Posts Tagged ‘Book reviews’

Books Read: Henry Kuttner’s The Dark World

Wednesday, March 21st, 2012

Henry Kuttner’s The Dark World
Ace, 1965.

At his best, Henry Kuttner was one of top SF/F writers of the Golden Age.

The Dark World is not Henry Kuttner at his best.

Essentially I only picked this up because it had been a while since I read any Kuttner, and this paperback original fit nicely in my bag on my trip to Stavanger. Even though this shows up on the Cawthorn and Moorcock Fantasy 100 list, and Roger Zelazny cites it as an influence on the Amber books, it’s a very uneven (and sometimes overwritten) parallel world fantasy. Protagonist Edward Bond has returned home after a plane crash and long period of jungle convalescence in World War II. He finds himself drawn from his house to a “need fire” by people claiming to need his help in another world. Traveling to the world with them, he discovers he’s actually Ganelon, one of the leaders of The Coven, who ruled the dark world of the title, and who has been bonded to Llyr, a powerful being who demands sacrifice. Ganelon had been exchanged for Bond (his doppelganger on earth) by the magic of his enemies, but whose memories of the dark world are still incomplete. After his fellow Coven members secretly dress him in the robes of sacrifice, he decides that some adjustment of loyalties is in order…

Despite it’s brevity (The Dark World clocks in at 126 pages), modern readers are likely to have problems with this. For one thing, the prose occasionally takes florid flights that betray its pulp-era origins. (“Medea and Edeyrn and Matholoch! The names of the three beat like muffled drums in my brain.”) Exclamation points are freely dispensed, frequently in one-word sentences. (“Llyr! the though of it-of him-crystallized that decision in my mind.”) In the world of post-Lord of the Rings fantasy, the Dark World seems both underdeveloped and under-populated, and the semi-scientific mutant explanation is unconvincing.

It’s not awful; the story moves along at a steady clip. There are also a few points of formal novelty. It was probably rare to have a novel told from the viewpoint of the bad guy, and who remained the bad guy, pretty much all of the novel. Also, the scene where Edward Bond and Ganelon face off against each other in some sort of nether corridor between the worlds makes you wonder if Don Ingalls, the screenwriter for the Star Trek episode “The Alternative Factor,” read The Dark World, given the obvious parallels.

if you haven’t read any Kuttner, this is not the one to start with.

My Review of Charles Stross’ Rule 34 is Now Up

Wednesday, January 4th, 2012

Over at SF Signal.

A Comic Review of Gene Wolfe’s Home Fires

Wednesday, August 10th, 2011

A swell review, in comic form, of Gene Wolfe’s Home Fires

It has a lot in common with my own review.

(Hat tip: James Wynn.)

Review Copypalooza

Friday, June 3rd, 2011

So about a year after I really needed to, I’ve finally got around to reorganizing my office. And by “reorganizing,” I mean “putting away a bunch of crap so I can actually put the books I’ve already bought in their proper places on my shelves.”

One obstacle to this is all the Nova Express review copies that have piled up around the place. It hasn’t (quite) been a decade since The Fanzine That Walks Like a Semiprozine published its last issue in 2002. In 2003 I was unemployed most of the year, in 2004 I bought a house, and in 2005 I took a 10 day trip to the UK to see London and the Glasgow Worldcon, all things that ate up both time and money required to publish something that lost a good $1,000-2,000 an issue. (I contend that Nova Express is not in fact dead, but merely resting and pining for the fjords. It’s been my intention to resurrect the beast as some sort of online zine, but life has continued to get in the way.) Despite its non-published status, Nova Express has continued to receive review copies of books (proofs, ARCS, hardbacks, paperbacks, you name it), the more interesting of which I’ve put aside until I had time to bring the zine back to life, though I have reviewed something here every now and then.

But rather than let all these review copies continue taking up valuable bookshelf space, I’ve decided to do two things:

  1. Offer them up to former Nova Express staffers (you know who you are) to review here on Futuramen (as a sort of low-calorie-Nova-Express substitute, or Nova-Express-in-Exile sort of thing), and
  2. Disperse the rest (sell/giveaway/put into my own library).

