Archive for the ‘Books’ Category

Library Additions: Various Interesting Books Bought on Sale

Monday, August 12th, 2013

Unlike the Zelazny or Bradbury book acquisition posts, the only common theme among these books is who I bought them from and why. The who, in this case, is Cold Tonnage Books in the UK. The why is that they had a 40% off sale if you bought more than £500 worth of books. I saw this as a chance to pick up several important first editions cheaper than I would have been able to otherwise. So this is a mixture of first rate titles in areas I collect, valuable firsts too cheap to pass up, signed, pristine copies of some relatively cheap books, and a few odds and ends.

  • Aldiss, Brian. Moreau’s Other island. Jonathan Cape, 1980. First edition hardback, a Fine copy in a Fine dust jacket, signed by Aldiss on the front free endpaper.
  • Aldiss, Brian. This World and Nearer Ones: Essays Exploring the Familiar. Weidenfield and Nicolson, 1979. First edition hardback, a Fine copy in a Fine dust jacket.
  • (Aldiss, Brian) Aldiss, Margaret. Item Eighty-Three: Brian W. Aldiss: A Bibliography: 1954—1972. SF Horizons, (1973). Chapbook, Fine. Non-fiction.
  • Asimov, Isaac. Nine Tomorrows. Doubleday, 1959. First edition hardback, a Fine copy in a Near Fine dust jacket with moderate wear at heel and slight wear along folds. A very nice copy of this important Asimov short story collection. Currey, page 19. Replaces an Ex-Lib copy in my library.

  • Brackett, Leigh. The Sword of Rhiannon. Boardman, 1955. First hardback edition (“First published in Great Britain, 1955″, as per Currey), a Fine- copy with slight bend at head and heel and foxing to interior gutters, in a Very Good dust jacket with 1/4” of wear rubbing/chipping (dust jacket is present, but image has been worn away) at head, a similar, smaller amount of wear at heel, a shallow chip with associated wear at top rear, and crease along front cover spine join running the entire length of the jacket, and wear along extremities; despite all that, the rest of the jacket is quite bright and attractive. Currey, page 53. Cawthorn & Moorocock, Fantasy: The Hundred Best Books 75. A fairly uncommon book these days.

  • Ellison, Harlan. All the Lies That Are My Life. Underwood/Miller, 1980. First edition hardback, one of 400 unsigned trade hardcover copies, a Fine copy in a Fine dust jacket. Chalker/Owings, page 432.
  • Ellison, Harlan. Harlan Ellison is Watching. Underwood/Miller, 1989. First edition hardback, #46 of 600 signed, numbered copies, a Fine copy in a Fine dust jacket and slipcase. Chalker/Owings, page 440.
  • Ellison, Harlan. Stalking the Nightmare. Phantasia Press, 1982. First edition hardback, #240 of 700 signed hardback copies, a Fine copy in a Fine dust jacket and slipcase. Supplements a copy of the trade edition. Chalker/Owings, page 340.
  • (Leiber, Fritz) Morgan, Chris. Fritz Leiber: a bibliography, 1934—1979. Morgenstern, 1979. Chapbook original, one of 1000 copies, a Near Fine+ copy with spots of age darkening to cover.
  • Moorcock, Michael. Sailor on the Seas of Fate. Quartet Books, 1976. First edition hardback, a Near Fine copy with a chip out of the corner of the front free endpaper, in a Fine dust jacket. Currey, page 372.
  • Roberts, Adam (as A. R. R. R. Roberts). The Soddit, or Let’s Cash In Again. Gollancz, 2003. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Roberts. Parody of The Hobbit.
  • (Simak, Clifford D.) Becker, Muriel R. Clifford D. Simak: a primary and secondary bibliography. G. K. Hall, 1980. First edition hardback, a Fine copy, sans dust jacket, as issued. Non-fiction. I do wish the books were separated from the short fiction listings…
  • Smith, Edward E., Ph.D. Skylark Three. Fantasy Press, 1948. First edition hardback, one of 500 subscriber copies with a signature page inscribed by Smith bound in: “To Hugh F. Henry—/Three in a row — Hot dog!/And thanks a million for/the compliment./Edward E. Smith, Ph.D.” (Doc Smith had marvelously clear handwriting), a Fine- copy with a tiny bit of crimping at head and heel and faint foxing to gutters, in a Near Fine dust jacket with slight rubbing to top 1/2″ of front, slight edgewear at head, and slight dust soiling to rear cover. E. E. “Doc” Smith is someone I only pick up as a target of opportunity, but I couldn’t pass up a chance to pick up a very attractive example of one of the Fantasy Press subscriber copies for one of their most popular writers for approximately $150 after sale discount.

  • Turner, Gary, and Marty Halpern. The Silver Griffith. Golden Gryphon, 2003. First edition hardback, #34 of 100 numbered copies signed by all the contributor, a Fine copy in a Fine dust jacket, in slipcase.
  • Vance, Jack (as John Holbrook Vance). The Deadly Isles. Bobbs-Merrill, 1969. First edition hardback, a Fine- copy with a tiny bit of crimping at head and heel in a Fine- dust jacket with a few bare traces of dust soiling and a tiny bit of rubbing at extremities. Overall a beautiful copy of this Vance mystery. Currey, p. 497. Hewett, A33.

  • Also a signed first of Iain Banks A Song of Stone that came in with a couple of dust jacket flaws; I’ll end up marrying the signed book to my existing pristine dust jacket…

    Preview of My Story in Rayguns Over Texas

    Sunday, August 11th, 2013

    Editor Rick Klaw has been previewing one story a day from the forthcoming Rayguns Over Texas anthology due out at LoneStarCon3, and today he’s previewing my story, “Novel Properties of Certain Complex Alkaloids.”

    First hit’s on me…

    Library Additions: Three Interesting Ray Bradbury Chapbooks

    Monday, August 5th, 2013

    I recently picked up three Ray Bradbury chapbooks, two signed stapled chapbooks from Heritage Auctions, one bound in decorated boards from Half Price Books. One is pretty well documented as a first edition. However, the other two, being for the scholastic market, are not.

  • Bradbury, Ray. Collected Short Stories. Petersen Publishing Company (The Great Author Series), 2002. Presumed first edition hardback (no additional printings listed), a Fine copy in decorated boards, sans dust jacket, presumably as issued. 96 page book which collects three stories (“The Other Foot,” “The April Witch,” and “The Veldt”), reading comprehension questions, and a biography. Not to be confused with the much larger The Stories of Ray Bradbury, which I also have.

