Now that I’ve finished cataloging those National Book Auction Books, I can finally start cataloging the books I bought at Armadillocon, way back in July. First up: Two Neal Barrett, Jr. chapbooks I already had in wraps, but not in the hardback versions I picked up there. Both of these are unnumbered copies, presumably from Neal’s own contributor copies, and both bought for $40 from two different sellers (Adventures in Crime and Space and Rick Klaw).
Barrett, Neal, Jr. The Day the Decorators Came. Subterranean Press, 2000. First edition hardback, a signed but unnumbered copy among 26 lettered copies, a Fine copy with pictorial pastedown on front boards, sans dust jacket, as issued.
Barrett, Neal, Jr. Way Out There. Subterranean Press, 2004. First edition hardback, a signed but unnumbered copy among 52 lettered copies, a Fine copy with pictorial pastedown on front boards, sans dust jacket, as issued.
At this point I think all I’m missing of Neal’s books are some media tie-ins and the pseudonymous series work (of which he did quite a bit).
Here’s the second set of William F. Buckley books from that National Book Auction lot. Once again, most of these are signed on bookplates, and it occurs to me that maybe these were done as bonuses for National Review subscribers. Here are the non-fiction books, most of which are signed.
Signed Buckley Non-Fiction
Buckley, William F. Atlantic High. Doubleday, 1982. First edition hardback, a Fine copy in a Near Fine+ dust jacket with wear at points. Inscribed by Buckley on a bookplate: “For Claire Worth/With deep appreciation/Bill Buckley.” Non-fiction book about Buckley sailing across the Atlantic.
Buckley, William F. A Hymnal: The Controversial Arts. Putnam, 1978. Hardback (no edition stated), a Fine- copy with slight crimping at head and a page number circled in red with the word “Rush” written beside it on the table of contents on page 9, in a Very Good- dust jacket with chipping at head and heel. Inscribed by Buckley on a bookplate: “For Claire Worth/With high regards/Bill Buckley.” Collection of essays.
Buckley, William F. Inveighing We Will Go. Putnam, 1972. Hardback (no edition stated), a Near Fine copy with slightly soft heel and waviness to first few pages and a couple of dust spots to page block edges, in a Very Good- dust jacket with a long semi-closed tear across the bottom of the front cover and two 1/4″ chips at heel. Inscribed by Buckley on a bookplate: “To Mrs. Helen C. Avera/[Something] all/Wm. F. Buckley.” Collection of essays.
Buckley, William F. Execution Eve and Other Contemporary Ballads. Putnam, 1975. Hardback (no edition stated), a Fine- copy with slight bumping at head and heel in a Near Fine+ dust jacket with some tiny closed tears at head and heel. Inscribed by Buckley on a bookplate: “To Lorenzo Avera/[Something]/Wm. F. Buckley.”
Buckley, William F. Miles Gone By: A Literary Autobiography. Regnery Publishing, 2004. Fourth printing hardback, a Fine copy in a Fine dust jacket, with CD of Buckley reading in plastic insert at back. Signed by Buckley on a bookplate. Regnery used a very heavy, high-quality paper on this book.
Buckley, William F. Overdrive. Doubleday, 1983. First edition hardback, a Fine- copy with slight bend at head and heel in a Near Fine+ dust jacket with shallow chipping and creasing at heel and slight wear at head and points. Inscribed by Buckley on a bookplate: “For Claire Worth/With warm regards/Bill Buckley.” An autobiography of a week in Buckley’s hectic life.
Buckley, William F. Racing Through Paradise. Random House, 1987. First edition hardback (stated, with a numberline starting with 2, as per standard Random House custom), a Fine- copy with line of wear across bottom of spine at heel, in a Fine dust jacket. Inscribed by Buckley on the front free endpaper: “For Claire Worth/With higher [something]/Bill Buckley.” Non-fiction book about Buckley sailing through the Pacific.
Unsigned Buckley Non-Fiction
Buckley, William F. In Search of Anti-Semitism. Continuum Publishing Company, 1992. Hardback, no printing stated, a Fine- copy with slight bump at head and light crease to first few pages, in a Fine- dust jacket with slight bump at head and small crease to corner of top rear flap. Long essay on charges of antisemitism against various figures on the right, followed by a round of essays and letters from various people in reaction.
Buckley, William F. On the Firing Line: The Public Lives of Our Public Figures. Random House, 1989. First trade hardback preceded by a signed edition from the Franklin Library), a Fine copy in a Fine- dust jacket with just the lightest traces of wear. Collection of transcripts from Buckley’s Firing Line program on PBS, including Ronald Reagan, Barry Goldwater, Margaret Thatcher, Richard Nixon, Kurt Vonnegut, etc.
