Posts Tagged ‘Samuel R. Delany’

Library Additions for 2023

Monday, February 5th, 2024

Here are all the books I added to my library in 2023. Most (but not all) have been covered in previous posts.

  • Adams, Douglas (edited by Kevin Jon Davies). 42: The Wildly Improbable Ideas of Douglas Adams. Unbound, 2023. First edition hardback (number line ending with 1), a Fine copy, sans dust jacket, as issued. A compendium of scripts, drafts, notes, sketches etc. from the archives of this Dr. Who and Hitchhiker’s Guide to the Galaxy writer. I backed this on Kickstarter, and my name can be found on page 315. This book was actually a #1 Sunday Times bestseller. I’m not sure if this Kickstarter edition differs from the trade edition, though I count 320 pages, while Amazon UK says 336 pages, so, maybe? I have a copy of this available through Lame Excuse Books.

  • Aldiss, Brian W. Journey to the Goat Star. Pulphouse, 1991. Issue #22. Tiny bit of rubbing along spine. This is the first of a complete run of 61 Pulphouse Short Story paperbacks I bought for $61. All the subsequent listings for Pulphouse titles for this post are part of the Pulphouse Short Story Paperbacks line, and all are Fine copies, unless otherwise listed.

  • Aldrin, Buzz, and John Barnes. Encounter With Tiber. Warner Books, 1996. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Aldrin: “To Michael,/Buzz Aldrin.” Pretty sure Barnes did the overwhelming majority of the writing, but it’s pretty cool to own a book signed by a guy who walked on the moon. Bought for $7.99.

  • Anonymous. In the Future. Arno Press, 1974. First edition hardback thus, a reprint of a book originally published in 1867, a Fine- copy with slight bumps at points, sans dust jacket, as issued. Bought for $7.99.

  • Antieau, Kim. Blossoms. Pulphouse, 1991. Issue #5.
  • Aquilone, James, editor. Dead Detectives Society. Monsterous Books, 2023. First edition trade paperback original, a Fine copy, with extras bag including three cardstock illustrations and a Dead Detective’s Society Membership card. Includes stories by Joe and Kasey Lansdale, Nancy Collins, Kevin J. Anderson, etc. Bought off Kickstarter for $32.

  • Aquilone, James, editor. Kolchak: The Night Stalker: 50th Anniversary. Moonstone, 2022. First edition hardback graphic novel, the hardcover variant version (ISBN 978-1-946346-16-2), a Fine- copy with slight bumping to upper points, in decorated boards, sans dust jacket, as issued, with illustration card signed on the back by Aquilone laid in. Collection of stories (some graphic novel style some straight prose) based on the legendary Kolchak: The Night Stalker TV show. According to the Kickstarter page, there were 231 of this version backed.

  • Aquilone, James, editor. Kolchak: The Night Stalker: Satanic Panic ’88 + Two Other Uncanny Tales. Moonstone, 2022. First edition comic book, a Fine copy, signed by Aquilone. Bought from Kickstarter as an add-in to the above.

  • Aquilone, James, editor. Shakespeare Unleashed. Monstrous Books, 2023. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued, with Monstrous Books card laid in. Original anthology of Shakespeare-related horror stories, featuring stories from Joe and Kasey Lansdale, Steve Rasnick Tem, etc. Adding up the various hardware bundles, it looks like there were just over 500 copies of this done. My name can be found on page 356. You can buy the book through Amazon, though no guarantee that you’ll get a first printing, or received it unbumped.

    With:

  • Aquilone, James, editor. Shakespeare Unleashed One Shot. Monstrous Books, 2023. First edition graphic novel chapbook containing additional work.

  • “Author, J.Q.” Issue Zero. Pulphouse, 1991. Issue #0, a binding dummy for the entire run of the series, with bank pages. Would never have bought this on it’s own, but since I was buying the entire thing I got this too. This one has a tiny bit of edgewear on rear spine join.
  • Anderson, Poul. Loser’s Night. Pulphouse, 1991. Issue #1.

  • Bacigalupi, Paolo. The Water Knife. Knopf, 2015. First edition hardback, a Fine copy with a bound-in signature page, with a Fine dust jacket with a “SIGNED FIRST EDITION” sticker. Bought for $8. (Note: The Scanner does not like the “poly-chromatic on black” effect so I had to adjust it some to make it legible.)

  • Barry, Dave. Best. State. Ever. A Florida Man Defends His Homeland. Putnam, 2016. First edition hardback, a Fine copy in a Fine dust jacket, signed by Barry. Non-fiction humor book. Bought for $8.

  • Barry, Dave, and Alan Zweibel. Lunatics. Putnum, 2012. First edition hardback, a Fine copy in a Fine dust jacket, signed by Barry. This and the above are my second and third signed Barry firsts. I already had a book signed by Zweibel. Bought for $8.
  • Baxter, Stephen. Xeelee: Endurance. PS Publishing, 2017. First edition hardback, letter D of 26 lettered copies, a Fine copy in a decorated boards and a Fine dust jacket and a Fine decorated slipcase. I collected Baxter for a while until he become too prolific for me to keep up with, but I did like the Xeelee books. Bought from Camelot Books for $50.

  • Beagle, Peter S. The Essential Peter S. Beagle. Tachyon, 2023. First edition hardback, #95 of 474 signed, numbered copies, a Fine copy in silver decorated boards, sans dust jacket, as issued, with Tachyon sticker and business card laid in. Just what it says, a best of collection of stories for this beloved fantasy writer. This combines what are two volumes for the trade edition (which I have on order but haven’t seen yet). I have a small number of these available through Lame Excuse Books.

  • Bear, Greg Killing Titan. Orbit, 2015. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bear. Second book in the military SF trilogy started with War Dogs, which I just read. Bought for $18 from a fellow Biblio dealer.
  • Bear, Greg. Sisters. Pulphouse, 1992. Issue #43.

  • Beaumont, Charles. The Carnival and Other Stories. Subterranean Press, 2022. First edition hardback, #417 of 1,250 numbered copies, a Fine copy in a Fine dust jacket, new and unread. Short story collection.

  • Bell, M. Shayne. Inuit. Pulphouse, 1991. Issue #34.
  • Bernard, Dr. Raymond (pseudonym for Walter Siegmeister). The Hollow Earth. Fieldcrest Publishing, 1964. “New Edition” hardback (I think this amounts to the second printing of the first edition, which was evidently offset, so this might qualify as the first printed edition), a Very Good+ copy in red decorated boards with a few pinhead spots of staining to rear, slight wear at head and heel, slight blunting of points, and slight wear to gold lettering, lacking the dust jacket. Barnard wrote several books promulgating various fringe and pseudoscience beliefs (vegetarianism, parthenogentic reproduction, sexual abstinence, etc.), and this book discusses how UFOs actually come from the hollow earth. He also believed there was a hollow earth opening in Brazil, and tried to start a farming colony somewhere in the general vicinity of the entrance. Kafton-Minkel, Subterranean Worlds, pages 192-216. Standish, Hollow Earth pages 277-278 (“a distillate of virtually every crackpot theory about the hollow earth that had been accumulating for a hundred years or more”). Though this had many later printings, any Fieldcrest printing seems uncommon.

  • Bishop, Michael. The Quickening. Pulphouse, 1991. Issue #12.
  • Blackwood, Algernon (Mark Sieber, editor). A Little Black Book of Bedevilment. Borderlands Press, 2022. First edition hardback, #462 of 500 copies signed by the editor, a Fine copy. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.

  • Blaylock, James P. Lord Kelvin’s Machine. Arkham House, 1992. First edition hardback, a Fine copy in a Fine Mylar-protected dust jacket, signed by Blaylock. Joshi, Sixty Years of Arkham House 179. Nielsen, Arkham House Books 185. Replaces an unsigned copy.

  • Blaylock, James P. Paper Dragons. Pulphouse, 1992. Issue #57. A few small rubs along spine. Supplements a copy of the Axolotl Press hardback (which precedes).

  • Blaylock, James P. Pennies From Heaven. PS Publishing, 2022. First edition hardback, #167 of 200 signed, numbered copies, a Fine copy in a Fine dust jacket with repricing sticker over UPC, as issued. New novel. The signed edition is the only hardback edition, and the PS edition is the only edition thus far. 200 is a pretty small run for a Blaylock hardback.

  • Blaylock, James P. Winter Tides. Ace, 1997. First edition hardback, a Fine copy in a Fine Mylar-protected dust jacket, inscribed by Blaylock to the previous owner. Replaces an unsigned copy.

  • Bloch, Robert. The Skull of the Marquis de Sade. Pulphouse, 1992. Issue #51.

  • Bloch, Robert. Yours Truly, Jack The Ripper. Pulphouse, 1991. Issue #10. Not to be confused with the short story collection of the same name.
  • (Bloch, Robert) Larson, Russell D. The Complete Robert Bloch: An Illustrated Comprehensive Bibliography. Fandom Unlimited Enterprises, 1986. First edition trade paperback original, a Fine- copy with trace of wear at tips, signed by Bloch. Just what it says, an illustrated bibliography of Bloch’s work. Looks useful, though the type is a bit small for my aging eyes. Justice, Science Fiction, Fantasy and Horror Reference 185. Bought of eBay for $35 plus shipping.

  • Block, Lawrence. The Scoreless Thai. Subterranean Press, 2000. First hardback edition (previously published in a 1970s PBO), a trade edition, a Fine copy in a Fine dust jacket, signed by Block. Novella. Bought for $10, 1/3rd of publication price, and the trade edition wasn’t issued signed by Block.

  • Block, Lawrence. Tanner’s Tiger. Subterranean Press, 2001. First hardback edition (previously published as a 1968 paperback original), a Fine copy in a Fine dust jacket, signed by Block. Tanner novel. Bought for $10, 1/3rd of publication price, and the trade edition wasn’t issued signed by Block.
  • Boston, Bruce. All the Clocks are Melting. Pulphouse, 1991. Issue #4.

