Posts Tagged ‘Manly Wade Wellman’

Books Bought in Denton December 20, 2013: Signed Vance, Farmer, Wellman, Zelazny

Thursday, December 26th, 2013

I had a family Christmas event at my aunt’s house in Dallas over the weekend, so I hit a few bookstores on my way up I-35, buying a smattering of things.

Then I went to Recycled Books in Denton and dropped $1,100. (This is not an uncommon occurrence.) This post just covers the things I found in their locked rare books section; the rest will be covered in posts over the next few days. (I’m running out of year!))

  • Farmer, Philip Jose. Lord Tyger. Doubleday, 1970. First edition hardback, a Fine- copy with slight crimping at head and heel and trace of foxing along gutters, in a Fine- dust jacket with slight darkening to spine and a few traces of dust soiling. Signed by Farmer. Farmer’s SF take on Tarzan. Currey (1979), page 153. Bought for $60.

    Lord Tyger

  • Vance, Jack. Araminta Station. Underwood Miller, 1987. First edition hardback, #443 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase. First book of the Caldwell Chronicles. Precedes both the NEL and Tor editions by six months. Hewett, A79. Chalker/Owings (1991), pages 437-438. Bought for $120.

    Araminta Station

  • Vance, Jack. Lyonesse: Suldrun’s Garden. Underwood/Miller, 1983. First hardback edition, #78 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. (Note: Unlike the signed, numbered edition of Lyonesse: The Green Pearl, this was not issued in a slipcase.) Hewett, A70b. Chalker/Owings (1991), page 436. Supplements my copy of the unsigned library edition in decorated boards issued without a dust jacket. Bought for $100.

    Suldrun's Garden

  • Wellman, Manly Wade. Worse Things Waiting. Carcosa, 1973. First edition hardback, Trade Edition issue, a Fine- copy with a couple of pinpricks of wear, in a Fine dust jacket. Inscribed to fellow horror writer Dennis Etchison: “Better Things Waiting/for/Dennis Etchison/Manly Wade Wellman/Dec 7, 1979”. Being a Wellman collector, I could hardly pass up an associational copy of this, his best and most important collection, inscribed to another top horror writer. (This is the second Wellman-inscribed association copy I own along with Third String Center inscribed to Wellman’s own brother, western writer Paul I. Wellman.) Currey (1979), page 515. Chalker/Owings (1991), page 87. Bleiler, Guide to Supernatural Fiction, 1672. Jones/Newman, Horror 100, 70. Bought for $100.

    Worse Things Waiting

    Worse Things Inscription

  • Zelazny, Roger. Knight of Shadows. Ultramarine Press, 1989. First limited hardback edition, #20 of 40 signed, numbered copies, bound in quarter leather, a Fine copy, sans dust jacket, as issued. Kovacs, 27-d-i. Chalker/Owings (1991), page 612. Proof that being a collector drives you slightly insane. (“Slightly?” asks the peanut gallery.) Ultramarine Press would take the sheets of the trade edition, then add a signed limitation page and leather binding. Honestly, I’m less than impressed with both their business model and most of the books produced, and I’m not too wild about post-first edition limiteds, but this edition seems nicer than many, 40 is a pretty low limitation for a Zelazny limited, and since I have such an extensive Zelazny collection, I decided to pony up for it. Bought for $240.

    Zelazny Knight

  • Library Additions: Two Manly Wade Wellman First Editions (One Signed)

    Thursday, December 19th, 2013

    I’m closing in on a complete Manly Wade Wellman first edition collection (closer to completing that than my complete Heinlein collection, but farther than my complete Lafferty, Lansdale or Zelazny collections). I picked up two firsts, one off eBay, another off a major science fiction book dealer.

  • Wellman, Manly Wade. The Ghost Battalion. Ives Washburn, 1958. First edition hardback, most likely a repaired Ex-Library copy, Very Good with tape ghosts on boards, front free endpaper excised and another attached in it’s place, slight wear at heel, dust soiling at head, and slight crimping at head and heel, in a Near Fine dust jacket with edgewear and about 1/16″ inch of color loss at heel, and possible spine fading (hard to tell, since it’s a different color than the front and back covers). Second book in the Iron Scouts Civil War YA trilogy. Bought for $18 off eBay.

    Ghost Batallion

  • Wellman, Manly Wade. What Dreams May Come. Doubleday, 1983. First Edition hardback, a Fine copy in a Fine dust jacket, with signature plate signed by Wellman attached to front free endpaper. Features supernatural detective John Thundstone. Replaces an Ex-Library copy in my collection. Bought for $20 from a major SF book dealer.

    Wellman What Dreams

  • Lame Excuse BooksJune/July 2012 Catalog

    Sunday, July 15th, 2012

    It’s time once again for “Lawrence throws up the latest book lists on the blog without any formatting.” All the books listed below are for sale. The main Lame Excuse Books page can be found here.

    Hardbacks

    LP1247. Attanasio, A. A. Radix. William Morrow and Company, 1981. First edition hardback, an Ex-Library copy, some of the usual flaws (see Ex-Library Note), including stamps on all three edges, interior stamps and dj protector remnants inside front and rear covers, a slight bit of spine lean, and a slight bit of wear at heel; however, the dust jacket is in Near Fine shape, with moderate, slightly uneven (from a successful sticker removal that left no other signs) sunfading to spine, but otherwise complete and very attractive. Spine out, there is no sign this is an Ex-Library copy. The true first hardback edition of Attanasio’s first book (and a Nebula Finalist), and very uncommon thus (reportedly only 1000 hardbacks were done). This was my own personal copy until I recently obtained an non Ex-Lib copy. Fine/Fine copies go for north of $1000; of post-1980 SF from a major US publisher, probably only Ender’s Game goes for more. $200.

    LP1935. Baker, Kage. The Best of Kage Baker. Subterranean Press, 2012. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. 500 pages. Only have one. $37.

    LP1936. Baker, Kage. Black Projects, White Knights. Golden Gryphon Press, 2002. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Company stories. Back in stock. Only have one. $17.

    LP9. Barnes, John. The Man Who Pulled Down the Sky. Congdon & Weed, 1986. First edition hardback Fine/Fine-, with some slight rubbing to back cover and the usual age darkening of the pages. One of the more desirable titles in the Asimov Presents line. $12.

    LP1937. Barrett, Neal. Perpetuity Blues. Golden Gryphon, 2000. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Some fine, fun, weird stories in here: “Ginny Sweethips Flying Circus,” “Highbrow,” etc. If you haven’t read it, you need to, by the guy both Joe R. Lansdale and Howard Waldrop look up to. Recommended. $15.

    LP1938. Barrett, Neal. Prince of Christler-Coke. Golden Gryphon, 2004. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Original novel. $15.

    LP883. Baxter, Stephen. Flux. Harper Collins, 1993. First edition hardback, an Ex-Library copy in a library binding with reinforced gutters, library card (loosely attached) to FFE, stickers on FFE and copyright page, slight page yellowing, and slight wear on the corners of the dj and one 1/8″ closed tear on dj back; probably a VG/F- copy were it not for the Ex-Lib markings. There are no external stamps on the book itself, and no Ex-Lib marks at all on the dj. A Xeelee novel set among the inhabitants of a neutron star. A fairly nice space-filler copy of Baxter’s fourth novel, and a very nice copy of the dj. $49.

    LP1939. Bear, Elizabeth. ad eternum. Subterranean Press, 2012. First edition hardback, one of 250 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. Part of her New Amsterdam series. Also included in this edition is the 9,000 word chapbook Underground. $42.

    LP1588. Bear, Greg. The City at the End of Time. Gollancz, 2008 (true first, precedes the Del Rey edition by three weeks). First edition hardback, a Near Fine copy in a Near Fine dust jacket, with corners, head and heel all slightly bumped, otherwise new and unread. I was going to send this back, but at Worldcon Greg told me that these were all but impossible to find. Even the UK trade paperbacks are already into third printings. $35.

    LP1940. Bishop, Michael. The Door Gunner and Other Perilous Flights of Fancy. Subterranean Press, 2012. First edition hardback, one of 250 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. Only for customers on this list, and only while supplies last, you can have this LTD edition at the price of the trade edition. $45.

    LP386. Bishop, Michael. No Enemy But Time. Timescape, 1982. First edition hardback, an ex-library copy with all the usual flaws, otherwise G+/VG+, with spine leaned and rolled, wear to top and bottom boards, internal mends, leaves starting to loosen (and some mended), and some water rippling or spotting to a few interior pages. A well read copy, but a true first of his Nebula winner. Not too bad spine out, an adequate space filler or reading copy. Signed by Bishop. $5.

    LP1250. Bleiler, Richard, editor. Science Fiction Writers: Second Edition. Charles Scribner’s Son, 1999. Second printing of the second edition, hardback, a Fine- copy with some faint scratches and rubs to (mostly) the rear cover (not uncommon in a reference work this large), sans dj, as issued. Update by Bleiler the Younger of the first edition, which was edited by his father E. F. Bleiler. Looks like a very solid reference work with many very knowledgeable contributors (including Brian Stableford and David Langford, among many others). Larger than usual book, so $7 domestic shipping and considerably more than usual overseas. Originally published at $115. Your price: $15.

    LP1589. Blish, James. Black Easter. Doubleday, 1968. First edition hardback (code J21 on page 165), a Near Fine copy with a tiny bit of spine lean and a tiny bit of wear at heel and a tiny stain on page 165, in a Near Fine, off-white dust jacket with very slight age darkening of spine and tiny, faint spotting at inner flap edges, with corresponding very faint discoloration in a vertical line along front and rear free endpapers matching the dj flap edges (possibly from non-acid-free paper in the dj), but absolutely no chips or tears; a very attractive copy. The first part of the second volume of the After Such Knowledge thematic trilogy, and a very good book in it’ own right. A rich arms merchant conspires to loose all the demons of Hell on Earth for a single day. One of Blish’s best. Fantasy 100 Best List, Modern Fantasy 100 Best list. $65.

    LP1625. Bloch, Robert (Gahan Wilson). Skeleton in the Closet, and Other Stories (The Reader’s Bloch Volume 2). Subterranean Press, 2008. First edition hardback, one of only 750 copies, a Fine copy in decorated boards, sans dj, as issued, new and unread. More uncollected Bloch. Illustrated by Gahan Wilson. $33.

    LP1941. Bloch, Robert. Yours Truly, Jack the Ripper. Subterranean Press, 2011. First edition thus, one of 750 hardback copies, a Fine copy in a Fine dust jacket, new and unread. Collects all Bloch’s Jack the Ripper-related material together in one place for the first time. Out of print from the publisher. Cover price, but I only have one. $40.

    LP1942. Brackett, Leigh. Shannach: The Last Farewell to Mars. Haffner Press, 2012. First edition hardback, a Fine copy in a Fine dust jacket, new and unread, still in publisher’s shrinkwrap. Another hefty, bug-crushing collection of stories from Haffner Press. I’m reading some Leigh Brackett right now, and she had lots of swell Golden Age imagery and action. $37.

    LP1943. Buckell, Tobias. Crystal Rain. Tor, 2006. First edition hardback, a Fine copy in a Fine- dust jacket with the tiniest bit of crimping at heel, otherwise apparently new and unread. His very novel, and quite a good one, depicting a world settled by people of Caribbean decent caught in the middle of a war between two different types of aliens, each pretending to be different types of Gods. Recommended. $15.

    LP1944. Campbell, John. A New Dawn: The Complete Don A. Stewart Stories. NESFA Press, 2003. First edition hardback, a Fine copy in a Fine- dust jacket with a slight wrinkle top front, top of front inner flap, and a phantom crease on inner front flap, otherwise apparently new and unread. Includes “Who Goes There?” and “Twilight,” among many others. (No, not THAT Twilight. No Whiny Vampires of Annoying Sparklyness here.) $25.

    LP655. Cherryh, C. J. Cyteen. Warner Books, 1988. First edition hardback, an Ex-Library copy, with all the usual flaws, otherwise G+/NF+ with spine lean, significant wear to bottom boards, long black marker line on heel, spine leaned and slightly concave. Well-worn, but an attractive dj for an Ex-Lib, and a true first of a Hugo winner. $5.

    LP1947. Dahlquist, Gordon. The Glass Book of the Dream Eaters. Bantam, 2006. First edition hardback, a Fine copy in a Fine dust jacket. Got all sorts of huge buzz when it came out. “A sinister cabal seeks to rule the world through sex and dreams.” Well, who DOESN’T want to rule the world for sex? Though admittedly, John Holmes’ brief stint as Secretary General of the UN didn’t work out too well… $20.

