This is the second Heritage Auctions lot I won this year, after the Clark Ashton Smith lot. And like that lot, these were from the Gary Munson Collection.
Warren Buffet once gave collecting advice to be willing to stretch yourself for desirable items, which is great advice…if you’re worth $110 billion. But I did stretch myself a tiny bit for this one, because I noticed something the auction house hadn’t.
Bloch, Robert. Midnight Pleasures. Doubleday, 1987. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Bloch: “Yours Truly, Robert Bloch!” Short story collection.
Bloch, Robert. The Opener of the Way. Arkham House, 1945. First edition hardback, a Near Fine+ copy with slight bumping at head and heel, slight wear in letters of spine, bookstore sticker to bottom of inner front cover, and a few touches of wear to boards, in a Near Fine- dust jacket with abrasion rub down right front fold edge, slight wear at head, slight loss at points, and slight dust soiling to rear cover, with auction sticker laid in, inscribed by Bloch: “To Charles R./Tanner with best wishes,/Robert Bloch, 1948.” What the people doing the Heritage description didn’t note (and possibly didn’t know) was that Charles R. Tanner was a fellow contemporary pulp writer (both had work in Amazing Stories), most famously of “Tumithak of the Corridors,” which appeared in Isaac Asimov’s Before the Golden Age. Flanagan, Robert Bloch: A Bio-Bibliography, page 49. Joshi, Sixty Years of Arkham House 10. Currey, page 46. Derleth, Thirty Years of Arkham House 10. Jaffery, Horrors and Unpleasantries 10. Nielsen, Arkham House Books: A Collector’s Guide 10 (also #23 on the Most Valuable list). Locke, Spectrum of Fantasy, page 36. Bleiler, Guide to Supernatural Fiction, 209. Chalker/Owings, pages 22-23. Kemp, The Anthem Series, page 299-300. I’d been looking for a signed copy of this for quite a while. (In fact, about a decade ago I negotiated with John Pelan for the copy inscribed to him after he needed to pay for unexpected cat surgery, but we couldn’t agree on a price.) As a signed copy it was probably above market, but as an associational copy it was cheap. (For an associational copy signed to Robert Bloch, see this.)
Bloch, Robert. Out Of My Head. NESFA Press, 1986. First edition hardback, #371 of 800 hardback copies, a Fine copy in a Fine dust jacket, signed by Bloch. Chalker/Owings, page 303. Replaces an equally perfect unsigned copy in my collection.
Bloch, Robert. Psycho II. Whispers Press, 1982. First edition hardback, #516 of 750 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Supposedly very different than the movie of the same name. Supplements a trade edition. Chalker/Owings, page 476.
This is less a book than a weird art assemblage. Seeing this on Kickstarter, I figured that the overlapping Venn diagrams of crazy Stephen King fans and crazy Stanly Kubrick fans justified a purchase.
(King, Stephen and Stanley Kubrik) Oldham, Craig, editor. The Shining: A Visual and Cultural Haunting (Epiphany Edition). Rough Trade Books (via Kickstarter), 2022. First edition, printed pages and pamphlets loose in a decorated cardboard box, a Fine copy. It’s an elaborate production.
The loose sheets:
16 x typed replica sheets with All Work And No Play Makes Jack A Dull Boy as discovered by Wendy in the film.
120 x one-page pieces analysing, exploring, and extrapolating the films ideas, themes, influences, contexts and critiques.
10 x original typewriter art portraits made using the same model of Adler typewriter used by Jack Torrance.
Some examples:
Plus “Contributor Booklets” (which are more like brochures):
9 x 8-page cultural contributor essays from a range of celebrated artists, musicians, authors, architects and curators designed to evoke the film’s intertitle cards.
Original and exclusive piece from actor Dan Lloyd (Danny Torrance), an extraordinarily rare opportunity to share memories, stories and insights from this usually private person, as well as the coup of a rare interview with Shelley Duvall (conducted by Ryan Obermeyer) shedding light on her performance and experience of the film.
Artist Gavin Turk examines myths, mirrors and mazes and looks at the film through art, whilst fashion designer Margaret Howell takes us through her iconic maroon jacket worn by Jack in the closing act of the film.
Artist and musician Cosey Fanni Tutti on sound and the unfolding domestic violence within the film. Architecture expert and writer John Grindrod on the role of The Overlook Hotel itself and the impact of such spaces on our behaviour.