  • Bradbury, Ray (text) and Amanda Blanco (photographs). About Norman Corwin. Santa Susana Press, 1979. First edition traycased portfolio, an “artist’s proof” copy of 60 signed, numbered sets, a Fine- copy (there seem to be a couple of drops of moisture staining to the back of the signature page) in a Fine- traycase with a few small spots of staining to the inner right edge (though the case itself has a bit of an odd outward slant to the top and bottom edges). Loose printed cardstock pages, including a multi-page essay celebrating radio essayist Norman Corwin by Bradbury followed by 11 photographs of Corwin by Blanco. An odd, oversized item, and one that doesn’t fit entirely on my scanner, so either the bottom or top is chopped off. Bought for $250 off eBay after a touch of haggling.

  • Bradbury, Ray (Jonathan R. Eller, editor). The Collected Stories of Ray Bradbury: A Critical Edition: Volume 2: 1943-1944. Kent State University Press, 2014. First edition hardback, a Fine copy in a Fine- dust jacket with just a tiny bit of wrinkling at heel. Bought from Half Price Books for $37.49, considerably more than the $15 I paid for the first volume, but this one doesn’t seem to have been nearly as widely remaindered.
  • Bradbury, Ray. A Chapbook for Burnt-Out Priests, Rabbis and Ministers. Cemetery Dance, 2001. First edition trade hardback, a Fine copy in a Fine dust jacket, signed by Bradbury. Bought off eBay for $21.50. Replaces an unsigned copy and supplements a slipcased signed/limited edition copy.

  • Bradbury, Ray. Fahrenheit 451. Ballantine Books, 1953. First edition hardback (Currey (1978) D state/Currey (2002) C state, red boards lettered in yellow, no precedence among hardback states), a Near Fine copy with a few small indentations, very slight glue wrinkling (binding flaw) to bottom of rear cover, slight wear to bottom boards, slight wear at head, heel and points, in a Fine facsimile dust jacket, with a Bradbury signature plate laid in. Currey (1978), page 55, Currey (2002) page 44. Pringle, Science Fiction: The 100 Best Novels 8. Barron, Anatomy of Wonder 4 3-31. Locke, A Spectrum of Fantasy, page 39. Magill, Survey of Science Fiction Literature, pages 749-755. Heritage Rare Books and manuscripts Auction #675, page 87 (“one of the most influential and widely read science fiction tales ever published”). Heritage Americana Auction #658 & 65801, page 32. Heritage The Frank Collection Auctions #7001 and #684, page 58. A key 20th century science fiction novel, and the most difficult of Bradbury’s mainstream publisher hardback firsts by a good measure. Bought for $750 plus tax and shipping from an offer on eBay.

  • Bradbury, Ray. That Son of Richard III: A Birth Announcement. Roy A. Squires, 1974. First edition chapbook original, #332 of 400 numbered copies, a Fine copy in a Fine cloth traycase, inscribed by Bradbury to Lord John Press publisher Herb Yellen: “For Herb -/Good wishes/From/Ray Bradbury/ 9/28/28.” As Yellen later published several Bradbury chapbooks himself, this is an interesting association copy. According to Chalker/Owings, Squires only did 30 traycases, of which 25 were offered to buyers of the “Autograph Edition” (which this is not). Supplements an unsigned copy. Chalker/Owings, page 589. Bought from a PBA Galleries auction for $75 plus shipping and handling.

  • Bradbury, Ray. The Toynbee Convector. Knopf, 1988. First edition hardback, #36 of 350 signed, numbered copies, “printed on special paper and specially bound,” a Fine copy in a Mylar protector and a Fine slipcase, sans dust jacket, as issued. This version is not in the Locus database, but ISFDB says they came out the same month. Most limited editions from mainstream publishers are fairly unimpressive, but this is actually quite a nice production, with patterned boards and an attractive slipcase. Bought for $110.49 off eBay, a considerable discount off the original offering price of $150 (which must have seemed plenty pricey in 1988).

  • (Bradbury, Ray) Eller, Jonathan R. Becoming Ray Bradbury. University of Illinois Press, 2011. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head, heel and points. Biography of Bradbury that made use of his personal notes and correspondence. Bought for $17.49.

  • Brin, David. Dr. Pak’s Preschoool. Pulphouse, 1992. Issue #45. Supplements a copy of the Cheap Street edition (which precedes).

  • Brin, David. Piecework. Pulphouse, 1991. Issue #23.
  • Brin, David and Stephen W. Potts. Chasing Shadows: Visions of Our Coming Transparent World. Tor, 2017. First edition hardback, a Fine copy in a Fine dust jacket, signed by Brin on a signature page. Collection of essays by science fiction writers like Neal Stephenson, Bruce Sterling, William Gibson, Robert Silverberg, Vernor Vinge, etc. It says “Brin Presents” but Potts appears to be the actual editor. This and Lunatics are signed on this gray box in what assume is a tipped-in page, presumably something this particular bookseller does. It’s a bit odd. Bought for $8.

  • Brunner, John. A Case of Painters Ear. Pulphouse, 1991. Issue #2.
  • Brunner, John. The Traveler in Black. Ace, 1971. First edition paperback original (no statement of printing and 75¢ as per Currey), a Fine- copy with slight wear at points and a drop of discoloration to bottom page block at heel, otherwise a very nice copy. Celebrated fix-up of linked stories. Currey, page 74. De Bolt, The Happening Worlds of John Brunner, page 57.

  • Bryant, Edward. The Cutter. Pulphouse, 1991. Issue #8.
  • Busby, F.M. If This Is Winnetka, You Must be Judy. Pulphouse, 1992. Issue #54.
  • Bush, Barbara. A Memoir. Scribner’s, 1994. First edition hardback, a Fine copy in a Fine- dust jacket with slight bumping at heel and trace of wear at points, inscribed by Bush: “To Chris Hyatt/With best wishes/Barbara Bush/December 1998. Autobiography by First Lady Barbara Bush, wife of 41 and mother of 43, who died in 2018. Not my usual thing, but I stumbled across it checking for signatures in books by 41 and 43. Bought for $14.48 at Half Price Books.

  • Butler, Octavia. The Evening and the Morning and the Night. Pulphouse, 1991. Issue #38. Holy moley, the prices on this online are crazy. The prices for the signed hardback I can at least sort of understand, since Butler died young, but the prices for unsigned copies like this are still crazy. I had no idea.

  • Bryant, Edward. The Thermals of August. Pulphouse, 1992. Issue #56.
  • Cadigan, Pat. My Brother’s Keeper. Pulphouse, 1992. Issue #55.

  • Calvino, Italo. Invisible Cities. Harcourt Brace Jovanovich, 1974. First English language edition, a Near Fine+ copy with small name to front free endpaper, slight bumping at head and heel and uneven fading at top and bottom edges, in a Very Good+ dust jacket with two closed 3/4″ tears at top front cover, shallow chipping at head, crease to front inner flap, slight bumping at points, and traces of wear to reflective silver surfaces along spine board join, front edge-fold and rear cover (slightly exaggerated in the scan). Important slipstream work of European fantasy, or what John Clute would call “Fantastika.” Bought for $45.

  • Campbell, Ramsey. Six Stooges and Counting. PS Publishing, 2023. First edition hardback, #76 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket. Non-fiction overview of the work of The Three Stooges, year by year. (A nit: The title refers to all six of the named stooges, but the cover only depicts Moe, Curly and Larry, with nary a glimpse of Shemp or Joe Besser, and just a tiny image of Curly-Joe DeRita from The Three Stooges Meet Hercules at upper left.) I have one copy available through Lame Excuse Books.

  • Carter, Lin, editor. The Year’s Best Fantasy Stories. DAW, 1975. First edition paperback original, a Fine- copy with slight wear at points and along spine, otherwise apparently new and unread, with SFBC insert still present. Includes stories from Robert E. Howard and Clark Ashton Smith!

  • Caraker, Mary. I Remember, I Remember. Pulphouse, 1991. Issue #24.
  • Card, Orson Scott. Unaccompanied Sonata. Pulphouse, 1992. Issue #49.

  • Chabon, Michael. Summerland. Hyperion, 2002. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head and heel, signed by Chabon. Bought for $9.99, which, oddly enough, seems to be about market. After he won the Hugo and Nebula for the excellent The Yiddish Policeman’s Union, I though Chabon books were going to head steadily upward in value; the exact opposite seems to have happened. It looks like every single one of Chabon’s novels except The Amazing Adventures of Kavalier & Clay can be found in signed first edition hardbacks at or less than cover price. I can’t figure it out, as all three of the Chabon books I’ve read (The Yiddish Policeman’s Union, The Amazing Adventures of Kavalier & Clay, and Gentlemen of the Road) were excellent.
  • Charnes, Suzy McKee. Listening to Brahms. Pulphouse, 1991. Issue #19.

  • Clarke, Arthur C. A Fall of Moondust. Harcourt, Brace and World, 1961. First edition hardback, an Ex-Library copy with the usual flaws, including stamps, pocket removal, tape to boards, etc, but with a much better than usual dust jacket, with a couple of short closed tears on flap edges, a small sticker ghost on spine, and slight protector discoloration to edges; call it a G/NF Ex-Lib copy. Currey, page 114. Replaces a less attractive Ex-Library copy. Bought for $20.

  • Clemence, Bruce No Way Street. Pulphouse, 1991. Issue #15. Guy had this, and a story in Synergy 3, and that was it…
  • Crowley, John. Great Work of Time. Subterranean, 2023. First edition hardback, #219 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. I have a small number of these available through Lame Excuse Books.

  • Davidson, Avram. AD 100: Volume I and AD 100: Volume II. Or All the
    Sea With Oysters Publishing, 2023. First edition trade paperback
    originals (print on demand), as new. The Avram Davidson Society has set these up as Amazon print on demand originals. Together they include 100
    unpublished or uncollected Avram Davidson stories. If you’re interested in picking them up, click the links above.

  • Davidson, Avram. Naples. The Nutmeg Point District Mail/Temporary Culture, 2022. First edition self-wrappers chapbook original, one of 160 copies, a Fine copy, inside a black envelope with Mylar protective wrappers and with a mounted black and white photograph laid in. Bought for $150 (the subscriber price). Story reprinted from Charles L. Grant’s Shadows anthology.

