Posts Tagged ‘Poul Anderson’

Recent Library Acquisitions: A Few Random Interesting Books

Tuesday, February 12th, 2013

No particular theme, just a few books fellow science fiction bibliophiles might find of interest.

  • Anderson, Poul. Homebrew. NESFA Press, 1976. First edition hardback, one of 500 copies signed by Anderson (Currey B, no priority), a Fine- copy with slight bumping at head and heel in a Fine- dust jacket with a tiny bit of dust patterning to rear dust jacket. Currey (1978), pages 10-11. Three short stories plus miscellany.

  • Asimov, Isaac and Theodosius Dobzhansky. The Genetic Effects of Radiation. U.S. Atomic Energy Commission, 1966. Presumed first edition chapbook (no additional printings listed), a Near Fine copy with slight dust soiling and age darkening to covers, and phantom crease to bottom corner. Non-fiction pamphlet. Marjorie M. Miller, Asimov: A Checklist, page 48.

  • Smith, Reginald. Weird Tales in the Thirties. Self published, no date (but 1966). First edition, 8 1/2″ x 11″ side-stapled, mimeographed from typewritten copy, Near Fine- copy with small abrasion at top front, and slight bend to front and rear self-covers. Long essay about the magazine. Joshi, H. P. Lovecraft: An Annotated Bibliography, III-D-574.

  • Vance, Jack. Strange Notions with The Dark Ocean. Underwood/Miller, 1985. First edition hardbacks, number 47 of 500 signed (Strange Notions only, as issued), numbered sets in slipcase, Fine, sans dust jackets, as issued. Mystery novels. Hewett, A75 and A76.

  • Zelazny, Roger. Damnation Alley. Putnam, 1969. First edition hardback, a Fine copy in a Fine- dust jacket with just a tiny bit of edgewear along top front. Levack, 9a. Currey (1978), page 570.

  • Books I Picked Up at the Reno Worldcon

    Friday, September 2nd, 2011

    Various issues have kept me remarkably busy the last few days, so it may take a little while to get my blogging back up to speed. In particular, I wanted to do a brief roundup of some of the books I bought at the Reno Worldcon.

    This year’s Worldcon had a better dealer’s room than Denver in 2008 (the last Worldcon I went to), and there were many rare and tempting items there (including not one, but two copies of the first edition of William Timlin’s The Ship That Sailed to Mars, as well as a fine signed first edition of Alfred Bester’s Tiger Tiger listed for $2,500, and which sold for a bit less) which, alas, they wanted more for than I was willing to spend.

    But here are a few items I was able to add to my collection:

  • Serviss, Garrett P. Edison’s Conquest of Mars. Carcosa House, 1947. First edition hardback, one of 1,500 copies, a Fine copy in one of only 500 (or fewer) dust jackets distributed with the book, a Near Fine example of dj with just a few traces of edgewear and slight age-darkening to the spine. The dust jacket is rarely found, and even more seldom found in such excellent condition.

    The dust jacket art itself is perhaps the finest ever drawn by an eight-year old…

  • Hubbard, L. Ron. Final Blackout. Hadley Publishing, 1948. First edition hardback, a Fine copy in a Near Fine+ dust jacket with slight age darkening to white portions of cover. I’m not a big fan of Hubbard (or his church), but this and Fear are reportedly among his best works, and I am less familiar with his output than almost any other Golden Age author. Plus it puts me closer to having a complete collection of Hadley Publishing, an important early SF specialty press.

  • Gaiman, Neil. Melinda. Hill House, 2004. First edition graphic novel, one of 1,500 signed copies, Fine, sans dust jacket, as issued. Wanted this when it came out, but not enough to pay the $250 or so Hill House was asking for it, especially considering how slender it is. But the $50 I picked it up for was just right…