  • Bradbury, Ray. The Dragon. Footsteps Press, 1988. First edition chapbook, #72 of 300 signed, numbered copies, Fine. Has affixed wrappers with a transparent blue Mylar window (there were evidently also red and yellow window variants).

  • Bradbury, Ray. The Veldt. The Perfection Form Company, 1982. (Possible) First edition chapbook original, a Fine copy in stapled wraps, inscribed by Bradbury on the cover. Reading comprehension questions at the back.

  • I’m not aware of a comprehensive Ray Bradbury bibliography out that, or I would no doubt own it. Does anyone know if The Veldt and Collected Short Stories are indeed first editions of those works or not, or how I would tell?

    Hollywood Auction Alert

    Saturday, July 27th, 2013

    Hollywood auction house is having another big auction of film memorabilia, including a few interesting SF-related items:

  • The fourth issue of the fanzine Imagination, which includes Ray Bradbury’s first published story.
  • Willis O’Brien’s very shoggothian concept art for an unproduced film called The Bubbles, featuring “bubble-like creatures in Baja, California that devour everything in their path.”

  • Electrodes from both the James Whale Frankenstein and Young Frankenstein.
  • A diving helmet from 20,000 Leagues Under the Sea.
  • Concept art from Forbidden Planet.
  • Charlton Heston’s torn Planet of the Ape pants, plus ape masks.
  • Props from Alien and Aliens
  • A bunch of Star Wars posters and props.
  • Lots of The Nightmare Before Christmas props and sets.
  • Some Matrix stuff, both from the good one and the crappy ones.
  • That farking annoying robot from The Black Hole.
  • Frank’s bunny mask from Donnie Darko.
  • Enough stuff from The Wizard of Oz. and The Sound of Music to start your own museum.
  • Plus Bruce Lee’s nun-chucks, Conan’s sword, the Terminator’s gun, Jason’s machete, Maximus’ axe, Legalos’ arrow, Indiana Jones’ whip, Jack Sparrow’s sword, Captain Kirk’s phaser, a Ghostbusters proton pack, The Comedian’s pistols, Freddy Kreuger’s fingernails, Rambo’s knife, James Bond’s gun, and Scarface’s “little friend.”

    The auction is online in a “Flipbook” format, evidently invented because HTML was insufficiently annoying.

    Alice and the Lizard People

    Tuesday, July 23rd, 2013

    You’ve probably heard of Alice Walker, author of The Color Purple and the fringe SF book The Temple of My Familiar.

    What you may not have heard is that she’s a fan of David icke, he of the shape-shifting lizard people.

    And Ms. Walker is evidently a believer:

    Earlier I wrote that David Icke reminded me of Malcolm X. I was thinking especially of Malcolm’s fearlessness. A fearlessness that made him seem cold, actually, though we know he wasn’t really. All that love of us that kept driving him to improve our lot; often into quite the wrong direction, but I need not go into that. What I was remembering was how he called our oppressors “blue eyed devils.” Now who could that have been? Well, we see them here in David Icke’s book as the descendants of the reptilian race that landed on our sweet planet the moment they could get a glimpse of it through the mist that used to cover it (before there was a moon). No kidding. Deep breath! Yes, before there was a moon! (Oh, I love the moon; can I keep it? Please?). Anyway, there they came, these space beings (we’re space beings too, of course, not to forget that). But they looked…. different than us. And they were.

    They wanted gold and they wanted slaves to mine it for them. Now gosh, who does this remind us of? I only am asking. You do the work. Apparently their own planet needed this metal to continue its, apparently, long life. Credo Mutwa, Zulu shaman – and I am on my knees here in gratitude that he held on long enough to tell us about this – calls them the Chitauri, which has become my favorite word of all time (well, of this time that I’m learning all this): my partner and I go around saying Oh, Chitauri, whenever we get a glimpse of one or two of the Chitauri offspring, aka Illuminati bloodline families and their puppets, on the telly. It’s quite the stress reliever, just knowing what we’re looking at. And I like saying “telly” too, because it sounds so English and David Icke-esque.

    It’s an amazing book, HUMAN RACE GET OFF YOUR KNEES, and reading it was the ultimate reading adventure. I felt it was the first time I was able to observe, and mostly imagine and comprehend, the root of the incredible evil that has engulfed our planet. A lot of it is how shall we say: shocking, beyond belief (but not really, if you don’t get too scared), stunning, profound. The deconstruction of language is breathtaking, the interrogation of symbols startling. Magical, in a way. I kept going: Oh, so that’s why…. You will too.

    The Reptilian space beings whose hybrid (part human, part reptile) descendants make our lives hell in Paradise were blue eyed devils to Malcolm X, the devil himself to my Christian parents, who never talked about eye color, which I think was not only prudent but wise, although they seemed clear enough about his sex, and as demons in many other religions, including the non-religion, Buddhism, where the advice is often to invite them in until they go away. But maybe these were other kinds of demons. Not the ones controlling not just you, but everything.

    Sorry, I’m still in the “beyond belief” camp.

    In a more recent post, Walker expresses enthusiasm for Icke’s new 24-hour international news network.

    (In the video Icke says he’s crowdsourcing his new network, called The People’s Voice, and, in fact, he’s raised over £300,000.)

    Well, we all have our flaws. I enjoy truly crappy Sci-Fi original movies like Sharknado. Alice Walker believes in shape-shifting lizard people who rule the world and oppress black people.

    It’s always something…

    Library Additions: Two Interesting Books

    Monday, July 22nd, 2013

    My acquisition of new books didn’t stop while I was cataloging my big Zelazny purchase, though it did slow down. In particular, Half Price Books had one of their regular coupon sales, where the coupons start out by offering you 50% off one book Sunday, 40% off Monday-Tuesday, etc. Since Dwight was going to be out of town, he generously gave me his coupons before he left, so I used two 50% off coupons for the following the first day of the sale:

  • Ballard, J. G. The Drought. Jonathan Cape, 1965. First hardback edition and first complete edition, a Near Fine+ copy, with spine of book itself slightly discolored and small sticker for London bookseller Foley’s on inside cover, in a Fine dust jacket. Currey, page 22. Goddard and Pringle, J. G. Ballard: The First Twenty Years, item 59. Bought for $212.50, marked down from $425.

  • Chabon, Michael. Fountain City: A Novel Wrecked. McSweeney’s, 2010. First edition paperback original, a small, slightly oblong format, roughly 5 1/4″ high, by 6 1/4″ long, a Fine- copy in Fine- fold over wrappers (which fold out into a sort of map picture), with a tiny, 1/16″ cut to top font cover. The opening chapters of a novel Chabon abandoned. Bought for $22.50, down from $45.