  • DeChancie, John. A Little Gray Book of Alien Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of a 15 book lot.

  • Delany, Samuel R. The American Shore. Dragon Press, 1978. First edition hardback, #77 of 100 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Detailed, close-reading non-fiction critical analysis of Thomas Disch’s “Angouleme,” a segment of 334. Weedman, The Starmont Reader’s Guide to Samuel R. Delany, page 22 (“Here Delany exercises himself as the critic’s critic, remaining fairly inaccessible to a general audience.”). Chalker/Owings, page 132. Replaces an unsigned copy.
  • Delany, Samuel R. Babel-17. Ace, 1966. First edition paperback original, a Fine copy, though with slight age darkening to the pages. Nebula Award winner and Hugo nominee. Currey, page 139. Replaces a slightly less attractive copy. Bought for $5 at Recycled Books in Denton.

  • Delany, Samuel R. The Einstein Intersection. Easton Press, 1986 (stated; the Locus database lists this coming out in 1991). First edition thus, a special leatherbound collector’s edition, a Fine copy, sans dust jacket, as issued, inscribed by Delany to the previous owner and with an Ex-Libris plate and “Collector’s Notes” laid in. Nebula winner for Best Novel, Hugo finalist. Magill, Survey of Science Fiction pages 703-707. Supplements a signed copy of the Gollancz first hardback edition. Strictly speaking this is just a “nice to have,” but it is signed, and Easton Press makes attractive books.

  • Delany, Samuel R. The Straits of Messina. Serconia Press, 1989. First edition hardback, a Fine copy in a Fine dust jacket. Delany essays on Delany. Chalker/Owings, page 390 (“these at least are readable”). Replaces a copy with a less attractive dust jacket.

  • Delany, Samuel R. (edited by Kenneth R. James). In Search of Silence: The Journals of Samuel R. Delany Volume 1, 1957-1969. Wesleyan University Press, 2017. First edition hardback (“5 4 3 2 1” numberline), a Fine copy in a Fine dust jacket. Selections from Delany’s journals when he was first making his mark on the SF field. Bought for $9.95. I have copies of this available through Lame Excuse Books.

  • de Lint, Charles. Merlin Dreams in the Mondream Wood. Pulphouse, 1992. Issue #52.
  • de Lint, Charles. Uncle Dobbin’s Parrot Fair. Pulphouse, 1991. Issue #17.

  • Donaldson, Stephen R. The Wounded Land. Del Rey, 1980. First edition hardback (“First Edition: June 1980/1 2 3 4 5 6 7 8 9 10”), a Fine copy in a Near Fine dust jacket with faint crease down spine, small closed tear at top frotn, and wear at heel and points, signed and dated (“4/15/82”) by Donaldson, with bookmark for the trilogy laid in.

  • Donaldson, Stephen R. The One Tree. Del Rey, 1982. First edition hardback (“First Edition: April 1982”), a Fine copy in a Fine dust jacket, signed and dated (“4/15/82”) by Donaldson, with bookmark for the trilogy laid in. Note: While the other two first editions in the trilogy feature numberlines, this one does not. I know that this is not the book club edition (which I also have in hand), there are no pictures of a copyright page with a numberline for this title I can locate, and consensus is that they apparently just left it off.

  • Donaldson, Stephen R. White Gold Wielder. Del Rey, 1983. First edition hardback (“First Edition: April 1983/1 2 3 4 5 6 7 8 9 10”), a Fine copy in a Fine dust jacket, signed and dated (“5/6/89”) by Donaldson, with bookmark for the trilogy laid in.

  • Dozois, Gardner. The Peacemaker. Pulphouse, 1991. Issue #39. Supplements a copy of the Short Story Hardback edition.
  • Duchamp, L. Timmel. A Case of Mistaken Activity. Pulphouse, 1991. Issue #7.
  • Eddy, C.M. and Muriel E. Erased from Exile. Stygian Isle Press, 1976. First edition chapbook original, #234 of 300 copies signed (on stickers) by Muriel E. Eddy and illustrator Gene Day, a Near Fine+ copy with slightly bumped corners and two small black lines near top front outer corner. Stories and poetry by two members of Lovecraft’s circle, with illustrations by Day. Day, who did a lot of work for underground comics and role-playing games, died at the very untimely age of 31.

  • Effinger, George. Schrodinger’s Kitten. Pulphouse, 1992. Issue #42. Supplements the hardback version.
  • Eisenstein, Phyllis. The Crystal Palace. Grafton Books, 1991. First hardback edition, a Fine copy in a Fine dust jacket, signed by Eisenstein. Sequel to Sorceror’s Son. The U.S. paperback precedes, but this was the first hardback. This was part of the last big Zelazny purchase in 2020 and I’ve just now gotten around to cataloging it. As I’ve said before, there are few price points more attractive than “you’ve already paid for it.”

  • Ellison, Harlan. FOE: Friends of Ellison. Edgeworks Abbey, 2019. First edition (stated) trade paperback original (these are Print on Demand books; the POD barcode page states “10 February 2019,” making it possible that these were run off as part of the initial batch run off for the Ellison website sales), a Fine copy. Collection of non-fiction essays, introductions and appreciations of other writers (Jack Vance, Richard Matheson, Philip Jose Farmer, Robert Silverberg, etc.). Bought for $20 (half-off the $40 list price) from the Harlan Ellison Books website.

  • Ellison, Harlan. Why do you call me Ishmael when you know my name is Bernie?. Edgeworks Abbey, 2019. First edition (stated) trade paperback original (these are Print on Demand books; the POD barcode page states “16 June 2019”), a Fine copy. Collection of non-fiction essays on various topics, including one on Lafferty. Bought for $20 (half-off the $40 list price) from the Harlan Ellison Books website. This now shows up as out of print there.

  • Erickson, Steve, Our Ecstatic Days. Simon & Schuster, 2005. First edition hardback, a Fine copy in a Fine, Mylar-protected dust jacket. Bought at Recycled Books in Denton for $6.80.
  • Etchison, Dennis. The Dark Country. Pulphouse, 1991. Issue #21. Not to be confused with the short story collection of the same name.

  • Etchison, Dennis. Red Dreams. Scream/Press, 1984. First edition hardback, #192 of 250 numbered hardbacks signed by Etichson and artist J.K. Potter, a Fine copy in a Fine, Mylar-protected dust jacket and a Fine- slipcase with a trace of haze rubbing, and additionally signed by Etchison. The second short story collection by this acclaimed horror writer. The third publication of Scream/Press. Chalker/Owings, page 335. Supplements a trade copy. Bought for $30.

    (Surface wear is on the dust jacket protector.)

  • Fowler, Karen Joy. Booth. Putnam, 2022. First edition hardback, a Fine copy in a Fine- dust jacket with just a trace of edgewear, the signed publisher’s variant with a “Signed Copy” sticker on the cover and a page signed by Fowler bound in. Novel of the theatrical Booth family (including presidential assassin John Wilkes Booth) in early 19th century America. Bought for $13.99.

  • Fowler, Karen Joy. The War of the Roses. Pulphouse, 1991. Issue #28.

  • Friesner, Esther M. Ecce Hominid. Pulphouse, 1991. Issue #6.

  • Gaiman, Neil. A Little Gold Book of Ghastly Stuff. Borderlands Press, 2011. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Mixture of fiction, non-fiction, essays, speeches, poetry, etc. Cool cover illustration by Gahan Wilson. Probably the hardest of the Little Book series to find (followed by the Lansdale, Ligotti and Malerman volumes). Bought as part of the 15 book lot.

  • Gaiman, Neil. Norse Mythology. W. W. Norton, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Bought for $12.99.

  • Gaiman, Neil. Words of Fire. Arte Editions, 2022 (actually 2023). First edition trade paperback original (with self-flaps), #276 of 300 signed, numbered copies, a Fine copy. Poetry collection. There were two different hardback editions (the Portfolio Edition and the Roman edition), both of which were sold out by the time I heard about it. Now out of print from the publisher. I still have one copy left available through Lame Excuse Books.

  • Gardner, Craig Shaw. A Little Purple Book of Peculiar Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Bought as part of the 15 book lot.

  • Gibson, William. Agency. Berkley, 2020. First edition hardback, a Fine copy in a Fine dust jacket. Sequel to The Peripheral. Bought for $9.99.
  • Gotthelf, Jeremias (pseudonym for Albert Bitzius). The Black Spider. John Calder (Publishers) Ltd., 1958. First English language edition, a Near Fine+ copy with slight spine lean and former owners name inside front cover under flap, in a Very Good+ dust jacket with 1/4″ chip at head, two pinhead-sized abrasions at heel front join, wear at points, and moderate age darkening to white portion of spine. Nineteenth century allegorical horror story about evil made manifest as a giant black spider. Introduced and translated from the original German by H. M. Waidson. Barron, Horror Literature 2-35. Not in Bleiler’s Guide to Supernatural Fiction. Bought off a fellow Biblio dealer for $21.25.

  • Haldeman, Joe. More Than The Sum of His Parts. Pulphouse, 1991. Issue #14.

  • Haldeman, Joe. Worlds Enough and Time. Morrow, 1992. First edition hardback, a Fine copy in a Fine dust jacket, signed by Haldeman. Third book in the Worlds trilogy.

  • Hand, Elizabeth. Hard Light. Minotaur Books, 2016. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bend at heel, signed by Hand. “A Cass Neary Crime Novel.” Bought for $8.

  • Hample, Stuart. Dread & Superficiality: Woody Allen as Comic Strip. Abrams Comic Arts, 2009. First edition hardback, a Fine copy in a Near Fine dust jacket with slight waviness, slight grubbiness to uncoated stock, and a thin scratch across bottom of spine. Received as a Christmas gift only because, many moons ago, I noted to Dwight my incredulity that this comic strip ever existed at all. Yes, Woody Allen’s neurotic nebbish character was so well known in the 1970s that a comic strip based on it (but written and drawn by someone else) appeared in numerous newspapers from 1976-1964. I am equally incredulous that someone found the strip worth of a prestige retrospective collection. Supplements my copy of Non-Being and Somethingness, which contains selections from the strip.