  • Anderson, Poul. Fire Time. Doubleday, 1974. First edition hardback, a Fine copy in a Near Fine dust jacket with edgewear. Not a difficult or valuable title, except this copy was inscribed by Anderson to Charles N. Brown, which I thought made it worth a good bit more than the $15 the Locus folks were asking for it.
  • Diaz, Junot. The Brief Wondrous Life of Oscar Wao. Riverhead Books, 2007. First edition hardback, a Fine copy in a Fine dust jacket. Been looking for a copy at various Half Price Books and not finding one, so I was happy to pick this up from Scott and Willie.
  • Farmer, Philip Jose. The Keeper of the Secrets. Severn House, 1985. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of haze rubbing to the rear cover. First hardback edition of The Mad Goblin.
  • Farmer, Philip Jose. Love Song. Brandon House, 1970. First edition paperback original, a Near Fine- copy, with slight cover wear and ownership stamps and stickers for Diana Ann Barbour. My best find at the convention wasn’t even a purchase; Barbour had specified that her library was to be given away, and when I spotted this green spine among the stacks of Philip Jose Farmer paperbacks being set out, I snagged it. (I left behind two of the Essex House paperbacks they were putting out, because it doesn’t pay to be piggish.) The only copy of the PBO online lists for $850. That’s too high, but $200-400 is probably realistic.

  • Moorcock, Michael. The Sleeping Sorceress. New English Library, 1971. First edition hardback, a Fine copy in a Near Fine+ dust jacket with color loss along inner flaps edges (possibly a printing flaw). First hardback edition of The Vanishing Tower.
  • Moorcock, Michael. The Runestaff. White Lion, 1974. First edition hardback, a Fine- copy with just a tiny bit of wear in a Fine dust jacket. First hardback edition.
  • Shute, Nevil. On the Beach. Heinemann, 1957. First edition hardback, a near Fine plus copy with dust staining to top page blocks and touches of wear to boards at heel, in a Near Fine dust jacket, with slight edgewear at head and heel and a few very short, closed tears.
  • Greg Bear: Project Gutenberg Screwed Up

    Tuesday, November 30th, 2010

    You may remember this post on how a lot of science fiction was showing up in the public domain at Project Gutenberg (which was picked up by SF Signal, Io9, etc.).

    Well, Greg Bear and Astrid Anderson Bear, his wife and daughter of Poul Anderson (whose works were among those put up by Project Gutenberg), are saying that Project Gutenberg screwed up:

    After conducting legal research on the LEXIS database of legal cases, decisions, and precedents, we have demonstrated conclusively that PG was making incorrect determinations regarding public domain status in many, many works that originally appeared in magazine form. The Poul Anderson estate has been able to get one work, “The Escape”, that PG had firmly declared to be public domain, removed from their site. PG’s original reasoning was that since the magazine it appeared in had never actually filed for copyright, the work was unprotected. “The Escape”, printed in 1953, was the first half of Anderson’s well-known novel BRAINWAVE, which was published and properly copyrighted the following year.

    However, even if ‘The Escape” had not been published as a novel, it would have remained under copyright protection until 1981 (28 years) and been eligible for copyright renewal. Authors of that era, and Anderson in particular, were very aware of the need to renew copyrights, and typically meticulously kept their copyright protections up to date. Copyright law for works created more recently is much easier: life plus 70 years. (Sonny Bono Copyright Term Extension Act, 1998).

    (snip)

    In general, Project Gutenberg is doing a tremendous service by making available texts that have truly long since fallen out of copyright, but they are clearly overstepping their original mandate. They are not merely exploiting orphan works, but practicing a wholesale kidnapping of works that are under copyright protection. Authors and estates need to aggressively take back what belongs to them.

    I would imagine that Project Gutenberg may very well be hearing not only from the estates of Philip K. Dick and Leigh Brackett, but from lawyers for the still-very-much alive Frederik Pohl, Norman Spinrad and Jack Vance…

    Lots of Science Fiction Showing Up in the Public Domain

    Thursday, November 11th, 2010

    Take a look at this list of new science fiction put up at Project Gutenberg. Lots of familiar (and fairly recent) names there: Philip K. Dick, Mark Clifton, Leigh Brackett, Poul Anderson, Norman Spinrad, Frederik Pohl, and Jack Vance. And the last three of those are still alive.

    It would be interesting to know how these slipped into the public domain. Did the original magazines where they appeared use work-for-hire contracts, or did the authors forget to file the copyright renewal?

    Edited to add: Wrong link, fixed now.

    Edited to add 2: Really, really fixed now. This time for sure!