Archive for the ‘Books’ Category

Brief After Action Report on the April 11, 2012 Heritage Book Auction

Friday, April 13th, 2012

I wanted to do a brief follow-up on Wednesday’s Heritage Books Auction. Results were all over the map.

First, books I have trending data for:

  • The Asbestos-bound copy of Ray Bradbury’s Fahrenheit 451 went for a hefty $13,750.00, up considerably from a lesser copy in the Jerry Weist auction last year.
  • By contrast, the signed copy of Philip K. Dick’s Confessions of a Crap Artist went for $1,000, down over 80% from a slightly better copy in the Weist auction.
  • H.P. Lovecraft’s The Outsider and Others went for $2,250.00, down from the $3,883.75 paid for a slightly worse copy.
  • Books I don’t have trending data for:

  • The signed, limited first edition of Aldous Huxley’s Brave New World went for $3,750.
  • The first Stephen King book he ever signed, an incribed ARC of Carrie, went for $11,250. (The Stephen King collector’s market, after some declines among “regular” signed/limited editions over the past few years, seems to be alive and well.)
  • A first edition of Bram Stoker’s Dracula, with a signed letter from Stoker laid in went for $5,625.
  • But the most schizophrenic result from the auction was two early signed Thomas Pynchons going for hefty sums, but two later signed copies failed to sell at all:

  • The Crying of Lot 49 went for $8,750.
  • Gravity’s Rainbow went for $16,250.
  • Slow Learner failed to sell. It can be yours as an after-auction buy for a mere $3,125.
  • An ARC of a later edition of V failed to sell and can be yours as an after-auction buy for $2,500.
  • You would think there would be enough hardcore Pynchon collectors for those two to sell, especially the Slow Learner.

    And a beat-up Shakespeare and Company true first edition (in wrappers) of James Joyce’s Ulysses went for $35,000.

    As for the non-fiction first editions:

  • Adam Smith’s An Inquiry into the Nature and Causes of the Wealth of Nations went for $80,500.
  • Charles Darwin’s On the Origin of Species by Means of Natural Selection went for $83,500.
  • A beautifully bound subscriber’s edition of T.E. Lawrence’s Seven Pillars of Wisdom went for $62,500.
  • Another Heritage Book Auction

    Sunday, April 8th, 2012

    Heritage Auction is having another of their big book Auctions April 11.

    There are a few notable SF/F/H works listed:

  • Another Asbestos-bound copy of Ray Bradbury’s Fahrenheit 451.
  • Another signed copy of Philip K. Dick’s Confessions of a Crap Artist.
  • A copy of H.P. Lovecraft’s The Outsider and Others with perhaps the nicest dust jacket (an original, not the de la Ree facsimile) I’ve ever seen offered for sale.
  • The signed, limited first edition of Aldous Huxley’s Brave New World
  • The first Stephen King book he ever signed, an incribed ARC of Carrie.
  • A first edition of Bram Stoker’s Dracula, with a signed letter from Stoker laid in.
  • There’s also some signed Thomas Pynchon, which almost never comes on the market, including:

  • The Crying of Lot 49
  • Gravity’s Rainbow
  • Slow Learner
  • An ARC of a later edition of V
  • Plus the notoriously fragile Shakespeare and Company true first edition (in wrappers) of James Joyce’s Ulysses.

    But the main strength of the auction is in non-fiction, including first editions of:

  • Adam Smith’s An Inquiry into the Nature and Causes of the Wealth of Nations.
  • Charles Darwin’s On the Origin of Species by Means of Natural Selection
  • A beautifully bound subscriber’s edition of T.E. Lawrence’s Seven Pillars of Wisdom
  • Not to mention several Isaac Newton first editions, plus a whole lot of important economic and military first editions.

    The New Ansible is Out

    Monday, April 2nd, 2012

    For your skiffy reading pleasure.

    My April 1st Piece for 2012 is Up at Locus Online

    Sunday, April 1st, 2012

    My April 1st piece, detailing Margaret Atwood’s new science fiction magazine, is up over at Locus Online.