  • Hample, Stuart. Non-Being and Something-ness: Selections from the Comic Strip Inside Woody Allen. Random House, 1974. First edition trade paperback original (numberline beginning with “2”, Random House’s deeply irritating method of identifying a first edition), a Near Fine copy with chip to top rear corner, crease to bottom front corner, nick to middle front edge, and a bit of wear. Dwight bought this for me based on my stumbling across this comic in a newspaper archive looking for something else and expressing surprise that it ever existed at all.

  • Heinlein, Robert A. Off the Main Sequence: The Other Science Fiction Stories of Robert A. Heinlein. Science Fiction Book Club, 2005. First edition hardback (stated “First SFBC Science Fiction Printing, October 2005”; the SFBC is the only edition), a Fine copy in a Fine dust jacket. Short story collection, including three (“My Object All Sublime,” “Pied Piper,” and “A Tenderfoot in Space”) that were previously uncollected. Bought for $5.95.
  • Hill, Doug and Jeff Weingrad. Saturday Night: A Backstage History of Saturday Night Live. Beech Tree Books, 1986. First edition hardback, a Fine- copy with bumping at head and heel in a Near Fine dust jacket with with one 1/16″ chip at heel, crease to bottom of front flap, slight bumping at head and heel and a bit of pull to top jacket edge. History of Saturday Night Live. Part of a very small collection of books on early SNL. Most people today don’t realize how amazingly funny, daring and groundbreaking the original cast SNL was. Bought for $4.99.

  • Holder, Nancy. The Ghosts of Tivoli. Pulphouse, 1992. Issue #44.
  • Hughes, Matthew. Ghost Dreams. PS Publishing, 2022. First edition hardback, #55 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket.

  • Jeter, K.W. Star Wars: Hard Merchandise. Bantam Spectra, 1999. First edition paperback original, a Fine- copy with just a trace of wear at points. The third book in the Bounty Hunter Wars trilogy, and evidently the hardest one to find. Supplements a signed first of the SFBC Bounty Hunter Wars Trilogy I bought from the Fred Duarte estate sale. I supposed now I need to find a PBO first of Slave Ship, the second in the trilogy, but it seems the easiest to find of the three. Bought from Half Price Books for $4.49.
  • King, Florence. Reflections in a Jaundiced Eye. St. Martin’s Press, 1989. First edition hardback, a Near Fine copy with slight bumping at head and heel and thrift store stamp to insider rear cover, in a Fine- dust jacket with slight bumping at head, in a Mylar dust jacket protector. Collection of essays. Replaces an Ex-Library copy. Bought for $7.99.

  • Jordan, Will. Dark Harvest. Blackstone Publishing, 2022. First edition hardback, a Fine copy in a Fine dust jacket. Science fiction novel/technothriller Mike bought for me. Jordan is generally better known as YouTube movie reviewer The Critical Drinker.
  • Joshi, S. T. Black Wings VII: New Tales of Lovecraftian Horror. PS Publishing, 2023. First edition hardback, one of 200 copies signed by all the contributors, a Fine copy in a Fine dust jacket and a Fine slipcase. Original anthology, including stories from John Shirley, Ramsey Campbell and Steve Rasnick Tem. Bought from the publisher at the usual discount.

  • Keene, Brian. A Little Silver Book of Street Wise Stories. Borderlands Press, 2008. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Bought as part of the 15 book lot.

  • King, Stephen. The Long Walk. Centipede Press, 2023. First edition thus and first separate hardback edition (a previous Turtleback library hardback binding appears to be just a rebind of the Signet trade paperback edition), one of 1,400 trade copies, a Fine copy in a Fine dust jacket, still in shrinkwrap. Near future SF dystopia, my favorite of the Bachman books, and one of my favorite of King’s books, period. Instantly out of print from the publisher. I have copies available through Lame Excuse Books.

  • King, Stephen, Richard Chizmar, and Stewart O’Nan. A Face in the Crowd b/w The Longest December. Cemetery Dance, 2023. First hardback edition and first edition thus (with King and O’Nan’s “A Face in the Crowd” previously only available in a eBook edition, and Chizmar’s “The Longest December” stating “Expanded Version,” but ISFDB doesn’t show a previous edition), a Fine copy in a Fine dust jacket. Two novellas. Bought off eBay for $20 plus shipping.
  • Kress, Nancy. The Price of Oranges. Pulphouse, 1992. Issue #53.

  • Kuttner, Henry. The Best of Henry Kuttner. Nelson Doubleday (SFBC), 1975. First edition hardback (code “01 R” on page 335, as per Currey), a Fine- copy with trace of bumping at points in a Fine- dust jacket with slight edgewear and small fold to tip of bottom front flap. Introduction by ray Bradbury. Currey, page 291. Bought for $6 at the Book Cellar in Temple.

  • Lafferty, R. A. Alaric: The Day The World Ended. United Mythologies Press, 1993. First edition hardback, a Fine copy, sans dust jacket, as issued. Reprint of The Fall of Rome, and the last book done by the press. Chalker/Owings (2002), page 931. Think I paid $50 for this.

  • Lafferty, R. A. The Back Door of History. United Mythologies Press, 1988. First edition chapbook original, #126 of 150 (according to Chalker/Owings) signed, numbered copies, a Fine copy, with errata notice laid in and conclusion of “Phoenic” pasted in after page 34. Chalker/Owings (2002), page 928. Supplements a trade edition.

  • Lafferty, R. A. The Collected Short Fiction Volume Seven: Mad Man. Centipede Press, 2023. First edition hardback, #40 of 300 copies signed by introduction author Scott Bradfield, a Fine copy in a Fine dust wrapper, still in shrinkwrap. Yes, I have matching numbers of all the rest. Bought from the publisher at the usual discount.
  • Lafferty, R. A. Cranky Old Man From Tulsa. United Mythologies Press, 1990. First edition chapbook, trade edition, a Fine copy. Three pieces of biographical non-fiction. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. The Elliptical Grave. United Mythologies Press, 1989. First edition trade paperback original, a review copy of 70 signed, numbered copies with an extra story (“The Man Who Lost His Magic”), a Fine- copy with a slight bump at bottom right corner.

  • Lafferty, R. A. The Early Lafferty. United Mythologies Press, 1988. First edition chapbook original, #147 of (according to Chalker/Owings) 150 copies, a Fine copy. The first United Mythologies Press item. Chalker/Owings (2002), page 928. Supplements an unsigned copy.

  • Lafferty, R. A. Funnyfingers & Cabrito. Pendragon Press, 1976. First edition hardback, letter av of 50 signed, lettered copies, a Fine copy, sans dust jacket, as issued. This actually completes my R.A. Lafferty in hardback collection (which is to say that every Lafferty first edition that came out in hardback I have, though not every one is signed, and I don’t necessarily have the signed/limited state of every Lafferty book that was issued in one). Chalker/Owings (1991), page 328. I paid $100 for it.

  • Lafferty, R. A. How Many Miles To Babylon. United Mythologies Press, 1989. First edition chapbook original, #94 of (according to Chalker/Owings) 150 copies. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. Promontory Goats. United Mythologies Press, 1989. First edition chapbook original, #132 of (according to Chalker/Owings) 150 copies, a Fine copy. The second United Mythologies Press book. Supplements an unsigned copy. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. Strange Skies. United Mythologies Press, 1988. First edition chapbook original, #182 of 300 copies, a Fine copy. The third United Mythologies Press book. Chalker/Owings (2002), page 928.

  • Lansdale, Joe R. Cold in July. Mark V. Ziesing, 1989. First hardback edition, #388 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine- slipcase with a bump at bottom rear. Isajenko, World Lansdalean A011.b. With Lansdale, Joe R. Savage Season. Mark V. Ziesing, 1989. First edition hardback, #388 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, in the same slipcase. Isajenko, World Lansdalean A013.a. Supplements a PC set (received as part of typing Cold in July into a computer from galley proofs) and a signed “mock” limited set. Bought from a private collector for $50.
  • Lansdale, Joe R. The Donut Legion. Mulholland Books/Little Brown and Company, 2023. First edition hardback, a Fine copy in a Fine dust jacket, inscribed to me by Lansdale. Bought from Book People at cover price during a signing. It was good to see Joe again.
  • Lansdale, Joe R. The Drive-In (A B-Movie With Blood and Popcorn, Made in Texas). Bantam Spectra, 1988. First edition paperback original, #57 of 100 aftermarket copies from The Overlook Connection with a special limitation page pasted in, a Fine- copy with pinprick of abrasion to bottom rear tip, in a Mylar-bag, in a Fine embossed aftermarket slipcase. Isajenko, World Lansdalean A010.a. With Lansdale, Joe R. The Drive-In 2 (Not Just One Of Them Sequels). Bantam Spectra, 1989. First edition paperback original, #57 of 100 aftermarket copies from The Overlook Connection with a special limitation page pasted in, a Fine copy, in a Mylar-bag, in the same slipcase. Isajenko, World Lansdalean A012.a. Supplements inscribed copies of the ordinary PBOs, plus inscribed hardback firsts of the Kinnell editions, plus The Complete Drive-In from Centipede Press. These Overlook Press aftermarket paperback limiteds were weird things, which is why I didn’t pick these up until I found a set at the right price. Bought from the same private collector for $35.

  • Lansdale, Joe R. The Events Concerning. Subterranean Press, 2022. First edition hardback, #371 of 1,250 signed, numbered copies, a Fine copy in a Fine dust jacket. Short story collection. Bought from the publisher. I’ll have copies of this available in the next

  • Lansdale, Joe R. Edge of Dark Water. PS Publishing, 2012. First edition hardback, letter D of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Supplements a signed Mullholland Books first and both a signed PS trade edition and a signed, numbered copy. Not really an impressive limited, as it’s identical to a signed, numbered copy, but it was only $75, which is about what the regular numbered edition goes for these days. Isajanko, A044.d.ii (but he doesn’t list this lettered edition).
  • Lansdale, Joe R. (illustrated by Ted DiLucia). Incident On and Off a Mountain Road. Crystal Lake Publishing, 2023. First edition hardback (“10 9 8 7 6 5 4 3 2 1” numberline), a Fine copy in decorated boards, sans dust jacket, as issued. Illustrated version of the dark suspense novelette originally published in Night Visions 8 and later adapted as an episode of the Showtime Masters of Horror TV anthology series. Amazon seems to be the main fulfillment avenue for this book, so I provided an Amazon link above.

