Archive for the ‘TV’ Category

Library Addition: Signed First of Red Skelton’s The Great Lazarus

Monday, June 28th, 2021

I blame Michael Swanwick for this one, who noted “articles about him claimed that he wrote a story a day and never published any.” So when I saw a signed copy of this pop up in the list of items for sale from that big collection on eBay mentioned in previous posts, I picked it up.

Skelton, Red. The Great Lazarus. Skelton Publications, 1986. First edition hardback (stated), a Fine copy in a Fine dust jacket, signed by Skelton. Swanwick says it may qualify as magic realism. Bought off eBay for $24.50.

If you’re under a certain age, Red Skelton’s name probably means nothing to you. Even more so than Jerry Lewis, his style of comedy went so far out of fashion in the 1970s that he’s little remembered now, despite having a variety show that lasted 20 years on prime time television. Skelton was once so important that he was considered a mime equal to Marcel Marceau (with which he did a series of shows) and talk show host Mike Douglas (another name largely lost in time) once had an entire week of shows where Skelton was the only guest. These days, all the things he excelled in (broad comedy, clowning and mime) are deeply out of fashion.

Sick transit gloria mundi

MST3K Kickstarter Update: Fully Funded, New Joel Episodes, Dueling Hosts, More!

Friday, May 7th, 2021

For those who still haven’t backed the new Mystery Science Theater 3000, they just roared past their $5.5 million goal to make 12 episodes and they still have (as of this writing) 13 hours left to go.

I previously covered The Gizmoplex, but here are few of the more interesting tidbits about Season 13 that have been revealed since the campaign launch:

  • Grand Poobah Joel Hodgson will reprise his role as test subject Joel Robinson for two episodes.
  • In addition to Jonah Ray returning as test subject Jonah Heston (and Felicia Day and Patton Oswalt returning as the Mads), Emily Marsh (who appeared on the most recent MST3K live tour) will be appearing as test subject Emily Crenshaw. Evidently there will be separate Jonah and Emily (and Joel) episodes.
  • They’re going to do at least one 3D movie.
  • Two of the films to be riffed will be Robot Wars and Demon Squad. Since the latter came out in 2019, that has to rank as the shortest release-to-MST3K gap ever.
  • If you haven’t backed the Kickstarter yet, now would be a good time…

    Joel Hodgson Launches Another MST3K Kickstarter

    Thursday, April 8th, 2021

    MST3K creator Joel Hodgson has launched another MST3K Kickstarter to help fund the show that was dropped by Netflix after two seasons. Their minimum goal is $2 million for three more episodes (which I think they’re going to breeze past today), with stretch goals out to $5.5 million for 12 episodes (plus 12 short films).

    Plus something called “The Gizmoplex,” which he describes as “an online theater for live screenings & special events!”

    1. Live Premieres & Events: Each month for our first year, The Gizmoplex will host at least* one live event, where you can join me, our cast and writers, and some special surprise guests. Each live event will be like a night at the theater, and will have a lot of fun surprises. Our live events could include new sketches, trailers (done “MST3K style”), live Q&A panel discussions, interviews, contests… even the return of the MST3K “viewer mail” segment.

    2. The MST3K Watch Club: To make it easier to watch MST3K with your friends, The Gizmoplex will also be the official home of the MST3K Watch Club! Each month, you’ll get on-demand access to a new selection of episodes, and the ability to host your own live screenings for up to 10 people! Anyone with a Gizmoplex Pass can join for free, and if you want to invite someone who doesn’t, they can get a “Day Pass” for just $0.99!

    And, if we reach our stretch goals, the Gizmoplex Pass will get even more valuable!

    3. Gizmoplex Apps: If we raise $3.3 million, we’ll be able to develop apps that bring The Gizmoplex to mobile devices and TVs! Right now, the plan is to include apps for six of the most popular platforms: iOS, Android, AppleTV, AndroidTV, FireTV and Roku. Like Crow says: we’re gonna conquer cyberspace, man!

    Also: “I really want The Gizmoplex to feel like something new: less like another Netflix with nothing but MST, and more like a charming, off the radar, suburban cineplex that plays movies for 99 cents, long after their first run.”

    Though not stated, the ad campaign suggests they’re keeping the Season 11 and 12 cast, and Jonah Ray appears in the Kickstarter video.

    There’s also some interesting discussion of the economics behind the show and Kickstarter:

    1. Without a network supporting us, we need to fund everything ourselves. During our first Kickstarter, we estimated that, once production was up and running, we’d be able to produce new episodes for about $250K each. In the end, though, the budget for each new episode ended up being closer to $350K. For the last two seasons, we were able to cover the difference through our deal with Netflix… but this time, we’re on our own. We’ve got a lot of ways we can keep the budget lower, but, you know… it’s still going to cost something. And when you think about it, $350K for 90 minutes of television is still one of the best deals in show business.

    2. We still can’t spend everything we raise on Kickstarter to make the show.

    Campaign Fees: Between Kickstarter and the credit card processor, we pay about 8% of your pledge in fees. There’s also a fee for CrowdOx, the platform we’ll use to manage all of your surveys and rewards after the campaign ends.