  • Library Additions: A Major Collection of Roger Zelazny Books

    Monday, July 15th, 2013

    Bob Pylant is a major Roger Zelazny collector in Austin to whom I had sold the odd item to (like the NESFA Press Collected Zelazny volumes) over the years. Unfortunately, he suffered a car accident and had to sell some of his collection. So I went over to his house on June 13, made an offer on some choice items, and we reached an agreement.

    Which is how I spent $5,000 on Roger Zelazny books in a single day. (An amount that would go up to $5,400 when I won another item he had listed on eBay.) Several were upgrades of signed first edition hardbacks where I had either unsigned copies or Ex-Library copies.

    Bibliography
    For bibliographic details and first edition verification, I cite the following reference books:

  • Currey, L.W. Science Fiction and Fantasy Authors: A Bibliography of First Printings of Their Fiction. G. K. Hall, 1978.
  • Chalker, Jack & Owings, Mark. The Science Fantasy Publishers: A Critical and Bibliographic History. Mirage Press, 1991 (“Third Edition Revised and Enlarged”).
  • Kovacs, Christopher S. The Ides of Octember: A Pictorial Bibliography of Roger Zelazny. NESFA Press, 2010. (Note: Kovacs lists proofs, ARCs, etc. when known, so many hardback firsts are designated with the a “b” rather than an “a”.)
  • Levack, Daniel J. Amber Dreams: A Roger Zelazny Bibliography. Underwood/Miller, 1983.
  • The Zelazny Books

  • Zelazny, Roger. And the Darkness is Harsh. Pretentious Press, 1994. First edition chapbook, one of only 85 copies (of which 70 were given away for free) signed by Zelazny, with photo of the young Zelazny pasted in at front, and one sheet chapbook catalog laid in, a Fine copy. Contains the title story, “Mr. Fuller’s Revolt,” and the poem “Diet,” all taken from his high school literary magazine, where they were published when he was 16. Virtually impossible to find these days. Kovacs, VIII-1-a.

  • Zelazny, Roger and Fred Saberhagen. The Black Throne. Baen Books/SFBC, 1990 (stated; Kovacs says it actually came out in 1991). First edition hardback (book club, and the only hardback) a Fine copy in a Fine dust jacket, inscribed by Zelazny: “For Scott,/Best, ever/Roger Zelazny/ 11/30/91”. Supplements my unsigned copy. Kovacs, I-1-c.

  • Zelazny, Roger, and Robert Sheckley. Bring Me the Head of Prince Charming. Bantam Spectra, 1991. Uncorrected proof (trade paperback format) of the first edition, a Fine copy with slight bumping at head, with signature plate by Zelazny affixed to blurb page. Kovacs, I-14-a.

  • Zelazny, Roger, and Robert Sheckley. Bring Me the Head of Prince Charming. Bantam Spectra, 1991. First edition trade paperback original (simultaneous with the hardback), a Fine- copy with slight bumping at head, inscribed by Zelazny: “To Shirley,/Roger Zelazny.” Supplements my signed hardback copy. Kovacs, I-14-c.

  • Zelazny, Roger. The Changing Land. Del Rey, 1981. Uncorrected Proof of the paperback original first edition, a Near Fine- copy with what appears to be glue staining to the front cover (possibly from a publicity department sticker or attached sheet), and pinpoint spots of other staining, but otherwise square and unread. Supplements my signed, read paperback, and my signed/limited Underwood/Miller edition. Levack, 4a (for the PBO), Kovacs I-6-a (for the proof). See also the manuscript section below.

  • Zelazny, Roger. Creatures of Light and Darkness. Doubleday, 1969. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of age-darkening and dust staining, inscribed by Zelazny: “For Larry Woods/Roger Zelazny”. Levack, 8a. Kovacs, I-9-a. Currey, P. 570.

  • Zelazny, Roger. Damnation Alley. Doubleday, 1969. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed by Zelazny: “All best-/Roger Zelazny/ 10/6/79”. Levack, 9a. Kovacs, I-10-b. Currey, P. 570. Naturally I’d pick this up just after I picked up a nice unsigned copy.

  • Zelazny, Roger. The Dream Master. Ace, 1966. First edition paperback original, a Near Fine- copy with “ZELAZNY DREAM MASTER” printed at heel, previous owner’s small ownership stamp on inner cover, two small pieces of tape at same spot, bookstore stamp at rear, and the usual age darkening to pages and foxing to inner covers, otherwise tight, square and apparently unread. Signed by Zelazny. This was in a picture frame, so I missed the stamps. Supplements my signed UK hardback first. Levack, 14a. Kovacs, I-18-a. Currey, P. 570.

  • Zelazny, Roger, and Robert Sheckley. A Farce to Be Reckoned With. Bantam, 1995. First edition trade paperback original, a Fine copy, new and unread. Not signed, alas. Third in the series that started with Bring Me the Head of Prince Charming. Kovacs, I-20-b.

  • Zelazny, Roger. For a Breath I Tarry. Underwood/Miller, 1980. First edition hardback, #65 of 200 signed, numbered hardback copies, a Fine copy in a Fine dust jacket, with publisher’s letter included. One of my favorite Zelazny novellas. Supplements my trade paperback copy. Levack, 16a. Kovacs, VI-3-a-i. Chalker/Owings, P. 432.

  • Zelazny, Roger. The Guns of Avalon. Doubleday, 1972. First edition hardback, a Fine copy in a Fine- dust jacket that is ever so slightly spine-faded, but much less than usual for this orange spine, and slight wrinkling. Signed Twice by Zelazny, once on title page and once on signature plate affixed sideways on FFE. The second Amber novel. Supplements my signed Ex-Library copy. Levack, 18a. Kovacs, I-22-a. Currey, P. 570.

  • Zelazny, Roger (& Kate Wilhelm). He Who Shapes b/w The Infinity Box. Tor, 1989. First separate edition and first edition thus, a paperback original, a Fine- copy, new and unread. Signed by Zelazny. Kovacs, VI-5-a.

  • Zelazny, Roger (& Samuel R. Delany). Home is the Hangman b/w We, In Some Strange Power’s Employ, Move On a Rigorous Line. Tor, 1990. First separate edition and first edition thus, a paperback original, a Fine copy, new and unread. Signed by Zelazny and inscribed by Delany: “Samuel R. Delany/N.Y.C./’91”. The Delany story is also something of a Zelazny pastiche, with a disguised Zelazny (“his last name was Z-something unpronounceable”) as one of the main characters. Kovacs, VI-8-a.

