Picked up another signed Ray Bradbury Christmas broadsheet off eBay:
Bradbury, Ray. A Christmas Wish 1989: The Bread of Beggars, The Wine of Christ. Privately printed, 1989. First edition broadsheet, a Fine copy, inscribed by the author: “Tim!—Love!—Ray!” Bought off eBay for $34 plus shipping.
The slight shadowing on the left side is a scanner artifact, probably a result of leaving it in the protective plastic while scanning it…
Swanwick, Michael. Not So Much Said the Cat. Tachyon, 2016. First edition trade paperback original, a Fine copy, new and unread. Signed and dated by Swanwick. His latest short story collection.
Swanwick, Michael. Solstice Spirits. Dragonstairs Press, 2015. First edition chapbook original, #62 of 100 signed, numbered copies, a Fine copy new and unread. Four brief seasonal tales. Though dated 2015, I was only able to obtain it recently, and it’s already sold out from the press.
Copies of both of these will be available in the new Lame Excuse Books catalog I’m sending out on Monday.
Evidently there’s a Swedish charity that’s trying to raise goat awareness or some damn thing, and to do so they’ve released a Christmas album.
Sung by goats.
And by “sung,” I mean “torturing you ears.”
Yes, it’s Jingle Cats with goats. If you’re in dire need of finding a way to make guests leave at the end of a Christmas party, I think this will provide the answer…
In his tomb in upthrust Lapland
Dead Kris Kringle lies dreaming
If you’re looking for a weird Christmas horror movie, you could do a lot worse than the Finnish movie Rare Exports. The son of a reindeer herder/butcher finds out that a team just over the border in Russia are drilling into a mountain they believe to be a tomb.
It quickly becomes apparent that the tomb is that of Santa Claus. And the real Santa Claus is not the jolly fellow of Coke commercials, but a fearsome punisher of the wicked that looks a lot more like Krampus:
What makes the film work is its cold, gritty, unsentimental realism. It really does look like it was filmed in a tiny village in Ass End of Nowhere, Finland. Save an unconvincing CGI helicopter at the end, and the strange coda that gives the film its name, I thought everything about the movie worked pretty well. Of recent Scandinavian horror films, I thought this worked better than Dead Snow, but not as good as Let the Right One In.
Worth viewing, and available on Netflix.
I was going to do a longer review, but I’m running out of Christmas.
It’s that time of year. If you haven’t been to the Austin’s 37th Street display of lights, this video from illustrator Doug Potter gives you an idea of what it’s like.