I was able to catch most of the M83 show here in Austin. While good, I was equally impressed with Swedish opening act I Break Horses (not to be confused with the Seattle band of the same name, or the Portland band Sparkle Pony), which played a very tight set.
Their online music is good, but they’re much better live, and I’d recommend catching the M83/I Break Horses tour if they come around your neck of the woods.
We’ve had Shoegazer bands from the UK, the USA, Japan, and France, so why not one from Russia? Named after a Mexican SF movie I really need to track down, here’s Sleep Dealer with “The Tenth Planet”:
Here’s the California Shoegazer band Sway with “Fall” (which is available on iTunes):
Not only are there six bands named Sway, there’s another Shoegazer band named Sway out of New South Wales, Australia!
1990s British duo Curve walk the line (if there is one) between Shoegazer and Dreampop on their song “Frozen”:
This is almost an extended loop rather than a standalone song, but it’s a very pleasant one, that seems to have been composed as a general tribute to shoegaze.
This week’s Shoegazer Sunday offering is a Japanese band called Civic. First up is “Tensai”:
Here’s a live version of “Guitar,” which is a tremendously fun high energy number. Skip the first 1:20 seconds of annoying “walking on stage” intro electronica.
Like many of my Japanese shoegazer discoveries, Civic records for High Fader Records. Guitar seems to have been reborn there as “Tobacco” up on the High Fader Myspace page, and have another song called “Innocent” on their own MySpace page. They have a very coherent, appealing sound, with the male and female vocalists trading off verses. They’re probably closest to SuperCar among their Japanese shoegaze brethren, but they’re also have a bit of U2, The Beatles, The Byrds, and maybe The Ramones in their sound.
Since I don’t read Kanji, I couldn’t tell you what the name of this song is:
I would buy a full length Civic album right now if one were available in the U.S…
More obscure Japanese shoegaze, this time from Speaker Gain Teardrop off their album RENDERING ENCRYPTION (a title that will no doubt bring a smile to Cory Doctrow’s face).
Here’s both the live and studio versions.
Alsion’s Halo was evidently among the first American band to respond to the first wave of Manchester-base Shoegazer, forming in Arizona in 1992.
Evidently the stopped recording for a while, then reformed as a band called Lochheed (sic), which sounds more ambient.
Welsh trio The Joy Formidable offers up dense shoegaze textures with poppy hooks, sort of like a cross between between Siouxie and the Banshees and Adorable.
Since they’re been on Letterman, I guess they’re hardly a secret…
Here’s a live version of Japanese threesome Lemon’s Chair song “Sonar.” It starts off as some very pleasant noodling, and then more than halfway in transforms into a sonic wall of sound that never quite loses the central groove.
They also have a nice solid slab of steady-state shoegazer sweetness called “Swallowtail” on iTunes, but there doesn’t seem to be a version of that on YouTube.