Those crazy kids, rushing off into marriage after a mere 31 year courtship.
Posts Tagged ‘Science Fiction’
Congrats to George R. R. Martin & Parris on Their Nuptials
Thursday, February 17th, 2011
Retro TV Memories: The Fantastic Journey
Sunday, February 13th, 2011Back in my ill-spent youth, before we had any video games other than Pong, I watched a lot of TV. Along with the classics (I Love Lucy, Star Trek), I watched a good bit of the same primetime fare everyone else watched back in the days of three broadcast networks and no cable. In particular, I would watch pretty much any prime time science fiction show in the 1970s, no matter how bad. Some, like Kolchak: The Night Stalker, hold up much better than I would expect them to.
I’m pretty sure The Fantastic Journey does not, mainly because I remember thinking that it sucked even while I was watching it. I even remember thinking it sucked more than The Man From Atlantis, which, I assure you, sucked pretty hard. (After all, that was a show with an episode that had Kareem Abdul-Jabbar as an alien on another planet panning for gold in invisible water. And no, it didn’t make any more sense in context.)
Anyway, I thought I’d do this post on The Fantastic Journey not because it was good, but because once every six months or so I found myself discussing the TV shows of the 1970s and being unable to recall the name of the show. It could also be seen as some sort of weird precursor to Lost, but with a smaller cast and a refreshing lack of tedious flashbacks. So this page is more or less something for people to find on the Internet searching for the same half-remembered plot elements just so they can prove to their friends that no, they didn’t imagine it. (Keywords: The Fantastic Journey, island, Bermuda Triangle, zone, portal, TV show, 1970s, bad, suck)
The setup, as I remember it, was some modern Americans (including an annoying kid, which was the style at the time) being marooned on an uncharted island somewhere in the Bermuda Triangle, and every week they’d go through some sort of zone or barrier that would transport them to another time period where they ran into pirates, aliens, future civilizations, or any other thing 70s TV writers on deadline could think of to keep them in cocaine for another month. According to this far more informative writeup on the show, they were stranded there by some weird green cloud enveloping their boat. And it went downhill from there.
Here’s the opening credits, which I seem to have mercifully forgotten:
Wow, that cheesy disco synth theme is everything that was wrong with music in the 1970s rolled into one excruciatingly painful package. I’m sure that right now, it’s being played on an infinite loop to torments the souls of the damned at Hell’s own disco.
And here’s the opening of one episode, which makes it seem even worse than I remember:
Roddy McDowell adds that touch of class to remind you that, yes, he was in an awful lot of horrid crap. (See also: Laserblast.)
That’s pretty bad. Thanks you sir, may I have another?
What that scene really needs is the Monty Python knight to limp up and whack Mongol Riddle Guy upside the head with a rubber chicken. There also seemed to be a contractual requirement for several minutes of running in every show. (Cheap! Pointless! Eats up screen time!) And nothing says “It’s the future!” like green unitards and shiny, asymmetrical skirts.
And there’s plenty more where that came from on YouTube, for those with an unquenchable thirst for cheesy 70s science fiction TV shows. But everything about the show gives you the distinct impression people involved knew it was doomed and were only in it for the paycheck.
Here’s the IMDB link for the show.
Let’s face it: The Fantastic Journey was just a big slab of suck, and I only post this here as a warning to others and to prove that, yes, it actually existed.
Tune in next week when I channel my vague memories of John Saxon blowing up mutants with a photon bazooka (or some damn thing).
The February Ansible is Out
Wednesday, February 2nd, 2011MegaPython vs. Gateroid
Saturday, January 15th, 2011So you find yourself thinking: I want to watch Mega Shark vs Crocosaurus, but I’m afraid it may be too intellectually challenging to jump into right away. Is there perchance a stupider movie I can watch first?
Come January 20, the answer to your question will be: Yes, yes there is. Behold the wonder that is MegaPython vs. Gateroid.
Still not convinced? Hey, it stars Debbie Gibson AND Tiffany! (Granted, 15 years too late, but still…) And if that’s not enough, I have two words for you: cake wrestling.
It’s good to see the folks at The Asylum and the SyFy Channel maintaining the reputation they’ve worked so hard to earn…
(Hat tip: Bill Crider.)
