Posts Tagged ‘pics’

Eerie, Lonely Photographs

Wednesday, October 2nd, 2013

The Halloween season is upon us, so let’s start out with the eerie, lonely photographs of Michel Rajkovic.

His specialty seems to be long exposure black and white photographs of man-made structures over water, producing images of eerie beauty.

Here’s an example:

Library Additions: Stanley G. Weinbaum’s Dawn of Flame

Monday, September 16th, 2013

I’m still recovering from the 2013 Worldcon, LoneStarCon 3 in San Antonio.

Given how often I blog about additions to my science fiction library, you might be surprised at how parsimonious I am paying for those additions. From about 1985 (when I first started buying first edition hardbacks) to 1989, I never paid more than $35 (plus shipping) for a book, which was about what it cost you to buy a UK hardback from an SF book dealer like L. W. Currey, Mark Ziesing, Robert Weinberg, etc. at the time. (And you bought it from a catalog you received in the mail, called them up to hold the book, then sent them a check. No ordering from the Internet or paying via Paypal. Now get off my lawn!) Then I found a NF/VG+ copy of The Haunting of Hill House for $45 at the 1989 Boston Worldcon, and the dealer wouldn’t budge on the price, so I coughed it up.

As I made more money at my day job, I could afford to buy more expensive books, and the amount I was willing to pay for a single book slowly and surely crept up. Eventually I ended up spending $400 for a very clean, signed, ex-library edition of Roger Zelazny’s Lord of Light. Since then I’ve spent around $400 for a few more books, but have only exceeded that amount thrice:

  • I ponied up $1,250 for the 44 volume Jack Vance Integral Edition (plus $350 or so in shipping). But that’s less than $30 a book…
  • I paid $675 for an ultra-limited edition of Stephen King’s The Colorado Kid (10% off cover price) because, while I’m not one of those fanatic King collectors, I do like his work and, well, I certainly wasn’t going to lose money on it.
  • I spent $500 on a first edition of George Orwell’s Nineteen Eighty-Four.
  • But I’ve never spent more than $675 for a single book.

    Until now:

    Weinbaum, Stanley G. Dawn of Flame. Ruppert Printing Service (for The Milwaukee Fictioneers), 1936. One of only 245 copies of the Currey B state (with the Lawrence A. Keating introduction), a Near Fine+ copy with very faint spine creasing and either slight gray staining to bottom page block (or possibly where the red page block staining has worn away), sans dust jacket, as issued. Currey, page 510. Chalker/Owings, page 279. Bleiler, Checklist (1978), page 204. Locke, Spectrum of Fantasy (I), page 224.

    Bought at the San Antonio Worldcon for $1,200 (negotiated down from $1,500) from Erle Melvin Korshak. And if I’m remembering correctly, it was on consignment from Sam Moskowitz’s widow through Robert Weinberg to Korshak. (Korshak, of course, was the owner of Shasta Publishers, and is now back in publishing as Shasta/Phoenix Publishers.)

    This copy contains the ownership bookplate of Richard A. Frank, an early science fiction fan who was also an SF small press publisher in his own right, having published “The Bizarre Series” in the late 1930s, featuring works by A. A. Merritt, David H. Keller and Eando Binder.

    Frank also had one of the first legendary SF collections. “Richard Frank’s entire book collection was fantastic. He had it, originally, in the house, but the weight of the books had begun to pull the floors away from the the walls, so he moved it all down to his first floor garage and set it up like a real library. Most of us felt that if Richard didn’t have a copy—it hadn’t been printed.”

    That’s an awful damn lot of money to spend on a book, but I’ve long wanted a copy, both because I love Weinbaum’s work (a visionary and ground-breaking Sf writer in his day), and because this is the very first SF small press book. It’s often called “the bible of the field,” because it physically resembles a bible, right down to the flexible black binding, red-stained page block edges and rounded corners. Save for the one Ray Palmer introduction copy sold at the Jerry Weist Auction, this is the finest copy I’ve seen offered for sale recently, and I did well enough at Worldcon that I felt I could afford it.