Rather than spend time listing each and every copy (there are a lot), I’m just going to list the authors. If you’d like to review something by them, let me know. Keep in mind some of these are almost a decade old, but what the hell, better late than never.

  • Neal Asher
  • S. A. Bodeen
  • Kevin Brockmeier
  • M. M. Buckner
  • Ramsey Campbell
  • Storm Constantine
  • Brenda Cooper
  • Robert Conroy
  • Frank Corsaro
  • Ellen Datlow
  • Cory Doctrow
  • William Drinkard
  • Carol Emshwiller
  • Andreas Eschbach
  • Steven Erikson
  • Ian C. Esselmont
  • Michael Flynn
  • Gregory Frost
  • Anne Harris
  • Melanie Gideon
  • Daryl Gregory
  • Jim Grimsley
  • Peter F. Hamilton
  • Thomas Harlan
  • Howard Hendrix
  • Stephen Hunt
  • James Patrick Kelly
  • Liam Jackson
  • Jay Lake
  • Jean Lorrah
  • James Maxey
  • A. Lee Martinez
  • Sandra McDonald
  • Paul Melko
  • James Morrow
  • Jamil Nasir
  • Paul Park
  • Nicholas Pekearo
  • Kit Reed
  • R. Garcia Y. Robertson
  • Cameron Rogers
  • Mary Rosenblum
  • Rudy Rucker
  • Melinda Snodgrass
  • Stanley Schmidt
  • William R. Trotter
  • Vernor Vinge
  • Kit Whitfield
  • Kim Wilkins
  • David Wellington
  • Scott Westerfield
  • If you want to review any of these, drop me a line.

    My Review of Mr. Shivers

    Thursday, February 10th, 2011

    My review of Robert Jackson Bennett’s Mr. Shivers is up over at SF Signal. If you’re looking for a good first novel to read, I recommend it. I also have some copies of the first edition available on the Lame Excuse Books page.

    Book Review: Gene Wolfe’s Home Fires

    Saturday, December 18th, 2010

    Home Fires
    By Gene Wolfe
    Tor, 2011.

    Following the fantasy of The Sorcerer’s House, Gene Wolfe has given us a near-future, stand-alone SF novel. Home Fires features Skip, a very successful lawyer in a somewhat dystopian North America awaiting the return of his young, beautiful wife (or “contracta”) Chelle from military service in another star system. She’s only slightly older than when she left thanks to relativistic effects, while he’s reached the marches of middle age. As a coming home gift, Skip pays for the resurrection of Chelle’s mother by having her stored personality implanted in the body of another, closely-matching woman. However, no sooner is she back among the living than someone tries to kill her, and things only get more tangled upon the cruise ship he’s booked them on. Hijackings, murders, suicide clubs and general mysterious skullduggery ensues.

    The difficulty in reviewing Home Fires is the Babushka Doll structure of, not the narrative itself, but of the genre techniques and expectations of the narrative. Homes Fires is science fiction novel as romance novel as mystery novel as spy novel, and any given scene may be fulfilling the expectations of any of those genres. Chelle’s estranged mother is far from the only one who is not what she appears to be, and in the mystery novel tradition, a lot of interrogation ensues as Skip attempts not only to rekindle Chelle’s love, but also to figure out what’s going on and who’s behind it…and to stay alive long enough to find out.

    Home Fires also exhibits a lot of Wolfe’s recent themes and techniques, namely:

    • Characters who are other than what they appear
    • A deeply honest, good-hearted and dependable protagonist always willing to extend the benefit of the doubt to others (Patera Silk, Horn)…
    • Who is deeply in a love with a beautiful woman who may not be worthy of him (ditto)
    • Secondary characters who keep turning up long after you thought they had exited the stage, many with their own hidden agendas
    • A story revealed mostly by dialog
    • Action that happens primarily off-screen
    • An ending that’s impossible to predict until you finally get to it.