Tor.com Wants Your Vote for the Best SF Novels of 2000-2010
Friday, January 14th, 2011The current vote leaders are shown here.
Recent Library Acquisitions: Greg Bear’s Sleepside Story
Monday, January 3rd, 2011I have a complete collection of Greg Bear’s first edition hardbacks (though I do still need to pick up a copy of the recently published Hull Zero Three). However, until recently I was missing two Bear books, one very easy to find (Foundation and Chaos, a copy of which I just picked up at one-quarter the publisher’s price), and the other one, the Cheap Street Sleepside Story, very expensive. However, I finally picked up a copy from a noted SF dealer having a 50% off sale (the same dealer I bought the first edition of Nineteen Eighty-Four from) for $175.
Here are some pictures. The open book and traycase are too large to fit on my scanner, and the visible weave of the cloth made it hard to get a good picture without getting moire patterns:
Full description:
Bear, Greg. Sleepside Story. Cheap Street, 1988. First edition hardback, one of 127 total copies, of which this is one of 52 copies signed by Bear and artist Judy King-Rieniets comprising the “Publisher’s Edition,” done in two-part red and black Japanese cloth, a fine copy in Japanese cloth tray case, without dust jacket, as issued.
For those unaware of the press, Cheap Street was the imprint of Nan and George O’Nale, founded in 1980, doing very small runs of beautiful, hand-bound books. (Jack Chalker noted that they were the only publishers that refused to provide information for The Science Fantasy Publishers, the massive book on SF small presses that he and Mark Ownings compiled, and described them as temperamental, secretive, and hostile, at least to him. Like many of Jack’s descriptions in The Science Fantasy Publishers, there are probably several grains of truth to that view which also need to be taken with several grains of salt…) The last science fiction book they did was Howard Waldrop’s Flying Saucer Rock and Roll (which I also have), though Howard tells me they did one non-SF book after that, a book of jokes related to the Forest Service (which George O’Nale had evidently worked for). Unfortunately, in 2003 the O’Nale’s committed double-suicide, leaving behind careful instructions as to where their bodies would be found and for the disposition of their estate.
I don’t have a complete Cheap Street set, though I do have a goodly number, and hope to pick up the rest when I can find them at attractive prices.
Edited to Add: This first issue of Andrew Porter’s fanzine Monadock reprints the Roanoke Times piece on the O’Nale suicide, the original of which no longer appears to be up on the Roanoke Times website.
Forbidden Planet’s Anne Francis Dies at 80
Monday, January 3rd, 2011Anne Francis dead at 80. So that’s both leads for Forbidden Planet gone in the past year. I may have to have a memorial viewing. (Fortunately Richard Anderson (AKA Oscar Goldman) is still alive.)
By the way, that Amazon link is for the Ultimate Collector’s Edition boxed set at a paltry $17.99, which is about half what I paid for it two years ago, and I think it includes everything in the two-disc 50th anniversary edition, plus the metal box AND the Robby the Robot action figure. At that price I may have to stock up for birthday and Christmas gifts…
Recent First Edition Acquisition: George Orwell’s 1984
Thursday, December 30th, 2010You might have noticed that I buy a few books. I’m trying to assemble a library of every important (IMHO) science fiction book ever published in first edition hardback (plus selected fantasy and horror titles to boot), but I’m also doing it on the budget of someone who is not made of money. With one exception (a pre-publication Stephen King ultralimited), I’ve never paid more than $400 for any given book. But recently I had to break that rule to buy a copy of not just one of the most important science fiction novels of the 20th century, but one of the most important books ever published: The true Secker & Warburg first edition hardback of George Orwell’s Nineteen Eighty-Four, in an imperfect (but unclipped and almost entirely intact) dust jacket. I bought it from a noted science fiction book dealer for $500 (discounted down from considerably more).
Here are a two scans of the book:
Flaws include slight spine lean, hint of fading to spine panel at top and bottom edges, else fine in a good-only example of the green dust jacket (the other, and generally more desirable cover variant is red, but there’s no priority between the two), with blind-side masking tape reinforcements along portions of top and bottom edges, with show through, most noticeably along top edges of rear panel and flaps and lower edge of rear panel, and shelf wear at head and heel of spine panel, corner tips and along front flap fold.