  • Lansdale, Joe R. Shooting Star. Pandi Press, 2023. First edition trade paperback original, a Fine copy with signed plate (and two bookmarks) laid in. At 43 pages long, it’s somewhere in the novelette/novella range.

  • Lansdale, Joe R. The Steel Valentine. Pulphouse, 1991. Issue #11. Isajanko, The World Lansdalean C01.a.i. Supplements another copy and a Short Story Hardback version.

  • Lansdale, Joe R. (as Ray Slater). Texas Night Riders. leisure, 1983. First edition paperback original, a Fine- copy with tiny loss at very tip of top rear outer corner and some foxing to inside covers, otherwise tight, square and apparently unread. This is far and away the best copy I’ve ever seen. Supplements a less attractive copy of the PBO inscribed to me, the Chivers Press large print (and first hardback edition) inscribed to me, and both the lettered and numbered editions of the Subterranean signed/limited edition. Isajenko, A003.a. Bought for $40 from Half Price Books.

  • Lansdale, Joe R. Things Get Ugly: The Best Crime Stories of Joe R. Lansdale. Tachyon, 2023. First edition trade paperback original, a Fine copy. Bought from the publisher at the usual discount.

  • Lansdale, Joe R. Tight Little Stitches in a Dead Man’s Back. Pulphouse, 1992. Issue #46. Isajanko, The World Lansdalean C03.a.i. Supplements a copy of the Short Story hardback version.

  • Lansdale, Joe R. and Kasey Lansdale. Dark Kin. Thunderstorm Books, 2023. First edition hardback, #232 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket. Collection of collaborative stories, one of which appears here for the first time. Bought from the publisher at a dealer discount. I have copies of this available through Lame Excuse Books.

  • Lansdale, Joe R. and Kasey Lansdale. Terror is Our Business: The Dana Roberts Casebook of Horrors. Short Scary Tales (SST) Publications, 2023. First edition hardback, #101 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, with tissue paper closure sticker laid in.

  • Lansdale, Joe R. (edited by Christopher Golden and Brain Keene). The Drive-In: Multiplex. Pandi Press, 2023. First edition trade paperback original, a Fine copy.

  • Lansdale, Joe R. and Keith Lansdale. Prisoner of Violence. Dark Regions Press, 2023. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued, into which I’ve laid a signature plate by Joe and Keith Lansdale. Graphic novel that was announced several years ago, but only recently came out. I have copies of this available through Lame Excuse Books.

  • Lansdale, Joe R. (and Andreas Guinaldo). Joe R. Lansdale’s The Drive-In. Avatar, 2005. First edition graphic novel original thus (no additional printings listed, preceded by four individual comic book issues), a Fine copy, signed by Lansdale. Graphic novel adaptation of the novel.

  • (Lansdale, Joe R.) Andrew J. Rausch and Mark Slade, editors. Conversations with Joe R. Lansdale. University Press of Mississippi, 2022. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Collection of interviews with Lansdale, including the ones Dwight Brown and I did for Nova Express. Bought from the publisher. I’ll have signed copies of this available through Lame Excuse Books catalog.

  • (Lansdale, Joe R.) Andrew J. Rausch and Mark Slade, editors. Conversations with Joe R. Lansdale. University Press of Mississippi, 2022. First edition trade paperback original (simultaneous with the much smaller hardback run), a Fine copy. Sent to me as a contributor’s copy.
  • Lee, Tanith. Into Gold. Pulphouse, 1991. Issue #32.Tiny rub on spine.

  • Le Fanu, Sheridan (edited by Eric J. Guignard). A Little Fuchsia Book of Fears. Borderlands Press, 2023. First edition hardback, #462 of 500 numbered copies signed by the editor, a Fine copy, sans dust jacket, as issued. I will have copies of this available in the next Lame Excuse Books catalog.

  • Le Guin, Ursula K. Nine Lives. Pulphouse, 1992. Issue #50.
  • Ligotti, Thomas. Pictures of Apocalypse. Chiroptera Press, 2023. First edition hardback, a Fine copy in a Fine dust jacket, still in shrinkwrap. Also includes a special 24 page Pictures of Apocalypse: Interviews and Sketches chapbook, including new interviews with the author and artist, “Concept to finish” art documentation, outtakes, a thank you card, and a bookmark. A verse cycle. A fairly elaborate small press production for this stylish horror writer. The book is no longer on the publisher’s website, so I assume it is now out of print. But I still have copies through Lame Excuse Books (including the extras bag).

  • Locke, George. Voyages in Space: A Bibliography of Interplanetary Fiction 1801-1914. Ferret Fantasy, 1975. First edition hardback, #17 of 18 signed, numbered hardback copies (plus an additional 10 copies not for sale), a Fine copy, sans dust jacket, as issued. The definitive bibliography on early space travel fiction. Chalker/Owings, page 527. Tymn/Schlobin/Currey A Research Guide to Science Fiction Studies 47. Barron mentions this in Anatomy of Wonder 4 7-7 (on Currey’s Science Fiction and Fantasy Authors), but does not have a separate listing for it. Not in Justice. Supplements an inscribed copy of the trade paperback.

  • Long, Frank Belknap (S. T. Joshi, editor). Library of Weird Fiction: Frank Belknap Long. Centipede Press, 2022. First edition hardback, a Fine copy in a Fine dust jacket, still in shrinkwrap. Massive 800+ page collection of fiction by this contemporary and correspondent of H. P. Lovecraft. Bought for $40.

  • Lovecraft, H. P. The Dream Quest of Unknown Kadath. Shroud: Publishers, 1955. First edition trade paperback original (Currey A, orange wrapper bound with brown tape) simultaneous with a small hardback run, #1341 of 1,500 copies, a Near Fine copy with former owner’s name on front free endpaper and some evenly-spaced diagonal wrinkles to spine (possibly as issued by Shroud), in a Very Good first state (publisher’s address of 819 Michigan Avenue, Buffalo 3, New York, as per Currey) dust jacket with shallow chipping at head and heel and staining along spine and at top front near edgefold. First edition of this Dunsanean Dreamlands novella, which ties into Lovecraft’s Cthulhu Mythos but is also distinct from it. Shroud was an odd press, and this book displays Shroud’s “amateurish” (to quote Chalker/Ownings) quality. Currey, page 322. Chalker & Owings, The Science Fantasy Publishers, pages 403-404. Joshi, H.P. Lovecraft: A Comprehensive Bibliography I.31. Bleiler, The Guide to Supernatural Fiction 1048 (“repetitious, alternately aiming for childishness and horror, maundering and wandering, it has little to offer except a rather pointless integration of the earlier Dunsanean stories”). Magill, Survey of Modern Fantasy Literature, pages 431-435. Bought from a Potter & Potter auction for $187.50.

  • Lovecraft, H. P. Miskatonic Missives. Helios House, 2022 (actually 2023). First edition hardback, one of 521 Limited Collector’s Edition sets (given the number of kickstarter backers), containing three volumes, plus a fake book that’s actually a traycase to contain the ephemera extras, all Fine copies, sans dust jacket, as issued, in a Fine slipcase.

    Each volume contains a reprint of one of H.P. Lovecraft’s most interesting letters, presented alongside related archival material such as contemporary short stories, art, maps, etc., as well as original art and new scholarship.

    Each volume is also packaged with a set of exclusive extras—replicas of related contemporary materials such as photos, maps, ticket stubs, postcards, news clippings, and diary pages. The Collector’s set packages all of these extras in a custom box which nests in the slipcase alongside the three books. Each Limited Edition Collector’s set is supplied with a Certificate of Ownership signed by editors Andrew Leman and Sean Branney of the H.P. Lovecraft Historical Society, and a collectible enamel pin.

    This is just the loose extras; there are additional extras for each volume, in their individual envelopes in the Ephemera traycase.

    with

  • Lovecraft, H. P. (Sean Branney and Andrew Lman, editors and annotators). The Spirit of Revision: Lovecraft’s Letters to Zeila Brown Reed Bishop. Helios House, 2022. Second Edition hardback (I believe the first edition was trade paperback only), a Fine copy, sans dust jacket, as issued. Bought with the above as an add-in.

  • (Lovecraft, H. P.) Houllebecq, Michel. H. P. Lovecraft: Against the World, Against Life. Cernunnos, 2019. First edition hardback, a Fine copy in a Fine dust jacket. Critical analysis of Lovecraft and his work by the French writer and critic. Introduction by Stephen King. Bought for $9.95.

  • (Lovecraft, H.P.) Day, Gene. Richard Upton Pickman: A Portfolio with Dirk W. Mosig’s H. P. Lovecraft: Psychological Realist. Stellar Z. Publications, 1977. First edition chapbook originals (for each), a Near Fine+ copy of the portfolio, with slight bending at the corners, and a Fine copy of the smaller Mosig critical chapbook. 10 art prints based on Lovecraft’s “Pickman’s Model,” plus a chapbook from a psychologist who has done a lot of essays on Lovecraft. There’s not a lot of Internet hits on either of these, and the few hits on the portfolio don’t appear to have the Mosig chapbook. I’m not sure what the print run on this was. I even reached out to Mosig himself (who’s still alive and teaching at a university) to ask the print run, but he didn’t know.

    (Though they seem the same size here (the blog image default size), the Mosig chapbook is much smaller, which makes sense given it probably shipped inside the portfolio.)

  • (Lovecraft, H.P., Robert E. Howard, Clark Ashton Smith) Jones, Stephen. The Weird Tales Boys. First edition hardback, #92 of 100 signed (by Jones, introduction author Ramsey Campbell, artist Lee Edwards, and facsimile signatures for Lovecraft, Howard and Smith), numbered copies, a Fine copy in a Fine slipcase. A triple biography of H.P. Lovecraft, Robert E. Howard and Clark Ashton Smith as the most important writers for Weird Tales. Now sold out from the publisher. A small number of copies of this will be available in the next Lame Excuse Books catalog.

