Library Addition: First Hardback Edition of James Blish’s A Case of Conscience

October 25th, 2018

Sometimes you take a chance that pays off:

Blish, James. A Case of Conscience. Faber and Faber Limited, 1959. First hardback edition (“First published mcmlix” on copyright page, as per Currey), a Very Good copy with spine lean and dust soiling along top, in a Very Good dust jacket with a 1″ closed tear along top front and moderate dust soiling to white rear cover, and slight rubbing and wear at points. All in all, better condition than I expected from a description of “Good”. Hugo winner for Best Novel. The first volume in the After Such Knowledge thematic trilogy. Currey (1979), page 40. Pringle, SF 100 26. Locke, A Spectrum of Fantasy, page 36. Locke, Science Fiction First Editions, pages 19-20. Barron, Anatomy of Wonder 4, 3-21 (referencing the Ballantine PBO). Magill, Survey of Science Fiction Literature, pages 303-307. Bought for £60.63 from an online UK book dealer know more for quantity than quality, which is why it was a risk, but just slightly better copies list for over a grand. Supplements a copy of the Walker first U.S. hardback edition.

This is the last “difficult” Hugo winner in hardback for the period I collect (through 2014), which means I only lack Harry Potter and the Goblet of Fire, first editions of which are hardly difficult to come by.

Library Additions: Two Robert E. Howard/Gary Gianni Items

October 23rd, 2018

Here’s two unusual Robert E. Howard-related items I picked up off eBay relatively cheaply. I think both of these were originally freebie giveaways to promote fancy illustrated editions of Howard’s work:

  • (Howard, Robert E.) Gianni, Gary. Robert E. Howard’s Conan of Cimmeria: Drawings & Sketches by Gary Gianni. Wandering Star, no date (but 2003, as per the ISFDB). A Fine copy, signed by Gianni. Bought off eBay for $9.95.

  • Howard, Robert E. (Gianni, Gary, illustrator). Solomon Kane’s Homecoming. Wandering Star, no date (but 1997). A Fine copy, signed by Gianni. Four-page illustrated Howard poem, given away as a promotional item. This was also available in Gianni’s A Solomon Kane Sketchbook, but this 8 1/2″ x 11″ stand-alone item is a larger trim size. Not (yet) in ISFDB, and I only see one other reference to it online. Bought off eBay for $15.50.

  • Library Addition: Signed R.A. Lafferty Chapbook

    October 22nd, 2018

    I picked up a signed R.A. Lafferty chapbook, one of the Drumm chapbooks I already had, but in unsigned form:

    Lafferty, R.A. It’s Down the Slippery Cellar Stairs. Chris Drumm, 1984. First edition chapbook original, #76 of 100 signed, numbered copies, a Fine copy. Drumm Booklet No. 14. Non-fiction collection. Bought off eBay for $23.95. Obviously I should have bought all these signed Lafferty chapbooks from Drumm back when they were $5 each, but I wasn’t collecting him then…

    Video from Transworld’s Halloween & Attractions Show 2018

    October 21st, 2018

    Video from another Halloween animations trade show:

    Footage from the Halloween and Party Expo 2018

    October 20th, 2018

    I’ve been remiss in not putting up more Halloween posts this year, but I’ve been exceptionally busy.

    So here’s some footage from the Halloween and Party Expo 2018, including truckloads of creepy clowns:

    Library Addition: Philip Jose Farmer’s The Purple Book Inscribed to Robert Adams

    October 18th, 2018

    I picked up another Philip Jose Farmer paperback original associational copy:

    Farmer, Philip Jose. The Purple Book. Tor, 1982. First edition paperback original, a Near Fine- copy that, while tight and square, shows numerous small spots of rubbing across the front and rear cover as well as slight age-darkening to pages. Inscribed to fellow SF/F author Robert Adams of Horseclans fame: “To Bob Adams/From/Philip Jose/Farmer.” Thematic collection, containing “The Oögenesis of Bird City,” “Riders of the Purple Wage,” “Spiders of the Purple Mage,” “The Making of Revelation, Part I”, and “The Long Wet Purple Dream of Rip van Winkle.” Bought for $10 off eBay.