It’s hard (but obviously not impossible) to find a decent true first of Nineteen Eighty-Four in dust jacket for under a grand.
Now to save up my pennies for a copy of H. P. Lovecraft’s The Outsider and Others…
The Lame Excuse Books December 2010 Catalog
Monday, December 20th, 2010I sent out the Lame Excuse Books December 2010 to regular customers last week. Here it is (minus the books that sold out) in “just plopped the hell down as text on a blog” form:
Greetings, and welcome to Lawrence Person’s Lame Excuse for a Book Catalog! Once again there’s lots of great stuff, including new books from Joe R. Lansdale, Greg Egan, Jay Lake, Peter Straub, Charles Stross, and the new, definitive H. P. Lovecraft biography (in two hefty volumes!), plus a excellent signed first of Ender’s Game, a bunch of signed Michael Bishop, and numerous small press books from Subterranean, Night Shade and Tachyon, among others. Most in-print books start at $3 off cover price, and as usual I only have one or two copies for many titles, so you might want to act quickly.
The URL for the main Lame Excuse Books webpage is:
https://www.lawrenceperson.com/lame.html
I’m still doing a Lame Excuse Books Twitter feed:
https://twitter.com/LameExcuseBooks
Payment, Contact & Shipping Information
E-mail me at lawrenceperson@gmail.com. I can hold books ten days on e-mail or phone requests (please leave a message on my voice mail for the latter: (512) 569-9036). U.S. shipping is $5.00 for the first book, and $1.00 a book thereafter. Foreign shipping is at cost (please inquire; for most locations, Global Priority starts at $13.00). Books may be returned in the same condition sent for any reason within 10 days of purchase for a full refund. Please make checks payable to Lawrence Person. I can also take Paypal payment from funds on account to this e-mail address at http://www.paypal.com, and I can take MC and Visa directly through my merchant account.
Please mail checks to:
Lawrence Person
Lame Excuse Books
P.O. Box 27231
Austin, Texas 78755
There might be a slight Christmas delay for mailing out some books, but I’ll try to get out as many as I can before the holiday hits full force.
Finally, if you want me to take you off this mailing list, please let me know. I hate spam just as much as the next person.
Now the books!
LP1837. Adams, Douglas, and John Lloyd. The Deeper Meaning of Liff. Harmony Books, 1990. First American edition, a Fine- copy with three small, short lines of writing to front free endpaper, in a Fine dust jacket. Collection of words that don’t exist but should. Seems to have had fewer reprints than Adams’ other works. $15.
LP1838. Bennett, Robert Jackson. Mr. Shivers. Orbit (U.S.), 2010. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Joe Dominici, thriller writer and former co-owner of Future Visions in Houston, called this “The finest first novel I have read in years” just a couple of months before his untimely death earlier this year, and having just read it I agree. It’s the story of several men in the depression hunting down the title character, a tall, scarred man who has violently taken loved ones from each of them. But the longer the search, the more apparent that Mr. Shivers isn’t a man at all, but perhaps the Devil (or even Death) himself. A very strong debut novel, reminiscent of K. W. Jeter’s In the Land of the Dead, but I liked this better. A dark and gripping book. Recommended. I only have one. $15.
LP21. Bishop, Michael. Ancient of Days. Arbor House, 1985. First edition hardback , F-/NF+, with slight bumping to head and heel, a 1/8″ closed tear on heel, and a small amount of wear to bottom boards. Still nice. Signed by Bishop. $9.
LP23. Bishop, Michael. Brittle Innings. Bantam, 1994. First edition hardback, Fine in a Fine dj. Wonderful novel about Frankenstein’s Monster playing minor league baseball in the W.W.II-era south. Hugo nominee. “It’s a helluva novel (one of the best I’ve read in the last ten years), a brilliant period study, and it combines baseball and Frankenstein. What more could you want?” Caroline Spector in Nova Express. Recommended. Signed by Bishop. $20.