  • Zelazny, Roger. The Last Defender of Camelot. Underwood/Miller, 1980. First edition hardback, #5 of only 35 numbered hardbacks with a signed bookplate pasted onto the copyright page, a Fine- copy with wear at edges. Just the story (making it different from the next item), and far and away Zelazny’s scarcest hardback (even more so than Nine Princes in Amber). This is the one I bought for $400 off eBay. Levack, 23b. Kovacs, VIII-4-b (also II-132-d). Chalker/Owings, P. 432. See also the manuscript section below.

  • Zelazny, Roger. The Last Defender of Camelot. Pocket Books, 1980. Uncorrected proof of the paperback first edition, a Fine copy. Levack, 24a (for paperback edition). Kovacs, V-15-a (for proof).

  • Zelazny, Roger. The Last Defender of Camelot. Underwood/Miller, 1981. First limited (and non-book club) hardback edition, #6 of 333 signed, numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued. Short story collection. Includes stories not in the Pocket Books or SFBC editions. Supplements my signed SFBC edition. Levack, 24c. Kovacs, V-16-a-i. Chalker/Owings, P. 433.

  • Zelazny, Roger (as editor). Nebula Award Stories Three. Doubleday, 1968. First edition hardback, a Fine copy in a Fine-, completely unfaded white dust jacket with extremely minor wrinkling at head, with small Zelazny signature plate affixed to bottom inner flap of dust jacket. Nigh on impossible to find with the dust jacket this bright, much less signed. And most of the stories are pretty good as well!

  • Zelazny, Roger, and Alfred Bester. Psychoshop. Vintage, 1998. Uncorrected proof of the trade paperback first edition, a Fine copy. Kovacs, V-36-a.

  • Zelazny, Roger. Today We Choose Faces Signet, 1974. First edition paperback original (and trickier than usual to identify; it says “First Printing, April, 1973” at the bottom, but “FIRST PRINTING/SECOND PRINTING/”etc. through “TENTH PRINTING” above it), a Fine- copy with a touch of edgewear. Signed by Zelazny. Supplements a signed copy of the UK hardback first. Levack, 35a. Kovacs, I-41-a. Currey, P. 571.

  • Zelazny, Roger. To Die in Italbar. Doubleday, 1973. First edition hardback, a Near Fine+ copy with foxing along gutters and in a large rectangle on FFE where I presume the signed bookplate of the exact same size and shape now affixed to the title page once resided, in a Near Fine+ dust jacket with slight dust staining to rear white cover, and a bit of wear at points. Sequel to Isle of the Dead, and one of my least favorite Zelazny novels (which is why I waited until I had pretty much everything else to pick it up). Levack, 37a. Kovacs, I-42-a. Currey, P. 571.

  • Zelazny, Roger and Neil Randall. Roger Zelazny’s Visual Guide to Castle Amber. Avon/SFBC, 1988. First edition hardback (book club; the only hardback edition), a Fine copy in a Fine dust jacket, signed by Zelazny. What the title says. Lots of illustrations and maps. Kovacs, X-14-b.

  • Zelazny, Roger. This Immortal. Ace, 1966. First edition paperback original, a Near Fine+ copy with small phantom creases to font and rear cover, a trace of edgewear along spine, and usual slight age darkening to pages and foxing of interior covers, otherwise square. Signed by Zelazny. Hugo Winner for Best Novel (tied with frank Herbert’s Dune), Nebula finalist. Levack, 34a. Kovacs, I-40-a. Currey, P. 571.

  • Zelazny, Roger. Wizard World. Baen, 1989. First edition paperback original thus, being an omnibus edition of Changeling and Madwand, a Fine copy, new and unread. Signed by Zelazny and cover artist David Mattingly. Kovacs, I-5-e-1

  • (Zelazny, Roger) Levack, Daniel J. Amber Dreams: A Roger Zelazny Bibliography. Underwood/Miller, 1983. First edition hardback, one of 200 signed hardbound copies, a Fine copy, sans dust jacket, as issued. Comparing the signed edition (left) to the unsigned edition (right), they seem printed in slightly different colors; the signed is more green, and the unsigned more yellow. The uniformity of tone in each makes me doubt either is the result of fading. Kovacs, XIII-1-a-1. Chalker/Owings, P. 435.

  • Zelazny Manuscripts/Etc.

    Note: Bob carefully inserted each page of manuscript or correspondence into clear page protectors with 2-ring binder tabs.

  • Zelazny, Roger. The Changing Land. 340 page typesetting copy of the original manuscript for the Del Rey edition, with Zelazny’s hand corrections and typesetting notes, as well as ancillary editorial material, original bill of sale, catalog description, and letter of provenance from L. W. Currey.
  • Zelazny, Roger. “The Last Defender of Camelot”. Roger Zelazny’s original story manuscript, 24 pages typed (many of which are typed on the back of sheets of scrap paper), with numerous hand corrections by Zelazny, along with a few pages of ancillary material. Each sheet is in a plastic sheet protector in a three-ring binder. Also in the binder is what appears to be a copy of the hand-corrected manuscript for “Stand Pat, Ruby Stone.”

  • Zelazny, Roger (adapted and illustrated by James Zimmerman). The Last Defender of Camelot. Zim Graphics, 1993. First edition of the graphic novel adaptation in cardstock covers, #5 of 25 copies signed on the cover by Roger Zelazny, and #5 of 200 copies signed by Zimmerman, a Fine copy. Something to drive Zelazny completists crazy! Kovacs, II-133-a and VI-10-a.

  • Zelazny, Roger. “Unicorn Variations”. Zelazny’s original story manuscript, 37 typed pages, with hand corrections by Zelazny and type-setting instructions undoubtedly added by the staff of Isaac Asimov’s Science Fiction Magazine, where the story appeared (the manuscripts for my own stories that appeared in Asimov’s came back marked up the same way). Each sheet in a plastic sheet protector in a three-ring binder, along with a few pages of ancillary material.