Producer and Record Label head James Lavelle (UNKLE) tells of his enduring inspiration and love for Kubrick and his art whilst author Jen Calleja looks into Shelley Duvall, folklore and fairytales.
And BFI Curator and Author Michael Blyth cross-examines the character of Wendy as she appears in both the film and the original Stephen King novel.
3 x 16 page reproduced texts including essays from H.P. Lovecraft, Sigmund Freud, and a short story which was a key influence for Kubrick when developing the film.
H.P. Lovecraft — Supernatural Horror in Literature An extract from the seminal yet largely overlooked essay that significantly influenced decisions not to explain the horrors which unfold at The Overlook.
Stephen Crane — The Blue Hotel First serialised in 1898, the American author’s story was highlighted by Kubrick in interviews as similar to events unfolding in The Shining and offers an insight into the director’s read of the film.
Sigmund Freud — The Uncanny Diane Johnson (co-writer of The Shining) cited Freud’s influential 1919 essay “The Uncanny” as a key text in Kubrick’s research. Freud explores many ideas that are woven through the film: retracing steps, recurring numbers and motifs, and the significance of the double. We will re-publish an extract from the essay.
with:
Oldham, Craig, editor. They Live: A Visual and Cultural Awakening. Rough Trade Books, 2018. First edition (stated) trade paperback original, a Fine copy. A critical companion to the 1988 John Carpenter film. Bought as an add-in with the above.
Bought for £65 plus shipping through Kickstarter. You can buy them through their respective Amazon links above.
I won these as part of an Arkham House lot at an Invaluable auction for $217 plus shipping. Other books from that lot will be in the next Lame Excuse Books catalog, already in progress (probably going out just before Christmas).
Carter, Lin. Dreams from R’lyeh. Arkham House, 1975. First edition hardback, a Fine- copy with bumping at head and heel in a Near Fine- dust jacket with wear at head, heel and points, and dust soiling to rear cover, mostly along fold edge. Poetry collection. In terms of desirability, this one is way, way down the list of Arkhams that took forever to sell out, down there with Gary Myer’s In the House of the Worm and those very later novels from people nobody ever heard of. Honestly, I was sort of surprised to discover that I hadn’t already picked up a cheap copy somewhere along the line. Joshi, Sixty Years of Arkham House 133. Jaffery, Horrors and Unpleasantries 137. Nielsen, Arkham House Books 139.
Derleth, August, and Mark Schorer. Colonel Markesan and Less Pleasant People. Arkham House, 1966. First edition hardback, a Fine copy in a Fine- dust jacket with a few touches of light dust staining to rear, the largest about dime-sized near the top where the back jacket copy begins. Story collection. Replaces a slightly less attractive copy. Joshi, Sixty Years of Arkham House 87. Derleth, Thirty Years of Arkham House 87. Nielsen, Arkham House Books 93. Bleiler, Guide to Supernatural Fiction 530.
Derleth, August, editor. Dark of the Moon: Poems of Fantasy and the Macabre. Arkham House, 1947. First edition hardback, a Near Fine copy with bumping to top corners, slight bumping at head and heel, and a trace of foxing to interior gutters, in a Very Good- first state (green) dust jacket with a 1″ x 1/2″ chip to top front cover, notable bump and creasing to top rear corner trace of dust soiling to perimeter of rear dust jacket slight loss at bottom rear corner, a light, thin 1″ abrasion scratch to spine just above “Arkham House,” a bit of general wear, and slight blind-side foxing; a nice copy in a flawed dust jacket. “A pioneering and well-nigh definitive anthology of weird poetry from the entire range of English and American literature…” – Joshi, Sixty Years of Arkham House 23. Derleth, Thirty Years of Arkham House 23. Jaffery, Horrors and Unpleasantries 26. Nielsen, Arkham House Books 24 (and 34th on his list of most valuable Arkham House books). Derleth, 100 Books By August Derleth 46. Bleiler, Checklist of Fantastic Fiction (1948), page 98. Bleiler, Checklist of Fantastic Fiction (1978), page 60.