    LP1948. Dick, Phillip K. The Complete Stories of Philip K. Dick Volume 2: Adjustment Team. Subterranean Press, 2011. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Out of print from the publisher. From Sex to Dick…nah, too easy. $40.

    LP1949. Duncan. Andy. The Pottawatomie Giant and Other Stories. PS Publishing, 2012. First edition hardback, Fine in decorated boards, sans dust jacket. as issued. Only have one. $35.

    LP841. Effinger, George Alec. Budayeen Nights. Golden Gryphon Press, 2003. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of edgewear at head. Collection of all the stories set in the Arabic future of When Gravity Fails, including the Hugo and Nebula winning “Schrodinger’s Kitten.” Back in stock. $20.

    LP1950. Effinger, George Alec. A Thousand Deaths. Golden Gryphon Press, 2007. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. All George’s Sandour Courane stories, including the very funny (and very dark) novel The Wolves of Memory, which George considered the best of his pre-When Gravity Fails novels. $20.

    LP1836. Egan, Greg. Zendegi. Night Shade Press, 2010. First U.S. edition hardback, a Fine copy in a Fine dust jacket, new and unread. Egan’s latest novel, set in a post-theocracy Iran and a popular virtual reality game. “We’ll have it out before the UK edition,” they said. “You’ll be able to sell it,” they said. $15.

    LP1951. Farmer, Philip Jose (and Christopher Paul Carey). Gods of Opar: Tales of Lost Khokarsa. Subterranean Press, 2012. First edition hardback, one of 250 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. Omnibus of three Opar novels, the last of which, completed by Carey, has never before been published, and the other two of which have never before appeared in hardback. This limited edition, which contains additional supplemental material not in the trade edition, is sold out from the publisher. Despite that, and despite the fact that I only have one copy, I’m offering it at the cover price of $65. First one gets it. $65.

    LP487. Fuentes, Carlos. The Good Conscience. Ivan Oblensky, Inc., 1961. First edition hardback (“First Printing” stated), an Ex-Library copy will all the usual flaws, otherwise G+/NF- with wear to head and heel as well as a thin line staining at top and bottom boards (almost certainly from an old style library dust jacket protector), front hinge starting to crack and shallow chipping at dj head. His second novel. $15.

    LP1952. Gaiman, Neil. The Rhyme Maidens. Biting Dog Press, 2012. Folio Edition of the first edition broadsheet, one of 50 copies so issued, a Fine copy, with one broadsheet on each side of an oversized folio case with accompanying slipcase. This thing is huge, about 16 1/2″ high by 14 1/2″ wide. This is about the point where it stops being a book and starts being a fetish object. I’ve got a pictures of it here. I only have one for sale, and it’s out of print from the publisher. Offered at cover price. $450.

    LP1953. Gaiman, Neil. The Rhyme Maidens. Biting Dog Press, 2012. Trade edition of the broadsheet, just a single 15″ x 11″ page, with the poem, illustration and Gaiman’s signature on front, and the Biting Dog logo on back. a 16″ x 12″ frame fits it nicely. Only have one, but $5 off cover price. $75.

    LP1123. Gentle, Mary (S. M. Stirling). Under the Penitence. PS Publishing, 2004. First edition hardback, 1 of 300 numbered, limited hardback copies signed by Gentle and introduction author S. M. Stirling, Fine in Fine dj, new and unread. A novella set in the Visigothic Carthage of Ash: A Secret History. Maybe I’d find it easier to sell to people if I didn’t tell them it sucks. But God, it really DOES suck. Can’t lie just to sell books, and suck is suck. $30.

    LP1956. Kennedy, Leigh. Wind Angels. PS Publishing, 2011. First edition hardback, Fine in decorated boards, sans dust jacket, as issued. New short story collection, including one in collaboration with Howard Waldrop. $33.

    LP1693. Kress, Nancy. Nano Comes to Clifford Falls. Golden Gryphon, 2008. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Her latest short story collection. Introduction by Mike Resnick. $20.

    LP1957. Kurtz, Katherine. The Quest for Saint Chamber. Del Rey, 1986. First edition hardback, a Near Fine copy with previous owner’s stamp (a teddy bear catching a baseball) on FFE, in a Near Fine dust jacket with slight crimping and creasing at dust jacket heel, a 1 1/2″ wrinkle on rear cover near heel, and slight haze rubbing on rear dj cover, must noticeable along spine join. Inscribed by Kurtz: “To Beau—Katherine Kurtz.” I haven’t ever seen Kurtz at an SF convention, but she has more signed books online than I thought. Let’s sell this for…$49.

    LP1958. Kuttner, Henry. Thunder in the Void. Haffner Press, 2012. First edition hardback, a Fine copy in a Fine dust jacket, new and unread, still in publisher’s shrinkwarp. The latest Haffner press Kuttner volume, including tales Kuttner published between 1937-1950, plus one never before published Kuttner story. mike resnick provides the introduction, so you can have him sign it at Worldcon where he’s Guest of Honor. Only have one. $37.

    Hey, I see that I also have one copy left each of Terror in the House and Detour to Otherness, the previous Haffner Kuttner collections. Pick up all three for $100.

    LP1959. Lansdale, Joe R. Act of Love. Subterranean Press, 2012. First edition hardback thus, with a new novelette, “A Bone Dead Sadness,” and interview with Lansdale not included in any previous edition, one of 200 signed, numbered slipcased copies, a Fine copy in a Fine dust jacket and slipcase, new and unread. Only have one. $100 List. For you, $95.

    LP1960. Lansdale, Joe R. Act of Love. Subterranean Press, 2012. First edition hardback thus, with a new novelette, “A Bone Dead Sadness,” and interview with Lansdale not included in any previous edition, a Fine copy in a Fine dust jacket, new and unread. Trade edition. Only have one. $37.

    LP1961. Lansdale, Joe R. A Fine Dark Line. Weidenfeld Nicolson, 2003. First British edition, a Fine copy in a Fine dust jacket, new and unread. Solid historical mystery. Recommended. $10.

    LP1962. Lansdale, Joe R. High Cotton. Golden Gryphon, 2000. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Back in stock. Lots of great stories in here. Highly recommended. $20.

    LP1850. Leiber, Fritz. Strange Wonders. Subterranean Press, 2010. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Collection various work, some previously unpublished or uncollected. $8 off cover price. $32.

    LP1964. Lethem, Jonathan. Motherless Brooklyn. Doubleday, 1999. First edition hardback, a Fine- copy in a Fine- dust jacket with a tiny bit of wrinkling at head and heel. National Book Critics Circle Award winner. $25.

    LP1277. Lovecraft, H. P. (edited by S. T. Joshi). Collected Essays Volume 3: Science. Hippocampus Press, 2006. First edition hardback, a Fine copy in a Fine dj, new and unread, still in publisher’s shrinkwrap. I haven’t seen a print run listed for this, but according to the publisher, the print run for the hardbacks for the first two volumes was only 250 copies (and I’ve sold all my copies of those). LAST COPY! $35.

    LP1346. Lovecraft, H. P. Collected Essays Volume 4: Travel. Hippocampus Press, 2006. First edition hardback, a Fine copy in a Fine dj, new and unread, still in publisher’s shrinkwrap. I know that there were only 250 copies of the hardback printed for some of the earlier volumes, and of the five copies I ordered, I only have one left. LAST COPY! $35.

    LP1414. Lovecraft, H. P. Collected Essays Volume 5: Philosophy, Autobiography & Miscellany. Hippocampus Press, 2007. First edition hardback, one of only 250 hardback copies, a Fine copy in a Fine dj, new and unread, still in publisher’s shrinkwrap. The final volume of Lovecraft Essays. LAST COPY! $35.

    LP1965. (Lovecraft, H. P.) Joshi, S. T. (editor) (William Browning Spencer, Michael Shea, David J. Schow, Brain Stableford, Michael Marshall Smith, Ramsey Campbell, etc.) Black Wings: Tales of Lovecraftian Horror. PS Publishing, 2010. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Anthology of Lovecraftian horror featuring lots of very solid writers. Back in stock. Might want to pick one up before Black Wings II hits later this year. $37.

    LP1966. Martin, George R. R. Tuf Voyaging. Baen Books, 1986. First edition hardback, a Fine- copy with slight crimping at head and heel in a Near fine+ dust jacket with slight haze rubbing to rear, and slight edgewear to head and heel, including a semi-closed 1/16″ tear at head. All of martin’s Haviland Tuf stories in one volume, the story of a perfectly honest trader with an Earth Ecological Corps see ship, who somehow always seems to get the better of people. Recommended. You might have noticed that George is just a wee tiny bit popular now… $15.

    LP1415. Marusek, David. Getting to Know You. Subterranean Press, 2007. First edition hardback, a Fine copy in a Fine dust jacket, new and unread, still in publisher’s shrinkwrap. First short story collection by this talented writer (and a nice guy to boot). Already out of print from the publisher. $22.

    LP1695. McAllister, Bruce.The Girl Who Loved Animals. Golden Gryphon, 2007. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Introduction by Barry Malzberg. By the well-respected author of Dream Baby. $18.

    LP1967. McCarthy, Cormac. The Road. Knopf, 2006. First edition hardback (First Edition stated, no additional printings listed), a Fine copy in a Fine- dust jacket with just a tiny bit of haze rubbing along spine join, and a tiny bit of dj crimping at head. His Pulitzer prize-winning post-apocalyptic novel, made into a happy, feel-good movie! $49.

    LP1471. Moon, Elizabeth. Moon Flights. Night Shade Books, 2007. First edition hardback, a Fine copy in a Fine dj, new and unread. Short story collection by the Nebula and Robert A. Heinlein Award-winning author of The Speed of Dark. Signed by Moon. $17.

    LP1853. Niven, Larry. The Best of Larry Niven. Subterranean Press, 2010. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Huge Subterranean career retrospective collection. $35.

    LP1968. Powers, Tim. The Bible Repairman and Other Stories. Subterranean Press, 2012. First hardback edition, one of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. let’s do this at $5 off cover price. $70.

    LP1969. Reed, Robert. Eater-of-Bone and other novellas. PS Publishing, 2002. First edition hardback, Fine in decorated boards, sans dust jacket, as issued. Includes his Hugo-winner “A Billion Eyes.” Only have one. $32.

    LP1970. Resnick, Mike. Blasphemy. Golden Gryphon, 2010. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. All of Resnick’s stories dealing with religion in one place. $20.

    LP1971. Rickert, M. Holiday. Golden Gryphon, 2010. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Short story collection. $20.

    LP1643. Roberson, Chris. The Voyage of White Shining Night. PS Publishing, 2006. First edition, one of 300 signed hardback copies, a Fine copy in a Fine dust jacket, new and unread. Alternate universe tale of the Imperial Chinese Space Program by this prolific Austin writer. List: $45. Your price: $25.

    LP1972. Russell, Mary Doria. The Sparrow. Villard, 1996. First Edition hardback, with all first edition points present (First Edition stated, has a printing line reading “9 8 7 6 5 4 3 2” (yes, Villard starts their printing lines at 2–don’t ask me why); dj flap bears cover price: “U.S.A. $23.00/Canada $32.00” (there are book club editions which are otherwise identical to the first edition, but lack the price); photo credit on dj flap reads “Dina Ross,” corrected “Dina Rossi” on later editions; page 16, third full paragraph, first line, last word is “karstic”, later corrected to “karst”; and page 95, second paragraph reads “At 32 feet per second, you’d have,” later corrected to “At 32 feet per second per second, you’d have”), a Fine- copy with two tiny, light pinhead sides dots of discoloration at head, in a Fine- dj with a tiny bit of crimping at head and heel, but NO remainder mark. Perhaps the most important SF debut novel of the 1990s by this John W. Campbell award winner. $25.

    LP1066. Ryan, Alan (Charles L. Grant, Steve Rasnic Tem, Tanith Lee). Night Visions 1. Dark Harvest, 1984. First edition hardback, one of only 1500 trade copies, an Ex-Library copy with all the usual flaws, otherwise VG-/NF with spine lean, wear to bottom boards, inner front hinge just starting to crack at top, and crimping to dj head and heel. The first book in the Night Visions series, each of which features 30,000 words or so of original fiction from today’s best horror writers, and the third book produced by Dark Harvest. $10.

    LP1973. Sargent, Pamela. Thumprints. Golden Gryphon, 2004. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Signed by Sargent. $20.

