The Lame Excuse Books Web Page has been updated.
I’ve just started work on the next Lame Excuse Books catalog, so drop me a line if you’d like to receive it via email.
The Lame Excuse Books Web Page has been updated.
I’ve just started work on the next Lame Excuse Books catalog, so drop me a line if you’d like to receive it via email.
Here’s an incredibly odd (and likely fragile) item:
Swanwick, Michael. Signed Poem on Leaf. Dragonstairs Press, 2016. First edition. Note: Signed poem on leaf is a description more than a title, since it’s literally a leaf with a poem written on one side, and signed, numbered (4/20) and dated “2016” by Swanwick on the other. This just showed up unexpectedly in the mail. In cardboard sleeve stating “For a friend of/Dragonstairs Press” and the shipping envelope.
Another signed first edition I was able to pick up cheap:
Bloch, Robert. The King of Terrors. Mysterious Press, 1977. First edition hardback, #129 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket and Near Fine slipcase with a few white marks to black slipcase at heel. Currey A, page 46. Flanagan, Robert Bloch: A Bio-Bibliography, page 49. Won off eBay for $21.50. I also have Bloch’s Out of the Mouths of Graves by the same publisher in the limited edition.
I was pleasantly surprised to get to the end of the trailer and not automatically think “Boy, this is going to suck.”
It might still suck, but it looks like they’re making a good-faith effort to capture the postcyberpunk vibe at the heart of the franchise. Never mind that I’m a much bigger fan of GitS:SAC than I am of the original movies, and that the movie leans much more heavily on the latter. (“No Tachikomas for you!”)
Mood: Cautious optimism.
Japanese babY [CIC] hails from Krasnodar, Russia. Here they are with a live version of “Твое солнце.” No, I don’t know how to pronounce that. The sound’s a little raw, as you might expect from a live club recording, but the riffs are tasty.
(Note: The old version died, so I found another, and I don’t think the sound quality is as good.)
Influences seem to be Jesus and Mary Chain, Sigur Ros, and maybe just a tiny hint of Laibach.
Here’s another book I picked up at a bargain price:
Powers, Tim (as Francis Thomas Marrity). Nine Sonnets. Subterranean Press, 2006. First edition hardback chapbook, letter Q of 52 signed, lettered hardbacks, a Fine copy, sans dust jacket, as issued. Berlyne, B14a2. (In addition to this and the wraps chapbook state made to accompany the Subterranean Press edition of Three Days to Never, there were 9 (!) hardback copies in a different patterned binding and matching traycase, not seen.) Bought for $50 from a Camelot Books 50% off sale.
Here’s another chapbook I had been looking for a long time that, like Moorcock’s Caribbean Crisis, popped up on an ABE Books want search at a bargain price:
Asimov, Isaac. Little Brothers. The Pretentious Press, 1988. First edition chapbook original, one of 126 copies signed by Asimov (the only edition), a Fine copy, with two photos (of Isaac and Stanley Asimov) tipped into front, as issued. Reprints Asimov’s first published work, an essay about how much he hated his little brother, from the Boys High Recorder in 1934. Bought for $35 plus shipping from a well-known literary dealer.
Pretentious Press chapbooks were done by bookseller David Aronovitz in very small runs, most of which were given away as freebies to his best customers. I now have the Zelazny and Asimov chapbooks (both very hard to find), but still need to track down the rest…
For your Sunday dose of Shoegaze, here’s Burning House’s “If You Won’t”:
(Hat tip: Sounds Better With Reverb.)
I picked the following up at various Subterranean Press sales (some were 50% off, others discounted even more than that as part of a “grab bag” deal). A few of these will be available in the next Lame Excuse Books catalog, which I’m about to start work on.