Lovecraft, H. P., etc. (collected by August Derleth). Tales of the Cthulhu Mythos. Arkham House, 1969. First edition hardback, a Fine copy in a Fine- dust jacket with just a trace of dust soiling to the rear panel. Beautiful copy. “A volume that has come to be regarded as the definitive anthology of tales utilizing the framework of the ‘Cthulhu Mythos’…” – Joshi, Sixty Years of Arkham House 102. Derleth, Thirty Years of Arkham House 97. Jaffery, Horrors and Unpleasantries 109. Nielsen, Arkham House Books 108.
(Lovecraft, H.P.) Derleth, August. Some Notes on H. P. Lovecraft. Arkham House, 1959. First edition chapbook original, a Very Good copy to which someone has attached a now-yellowing plastic protector, as well as attaching the bookplate of late antiquarian book dealer Franklin Victor Spellman to the inside front cover. Joshi, Sixty Years of Arkham House 55. Derleth, Thirty Years of Arkham House 55. Jaffery, Horrors and Unpleasantries 55. Nielsen, Arkham House Books 58. Joshi, Sixty Years of Arkham House (unnumbered item between 86 and 87 on page 84). Joshi, H.P. Lovecraft: A Comprehensive Bibliography, III.C.32. Tymn/Schlobin/Currey, A Research Guide to Science Fiction Studies, 284.
Three books, including two signed Tim Powers firsts.
Powers, Tim. Always Going On. Subterranean Press, 2020. First edition hardback, #183 of 250 signed, numbered copies, a Fine copy, sans dust jacket, as issued, with Subterranean “packed by” slip laid in. Only available as a set with Subterranean: Tales of Dark Fantasy 3 (see below).
Powers, Tim. The Skies Discrowned. Charnel House, 2022. First edition hardback, #54 of 200 signed, numbered copies, a Fine copy, sans dust jacket, as issued. “Handbound in Indigo Night Cave Paper (Belgium Flax dyed with Indigo & Walnut). This Cave Paper was made by hand for this edition. Each one of a kind sheet sheet guaranties that each book is unique. Exquisitely printed on 80lb Mohawk Superfine.” Part of a uniform prestige edition that Charnel House is doing of all Powers’ books. I will have one copy of this available in the next Lame Excuse Books catalog.
Schafer, William, editor. Subterranean: Tales of Dark Fantasy 3. Subterranean Press, 2020. First edition hardback, #183 of 250 numbered copies signed by all the contributors, a Fine copy in a Fine dust jacket, with Subterranean “packed by” slip laid in. Anthology with stories by Robert R. McCammon, Richard Kadrey, etc. Sold as a set with Always Going On, bought as a set from Subterranean for $75, 50% off the original cover price. Now sold out from the publisher.
Another book in the Borderlands Little Book series:
James, M. R. (edited and illustrated by Stephen R. Jones). A Little Jasmine Book of M. R. James. Borderlands Books, 2022. First edition hardback, #462 of 500 copies signed by Jones, a Fine copy, sans dust jacket, as issued. Six tales from the master of the ghost story, plus some nonfiction pieces from James, Jones and others, including a select bibliography.
I will have a small number of copies available in the next Lame Excuse Books catalog (currently in progress).
Here’s video from the 2022 Transworld Halloween trade show, where there are lots of high end props, animatronics, costumes, etc., for the haunted house trade.
This year: Lots of monsters being electrocuted, and some rather good dinosaurs.
It’s not often hear of legendary American creature previously unknown to me, but I hadn’t heard of The Dark Watchers before I stumbled across this
“The Dark Watchers are described as tall, sometimes giant-sized featureless dark silhouettes often adorned with brimmed hats or walking sticks. They are most often reported to be seen in the hours around twilight and dawn. They are said to motionlessly watch travelers from the horizon along the Santa Lucia Mountain Range. According to legend, no one has seen one up close and if someone were to approach them, they disappear.”
Less scary than weird and curious, here’s some people exploring a water-filled “Cavern of Lost Souls” with “1000” (probably an exaggeration) old cars mysteriously dumped there. But there are an awful lot there, and it looks like a genuinely dangerous exploration.
This one of those “what the hell” lowball bids that won. F. Paul Wilson is a writer I collected some early work of (The Keep, etc.), but hadn’t really kept up with. This is the final book from that UK dealer sale.
Wilson, F. Paul. Sims Book 5: Thy Brother’s Keeper. Cemetery Dance, 2010. First edition hardback, letter R of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. Bought from a notable UK dealer for £52.60.
I think this is the only non-Lansdale lettered edition I have from Cemetery Dance.