And that, finally, is the last of the National book Auction Books, and the last of all the batches of books I bought on July 9…
The very last lot I got from National Book Auctions wasn’t related to SF/F/H. It was a box of William F. Buckley books, which the listing showed that some indeterminate number of which were signed. I won it for $50, and upon getting it, discovered that slightly more than half were signed. This post just covers the ones I’m keeping which were fiction, all of which are Blackford Oakes spy thrillers.
Buckley, William F. Marco Polo, If You Can. Doubleday, 1982. First edition hardback, a Fine copy in a Fine- dust jacket with small crease to top inner flap. Inscribed by the author on a bookplate: “For Claire Worth/Best regards/Bill Buckley.” (I believe “Worth” is the last name; I have numerous example of books in this lot inscribed to the same person, and “Worth” seems the most obvious choice. In my (admittedly limited) experience, Buckley didn’t sign terribly many books “Bill”, “Wm. F.” seems considerably more common. If I had to guess, I’d say the books were signed for a longtime correspondent of Buckley’s, someone who took decent care of them but wasn’t a book collector per se (some, but not all, of the books in this lot were in a dust jacket protector, and a few others in plastic book bags).) Actually, I already had a signed first of this book, but this is a better copy. Smith/White, Cloak and Dagger Fiction 913.
Buckley, William F. Mongoose, R.I.P.. Random House, 1987. First edition hardback, a Near Fine copy with large foxing squares (probably from a newspaper clipping) to rear inside cover and rear free endpaper, in a Near Fine- dust jacket with significnat creasing to rear cover. Inscribed by Buckley: “For Claire Worth/With best & warm wishes/Buckley.” Unlike most of the signed books in this lot, this was signed by Buckley directly on the front free endpaper rather than on a bookplate. Smith/White, Cloak and Dagger Fiction 914.
Buckley, William F. Saving the Queen. Doubleday, 1976. Hardback (there’s no First Edition statement on the title page, so this is possibly a reprint, though the R10 gutter code on page 248 would put it in March of its publication year, and occasionally Doubleday did slip up and forget to include the First Edition statement on the true first), a Near Fine+ copy with slight bumping at head and heel and front inner hinge a little bumpy from the glue line under the paper, in a Fine- dust jacket with just a trace of dust soiling along extremities. Inscribed by Buckley: “For Claire Worth/With warmest regards/Bill Buckley.” Another book directly signed rather than on a bookplate. Smith/White, Cloak and Dagger Fiction 912.
Buckley, William F. See You Later Alligator. Doubleday, 1985. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head and heel and a 1″ closed tear to bottom rear cover. Inscribed by Buckley on a bookplate: “For Claire Worth/With best regards/Bill Buckley.” Smith/White, Cloak and Dagger Fiction 920.
Buckley, William F. The Story of Henri Tod. Doubleday, 1984. First trade edition hardback (preceded by a Franklin Library signed edition), a Fine copy in a Fine- dust jacket with slight wear at head and heel. Inscribed by Buckley on a bookplate: “For Claire Worth/With high hopes/Bill Buckley.” Smith/White, Cloak and Dagger Fiction 921.
Buckley, William F. Who’s on First. Doubleday, 1980. First edition hardback, a Fine- copy with slight bumping at head and heel in a Near Fine dust jacket with 1/16″ chip at rear heel join, slight dust soiling to rear cover and a 1″ surface scratch. Inscribed by Buckley on a bookplate: “For Claire Worth/With high hopes/Bill Buckley.” Smith/White, Cloak and Dagger Fiction 918.
It’s somewhat frustrating not having a good bibliography of Buckley at hand, which is why I’m picking up William F. Meehan III’s William F. Buckley, Jr.: A Bibliography…
Another item from the werewolf and vampire lots at that National Book Auction.
Brennan, Joseph Payne. The Borders Just Beyond. Donald M. Grant, 1986. First edition hardback, one of 750 copies, all signed by Brennan, a Fine copy in a Fine-dust jacket with a tiny bit of wear wear at points. Chalker/Owings, 223.
Just a few days after picking up Clark Ashton Smith’s Out of Space and Time for $399, I was able to pick up another important Clark Ashton Smith book at a bargain price. And this one is signed!
Smith, Clark Ashton. The Double Shadow. Auburn Journal Print, 1933. First edition oversized (8 1/2″ x 11 1/2″, about the size of a sheet of music) side-stapled chapbook, a Very Good copy with light crease to bottom corner, bottom staple starting to go, page 19 torn most of the way through in the center (but still intact) and general wear. Inscribed by the author: “With compliments of Clark Ashton Smith.” There are also several hand corrections by Smith in blue ink. Smith’s first collection of prose. Currey, page 453. Bleiler, Supernatural Fiction, 1483. Locke, Spectrum of Fantasy, page 200. Emperor of Dreams, page 183. Bought off eBay (after a bit of haggling) for $220. I did not previously have anything signed by Smith.