    There’s also a voodoo priestess, some gun-running, a bomb, some (possible) spies, and the usual Wolfe trickery. There’s also a refreshing dollop of political incorrectness: One character has had his hands amputated for theft, and our protagonist remarks that it must have happened in the EU under Sharia.

    The biggest drawback of this novel was just how talky the book gets. Certainly Wolfe has done wonders with telling stories mostly in dialog in other works, and the mystery novel (one of the genre forms he’s deploying) can tend to be dialog-heavy. But there’s an awful lot of “Tell me know how you knew that”/”OK, but tell me how you knew that I knew that” exchanges in the novel. Classic mystery novel technique, but a bit too much; the late middle of the book feels clotted with it.

    Making up for it, Home Fires finishes strongly, with an ending as apt as it is unexpected. It leaves many of the lesser issues unresolved, but provides a very elegant solution to the main character’s greatest dilemma.

    All in all, I liked this better than An Evil Guest but not quite as much as The Sorcerer’s House. But Wolfe fans will, as always, find much of interest.

    Books Read: Zoran Zivkovic’s Impossible Encounters

    Monday, December 6th, 2010

    Impossible Encounters
    By Zoran Zivkovic
    Polaris, 2000

    This is a short book of six stories by Yugoslavian Serbian writer Zoran Zivkovic, each dealing with an impossivle situation (post-mortem, a conversation with God, a writer visited by his own character, etc.), and each of which feature, recursively, a book called Impossible Encounters. These are well crafted, but somewhat slight, and, as Bruce Sterling noted in his Nova Express review, somewhat stateless, existing in a world where “trains have no destinations, streets have no names, rivers and mountains have no histories, and characters have no ethnicities. It’s a very quiet world of used bookstores, family dining tables, and cramped university offices.”

    I’m not sure I would want to read too many of these in a row, but they make nice “palate cleansers” between other fiction.

    Since the Belgrade Polaris editions will probably be hard to come by, if you’re interested in reading these, they’re collected (along with several other Zovkovic books published by Polaris) in the PS Publishing collection Impossible Stories. I don’t have a copy of that for sale anymore, but I do have a copy of Impossible Stories II available if you’re interested.

    Books Read: The Collected Stories of Phillip K. Dick, Volume 2: Second Variety

    Sunday, October 10th, 2010

    The Collected Stories of Phillip K. Dick, Volume 2: Second Variety
    Underwood/Miller, 1987

    People think I’ve read every damn SF book in the world, but this isn’t even remotely true. For example, I’m still trying to catch up to the works the previous generation of SF readers read when they were growing up. So while I’ve generally read the highlights of their work, I’m still trying to catch up on authors like Henry Kuttner, C, L. Moore, R. A. Lafferty, Fritz Leiber, Jack Vance and Philip K. Dick.

    In this second volume of Dick’s collected short stories, the themes of “what is reality” and “who is human” that would dominate so many of his novels crops up again and again. The title novella (the longest here) is set during a third world war after a U.S./Soviet nuclear exchange, where U.S. forces are only able to hold off the Soviets thanks to the development of semi autonomous “claw” robots assembled in automated underground factories. A U.S. soldier goes out under truce to a small band of Soviet survivors, only to have a little boy tag along behind him, a boy that’s shot on sight approaching the bunker, as he’s one of two known “impostor” claws varieties in human form. In the bunker, our protagonist is told that there’s a “second variety” of impostor, who’s form is unknown. Paranoia ensues, especially when he returns to his own bunker to find out they’ve been overrun by claw impostors. “Human Is” and “Impostor” also question what it means to be human, and how can you tell if you’re really human?

    “Adjustment Team” is another Dick story where the protagonist finds out that Reality Is Not What he Thought it Was, being given an accidental glimpse of something adjusting the world. Believe it or not, they’re making it into a romantic comedy starring Matt Damon and Emily Blunt. Because “romantic comedy” is the first thing you think of when talking about the work of Philip K. Dick. (Although “The World She Wanted,” in which absolutely everything goes exactly right for the woman the protagonist meets (because, after all, it is her world) could also be considered one.)