    LP1287. Sawyer, Robert J. The Terminal Experiment. Easton Press, 2001. First edition hardback thus (“Collectors Edition”), a Fine leatherbound copy, new and unread, sans dj, as issued. Winner of the Nebula Award for Best Novel. This edition contains a new introduction by James Gunn, as well as original artwork. Easton Press “Collector’s Notes” laid in. Sawyer: Can’t move his books. It’s like they’re made of neutronium. $49.

    LP1974. Scalzi, John. 24 Frames Into the Future. NESFA Press, 2012. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Non-fiction essays on science fiction films. $25.

    LP1975. Scalzi, John. 24 Frames Into the Future. NESFA Press, 2012. First edition hardback, one of only 140 signed, numbered copies, a Fine copy in a Fine dust jacket and slipcase, new and unread, still in publisher’s shrinkwrap. Non-fiction essays on science fiction films. The limited is out of print from the publisher. 140 is a pretty small run for a Scalzi limited. Only have one. $150.

    LP1976. Shepard, Lucius. The Dragon Griaule. Subterranean Press, 2012. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. All Shepard’s Dragon Griaule stories in one volume. $42.

    LP1977. Silverberg, Robert. The Collected Stories of Robert Silverberg Volume Six: Multiples 1983-1987. Subterranean Press, 2012. First edition hardback, a Fine copy, sans dust jacket, as issued. I still have copies of volumes (goes and checks) one copy of Three? Really? That’s it? The rest are gone baby gone… $32.

    LP1700. Silverberg, Robert. Other Spaces, Other Times. Nonstop Press, 2009. First edition hardback, a Fine copy in decorated boards, sans dj, as issued. Collection of autobiographical essays by one of the most central and prolific SF writers of the last 50 years. Contains an extensive chronological and alphabetical bibliography. Silverberg fans and serious students of the genre need this. Only have one. $25.

    LP1288. Smith, Clark Ashton (edited by Scott Connors and Ron Hilger). Star Changes: The Science Fiction of Clark Ashton Smith. Darkside Press, 2005. First edition hardback, a Fine copy in a Fine dj, new and unread, still in publisher’s shrinkwrap. $35.

    LP1887. Stephenson, Neal. Zodiac: The Eco Thriller. Subterranean Press, 2011. First hardback edition, one of 500 copies signed by Stephenson, a Fine copy in a Fine dust jacket, new and unread, in slipcase. First hardback of Stephenson’s second novel, and the usual quality Subterranean Press production. $25 off the publisher’s price. $125.

    LP1978. Sterling, Bruce. Gothic High-Tech. Subterranean Press, 2012. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. His latest short story collection. $22.

    LP1979. Straub, Peter. The Ballad of Ballard and Sandrine. Subterranean Press, 2012. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. New novella of erotic obsession on the Amazon. $17.

    LP1980. Streiber, Whitley. The Hunger. Morrow, 1981. First edition hardback, a near Fine copy with former owner’s blindstamp on FFE, in a Near fine dust jacket with what look two tackhead-sized gray stains, which are actually thinning to the blind side of the dust jacket. Vampire novel and basis of the noted Tony Scott film with David Bowie that has Catherine Deneuve and Susan Sarandon making the sign of the three-humped wildebeest. Back when Streiber was a good horror writer before he was probulated. $15.

    LP1981. Stross, Charles. Palimpsest. Subterranean Press, 2012. First edition hardback, one of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. His Hugo-winning, far-future novella. $32.

    LP1427. Utley, Steven. Where or When. PS Publishing, 2006. First edition hardback, one of 500 signed, numbered copies signed by Utley; also, although not so called for in this edition, this copy has been specially signed by introduction author Howard Waldrop (so the only difference between this and the slipcase edition is, well, the slipcase), a Fine copy in a Fine dj, new and unread. Linked time travel stories. $35.

    LP1983. Vance, Jack. Hard-Luck Diggings: The Early Jack Vance. Subterranean Press, 2010. First edition hardback, a Fine copy in a Fine dust jacket. Way out of print from the publisher, but I managed to lay my hands on a copy. $95.

    LP1984. Vance, Jack. Dream Castles: The Early Jack Vance Volume 2. Subterranean Press, 2012. First edition hardback, a Fine copy in a Fine dust jacket. $42.

    LP199. Vollmann, William T. You Bright and Risen Angels. Andre Deutsch (UK), 1987. First edition hardback, Fine/Fine-, with barely visible crease to dj spine. True first edition of an important slipstream novel by a hot writer done in a very small print run of 2,500 copies. Gets compared to Pynchon a lot. $75.

    LP1985. Wagner, Karl Edward. Where the Summer Ends: The Best Horror Stories of Karl Edward Wagner Volume One, WITH Wagner, Karl Edward. A Walk on the Wild Side: The Best Horror Stories of Karl Edward Wagner Volume Two. Centipede Press, 2012, Each one of 500 first edition hardback copies, each Fine in a Fine dust jacket. First printings are sold out from the publisher. $70 for the set.

    LP1986. Watts, Peter. Behemoth: B-Max. Tor, 2004. First edition hardback, a Fine copy in a Fine dust jacket, with review slip laid in. By the author of Blindsight, so I’m sure it’s filled with light and joy. $49.

    LP921. Wellman, Manly Wade. Lonely Vigils. Carcosa House, 1981. First edition hardback, a Fine- copy in a Near Fine- dj with a trace of bumping to book head and heel, in a price-clipped dj with rubbing along the folds of the extremities and a 3/8″ closed tear and small associated crease to the top rear dj, in dj protector. Signed on the publisher’s bookplate by Wellman and illustrator George Evans. I am given to understand that Carcosa House remaindered copies of the signed edition, which explains the corner clip. All of Wellman’s occult detective stories featuring John Thundstone, Judge Pursuivant, and Professor Enderby. A reasonably attractive copy of a very rich and entertaining landmark short story collection. Recommended. $75.

    LP1190. Wells, H. G. (Edward Gorey). The War of the Worlds. Looking Glass Library, 1960. First edition thus, illustrated by Edward Gorey, an Ex-Library copy (see Ex-Library Note) with all the usual flaws, otherwise a VG copy in rubbed and spine-faded pictorial boards, with two dime-sized stains to head, sans dj, as issued. One of the greatest science fiction novels ever written, illustrated by one of the most famous illustrators of the 20th century. $5.

    LP1987. Wilson, Robert Charles. Julian Comstock. Tor, 2009. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Hugo nominee. $20.

    LP1918. Williamson, Jack. The Collected Stories of Jack Williamson Volume Eight: At the Human Limit. Haffner Press, 2011. First edition, hardback, a Fine copy in a Fine dust jacket, new and unread, still in publisher’s shrinkwrap. Last volume of the Collected Williamson. $35.

    LP1988. Willis, Connie. All About Emily. Subterranean Press, 2011. First edition hardback, one of 400 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. Only have one. $42.

    LP1447. Willis, Connie. D. A. Subterranean Press, 2007. First edition hardback, one of only 400 signed/numbered copies, a Fine copy in a Fine dj, new and unread. Only have one. $34.

    LP1989. Wolfe, Gene. The Wizard. Tor, 2004. First edition hardback, a Fine copy in a Fine- dust jacket with slight crimping at heel. Second and concluding book of the brilliant Wizard Knight sequence. Highly recommended. $15.

    LP1751. Zelazny, Roger. Bridge of Ashes. Gregg Press, 1979. First hardback edition, an Ex-library copy, with all the usual flaws, would otherwise be a Near Fine/Near Fine copy. Levack 2e. $20.

    Trade Paperbacks (including chapbooks)

    LP1991. Bester, Alfred, and Roger Zelazny. Psychoshop. Vintage, 1998. First edition trade paperback original, a Fine- copy with traces of wear along spine edge and a few other touches of wear. Collaborative novel, started by Bester and finished by Zelazny. $15.

    LP1992. (Dick, Philip K.) Williams, Paul. Only Apparently Real: The World of Philip K. Dick. Arbor House, 1986. First edition trade paperback original (a format that was pretty rare for Arbor House; I can’t recall another from their SF line), a Near Fine copy with former owner’s blindstamp on half-title page, otherwise nice and square. Book on Dick’s life by his close friend and literary executor. Includes lots of interview material. $20.

    LP1924. (Lovecraft, H. P.) Lockhart, Ross E. The Book of Cthulhu. Night Shade Boooks, 2011. First edition trade paperback original, a Fine copy, new and unread. Cthulhu Mythos anthology, a mixture of new stories and reprints, with stories by Gene Wolfe, Charles Stross, Kage Baker, Ramsey Campbell, Thomas Ligotti, Bruce Sterling, etc. At 500+ pages, it’s a lot of Cthulhu for your money. $14.

    LP1993. Westerfeld, Scott. Evolution’s Darling. Four Walls Eight Windows, 1999. First edition trade paperback original (TPO), a Fine copy, apparently new and unread. Tale of a sentient ship seeking out a dead artist who may not be dead after all. Also has a healthy dusting of sex. Really hard to find now that he’s a big YA author. Can’t find another collectable first online at all. $75.

    LP1710. Westerfeld, Scott. Evolution’s Darling. Four Walls Eight Windows, 1999. First edition trade paperback original (TPO), a Fine- copy with a non-breaking phantom crease to top front corner, otherwise apparently new and unread. Slightly less perfect than the above. $49.

    LP1994. Wellman, Manly Wade. The Invading Asteroid. Stellar Publishing Corporation, 1932. First edition chapbook original, a VG copy with a tiny bit of “rounding” at head, i.e. a tiny bit of paper loss where it looks slightly nibbled, but it’s only about a 1/16 of an inch, but less browning than usual to paper stock. No. 15 in Hugo Gernsback’s Science Fiction Series, and Wellman’s first separate publication. $49.

    Mass Market Paperbacks

    LP1995. Anthony, Mark. Ravenloft: Tower of Doom. TSR, 1994. First edition paperback original (PBO), a Fine- copy with a hint of a non-breaking spine crease and wear at points, otherwise nice and square. Looks Quasimodorific. $9.

    LP1996. Bujold, Lois McMaster. Falling Free. Baen Books, 1988. First edition paperback original (PBO), a Near Fine+ copy with slight crease to top rear corner and touches of edgewear, otherwise nice and square and apparently unread. Nebula Award winner. Get your Nebula Award winner right here! $5.

    LP1997. Bujold, Lois McMaster. The Vor Game. Baen Books, 1990. First edition paperback original (PBO), a Fine- copy with just a trace of edgewear, otherwise nice and square and apparently unread. Miles Vorkosigan novel. Hugo Award winner. Get your Hugo Award winner right here! $10.

    LP1998. Bradley, Marion Zimmer (Laurell K. Hamilton, Mercedes Lackey, Nancy Jane Moore, etc.). Sword and Sorceress VII (Winterkill). First edition paperback original (PBO), a Fine- copy with just a trace of edgewear, otherwise nice and square and apparently unread. Contains the Laurel K. Hamilton story “Winterkill,” written back before she went all werewolf-and-vampire gangbangy, $10.

    LP1999. Carringer, Gail. Soulless. Orbit, 2009. First edition paperback original (PBO), a Fine copy, new and unread. First book of the Parasol protectorate. Signed by Carringer. “Funny steampunk fantasy with werewolves and vampires? Not your typical reading material, is it Lawrence?” By and large no. But Gail’s a friend, and this is actually a solid, funny novel. Recommended. This series has gotten extremely popular, and firsts (much less signed firsts) are hard to find. $25.

    LP2000. DeLint, Charles, writing as Samuel M. Key. Angel of Darkness. Jove, 1990. First edition paperback original, a Near Fine copy with a slight crease halfway across bottom of back cover, edgewear, and one dog-eared page, otherwise nice and square. Pseudonymous horror novel. $10.

    LP2001. Dick, Philip K. Clans of the Alphane Moon. Caroll & Graf, 1993. Paperback reprint, a Fine- copy with a bit of edgewear. I read this earlier this year, and it’s one of Dick’s more insane books (and I mean that in a good way). I don’t know which is crazier, the entire society founded by ex-mental patients, or the CIA operative who’s job it is to operate the secret android accompanying his hated ex-wife. Recommended. $5.

    LP2002. Hamilton, Laurell K. Ravenloft: Death of a Darklord. TSR, 1995. First edition paperback original (PBO), a Fine copy, new and unread. Speaking of werewolf banging, this book has been reprinted a couple of times, but pristine firsts are pretty hard to find. $15.