  • Roger Zelazny’s Professional Correspondence Archive. Two huge three-ring binders containing copies of all Zelazny’s outgoing letters, from about 1970 through 1981, plus the originals of incoming correspondence to him. Includes letters to him from Robert A. Heinlein, Thomas Disch, Lloyd Biggle, Jr., Marion Zimmer Bradley, George R. R. Martin, Fredric Pohl, Connie Willis, Pat Cadigan, Jack Dann, Lisa Goldstein, David Bischoff, John F. Carr, Ellen Kushner (rejecting a story!), Bruce McAllister, Victor Milan, Michael Stackpole, Reginald Bretnor, Phyllis Eisenstein, Thomas Canty (plus art proofs), Judy-Lynn Del Rey, Jim Baen, Byron Preiss, Jim Turner, David Hartwell, Jim Frenkel, Mike Ashley, George Scithers, Gerry de la Ree, Glenn Lord, Bob Frazier, (among many others), and a telegram from Philip K. Dick (with Zelazny’s scrawled notes from the ensuing telephone conversation). Plus other letters from agents, editors, academics, Hollywood functionaries, and random fans. Plus some SFWA Forums and convention program books Zelazny had material in. According to Bob, L. W. Currey got the archive as part of a purchase from the Zelazny estate. Since Bob had bought a number of expensive items from him in the past (some listed here), he said “Look, Bob, I don’t want to catalog all this. Let me sell it to you as a lot.” Which is how Bob got it.

  • Non-Zelazny Books

    Bob did have a few non-Zelazny books I picked up.

  • Banks, Iain. Against A Dark Background. Orbit, 1993. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Banks. Replaces an unsigned copy.
  • Banks, Iain. Consider Phlebas. Macmillan, 1987. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Banks. Replaces an unsigned copy.
  • Powers, Tim. The Anubis Gates. Mark V. Ziesing, 1989. First American hardback edition, a Fine copy in a Fine dust jacket. Already had inscribed firsts of the PBO, and the UK first hardback editions, as well as the copy of the original hand-written manuscript in the ultralimited edition of the Berlyne Power bibliography. I picked up this to complete my Mark V. Ziesing collection…
  • Vance, Jack. The Best of Jack Vance. Taplinger, 1978. First edition hardback, a Fine copy in a Near Fine, slightly dust soiled/age darkened dust jacket.
  • I also made two mistakes: Picking up a proof of Zelazny and Thomas T. Thomas’ The Mask of Loki (forgot I already had a signed proof) and a signed hardback first of Iain Banks’ Excession (already had one). Those will be offered in the next Lame Excuse Books catalog, which I’ll start working on right after I post this.

    Roger Zelazny Books I Still Lack

    Believe it or not, this doesn’t actually complete my Zelazny collection, as there are still a few odds and ends I don’t have, mainly in edited works and works about Zelazny. Some aren’t particularly hard to find, I just haven’t picked them up yet.

  • The Doors of His Face, The Lamps of His Mouth (Pulphouse hardback of just that story)
  • Home is the Hangman (SFBC, 1996)
  • Trumps of Doom (Underwood Miller, 1985)
  • (with Thomas T. Thomas) Flare (Baen, 1992, paperback original)
  • (as editor) The Williamson Effect (Tor, 1996)
  • (as editor) Wheel of Fortune (AvoNova, 1995, paperback original)
  • Greenberg, Martin H., editor. Lord of the Fantastic: Stories in Honor of Roger Zelazny (Avon Eos, 1998)
  • Lindskold, Jane. Roger Zelazny. Twayne, 1992.
  • Sanders, Joseph L. Roger Zelazny: A Primary and Secondary Bibliography (G. K. Hall, 1982)
  • Yoke, Karl B. Roger Zelazny: Starmont Reader’s Guide (Borgo Press (Library binding hardback), 1979)
  • Yoke, Karl B. Roger Zelazny and Andre Norton: Proponents of Individualism (State University of Ohio, 1979)
  • Interesting Book and History Auction

    Tuesday, July 9th, 2013

    Including that super rare Abraham Lincoln set that I mentioned before. Plus letters from George Washington, etc.

    Lot’s of interesting stuff (though very little even remotely SF), but I’m about to go to sleep, so can’t do more than mention it in passing…

    Richard Matheson, RIP

    Monday, June 24th, 2013

    Dead at 87.

    It’s been a bad year for legendary SF/F/H writers dying, and it’s only half over.

    Library Additions: January 1, 2013—June 13, 2013

    Thursday, June 20th, 2013

    Time for another roundup of the books I’ve bought over the lat (roughly) half year. (Why June 13 rather than the end of the month? Because I’ve just purchased a large Roger Zelazny collection I have yet to catalog, and I want to get all this out of the way and posted before I start cataloging that.)

    As always, all books listed here are Fine first edition hardbacks in Fine dust jackets unless otherwise noted.

  • Anderson, Poul. Homebrew. NESFA Press, 1976. First edition hardback, one of 500 copies signed by Anderson (Currey B, no priority), a Fine- copy with slight bumping at head and heel in a Fine- dust jacket with a tiny bit of dust patterning to rear dust jacket. Currey (1978), pages 10-11. Three short stories plus miscellany.

  • Ashley, Mike, editor. Steampunk. Fall River Press, 2011. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Anthology.
  • Asimov, Isaac. Foundations Edge. Whispers Press, 1982. First limited edition (consensus seems to be that the Doubleday trade edition precedes by about a month), #282 of 1,000 signed, numbered copies, a Fine copy in quarter-bound leather over embossed cloth boards, top edge gilded in real gold, sans dust jacket, as issued. Hugo winner and Nebula Finalist. Chalker/Owings, p. 476. Bought off the Internet for $160.

  • Asimov, Isaac and Theodosius Dobzhansky. The Genetic Effects of Radiation. U.S. Atomic Energy Commission, 1966. Presumed first edition chapbook (no additional printings listed), a Near Fine copy with slight dust soiling and age darkening to covers, and phantom crease to bottom corner. Non-fiction pamphlet. Marjorie M. Miller, Asimov: A Checklist, page 48.

  • Baker, Kage and Kathleen Bartholomew. Nell Gwynnes’s At Land and At Sea. Subterranean Press, 2013.
  • Baxter, Stephen. Gravity Dreams. PS Publishing, 2011. First edition hardback, #17 of 100 signed, numbered copies, Fine in a Fine dust jacket.
  • Benford, Gregory. At the Double Solstice. Cheap Street, 1986. First edition chapbook original, a Fine copy, in original mailing envelope. Chalker/Owings, page 108, which lists this copy (with publisher’s greetings on (unnumbered) page 23) as one of 60 copies thus, one of apparently four states.

  • Benford, Gregory. Time’s Rub. Cheap Street, 1984. First edition chapbook original, a Fine copy, in original mailing envelope. Chalker/Owings, page 107, which lists this copy (with publisher’s greetings on (unnumbered) page 19) as one of 73 copies thus, one of apparently four states.