Five more books from the Cold Tonnage 40% off sale, all first editions and all signed:
Langford, David. The Dragonhiker’s Guide To Battlefield Covenant At Dune’s Edge: Odyssey Two. Drunken Dragon Press, 1988. First edition hardback, one of 903 trade hardback copies, a Fine copy in a Fine dust jacket. Inscribed by Langford: “For Alison, without whom this inscription could not have/been written—/Best wishes/David Langford/11-88”. Science fiction parodies and pastiches. Chalker/Owings, page 193. Bought for £9 after discount.
Lee, Tanith. East of Midnight. Macmillan (UK), 1977. First edition hardback, a Fine copy in a Fine dust jacket. Signed and dated 2008 by Lee. Bought for £18 after discount.
Sheckley, Robert. Notions Unlimited. Bantam Books, 1960. First edition paperback original, a Near Fine copy with slight wear at head and heel. Signed by Sheckley. Currey, page 433. Bought for £4.80 after discount.
Stapledon. Olaf (Sam Moskowitz, editor). Far Future Calling: Uncollected Science Fictions and fantasies of Olaf Stapledon Oswald Train, 1979. First edition hardback, one of 1,300 copies printed, a Fine copy in a Fine- dust jacket with just of trace of rubbing on front cover along gutter line. Signed by Moscowitz and artist Stephen Fabian. Previously uncollected stories, plus a long bio by Moskowitz. Chalker/Owings, pages 607-8. Locke, Spectrum of Fantasy 2, page 104. Bought for £18 after discount.
Whates, Ian and Ian Watson, editors. Shoes, Ships and Cadavers: Tales from North Londonshire. NewCon Press, 2010. First edition hardback, #48 of 50 signed, numbered copies signed by all the contributors (including introduction author Alan Moore), a Fine copy in a Fine dust jacket. The combination of the low print run and being signed by Moore enticed me into buying it. Bought for £12 after discount.
Two more books from the Cold Tonnage 40% off sale, both Michael Moorcock first editions, both inscribed, one an associational copy:
Moorcock, Michael. The Birds of the Moon: A Travellers’ Tale. Jayde Design/Nomads of the Time Streams, 1995. First edition chapbook original, a Fine copy. Signed by Moorcock: “Dave/—/Written for the/hippy issue of New Statesman/that never happened./Mike”. £15 pounds after discount.
Moorcock, Michael. Breakfast in the Ruins: A Novel of Inhumanity. New English Library, 1972. First edition hardback (as per Currey, page 368), a Fine- copy with the age darkening of pages all too common for NEL books of this era, in a Fine- dust jacket with slight wear at points. Inscribed by Moorcock to fellow science fiction writer Keith Roberts: “For Keith/with very best/wishes./Mike.” Tanelorn Archives, page 11. Of the several first editions inscribed by Moorcock to Roberts Cold Tonnage had, this was both the most affordable and a title by Moorcock I didn’t already have. £24 after discount.
The very same day that I bought a bunch of books from the Fred Duarte estate, Cold Tonnage books in the UK had their annual 40% off sale. (As an added bonus, the post-Brexit exchange rate was quite favorable as well.) Here’s the first item from that sale.
Bradbury, Ray. The Wonderful Ice Cream Suit. Hart-Davis MacGibbon, 1973. First hardback edition, a Fine copy in a Near Fine, corner-clipped (but otherwise fine) dust jacket. (Sadly, corner-slipped copies seem the norm for this title.) Signed by Bradbury. Collection of plays. Bought for £45 after discount.
This is a case of not only what you know, but who you know and when you know it.
I know Michael Swanwick and I’m a Dragonstairs Press regular, carrying their chapbooks through Lame Excuse Books. For a while now I’ve heard both Michael and his wife/Dragonstairs proprietor Marianne Porter talk about the Universe Box project, which was not only going to be an ultra-limited edition book, but also a weirdo art assemblage/fetish object.
They finally announced the details on August 3: at precisely noon EDT (11 AM CDT) on Saturday, August 6, 2016, they would be offering up 10 Universe Boxes (out of a total run of 13) on a first come, first serve basis on the Dragonstairs website. Which is how I came to be sitting at my computer, hitting the refresh button on the Dragonstair Press page, until the purchase button finally appeared right after the appointed time. I was evidently the first person to snag one, and all 10 copies sold out in three and a half minutes.