    LP2003. Howard. Russ T. Spelljammer: The Cloakmaster Cycle: The Ultimate Helm. TSR, 1993. First edition paperback original, a Good+ only copy with a 3/4″ x 1/2″ out of rear cover, not affecting any text. Last and hardest to find book in this series. $5.

    LP2004. Hughart. Barry. Bridge of Birds. Del Rey, 1985 (stated; probably in the last few years). Paperback reprint, a Fine copy, new and unread. One of the great fantasy novels of the 20th century, very funny, and a book that just keeps selling and selling for me (when I’m not giving them away to friends. Highly recommended. $7.

    LP2005. Martin, George R. R., editor. Wild Cards Volume XI: Dealer’s Choice. Bantam, 1992. First edition paperback original (PBO), a Fine- copy with a trace of wear at tips, otherwise apparently new and unread. The latter Bantam Wild Card novels are hard to find, especially in collectable condition like this. $25.

    LP2006. Martin, George R. R., editor. Wild Cards New Cycle Book I: Card Sharks. Baen, 1993. First edition paperback original (PBO), a Fine copy, new and unread. First in the new Baen Wild Cards, which are also not particularly easy to find. $15.

    LP2007. Mayhar, Ardath. Battletech: The Sword and the Dagger. FASA Corporation, 1987. First edition paperback original, a VG+ copy with spine creasing, a long crease along top back corner, foxing to inside covers, and edgewear, but still square. The hardest to find of Mayhar’s work, and the hardest to find Battletech book. This is the first one I’ve chanced across in the last decade. $49.

    LP2008. Shea, Michael. Nifft the Lean. DAW, 1982. First edition paperback original (PBO), a Near Fine copy with faint repeating stamped number at head, small corner creases to bottom front and rear, and a few touches of edgewear. Brilliant, stylish dark fantasy, including the World Fantasy Award-winning “Pearls of the Vampire Queen” and the awesome “The Fishing of the Demon-Sea.” Highly recommended. $6.

    LP2009. Shea, Michael. The A’rak. Baen, 2000. First edition paperback original (PBO), a Fine- copy with a trace of edgewear, otherwise new and unread. A Nifft novel featuring a nasty giant spider god and its equally nasty brood. Man, this has really gotten hard to find as of late. $20.

    LP2010. Wagner, Karl Edward. Conan: The Road of Kings. Bantam, 1979. First edition paperback original (PBO), a Very Good+ copy with wear at head, remains of magic marker over price on spine, and general wear, though fold out cover is intact. Reportedly the best of the non-Howard Conan tales. $4.

    Library Additions: January 1, 2012—June 30, 2012

    Tuesday, July 3rd, 2012

    Time for another roundup of what additions I’ve made to my library of science fiction first editions. This is what I’ve picked up in the last six months. All are Fine/Fine hardback first editions unless otherwise noted.

  • Baker, Kage. The Best of Kage Baker. Subterranean Press, 2012.
  • Baxter, Stephen. Last and First Contacts. Newcon Press, 2012. One of 150 signed, numbered copies.
  • Beagle, Peter S. The Rhinoceros Who Quoted Nietzsche and other odd acquaintances. Tachyon Publications, 1997. First edition hardback, one of 100 signed, numbered copies (and only 126 hardbacks total).
  • Bear, Elizabeth. ad eternum. Subterranean Press, 2012. First edition hardback, one of 250 signed, numbered copies with the chapbook Underground.
  • Bear, Greg. Hull Zero Three. Orbit, 2010.
  • Bishop, Michael. The Door Gunner and Other Perilous Flights of Fancy. Subterranean Press, 2012. One of 250 signed, numbered copies.
  • Black, Pansy E. The Valley of the Great Ray. Stellar Publishing Corporation, 1930. First edition chapbook original, VG, with punch holes and usual page browning. More information on the Stellar Science Fiction series books here.
  • Bloch, Robert. Yours Truly, Jack the Ripper. Subterranean Press, 2012. First edition thus, collecting all Bloch’s Jack the Ripper-related material.
  • Bourne, Frank/Long, Amelia Reynolds. The Thought Stealer (Bourne) and The Mechanical Man (Long). Stellar Publishing Corporation, 1930. First edition chapbook original, VG, with punch holes and usual page browning.
  • Brackett, Leigh. Shannach: The Last Farewell to Mars. Haffner Press, 2012.
  • Bradbury, Ray. Witness and Celebration. Lord John Press, 2000. First edition hardback, Fine, sans dust jacket, as issued. Signed by Bradbury.

  • Bradley, Jack. The Torch of Ra. Stellar Publishing Corporation, no date (1930). First edition chapbook original, VG, with punch holes and usual page browning.
  • Brown, Chris, and Eduardo Jimenez Mayo, editors. Three Messages and a Warning: Contemporary Mexican Short Stories of the Fantastic. Small Beer Press, 2012. First edition trade paperback original, a Fine copy, inscribed to me by Brown and contributors Bernardo Fernandez and Pepe Rojo. More information here.
  • Cadigan, Pat. Synners. Bantam Books, 1991. First edition uncorrected proof, mass market paperback trim size, of a paperback first edition, a Fine copy, signed by Cadigan. Bought for $5 from Half Price Books.

  • Cline, Ernest. Ready Player One. Crown Publishers, 2011.
  • Colladay, Morrison. When the Moon Fell. Stellar Publishing Corporation, 1929. First edition chapbook original, VG, with punch holes and usual page browning.
  • Clute, John. Canary Fever. Beccon Publications, 2009. First edition hardback, one of only 40 (!) hardback copies signed by Clute, a Fine copy in a Fine dust jacket. Non-fiction.

  • Dick, Phillip K. The Complete Stories of Philip K. Dick Volume 2: Adjustment Team. Subterranean Press, 2011.
  • Dick, Philip K. Counter Clock World. White Lion, 1977. First hardback edition, an Ex-Library copy, otherwise VG/VG. Complete details here.

  • Duncan. Andy. The Pottawatomie Giant and Other Stories. PS Publishing, 2012. Fine in decorated boards, sans dust jacket, as issued.
  • Ellison, Harlan. Angry Candy. Houghton Mifflin, 1988.
  • Eberle, Merab/Mitchell, Milton. The Thought Translator (Eberle) and The Creation (Mitchell). Stellar Publishing Corporation, 1930. First edition chapbook original, VG, with punch holes and usual page browning.
  • Farmer, Philip Jose (and Christopher Paul Carey). Gods of Opar: Tales of Lost Khokarsa. Subterranean Press, 2012. One of 250 signed, numbered copies.
  • Farrar, Clyde/Sharp, D.D.The Life Vapor (Farrar) and Thirty Miles Down. Stellar Publishing Corporation, no date (1930). First edition chapbook original, VG-, with punch holes and usual page browning, slight staining to top back corner near spine, and initials to very bottom of cover.
  • Gaiman, Neil. Rhyme Maidens. Biting Dog Press, 2012. Folio edition of first edition broadsheet. Details here.

  • Gaiman, Neil. Rhyme Maidens. Biting Dog Press, 2012. First edition broadsheet. Trade edition (though still signed by Gaiman).
  • Higginson, H. W. The Elixir. Stellar Publishing Corporation, 1930. First edition chapbook original, VG, with punch holes and usual page browning.
  • (Howard, Robert E.) de Camp, L. Sprague and George Scithers, editors. The Conan Swordbook. Mirage Press, 1969. First edition hardback, a Fine copy in a Fine -dust jacket, with a few pinpricks of wear.

  • Hughes, Matthew. The Yellow Cabochon. PS Publishing, 2012. One of only 100 signed copies.
  • Hughes, Matthew. The Yellow Cabochon. PS Publishing, 2012. Trade edition.
  • Kennedy, Leigh. Wind Angels. PS Publishing, 2011. First edition hardback in decorated boards, Fine, sans dj, as issued.
  • Kuttner, Henry. Man Drowning. Harper & Brothers, 1952. Near Fine copy with slight spine creasing at top and bottom in a Near Fine+ dust jacket with slight edgewear at head and heel, one phantom crease on top front pane, and short, thin indention line on rear cover.

  • Kuttner, Henry. Thunder in the Void. Haffner Press, 2012.
  • Lansdale, Joe R. Act of Love. Subterranean Press, 2012. One of 200 signed, numbered slipcased copies. First edition hardback thus, with a new novelette, “A Bone Dead Sadness,” and interview with Lansdale not included in any previous edition.
  • Lansdale, Joe R. Act of Love. Subterranean Press, 2012. Trade edition.
  • Lansdale, Joe R. and John l. Lansdale. Shadows West. Subterranean Press, 2012. One of 500 signed, numbered copies.
  • Lee, Tanith. Electric Forest. DAW, 1979. Paperback original, a Fine- copy with edgewear.
  • Lindholm, Megan, and Robin Hobb. The Inheritance & Other Stories. Subterranean Press, 2012. One of 1,000 numbered copies signed by “both” authors (actually, Robin Hobb is just Megan Lindholm’s pseudonym).
  • Lorraine, Lilith. The Brain of the Planet. Stellar Publishing Corporation, 1929. First edition chapbook original, VG-, with punch holes and usual page browning, and a few stray black marks to cover.
  • Lovercraft, H. P. (edited by S. T. Joshi and Marc A. Michaud). Uncollected Prose and Poetry. Necronomicon Press, 1978. First edition side-stapled chapbook, a Near Fine- copy with uneven darkening along spine and top far edge.
  • Michelmore, Reg. An Adventure in Venus. Stellar Publishing Corporation, 1929. First edition chapbook original, VG, with punch holes and usual page browning.
  • Moon, Elizabeth. Phases. Baen, 1997. Paperback original, a Fine- copy with just a touch of wear.
  • Powers, Tim. The Bible Repairman and Other Stories. Subterranean Press, 2012. One of 500 signed, numbered copies.
  • Reed, Robert. Eater-of-Bone and other novellas. PS Publishing, 2002. First edition hardback, Fine in decorated boards, sans dust jacket, as issued.
  • Reynolds, Alastair. Blue Remembered Earth. Gollancz, 2012.
  • Sarath, Patrice. Gordath Wood. Ace, 2008. Paperback original, a Fine- copy with a tiny bit of wear to points.
  • Scalzi, John. 24 Frames Into the Future. NESFA Press, 2012. One of 150 signed, numbered, slipcased copies. Non-fiction.
  • Scalzi, John. 24 Frames Into the Future. NESFA Press, 2012. Trade edition. Non-fiction.
  • Schroeder, Karl. Lady of Mazes. Tor, 2005.
  • Shepard, Lucius. The Dragon Griaule. Subterranean Press, 2012.
  • Silverberg, Robert. The Collected Stories of Robert Silverberg Volume Six: Multiples 1983-1987. Subterranean Press, 2012.
  • Sterling, Bruce. High-Tech Gothic. Subterranean Press, 2012.
  • Stone, Leslie F. When the Sun Went Out. Stellar Publishing Corporation, 1929. First edition chapbook original, VG, with punch holes and usual page browning.
  • Straub, Peter. The Ballad of Ballard and Sandrine. Subterranean Press, 2012.
  • Stross, Charles. Palimpsest. Subterranean Press, 2012.
  • Thompson, Jim. The Killer Inside Me. Orion, 2006. Trade paperback reprint, a Fine- copy.
  • Vance, Jack. Dream Castles. Subterranean Press, 2012.
  • Vance, Jack. The Magnificent Showboats of the Lower Vissel River, Lune XXIII, Big Planet (AKA Showboat World). Underwood Miller, 1983. First hardback edition, one of 200 signed, numbered copies, a Fine copy in a Fine dust jacket. The longer title is Vance’s original title, and appears only on the book cover and title page of this edition (but not the dust jacket), and on volume 19 of the Vance Integral Edition.

  • Wagner, Karl Edward. Where the Summer Ends: The Best Horror Stories of Karl Edward Wagner Volume One. Centipede Press, 2012. One of 500 hardback copies.
  • Wagner, Karl Edward. A Walk on the Wild Side: The Best Horror Stories of Karl Edward Wagner Volume Two. Centipede Press, 2012. One of 500 hardback copies.
  • Wellman, Manly Wade. The Invading Asteroid. Stellar Publishing Corporation, 1932. First edition chapbook original, a Near Fine copy with usual page browning.

  • Wellman, Manly Wade. Napoleon of the West: The Aaron Burr Conspiracy. Washburn, 1970. A Fine- copy with slight crimping at head and heel in a Near Fine- dust jacket with spine fading and a trace of soiling to rear cover.