    By this point, Dick was already a technically proficient author capable of moving a story swiftly along with a minimum of wordage. The overwhelming majority of stories in this volume come in at 10-20 pages long, and finish long before they wear out their welcome. As with all Dick’s work, none is perfect, but all have their points of interest. Amazingly, every story in this book (according to the notes at the end) was turned out between August 27, 1952 and April 20, 1953, a rate of productivity that was probably only surpassed by Robert Silverberg at the highpoint of his robotic pulpy period. I can only imagine what sort of effect these stories had on the field when they were originally published, and they’re still well worth reading today.

    Books Read: Steven R. Boyett’s Elegy Beach

    Thursday, September 16th, 2010

    Steven R. Boyett
    Elegy Beach
    Ace, 2009

    Way back in The Before Time, the Long-Long Ago (i.e., the mid-1980s), there was a writer named Steven R. Boyett who wrote two popular, well-respected paperback originals, The Architect of Sleep and Ariel. Ariel was a stand-alone about a boy and his unicorn wandering across an America transformed overnight from a world ruled by technology to one ruled by magic. The Architect of Sleep imagined a world where raccoons evolved as the planet’s sentient species and ended right in the middle of the story, and pissed-off readers have been waiting almost a quarter-century for the projected sequel, The Geography of Dreams, to appear.

    Then Boyett became disgusted by publishing and went off to do other things (like become a DJ). Now, some three decades later, he’s returned to writing and has finally written a sequel.

    To Ariel.

    Fred, the son of the protagonist of Ariel, is an aspiring magician living with his father in a small community on the Southern Californian coast. His mother died long ago, he’s working as an apprentice to local brujo while spending his leisure time working on developing a programmatic approach to magic with his friend Yan, and has no idea that he’s named after his father’s sword. As time goes on, it becomes apparent that Yan not only wishes to understand everything possible about casting, but actually wants to reverse “the change,” no matter how many people (or magical creatures) that might kill. To do that he needs a unicorn horn, which he just happens to have taken off Ariel’s mate…

    All in all, this is a more somber book than the original (which certainly had its own somber moments), but still a very good one. Boyett offers an afterword, but doesn’t mention there he’s retconned the universe since the original publication of Ariel, as in Elegy Beach, “the change” happened right about now rather than in 1983, as this book mentions iPods, the Internet, etc. (I suspect these were revised for the republication of Ariel, but I’ve only read the original.) The narrative voice is very similar to the Zelazny-esque “first person smartass” of the original, and the story is interesting and well-told (albeit a bit more traditional of a quest fantasy, complete with the gathering of plot coupon quest companions, than the original).

    Also, Boyett coins the phrase “Generation Eloi,” which is too good not to steal.

    If you liked Ariel (and most people, myself included, did), then you’ll probably like Elegy Beach. If you haven’t read Ariel, well, you should probably read that anyway.

    Also, Boyett has put up a fairly extensive site on the novel that may be of interest.

    And as for The Geography of Dreams, well, here’s Boyett’s explanation from 1998. I wouldn’t hold your breath…

    (Note: I have copies of both Ariel and Elegy beach available over on the Lame Excuse Books page.)

    Books Read: Naomi Novik’s Temeraire: Throne of Jade

    Saturday, June 12th, 2010

    Naomi Novik
    Temeraire: Throne of Jade

    This is a solid follow-up to the first Temeraire book. In this one Lawrence and his Celestial dragon are forced to take a slow boat to China to see the Emperor, who is evidently most upset that his dragon (a gift to Napoleon) is now enrolled in the English aerial corps. Some have said they found their attention flagging through the long sea voyage (which takes up a bit more than half the book); actually, I didn’t find my attention flagging until right after they first make landfall in China. So I think the book could be trimmed a little (maybe 10%), but it still engaged me.