    Random Image Seen on the Road to Houston

    Sunday, June 23rd, 2013

    “For I am the way, and the truth, and the life, and no one comes unto the McNuggets but through me.”

    Library Additions: A Random Assortment of Interesting Books

    Monday, June 17th, 2013

    Books and related items, and no particular theme, other than interesting firsts I picked up. Been dawdling about getting this documented, and now I need to put it up so I can catalog a major acquisition of books I made Friday…

  • Bok, Hannes. Bok 1. Glenn Nigra, 1975. Portfolio with 12 loose Hannes Bok illustration sheets, portfolio folder Fine- with bumping to corners, all illustrations Fine. Uneven shading in pic is a scanner artifact, as the portfolio folder is actually slightly too large to fit on the scanner.

  • De Camp, L. Sprague, and Fletcher Pratt. The Carnelian Cube. Gnome Press, 1948. First edition hardback, a Very Good+ copy with bumping at head and heel and wear at heel and tips, and slight dust soiling at head, in a Very Good- dust jacket with 1/4″ loss at head, and slightly less loss at heel and tips, significant fading to red ink on spine (the cube is barely carnelian anymore), partial stamp on rear flap, top front (non-price) flap trimmed at very tip, and general wear. The first Gnome Press book. Chalker & Owings, page 197. Earl Terry Kemp, The Anthem Series*, page 191. Currey (1978), page 132.

    Really only a placeholder copy, and I wouldn’t even have picked it up if it hadn’t been part of a lot with:

  • De Camp, L. Sprague, and Fletcher Pratt. Land of Unreason. Henry Holt and Company, 1942. First edition hardback, a Near Fine+ plus copy, with slight bumping at head and heel and slight dust soiling to page block at heel, in a Near Fine dust jacket with age darkening to rear cover. A very nice copy, and a splendid example of the Boris Artzybasheff dust jacket. Bought for $34 for this and the above (plus shipping and buyers premium) off Heritage Auctions.

  • McKillip, Patricia A. The Forgotten Beasts of Eld. Atheneum, 1974. First edition hardback, a Near Fine copy with bend at head and heel in a Near Fine- dust jacket with crimping at head and heel, edgewear and a closed 1/4″ tear at top front cover. The very first winner of the World Fantasy Award for Best Novel. Pringle, Modern Fantasy 100, #54. Bought for $26 off the Internet.

  • Swanwick, Michael. It Came Upon a Midnight. Dragonstairs Press, 2011. First edition chapbook original, #81 of 100 signed, numbered copies, a Fine- copy with one faint stray mark to front.

  • Swanwick, Michael. Midwinter Elves. Dragonstairs Press, 2012. First edition chapbook original, #15 of 100 signed, numbered copies, a Fine- copy with small stain on rear.

  • Vance, Jack. The Eyes of the Overworld. Gregg Press, 1977. First hardback edition, a Fine copy, sans dust jacket, as issued. Sequel to The Dying earth featuring Cugel the Clever. Precedes the Underwood/Miller edition. Hewett, A26g. Currey (1978), page 498.

  • Wolfe, Gary K. American Science Fiction: Nine Classic Novels of the 1950s. The Library of America, 2012. First Edition hardback thus, being a two volume compilation of some of the best American SF novels of the 1950s: Frederik Pohl and C. M. Kornbluth’s The Space Merchants, Theodore Sturgeon’s More Than Human, Leigh Brackett’s The Long Tomorrow, Richard Matheson’s The Shrinking Man, Robert A. Heinlein’s Double Star, Alfred Bester’s The Stars My Destination, James Blish’s A Case of Conscience, Algis Budrys’ Who?, and Fritz Leiber’s The Big Time, both volumes Fine in Fine dust jackets, new and unread, in a Fine slipcase. This is an example of book collecting madness, since I either have first editions of, or have already read, all the books here except Who?, but I thought this was a handsome set when it came out, and snapped this up when it showed up at Half Price Books.

  • *This is a newly published reference work on SF specialty publishers. I hope to finish a review of it Real Soon Now, and I’ll have copies for sale through Lame Excuse Books.