  • Willis, Connie. All About Emily. Subterranean Press, 2012. One of 400 signed, numbered copies bound in leather.
  • Yu, Charles. How to Live Safely in a Science Fictional Universe. Pantheon, 2010.
  • Related topics:

  • A description of my own library of science fiction first editions (a couple of years out of date; I need to update this)
  • My Books Wanted List
  • Lame Excuse Books, my own side SF/F/H book business, where a discerning collector may find several first editions of potential interest.
  • Other book related posts
  • Recent Library Acquisitions: 12 Volumes in the Stellar Publishing Science Fiction Series

    Wednesday, June 20th, 2012

    I picked up an interesting lot in a recent Heritage auction: 12 of the 18 volumes in the Stellar Publishing Corporation Science Fiction Series. SF pioneer Hugo Gernsback formed Stellar Publishing Corporation in 1929, and I’m given to understand that many volumes were available for sale for decades in the back of various science fiction magazines.

    Alas, there seems to be a dearth of information about Stellar Publishing itself out on the Internet. Fortunately, I have the very first science fiction bibliography ever published, Science Fiction Bibliography, VOL 1, NO 1 (and only), published by the “Science Fiction Syndicate” right here in Austin, Texas in 1935. Let’s see what it has to say about the series:

    The titles and authors of these eighteen booklets are too well known to enumerate.

    Well, thanks a lot, long-dead dumbasses!

    All of these (except the Manly Wade Wellman volume) can only be considered VG (at best) because the previous owner punched a set of small binding holes near the spine, presumably to store them all in one binder. Still, I only paid $38 for the entire set.

    All of these have browned pages due to the paper used, but the scanner slightly exaggerates the shading variation. List numbers are the number each volume comes in the series.

    1. Michelmore, Reg. An Adventure in Venus. Stellar Publishing Corporation, 1929. First edition chapbook original, VG, with punch holes and usual page browning.

    2. Stone, Leslie F. When the Sun Went Out. Stellar Publishing Corporation, 1929. First edition chapbook original, VG, with punch holes and usual page browning.

    3. Lorraine, Lilith. The Brain of the Planet. Stellar Publishing Corporation, 1929. First edition chapbook original, VG-, with punch holes and usual page browning, and a few stray black marks to cover.

    4. Colladay, Morrison. When the Moon Fell. Stellar Publishing Corporation, 1929. First edition chapbook original, VG, with punch holes and usual page browning.

    5. Bourne, Frank/Long, Amelia Reynolds. The Thought Stealer (Bourne) and The Mechanical Man (Long). Stellar Publishing Corporation, 1930. First edition chapbook original, VG, with punch holes and usual page browning.

    6. Bradley, Jack. The Torch of Ra. Stellar Publishing Corporation, no date (1930). First edition chapbook original, VG, with punch holes and usual page browning.

    7. Eberle, Merab/Mitchell, Milton. The Thought Translator (Eberle) and The Creation (Mitchell). Stellar Publishing Corporation, 1930. First edition chapbook original, VG, with punch holes and usual page browning.

    8. Higginson, H. W. The Elixir. Stellar Publishing Corporation, 1930. First edition chapbook original, VG, with punch holes and usual page browning.

    9. Black, Pansy E. The Valley of the Great Ray. Stellar Publishing Corporation, 1930. First edition chapbook original, VG, with punch holes and usual page browning.

    10. Farrar, Clyde/Sharp, D.D. The Life Vapor (Farrar) and Thirty Miles Down. Stellar Publishing Corporation, no date (1930). First edition chapbook original, VG-, with punch holes and usual page browning, slight staining to top back corner near spine, and initials to very bottom of cover.

    1. Wellman, Manly Wade. The Invading Asteroid. Stellar Publishing Corporation, 1932. First edition chapbook original, a Near Fine copy with usual page browning (and unlike the above, no side hole punching).

    Generally, the Wellman is (along with Clark Ashton Smith’s The Immortals of Mercury and Jack Williamson and Dr. Miles J. Breuer’s The Girl From Mars, neither of which I’ve picked up yet) considered among the more desirable titles in the series. But the Lorraine and Bourne/Long titles are also getting somewhat hard to find as well.

    What Should I Read in 2012?

    Saturday, February 4th, 2012

    Better late than never!

    In the Before Time, the Long Long Ago (i.e., before I started this blog), I would ask The Vast Wisdom of Usenet (i.e. rec.arts.sf.written) what books I should read this year. Now that I have the blog, I’m posting the question here.

    Below are 100 books (or a few more, counting multiple titles by a single author) of fiction I’m considering reading in 2012. With a few exceptions (like forthcoming books), they’re pretty much all books I already own in first editions. Most likely I’ll get to considerably less than 100. The first few are books I’ll probably get to (or are already reading), whereas the rest are a little vaguer (and in alphabetical order by author). That’s where you come in. Tell me which of the books below I should or shouldn’t read, and why. If a book’s not on the list, it’s probably because I’ve already read it, or have no interest in it, won’t get to it this year, etc., so save your electrons instead of suggesting alternates (there are plenty of other places for that). And if I list Book #2 in a linear series, rest assured I’ve already read Book #1.

    I don’t promise I’ll read all the highest rated works, but those most highly praised are considerably more likely to be added to the reading stack, which is what’s happened the previous years I’ve done this.

  • Michael Shea: The Color Out of Time (read)
  • Jack Vance: The Killing Machine (read)
  • Stina Leicht: Of Blood & Honey (reading)
  • Joe R. Lansdale: Hyenas
  • Joe Dominici: Bringing Back the Dead
  • China Mieville: Embassytown
  • Robert Jackson Bennett: Company Man
  • Vernor Vinge: The Children of the Sky
  • Philip K. Dick: Clans of the Alphane Moon
  • Michael Moorcock: The War Hound and the World’s Pain
  • Greg Egan: Crystal Nights
  • Peter Ackroyd: Hawksmoor
  • Paolo Bacigalupi: The Windup Girl
  • Iain Banks: Against a Dark Background or Matter
  • John Barnes: Kaleidoscope Century or One for the Morning Glory
  • Stephen Baxter: Traces or Mayflower II
  • Peter S. Beagle: A Fine and Private Place
  • Greg Bear: The City at the End of Time or Hull Zero Three
  • Leigh Brackett: The Best of Leigh Brackett or The Long Tomorrow
  • David Brin: Dr. Pak’s Preschool
  • Tobias Buckell: Sly Mongoose or Tides from the New World
  • Octavia Butler: Fledgeling
  • Jack Cady: The Night We Buried Road Dog
  • Ramsey Campbell: Creatures of the Pool
  • Michael Chabon: The Amazing Adventures of Kavalier and Clay
  • John Christopher: No Blade of Grass
  • Susanna Clarke: Ladies of Grace Adieu
  • Hal Clement: Iceworld
  • Avram Davidson: The Adventures of Dr. Esterhauzy or Limekiller
  • L. Sprague de Camp: A Gun for Dinosaur
  • Bradley Denton: Laughin’ Boy
  • Junot Diaz: The Brief Wondrous Life of Oscar Wao
  • Paul Di Filippo: Lost Pages or A Princess of the Linear Jungle
  • George Alec Effinger: What Entropy Means to Me
  • Harlan Ellison: Deathbird Stories
  • Greg Egan: Crystals Nights or Zendegi
  • John M. Ford: The Dragon Waiting
  • Neil Gaiman: Fragile Things or The Graveyard Book
  • Hinko Gotleib: The Key to the Great Gate
  • John Gardner: Freddy’s Book or The Wreckage of Agathon
  • Ray Garton: Night Life or Nids
  • Jane Gaskell: The Serpent
  • Joe Haldeman: The Accidental Time Machine
  • Peter F. Hamilton: Mindstar Rising
  • Robert E. Howard: The Coming of Conan
  • Nalo Hopkinson: Brown Girl in the Ring or The Salt Roads
  • Shirley Jackson: We Have Always Lived in the Castle or The Lottery
  • K. W. Jeter: Noir or Dark Seeker
  • Ha Jin: Waiting
  • James Patrick Kelly: Strange But Not a Stranger
  • Stephen King: Dark Tower IV: Wizard and Glass or The Colorado Kid
  • Russell Kirk: The Surly Sullen Bell (and yes, I’ve read the 2 Arkham House collections)
  • Henry Kuttner and/or C. L. Moore: The Dark World or Black God’s Shadow or No Boundaries
  • R. A. Lafferty: Archipelago, Aurelia, or The 13th Voyage of Sinbad
  • Fritz Leiber: Night’s Black Agents
  • Jonathan Lethem: Motherless Brooklyn
  • Thomas Ligotti: Grimscribe, Noctuary, or The Shadow at the Bottom of the World
  • Ian MacLeod: Breathmoss and Other Exhalations
  • Ken MacLeod: Giant Lizards from Another Star or The Execution Channel
  • Gregory Maguire: Wicked
  • Barry Malzberg: Hervoit’s World
  • Richard Matheson: Duel
  • Maureen McHugh: Mothers and Other Monsters
  • Sean McMullen: The Miocene Arrow
  • Ward Moore: Bring the Jubilee
  • Richard Morgan: Woken Furies
  • Pat Murphy: The Falling Woman
  • John Myers Myers: Silverlock
  • William F. Nolan: Things Beyond Midnight or Wild Galaxy
  • Naomi Novik: Black Powder War
  • Chad Oliver: The Shores of Another Sea or The Winds of Time
  • Susan Palwick: The Fate of Mice
  • H. Beam Piper: Lord Kalvan of Otherwhen
  • Tim Powers: Three Days to Never or Pilot Light
  • Fletcher Pratt: The Well of the Unicorn
  • Mike Resnick: Paradise or Kilimanjaro
  • Alastair Reynolds: Redemption Ark
  • Rudy Rucker: Master of Time & Space or The Secret of Life or White Light
  • Matt Ruff: Fool on the Hill
  • Salman Rushdie: Midnight’s Children
  • Joanna Russ: The Female Man
  • John Scalzi: The Lost Colony
  • Karl Schroeder: Permanence or Lady of Mazes
  • Michael Shaara: The Herald or The Killer Angels
  • Lucius Shepard: Floater or Aztechs or Viator
  • Lewis Shiner: The Edges of Things or Black and White
  • Dan Simmons: The Terror or Hard as Nails
  • Robert Sladek: Roderick
  • Neal Stephenson: Zodiac or The Big U
  • Charles Stross: The Apocalypse Codex (forthcoming)
  • Theodore Sturgeon: Microcosmic God: The Complete Stories of Theodore Sturgeon Volume 2
  • Steph Swainston: The Year of Our War
  • Thomas Burnett Swann: The Day of the Minotaur
  • Manly Wade Wellman: The Sleuth Patrol or The Last Mammoth
  • Martha Wells: The Element of Fire
  • John Whitbourne: To Build Jerusalem or Binscomb Tales
  • Jack Williamson and James E. Gunn: Star Bridge
  • Connie Willis: To Say Nothing of the Dog
  • Gene Wolfe: The Land Across (forthcoming)
  • My Updated Books Wanted List

    Thursday, August 11th, 2011

    I may have mentioned that I have a large library. I started out collecting first edition hardbacks of “hypermodern” (which in my case meant “post-Neuromancer“) science fiction (with some fantasy and horror works and authors thrown in for good measure), and once I had collected everything I wanted there, I started going after every important post-World War II SF work, toward which I’m making significant progress. Hence this list of books I’m still looking for.

    By and large, I don’t buy later printings, copies without dust jackets, copies with price-clipped dust jackets (unless all copies of the true first edition were released that way), copies with facsimile dust jackets, or overly crummy copies. Most of the books I buy are in Fine/Fine condition, but that relaxes a bit the older (and pricier) books become. I have picked up Ex-Library copies in dust jacket when the better copies of the true first can’t be found under a grand. I also only buy first state bindings and dust jackets, unless there’s no priority, or the true first state is insanely rare (such as with Stanley G. Weinbaum’s Dawn of Flame).

    With that in mind, I compiled a list of first editions on my want list, so here’s a significant portion of that list (omitting things available relatively cheap, or hideously expensive), listed alphabetically by author. I also put down all the Manly Wade Wellman and Jack Vance books I was looking for, since I have so many I was having a hard time keeping track of what I had and what I was still missing.