LP1327. Bishop, Michael. No Enemy But Time. Timescape Books, 1982. First edition hardback, a NF copy with on long, gray diagonal streak (doesn’t look like a remainder mark) across bottom page block, with a trace of dust soiling on top page block, in a VG dust jacket which is complete, but which has four closed tears at the bottom of the back, each of which was unfortunately at one time “repaired” by non-archival tape which has left light yellow/brownish stains on the back, 2 about 2 1/2″ to 3″, the others about 1/2″; beautiful front and spine, but notably flawed back, and now encased in a dj protector. Not a perfect copy, but a big step up from an Ex-Library copy. Signed by Bishop. $30.
LP386. Bishop, Michael. No Enemy But Time. Timescape, 1982. First edition hardback, an ex-library copy with all the usual flaws, otherwise G+/VG+, with spine leaned and rolled, wear to top and bottom boards, internal mends, leaves starting to loosen (and some mended), and some water rippling or spotting to a few interior pages. A well read copy, but a true first of his Nebula winner. Not too bad spine out, an adequate space filler or reading copy. Signed by Bishop. $10.
LP25. Bishop, Michael. The Secret Ascension (aka Philip K. Dick is Dead, Alas). Tor, 1987. First Edition, Hardback NF+/NF, with some slight soiling to page edges, wrinkles, rubbing, and a 1/2″ scratch on the font dj, part of which goes through the dj. Still, better than it sounds. Author’s preferred title is Philip K. Dick is Dead, Alas. Went into a second printing almost immediately. Signed by Bishop. $9.
LP22. Bishop, Michael. And Strange at Ecbatan the Trees. Harper & Row, 1976 First edition hardback, ex-Library copy, with all the usual flaws, otherwise VG+/NF-, with significant spine lean. Signed by Bishop. $5.
LP27. Bishop, Michael. Transfigurations. Berkley Putnam, 1979. First edition hardback, F/NF cover, with shallow chipping at dj head and one long, semi-closed tear intact in dj protector. Signed by Bishop. $8
LP471. Bishop, Michael and Di Filippo, Paul (as Philip Lawson). Muskrat Courage. St. Martin’s Minotaur, 2000. First edition hardback, Fine in Fine dj. Humorous mystery novel featuring Will Keats, the protagonist of Would It Kill You to Smile?. Signed by Bishop. $15.
LP1838. Butler, Octavia. Patternmaster. Doubleday, 1976. First edition hardback, a Near Fine copy with previous owner’s signature on inside front cover and slight spine lean (but NO remainder spray) in a Near Fine dust jacket with a few tiny scratches and abrasions, tiny bit of foxing on interior flap edges, and foxing to blind side of dust jacket spine. Still a very attractive and presentable first edition of Butler’s first book. $75.
LP1839. Card, Orson Scott. Ender’s Game. Tor, 1985. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Card to fellow writer (and noted book collector) Scott Cupp: “to Scott Cupp—/A child-rearing guide/for the military school set…/Best,/Orson Scott Card/NASFIC-’85.” Hugo and Nebula winner for Best Novel, Card’s most famous work, and probably the most difficult domestic SF novel from a mainstream publishers in the last 30 years. $2,200.
LP1836. Egan, Greg. Zendegi. Night Shade Press, 2010. First U.S. edition hardback, a Fine copy in a Fine dust jacket, new and unread. Egan’s latest novel, set in a post-theocracy Iran and a popular virtual reality game. $19.
LP1402. Haldeman, Joe. Camouflage. Ace, 2004. First edition hardback, a Fine copy in a Fine dj with the tiniest, teensy-ist wrinkle at heel, otherwise new and unread. Nebula Award winner for best novel. Signed by Haldeman. Got scarcer after it won the Nebula…$65.
LP1095. Hughart, Barry. The Story of the Stone. Doubleday/Foundation, 1988. First edition hardback, Fine in a Fine dj; a beautiful, immaculate copy. The second Master Li & Number 10 Ox story. Funny, and brilliant, and highly recommended. $30.
LP1844. King, Stephen. The Bachman Books (Rage, Roadwork, The Long Walk, and The Running Man). NAL, 1985. Book club hardback, a Fine copy in a Near Fine dust jacket with edgewear and slight wrinkling at head. Four novels first published as Richard Bachman, including Rage, which King has vowed never to allow to be published again, and The Long Walk, one of his best (IMHO). Highly recommended. Nice reading copy. $10.
