I know that when I think “punk,” Huey Lewis and Toni Basil are the first names that come to mind:
I can hardly wait for their forthcoming Heavy Metal collection with Simon & Garfunkel and The Bee Gees.
(To be fair, Devo were considered punk very early in their career, and Billy Idol at least dressed the part and came out of the same scene as The Sex Pistols. There’s a very amusing bit in Glen Matlock’s I was a teenage Sex Pistol in which a suddenly chastised Idol grows apprehensive over having wrecked his father’s car…)
I almost missed the news that Jonathan Frid, who starred as vampire Baranabas Collins in the original Dark Shadows, died April 13 (Friday the 13th). It’s tempting to say that he died after seeing the trailer for the Tim Burton version.
I have extremely vague memories of watching the original when I was very young (including one scene where characters were trapped in a web and menaced by a giant spider that, even to my 5-year old self, looked incredibly fake), but I was never a devoted fan of the original series. Even so, it was obviously a very interesting pop culture artifact, a failing soap opera that desperately threw in a stage actor playing a vampire that turned it into a sudden cult hit.
Even so, I have to wonder why Tim Burton decided to camp it up like the movie version of The Brady Bunch. They few elements it shares with the original are so attenuated that he could have made the same “18th century vampire out of water” movie and changed a few names without calling it Dark Shadows, and since it stars the always-watchable Depp it would still have made money.
I can only imagine how real fans of the series must feel.
It’s sort of ironic that in the late 1960s, Batman was camp and Dark Shadows was melodrama, and now in 2012, Dark Shadows is camp, and The Dark Knight Rises is drama. And we all get ready for the next turn of the wheel…
Adam Yauch of the Beastie Boys has died of cancer at the deeply untimely age of 47. Dwight pretty much expressed my thoughts, except I didn’t care for “Rock Hard” either. But I did love “Sabotage,” as well as one other song where the Beasties make a guest appearance:
I would say that Marvel has a good idea exactly what audience it’s trying to draw to The Avengers:
(Actually, I always thought her Ghost World co-star Thora Birch was hotter.)
Since Howard and I will be reviewing The Avengers this weekend, I will forbear pointing out how underpowered Black Widow and Arrow Guy are compared to the rest of the team…
Today is the birthday for Dwight Brown of Whipped Cream Difficulties, whom I’ve known since God was a corporal. Happy birthday, Dwight!
On the birthday theme, here’s a viral teaser trailer for Prometheus promoting Weyland Industries’ androids, that’s so straight it’s almost not creepy. Which makes it that much creepier:
Plus an imaginary TED talk from Mr. Weyland himself.
This week’s Shoegazer Sunday offering is a Japanese band called Civic. First up is “Tensai”:
Here’s a live version of “Guitar,” which is a tremendously fun high energy number. Skip the first 1:20 seconds of annoying “walking on stage” intro electronica.
Like many of my Japanese shoegazer discoveries, Civic records for High Fader Records. Guitar seems to have been reborn there as “Tobacco” up on the High Fader Myspace page, and have another song called “Innocent” on their own MySpace page. They have a very coherent, appealing sound, with the male and female vocalists trading off verses. They’re probably closest to SuperCar among their Japanese shoegaze brethren, but they’re also have a bit of U2, The Beatles, The Byrds, and maybe The Ramones in their sound.
Since I don’t read Kanji, I couldn’t tell you what the name of this song is:
I would buy a full length Civic album right now if one were available in the U.S…
More obscure Japanese shoegaze, this time from Speaker Gain Teardrop off their album RENDERING ENCRYPTION (a title that will no doubt bring a smile to Cory Doctrow’s face).
Welsh trio The Joy Formidable offers up dense shoegaze textures with poppy hooks, sort of like a cross between between Siouxie and the Banshees and Adorable.
Here’s a live version of Japanese threesome Lemon’s Chair song “Sonar.” It starts off as some very pleasant noodling, and then more than halfway in transforms into a sonic wall of sound that never quite loses the central groove.
They also have a nice solid slab of steady-state shoegazer sweetness called “Swallowtail” on iTunes, but there doesn’t seem to be a version of that on YouTube.