Archive for the ‘Books’ Category

Lots of Science Fiction Showing Up in the Public Domain

Thursday, November 11th, 2010

Take a look at this list of new science fiction put up at Project Gutenberg. Lots of familiar (and fairly recent) names there: Philip K. Dick, Mark Clifton, Leigh Brackett, Poul Anderson, Norman Spinrad, Frederik Pohl, and Jack Vance. And the last three of those are still alive.

It would be interesting to know how these slipped into the public domain. Did the original magazines where they appeared use work-for-hire contracts, or did the authors forget to file the copyright renewal?

Edited to add: Wrong link, fixed now.

Edited to add 2: Really, really fixed now. This time for sure!

An Amazing Jack Vance Collection

Saturday, October 16th, 2010

With pictures.

While I do have the Vance integral edition, which he doesn’t, I still don’t have a lot of the stuff shown here. Vance collectors are so fanatical that they make my bibliomania look relatively sane by comparison…

(Hat Tip: Mike Berro)

Library Curiosities: The Space Squid Cuneiform Clay Tablet

Wednesday, October 13th, 2010

You may have heard about science fiction fanzine Space Squid printing one of their issues on the ultimate form of Dead Media: inscribed in cuneiform on a baked clay tablet. Of these, I think they auctioned off five at Armadillocon.

Being one of the few people in the world with a complete collection of Space Squid issues (they actually told me that Nova Express was one of their sources of inspiration, the poor deluded fools), naturally I had to pick one up, which I did for the munificent sum of $11. (Bidding seemed more brisk for the usual cats-with-wings and dragon-related art items.)

My tablet. Let me show it to you.

Click to gallery-ize, the click again to embiggen. The first picture is of it sitting in its resting place on my mantelpiece, and the other two pics are close-ups of the front and back. (And here’s another Wired story with pics.)

In truth, the tablet (which contains the Kevin Brown story “Hunting Bigfoot”) is actually pretty hard to read, and I’m not sure how permanent the medium is; the clay has a tendency to flake off. Still, I’m sure that some 50 years hence an insane fanzine collector will be paying big bucks for one…

Here’s Matthew Bey’s step by step tutorial on how he created them.

Books Read: The Collected Stories of Phillip K. Dick, Volume 2: Second Variety

Sunday, October 10th, 2010

The Collected Stories of Phillip K. Dick, Volume 2: Second Variety
Underwood/Miller, 1987

People think I’ve read every damn SF book in the world, but this isn’t even remotely true. For example, I’m still trying to catch up to the works the previous generation of SF readers read when they were growing up. So while I’ve generally read the highlights of their work, I’m still trying to catch up on authors like Henry Kuttner, C, L. Moore, R. A. Lafferty, Fritz Leiber, Jack Vance and Philip K. Dick.

In this second volume of Dick’s collected short stories, the themes of “what is reality” and “who is human” that would dominate so many of his novels crops up again and again. The title novella (the longest here) is set during a third world war after a U.S./Soviet nuclear exchange, where U.S. forces are only able to hold off the Soviets thanks to the development of semi autonomous “claw” robots assembled in automated underground factories. A U.S. soldier goes out under truce to a small band of Soviet survivors, only to have a little boy tag along behind him, a boy that’s shot on sight approaching the bunker, as he’s one of two known “impostor” claws varieties in human form. In the bunker, our protagonist is told that there’s a “second variety” of impostor, who’s form is unknown. Paranoia ensues, especially when he returns to his own bunker to find out they’ve been overrun by claw impostors. “Human Is” and “Impostor” also question what it means to be human, and how can you tell if you’re really human?

“Adjustment Team” is another Dick story where the protagonist finds out that Reality Is Not What he Thought it Was, being given an accidental glimpse of something adjusting the world. Believe it or not, they’re making it into a romantic comedy starring Matt Damon and Emily Blunt. Because “romantic comedy” is the first thing you think of when talking about the work of Philip K. Dick. (Although “The World She Wanted,” in which absolutely everything goes exactly right for the woman the protagonist meets (because, after all, it is her world) could also be considered one.)

By this point, Dick was already a technically proficient author capable of moving a story swiftly along with a minimum of wordage. The overwhelming majority of stories in this volume come in at 10-20 pages long, and finish long before they wear out their welcome. As with all Dick’s work, none is perfect, but all have their points of interest. Amazingly, every story in this book (according to the notes at the end) was turned out between August 27, 1952 and April 20, 1953, a rate of productivity that was probably only surpassed by Robert Silverberg at the highpoint of his robotic pulpy period. I can only imagine what sort of effect these stories had on the field when they were originally published, and they’re still well worth reading today.

Behind the Scenes at the Texas A&M Cushing Library

Tuesday, October 5th, 2010

Over on No fear of the Future, Matthew Bey takes a break from Space Squid and Zombie Lapdance-related activities to take a behind the scenes tour of the Texas A&M Cushing Library Science Fiction and Fantasy Research Collection. I donated some Nova Express proofs to them back when Hal Hall was running the library, but he retired about a month back and handed the reins over to Catherine Coker. Someday I’d like to have the chance to look through a science fiction library even bigger than my own. If you have any SF books, magazines, fanzines, etc. you’d like to donate, I’m sure they’d love to hear from you.

