I was recently able to pick up two rare Jack Vance first editions, one of them one of his most difficulty hardbacks, the other a recent chapbook not even my hardcore Jack Vance collecting friends had heard of.
Vance, Jack (writing as Ellery Queen). Four Men Called John. Gollancz Detection, 1976. First hardback edition a Fine- copy in a Fine- dust jacket with a tiny bit of crimping at head, and a few faint invisible, non-breaking surface scratches. Hewett, A14j. Actually, Jerry Hewett was the one who picked this up for me, since he knew I was looking for it…
Vance, Jack. The Avatar’s Apprentice. Sadlark Press, 2011. First edition chapbook, number 18 of 30 copies printed from photopolymer plates, a Fine copy, new and unread. According to the publisher “I collected all the excerpts from the five Demon Princes novels that dealt with the Avatar’s Apprentice: Scroll from the Ninth Dimension, and put them into one book. I letterpress printed, illustrated, and hand bound an edition of thirty-five. I used photopolymer to print all the text and images in this book.” I’ve confirmed with the publisher via email that the edition is actually the 30 stated on the limitation page at back.
Not in any standard online reference sources. I found it via a Google image search for “Jack Vance chapbooks”. I can’t help thinking that this is going to drive some Jack Vance completists absolutely bonkers.
Belushi’s frothing editorials were always among the highlights of the original Saturday Night Live cast. I wish they’d put all of them on a single DVD, maybe paired with the Samurai skits, or else the Ackroyd/Curtain Point/Counterpoint bits.
Just as a blind squirrel occasionally finds an acorn, so to does College Humor occasionally produce something that’s actually funny. “The Nightmare Before St. Patrick’s Day” is one of those time.
What is it with Shoegaze bands and surreal Communist-era Eastern European films? First No Joy used the Czech film Daisies. Now here’s Mirage in the Water’s “Chimera Panorama,” whose video features clips from the 1973 Polish film The Hour-Glass Sanatorium, which looks extremely weird and interesting.
Since this is the anniversary of H. P. Lovecraft’s death in 1937, here’s a short, well-done, Lovecraft/Cthulhu Mythos themed cgi short film called “Ryleh”. Enjoy!
Lots of health-related news for the science fiction community, so I thought I would roll it up into a single post here.
The good news: Jay Lake is currently free of detectable tumors. As Jay notes, this is quite different than being cured, but beats the alternative. Indeed, his optimism is so guarded as to be indistinguishable from pessimism. “No one knows what will work for me, and none of the choices are all that likely to pay off anyway.” He’s still waiting for the full results of the DNA scan.
The bad news: SF writer, editor, and publisher and pioneering rock critic Paul Williams is in a hospice. Williams is suffering from early onset dementia brought about as a side effect of his 1995 bicycle accident. There’s a donation page to help his family. Williams was also executor for the Philip K. Dick estate for a number of years, but that’s now handled by the Philip K. Dick Trust. I think I may have met Williams, very briefly, at the 2006 Anaheim Worldcon, but I’m not sure.
Background
In The Wizard of Oz (the movie), protagonist Dorothy wakes up at the end and finds out her entire trip to Oz was just a dream.
In Shirley Jackson’s We Have Always Lived in the Castle, Merricat, the first-person protagonist, believes she can work a sort of sympathetic magic through wards and charms to keep the world at bay. When these charms are breached by an interloper, the outside world (and disaster) come crashing in. Also, one character believes Merricat is a ghost and never interacts with her, and by the end of the novel, several characters in the village she and her sister Constance live in have come to believe they are a witches.
Problem
Is either of these novels a fantasy, neither, or both? Explain your answer.