John Crowley, RIP

August 10th, 2026

Writer John Crowley has died. He’s slightly difficult to talk about, in that I knew him (first from bumping into him at conventions and getting him to sign stuff, after which he friended me on Facebook), but not particularly well. I liked and collected his work, but he was a bit more hit and miss with me than the nigh-on-universal critical praise he received. I tried reading Little, Big around 18 or 19 and it didn’t click for me. (Despite which, I have the Gollancz first hardback edition of Little, Big, done in a ridiculously small print run of 300 copies, bought from Willie Siros’ personal collection and inscribed to him.) It was a slog getting through the first 120 pages of Engine Summer…but the last 40 pages are brilliant, and heartbreaking. Great Work of Time is a swell novella in which time a secret organization of time travelers trying to preserve the British Empire results in some rather radical changes up the line. I have all four volumes, but haven’t even tried reading his acclaimed Aegypt series yet.

I had just started reading Two Chapters in a Family Chronicle, one of four smallish books in The John Crowley Conway Miscellany set off Kickstarter (for which I still have signed copies available), when I heard news of his death.

He seemed like a nice guy, and a fine writer, and I enjoyed talking to him on the few occasions I got a chance to.

He will be missed.

Library Addition: The Mammoth Book of Stephen Jones

August 3rd, 2026

One of my more obscure collecting vectors is festschriften, a volume in which a science fiction writer or editor is lionized by other luminaries. Other volumes I have include Polder (celebrating John Clute) and Moorcock@60.com, about which I’m pretty sure you can figure out who’s being celebrated. This volume celebrates Britsh horror editor Stephen Jones, who I know a bit.

(Jones, Stephen) Val Edwards, editor. The Mammoth Book of Stephen Jones. PS Publishing, 2003. First edition trade paperback original, one of 200 copies printed, a Fine copy. Festschrift in honor of Stephen Jones on his 50th birthday, with contributions from the likes of Stephen King, Clive Barker, Kim Newman, Lisa Tuttle, Pat Cadigan, Ramsey Campbell, etc. Bought from Cold Tonnage Books at the same time as the Pat Cadigan chapbook for about £20 pounds, plus shipping for both (which was pretty reasonable for UK post).

I don’t think any of these were for sale from the publisher, just issued to contributors (which is the usual case with festschriften).

Shoegazer Sunday: Have A Nice Life’s “Earthmover”

August 2nd, 2026

“Earthmover” is a song from have a Nice Life’s debut album Deathconsciousness, reported be be among the top feel-bad albums of all time. But this song, about giant stone golems who destroy the earth and then, faced with existence without purpose, long to die, is simply too silly a premise to get depressed over. Instead, I’m posting it here for the surging noisecore wave of sound that kicks off after 5:30 into the song.

Neuromancer Coming to Apple TV

July 29th, 2026

After decades of failed attempts to film it, an adaptation of William Gibson’s Neuromancer is finally coming to Apple TV.

My first reaction to the trailer is: I don’t hate it. It hits a lot of the right notes. And Gibson is an executive producer on the show, so presumably it won’t drift too far from the book. (Then again, Gibson wrote the screenplay for Johnny Mnemonic, so he’s not exactly infallible…)

Maybe it was fate that delayed a media adaptation until there actually were wild AIs running around lose in cyberspace.

30 or even 20 years ago, this would have been big exciting news, but a lot of water has flowed under that bridge. People that were blown away by Neuromancer in college are entering Social Security eligibility. Many of the ideas of Cyberpunk have already been woven into the fabric of science fiction as a whole, and classic high tech/low life tropes have been around so long that they’re just another flavor of nostalgia now.

Not to mention a whole bunch of the younguns what never lived under Communism, or even the 1970s, claiming we already live in a Cyberpunk Dystopia.

Obviously I had to do the meme.

So it’s hard to say how it will land in January 2027.

I don’t have any streaming services, so I’ll have to wait for others to let me know if it’s any good.

Library Addition: Pat Cadigan’s Chalk

July 27th, 2026

Here’s a chapbook I was unaware of before it popped up in a Cold Tonnage Books catalog:

Cadigan, Pat. Chalk. This Is Horror, 2013. First edition chapbook original, #46 of 125 copies, a Fine copy, signed by Cadigan, with an 8 written on the title page and eight Xs on the inside front cover. (I sent Pat an email asking what was up with that.) Horror novella about two girls that can disappear in plain sight. Bought for £10.

Shoegazer Sunday: Weirdfish Covers Radiohead’s “How to Disappear Completely”

July 26th, 2026

And the Radiohead Shoegaze cover theme continues!