    My many previous April 1 offerings include:

  • Neil Gaiman One Step Closer to Sainthood
  • Doctorow and Stross to write authorized sequel to Atlas Shrugged
  • Peter Watts and Paolo Bacigalupi collaborate of a depressing dystopian shared-world anthology.
  • Greg Egan, Kelly Link Collaborate on Novel
  • 12 Killed in SFWA Flamewar
  • Lucasfilms announces “Adult” Star Wars Novel Line
  • Books Read: Henry Kuttner’s The Dark World

    Wednesday, March 21st, 2012

    Henry Kuttner’s The Dark World
    Ace, 1965.

    At his best, Henry Kuttner was one of top SF/F writers of the Golden Age.

    The Dark World is not Henry Kuttner at his best.

    Essentially I only picked this up because it had been a while since I read any Kuttner, and this paperback original fit nicely in my bag on my trip to Stavanger. Even though this shows up on the Cawthorn and Moorcock Fantasy 100 list, and Roger Zelazny cites it as an influence on the Amber books, it’s a very uneven (and sometimes overwritten) parallel world fantasy. Protagonist Edward Bond has returned home after a plane crash and long period of jungle convalescence in World War II. He finds himself drawn from his house to a “need fire” by people claiming to need his help in another world. Traveling to the world with them, he discovers he’s actually Ganelon, one of the leaders of The Coven, who ruled the dark world of the title, and who has been bonded to Llyr, a powerful being who demands sacrifice. Ganelon had been exchanged for Bond (his doppelganger on earth) by the magic of his enemies, but whose memories of the dark world are still incomplete. After his fellow Coven members secretly dress him in the robes of sacrifice, he decides that some adjustment of loyalties is in order…

    Despite it’s brevity (The Dark World clocks in at 126 pages), modern readers are likely to have problems with this. For one thing, the prose occasionally takes florid flights that betray its pulp-era origins. (“Medea and Edeyrn and Matholoch! The names of the three beat like muffled drums in my brain.”) Exclamation points are freely dispensed, frequently in one-word sentences. (“Llyr! the though of it-of him-crystallized that decision in my mind.”) In the world of post-Lord of the Rings fantasy, the Dark World seems both underdeveloped and under-populated, and the semi-scientific mutant explanation is unconvincing.

    It’s not awful; the story moves along at a steady clip. There are also a few points of formal novelty. It was probably rare to have a novel told from the viewpoint of the bad guy, and who remained the bad guy, pretty much all of the novel. Also, the scene where Edward Bond and Ganelon face off against each other in some sort of nether corridor between the worlds makes you wonder if Don Ingalls, the screenwriter for the Star Trek episode “The Alternative Factor,” read The Dark World, given the obvious parallels.

    if you haven’t read any Kuttner, this is not the one to start with.

    Old School Book Scouting

    Monday, March 12th, 2012

    From The New Yorker comes this tale of an old fashioned book scout beating the scanner guys at their own game.

    Howard Waldrop and I Review John Carter

    Monday, March 12th, 2012

    Over at Locus Online. I liked it more than Howard did…

    Philip K. Dick -30-

    Sunday, March 4th, 2012

    Philip K. Dick died 30 years ago, on March 2, 1982.

    Dick was already a major science fiction writer before he died, but since his death he has come to loom over popular culture in a way that other near contemporary SF writers of similar stature (say, Roger Zelazny, Samuel R. Delany, Harlan Ellison, and John Brunner) have not. Dick’s themes of paranoia and unreality continue to resonate in a world where almost every human action is permanently recorded, an where so many of us live lives half in a world of unreality (said a man typing in his blog).

    Dick’s prose may often have been workman-like, but his vision and voice were unique, and his sheer productivity was staggering not only for its quality, but also it quantity. Between 1961 and 1966, Dick wrote:

  • The Man in the High Castle
  • We Can Build You
  • Martian Time-Slip
  • Dr. Bloodmoney, or How We Got Along After the Bomb
  • The Game-Players of Titan
  • The Simulacra
  • The Crack in Space
  • Now Wait for Last Year
  • Clans of the Alphane Moon
  • The Three Stigmata of Palmer Eldritch
  • The Zap Gun
  • The Penultimate Truth
  • His portion of Deus Irae (later finished by Roger Zelazny)
  • The Unteleported Man
  • The Ganymede Takeover (with Ray Nelson)
  • Counter-Clock World
  • Do Androids Dream of Electric Sheep?
  • Nick and the Glimmung
  • Ubik
  • That’s in order of composition. Some of those are minor works, and many were only published later or after his death, but five or six are considered classics. Had an otherwise unknown SF writer written just one Dr. Bloodmoney or Ubik, they would still be remembered today as the one-hit wonder of a minor classic. To think that Dick cranked them out in six years (and was just as productive writing short stories earlier in his career) is pretty mind-boggling.