    Spectacular Sunset

    Saturday, June 1st, 2013

    Austin had a spectacular sunset tonight, and I happened to catch a picture of it behind the capitol.

    Uncropped:

    Cropped:

    if I hadn’t been driving, and had something other than an old iPhone, I could have gotten even more spectacular shots…

    Jack Vance, RIP: 1916 – 2013

    Wednesday, May 29th, 2013

    Jack Vance died Sunday, May 26, at the age of 96. Another towering giant of SF gone, and he was one of the best.

    A few random images of some of the Jack Vance first editions in my library, just because:

    Including an ultra-crappy cellphone pic of The Vance Integral Edition:

    Reptoids Among Us

    Wednesday, May 22nd, 2013

    I assume you’ve heard about the shape-shifting reptoids that, according to David Icke, rule our world.

    What you may not have heard was that Icke was accused of antisemitism by the Canadian Jewish Congress, who allege that his reptoids are just thinly disguised Jews. Icke, for his part, asserts that no, when he says shape-shifting lizard people from outer space control the world, he means shape-shifting lizard people from outer space.

    So recently I got the bimonthly Angie’s List newsletter. And guess what’s on the cover?

    Now you could say that artist merely draws unusually pointy people, and that it’s just a coincidence that his door-to-door reptoid looks stereotypically Jewish.

    Or you could say that he’s part of the conspiracy

    Library Addition: Signed Edition of Isaac Asimov’s Foundation’s Edge

    Tuesday, May 14th, 2013

    You may remember that I’m collecting all the Hugo winners in first edition hardback. I finally picked up a limited edition of one of the ones I lacked.

    Asimov, Isaac. Foundations Edge. Whispers Press, 1982. First limited edition (consensus seems to be that the Doubleday trade edition precedes by about a month), #282 of 1,000 signed, numbered copies, a Fine copy in quarter-bound leather over embossed cloth boards, top edge gilded in real gold, sans dust jacket, as issued. Hugo winner and Nebula Finalist. Chalker/Owings, p. 476. Bought off the Internet for $160.

    By no means as good as the first three Foundation books. The trade edition is extremely common, but this signed edition isn’t. I’ll probably pick up the trade edition as well, but I’m waiting for a Fine/Fine copy to come along super-cheap…

    Library Additions: Three Chapbooks

    Monday, May 13th, 2013

    Three chapbooks, two (mostly) non-fiction, and one fiction round-robin to help complete my Joe R. Lansdale collection.

  • Michael Blaine, Dennis Etchison, James Kisner, Dean R. Koontz, Joe R. Lansdale, Richard Christian Matheson, Robert R. McCammon, William F. Nolan, Alan Rodgers, David B. Silva, J. N. Williamson and Chelsea Quinn Yarbro. The Monitors of Providence. World Fantasy Convention, 1986. First edition chapbook original, one of 1000 copies given out at the 1986 World fantasy Convention in Providence, RI, a Fine copy.

  • Moorcock, Michael. Epic Pooh. British Fantasy Society, 1978. First edition chapbook, Fine- with tiny bit of creasing to bottom outer corner tip. Non-fiction.

  • (Smith, Clark Ashton) Sidney-Fryer, Donald. Clark Ashton Smith: The Sorcerer Departs. Tsathoggua Press, 1997. First edition chapbook, Fine-. A critical miscellany, plus one poem by Smith.

  • The coloration is actually even on the last two; the variation in the pics is a scanner artifact.

    Library Additions: Jack Vance’s To Live Forever

    Tuesday, April 30th, 2013

    I continue to close in on my complete Jack Vance hardback first edition collection.

    Vance, Jack. To Live Forever. Ballantine books, 1956. First edition hardback, a Fine- copy in a Near Fine- dust jacket with slight spine fading and tiny (1/32″) chipping at head and heel. Signed by Vance. Currey (1978), page 500, A1 (dark blue) binding. Hewett, A4ab.

    Very nice copy of this early Jack Vance novel, and a middling difficult Ballantine hardcover.