LP1845. King, Stephen. Pet Sematary. Doubleday, 1983. Book club hardback, a Near Fine copy in a VG+ dust jacket with several small tears at head and heel. Reading copy. $3.
LP1846. Lake, Jay. The Sky That Wraps. Subterranean Press, 2010. First edition hardback, one of 1,000 signed copies, a Fine copy in a Fine dust jacket, new and unread. Short story collection by the author of the Hugo-nominated Mainspring, and a swell guy to boot. $37.
LP1847. Lake, Jay. The Specific Gravity of Grief. Fairwoods Press, 2010. First edition hardback, one of only 250 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. With an introduction by Maureen McHugh. Novella about a man with cancer (with which Jay has had more than one bout), so probably not something for the light reading pile. Only have one. $22.
LP1848. Lansdale, Joe R. By Bizarre Hands Rides Again. Morning Star Press, 2010. Expanded edition with new stories and story notes, one of 300 copies signed by Lansdale, a Fine copy in a Fine dust jacket, new and unread. The original was a great short story collection, and thus new edition has everything in the original and more. Highly recommended. $72.
LP1849. Lansdale, Joe R. Deadman’s Road. Subterranean Press, 2010. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Features the ass-kicking Reverend Jedidiah Mercer, first seen in Dead in the West (the complete text of which is here), fighting “zombies, ghouls, werewolves, Lovecraftian monsters and kobolds.” Dead in the West is great fun, and the one story I heard Joe read at the 2006 World Fantasy Convention was as well. If you like Lansdale, you need one. Recommended. $37.
LP1731. Lansdale, Joe R. Captains Outrageous. Mysterious Press, 2001. First trade edition hardback, a Fine copy in a Fine dust jacket, new and unread. Hap and Leonard go on cruise. Happiness does not ensue. Recommended. Signed by Lansdale. $15.
LP1732. Lansdale, Joe R. Sanctified and Chicken Fried: The Portable Lansdale. University of Texas Press, 2009. First edition hardback, a Fine- copy in a Fine- dust jacket, with tiny bends at the very tips of the top edges; if I hadn’t told you about them, you probably wouldn’t notice them. A “Best of Lansdale” sampler of sorts, with some very good stuff you’ve probably seen before (“Night They Missed the Horror Show” and “Tight Little Stitches in a Dead Man’s Back”) along with a few I’m not familiar with (“Dirt Devils,” “White Mule, Spotted Pig”). Recommended from what I have read. Coming from the UT Press, copies might not crop up in your neck of the woods. Signed by Lansdale. $26.
LP1794. Lansdale, Joe R. and Keith Lansdale, editors. (Joe R. Lansdale, Harlan Ellison, David J. Schow, William F. Nolan, Mike Resnick, Cherie Priest, etc.) Son of Retro Pulp Tales. Subterranean Press, 2009. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Another collection of pulp goodness, and I enjoyed the first one. All of these are new except the Ellison. And how often do you see a new William F. Nolan story these days? Signed by Joe R. Lansdale. $37.
LP1850. Leiber, Fritz. Strange Wonders. Subterranean Press, 2010. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Collection various work, some previously unpublished or uncollected. I ended up with an extra copy or two, so let’s take $5 off the cover price. $35.
LP1538. Lethem, Jonathan. Gun, With Occasional Music. Harcourt, Brace and Company, 1994. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. His first novel, from back before he started winning literary awards left and right. $30.
LP1851. (Lovecraft, H. P.) Joshi, S. T. I Am Providence: The Life and Times of H. P. Lovecraft. Hippocampus Press, 2010. First edition hardback, two volume set, both Fine copies in Fine dust jackets, new and unread, still in publisher’s shrinkwrap. Remember how S. T. Joshi’s Lovecraft: A Life instantly became THE definitive Lovecraft biography upon publication? And remember how the hardback of that shot up to about $500 in short order? Well, more than 150,000 words of that were cut for space constraints. I Am Providence not only restores those 150,000 words, but also incorporates new research, correction updates, etc., and instantly becomes the definitive Lovecraft biography in its own right. List price is $100 for the set. For you? $95. (Add an extra buck for shipping in the U.S., and considerably more overseas.)