    I recently read Clans of the Alphane Moon on the way back from Stavanger, and I hope to have a review up in the not so distant future.

    (Also, I have a few Dick firsts and paperback reprints available through Lame Excuse Books.)

    Random Monkey Gorilla Business

    Friday, March 2nd, 2012

    First up, from the world of auctioning, comes the offering of the exceedingly rare issue of June 1926 Zeppelin Stories pulp containing Gil Brewer’s “The Gorilla of the Gas Bags,” a holy grail for gorilla and zeppelin fans everywhere.

    This issue formerly belonged to SF writer and pulp collector Frank M. Robinson. Bidding is currently up to $2,000, which does rather take it out of the impulse purchase range for me. Assuming, of course, that Rick Klaw, Jess Nevins and Mark Finn didn’t all chip in together to purchase it. But really, it’s a comparative bargain right now, since one just sold for $6,572.50

    Second, as seen on Fark, a giant mechanical gorilla was found abandoned in Witchford, Cambridgeshire, UK.

    Insert your own gorilla in the mist joke here…

    What Should I Read in 2012?

    Saturday, February 4th, 2012

    Better late than never!

    In the Before Time, the Long Long Ago (i.e., before I started this blog), I would ask The Vast Wisdom of Usenet (i.e. rec.arts.sf.written) what books I should read this year. Now that I have the blog, I’m posting the question here.

    Below are 100 books (or a few more, counting multiple titles by a single author) of fiction I’m considering reading in 2012. With a few exceptions (like forthcoming books), they’re pretty much all books I already own in first editions. Most likely I’ll get to considerably less than 100. The first few are books I’ll probably get to (or are already reading), whereas the rest are a little vaguer (and in alphabetical order by author). That’s where you come in. Tell me which of the books below I should or shouldn’t read, and why. If a book’s not on the list, it’s probably because I’ve already read it, or have no interest in it, won’t get to it this year, etc., so save your electrons instead of suggesting alternates (there are plenty of other places for that). And if I list Book #2 in a linear series, rest assured I’ve already read Book #1.

    I don’t promise I’ll read all the highest rated works, but those most highly praised are considerably more likely to be added to the reading stack, which is what’s happened the previous years I’ve done this.

