Ayanna Witter-Johnson, who was very good).
They had an interesting multimedia setup with projection surfaces on different stage elements that they could move, as well as close-up cameras for projecting on either wing (and occasionally the giant circular moveable hanging surface that was the centerpiece of the set).
I think the best song of the concert was an absolutely killer version of “Digging in the Dirt,” which had a nasty, funky, bass-heavy sound to it. There’s not a version with great sound on YouTube, so this will have to do:
They also did an extremely good version of “Biko” as the final encore.
Here’s the set list, which seems to be constant across venues.
I think the last two shows of the tour are in Dallas tonight and Houston Saturday, and overall prices are a bit cheaper than the Austin show. It’s well worth catching if you’re a Gabriel fan.
As for the Moody Center, the sightlines are very good, the concession prices are exorbitant, and the seats are too small and not particularly comfortable.
Once again, The Simpsons “Steamed Hams” segment has inspired the Internet to produce an alternate version, this one in terrifying Soviet-style animation.
Here’s a nicely creepy borderlands of science/urban legend/conspiracy theory video about a hole that has no bottom.
80,000 feet worth of fishing line found no bottom. Plus animals avoided it, and radios went crazy, when they weren’t picking up signals from 30 years before.
Then the government took it over.
Much more paranormal weirdness ensues
Was it real? Well, as real as anything else with a Wikipedia entry featured on Art Bell.
This video features a complete play-through of Isle of Eras, which starts out as a search for a missing brother and quickly morphs into a weird cosmic horror/time travel game with giant monsters and nods to everything from Donnie Darko to 2001: A Space Odyssey. It’s amazingly elaborate for an indie game put together by a tiny team. The monster design is particularly impressive.
Here’s “The Slab,” the final track from Slowdive’s new Everything is Alive album. But I should warn you that this is a case where the song of the CD is much stronger than the compressed version on YouTube:
I finally got the CD in this week, and I think it’s a very strong album, more consistent than their previous self-titled album, but only time will tell is something as strong as “Slomo” or “No Longer Making Time” emerges as particular favorites. (And the later only really twigged for me when it became such a burner live.)
Arte Editions are the people that did Gaiman’s The Case of Death and Honey. This actually had a smaller run.
Gaiman, Neil. Words of Fire. Arte Editions, 2022 (actually 2023). First edition trade paperback original (with self-flaps), #276 of 300 signed, numbered copies, a Fine copy. Poetry collection. There were two different hardback editions (the Portfolio Edition and the Roman edition), both of which were sold out by the time I heard about it. Now out of print from the publisher. I still have one copy left available through Lame Excuse Books.
Note: The streaks in the image are actually marbling in the cover-stock.