    Making Rewards: We reserve about 20% of your pledge in order to design, produce, print, sort and pack all of your rewards. And that’s not even including shipping, which we’re not collecting until after our Kickstarter campaign ends!

    Dedicated Support: During our first Kickstarter, we underestimated the amount of work involved in providing customer support and creating detailed backer updates, so we had to depend on volunteers to do a lot of it. This time, we want to make sure we’re prepared, so we budgeted about 4% of each pledge for that.

    Building & Running The Gizmoplex: We really want The Gizmoplex to be great, but getting it started will take some work – and keeping it running also means we’ll have some monthly fees to cover. We also need some budget to support all of the special live events we’re planning to host. So, we’re using about 3% of your pledge for that.

    When you put it all together, we have to spend about 35% of what we raise just to cover Kickstarter expenses, and to keep all the promises we’re making to you.

    He thinks that if they do 12 episodes, per episode cost will be down to just under $300K.

    You may remember that MST3K already had the biggest Kickstarter in history up to that time. It’s since been surpassed by several smart watches and board games, among other things.

    Despite the caveat that “this might not be a good time for some people to offer financial support to a robot puppet show dedicated to cheesy movies,” I expect them to blow the doors off the totals of their last Kickstarter.

    Naturally I’ve already pledged.

    Update: Just ticked over the first goal of $2 million.

    Library Additions: Half Price Books Etc. Finds

    Wednesday, February 3rd, 2021

    All of these are Half Price Books finds (mostly in Houston) unless otherwise noted, including a fair amount of signed work and non-fiction.

  • Adams, Douglas. Dirk Gently’s Holistic Detective Agency. Simon & Schuster, 1987. First edition hardback (simultaneous with the UK Heinemann edition), a Fine copy in a Fine dust jacket. Bought for $9.99.
  • Barksdale, Dante, with Grace Kearney. Growing Up Barksdale: A True Baltimore Story. No publisher listed, printed 2020. Trade paperback POD reprint, a Fine copy. Autobiography by a former Baltimore gang member who’s family’s story provided some of the grist for David Simon’s The Wire. A Christmas gift from Dwight.
  • (Ellison, Harlan) Ellen Weil and Gary K. Wolfe. Harlan Ellison: The Edge of Forever. Ohio State University Press, 2002. First edition trade paperback original, a Fine- copy with bottom outer edges slightly bumped. Bought for $12.49.
  • Gaiman, Neil. The View from the Cheap Seats. William Morrow, 2016. First edition hardback, a Fine copy in a Fine dust jacket, signed by Gaiman. Collection of non-fiction (essays, interview, etc.).
  • King, Stephen. Lisey’s Story. Scribner, 2006. First edition hardback, a Fine copy in a Fine dust jacket. Bought at Goodwill for $3.99. I generally don’t pick up King’s new trade editions because I know they will show up used cheap. And I generally can’t afford the signed limited editions unless they’re coming out from a publisher I’m already a regular customer of and can pick them up at a (usually slight) discount pre-publication. But $3.99 for a perfect copy falls into “good enough” territory.
  • McCarthy, Cormac. All the Pretty Horses. Knopf, 1992. First edition hardback, an Ex-Library copy with all the usual flaws, otherwise Very Good. A true first of his first Pulitzer winner and first book of the Border trilogy. Bought for $6.99.
  • Stephenson, Neal. Seveneves. HarperCollins, 2015. First edition hardback, special signed edition with gold “Signed First Edition” sticker on the cover and “THIS SIGNED EDITION OF/seveneves/by/Neal Stephenson/[signature]/HAS BEEN SPECIALLY BOUND/BY THE PUBLISHER” signature page bound in before the half-title page, a Fine copy in a Fine dust jacket. Bought for $9.99.
  • Sterling, Bruce. Schismatrix Plus. Ace, 1996. First edition trade paperback original, Near Fine- with slight spine crease, slight sun fading to spine, and edgewear, signed by Sterling. Contains the novel plus the Shaper/Mechanist stories from Crystal Express. I never bothered to pick this up when it came out because I already had first editions of both, but picking up variant titles is classic late-phase book collecting behavior. Bought for $7.49.
  • (Tolkien, J. R. R.) Day, David. An Encyclopedia of Tolkien: The History and Mythology That inspired Tolkien’s World. Canterbury Classics, 2019. First edition hardback, a Fine copy bound in embossed leather, sans dust jacket, as issued. Tolkien reference work by an author who has done a lot of other Tolkien reference works. A very attractive book, with gilded edges and full-color illustrated endpapers, from a publisher that mostly seems to do leatherbound prestige reprints. Bought for $12.49.

  • Library Addition: PBO First of The Night Strangler

    Tuesday, February 2nd, 2021

    This is one of those things I just didn’t think of picking up earlier:

    Rice, Jeff (Richard Matheson). The Night Strangler. First edition paperback original, a Fine- copy with slight glue wrinkling near top of spine and slight spine fading, otherwise new and unread, signed by Richard Matheson. Novel by Jeff Rice based on Matheson’s screenplay for The Night Strangler, the sequel to The Night Stalker and the second TV movie starring Darren McGavin as reporter Carl Kolchak. Bought off eBay for $42. Copies that are both nice and signed by Matheson are uncommon.