  • Douglas Adams’ The Hitchhiker’s Guide to the Galaxy (Arthur Baker)
  • Isaac Asimov’s I, Robot (Gnome Press)
  • J. G. Ballard’s Crash (Cape)
  • J. G. Ballard’s The Drowned World (Gollancz)

  • Alfred Bester’s Tiger! Tiger! (Sidgwick & Jackson)
  • James Blish’s A Case of Conscience (Faber & Faber)
  • Robert Bloch’s The Opener of the Way (Arkham)
  • Philip K. Dick’s Dr. Bloodmoney (Gregg Press)
  • Philip K. Dick’s Counter-Clock World (White Lion)
  • Philip K. Dick’s Flow My Tears, The Policeman Said (Doubleday)
  • Philip K. Dick’s A Handful of Darkness (Rich & Cowan, 1st state in blue boards stamped in silver, in first state dj (no mention of World of Chance))
  • Philip K. Dick’s The World Jones Made (Sidgwick & Jackson)
  • Philip K. Dick’s World of Chance (Rich and Cowan)
  • Harlan Ellison’s The Fantasies of Harlan Ellison (Gregg Press)
  • Robert A. Heinlein’s Between Planets (Scribner’s, unclipped $2.50 dj)
  • Robert A. Heinlein’s Beyond This Horizon (Fantasy Press)
  • Robert A. Heinlein’s The Door Into Summer (Doubleday)
  • Robert A. Heinlein’s Farmer in the Sky (Scribner’s)
  • Robert A. Heinlein’s Glory Road (Putnam)
  • Robert A. Heinlein’s Methuselah’s Children (Gnome, 1st state binding, 1st state dj)
  • Robert A. Heinlein’s The Puppet Masters (Doubleday)
  • Robert A. Heinlein’s Red Planet (Scribner’s)
  • Robert A. Heinlein’s Rocket Ship Galileo (Scribner’s, unclipped $2.00 dj)
  • Robert A. Heinlein’s The Star Beast (Scribner’s, unclipped $2.50 dj)
  • Robert A. Heinlein’s The Unpleasant Profession of Jonathan Hoag (Gnome)
  • Robert A. Heinlein’s Waldo & Magic Inc. (Doubleday)
  • Robert E. Howard’s The Coming of Conan (Gnome Press)
  • Robert E. Howard’s The Dark Man (Arkham House)
  • Robert E. Howard’s Skull-Face and Others (Arkham House)
  • R. A. Lafferty’s Horns on Their Head (Pendragon Press HB)
  • R. A. Lafferty’s Funnyfingers & Cabrito (Pendragon Press HB)
  • Joe R. Lansdale (as Ray Slater)’s Texas Night Riders (Chivers)
  • Fritz Leiber’s Two Sought Adventure (Gnome)
  • Fritz Leiber’s The Secret Songs (Rupert Hart-Davis)
  • H. P. Lovecraft’s The Outsider and Others (Arkham House)
  • Richard Matheson’s Born of Man and Woman (Chamberline Press)
  • Richard Matheson’s The Shrinking Man (David Bruce and Watson)
  • Chad Oliver’s Another Kind (Ballantine HB)
  • Chad Oliver’s Shadows in the Sun (Ballantine HB)
  • Mervyn Peake’s Titus Groan (Eyre & Spottiswoode)
  • Mervyn Peake’s Gormenghast (Eyre & Spottiswoode)
  • Mervyn Peake’s Titus Alone (Eyre & Spottiswoode)
  • Jack Vance’s Araminta Station (Underwood Miller)
  • Jack Vance’s The Deadly Isles (Bobbs-Merrill)
  • Jack Vance’s The Dragon Masters (Dennis Dobson)
  • Jack Vance’s Ecce and Old Earth (Underwood Miller)
  • Jack Vance’s Four Men Called John (Gollancz)
  • Jack Vance’s The Houses of Iszm (Underwood Miller)
  • Jack Vance’s The House on Lily Street (Underwood Miller)
  • Jack Vance’s The Eyes of the Overworld (Gregg Press)
  • Jack Vance’s The Last Castle (Underwood Miller)
  • Jack Vance’s The Many Worlds of Magnus Ridolph (Dennis Dobson)
  • Jack Vance’s Monsters in Orbit (Dennis Dobson)
  • Jack Vance’s Seventeen Virgins/A Bagful of Dreams (Underwood Miller HB)
  • Jack Vance’s Showboat World (Underwood Miller)
  • Jack Vance’s Son of the Tree (Underwood Miller)
  • Jack Vance’s Strange Notions/The Dark Ocean (Underwood Miller)
  • Jack Vance’s To Live Forever (Ballantine Books HB)

  • Jack Vance’s Vandals of the Void (Winston)
  • Jack Vance (as Alan Wade)’s Take My Face (Mystery House)
  • Jack Vance (as Peter Held)’s Isle of Peril (Mystery House)
  • Stanley G. Weinbaum’s A Martian Odyssey and Others (Fantasy Press)
  • Manly Wade Wellman’s Carolina Pirate (Washburn)
  • Manly Wade Wellman’s Clash on the Catabwa (Washburn)
  • Manly Wade Wellman’s The Ghost Battalion (Washburn)
  • Manly Wade Wellman’s Gray Riders (Aladdin)
  • Manly Wade Wellman’s Haunts of Drowning Creek (Holiday House)
  • Manly Wade Wellman’s Jamestown Adventure (Washburn)
  • Manly Wade Wellman’s Mystery at Bear Paw Gap (Washburn)
  • Manly Wade Wellman’s Napoleon of the West (Washburn)
  • Manly Wade Wellman’s The South Fork Rangers (Washburn)
  • Manly Wade Wellman’s The Specter of Bear Paw Gap (Washburn)
  • Gene Wolfe’s The Grave Secret (Portentous Press chapbook)
  • Gene Wolfe’s The Old Woman Whose Rolling Pin Was the Sun (Cheap Street chapbook)
  • Roger Zelazny’s Damnation Alley (Putnam)
  • If you have nice copies any of the above, and if you’re willing to sell it to me considerably cheaper than can be found on Bookfinder.com, drop me an email at lawrenceperson@gmail.com and I’ll consider it.

    Lawrence Person’s Library of Science Fiction First Editions

    Thursday, December 31st, 2009

    I’ve been meaning to take pictures of my library for quite a while, and I finally got around to doing it. These are just the ones in my fiction library; I haven’t taken pictures of the non-fiction up in my office yet.

    I started collecting hypermodern (i.e., post-Neuromancer) science fiction first editions in the late 1980s, concentrating on hardbacks of works and authors I felt were important. I have essentially completed that collection (though I am always adding new books as they come out), and am now trying to amass a collection of first editions of every important post-WWII work of science fiction, as well as selected fantasy and horror authors, which should keep me busy quite a while. Save one Stephen King ultralimited I bought pre-publication, I have never spent more than $400 for any single book (and precious few over $300). I won’t settle for later printings or copies with corner-clipped dust jackets, but my price ceiling has forced me to settle for ex-library copies of a handful of key works (for example, Dune and The Man in the High Castle). When I refer to an “imperfect” first, it’s generally (but not always) an Ex-Library copy. The rest tend to be Fine/Fine or gently read copies, though with a bit more flexibility for older titles. I am one “difficult” book away from having a complete collection of Hugo winners, and save the most recent one, have a complete collection of Nebula Winners, as well as many World Fantasy and Bram Stoker award winners, plus a smattering of literary firsts and prize winners picked up when I chanced across them.

    Mine is a very extensive SF collection, but far from the largest or most valuable, even in private hands. I’m sure there are many old fans whose libraries would (or may still) put mine to shame. Before being broken up, the legendary collections of Sam Moskowitz and Forrest J. Ackerman would have easily blown mine away. Although David Hartwell has started selling pieces of his, from talking to him I’m sure what remains of David’s collection still exceeds mine by a good measure. Kurt Baty has assembled very close to a complete collection of all science fiction works ever published, but has not concentrated on first editions. Given the number of auctions I’ve lost to him over the years, I’m sure Larry Bigman’s collection leaves mine in the shade. Allen Lewis’ collection of hypermodern science fiction has a breadth that far exceeds my own. Mike Berro and Jerry Hewett have collections at least comparable to my own (and far more complete when it comes to Jack Vance). If I had to guess, my collection might sneak into the top 50 in private hands, but that may be too high.

    Previous and far less complete attempts to document my library are here and here.

    Unless otherwise noted, all the volumes listed under highlights are either the true first edition, or the first hardback edition (frequently British) when the true first was a paperback original. If the UK edition preceded the American, then the true first is the one I have, unless otherwise indicated.

    These pictures were taken with a Kodak EasyPic V803 and edited in iPhoto. The gaps visible on shelves are what I call “expansion joints,” and are there so I can add new acquisitions. Caveats: I don’t have a tripod, and I don’t know how to do keystone correction for camera angle (especially apparent on the eight-high bookshelves). Still, an acute observer should be able to pic out numerous individual volumes…

    Note: This is my personal/professional library, and none of these are for sale. For science fiction books I do have for sale, please see the Lame Excuse Books website.


    A-B

    • Some Isaac Asimov, including a complete Gnome Press Foundation trilogy, plus The Gods Themselves and imperfect copies of many of his early novels and short story collections.
    • A. A. Attanasio’s Radix.
    • Nicholas Baker’s Mezzanine.
    • Some signed J. G. Ballard, including The Atrocity Exhibition (the true UK first, not the later but rarer pulped US edition) and some later books, plus unsigned copies of High Rise and Empire of the Sun, and an imperfect Crystal World.
    • A complete Iain Banks collection (save his most recent one), including The Wasp Factory and Use of Weapons.
    • A nearly-complete Clive Barker collection (missing some of the graphic novel and illustration stuff, as well as a recent book or two), including copies of The Damnation Game, various states of The Books of Blood, Cabal and the UK Weaveworld, the last two signed.
    • An nearly complete Neal Barrett, Jr. collection (discounting the media tie-in stuff).
    • A signed copy of Stephen Baxter’s The Time Ships, plus Timelike Infinity and imperfect firsts of Raft, Anti-Ice, and Ring. My Baxter collection is collection is complete up to the point (sometime shortly after 2000 or so) when he started cranking them out so fast I couldn’t even hope to keep up with him.
    • A nearly complete Greg Bear collection (missing the Cheap Street Sleepside Story and one or two recent ones), including Blood Music, Eon, The Wind from a Burning Woman, Darwin’s Radio and Early Harvest, most signed or inscribed.


    B-C

    • Gregory Benford’s Timescape.
    • A mint copy of Alfred Bester’s The Demolished Man with his business card laid in, as well as an imperfect but inscribed copy of Who He?.
    • A complete Michael Bishop collection, including No Enemy But Time, several inscribed to me.
    • A nearly complete James P. Blaylock collection (missing one or two of the recent ones), including one of 100 hardback copies of the Axolotl Paper Dragons, as well as the signed, limited editions of The Last Coin and The Magic Spectacles.
    • A mostly complete Robert Bloch collection, including an imperfect copy of Psycho.
    • A woefully incomplete Ray Bradbury collection, some signed.
    • A true (UK) first of Ernest Bramah’s Kai Lung Unrolls His Mat in dust jacket.
    • David Brin’s Startide Rising and Uplift War.
    • A mostly complete Poppy Z. Brite collection, including the hardback of Plastic Jesus.
    • Peter Currell Brown’s Smallcreep’s Day
    • An imperfect first of John Brunner’s Stand on Zanzibar, as well as a signed first of The Sheep Look Up, and an inscribed copy of The Stone That Never Came Down that formerly belonged to Christopher Priest.
    • Stephen Brust’s To Reign in Hell.
    • The Easton Press signed first hardbacks of Lois McMaster Bujold Barryar and The Vor Game, as well as the hardback first of Mirror Dance and The Paladin of Souls.
    • A complete Octavia Butler collection (several signed), including Survivor, the rarest of her books.


