Five more books from the Cold Tonnage 40% off sale, all first editions and all signed:
Posts Tagged ‘Science Fiction’
More books from the Cold Tonnage 40% off sale, three Vance firsts (one signed) I either didn’t have or didn’t have in these particular forms:
Queen, Ellery (here a pseudonym for Jack Vance). The Madman Theory. Pocket Books, 1966. Signed by Vance. First edition paperback original, a Near Fine+ copy with traces of wear to extremities and slight foxing to inside cover edges. Hewett, A25. Currey, page 499. Supplements a signed copy of the later first hardback printing. Bought for £15 after discount.
Vance, Jack. Monsters in Orbit. Dennis Dobson, 1977. First hardback edition, a Fine copy in a Fine dust jacket. Hewett, A20b. Currey, page 499. Bought for £30 after discount.
Vance, Jack. The Seventeen Virgins. Underwood/Miller, 1979. First edition trade paperback chapbook original, one of 600 copies, a Fine copy. Hewett, A58. Supplements a copy of the combined hardback edition of The Seventeen Virgins & The Bagful of Dreams. Bought for £18 after discount.
The hits keep coming! We interrupt our cataloging of the Cold Tonnage 40% off sale to catalog this exceptional item I picked up off eBay at an exceptional price:
Smith, Clark Ashton. Out of Space and Time. Arkham House, 1942. First edition hardback, a Near Fine copy with slight bumping to bottom corner points and slight bend at head and heel, in a Very Good+ dust jacket with yellowing tape at head, heel and top points and the usual age darkening of the spine lettering (turning it from pale green to off-white), plus extremely slight wear at edges; despite the flaws, this is actually an intact and attractive specimen of the dust jacket. The third Arkham House book published and, with only 1,054 copies printed, the smallest print run among all Arkham House titles until Leah Bodine Drake’s partially subsidized poetry collection A Hornbook for Witches (with a print run of 553 copies) in 1950. Joshi, Sixty Years of Arkham House, 3. Derleth, Thirty Years of Arkham House, 3. Jaffery, Horrors and Unpleasantries, 3. Nielsen, Arkham House Books: A Collector’s Guide, 3. Sidney-Fryer, Emperor of Dreams, page 183. The Tales of Clark Ashton Smith: A Bibliography, page 1. Currey, page 453. Chalker/Owings, page 21. Kemp, The Anthem Series, page 290. Bleiler, Checklist of Science-Fiction and Supernatural Fiction, page 181 (1978), page 252 (1948). Bleiler, Guide to Supernatural Fiction, 1484. Locke, A Spectrum of Fantasy, page 200-201 (he had Fryer’s inscribed copy!). Bought off eBay for $399.
Of the many books Arkham House published by Clark Ashton Smith, I now own:
However, I still lack
Note that, barring postal delays, I should be blogging about another notable Clark Ashton Smith acquisition in the near future…
Really, what action film trailer isn’t improved by “Sabotage”?
I’m pretty sure the use of it in the Star Trek: Beyond trailer probably added a good $5-10 million to that film’s gross. But I suspect Disney doesn’t have the audacity to follow Star Trek and pony up money to make this an official trailer…
I missed it when it was originally up, but I thought this provocative Barry Malzberg essay on Judith Merril originally in Galaxy’s Edge (and now available through the wayback machine) was worth quoting:
A decent writer and a highly intelligent person, she did the field more damage than Raymond Palmer or Roger Corman, Ed Earl Repp or Ed Wood. The field certainly survived, it had demonstrated the pre-Lucas capacity to survive anything, but it was irreversibly damaged.
It was irreversibly damaged because Merril’s influence in those years was great, and she was on a methodical, hardly understated campaign to tear down the walls and destroy the category. As a failed mainstream writer who had essentially been rescued by her friends Theodore Sturgeon and Philip J. Klass, and pointed toward commercial writing, Merril was determined to find another way into the mainstream. And if that involved rupturing or destroying science fiction, well, that would be collateral damage.
I don’t know enough about Merril to comment. But love him or hate him, Malzberg has always been a provocative and informed critic of the field. And his opinions are a regular feature of Galaxy’s Edge.
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Two more books from the Cold Tonnage 40% off sale, both Michael Moorcock first editions, both inscribed, one an associational copy:
The very same day that I bought a bunch of books from the Fred Duarte estate, Cold Tonnage books in the UK had their annual 40% off sale. (As an added bonus, the post-Brexit exchange rate was quite favorable as well.) Here’s the first item from that sale.