Universe Boxes is a collaborative project by Michael Swanwick and Marianne Porter. The boxes were assembled over several years by Porter, and the novelette was written by Swanwick.
The project has four distinct elements:
The Box
Each box is an actual cigar box, lined with astronomical charts and photomoechanicals of paleontological art. (Please note: the boxes have been carefully cleaned, bicarbonate of soda-ed, aired out, and Febreezed, but they originally held real tobacco.)
The exterior of each box has a Dragonstairs Press return address sticker and appropriate rubber-stamp-canceled postage for the item to go through the mail. (Out of concern for the contents, the Universe Boxes will be padded and shipped in larger boxes.) When each is sold, an address sticker with its purchaser’s name and address will be added. The whole will then be tied up with string.
The Contents
A variety of objects have been included in each. Every box has a hand-bound signed copy of Universe Box by Michael Swanwick and a vaccine created by Marianne Porter (more on these below).
Contents of one box, identified as Coma Bernices/Pleistocene include:
glass beads
vacuum tube
red gem coral Corallium sp.
sectioned geode
postal reply coupon
vintage German glass taxidermy eyes
winged pin
calling cards
Plus, of course, the vaccine and book. Some of the above items are common to all boxes but most are not. The contents of each box are unique to it.
Packing material consists of early drafts of the included story, run through a shredder.
The Story
Universe Box is a previously-unpublished 10,500 word fantasy dealing with cosmic powers, giraffe wranglers, the purpose of existence, and the most boring young man in all the universe. Physically, it is a stab-bound book with decorative paper covers, roughly six inches by four inches, issued in an edition of thirteen plus one printer’s proof. The books are all autographed by Michael Swanwick and a contents list is autographed by both the author and the publisher.
The Vaccine
One vaccine is included per box. These are individual works of art by Marianne Porter, consisting of a glass serum bottle (2 cm x 4.5 cm) filled with specifics “against what ails you.” The bottle is sealed with a rubber stopper and topped with a crimped aluminum cap. It can be opened, but once opened cannot be resealed. The contents of each vaccine are unique to it. The one included in Coma Bernices/Pleistocene, for example, contains human hair, an agate bead, and wire.
The vaccines are part of a larger series, none of which have previously been made available for purchase.
And here’s my listing for it:
Swanwick, Michael and Marianne Porter. Universe Box. Dragonstairs Press, 2016. First edition “hardback” (oblong stiff stab-bound/side-sewn boards, no spine binding, with bead), a Fine copy, sans dust jacket, as issued, in a Fine decorated traycase (i.e., an old cigar box) with several art assemblage pieces included, one of only 13 copies (of which only 10 were available for sale), of which this particular copy (the first one sold) is labeled “Draco/Recent.” Art objects included in the particular box include:
A bottled “vaccine” consisting of opossum teeth.
A shark tooth
A vacuum tube
A thin slice of mica, encased between two pieces of blue construction paper in a small black velvet pouch
Vintage German glass taxidermy eyes
A piece of red gem coral Corallium
A jade button
A postal reply coupon, originally from Germany
Five beads (three orange, two pink) bound together with an orange string
7 calling cards, tied with a gray string, encased in another black velvet pouch.
An inventory sheet for the box signed by both Swanwick and Porter.
Packing material made from shredded early drafts of the story.
Other things listed on the sheet are pasted to the inside surfaces of the box.
Outside of the box, address blurred out. Since the box came with the purchaser’s name and addressed affixed to the box with a label, I guess future librarians will officially refer to this as the “Codex Person” copy…
Universe Box opened.
With the content spread out to photograph.
A closer look at the objects included.
With the included cards spread out.
Everything again, with cards spread out.
The book itself.
Inside the book.
And here’s Swanwick himself with an unboxing video:
Three more signed first editions from the Fred Duarte estate:
Barry, Dave. Dave Barry Slept Here. Random House, 1989. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed to Fred by the author. Humor.
Delany, Samuel R. The Complete Nebula Award-Winning Fiction. Bantam Spectra, 1986. First edition paperback original, a Fine- copy with slight touches of wear. Inscribed and dated (“Austin 88,” when Delany came to town to attend Sercon 2) by the author to Fred.
Lansdale, Joe R. The Drive-In 2 (Not Just One of Them Sequels). Bantam Spectra, 1989. First edition paperback original, a Fine- copy with a tiny bit of wear along the spine. Inscribed by Lansdale: “For/Karen/Meschke/(Her Ownself)/Joe R. Lansdale/(His Ownself).” I already had the Kinnell first hardback of this inscribed to me by Joe, but just never picked up this PBO.
