Archive for the ‘weird’ Category

Ultra-Endurance Athletes are Insane. Literally.

Sunday, April 25th, 2010

I don’t usually link to New York Times articles or pieces linked from Fark (this one on the Sports tab), but this piece on ultra-endurance champion Jure Robic is so of full crazy I had to link to it.

‘‘During race, I am going crazy, definitely,’’ he says, smiling in bemused despair. ‘‘I cannot explain why is that, but it is true.’’

The craziness is methodical, however, and Robic and his crew know its pattern by heart. Around Day 2 of a typical weeklong race, his speech goes staccato. By Day 3, he is belligerent and sometimes paranoid. His short-term memory vanishes, and he weeps uncontrollably. The last days are marked by hallucinations: bears, wolves and aliens prowl the roadside; asphalt cracks rearrange themselves into coded messages. Occasionally, Robic leaps from his bike to square off with shadowy figures that turn out to be mailboxes. In a 2004 race, he turned to see himself pursued by a howling band of black-bearded men on horseback.

‘‘Mujahedeen, shooting at me,’’ he explains. ‘‘So I ride faster.’’

It also goes into details on the unsettled science behind human endurance.

Here’s a Radiolab piece on the Robic and ultra-endurance races. (I haven’t listened to the entire thing, but flipping around it was pretty interesting, and more than a little insane.)

They’re Here…

Thursday, April 15th, 2010

Huge fireball filmed over the Midwest:

Not a streetlight…

Random Surrealist Picture of the Day

Thursday, March 11th, 2010

Stolen from Fark. As usual.

Filed Under “Nightmare Fuel” On TV Tropes

Friday, March 5th, 2010

I can’t possibly imagine why…

And Alice in Wonderland opens today, and Easter is just around the corner, so it is topical…

Kirsten Dunst is Turning Japanese

Wednesday, February 24th, 2010

Something for Dwight’s “Art, Dammit, Art!” watch. Here’s Kirtsen Dunst dressed up as an anime character and signing The Vapor’s “Turning Japanese” in the middle of the Akihabara.

So, you think it’s a publicity stunt or she’s doing an album. But not, even though Dunst is singing and the video is directed by McG, this is actually a performance art piece called “Akihabara Majokko Princess” by Japanese pop artist Takashi Murakami.

O….K…..

Anyway, though I think she looks better as a red-(rather than blue-)head, she is quite fetching in that outfit…

{Note: Video includes real shots from the Akihabara, some of which fall into the NSFW category.)

For comparison, here’s the original (embedding disabled, alas).

Updated: The YouTube video was pulled, so I’ve switched to one from eBaum’s World.

Cthulhu Ski Mask

Monday, January 4th, 2010

Tempting, but at $45 is much too expensive for a climate as typically balmy as Texas. (At least most years. This year it’s been freaking cold…)

Alan Moore as a Hot Teenaged Japanese Girl

Monday, December 21st, 2009

Comic tribute to Watchman creator and comic-God Alan Moore? Got it.

By a Japanese illustrator? Fine.

As a Dojinshi comic depicting Alan Moore as a hot teenage Japanese girl?

Ow! You broke my brain!

And here’s some more art from it.

Life Imitates William Gibson’s Idoru

Thursday, December 17th, 2009

Japanese man marries his virtual dating sim girlfriend.

Now don’t you feel better about your own love life (or lack thereof)?

Movie Review: The Cabinet of Dr. Caligari

Sunday, November 1st, 2009

The Cabinet of Dr. Caligari
Directed by: Robert Wiene
Written by: Hans Janowit, Carl Mayer
Starring: Werner Krauss, Conrad Veidt, Friedrich Feher, Lil Dagover

It being the spooky season, I decided to pick up The Cabinet of Dr. Caligari, the classic German Expressionist horror film from the 1920s. (I’d studied German Expressionism a little bit in college, especially the work of Georg Kaiser.) It’s pretty much a must-watch for serious students of film history. For the more casual viewer, you have to ask yourself: How much are you willing to put up with a slow, creaky silent 1920s German melodrama to get to the weird stuff, and how much do you like strange sets?

Because the story of a carnival mesmerist whose casket-dwelling sideshow attraction seems to commit murders between shows just isn’t that interesting until the Usual Suspects-esque conceptual twist at the end. But those sets! Every single set in the main story is filled with distorted lines meeting at weird angles.

Here’s a couple of examples:

If you want to spend some 70 odd minutes looking at those sets (dozens of them, all weird and twisted; if many living in CaligariWorld weren’t already mad, trying to sit on those conical chairs would certainly drive you around the bend in short order), you’ll have a grand old time. If not, there may not be enough here to hold your attention. Cinema hadn’t yet developed the language all of us in the glorious world of the 21st Century all take for granted, so they hadn’t learned to do things like jump cuts; all the scene changes are done by irising the lens shutter. Neither German Expressionism nor silent melodrama were known for their restraint, so the acting is exaggerated.

There’s nothing in here really remotely scary, but a few scenes do manage to remain unnerving all these years. And it may very well be the first “screw-with-your-head” conceptual shift ending in cinema. Something for the serious cinephile, or the Howard Waldrop fan who wants to get a little more out of “Occam’s Ducks”.

Some True Life Scares for Halloween

Saturday, October 31st, 2009

The Spider Man of Denver