Bradbury, Ray. The Wonderful Ice Cream Suit. Hart-Davis MacGibbon, 1973. First hardback edition, a Fine copy in a Near Fine, corner-clipped (but otherwise fine) dust jacket. (Sadly, corner-slipped copies seem the norm for this title.) Signed by Bradbury. Collection of plays. Bought for £45 after discount.
This is a case of not only what you know, but who you know and when you know it.
I know Michael Swanwick and I’m a Dragonstairs Press regular, carrying their chapbooks through Lame Excuse Books. For a while now I’ve heard both Michael and his wife/Dragonstairs proprietor Marianne Porter talk about the Universe Box project, which was not only going to be an ultra-limited edition book, but also a weirdo art assemblage/fetish object.
They finally announced the details on August 3: at precisely noon EDT (11 AM CDT) on Saturday, August 6, 2016, they would be offering up 10 Universe Boxes (out of a total run of 13) on a first come, first serve basis on the Dragonstairs website. Which is how I came to be sitting at my computer, hitting the refresh button on the Dragonstair Press page, until the purchase button finally appeared right after the appointed time. I was evidently the first person to snag one, and all 10 copies sold out in three and a half minutes.
Here’s the Dragonstair description:
Universe Boxes is a collaborative project by Michael Swanwick and Marianne Porter. The boxes were assembled over several years by Porter, and the novelette was written by Swanwick.
The project has four distinct elements:
Each box is an actual cigar box, lined with astronomical charts and photomoechanicals of paleontological art. (Please note: the boxes have been carefully cleaned, bicarbonate of soda-ed, aired out, and Febreezed, but they originally held real tobacco.)
The exterior of each box has a Dragonstairs Press return address sticker and appropriate rubber-stamp-canceled postage for the item to go through the mail. (Out of concern for the contents, the Universe Boxes will be padded and shipped in larger boxes.) When each is sold, an address sticker with its purchaser’s name and address will be added. The whole will then be tied up with string.
A variety of objects have been included in each. Every box has a hand-bound signed copy of Universe Box by Michael Swanwick and a vaccine created by Marianne Porter (more on these below).
Contents of one box, identified as Coma Bernices/Pleistocene include:
red gem coral Corallium sp.
postal reply coupon
vintage German glass taxidermy eyes
Plus, of course, the vaccine and book. Some of the above items are common to all boxes but most are not. The contents of each box are unique to it.
Packing material consists of early drafts of the included story, run through a shredder.
Universe Box is a previously-unpublished 10,500 word fantasy dealing with cosmic powers, giraffe wranglers, the purpose of existence, and the most boring young man in all the universe. Physically, it is a stab-bound book with decorative paper covers, roughly six inches by four inches, issued in an edition of thirteen plus one printer’s proof. The books are all autographed by Michael Swanwick and a contents list is autographed by both the author and the publisher.
One vaccine is included per box. These are individual works of art by Marianne Porter, consisting of a glass serum bottle (2 cm x 4.5 cm) filled with specifics “against what ails you.” The bottle is sealed with a rubber stopper and topped with a crimped aluminum cap. It can be opened, but once opened cannot be resealed. The contents of each vaccine are unique to it. The one included in Coma Bernices/Pleistocene, for example, contains human hair, an agate bead, and wire.
The vaccines are part of a larger series, none of which have previously been made available for purchase.
And here’s my listing for it:
Swanwick, Michael and Marianne Porter. Universe Box. Dragonstairs Press, 2016. First edition “hardback” (oblong stiff stab-bound/side-sewn boards, no spine binding, with bead), a Fine copy, sans dust jacket, as issued, in a Fine decorated traycase (i.e., an old cigar box) with several art assemblage pieces included, one of only 13 copies (of which only 10 were available for sale), of which this particular copy (the first one sold) is labeled “Draco/Recent.” Art objects included in the particular box include:
Other things listed on the sheet are pasted to the inside surfaces of the box.
Outside of the box, address blurred out. Since the box came with the purchaser’s name and addressed affixed to the box with a label, I guess future librarians will officially refer to this as the “Codex Person” copy…
Universe Box opened.
With the content spread out to photograph.
A closer look at the objects included.
With the included cards spread out.
Everything again, with cards spread out.
The book itself.
Inside the book.
And here’s Swanwick himself with an unboxing video:
Three more signed first editions from the Fred Duarte estate:
Two more from the Fred Duarte estate: