UK’s Engineer’s deftly tread the boarders of Shoegaze, Dream Pop, and Psychedelia on “Clean Colored Wire.”
Ulrich Schnauss (who seems to be to shoegaze keyboard what Tony Levin is to progressive rock bass) is also part of the current incarnation of the band.
If they were from Australia rather than Sweden, I would think that A Swarm of the Sun was A Beautiful Machine reborn, so close is the very heavy shoegaze sound.
Drifter is a practitioner of minimalist, almost steady state shoegaze, with one riff repeated over and over again for the entire length of the song. But, by and large, they’re the right riffs.
And check out their previous Shoegazer Sunday entry “Fade” if you haven’t already.
Sometimes the line between the genuine article and inspired parody is so thin as to be non-existent. Here’s The Black Satans with “The Satan of Hell.”
Nothing says “Dangerous Minions of Hell” quite like tossing snowballs, or banging a tree with a stick. But I bet if they tried harder, they could work in a few more Satans…
Alcest, a French shoegazer band that sounds a little bit like M83 by way of Sigur Ros and Midsummer, offers up the compelling “Souvenirs D’un Autre Monde” (“Memories of Another World).
While plumbing the depths and breadths of YouTube for suitable Shoegazer Sunday entries, sometimes I stumble across something interesting that doesn’t fit in the Shoegaze label. Today let’s take a look at Japanese band SpecialThanks.
The first 20 seconds of silence is just to mess with you.
So a pop-punk band with a deadly cute female lead who sings in English that sounds like a cross between Blink-182 and [Insert Current Teenage Female Pop Sensation Here]. This is the sort of Japanese cross-cultural pop artifact that Bruce Sterling circa 1992 would have been all over. As it stands, I’m pretty sure some canny American record label would make millions signing them over here…