  • Michael Shea: The Color Out of Time (read)
  • Jack Vance: The Killing Machine (read)
  • Stina Leicht: Of Blood & Honey (reading)
  • Joe R. Lansdale: Hyenas
  • Joe Dominici: Bringing Back the Dead
  • China Mieville: Embassytown
  • Robert Jackson Bennett: Company Man
  • Vernor Vinge: The Children of the Sky
  • Philip K. Dick: Clans of the Alphane Moon
  • Michael Moorcock: The War Hound and the World’s Pain
  • Greg Egan: Crystal Nights
  • Peter Ackroyd: Hawksmoor
  • Paolo Bacigalupi: The Windup Girl
  • Iain Banks: Against a Dark Background or Matter
  • John Barnes: Kaleidoscope Century or One for the Morning Glory
  • Stephen Baxter: Traces or Mayflower II
  • Peter S. Beagle: A Fine and Private Place
  • Greg Bear: The City at the End of Time or Hull Zero Three
  • Leigh Brackett: The Best of Leigh Brackett or The Long Tomorrow
  • David Brin: Dr. Pak’s Preschool
  • Tobias Buckell: Sly Mongoose or Tides from the New World
  • Octavia Butler: Fledgeling
  • Jack Cady: The Night We Buried Road Dog
  • Ramsey Campbell: Creatures of the Pool
  • Michael Chabon: The Amazing Adventures of Kavalier and Clay
  • John Christopher: No Blade of Grass
  • Susanna Clarke: Ladies of Grace Adieu
  • Hal Clement: Iceworld
  • Avram Davidson: The Adventures of Dr. Esterhauzy or Limekiller
  • L. Sprague de Camp: A Gun for Dinosaur
  • Bradley Denton: Laughin’ Boy
  • Junot Diaz: The Brief Wondrous Life of Oscar Wao
  • Paul Di Filippo: Lost Pages or A Princess of the Linear Jungle
  • George Alec Effinger: What Entropy Means to Me
  • Harlan Ellison: Deathbird Stories
  • Greg Egan: Crystals Nights or Zendegi
  • John M. Ford: The Dragon Waiting
  • Neil Gaiman: Fragile Things or The Graveyard Book
  • Hinko Gotleib: The Key to the Great Gate
  • John Gardner: Freddy’s Book or The Wreckage of Agathon
  • Ray Garton: Night Life or Nids
  • Jane Gaskell: The Serpent
  • Joe Haldeman: The Accidental Time Machine
  • Peter F. Hamilton: Mindstar Rising
  • Robert E. Howard: The Coming of Conan
  • Nalo Hopkinson: Brown Girl in the Ring or The Salt Roads
  • Shirley Jackson: We Have Always Lived in the Castle or The Lottery
  • K. W. Jeter: Noir or Dark Seeker
  • Ha Jin: Waiting
  • James Patrick Kelly: Strange But Not a Stranger
  • Stephen King: Dark Tower IV: Wizard and Glass or The Colorado Kid
  • Russell Kirk: The Surly Sullen Bell (and yes, I’ve read the 2 Arkham House collections)
  • Henry Kuttner and/or C. L. Moore: The Dark World or Black God’s Shadow or No Boundaries
  • R. A. Lafferty: Archipelago, Aurelia, or The 13th Voyage of Sinbad
  • Fritz Leiber: Night’s Black Agents
  • Jonathan Lethem: Motherless Brooklyn
  • Thomas Ligotti: Grimscribe, Noctuary, or The Shadow at the Bottom of the World
  • Ian MacLeod: Breathmoss and Other Exhalations
  • Ken MacLeod: Giant Lizards from Another Star or The Execution Channel
  • Gregory Maguire: Wicked
  • Barry Malzberg: Hervoit’s World
  • Richard Matheson: Duel
  • Maureen McHugh: Mothers and Other Monsters
  • Sean McMullen: The Miocene Arrow
  • Ward Moore: Bring the Jubilee
  • Richard Morgan: Woken Furies
  • Pat Murphy: The Falling Woman
  • John Myers Myers: Silverlock
  • William F. Nolan: Things Beyond Midnight or Wild Galaxy
  • Naomi Novik: Black Powder War
  • Chad Oliver: The Shores of Another Sea or The Winds of Time
  • Susan Palwick: The Fate of Mice
  • H. Beam Piper: Lord Kalvan of Otherwhen
  • Tim Powers: Three Days to Never or Pilot Light
  • Fletcher Pratt: The Well of the Unicorn
  • Mike Resnick: Paradise or Kilimanjaro
  • Alastair Reynolds: Redemption Ark
  • Rudy Rucker: Master of Time & Space or The Secret of Life or White Light
  • Matt Ruff: Fool on the Hill
  • Salman Rushdie: Midnight’s Children
  • Joanna Russ: The Female Man
  • John Scalzi: The Lost Colony
  • Karl Schroeder: Permanence or Lady of Mazes
  • Michael Shaara: The Herald or The Killer Angels
  • Lucius Shepard: Floater or Aztechs or Viator
  • Lewis Shiner: The Edges of Things or Black and White
  • Dan Simmons: The Terror or Hard as Nails
  • Robert Sladek: Roderick
  • Neal Stephenson: Zodiac or The Big U
  • Charles Stross: The Apocalypse Codex (forthcoming)
  • Theodore Sturgeon: Microcosmic God: The Complete Stories of Theodore Sturgeon Volume 2
  • Steph Swainston: The Year of Our War
  • Thomas Burnett Swann: The Day of the Minotaur
  • Manly Wade Wellman: The Sleuth Patrol or The Last Mammoth
  • Martha Wells: The Element of Fire
  • John Whitbourne: To Build Jerusalem or Binscomb Tales
  • Jack Williamson and James E. Gunn: Star Bridge
  • Connie Willis: To Say Nothing of the Dog
  • Gene Wolfe: The Land Across (forthcoming)