    C-D

    • A complete Pat Cadigan collection (discounting some media tie-in stuff).
    • Something like a complete Jack Cady collection.
    • Inscribed firsts of Orson Scott Card’s Ender’s Game, as well as Songmaster, A Planet Called Treason and Cardography; indeed, all Card’s fiction hardbacks up to Xenocide; I read that and Prentice Alvin, and after that I stopped buying his books.
    • A complete Jonathan Carroll collection, all signed or inscribed, including The Land of Laughs.
    • Angela Carter’s The Passion of New Eve and copy of The Infernal Desire Machines of Dr. Hoffman that formerly belonged to Carter.
    • Inscribed firsts of Michael Chabon’s The Yiddish Policeman’s Union and The Amazing Adventures of Kavalier and Clay.
    • A signed copy of Suzy McKee Charnes’ The Vampire Tapestry.
    • C.J. Cherryh’s Cyteen and an inscribed SFBC (first hardback) Downbelow Station.
    • An imperfect Ballantine Books hardback of Arthur C. Clarke’s Childhood’s End, a decent Earthlight, a very nice Against the Fall of Night, an imperfect Rendezvous With Rama, a nice The Fountains of Paradise and the signed, slipcased PS Publishing edition of Tales from the White Hart.
    • Some Hal Clement, including a signed, imperfect Mission of Gravity and a nice Iceworld.
    • An extensive Storm Constantine collection.
    • A nearly complete John Crowley collection, including signed or inscribed copies of Little, Big (reportedly Gollancz only did 300 hardbacks), The Deep and Engine Summer.
    • A complete run (at least up through issue 17) of the signed hardback state of Postscripts (including Ray Bradbury, Stephen King, Joe Hill, etc.).
    • A bunch of Jack Dann.


    D

    • Closing in on a complete Avram Davidson collection, including one of only 25 hardback copies of El Vilvoy de las Islas
    • An extensive Samuel R. Delany collection up to 1980 or so, all signed, including solid (but not pristine) Gollancz hardback firsts of Babel-17 and The Einstein Intersection.
    • A complete Bradley Denton collection, all signed or inscribed, including The Calvin Coolidge Home for Dead Comedians/A Conflagration Artist and Blackburn’s Lady.
    • August Derleth’s Someone in the Dark (the second Arkham House book), sadly lacking the dust jacket, and a signed copy of The Mask of Cthulhu
    • A not-yet complete Philip K. Dick collection, including Imperfect firsts of Do Androids Dream of Electric Sheep?, Time Out of Joint, The Man in the High Castle, The Three Stigmata of Palmer Eldritch, Ubik, and The Penultimate Truth, a nice set of The Collected Stories of Philip K. Dick, nice copies of The Man Whose Teeth Were Exactly Alike, Martian Time Slip, The Game Players of Titan, Confessions of a Crap Artist, A Scanner Darkly and the slipcased Valis set with Cosmogony and Cosmology. (A number of paperback firsts appear on the paperback shelf, and a number of non-fiction works are upstairs in my reference library.)
    • A complete Paul Di Filippo collection, including one of 100 signed hardback copies of Ciphers.
    • An extensive Thomas Disch collection, including Camp Concentration, 334 and Torturing Mr. Amberwell.
    • A complete hardback set (save a few of the most recent volumes) of Gardner Dozois’s The Year’s Best Science Fiction, including the very rare first three Bluejay Books editions, several signed by many of the contributors.


    D-G

    • A complete Greg Egan collection, including a copy of Axiomatic inscribed to his editor David Pringle (Egan signatures, much less inscriptions, are vanishingly rare), as well as firsts of An Unusual Angle (only 100 hardback copies), Quarantine, and Permutation City.
    • A complete George Alec Effinger collection, many inscribed to me.
    • A nearly-complete Harlan Ellison hardback collection (though I lack several of the most difficult paperbacks).
    • A fair amount of Philip Jose Farmer, including a beautiful copy of To Your Scattered Bodies Go (formerly Buck and Juanita Coulson’s copy), plus signed copies of Doc Savage: His Apocalyptic Life, Love Song, The Adventure of the Peerless Peer and Up from the Bottomless Pit.
    • The first English-language edition of Camille Flammarion’s Urania and the first U.S. edition of Lumen.
    • A not-quite complete Neil Gaiman collection, including 1/26 signed, lettered, traycased copies of M is for Magic (with an original drawing by Gahan Wilson on the limitation page), one of 500 signed, numbered copies of Neverwhere, Murder Mysteries: A Play for Voices and Snow Glass Apples: A Play for Voices (both signed and limited in slipcase), Angels and Visitations, the signed/limited editions of American Gods and Anansi Boys, as well as signed copies of the trade state, plus a bunch of other signed Gaiman (not shown: hardback collections of the complete run of Sandman (both the first and the four-volume Absolute Sandman), plus a bunch of other Gaiman graphic novels, most signed, up in the graphic novel section on the second floor).
    • An extensive John Gardner collection, including Grendel.
    • A bunch of Ray Garton, including the Charnel House (true first) signed/limited edition of The New Neighbor.
    • A nearly complete Jane Gaskell collection, including Strange Evil and King’s Daughter.
    • A complete Mary Gentle collection (discounting her pseudonymous porn novels), including Ash: A Secret History.


    G-J

    • A complete William Gibson book collection (discounting Agrippa), all signed, including a Fine Gollancz Neuromancer (one of the highpoints of the entire collection) and a copy of Gibson and Bruce Sterling’s The Difference Engine signed by both.
    • William Goldman’s The Princess Bride.
    • Alasdair Gray’s Lanark.
    • A signed copy of Curme Gray’s Murder in Millennium VI.
    • Signed copies of Ken Grimwood’s Elise and The Voice Outside.
    • U.S. first edition of General Sir John Hackett’s The Third World War: August 1985, with a signed typed letter by Hackett laid in.
    • Inscribed firsts of Joe Haldeman’s Forever Peace, The Accidental Time Machine and Camouflage, plus an inscribed, imperfect first of The Forever War.
    • Peter F. Hamilton’s first ten or so phone books, including an inscribed first of The Reality Dysfunction.
    • A fair amount (but by no means a complete collection) of Robert A. Heinlein, including imperfect firsts of The Moon is a Harsh Mistress, Double Star, Stranger in a Strange Land, and Starship Troopers (the last rather nice), and a pristine first of Sixth Column.
    • A very imperfect true first of Frank Herbert’s Dune.
    • Two different states of the signed, limited edition of Joe Hill’s 20th Century Ghosts.
    • The Gnome Press editions of Robert E. Howard’s Conan the Barbarian, Conan the Conqueror and King Conan.
    • Barry Hughart’s Bridge of Birds, The Story of the Stone, and Eight Skilled Gentlemen, plus the signed Subterranean press omnibus.
    • One of less than 100 copies of the H. P. Lovecraft/Russ Meyer crossover anthology, Hastur, Pussycat! Kill! Kill!




    J-M

    • An essentially complete Shirley Jackson collection, including The Haunting of Hill House, The Road Through the Wall, Hangsaman and an imperfect copy of The Lottery.
    • A complete K. W. Jeter collection (save the media tie-in work), including the signed, limited hardback of Dr. Adder.
    • Ha Jin’s Waiting.
    • One of 52 signed hardback copies of Graham Joyce’s Leningrad Nights, the second PS Publishing novella.
    • Essentially complete James Patrick Kelly and John Kessel collections, including Freedom Beach, one of only 100 hardback copies, signed by both.
    • Daniel Keyes’ Flowers for Algernon.
    • I have a fair amount of Stephen King, but nothing approaching a complete collection (I may be an insane collector, but I’m not that insane), including one of 99 copies total (and one of only 33 with this cover art) of the PS Publishing (first hardback edition) signed, limited, tray-cased edition of Stephen King’s The Colorado Kid, plus a copy of the signed, limited edition of same, one of 1,250 signed, limited copies of the Mark V. Ziesing (true first) edition of Insomnia, the first four Donald M. Grant Dark Tower books, the signed, limited edition of Under the Dome (reportedly 1,500 copies, all of which were sold out within a day of being available for order), and an imperfect first of The Shining.
    • A complete Russell Kirk fiction collection (including The Surly Sullen Bell, Old House of Fear, and his two Arkham House Books, The Princess of All Lands and Watchers at the Straight Gates, most signed.
    • Henry Kuttner’s Robots Have No Tails.
    • A complete R. A. Lafferty hardback collection (save the two Pendragon Press chapbooks I have in wraps), including Tales of Chiacago, Tales of Midnight, and Argo, and the Gregg Press The Devil is Dead.
    • An essentially complete Joe R. Lansdale collection (see if you can spot the oddball exception), all signed, including the lettered edition of For a Few Stories More (with a young-adult vampire novel, Shadow Time, found only in this edition), the signed/limited edition of The Bottoms, one of only 26 signed, hardback copies of My Dead Dog Bobby and Triple Feature, one of only 100 signed hardback copies of Veil’s Visit (with Andrew Vachess) and Private Eye Action, As You Like It (with Lewis Shiner), inscribed copies of The Magic Wagon and The Nightrunners.
    • Imperfect firsts of Ursula K. Le Guin’s The Left Hand of Darkness, The Dispossessed, and A Wizard of Earthsea.
    • Something approaching a complete Fritz Leiber collection, including the Gregg Press (first hardback) editions of The Big Time and The Sinful Ones, as well as Nights Black Agents, The Wanderer, and Manly Wade Wellman’s copy of Rime Isle, inscribed to him by the publisher.
    • The first English-language edition of Stanislaw Lem’s Solaris.
    • Being only slightly insane, I don’t have a complete H. P. Lovecraft collection, but I do have several of the latter Arkham House books, including The Horror in the Museum. (I also have the complete Letters and Essays up in my non-fiction library.)
    • A complete Ken MacLeod collection.
    • A complete George R. R. Martin (discounting some Wild Cards SFBC hardbacks), including the signed/limited edition Songs the Dead Men Sing, plus A Game of Thrones and GRRM.
    • I’m closing in on a complete Richard Matheson collection, including the signed, slipcased state of Collected Stories, Hell House and an imperfect first of I Am Legend (though I do still need the Chamberlain Born of Man and Woman, Stir of Echoes, and the UK Shrinking Man).
    • A complete Paul J. McAuley collection, save for a few recent ones.
    • A complete Robert R. McCammon collection (including Blue World) save the UK Baal and a couple of recent ones.
    • Cormac McCarthy’s The Road.
    • A complete Ian McDonald collection.
    • Vonda McIntyre’s Dreamsnake and The Sun and the Moon.
    • Larry McMurtry’s Lonesome Dove.
    • A complete China Mieveille collection, including Perdido Street Station and one of 400 signed, numbered hardbacks of The Tain.
    • An imperfect first of A Canticle for Leibowitz.
    • A few Yukio Mishima firsts (or rather, first American/English Language editions).
    • David Mitchell’s Cloud Atlas.
    • An inscribed copy of Elizabeth Moon’s The Speed of Dark.
    • A somewhat random assortment of Michael Moorcock firsts, including Glorianna, all signed or inscribed.
    • Signed copies of C. L. Moore’s Mutant and Black God’s Shadow.


    M-P

    • A complete Richard Morgan collection, most signed, including Altered Carbon.
    • Some David Morrell, including First Blood.
    • A good bit of James Morrow, many signed.
    • Signed copies of Haruki Murakami’s A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World.
    • Pat Murphy’s The Falling Woman.
    • John Myers Myers’ Silverlock in a rubbed dust jacket.
    • Something approaching a complete collection of Kim Newman’s works under his own name (don’t have the Jack Yeovil/GDW stuff), including Anno Dracula.
    • Complete set of the Night Visions series, some (Barker, Lansdale, Martin) signed or inscribed.
    • I don’t have a complete Larry Niven collection, but I do have a fair amount, including a Gollancz Ringworld, marred only by an excised front free endpaper, as well as an imperfect first of The Mote in God’s Eye.
    • A complete Jeff Noon collection.
    • The first three Naomi Novik books.
    • A nearly complete Chad Oliver collection, including Mists of Dawn.
    • Alexi Panshin’s Rite of Passage.


    P-R

    • Some Frederik Pohl, including signed or inscribed firsts of The Space Merchants, Man Plus and Gateway.
    • Charles Portis’ True Grit.
    • A pretty completely Tim Powers collection, including The Anubis Gates, the Charnel House Stress of Her Regard and Where They Are Hid, the Subterranean Press Declare, Three Days to Never and Ten Poems, the Hypatia Press The Drawing of the Dark, the Cahill The Skies Discrowned, and the NESFA An Epitaph in Rust.
    • Christopher Priest’s The Prestige.
    • A complete run of Pulphouse: The Hardback Magazine.
    • Thomas Pynchon’s The Crying of Lot 49 (however, the Gravity’s Rainbow is, alas, a book club edition).
    • A complete Alastair Reynolds collection, including Revelation Space.
    • Some early Anne Rice, including Interview With a Vampire and The Claiming of Sleeping Beauty, and a signed copy of Queen of the Damned.
    • Maurice Richardson’s The Exploits of Engelbrecht.