  • Machen, Arthur (attributed). From the London Evening News. The Arthur Machen Society/Four Ducks Press, 1959. First edition chapbook original, #33 of 50 copies printed, a Fine copy, with a letter enclosed presenting the work from J. H. Stewart, Jr. to Joseph Kelly Vodray (who left an archive of Machen papers to Princeton) describing how the book was designed and printed by Bill Jackson. Three stories covering purportedly supernatural events reprinted from the London Evening News tentatively identified as the work of Arthur Machen. This is a remarkably attractive chapbook, crisply designed and printed in multiple colors inside, and really looks like something printed 20 years later. No online listings, though Worldcat does locate 13 copies in various libraries (including UT’s Harry Ransom Center).

  • (Machen, Arthur) Wesley D. Sweeter and Adrian H. Goldstone. Arthur Machen. Arthur Machen Society, 1960. First edition hardback chapbook, one of 200 copies, a Near Fine copy with sports of rubbing to extremities and cover and the decorative bookplate of Paul Jordan Smith (Literary Editor of The Los Angeles Times for 25 years and noted Machen fan) affixed to insider front cover. Reprints two pieces on Machen from The Aylesford Review: Sweeter’s “Machen: A Biographical Study” and Goldstone’s “Men About Machen,” discussing some of the more notable members of the Society (including Vodray and Smith).

  • Maclay, John. A Little Red Book of Vampire Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

    .

  • MacLeod, Fiona (pseudonym for William Sharp). The Hills of Ruel and Other Stories. Heinemann, 1921. First edition hardback, a Near Fine+ copy in decorated boards (the design matching the dust jacket) with sight bumping at head, heel and points and slight foxing to inside covers and endpapers in a Very Good- dust jacket with a 7/8″ chip at head, 1/2″ chip at heel, smaller losses at top and bottom edges and wear along outer edges. Beliler Checklist (1978) page 131.

  • MacLeod, Ian R. Ragged Maps. Subterranean Press, 2023. First edition hardback, #171 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Short story collection.

  • Martin, George R. R. The Pear-Shaped Man. Pulphouse, 1991. Issue #37.

  • Martin, George R. R., editor. Wild Cards VI: Ace in the Hole. Bantam Books/SFBC, 1989. First hardback edition, the SFBC book club edition, preceded by the PBO, a Fine- copy with bumping at head, heel and top points, in a Near Fine+ dust jacket with slight bumping at head, heel and top points, a couple of phantom creases across rear cover, and slight edgewear. Bought for $6 at the Book Cellar in Temple.

  • Martin, George R. R. Wild Cards VIII: One-Eyed Jacks. Bantam Spectra, 1991. First edition paperback original, a Near Fine copy with mild spine creasing and a trace of wear at points. This completes my Wild Cards paperback collection. Bought for $2.49.

  • Massie, Elizabeth. A Little Magenta Book of Mean Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Matheson. Richard. Duel: Terror Stories By Richard Matheson. Tor, 2003. First edition hardback, a Fine- with slight bend at heel copy in a Fine- dust jacket with a slight wrinkle at rear bottom. Supplements a trade paperback edition. Bought for $12.99.
  • McBride, H. W. A Rifleman Went to War. Small-Arms Tactical Publishing Company, 1935. First edition, second printing (according to Dwight’s bibliography of this press), a Near Fine copy with a slight bit of spine wear and previous owner’s bookplate, in a Very Good- dust jacket with 1 1/2″ wide x 1/2″ deep chip at head, small chip at heel, creasing along front flap fold, and general wear, but no loss of lettering anywhere, in a Mylar dust jacket protector. Memoirs of the experiences of an American rifleman who joined the Canadian expeditionary forces during World War I (my second favorite World War). A Christmas gift from Dwight, who collects this press.

  • McCarthy, Cormac. The Crossing. Knopf, 1994. First edition hardback, a Fine copy in a Fine dust jacket, with McCarthy signature plate attached to half-title page. Second book in the Border Trilogy, preceded by his breakthrough bestseller and National Book Award winner All the Pretty Horses. Supplements an unsigned first. Bought for $400 (with discount) from a fellow dealer.

  • Merritt, A (and Hannes Bok). The Black Wheel. New Collector’s Group, 1947. First edition hardback, in a first state (Currey A) binding, #571 of 1,000 copies, a Near Fine- copy with slight bumping at head and heel, abrasions to title on front cover, inner hinge before title page just starting at top, with copyright correction pasted to copyright page. Novel started by Merritt and finished by Bok, who also illustrates the book. Currey, page 364. Chalker/Owings (2002), pages 608-9. Chalker/Owings (1991), page 308. Kemp, The Anthem Series, pages 384-385.

  • Merritt, A (and Hannes Bok). The Black Wheel. New Collector’s Group, 1947. First edition hardback, in a second state (Currey B) binding, a Very Good+ copy with BB-sized indention to front board (extending to front free endpaper), bumping at head, heel and points, large former owner plate for Robert C. Culp affixed to inside front cover, and foxing to interior gutters, and no number on copyright page, in a Near Fine FFF dust jacket (see Chalker/Owings for details, though they note the yellow jacket had “no illustrations,” which is clearly incorrect) with bumping at head, and a faint, dime-sized damp-staining drop and slight creasing to rear panel. Novel started by Merritt and finished by Bok, who also illustrates the book and the post-publication jacket. Currey, page 364. Chalker/Owings (2002), pages 608-9. Chalker/Owings (1991), page 308. Kemp, The Anthem Series, pages 384-385.

  • Mirrlees, Hope. Lud-In-The-Mist. W. Collins & Sons, 1926. First edition hardback, a Fine- copy with a couple of abrasion spots on front cover, slight bend and head and heel, and small bookseller sticker to bottom of rear inside cover, otherwise a nice, sharp copy in an immaculate facsimile dust jacket. Bleiler, Checklist (1978), page 141. Magill, Survey of Modern Fantasy Literature, pages 926-931. Barron, Fantasy Literature 3-250 (“A beautifully written allegory unashamedly celebrating the necessity of enchantment”). Tymn Zahorsky Boyer, Fantasy Literature pages 141-142. Widely considered one of the classic novels of pre-Tolkien fantasy. Bought for $395 plus shipping.

  • Monteleone, Thomas F. A Little Brown Book of Bizarre Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Moorcock, Michael, editor (John Brunner, Roger Zelazny, J. G. Ballard, etc.). New Worlds March 1966, Vol. 49, No. 160. Compact SF, 1966. First edition magazine in the form of a paperback original, a Near Fine copy with slight glue ridging to spine, slight wear at points, a faint, thin line of abrasion down rear cover near outer edge, and a few touches of general wear. Right in the middle of Moorcock’s acclaimed run as editor of New Worlds when it became the epicenter of the New Wave, with a murder’s row of writers in this issue. The Zelazny is the first appearance of the classic “For a Breath I Tarry” (Levack, Stories 69a), and this came from the last purchase of books from Bob Pylant’s Zelazny collection.
  • Moore, Ward. Caduceus Wild. Pinnacle Books, 1978. First edition paperback original, a Near Fine- copy with one tiny spine crease near front join, bookstore stamp inside, slight rubbing to rear cover, trace of magic marker left over price on front cover (Bestine took care of the rest), and touch of edgewear. Moore’s last novel. Replaces a slightly less attractive copy. Bought for $1.99.

  • Morlan, A.R. The Cat With The Tulip Face. Pulphouse, 1991. Issue #29.
  • Morrell, David. Creepers. CDS Books, 2005. First edition hardback, a Fine copy in a Fine, Mylar-protected dust jacket, signed by Morrell. Bought for $8.
  • Mundy, Talbot. Full Moon. D. Appleton-Century, 1935. First edition hardback (“(1)” on page 312), a very Good copy with slight spotting to top and bottom page block edges (and possibly side, but it’s hard to tell with deckled edges), slight concavity at top of spine, slight bend at head and heel, light foxing to inside covers, and a few penciled notes front and back, in a Very Good dust jacket with shallow chipping at head, heel and points, spine faded, top rear flap corner clipped (but front panel and price intact), wear along front fold edge, slight dust staining to white rear panel, one 1/2″ closed tear to top front and one 1/4″ closed tear to rear bottom, and slight foxing to flaps; not pristine, but nice for the age. Oriental adventure with magic set in India. Grant, Talbot Mundy: Messanger of Deastiny, page 184. Day, Talbot Mundy Biblio, page 5. Bleiler, Checklist (1978), page 145. Bought for $40 at Antiquarian Book Mart in San Antonio.

  • Murphy, Pat. Rachel in Love. Pulphouse, 1992. Issue #48.
  • Murray, Charles. Losing Ground: American Social Policy 1950-1980. Basic Books, 1984. Third printing, a Fine- copy in a Fine- dust jacket, with slighting bumping at head and heel, a trace of wear at points, and a touch of surface wear, inscribed by Murray: “To Dr. Harry Schmitt,/with best wishes/Charles Murray/18 July 1986.” (I wonder if this was inscribed to former astronaut and Republican senator Harrison Schmitt.) This is probably the most important book ever written about the American welfare state, in which Murray showed in meticulously researched detail why the welfare state expansions instituted by Lyndon Baines Johnson’s Great Society inflicted lasting economic and social harm to black families in America. Without Losing Ground, the welfare reform act of 1996 never would have happened. It came out back when some Democrats will still willing to look at research and data rather that automatically calling critics of the welfare state racist. Highly recommended. Supplements an unsigned first printing. (I had a second printing inscribed to me that I foolish lent out and never had returned.) Bought for $5.99.