“How to Disappear Completely” is another song off Kid A. Given that it constantly polls among the ten most depressing songs of all time, I don’t reach for it often (iTunes tells me six plays since 2004).

Weirdfish did a Shoegaze cover of it in a day that’s more drowning in a wall of sound rather than lying in a well of echoing loneliness like the original. It’s still sad, but has an added dimension of grandeur.

Weirdfish (who I think is one guy) has a newer version he spent more time on, but I prefer his first try here for it’s glorious wall of sound aesthetic.

Library Addition: Oliver Onions A Little Tan Book of Terror

July 20th, 2026

Another Borderlands Little Book:

Onions, Oliver. A Little Tan Book of Terror. Borderlands Press, 2026. First edition hardback, #463 if 350 signed, numbered copies signed by editor (and publisher) Thomas F. Monteleone (Borderlands: “we only print 350 copies but if anyone has matching numbers above 350, we make sure they continue to get it”), a Fine copy in decorated boards, sans dust jacket, as issued. Short story collection. For some reason, I got the impression that Onions (like so many writers in David Hartwell’s The Dark Decent, which is where I first encountered him) was a 19th century writer, but all these stories appeared between 1910 and 1922, and Onion himself didn’t die until 1961.

I will have a small number of copies of this available in the next Lame Excuse Books catalog (Novemberish).

Shoegazer Sunday: Dead Rituals Cover Radiohead’s “All I Need”

July 19th, 2026

Back in the late 1990s, I listened to Radiohead a fair amount. I really enjoyed “Street Spirit (Fade Out)” when I heard it on a compilation CD I picked up cheap, and I actually picked up OK Computer new when it came out (which was fairly uncommon, as I mostly bought CDs used), and enjoyed it quite a bit (I prefer “Subterranean Homesick Alien” over “Paranoid Android”). I wouldn’t have guessed that it would end up on so many critics lists of best album of the decade.

And then came that creative turn starting with Kid A, and they quickly became a band I didn’t feel a need to pick up every new release for. At least Kid A had “Optimistic,” which is a really strong track. Amnesiac had…well, I couldn’t tell you. I bought it, listened to it, and none of the tracks rang a bell when I looked at the CD just now.

So Radiohead now has (counts) four studio albums since Amnesiac, including In Rainbows, their last album to sell more than 1 million copies. (I know, streaming era, etc.) One song off that album is “All I Need.”

On an online forum I frequent, someone mentioned they were “Playing guitar to shoegaze versions of Radiohead songs,” and that sent me scrambling around YouTube, where I found Dead Rituals’ cover of that song.

I like the Dead Rituals version better…

Library Addition: Signed First of Hal Clement’s Cycle of Fire

July 13th, 2026

I’m working on a complete Hal Clement collection, and this was one of the key titles I was missing.

Clement, Hal (pseudonym for Harry Clement Stubbs). Cycle of Fire. Ballantine Books, 1957. First edition hardback, an Ex-Library copy with all the usual flaws, including stamps on page block edged, inside covers and interior pages, tape ghosts, endpapers excised. etc., with wear along bottom boards, moderate crease to spine, and writing on lower spine, in a dust jacket with 1/4″ chips at head, sticker at heel, and severe sunfading to spine and an inch to free cover, completing fading the the title, and front label faded from orange to yellow, with a bit more wear at edges at points, otherwise intact; call it a Good/Very Good- Ex-Lib copy, signed by Clement (“Hal Clement” (Harry C. Stubbs)”). Hassley, Hal Clement, pages 33-37./ Currey, page 469. Pringle, Ultimate Guide to Science Fiction, page 76. ought off a fellow Biblio dealer for $100, bargained down from considerably more. It’s been decades since I’ve seen a Fine/Fine copy offered for sale, and even Ex-Lib copies tend to list for several hundred dollars.

I knew Hal a little bit, having given him a ride back from an Armadillocon dinner decades ago. We talked about him flying B-24 Liberators in World War II.

Library Addition: Signed First of Ray Bradbury’s S is for Space

July 6th, 2026

Another addition to my library of signed Ray Bradbury firsts:

Bradbury, Ray. S is for Space. Doubleday, 1966. First edition hardback(“First edition” stated, as per Currey), a Near Fine- copy with a 1/4″ stripe of lightness across front, back and spine, probably from the binding process, a former owner’s name and address on front free endpaper, and slight wear at head, heel and points, in a Very Good- dust jacket with 1/4″ chips at head and heel, and smaller chips at points, silver dollar sized spot of light staining to rear cover with slight blind-side foxing, signed by Ray Bradbury. Currey, page 58. Pringle, Ultimate Guide to Science Fiction, page 268. Bought off eBay for $200, bargained down from $250.