Christies is auctioning off a first edition double elephant folio of Audubon’s Birds of America on January 20th. (A double elephant folio is about 50 inches high, so it will be difficult to take to the beach.) It’s one of 120 copies known to exist.
But be aware that $10 million might not be enough to buy it, since in 2010 another copy sold for $11.5 million…
One more for 2011:
This article in The Economist points out that Hugo Gernsback’s Ralph 124C41+ (one to foresee for one) was published 100 years ago. The article calls it “arguably the first major work of American science fiction.” Well, no. There were a lots of examples of American SF before that, as both the late Everett Bleiler and the very much alive Jess Nevins could point to no end of antecedent examples. But Ralph 124C41+ is probably the first novel overwhelmingly concerned with the idea that technology will change almost every aspect of the quotidian lives of ordinary people. In weird way it’s sort of a cyberpunk precursor. That’s why, for all the clumsy prose, the “As you know Bob” infodumps, the hackneyed romance-and-rescue plot, and the paper thin characters, the work remains a cornerstone of American science fiction.
That said, it’s not for everyone. It isn’t quite unreadable (I like it a bit better than Horace Walpole’s The Castle of Otranto), but it’s close. Today its importance is entirely historical, and only real students of the field should give it a try. (I was quite surprised when Charlie Brown admitted he hadn’t read it on a panel we were on at the 2006 Worldcon in Anaheim.)
(Hat tip: Locus Online.)
Pale Saints of Leeds were among the original UK Shoegaze wave of the late 1980s and early 1990s.
This is off their debut album The Comforts Of Madness. I could do without the noodly part at the very end…
At over three and a half million hits since December 22, I’m obviously not the only one.
Happy New Year, everyone!
Well, not so much. It’s 72° here in Austin right now. But this was running through my head, so I thought I would share.
Too bad it cuts off at the end. I prefer the guitar part on the studio version, but Art’s voice is quite lovely here.
For this year’s Boxing Day, here’s two live versions of Nils Lofgren’s “No Mercy,” one acoustic, one electric:
What do you mean I’m doing it wrong?
Since the band themselves were kind enough to comment when I posted their previous song, I’m happy to give them more exposure for “Things That Fall From The Sky” (another one off their debut album When Sound Generates Light), especially since it’s rather good.
And there are few Shoegazer songs that don’t benefit from a pretty, whispy-voiced female lead singer, which Kerry Ramsay (if I have the name right) provides here. She sounds a bit like Slowdive’s Rachel Goswell (always a good thing), with maybe a touch of Alison Shaw from Cranes.
Pretty much self-explanatory.
Thanks, Angry Alien!
And a Merry Christmas to all, and to all a good night!