  • Oates, Joyce Carol. The Bingo Master. Pulphouse, 1992. Issue #41.
  • Page, Gerald W., editor. The Year’s Best Horror Stories VII. DAW, 1979. First edition paperback original, a Fine- copy with tiny crease to very tip of bottom front corner and a trace of edgewear. Includes stories from Stephen King, Jack Vance, Manly Wade Wellman and Lisa Tuttle, among others.
  • Piccirilli, Tom A Little Black Book of Noir Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Piper, H. Beam. Lord Kalvan of Otherwhen. Garland Publishing, 1975. First hardback edition, a Fine copy, sans dust jacket, as issued. Novel of a modern day state trooper accidentally sucked into an alternate timeline where he uses his knowledge of military tactics and technology (such as the composition of gunpowder) to topple a corrupt theocracy. Part of the Garland Library of Science Fiction, reprinted from slightly blown-up pages from the Ace paperback original. Supplements a PBO first. Bought for £68 plus shipping from a UK seller.

  • Powers, Tim. The Anubis Gates. Mark V. Ziesing, 1989. First edition thus, part of the signed, limited edition of 500, but lacking a number and a slipcase, a Fine- copy in a Fine- Mylar-protected dust jacket with slight bend at head. Berlyne, A4h.2, who notes that Ziesing says many slipcases were destroyed in a flood. Chalker/Owings (2002), page 1000, who says Ziesing had an overrun of slipcases. Supplements an inscribed PBO first, an inscribed Chatto & Windus first hardback, a slightly flawed copy of the Centipede Press limited edition, and the holograph manuscript copy included in the ultralimited edition of the Berlyne bibliography.

  • Powers, Tim. Declare. Morrow, 2001. First trade edition hardback (preceded by the Subterranean Press limited edition), a Fine copy in a Fine Mylar-protected dust jacket, signed by Powers. Berlyne, A11b. Supplements a copy of the Subterranean Press limited.

  • Powers, Tim. Earthquake Weather. Legend, 1997. First edition hardback, a Fine copy (though with the characteristic page darkening for Legend books of this era) in a Fine Mylar-protected dust jacket, signed by Powers. Berlyne, A10a (who notes that reportedly only 800 copies were produced). Replaces an unsigned copy.

  • Powers, Tim. An Epitaph in Rust. Charnel House 2023. First edition hardback thus, #54 of 200 numbered copies, a Fine copy, sans dust jacket, as issued. Bought from the publisher at the usual discount.

  • Resnick, Mike. Kirinyaga. Pulphouse, 1992. Issue #58. Just the novelette. Kelleghan, Mike Resnick: An Annotated Bibliography and Guide to His Work A39.

  • Robinson, Kim Stanley. Black Air. Pulphouse, 1991. Issue #20.
  • Robinson, Kim. New York 2040. Orbit, 2017. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head and a trace of edgewear. Bought for $9.99.

  • Romero, George A. and Daniel Kraus. The Living Dead. Short Scary Tales (SST) Publications, 2023. First edition hardback, 322 of 400 copies signed by Suzanne Romero, Daniel Kraus, Vincenzo Natali and Francois Vaillancourt, a Fine copy in a Fine dust jacket. Hefty 736 page original novel set in Romero’s Living Dead universe. Now sold out from the publisher, though I do have one copy available through Lame Excuse Books.

  • Russell, Eric Frank. Wasp. Avalon Books, 1957. First edition hardback, a Fine- copy with a tiny bit of bend at head and heel in a Fine- dust jacket with one 1/2″ closed tear are top rear head, and tiny bit of wrinkling on bottom front edge near heel, and just the barest traces of dust soiling to an otherwise bright white dust jacket. Military SF adventure novel of a spy sent to a hostile alien planet to bring down the government through psychological and guerilla warfare, like a wasp crashing a car by attacking the driver. Bought from a notable UK dealer for £200 plus shipping.

  • Sagan, Carl. Contact. Simon and Schuster, 1985. First edition hardback, a Fine- copy with slight bumping at head, slight dust soiling to outer page block, and slight bunting of points, in a Fine- dust jacket with slight bumping at head, slight wear at points, and a trace of staining to blind side. Sagan’s only novel, and the basis of the 1997 film. Bought for $8.49.

  • Saki (H.H. Munro) (edited by Stuart David Schiff). A Little Red Book of Wit & Shudders. Bands Press, 2023. First edition hardback, #462 of 500 copies signed by Schiff, a Fine copy, sans dust jacket, as issued. I have copies available through Lame Excuse Books.

  • Sammons, Brian M. Tales From Arkham Sanitarium. Dark Regions Press, 2022. First edition hardback, a Fine- copy in decorated boards with one tiny bump near bottom front corner, sans dust jacket, as issued. Cthulhu Mythos anthology, featuring a few familiar names (Don Webb, W. H. Pugmire, etc.).

  • Sarrantonio, Al. A Little Yellow Book of Fevered Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Schow, David J. Sedalia. Pulphouse, 1991. Issue #25.

  • Searight, Richard F. The Sealed Casket. The Strange Company, 1975. First edition prose portfolio (wrappers containing loose pages for the story), one of 100 copies, a Fine- copy with a touch of bumping or creasing at the points. Short story from another Lovecraft circle writer, and Hippocampus Press published a volume of their correspondence (combined with Lovecraft correspondence with E. Hoffman Price), one copy of which I have available for sale through Lame Excuse Books.

  • Selznick, Brian. The Invention of Hugo Cabret. Scholastic Press, 2007. First edition hardback, a Fine copy in a Fine dust jacket. Illustrated young adult novel. Winner of the 2008 Caldecott Medal and basis of the 2011 film Hugo, which I also enjoyed.

  • Shatner, William (with Chris Kresski). Star Trek Memories. HarperCollins, 1993. First edition hardback, limited issue, one of 4,500 signed, numbered copies, a Fine copy in a Fine slipcase, sans dust jacket, as issued, still in shrinkwrap. Non-fiction memoir of his time on the original Star Trek TV series. Bought for $65, less than cover price and less than a fourth of what it lists for these days.

  • Sheckley, Robert. Xolotl. Pulphouse, 1991. Issue #3.

  • Shepard, Lucius. The Ends of the Earth. Arkham House, 1991. First edition hardback, #5 of 100 copies signed and numbered by Shepard, a Fine copy in a Fine dust jacket (with SIGNED sticker on spine). This is a post-first limited that Lucius did himself, much like Greg Bear did his 250 copy limited edition of The Wind From A Burning Woman. Chalker/Owings (2002), page 73 (where he says this edition was sold at $100 a pop). Joshi, Sixty Years of Arkham House 178 (where he doesn’t mention this limited edition). Nielsen, Arkham House Books: A Collector’s Guide 184 (he doesn’t mention this edition either). Supplements an unsigned copy (which I must not have had the last time Lucius came through Austin). Bought for $17.50 plus shipping (which is less than even the original Arkham House cover price).

  • Shiner, Lewis. More Collected Stories. Subterranean Press, 2023. First edition perfect bound chapbook, a Fine copy, in publisher’s plastic bag. Six stories Lew has published since Subterranean’s Collected Stories. Bought from the publisher.

  • Shiner, Lewis. Twilight Time. Pulphouse, 1991. Issue #30.
  • Silverberg, Robert. Monsters and Things. PS Publishing, 2023. First edition hardback, #100 of 100 signed, numbered copies in decorated boards signed by Silverberg, editor Stephen Jones, and illustrator Randy Brocker, a Fine copy in a Fine dust jacket and a Fine slipcase, with erratum sheet laid in noting that one of these stories (many of them written under pseudonyms) actually was from Donald Westlake writing as Richard Stark. Oops! Already sold out from the publisher. I will have a small number of these available in the next Lame Excuse Books catalog.

  • Silva, David B. A Little White Book of Lies. Borderlands Press, 2005. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • (Sime, Sydney H.) Skeeters, Paul W. (introduction by Ray Bradbury). Sidney H. Sime: Master of Fantasy. Ward Ritchie Press, 1978. First edition hardback, #178 of 200 copies signed by Skeeters and Bradbury, a Fine copy, sans dust jacket, as issued. Art book featuring Sime’s illustration work. This was a pleasant surprise, as I thought it was just a trade hardback lacking the dust jacket, but it’s actually the limited edition signed by Ray Bradbury, which alone is worth just shy of what I paid for the entire lot. Chalker/Owings, page 1072 (not a listing for the book, but a description of the post-publication dust jacket for the limited edition that George Locke printed up). Supplements a copy of the unsigned trade paperback edition.

  • Simmons, Dan. Entropy’s Bed at Midnight. Lord John Press, 1990. First edition hardback, #93 of 100 signed, limited copies, a Fine copy, sans dust jacket, as issued, in a Fine slipcase. Reginald, Science Fiction and Fantasy Literature, 1975-1991 33966 (but not this state). Supplements a signed, non-slipcased 1/300 edition.

  • Sloca, Sue Ellen. Candles on the Pond. Pulphouse, 1992. Issue #59. As far as I can tell, this is her only publication anywhere.
  • Smith, Clark Ashton. Seer of the Cycles. CASiana Literary Enterprises (i.e., Roy A. Squires), 1976. First edition chapbook, #223 of 325 copies, a Fine copy in a slightly worn printed envelope that’s starting to split at the top fold. Fifth volume in the Second Series of Fugitive Poems (Xiccarph Edition). Joshi/Schultz/Connors, Clark Ashton Smith: A Comprehensive Bibliography, I.A.38 (for the Fugitive Poems: Second Series as a whole). Not in Currey. I also have Titans in Tartarus from this series. Bought off eBay for $35.

  • Smith, Clark Ashton (Scott Connors and Ron Hilger, editors). The Miscellaneous Writings of Clark Ashton Smith. Night Sahde Books, 2011. First edition hardback, a Fine copy in a Fine dust jacket. I already had the five volume collected fantasies, but somehow never picked this one up, perhaps because Night Shade was so horrible at fulfillment. Bought for $14.99.

  • Somtow, S. P. Fiddling for Waterbuffaloes. Pulphouse, 1992. Issue #47.
  • Stableford, Brian. Slumming in Voodooland. Pulphouse, 1991. Issue #26.