LP1852. Marusek, David. Counting Heads. Tor, 2005. First edition hardback, a Fine copy in a Fine dust jacket. His first novel, which garnered much acclaim and quickly went into second printing. Haven’t read it, but David is a good guy. $20.
LP1853. Niven, Larry. The Best of Larry Niven. Subterranean Press, 2010. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. The latest huge Subterranean career retrospective collection. The last book to make it into the catalog, and I only have one copy on hand (but more on order). $37.
LP1855. Straub, Peter. The Juniper Tree and Other Blue Rose Stories. Subterranean Press, 2010. First edition hardback, one of 250 numbered leatherbound copies signed by Straub, a Fine copy in a Fine dust jacket, new and unread. Collection of novellas set in the same world as Koko, Mystery, and The Throat, along with and interview conducted by Bill Sheehan. This edition is sold out from the publisher. $95.
LP1856. Straub, Peter. The Juniper Tree and Other Blue Rose Stories. Subterranean Press, 2010. First edition hardback, one of 1,500 trade copies, a Fine copy in a Fine dust jacket, new and unread. Collection of novellas set in the same world as Koko, Mystery, and The Throat, along with and interview conducted by Bill Sheehan. $30.
LP1857. Stross, Charles. Toast. Wyrm Publishing, 2010. First signed, limited edition hardback and first edition thus, with additional material not in previous editions, one of 700 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. If you don’t have one of the previous editions, you need a copy of this, especially for the Lovecraftian “A Colder War,” which features a U.S./Soviet Cold War featuring Elder technology and a “Shoggoth Gap.” $34.
LP1858. Wilson, Robert Charles. Axis. Tor, 2007. First edition hardback, a Fine copy in a Fine dust jacket. Sequel to the Hugo Award-winning Spin. $10.
Trade Paperbacks
Note: I only have one each of these, so if you want one, better ask quick.
LP1861. Lansdale, Joe R. Flaming Zeppelins. Tachyon, 2010. Trade paperback first edition original thus (omnibus edition), a Fine copy, new and unread. Combines the two “Ned the Seal” volumes Zeppelins West and Flaming London. Crazy stuff. $13.
LP1862. Moorcock, Michael. The Best of Michael Moorcock. Tachyon, 2009. First edition trade paperback original, a Fine copy, new and unread. Well, I think that title’s self-explanatory, don’t you? $13.
Mass Market Paperbacks
LP1863. Barrett, Jr., Neal. Through Darkest America. Worldwide Library, 1988. First paperback edition, a NF copy with faint spine creasing and a wrinkle at heel. Part of the Asimov Presents line. One of Neal’s better novels. Recommended. $5.
LP1864. Bloch, Robert. Dragons and Nightmares. Belmont, 1969. First paperback and first mass market edition (preceded by the Mirage Press hardback), VG- with creasing, general wear, and a stamp on the blurb page. Fun stories, somewhat lighter than most of his work. Solid reading copy. $3.
LP1865. Davidson, Avram (edited by John Silbersack). Collected Fantasies. Berkley, 1982. First edition paperback original, a VG- copy with 3/8″ tip of bottom front cover missing, line at heel, sticker ghost and abrasions to front cover, and general wear, but quite square and sturdy for all that. Contains some fine stories, including “Or All the Seas With Oysters.” Recommended. $5.
LP1866. Hawke, Simon. Timewars 10: The Hellfire Rebellion. Ace, 1990. First edition paperback original (PBO), a Fine- copy with just faint touches of edgewear at head and heel, otherwise apparently new and unread. The later volumes of the Timewars series are the hardest to find. Simon used to write under his birth name of Nicholas Yermakov, but legally changed his name to Simon Hawke, possibly after hearing one too many “In Soviet Russia” jokes. $9.
LP1867. Kurtz, Katherine. Lammas Night. Ballentine Books, 1988. Paperback reprint, a NF copy with one page slightly loose, otherwise quite a nice copy. Nazis vs. druids. No American hardback, and one of her harder-to-find titles. $10.
