Here’s “The Slab,” the final track from Slowdive’s new Everything is Alive album. But I should warn you that this is a case where the song of the CD is much stronger than the compressed version on YouTube:
I finally got the CD in this week, and I think it’s a very strong album, more consistent than their previous self-titled album, but only time will tell is something as strong as “Slomo” or “No Longer Making Time” emerges as particular favorites. (And the later only really twigged for me when it became such a burner live.)
Arte Editions are the people that did Gaiman’s The Case of Death and Honey. This actually had a smaller run.
Gaiman, Neil. Words of Fire. Arte Editions, 2022 (actually 2023). First edition trade paperback original (with self-flaps), #276 of 300 signed, numbered copies, a Fine copy. Poetry collection. There were two different hardback editions (the Portfolio Edition and the Roman edition), both of which were sold out by the time I heard about it. Now out of print from the publisher. I still have one copy left available through Lame Excuse Books.
Note: The streaks in the image are actually marbling in the cover-stock.
Hyperlilly evidently hale from Cologne, Germany. Not a fan of the video (static band shots + mild psych color filters), but the song reminds me of Auburn Lull crossed with a bit of M83.
For a while, there was an “X, but it’s Y” trend on YouTube, where people would take something familiar and alter it in presumably amusing ways. (I think “every time they say bee it gets faster” is one of the better known examples of the trope.)
The Skinner-Chalmers “Steamed Hams” scene from The Simpsons has been the source of a lot of these videos. Most of them don’t do anything for me, but for some reason, “Steamed Hams, but it’s the French New Wave” tickled my fancy.
The Backrooms are a liminal space CreepyPasta setting where you’ve “no clipped” out of reality into and endless office maze of office corridors decorated in ugly yellow wallpaper and brown carpets illuminated by buzzing florescent lights.
Several video creators have run with this idea and produced some pretty convincing depictions of it. In the ones below, YouTuber Kane Parsons, AKA Kane Pixals, has filled in background lore where the Async Corporation has created (or possibly tapped into) The Backrooms as a potential money-making project, documenting their work as bland, 1980s-corporate speak promotional videos and handheld camera footage that have come down to us as grainy VHS copies. It’s a pretty-inspired mating of presentation format and subject.
And the people exploring the Backrooms start to realize that the deeper you get, the weirder things seem to be, and that there’s something else wandering those yellow hallways…
Evidently he’s doing all this in Blender, which you can download for free.
And there are lots more YouTube creators doing their own versions of the Backrooms…
This was one of my rare impulse purchases. I chanced across it looking for something else, saw it was at an attractive price, made an offer at even lower price, and picked it up.
Lovecraft, H. P. (Peter Straub, editor). Tales. Library of America, 2005. First edition hardback (and First printing stated), a Fine copy in a Fine subscribers copy slipcase, sans dust jacket, as issued. Has just about every one of Lovecraft’s greatest hits. Bought off eBay for a make offer price of $15.
There’s been a lot of talk lately about AI-generated art. Someone inputted the lyrics to King Crimson’s prog-rock classic “In the Court of the Crimson King” into Midjourney and the results are a lot better than I expected.
Sureal, nameless abominations are the sort of area I would expect AI art to excel in. Skilled painterly depictions of human faces? Not so much.
