Archive for October, 2018

Halloween Horrors: Some Fake Cthulhus

Thursday, October 4th, 2018

Amateur video faking technology is improving all the time, so enjoy some fake “hey, we put a digital Cthulhu behind some clouds” footage.

Library Additions: Two Centipede Press Books

Wednesday, October 3rd, 2018

I picked up two Centipede Press books, one off eBay and the other direct from the publisher:

  • Smith, Clark Ashton. In the Realms of Mystery and Wonder: Collected Prose Poems and Artwork of Clark Ashton Smith. Centipede Press, 2017. First edition hardback, #36 of 300 signed (by editor Scott Conners) and numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. This actually sold out before I could pick it up, but I ended up buying this copy off eBay for $110.06, which is less than half the $225 offering price.

  • Wilson, Richard (John Pelan, editor). Masters of Science Fiction: Richard Wilson. Centipede Press, 2018. First edition hardback, #350 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread, still in shrinkwrap. A hefty 700 page short story collection from the Nebula-winning author of “Mother Goddess of the World.” Bought from the publisher at the usual dealer discount, and I’ll have a copy available in the next Lame Excuse Books catalog.

  • “She sang beyond the genius of the sea”

    Tuesday, October 2nd, 2018

    Today is the 139th birthday of American poet Wallace Stevens. Along with T. S. Eliot, Stevens was one of the great modernist poets, and you might have read “The Emperor of Ice-Cream” (another great poem) in high school.

    Like most poetry, Stevens work is hit or miss for me, but when he’s on, he can knock you flat.

    Here’s one of his best, and one of the best opening lines of poetry ever.

    The Idea of Order at Key West

    By Wallace Stevens

    She sang beyond the genius of the sea.
    The water never formed to mind or voice,
    Like a body wholly body, fluttering
    Its empty sleeves; and yet its mimic motion
    Made constant cry, caused constantly a cry,
    That was not ours although we understood,
    Inhuman, of the veritable ocean.

    The sea was not a mask. No more was she.
    The song and water were not medleyed sound
    Even if what she sang was what she heard,
    Since what she sang was uttered word by word.
    It may be that in all her phrases stirred
    The grinding water and the gasping wind;
    But it was she and not the sea we heard.

    For she was the maker of the song she sang.
    The ever-hooded, tragic-gestured sea
    Was merely a place by which she walked to sing.
    Whose spirit is this? we said, because we knew
    It was the spirit that we sought and knew
    That we should ask this often as she sang.

    If it was only the dark voice of the sea
    That rose, or even colored by many waves;
    If it was only the outer voice of sky
    And cloud, of the sunken coral water-walled,
    However clear, it would have been deep air,
    The heaving speech of air, a summer sound
    Repeated in a summer without end
    And sound alone. But it was more than that,
    More even than her voice, and ours, among
    The meaningless plungings of water and the wind,
    Theatrical distances, bronze shadows heaped
    On high horizons, mountainous atmospheres
    Of sky and sea.

    It was her voice that made
    The sky acutest at its vanishing.
    She measured to the hour its solitude.
    She was the single artificer of the world
    In which she sang. And when she sang, the sea,
    Whatever self it had, became the self
    That was her song, for she was the maker. Then we,
    As we beheld her striding there alone,
    Knew that there never was a world for her
    Except the one she sang and, singing, made.

    Ramon Fernandez, tell me, if you know,
    Why, when the singing ended and we turned
    Toward the town, tell why the glassy lights,
    The lights in the fishing boats at anchor there,
    As the night descended, tilting in the air,
    Mastered the night and portioned out the sea,
    Fixing emblazoned zones and fiery poles,
    Arranging, deepening, enchanting night.

    Oh! Blessed rage for order, pale Ramon,
    The maker’s rage to order words of the sea,
    Words of the fragrant portals, dimly-starred,
    And of ourselves and of our origins,
    In ghostlier demarcations, keener sounds.

    Halloween Horrors: Threatening Toilets

    Monday, October 1st, 2018

    Welcome to The October Country!

    Would you believe there’s a Twitter feed dedicated to posting pictures of scary toilets?