Archive for the ‘Music’ Category

40 Years Ago Today: Genesis Releases “Mama”

Saturday, August 19th, 2023

Forty years ago today, August 19, 1983, Genesis released their self-titled album (their twelfth), and “Mama” was the first single released off that.

As a fairly new convert to classic Prog Rock Genesis at the time, I wasn’t a fan of Genesis’ move toward more mainstream pop, but “Mama” caught my attention, as it’s a pretty interesting song. And far from being an average pop song, it was weird and sinister.

And it has perhaps the most memorable laugh in any song, ever.

Peter Gabriel-era Genesis had a lot more overtly sinister songs (“The Waiting Room” comes to mind), but “Mama” was distinctly different from Genesis’ 1980s output, or indeed, just about anything else on mainstream radio in 1983. Between the sparse drum loop, the eerie high synthesizer wash, and Collins’ urgent, hungry vocals about a young man’s unrequited love for a prostitute, it still has power four decades on.

Shoegazer Sunday: Slowdive’s “Kisses”

Sunday, June 25th, 2023

Everything is Alive, Slowdive’s long-rumored next album, is finally coming out September 1, and “Kisses,” the first single from it, just dropped.

I still love the way Neil Halstead constructs songs.

Shoegazer Sunday: Kinoko Teikoku’s Musician

Sunday, June 4th, 2023

Been a while since we did some Japanese Shoegaze, so here’s Kinoko Teikoku’s “Musician”:

It sounds a bit like Asobi Seksu crossed with Lemon’s Chair. It takes about 30 seconds to get beyond the initial noisy buzz.

Kinoko Teikoku evidently means “Mushroom Empire,” and they “suspended activity” in 2019.

Shoegazer Sunday: The Underground Youth’s “Underground”

Sunday, May 21st, 2023

UK-born, Berlin-resident The Underground Youth get labeled as post-punk, but echo-and-reverb drenched “Underground” seems pretty shoegazey to me, and a bit like Civic’s “Innocent.”

This is off their album Mademoiselle, which is available through iTunes.

Shoegazer Sunday: Flyying Colours’ “Lost Then Found”

Sunday, May 7th, 2023

Flyying Colours evidently hail from Australia.

Shoegazer Sunday: Ozean’s “Scenic”

Sunday, April 9th, 2023

Ozean’s “Scenic” was featured as part of a three song set quite a while back, but here it is on it’s own, accompanied by (mostly) quite beautiful AI-generated art.

Basically, AI generated art is now better than 95% of all self-published trade paperback art.

Shoegazer Sunday: Glixen’s “Moodswing”

Sunday, April 2nd, 2023

Glixen evidently hales from Phoenix, and that’s about all I know about them. Except the fact that they make some tasty, fuzzy noise.

Shoegazer Sunday: Chromatics Cover of “Petals”

Sunday, March 26th, 2023

A few weeks ago, I heard a more modern song whose melodic structure really reminded me of Hole’s “Petals,” which meant it’s been running through my head a lot recently. And then I found out that The Chromatics had covered it for a movie soundtrack.

It’s not exactly Shoegaze, but I think it might qualify as Dreampop.

One problem though: It’s only half the song. Here’s the original:

Billy Corgan of Smashing Pumpkins fame wrote the music, but I think Courtney Love wrote the lyrics. Despite her well-documented personal problems, she was occasionally a very good lyricist, back in the day.

Shoegazer Sunday: Beach House’s “Space Song”

Sunday, January 8th, 2023

It’s been a while since I did one of these, and more than seven years since I did a Beach House song, so here’s “Space Song,” featuring footage of a science fiction film I bet you’re familiar with.

Greg Bear, RIP

Sunday, November 20th, 2022

According to numerous sources on Facebook, science fiction writer Greg Bear, after a sudden onset of multiple medical maladies, suffered a series of strokes that left him unconscious with severe brain damage. Following his stated wishes, his wife Astrid had him taken off life support, and he died yesterday (November 19, 2022).

Bear was one of the giants in the field, probably the best hard science fiction writer of the 1980s, claimed by both the Analog crowd and the cyberpunks. Blood Music (in both novella and novel forms) and Eon are awe-inspiring, sense of wonder science fiction at their best, and would be considered among the greatest works of just about any SF writer. And there was another tier of exceptional works (The Forge of God, Moving Mars, etc.) after that.

Greg and I were on friendly terms, and I ran into him at various SF conventions over the years. He was a smart and genial presence. I have something approaching a complete Greg Bear collection (including a Cheap Street Sleepside Story), minus some recent titles and a few odds and ends like some of the media tie-in books. He was going to be a Nova Express interview subject Back In The Day, but that never happened for various uninteresting reasons.

He was one of the greats, and he will be missed.