The surviving members of Monty Python are reuniting for a science fiction film farce called Absolutely Anything.
I am so there.
The surviving members of Monty Python are reuniting for a science fiction film farce called Absolutely Anything.
I am so there.
I doubt I’ll live this one down. Let’s just call this Guilty Pleasure Friday.
I read on Bill Crider’s Blog that ABBA was releasing their first new single in 18 years. Now keep in mind I’m firmly in the “anti-disco” faction. I lived through the 1970s, and disco was right up there with inflation and the Pittsburgh Steelers among things right-thinking suburban teenagers in Houston hated in the 1970s.
So ABBA was never going to be among my favorites. But despite all that, I still remember liking “Take a Chance on Me” when it came out, so I thought I’d give it a listen again.
Whoa.
The refrain is pure disco vapidness, the “sexy” winks are ridiculous, and the 1970s video production values are non-existent. But those first few seconds of high female acapella harmony still send shivers down my spine. Maybe it’s because such harmonies are so underutilized in pop music today, a point I’ve made before.
Say what you want about ABBA, but this was before the age of digital desuckification and autotune, and those girls could really sing.
I don’t have a love/hate relationship with The New York Review of Science Fiction, but I do have a “Love/Meh” relationship with it. I’ve been a subscriber lo these many years, and have contributed the occasional piece. But frequently much of it will either strike me as the sort of close-reading, semiotic, postmodern academic grab fanny (“The Anvil of Dissonance: Contextualizing the Other in the Early Work of Joanna Russ”) that I tried to stay away from back when I was publishing Nova Express, or subjects that, while theoretically worthy of study, I would get so little out of that I see no point in spending the time to read (“The Evolution of the French Vampire Novel: 1867—1894″).
But every now and then they publish something absolutely vital to my interests.

This month it was Andrew Ferguson’s piece on unpublished R. A. Lafferty works, which is much more extensive than either the list in The SF Book of Lists or anywhere online. I knew about the unpublished In a Green Tree volumes and a few others, but there’s lots of stuff I’ve never heard of, including the novels:
And there’s a huge list of unpublished stories, poems and essays as well. All of which I’ll no doubt end up buying when it comes out.
If you’re a Lafferty fan, it’s well worth your $4 to pick up a copy of this issue.
Here are some pics from the section of my reference library where I keep contributor copies of publications my work has appeared in. Before the contributor copies, there are several book auction catalogs (including from the auctions I covered here), as well as some old S. M. Mossberg and L. W. Currey book catalogs of interest. After that the actual contributor copies start. You should be able to figure out what these are from my bibliography. The exception is the black tape-bound volume on the first shelf, which is a compilation of materials handed out for a Danish class on science fiction which includes my review of Donnie Darko. I have so many copies of Jim Baen’s Universe because FACT had boxes to give away at the 2008 Nebula Awards here in Austin and I snagged some leftovers.
As usual, click to embiggen.
I have a few of these available for sale through Lame Excuse Books as well.
Previous entries on my reference library can be found here and here.
Oh. My. God.
Someone saved Bello De Soto’s wesbite for posterity.
Who is Bello De Soto, you ask? Oh, nobody important, except for the fact that she designed the worst website in the history of the world. It’s like the The Star Wars Holiday special of web design; you can’t understand just how bad it is until you’ve experienced it.
I had a friend who tried to load this on Safari, and it crashed so hard he needed to reboot his iPhone. (Loading it in Firefox seems to create no harmful effects, other than aesthetically. Then again, I have enough memory to load the 503 MB of horror without problems.)
Here’s a big ass picture of that page, and here’s a video of someone from Web Pages That Suck loading the page.
The original website is no longer up, presumably because web designers carrying pitchforks and torches destroyed the evil laboratory in which it was created…
Suppose you came to the Internet sometime after the year 2000. You may take a certain level of taste and restraint for granted, even for porn sites. You may never have behold web design wonderland that was Geocities.
Geocities! Where Good Taste Went to Die!
But now you can relive those halcyon days of yore with the Geocitiesizer! Just input the URL for any web page, and the magic of rotating gifs, cluttered backgrounds, inappropriate font choices and auto-play 8-bit pop tunes can be yours!
Here’s another obscure Japanese shoegazer band. Mash, with their song “Bury.”
I like the way it builds, though the outro crescendo could have been a bit shorter…
William Gibson has a new book out, Distrust That Particular Flavor, collecting his non-fiction output. Gibson’s essays are usually interesting and thought-provoking.
Paul Di Filippo offers a review, as does The New York Times.
The list of the top 500 books (or related paper items) to sell at auction for 2011 is now available. Beyond a first edition of Gulliver’s Travels, there was no SF I could spot, but a number of interesting items, including Action Comics #1, the founding documents for Apple Computer, the original manuscript for an unfinished Jane Austen novel, and the usual assortment of illuminated manuscripts. Also, a copy of Raymond Chandler’s The Big Sleep inscribed to his wife; at $254,500, that may be the most I’ve ever seen a work of 20th century American fiction go for.
And here are all 500 books in a handy spreadsheet format.