    Another Farmer PBO inscribed to an SF author in my library can be found here.

    Halloween Horrors: Some Fake Cthulhus

    October 4th, 2018

    Amateur video faking technology is improving all the time, so enjoy some fake “hey, we put a digital Cthulhu behind some clouds” footage.

    Library Additions: Two Centipede Press Books

    October 3rd, 2018

    I picked up two Centipede Press books, one off eBay and the other direct from the publisher:

  • Smith, Clark Ashton. In the Realms of Mystery and Wonder: Collected Prose Poems and Artwork of Clark Ashton Smith. Centipede Press, 2017. First edition hardback, #36 of 300 signed (by editor Scott Conners) and numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. This actually sold out before I could pick it up, but I ended up buying this copy off eBay for $110.06, which is less than half the $225 offering price.

  • Wilson, Richard (John Pelan, editor). Masters of Science Fiction: Richard Wilson. Centipede Press, 2018. First edition hardback, #350 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread, still in shrinkwrap. A hefty 700 page short story collection from the Nebula-winning author of “Mother Goddess of the World.” Bought from the publisher at the usual dealer discount, and I’ll have a copy available in the next Lame Excuse Books catalog.

  • “She sang beyond the genius of the sea”

    October 2nd, 2018

    Today is the 139th birthday of American poet Wallace Stevens. Along with T. S. Eliot, Stevens was one of the great modernist poets, and you might have read “The Emperor of Ice-Cream” (another great poem) in high school.

    Like most poetry, Stevens work is hit or miss for me, but when he’s on, he can knock you flat.

    Here’s one of his best, and one of the best opening lines of poetry ever.

    The Idea of Order at Key West

    By Wallace Stevens

    She sang beyond the genius of the sea.
    The water never formed to mind or voice,
    Like a body wholly body, fluttering
    Its empty sleeves; and yet its mimic motion
    Made constant cry, caused constantly a cry,
    That was not ours although we understood,
    Inhuman, of the veritable ocean.

    The sea was not a mask. No more was she.
    The song and water were not medleyed sound
    Even if what she sang was what she heard,
    Since what she sang was uttered word by word.
    It may be that in all her phrases stirred
    The grinding water and the gasping wind;
    But it was she and not the sea we heard.

    For she was the maker of the song she sang.
    The ever-hooded, tragic-gestured sea
    Was merely a place by which she walked to sing.
    Whose spirit is this? we said, because we knew
    It was the spirit that we sought and knew
    That we should ask this often as she sang.

    If it was only the dark voice of the sea
    That rose, or even colored by many waves;
    If it was only the outer voice of sky
    And cloud, of the sunken coral water-walled,
    However clear, it would have been deep air,
    The heaving speech of air, a summer sound
    Repeated in a summer without end
    And sound alone. But it was more than that,
    More even than her voice, and ours, among
    The meaningless plungings of water and the wind,
    Theatrical distances, bronze shadows heaped
    On high horizons, mountainous atmospheres
    Of sky and sea.

    It was her voice that made
    The sky acutest at its vanishing.
    She measured to the hour its solitude.
    She was the single artificer of the world
    In which she sang. And when she sang, the sea,
    Whatever self it had, became the self
    That was her song, for she was the maker. Then we,
    As we beheld her striding there alone,
    Knew that there never was a world for her
    Except the one she sang and, singing, made.

    Ramon Fernandez, tell me, if you know,
    Why, when the singing ended and we turned
    Toward the town, tell why the glassy lights,
    The lights in the fishing boats at anchor there,
    As the night descended, tilting in the air,
    Mastered the night and portioned out the sea,
    Fixing emblazoned zones and fiery poles,
    Arranging, deepening, enchanting night.

    Oh! Blessed rage for order, pale Ramon,
    The maker’s rage to order words of the sea,
    Words of the fragrant portals, dimly-starred,
    And of ourselves and of our origins,
    In ghostlier demarcations, keener sounds.

    Halloween Horrors: Threatening Toilets

    October 1st, 2018

    Welcome to The October Country!

    Would you believe there’s a Twitter feed dedicated to posting pictures of scary toilets?