    R-S

  • A complete Kim Stanley Robinson collection (save a few recent books), including the true UK first editions of Red Mars, Green Mars, and Blue Mars, as well as The Blind Geometer.
  • A mostly complete Rudy Rucker collection (I lack a couple of the recent ones), including 1 of 200 signed, numbered copies of Transreal!
  • An imperfect first of Salman Rushdie’s Midnight’s Children and a U.S. first of The Satanic Verses.
  • A bunch of Geoff Ryman.
  • A complete John Scalzi collection (save, I think, the hardback state of the first Subterranean Press chapbook), including Old Man’s War, all of it signed or inscribed.
  • Elizabeth Ann Scarborough’s The Healer’s War.
  • Complete David J. Schow collection, including The Shaft.
  • A complete Michael Shea collection, including Polyphemus and the Hypatia edition of Nifft the Lean.
  • The Collected Stories of Robert Sheckley.
  • A complete Lucuis Shepard collection (save that poetry collection he did way back when), including The Jaguar Hunter, Nantucket Slayrides, Barnacle Bill the Spacer, and The Last Time.


    S

    • A complete Lewis Shiner collection, some inscribed to me.
    • A complete John Shirley collection (save a few recent books and some of the paperback pseudonyms), including one of only 50 signed hardback copies of Black Glass, and one of 100 signed, slipcased copies of Really, Really, Really, Really Weird Stories.
    • A small collection of Robert Silverberg (especially compared to his overall output), including Dying Inside, A Time of Changes, and The Book of Skulls.
    • A complete Dan Simmons collection (save a few recent ones), many signed or inscribed, including Hyperion, Song of Kali, Carrion Comfort and Entropy’s Bed at Midnight.
    • Closing in on a complete John Sladek collection, including Roderick.
    • Some Clark Ashton Smith, including some later Arkham Houses, including Collected Poems.
    • A complete Cordwainer Smith collection, including Atomsk, Ria, and Carola. (I also have Psychological Warfare and The Political Doctrines of Sun Yat San upstairs in the non-fiction library.)




    S-W

    • A complete William Browning Spencer collection, all signed or inscribed, including Resume With Monsters.
    • Some Brian Stableford, including Empire of Fear and all three of The Werewolves of London trilogy.
    • L. Sprague De Camp’s copy of Olaf Stapledon’s To the End of Time, with his ownership plate pasted in.
    • A nearly complete Neal Stephenson collection, most signed or inscribed, including Snow Crash and The Diamond Age.
    • A nearly complete Sean Stewart collection (lacking his most recent and a media tie-in novel), including Nobody’s Son, Resurrection Man and Mockingbird, most signed.
    • A complete Bruce Sterling collection, including The Artificial Kid, all signed or inscribed to me. (I also have one of only 200 hardback copies of Shaping Things up in the non-fiction library. When I had Bruce sign it, he said he had never seen the hardback edition before…)
    • A complete Charles Stross collection, many signed.
    • The Collected Stories of Theodore Sturgeon.
    • A complete Michael Swanwick fiction collection, including one of only 30 signed hardbacks of Puck Aleshire’s Abecedary, as well as Stations of the Tide.
    • Bernard Taylor’s Sweetheart, Sweetheart inscribed to his niece.
    • Wilson Tucker’s The Long, Loud Silence (formerly Bruce Pelz’s copy).
    • I’m working on a complete Jack Vance collection, but still have many gaps. One thing I do have is The Jack Vance Integral Edition, containing all his works (except, I think, the Ellery Queen mysteries) with the original text and titles restored, in a uniform edition of 44 volumes; because I was one of the first 200 subscribers, the last volume (which contains previously uncollected material) is signed by Vance. I also have the Underwood/Miller firsts of many Vance works, including Night Lamp and Ports of Call.
    • A. E. van Vogt’s World of Null A and The War Against the Rull.
    • A signed copy of Joan D. Vinge’s The Snow Queen.
    • A complete Vernor Vinge collection, including A Fire Upon the Deep and A Deepness in the Sky, all but The Witling and Rainbows End inscribed.
    • A complete Howard Waldrop collection, including both Cheap Street books (the traycased You Could Go Home Again and Flying Saucer Rock and Roll), as well as All About Strange Monsters of the Recent Past, all signed or inscribed to me (Howard rented out a spare room in my house for a little over six months in 2007).
    • Alice Walker’s The Color Purple.
    • A complete Don Webb collection, save one of the 15 hardback copies of When They Came.
    • Closing in on a complete Manly Wade Wellman collection, including Who Fears the Devil? and the the two Carcosa House collections, Worse Things Waiting and Lonely Vigils, and a copy of Third String Center inscribed to his brother, western writer Paul I. Wellman, noting that he “should recognize some of the players.” I lack the Avalon Giants from Eternity and a few of the juveniles. (I also have a collection of Wellman non-fiction upstairs.)


    Oversized Hardbacks
    Some Ray Bradbury, Richard Matheson, etc. I think this photo is large enough that you can easily read the titles…


    W

    • A complete Martha Wells collection (Save the media-tie-in novels), all inscribed to me, including An Element of Fire.
    • A complete Edward Whittimore collection.
    • Kate Wilhelm’s Where Late the Sweet Birds Sang.
    • Some Jack Williamson, including Darker Than You Think.
    • A complete Connie Willis collection, most inscribed to me, including Doomsday Book and To Say Nothing of the Dog.
    • A complete Robert Charles Wilson collection (including Spin), save his most recent.
    • A complete Gene Wolfe collection, including Shadow of the Torturer, The Castle of the Otter the two Cheap Street hardbacks, Empires of Flowers and Foliage and Biblioman, and the hardback states of The Young Wolfe and Letters From Home, many signed or inscribed to me.


    W-Z, and Trade Paperbacks (including chapbooks, proofs, etc.)

    • Closing in on a complete Roger Zelazny collection, including a very clean, signed ex-library copy of Lord of Light, This Immortal, an Ex-Library Nine Princes in Amber, etc., some signed or inscribed to me.

      Trade Paperbacks

    • One of 100 signed copies of J. G. Ballard’s News from the Sun
    • A proof of David Brin’s The Tides of Kithrup, the name of which was later changed to Startide Rising.
    • Greg Egan’s Our Lady of Chernobyl, Quarantine and An Unusual Angle.
    • An inscribed copy of George Alec Effinger’s Maureen Birnbaum, Barbarian Swordsperson.
    • Matthew Hughes’ The Farouche Assemblage
    • An ARC of the Random House edition of Sherry Jones’ The Jewel of Medina, the publication of which was canceled by that publisher.
    • Both blue and green variant covers of Neil Gaiman and Gene Wolfe’s A Walking Tour of the Shambles, inscribed to me by both.
    • Numerous R. A. Lafferty chapbooks, some signed
    • Proofs of Joe R. Lansdale’s The Drive-In and The Drive-In 2, plus the original publication of Dead in the West, various chapbooks, and a copy of Cross Plains Universe (which I have a story in) inscribed to me by most of the contributors.
    • Signed copies of Michael Moorcock’s The Great Rock-and-Roll Swindle (printed in tabloid newspaper format) and the festschrift Moorcock@60, signed by Mike as well as contributors Rick Klaw and Howard Waldrop.
    • James Morrow’s The Adventures of Smoke Baily, a novella only included as part of the packaging for a video game.
    • A proof of Chad Oliver’s last novel, The Cannibal Owl.
    • A proof of Susan Palwick’s Chambers of the Blood, the title of which was changed to Flying in Place for publication.
    • A copy of Lewis Shiner’s one-off fiction fanzine Modern Stories signed by contributors William Gibson, Joe R. Lansdale, Howard Waldrop, Steven Utley, and Walton Simons.
    • Dan Simmons’ Banished Dreams
    • Inscribed copies of Neal Stephenson’s The Big U and Zodiac, as well as signed proofs of Interface and The Cobweb.
    • Jack Vance’s The Space Pirates.
    • Some signed Howard Waldrop, including one of only 25 copies of The Soul-Taker, self-published as from “The Vorpal Press” in 1966.
    • Manly Wade Wellman’s The Invading Asteroid.
    • Several Gene Wolfe volumes, including three Cheap Street chapbooks, a proof of The Island of Dr. Death and Other Stories and Other Stories and several more recent proofs.
    • Roger Zelazny’s Poems and A Rhapsody in Amber.


    Mass Market Paperbacks

    • All six volumes of Clive Barker’s Books of Blood, first editions, first printings, first states, signed by Barker.
    • A copy of John Brunner’s pseudonymously published porn novel The Incestuous Lovers.
    • All Neal Barrett Jr.’s non-media tie-in paperbacks, signed or inscribed by Neal.
    • PBOs of Lois McMaster Bujold’s The Vor Game and Barrayar.
    • Several inscribed Pat Cadigan PBOs.
    • Several A. Bertram Chandler PBOs.
    • Several C. J. Cherryh PBOs.
    • Several Avram Davidson PBOs.
    • Several Philip K. Dick PBOs.
    • Several Harlan Ellison PBOs.
    • Several Ray Garton PBOs.
    • Several K. W. Jeter PBOs, including Seeklight, The Dreamfields and Morlock Night, all signed or inscribed.
    • Several R. A. Lafferty PBOs, including Ringing Changes.
    • Several Joe R. Lansdale PBOs, including pseudonymous porn novel Molly’s Sexual Follies, signed by both Lansdale and co-author Brad Foster, the three MIA Hunter books he wrote, and Texas Night Riders, all signed or inscribed.
    • A fair number of Tanith Lee PBOs.
    • Jonathan Littell’s Bad Voltage.
    • Some H. P. Lovecraft, including the Avon edition of The Lurking Fear.
    • All Daniel Keyes Moran’s PBOs.
    • A complete collection of Tim Powers’ PBOs, including An Epitaph in Rust and The Skies Discrowned, all signed or inscribed.
    • Spider Robinson’s Antimony.
    • Most of Rudy Rucker’s PBOs, including White Light and The Sex Sphere.
    • All Michael Shea’s PBOs, including Nifft the Lean.
    • A lot of signed John Shirley PBOs, including City Come A’Walkin and The Brigade, plus several books he wrote in the Traveler series of post-apocalyptic men’s adventure novels.
    • Complete set of John Skipp & Craig Spector PBOs.
    • Several Brian Stableford PBOs.
    • Bruce Sterling’s Involution Ocean, signed.
    • Several Thomas Burnet Swann PBOs.
    • Some Manly Wade Wellman PBOs, including the rare movie novelization A Double Life.
    • A complete collection of Nichola Yermakov books, up until he changed his name to Simon Hawke.
    • Several Roger Zelazny paperbacks, including some PBOs, several signed.
    • Several Zoran Zivkovic books printed by his press in Belgrade.
  • The Top Ten Books on my “Books Wanted” List

    Wednesday, November 25th, 2009

    I may have mentioned that I have a large library. I started out collecting “hypermodern” (which in my case meant “post-Neuromancer“) science fiction (with some fantasy and horror works and authors thrown in for good measure), and once I had collected everything I wanted there, I started going after every important post-World War II SF work. That collection is by no means complete, but I’ve made considerable progress toward it.

    With that in mind, I recently compiled a list of the top ten hardback first editions on my (considerably larger) want list that I was most interested in picking up. Here it is:

    1. James Blish’s A Case of Conscience (Faber & Faber)
    2. Robert E. Howard’s The Sword of Conan (Gnome Press)
    3. Robert E. Howard’s The Coming of Conan (Gnome Press)
    4. Alfred Bester’s Tiger! Tiger! (Sidgwick & Jackson)
    5. Philip K. Dick’s Dr. Bloodmoney (Gregg Press)
    6. R. A. Lafferty’s With Horns on Their Head (Pendragon Press HB)
    7. R. A. Lafferty’s Funnyfingers & Cabrito (Pendragon Press HB)
    8. Jack Vance’s Book of Dreams (Underwood/Miller)
    9. Manly Wade Wellman’s Giants from Eternity (Avalon)
    10. Richard Matheson’s Born of Man and Woman (Chamberline Press)

    These are all books that I not only want, but think I have a reasonable shot at picking up at a price I can afford. There are lots of first editions priced like Unobtanium (Stanley G. Weinbaum’s Dawn of Flame, H. P. Lovecraft’s The Outsider and Others, the Unwin-Hyman true firsts of all three books in J. R. R. Tolkien’s The Lord of the Rings, etc.) that i would pick up if I saw cheap, but don’t expect to come across.

    Anyway, if you have nice copies any of the above, and if you’re willing to sell it to me considerably cheaper than can be found on Bookfinder.com, drop me an email at lawrenceperson@gmail.com and I’ll consider it.