    Lego Star Wars Holiday Special Debuts Today

    Tuesday, November 17th, 2020

    The Lego remake of the Star Wars Holiday Special evidently premiered today on Disney+.

    Looks less a remake than a complete comic re-imagining.

    I don’t have Disney+ (or any other streaming service), so I can’t tell you how good it is.

    But it can’t help but improve on the original

    Halloween Horrors: Ghostwatch

    Friday, October 16th, 2020

    Back on Halloween in 1992, the BBC played a trick on its viewers by broadcasting a program called Ghostwatch. It was an early example of what we would call “Reality TV,” and like the overwhelming majority of Reality TV shows, it was fake.

    It was supposedly a BBC camera crew staking out a home where poltergeist was said to be active. In fact, it was a scripted event where viewers intentionally caught glimpses of the malevolent ghost “Pipes” in the background while he was ignored by the cast, with planted on-air callers to the studio adding to the story, and during the course of the broadcast things got progressively weirder.

    Like Orson Welles’ War of the Worlds broadcast, there were disclaimers that it was fiction, but the form in which in which it was presented (with real-world TV personalities like Red Dwarf‘s Craig Charles and presenter Michael Parkinson) convinced viewers they were watching the real thing.

    And like Welles, they caught hell for it:

    Five days after the programme’s transmission, an 18-year-old boy with learning difficulties, Martin Denham, hanged himself, having fallen into what his stepfather described as a trance. He had become obsessed with Ghostwatch and was convinced that there were ghosts in the water pipes of his Nottingham home.

    In November 1993, a year after the programme’s one-off airing, two doctors from a child psychiatry unit in Coventry, Dawn Simons and Walter Silveira, submitted an article to the British Medical Journal (BMJ) recording the first cases of post-traumatic stress disorder caused by a television programme. Two ten-year-old boys had been referred to them. One was admitted to an inpatients unit for eight weeks; he would bang his head in an attempt to free himself from thoughts of Ghostwatch and its evil spirit, “Pipes”.

    Consultants from Edinburgh came forward with four more children with similar symptoms. Martin Denham’s parents launched an inquiry into their son’s death. In 2002, his mother condemned the BFI’s DVD release of Ghostwatch, saying the programme had killed her son.

    The show’s producers, Ruth Baumgarten and Richard Broke, were hauled on to BBC One’s consumer watchdog show Biteback to defend themselves.

    Here’s a retrospective video on it:

    And here’s writer Stephen Volk on creating it:

    Today, of course, fake paranormal reality TV shows have proliferated so far and wide that you can rank over 60 of them and see them parodied on South Park:

    Would You Believe William Shatner As Archie Goodwin?

    Friday, April 17th, 2020

    Seeing is believing:

    That’s the unsold pilot for a 1959 Nero Wolfe TV show, with Shatner as Goodwin and Kurt Kasznar (probably known best, most unfairly, for a role in Land of the Giants) as Wolfe.

    I could definitely see myself watching this on METV…

    (Hat tip: Don Webb.)

    Every MST3K Reference in Rush

    Wednesday, January 15th, 2020

    As a guy who only owns Moving Pictures, I’m not the right person to talk about the passing of Rush drummer Neil Peart. So instead, here’s every Rush reference in Mystery Science Theater 3000:

    (Dwight already posted all the Archer references, though I think that video is missing an incarnation or two Krieger’s van.)

    Sad Thanksgiving News: No MST3K Season 13 on Netflix

    Thursday, November 28th, 2019

    I Haz a Sad:

    Things have been far too quiet on the MST3K front lately. It has been over a year since Mystery Science Theater 3000 season 12 hit Netflix, and since then, we’ve heard nary a peep about production on new episodes. Sure, series creator Joel Hodgson has been busy with the live tour and various other efforts, but you would think that after a year, and with Thanksgiving looming (an all important date on the MST3K calendar) Netflix would get the ball rolling again. You would be wrong. It’s time to find another home for the Satellite of Love.

    Hodgson sends out regular email updates to an MST3K mailing list, and today’s email blast brought the news fans have dreaded. Mystery Science Theater 3000 season 13 isn’t happening. At least not on Netflix.

    “As some of you might have guessed, we won’t be making new seasons of the show for Netflix,” Hodgson wrote. “However, I want you to know that we’ve had a wonderful time working with the Netflix team, and will always be grateful to them. After all, they gave us the opportunity to spend the past few years aboard the Satellite of Love, and made it possible for new generations to discover the joys of riffing cheesy movies with your friends.”

    This is sad news, but not unexpected, since rumors had been flying that another deal was not forthcoming from Netflix for months.

    Hopefully they’ll be able to land on their feet and find another channel or service willing to continue the show. (Disney? It’s pretty family friendly and relatively inoffensive…)