LP1868. Smith, E. E. “Doc” and Stephen Goldin. Revolt of the Galaxy (The Family D’Alembert Series #10). Berkley, 1985. First edition paperback original, a NF- copy with wrinkling near spine, a bit of edgewear at head, a tiny bit of spine lean, an invisible spine crease, foxing to inside cover, and a touch of general wear; a bit better than it sounds, this is actually a nice copy. The later volumes in this series are harder to find. $10.
LP1869. Tepper, Sheri S. Marianne, the Magus and the Manticore. Ace, 1985. Third printing, a VG copy with spine creasing, spine line, number stamp at head, and general wear. The Marianne titles are probably the least common of all Tepper’s books. $9.
LP1870. Wagner, Karl Edward. Conan: The Road of Kings. Bantam, 1989. First edition paperback original, VG- with serious spine creasing, crease across top back corner, spine lean, and general wear, though the Tim Kirk foldout cover is intact; solid reading copy. I haven’t read these, and am generally skeptical of non-Robert E. Howard Conan stories, but Wagner was probably closer stylistically than anyone else who attempted it. $5.
LP1871. Westerfield, Scott. Polymorph. Roc, 1997. First edition paperback original, a VG- copy with spine creasing, corner creasing, and previous owner’s name in black magic marker and silver ink (?) on inside covers. Still an acceptable reading copy of his first novel, which is hard to find due to his YA success. $10.
Book Review: Gene Wolfe’s Home Fires
Saturday, December 18th, 2010Home Fires
By Gene Wolfe
Tor, 2011.
Following the fantasy of The Sorcerer’s House, Gene Wolfe has given us a near-future, stand-alone SF novel. Home Fires features Skip, a very successful lawyer in a somewhat dystopian North America awaiting the return of his young, beautiful wife (or “contracta”) Chelle from military service in another star system. She’s only slightly older than when she left thanks to relativistic effects, while he’s reached the marches of middle age. As a coming home gift, Skip pays for the resurrection of Chelle’s mother by having her stored personality implanted in the body of another, closely-matching woman. However, no sooner is she back among the living than someone tries to kill her, and things only get more tangled upon the cruise ship he’s booked them on. Hijackings, murders, suicide clubs and general mysterious skullduggery ensues.
The difficulty in reviewing Home Fires is the Babushka Doll structure of, not the narrative itself, but of the genre techniques and expectations of the narrative. Homes Fires is science fiction novel as romance novel as mystery novel as spy novel, and any given scene may be fulfilling the expectations of any of those genres. Chelle’s estranged mother is far from the only one who is not what she appears to be, and in the mystery novel tradition, a lot of interrogation ensues as Skip attempts not only to rekindle Chelle’s love, but also to figure out what’s going on and who’s behind it…and to stay alive long enough to find out.
Home Fires also exhibits a lot of Wolfe’s recent themes and techniques, namely:
- Characters who are other than what they appear
- A deeply honest, good-hearted and dependable protagonist always willing to extend the benefit of the doubt to others (Patera Silk, Horn)…
- Who is deeply in a love with a beautiful woman who may not be worthy of him (ditto)
- Secondary characters who keep turning up long after you thought they had exited the stage, many with their own hidden agendas
- A story revealed mostly by dialog
- Action that happens primarily off-screen
- An ending that’s impossible to predict until you finally get to it.
There’s also a voodoo priestess, some gun-running, a bomb, some (possible) spies, and the usual Wolfe trickery. There’s also a refreshing dollop of political incorrectness: One character has had his hands amputated for theft, and our protagonist remarks that it must have happened in the EU under Sharia.
The biggest drawback of this novel was just how talky the book gets. Certainly Wolfe has done wonders with telling stories mostly in dialog in other works, and the mystery novel (one of the genre forms he’s deploying) can tend to be dialog-heavy. But there’s an awful lot of “Tell me know how you knew that”/”OK, but tell me how you knew that I knew that” exchanges in the novel. Classic mystery novel technique, but a bit too much; the late middle of the book feels clotted with it.
Making up for it, Home Fires finishes strongly, with an ending as apt as it is unexpected. It leaves many of the lesser issues unresolved, but provides a very elegant solution to the main character’s greatest dilemma.
All in all, I liked this better than An Evil Guest but not quite as much as The Sorcerer’s House. But Wolfe fans will, as always, find much of interest.