And as for that Space Squid clay tablet, I hope to have more information up here about it Real Soon Now…

Books Read: Alex Irvine’s Mystery Hill

Sunday, September 26th, 2010

Mystery Hill
by Alex Irvine
PS Publishing, 2009

This is a slight, amusing novella by the author of A Scattering of jades. It involves the owner of a “mystery spot” roadside attraction, little lizard men, drugs, pogoing teenagers and parallel worlds. It’s a decent work, but didn’t seem to be quite as amusing as it should have been, or could have been in the hands of, say, Rudy Rucker or Paul Di Filippo.

I have one copy available through Lame Excuse Books is you’re interested.

Books Read: Steven R. Boyett’s Elegy Beach

Thursday, September 16th, 2010

Steven R. Boyett
Elegy Beach
Ace, 2009

Way back in The Before Time, the Long-Long Ago (i.e., the mid-1980s), there was a writer named Steven R. Boyett who wrote two popular, well-respected paperback originals, The Architect of Sleep and Ariel. Ariel was a stand-alone about a boy and his unicorn wandering across an America transformed overnight from a world ruled by technology to one ruled by magic. The Architect of Sleep imagined a world where raccoons evolved as the planet’s sentient species and ended right in the middle of the story, and pissed-off readers have been waiting almost a quarter-century for the projected sequel, The Geography of Dreams, to appear.

Then Boyett became disgusted by publishing and went off to do other things (like become a DJ). Now, some three decades later, he’s returned to writing and has finally written a sequel.

To Ariel.

Fred, the son of the protagonist of Ariel, is an aspiring magician living with his father in a small community on the Southern Californian coast. His mother died long ago, he’s working as an apprentice to local brujo while spending his leisure time working on developing a programmatic approach to magic with his friend Yan, and has no idea that he’s named after his father’s sword. As time goes on, it becomes apparent that Yan not only wishes to understand everything possible about casting, but actually wants to reverse “the change,” no matter how many people (or magical creatures) that might kill. To do that he needs a unicorn horn, which he just happens to have taken off Ariel’s mate…

All in all, this is a more somber book than the original (which certainly had its own somber moments), but still a very good one. Boyett offers an afterword, but doesn’t mention there he’s retconned the universe since the original publication of Ariel, as in Elegy Beach, “the change” happened right about now rather than in 1983, as this book mentions iPods, the Internet, etc. (I suspect these were revised for the republication of Ariel, but I’ve only read the original.) The narrative voice is very similar to the Zelazny-esque “first person smartass” of the original, and the story is interesting and well-told (albeit a bit more traditional of a quest fantasy, complete with the gathering of plot coupon quest companions, than the original).

Also, Boyett coins the phrase “Generation Eloi,” which is too good not to steal.

If you liked Ariel (and most people, myself included, did), then you’ll probably like Elegy Beach. If you haven’t read Ariel, well, you should probably read that anyway.

Also, Boyett has put up a fairly extensive site on the novel that may be of interest.

And as for The Geography of Dreams, well, here’s Boyett’s explanation from 1998. I wouldn’t hold your breath…

(Note: I have copies of both Ariel and Elegy beach available over on the Lame Excuse Books page.)

Alan Moore Speaks

Saturday, September 11th, 2010

Here’s an interesting and hefty interview with Alan Moore.

An Executive Summary for the tl;dr crowd:

  1. DC offered Alan Moore a huge sum of money to sign over the rights to Watchmen
  2. Moore thinks DC are basically thieves, crooks and hacks, and told them to go fuck themselves. (I’m paraphrasing a bit here…)

I’m not a true comics geek, but I had gotten the impression the DC almost always worked on a “work for hire” basis, which is why they were able to get the Watchmen movie done without Moore’s approval. However, this interview indicates that’s not necessarily so.

I would imagine that given our understanding of the industry standards during that time, and given the fact that, as I say, DC’s contractual stuff sometimes seems to be a bit shaky. So there may be… I mean, it’s occurred to me that I could possibly get a lawyer to look into this. There may be some problem with the contract, or some potential problem that may require my actual signature saying it’s okay to go ahead with these prequels and sequels. It might be that they can’t just do this. It may be that… it would seem that if they had gone out of their way to try and tempt me with worn-out rights to a property that was mine anyway, or sums of money… they’re offering me a million or two million, then I would imagine that what was potentially on offer to them would be higher by a couple of factors, maybe two or three factors, who knows? It could be a huge amount. So this would seem to explain their apparent desperate need to get me to put my signature upon something, which I’m not inclined to do.

And this:

If DC were to stop publishing WATCHMEN so it went out of print and then the rights automatically reverted to me and to Dave Gibbons, then you know, fair enough.

So: The rights to Watchmen are encumbered, and Moore isn’t going to be tricked or steamrolled into selling or giving them back.

Good for him.

(For more Watchmen-related goodness, take a look at Awesomely Wrong Watchmen.)

Book Proofs Received: Gene Wolfe’s Home Fires

Wednesday, September 8th, 2010

Gene Wolfe
Home Fires
Tor, January 2011

Seems like a time-lag war romance, ala The Forever War or Voices From a Distant Star. She goes off to war leaving him behind, she comes back, they go on a second honeymoon, and then weird things start happening.

This will probably jump to the next thing on the stack after I finish Charlie Stross’ The Fuller Memorandum

The Funeral Home’s Page on Joe Domenici

Tuesday, September 7th, 2010

You might spot a few familiar faces among the photos there. And those who knew Joe may want to sign the condolences book if they’re so inclined.