  • Bishop, Michael and Steven Utley, editors. Passing for Human. PS Publishing, 2009. First edition hardback, #189 of 200 numbered copies signed by all the contributors, supposedly in a slipcase, but this copy actually came in a traycase, Fine in a Fine dust jacket and traycase.
  • Bok, Hannes. Bok 1. Glenn Nigra, 1975. Portfolio with 12 loose Hannes Bok illustration sheets, portfolio folder Fine- with bumping to corners, all illustrations Fine. Uneven shading in pic is a scanner artifact, as the portfolio folder is actually slightly too large to fit on the scanner.

  • Bradbury, Ray. Nemo! Subterranean Press, 2013.
  • Buekes, Lauren. The Shining Girls. Umuzi (South Africa), 2013. First edition hardback, #224 of 1000 copies signed and numbered by the author, a Fine copy in a Fine dust jacket, new and unread. Precedes both UK and U.S. editions.

  • Dann. Jack. Insinuations. PS Publishing, 2010. First edition hardback, one of 100 signed, numbered copies (my number could either be 04, 14, or 64), Fine in a Fine dust jacket. Autobiography (non-fiction).
  • Davidson, Avram. The Beasts of the Elysian Fields by Conrad Amber. The Nutmeg Point District Mail, 2001. First edition chapbook, Fine.

  • Davidson, Avram. The Wailing of the Gaulish Dead The Nutmeg Point District Mail, 2013. Perfect-bound chapbook first edition, one of 200 copies in heavy cardstock with self-wrapper flaps and errata sheet pasted inside, a Fine copy. I’ll have copies for sale in the next Lame Excuse Books catalog.

  • De Camp, L. Sprague, and Fletcher Pratt. The Carnelian Cube. Gnome Press, 1948. First edition hardback, a Very Good+ copy with bumping at head and heel and wear at heel and tips, and slight dust soiling at head, in a Very Good- dust jacket with 1/4″ loss at head, and slightly less loss at heel and tips, significant fading to red ink on spine (the cube is barely carnelian anymore), partial stamp on rear flap, top front (non-price) flap trimmed at very tip, and general wear. The first Gnome Press book. Chalker & Owings, page 197. Earl Terry Kemp, The Anthem Series (see below), page 191. Currey (1978), page 132.

    Really only a placeholder copy, and I wouldn’t even have picked it up if it hadn’t been part of a lot with:

  • De Camp, L. Sprague, and Fletcher Pratt. Land of Unreason. Henry Holt and Company, 1942. First edition hardback, a Near Fine+ plus copy, with slight bumping at head and heel and slight dust soiling to page block at heel, in a Near Fine dust jacket with age darkening to rear cover. A very nice copy, and a splendid example of the Boris Artzybasheff dust jacket. Bought for $34 for this and the above (plus shipping and buyers premium) off Heritage Auctions.

  • DeVore, Chuck. The Texas Model: Prosperity in the Lone Star State and Lessons for America. Texas Public Policy Foundation, 2012. Trade Paperback Original, Fine. Inscribed by the author. Non-fiction.
  • Dick, Philip K. The Collected Stories of Philip K. Dick volume 3: On the Dull Earth. Subterranean, 2012.
  • Dick, Philip K./Howard L. Cory. The Unteleported Man/The Mind Monsters. Ace, 1966. First edition paperback original (PBO) (Ace Double G-602, 50¢ price on cover), a Near Fine copy with faint spine crease, touches of edgewear, a few dog-eared pages, and slighting foxing. Levack, PKD, 43a. Currey, page 159.
  • Dick, Philip K. The Unteleported Man. Berkley, 1983. First edition paperback original thus, with previously unpublished original ending, VG+ with spine creasing.
  • Di Filippo, Paul. Roadside Bodhisattva. PS Publishing, 2010. First edition hardback, one of 100 signed copies in traycase.

  • Ellis, Novalyne Price. One Who Walked Alone: Robert E. Howard: The Final Years. Donald M. Grant, 1986. Non-fiction. Basis of the movie The Whole Wide World.

  • Ellison, Harlan. The Deadly Streets. Edgeworks Abbey/Subterranean Press, 2013. First hardback edition. One of 750 trade copies.
  • Ellison, Harlan. Gentlemen Junkie. Edgeworks Abbey/Subterranean Press, 2013. First hardback edition. One of 750 trade copies.
  • Fanthorpe, R. L. (as Pel Torro). Galaxy 666. Tower Books, 1968. First American paperback edition, a Fine- copy with a touch of edgewear and a penciled letter at head. Reported to be the worst science fiction novel ever professionally published.
  • Gaiman, Neil. Day of the Dead: An Annotated Babylon 5 Script. DreamHaven Book, 1998. First edition trade paperback original, Fine. Bought for $1.
  • Gingrich, Newt. To Renew America. Harper Collins, 1995. First edition hardback, a Fine copy in a Near Fine dust jacket with crease to front inner flap. Inscribed to me by the author. Non-fiction.
  • Haldeman, Joe. The Best of Joe Haldeman. Subterranean Press, 2013. First edition hardback, #147 of 250 signed, numbered copies.
  • Haldeman, Joe. The Best of Joe Haldeman. Subterranean Press, 2013. First edition hardback, trade edition.
  • Howard, Robert E. Lord of the Dead. Donald M. Grant, 1981.
  • Kemp, Earl Terry. The Anthem Series: A Guide to the Science Fiction, Fantasy, Horror and Weird Specialty Publisher’s of the Golden Age. The Last Stand, 2012. First edition trade paperback edition, oversized, a Fine copy (or it was before I started reading it). Non-fiction. I’ll try to finish a review of this in the near future.

  • Kinsella, W. P. Shoeless Joe. Houghton Mifflin Company, 1982. First edition hardback, a Near Fine- copy with a trace of spine lean and faint dust soiling at heel in a Fine- dust jacket with a thin line of very slight discoloration at the very top. Locke, Spectrum of Fantasy Three, page 49.
  • Klaw, Rick, editor. The Apes of Wrath. Tachyon, 2013. Trade paperback original, Fine. Inscribed to me by the author.
  • Lake, Jay (with illustrations by Frank Wu). Greetings From Lake Wu. Traife Buffet, 2006. First hardback edition, one of 250 copies signed by the author and illustrator, a Fine copy in decorated boards and cut-out slipcase, sans dust jacket, as issued. Contents differ considerably from 2003 trade edition. When this originally came out I thought “$150 for 250 signed, numbered copies? That’s a reasonable price point…for a Neil Gaiman limited.” (Sorry, Jay.) I picked this up for $30.

