Bookseller James Cummins is offering up Gardner Dozois’ personal archive for sale for a mere $150,00:
35 linear feet (17 standard archive boxes and 11 letter files). The Science Fiction Archive of Gardner Dozois. Generally very good to fine (some early note books and letters with toning or crumpling). References: Encyclopedia of Science Fiction http://sf-encyclopedia.com/entry/dozois_gardner. Item #262493
Papers and correspondence of science fiction author, editor, and anthologist Gardner Dozois, whose early stories established him as one of the most talented writers of the American New Wave (though at first perhaps better known to his fellow authors than to a wide readership) and whose subsequent work as editor and anthologist has shaped the field of science fiction more than anyone since John W. Campbell. His stories were collected in The Visible Man (1977), Strange Days: Fabulous Journeys with Gardner Dozois (2001) and When the Great Days Come (2011); many of his story collaborations (with Jack Dann, Michael Swanwick, and others) were collected in Slow Dancing through Time (1990) and The Fiction Factory (2005). Dozois twice won a Nebula Award, for his stories “The Peacemaker” (1983) and “Morning Child” (1984). “Counterfactual” (2006) won the Sideways award for works of alternate history. His first novel, Nightmare Blue (1975) was an adventure tale co-written with George Alec Effinger; his novel Strangers (1978), a love story between human and alien, like his fiction and the anthologies he produced, challenges many of the earlier notions of science fiction. Another novel, Nottamun Town remains unpublished; it is present in the archive in many draft forms and in a finished typescript.
For nearly twenty years (from 1985 to 2004) Dozois was editor of Asimov’s Science Fiction, where he discovered and encouraged many new talents in the field. He won 15 Hugo Awards during this period. Dozois’ circle of personal and professional correspondence has been wide ranging and it documents the changes in the genre over more than four decades. He was an early and clear-headed reader of James Tiptree, Jr., and the introduction Dozois wrote for the Gregg Press edition of Ten Thousand Light-Years from Home (1976) presented an analysis that was psychologically acute and was in no way overturned by the revelation the next year that Tiptree was Alice Sheldon. Tiptree letters in the archive (12 T.L.s., 1974-1977, and 9 postcards) include Tiptree’s reponse to the introduction and the letter in which Alli Sheldon reveals her identity to Dozois in advance of the public acknowledgment.
The correspondence also documents long friendships with Pat Cadigan, Eileen Gunn, Howard Waldrop, Mary Rosenblum, Joe Haldeman, Jack Haldeman; the long connection with agent Virginia Kidd; and working relationships with Gene Wolfe, Ursula K. Le Guin, Robert Silverberg, and almost every notable science fiction author and editor of the late twentieth century and into the new century. Since 2005, an increasing portion of Dozois’ correspondence has been electronic, and the archive includes a digital file of approximately 35,000 e-mails (sent & received) and 2,250 electronic documents.
A. Too rich for my blood.
B. Probably a comparative bargain for an institution or serious SF collector who has everything else (“Just put it over there between the first edition Alice in Wonderland and all those Lovecraft manuscripts.”)