Posts Tagged ‘Chris Brown’

Library Additions: Books Bought at Armadillocon

Monday, September 4th, 2017

The giant library post crowded out my updating a few purchases, starting with these books, all of which I picked up at Armadillocon:

  • Dozois, Gardner. The Year’s Best Science Fiction: Thirty-Fourth Annual Collection. St. Martin’s, 2017. First edition hardback, a Fine copy in a Fine dust jacket.
  • Brown, Christoper (formerly Chris Nakashima-Brown). Tropic of Kansas. Harper Voyager, 2017. First edition trade paperback original, a Fine copy, with a long inscription to me by the author. (I’m also thanked in the acknowledgements.) His first novel, preceded by a co-edited anthology and a chapbook.
  • Lansdale, Joe R. Honky Tonk Samurai. Mullholland Books/Little Brown, 2016. First edition hardback, a Fine copy in a Fine dust jacket, signed by Lansdale. Hap & Leonard novel.
  • Lansdale, Joe R. Miracles Ain’t What They Used To Be. PM Press, 2015. First edition trade paperback original, a Fine copy, signed by Lansdale. Collection of non-fiction essays, many autobiographical.
  • Le Guin, Ursula K. The Real and the Unreal: Seclected Stories of Ursula K. Le Guin Volume 1: Where on Earth. Small Beer Press, 2012. First edition hardback, a Fine copy in a Fine dust jacket. Already had Volume 2.
  • Rayguns Over Texas Contents Set

    Thursday, January 10th, 2013

    The final contents of Rick Klaw’s Rayguns Over Texas has been announced:

  • “Pet Rock” by Sanford Allen
  • “Defenders of Beeman County” by Aaron Allston
  • “TimeOut” by Neal Barret, Jr.
  • “Babylon Moon” by Matthew Bey
  • “Sovereign Wealth” by Chris N. Brown
  • “La Bamba Boulevard” by Bradley Denton
  • “The Atmosphere Man” by Nicky Drayden
  • “Operators Are Standing By” by Rhonda Eudaly
  • “Take a Left at the Cretaceous” by Mark Finn
  • “Grey Goo and You” by Derek Austin Johnson
  • “Rex” by Joe R. Lansdale
  • “Texas Died for Somebody’s Sins But Not Mine” by Stina Leicht
  • “Jump the Black” by Marshall Ryan Maresca
  • “An Afternoon’s Nap, or; Five Hundred Years Ahead” by Aurelia Hadley Mohl
  • “The Nostalgia Differential” by Michael Moorcock
  • “Novel Properties of Certain Complex Alkaloids” by Lawrence Person
  • “The Chambered Eye” by Jessica Reisman
  • “Avoiding the Cold War” by Josh Rountree
  • “The Art of Absence” by Don Webb
  • Congrats to my fellow writers for making the cut, and for Aurelia Hadley Mohl for not letting the fact that she died over a hundred years ago slow her down!

    Book Signing and Party for Three Messages and a Warning

    Sunday, January 29th, 2012

    I attended a signing at BookPeople for Three Messages and a Warning: Contemporary Mexican Short Stories of the Fantastic, co-edited by Turkey City’s own Chris Brown (formerly Chris Nakashima-Brown, now renamed after a long and painful de-Japanization process).

    The event was fairly well attended, with about 40-50 people showing up.

    Two of the authors flew up for the event: Pepe Rojo of Tijuana:

    And Bernardo Fernandez of Mexico City (who also works as a graphics artist and teacher, as well as a crime writer):

    (I’m not sure if you can tell, but Bernardo’s shirt features a robot (or possibly an android) and an electric sheep.) I believe he mentioned that he was working on a graphic novel about William S. Burrough’s time in Mexico. I bet it ends with a bang.

    I also found it interesting that both of their fathers were engineers.

    In attendance were also many members of the Austin SF community, including a few that my pictures of weren’t completely awful:

    Stina Leicht and Sara Felix.

    Jessica Reisman, a few moments before the police arrested her for the Hollywood scriptwriter they found dead facedown in her pool.

    On Saturday, there was a party at Chris Brown’s newly opened East Austin hipster-pad-cum-1970s-science-fiction-movie-set. Sadly, none of my photos of the house (taken at dusk) came out well. But I did get a few pics of the party attendees:

    Don Webb, who co-edited one of the most influential Spanish-language anthologies of speculative fiction, for which he was paid $50 and three bottles of Tequila.

    Stina and Jessica redux.

    The rest of my pictures were various degrees of crappy. (Hopefully Jayme Blaschke, who was there with a bigger, better camera, will put some up.) Sadly, one picture that didn’t come out was that of Bernardo wearing a t-shirt depicting Mexico’s most famous science fiction character: Bender Bending Rodriguez.

    Finally, no expects the Spanish Steampunk Zeppelin!