  • Lansdale, Joe R. Dead Aim. Subterranean Press, 2013. One of 400 signed, numbered copies.
  • Lansdale, Joe R. Dead Aim. Subterranean Press, 2013. Trade edition.
  • Lansdale, Joe R. (writing as Ray Slater). Texas Night Riders. Chivers Press/Curley Publishing, 1991. First hardback edition (preceded by the 1983 Leisure Books paperback original), an ex-library copy with minimal markings (a stamp on front free endpaper), otherwise VG in decorated boards with bumping along extremities, sans dust jacket, as issued. Part of the Large Print Atlantic Western line. Hankow, A Checklist of Joe R. Lansdale, A3b.

  • (Lansdale, Joe R.) Michael Blaine, Dennis Etchison, James Kisner, Dean R. Koontz, Joe R. Lansdale, Richard Christian Matheson, Robert R. McCammon, William F. Nolan, Alan Rodgers, David B. Silva, J. N. Williamson and Chelsea Quinn Yarbro. The Monitors of Providence. World Fantasy Convention, 1986. First edition chapbook original, one of 1000 copies given out at the 1986 World fantasy Convention in Providence, RI, a Fine copy.

  • Leiber, Fritz. In the Beginning. Cheap Street, 1983. First edition hardback, #67 of 128 copies of the “Collectors’ Edition” signed by both Leiber and illustrator Alicia Austin (there were also 10 lettered collector’s copies, and 7 lettered and 32 number publisher’s copies), a Fine copy, in full cloth with title labels pasted on front and spine, sans dust jacket, as issued, with prospectus laid in. Chalker/Ownings, pages 106-107.

  • Ligotti, Thomas. The Agonizing Resurrection of Victor Frankenstein & Other Gothic Tales. Silver Salamander Press, 1994. First edition hardback, number 116 of 125 hardback copies, a Fine copy in a Fine dust jacket, with small black and white art plate laid in. Bought for $200, marked down from $400, from the Half Price Books on 183 with their 50% off coupon (I showed up when the door opened). Probably the rarest Ligotti hardback. (Evidently the hardback state of The Silver Scarab Press edition of Songs From a Dead Dreamer is spurious; proof yet again you can’t completely trust Chalker & Ownings.)

  • (Lovecraft, H. P.) Burleson, Donald R. H.P. Lovecraft: A Critical Study. Greenwood Press, 1983. Non-fiction.
  • (Lovecraft, H. P.) Price, Robert M., editor. Worlds of Cthulhu. Fedogan & Breamer, 2012. Cthulhu Mythos anthology. Good to see Fedogan & Breamer wake from their deathless slumbers. I’ll have copies of this for sale in the next Lame Excuse Books catalog.
  • MacLeod, Ian R. Wake Up and Dream. PS Publishing, 2011. First edition hardback, #38 of 100 signed, numbered copies, Fine in a Fine dust jacket and slipcase.
  • McKillip, Patricia A. The Forgotten Beasts of Eld. Atheneum, 1974. First edition hardback, a Near Fine copy with bend at head and heel in a Near Fine- dust jacket with crimping at head and heel, edgewear and a closed 1/4″ tear at top front cover. The very first winner of the World Fantasy Award for Best Novel. Pringle, Modern Fantasy 100, #54. Bought for $26 off the Internet.

  • Martin, George R. R. (and Roger Zelazny). The Last Defender of Camelot. Subterranean Press, 2003. First edition chapbook, a Fine copy, new and unread. Includes Martin’s teleplay for the revived Twilight Zone as well as Zelazny’s original story. Evidently done as part of the slipcased edition of Martin’s GRRM career retrospective collection.

  • McCammon, Robert. I Travel By Night. Subterranean Press, 2013. Trade edition.
  • McCammon, Robert. I Travel By Night. Subterranean Press, 2013. #306 of 474 signed, numbered copies. The trade edition precedes by about 8 weeks.
  • Moorcock, Michael. Epic Pooh. British Fantasy Society, 1978. First edition chapbook, Fine- with tiny bit of creasing to bottom outer corner tip. Non-fiction.

  • Moorcock, Michael. Wizardry and Wild Romance. Gollancz, 1987. Non-fiction.
  • Novik, Naomi. Empire of Ivory. Harper Voyager, 2007. First hardback edition; the U.S. edition, which I have, is a PBO that precedes by a month. The fourth Temeraire, and since I have the rest in hardback, and just read the third one, I thought it was high time to pick this up…
  • Potter, J. K. (William Schafer and Bill Sheehan, editors). Embrace the Mutation. Subterranean Press, 2002. First edition hardback, one of 250 copies signed by the artist and editors. Anthology of stories based on Potter’s work.
  • Powers, Tim. Salvage and Demolition. Subterranean Press, 2013. One of 350 signed, numbered copies.
  • Powers, Tim. Salvage and Demolition. Subterranean Press, 2013. Trade edition.
  • Resnick, Mike. Lucifer Jones. Warner Questar, 1992. First edition paperback original this, a Fine- copy with just a trace of wear at tips.
  • Russell, Eric frank. The Space Willies b/w Six Worlds Yonder. Ace Books, 1958. Paperback reprint, VG with spine creasing and wear.
  • Scalzi, John. Redshirts. Tor, 2012. Bought for half cover price at Half Price Books.
  • Simmons, Dan. The Guiding Nose of Ulfänt Banderōz. Subterranean Press, 2013. First separate hardback edition, #179 of 250 signed, numbered copies.
  • Simmons, Dan. The Guiding Nose of Ulfänt Banderōz. Subterranean Press, 2013. First separate hardback edition. Trade edition.
  • Smith, Clark Ashton. The Tartarus of the Suns. Roy A. Squires, 1970. First edition thread-bound chapbook, a Fine copy in envelope. The Fugitive Poems, First Fascicle, Zothique Edition. This is copy 105. Donald Sydney-Fryer, Emperor of Dreams: A Clark Ashton Smith Bibliography, P. 140. Chalker Owings, P. 588.

  • Smith, Clark Ashton. The Titans in Tartarus. Roy A. Squires, 1974. First edition thread-bound chapbook, a Fine copy in envelope. The Fugitive Poems, Second Series, First Volume, Xigarph edition. This is copy 30 of the “small” edition (as opposed to the “manuscript” sized edition). Donald Sydney-Fryer, Emperor of Dreams: A Clark Ashton Smith Bibliography, P. 140. Chalker Owings, P. 589.

  • (Smith, Clark Ashton) Sidney-Fryer, Donald. Clark Ashton Smith: The Sorcerer Departs. Tsathoggua Press, 1997. First edition chapbook, Fine-. A critical miscellany, plus one poem by Smith.

  • (Smith, Clark Ashton). The Tales of Clark Ashton Smith: A Bibliography. Thomas C. L. Cockcoft, 1951. First edition chapbook, one of 500 copies, Near Fine- with a few small spots of soiling, phantom crease to rear dust jacket, and age darkening. Non-fiction. Currey (1978), P. 455. Tymn Schlobin Currey, A Research Guide to Science Fiction Studies, 323. A very early Clark Ashton Smith bibliography. Not as useful as I hoped it would be.

  • Smith, Michael Marshall (translation and re-translation by Benoît Domis and Nicholas Royle). The Gist. Subterranean Press, 2013. One of 300 signed, numbered copies. Literary experiment in which a story by Smith is translated into French, and then translated back.
  • Smith, Michael Marshall (translation and re-translation by Benoît Domis and Nicholas Royle). The Gist. Subterranean Press, 2013. Trade edition.
  • Smith, Reginald. Weird Tales in the Thirties. Self published, no date (but 1966). First edition, 8 1/2″ x 11″ side-stapled, mimeographed from typewritten copy, Near Fine- copy with small abrasion at top front, and slight bend to front and rear self-covers. Long essay about the magazine. Joshi, H. P. Lovecraft: An Annotated Bibliography, III-D-574.

  • Stableford, Brian. Optiman. DAW, 1980. First edition paperback original, a Fine- copy with a few pinpoint rubs.
  • Swanwick, Michael. It Came Upon a Midnight. Dragonstairs Press, 2011. First edition chapbook original, #81 of 100 signed, numbered copies, a Fine- copy with one faint stray mark to front.

  • Swanwick, Michael. Midwinter Elves. Dragonstairs Press, 2012. First edition chapbook original, #15 of 100 signed, numbered copies, a Fine- copy with small stain on rear.

  • Vance, Jack. The Avatar’s Apprentice. Sadlark Press, 2011. First edition chapbook, one of 30 copies printed from photopolymer plates, a Fine copy, new and unread. According to the publisher “I collected all the excerpts from the five Demon Princes novels that dealt with the Avatar’s Apprentice: Scroll from the Ninth Dimension, and put them into one book. I letterpress printed, illustrated, and hand bound an edition of thirty-five. I used photopolymer to print all the text and images in this book.” I’ve comfirmed with the publisher via email that the edition is actually the 30 stated on the limitation page at back.

  • Vance, Jack. The Eyes of the Overworld. Gregg Press, 1977. First hardback edition, a Fine copy, sans dust jacket, as issued. Sequel to The Dying Earth featuring Cugel the Clever. Precedes the Underwood/Miller edition. Hewett, A26g. Currey (1978), page 498.

  • Vance, Jack (writing as Ellery Queen). Four Men Called John. Gollancz Detection, 1976. First hardback edition a Fine- copy in a Fine- dust jacket with a tiny bit of crimping at head, and a few faint invisible, non-breaking surface scratches. Hewett, A14j. Actually, Jerry Hewett was the one who picked this up for me, since he knew I was looking for it…

  • Vance, Jack. Magic Highways. Subterranean Press, 2013. First edition hardback. Omnibus.
  • Vance, Jack. Strange Notions with The Dark Ocean. Underwood/Miller, 1985. First edition hardbacks, number 47 of 500 signed (Strange Notions only, as issued), numbered sets in slipcase, Fine, sans dust jackets, as issued. Mystery novels. Hewett, A75 and A76.

  • Vance, Jack. To Live Forever. Ballantine books, 1956. First edition hardback, a Fine- copy in a Near Fine- dust jacket with slight spine fading and tiny (1/32″) chipping at head and heel. Signed by Vance. Currey (1978), page 500, A1 (dark blue) binding. Hewett, A4ab.

  • Varley, John. Good-bye, Robinson Crusoe and Other Stories. Subterranean Press, 2013. First edition hardback, #146 of 1,000 signed, numbered copies.
  • Vinge, Vernor. Children of the Sky. Tor, 2011
  • Waldrop, Howard. Strange Things in Closeup. Legend, 1989. Trade paperback original, Near Fine- with slight spine crease and the usual age darkening to the paper (ubiquitous for Orbit/Legend books of this era).
  • Wellman, Manly Wade. The Complete John Thunstone. Haffner Press, 2012.
  • (Wells, H. G.) William J. Scheick and J. Randolph Cox. H. G. Wells: A Reference Guide. G. L. Hall & Co., 1988. Fine-, with tiny crimps at head and heel, sans dust jacket, as issued.
  • Williams, Tad. Diary of a Dragon. Subterranean Press, 2013. Trade paperback chapbook first edition, #86 of 750 signed, numbered copies.
  • Wilson, Robert Charles. Vortex. Tor, 2011.
  • Wolfe, Gary K. American Science Fiction: Nine Classic Novels of the 1950s. The Library of America, 2012. First Edition hardback thus, being a two volume compilation of some of the best American SF novels of the 1950s: Frederik Pohl and C. M. Kornbluth’s The Space Merchants, Theodore Sturgeon’s More Than Human, Leigh Brackett’s The Long Tomorrow, Richard Matheson’s The Shrinking Man, Robert A. Heinlein’s Double Star, Alfred Bester’s The Stars My Destination, James Blish’s A Case of Conscience, Algis Budrys’ Who?, and Fritz Leiber’s The Big Time, both volumes Fine in Fine dust jackets, new and unread, in a Fine slipcase. This is an example of book collecting madness, since I either have first editions of, or have already read, all the books here except Who?, but I thought this was a handsome set when it came out, and snapped this up when it showed up at Half Price Books.

  • (Wolfe, Gene) Andre-Driussi, Michael. Gate of Horn, Book of Silk. Sirius Press, 2012. Non-fiction.

  • (Wolfe, Gene) Fawcett, Bill and J.E. Mooney, editors. Shadows of the New Sun: Stories in Honor of Gene Wolfe. Tor, 2013. Uncorrected proof (trade paperback format) of the first edition, Fine.

  • Wyly, Sam and Andrew. Texas Got It Right! Melcher Media, 2012. Trade Paperback Original, Fine. Non-fiction.
  • Zelazny, Roger. Damnation Alley. Putnam, 1969. First edition hardback, a Fine copy in a Fine- dust jacket with just a tiny bit of edgewear along top front. Levack, Amber Dreams, 9a. Currey (1978), page 570.

  • Zelazny, Roger and Robert Sheckley. If At Faust You Don’t Succeed. Bantam, 1993. Uncorrected proof (trade paperback format) of the trade paperback original first edition, Fine, new and unread.

  • Zivkovic, Zoran. The Ghostwriter. PS Publishing, 2012. #44 of 100 signed, numbered copies. Fine in a Fine dust jacket.