  • Straub, Peter. A Little Blue Book of Rose Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Swanwick, Michael. The Best of Michael Swanwick Volume Two. Subterranean Press, 2023. First edition hardback, #204 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag, with a Subterranean bookmark laid in. Supplements the first volume Subterranean did back in 2008. I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Brief Essays on Genre. Dragonstairs Press, 2023. First edition chapbook original, #10 of 75 signed, numbered copies, a Fine copy. 25 brief essays on genre fiction. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Red Fox, Blue Moon. Dragonstairs Press, 2023. First edition chapbook original, #64 of 69 signed, numbered copies, a Fine copy. Vignettes about a fox, inspired by a fox that visited Swanwick’s backyard. “This is the story of how she saved the world. Well, her world.” I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Transits of Venus. Dragonstairs Press, 2023. First edition chapbook original, #28 of 36 signed, numbered copies, a Fine copy with interlocking geometric pattern cover (there were also floral pattern versions). I have one copy this available through Lame Excuse Books.

  • Swanwick, Michael. The Vinter’s Guide to Remarkable Wines. Dragonstairs Press, 2023. First edition chapbook original, #36 of 55 signed, numbered copies, a Fine copy. Collection of vignettes around wine themes. I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Winter Songs. Dragonstairs Press, 2022 (not offered for sale until 2023). First edition chapbook original, #37 of 115 copies, a Fine copy. I will have copies of this available in the next Lame Excuse Books catalog.

  • Tiptree, James Jr. (Alice Sheldon). The Voice That Murmurs in the Darkness. Subterranean Press, 2023. First edition hardback, #389 of 1,000 numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Includes out of print and previously uncollected work, including the essay “How to Have An Absolutely Hilarious Heart Attack” and the story “Beam Us Home.”

  • Thorburn, Wayne. Red State: An Insiders Story of How the GOP Came to Dominate Texas Politics. University of Texas Press, 2014. First edition hardback, a Fine copy in a Fine-dust jacket with just a touch of wear, signed by Thorburn. This is an interesting book that describes (among other things) how leftists deliberately drove conservatives and moderates out of the Texas Democratic Party so they could control it. Of course, they expected voters would simply keep voting for Democrats, but that didn’t happen. Recommended. Bought for $7. Replaces an unsigned copy.

  • Vance, Jack. The Languages of Pao and The Dragon Masters. The Vance Integral Edition, 2002. First edition hardback, a Fine copy, sans dust jacket, as issued. The first edition restoring Vance’s original texts. This was bought from a collector as part of a small Jack Vance lot. I think I could have bought this for $32 at the time, but having paid for the VIE itself (a considerable chunk of change), I didn’t want to spend more for work that would later be included in the complete VIE anyway. Chalker/Owings (2002), page 946, which states there were 500 copies of this volume produced, but it seems a bit rarer than that. Also, I finally had a chance to add the proof dust jacket I bought back in 2020.

  • Vance, Jack. Night Lamp. Tor, 1996. First edition hardback (precedes the Underwood Books edition), a Fine copy in a Fine dust jacket, signed by Vance. Cunningham, 61a. Supplements the Underwood Books limited edition.

  • Vance, Jack. The Space Pirate. Toby Press, 1953. First edition trade paperback original (no statement of printing, as per Currey), a Fine- copy with a bare trace of dust soiling/age darkening to rear cover, plus the usual age darkening to pages; all but perfect, and far and away the nicest copy I’ve seen. Vance’s second novel. Hewett, A2. Cunningham, B.75.a. Currey, page 500. Supplements a signed but less attractive copy. Bought for $12 from Recycled Books in Denton.

  • (Vance, Jack) Hewitt, Jerry, and Daryl F. Mallett. The Work of Jack Vance: An Annotated Bibliography & Guide. Borgo Press/Underwood -Miller, 1994. First edition hardback, #121 of 200 numbered copies signed by Vance, introduction author Robert Silverberg, Hewett and Mallett, a Fine copy, sans dust jacket, as issued, in a Fine- slipcase with a bump to the top rear that I probably inflicted myself. The definitive Vance bibliography. Supplements a trade copy. Hewitt, M166 (yes, a reference to the book in the book itself). Cunningham E.2. Jerry tells me that Mallett was actually the editor rather than co-compiler, and on my trade copy he’s crossed out “Borgo” and written in “Bozo” on the title page. I sense some tension there…

  • (Vance, Jack) Temianka, Dan. The Jack Vance Lexicon: From Ahuloh to Zipahgote. Underwood-Miller, 1992. First edition hardback, #87 of 200 numbered copies signed by Vance and Temianka, a Fine- copy with a slight bit of bend at heel, sans dust jacket, as issued, in a Fine slipcase. Just what it says, a Lexicon of Vancian vocabulary. Supplements a trade copy. Hewitt, M163. Cunningham I.3.
  • (Vance, Jack) Levack, Daniel J. H. and Tim Underwood. Fantasms: A Bibliography of the Literature of Jack Vance. Underwood-Miller, 1978. First edition trade paperback original (simultaneous with a much smaller hardback run), one of 900 copies, a Fine- copy with slight bumping to points, signed by Jack Vance. The first serious, professional bibliography of Vance’s work. Hewett, M47. Cunningham, E1. Stephensen-Payne/Benson, M3.

  • (Vance, Jack) Stephensen-Payne, Phil and Gordon Benson, Jr. Jack Vance: A Fantasmic Imagination (2nd Revised Edition) A Working Bibliography. Galactic Central, no date (but 1990). First edition of one-sided brad-bound sheets, either Fine- (for the condition of the sheets), with a two penciled notes at bottom of front page, or Very Good+ is you count the wrinkled condition of the Duotang thin cardstock brad binder, but it is unreasonable to expect such to last decades in pristine condition. Back before the rise of Internet bibliographies, a number of projects were started to make comprehensive science fiction bibliographies. (Willie Siros was involved in one, until he said he hit the undocumented limit of many-to-many links in the Macintosh 4D database software.) Galactic Central was one project working on an author-by-author basis, this being the 28th in a series that eventually reached 58 before petering out. Hewitt, M152. (He states that Borgo Press even did a hardback of this! I’ve never seen one.) Not in Cunningham.

    (Vance, Jack). Rawlins, Jack. Demon Prince: The Dissonant Worlds of Jack Vance. Borgo Press, 1986. First edition hardback (plasticized boards), a Fine copy with “KATER-BOUND” sticker to rear cover (presumably as issued). Critical companion to the works of Jack Vance. Depending on the title, Borgo either did plasticized boards with the trade paperback encased, or cloth with the cover of the trade paperback pasted to the front; this is one of the former. I can’t recall ever seeing any copy of this title before, much less the hardback variant. Hewett, M.126. Cunningham, F.2.

  • (Vance, Jack) Jean Luc Esteban. Jack Vance: Works published in PULPS magazines 1945-1975. LuLu, 2023. First edition (POD) hardback, a Fine copy in decorated boards, sans dust jacket, as issued. An odd reference work, showing the full-color cover illustrations, title pages, first few story pages, and interior black and white illustrations, for every story Jack Vance published in pulp magazines for the covered period. (Never mind that by the 1970s, the magazines publishing Jack Vance weren’t pulps and hadn’t been for some time.) Sort of an strange work, with high production values (all the page are slick stock, not just the ones for the color illustrations) and odd editorial choices (the Table of Contents is at the rear, and there are a lot of pages left unnecessarily blank). Also, there is no magazine or illustrator index. But buying this is a whole lot less expensive than tracking down every single issue covered. If this is the sort of reference work you think you need, then you need it, and if you don’t, you don’t. Note also that there are four slightly variant titles this could be known under: the spine says Jack Vance in Pulps 1945-1975, the front cover says Jack Vance in Pulps First issues 1945-1975, the half-title page says Jack Vance Pulps Editions 1945-1975, and the title page says Jack Vance: Works published in PULPS magazines 1945-1975. Yeah, the book could have used an editor…

  • (Vance, Jack) Parmentier, Gregg. The Vance Phile issues 1 through 6. First edition center-stapled fanzine originals, each #5 of 30 copies, signed by Parmentier (and sometimes other contributors), each a Fine copy. Fanzines full of interesting articles from Vance fans, from reprints of rare Vance works to a lot of bibliographic updates (include some from Jerry Hewett to his Vance bibliography). Strangely, I’ve been on a private Vance collector’s list with Gregg for decades now, but I believe I started getting those only after his period of publishing these, so I never heard about it. There was evidently an Issue 7 I’m still trying to track down a print copy of.

  • (Vance, Jack) George L. Mina, editor. Cosmopolis: a nexus for the admirers of of the works of Jack Vance. George L. Mina, 1988. First edition comb-bound with clear plastic covers fanzine original, a Fine copy, with letters from Mina and L.W. Currey laid in. Fanzine miscellanea related to Vance, including Vance’s essay “The Symbol,” which according to Hewett (D20) is its only appearance. Hewett, M140 (which notes a total of 75 copies: 12 copies with hand-colored illustrations for contributors and 63 copies with uncolored illustrations (this edition) for subscribers). Not to be confused with the later newsletter of the same name published by the Vance Integral Edition project.

  • (Vance, Jack) Offut, Robert Jr. The Many World of Jack Vance Vol. 1 No. 1 Spring 1977. First edition fanzine original, #185 of 300 numbered copies, a Near Fine+ copy with a touch of staining along staple fold edge, signed by Vance. Includes an appreciation by Poul Anderson, a lengthy interview by Tim Underwood, and some bibliographic material. Hewett, M31a.

  • (Vance, Jack) Robert Offutt Jr., editor. The Many Worlds of Jack Vance & The Horns of Elfland. Robert Offutt Jr., 1978. First edition illustrated fanzine, a Fine- copy with a couple of small spots of dust staining to rear, signed by Vance. Features Vance’s “The Secret,” the first chapter of an illustrated adaptation of The Eyes of the Overworld, etc. Second (and last) volume of an illustrated, semiprozine quality publication dedicated to Vance’s work (though the cover illustration, “Boromir’s Fall,” is obviously from The Lord of the Rings). Chock-full of illustrations from Rod Whigham, who later did a great deal of comic book work. Hewett, M31b, who notes there were 1,000 copies of this printed. Replaces an unsigned and less attractive copy.

  • (Vance, Jack) V-Con [7] Program Book. V-Con 7, 1979. First edition program chapbook original (10 3/4″ tall by 8 1/4″ wide), a Fine- copy with just a tiny bit of fading to the stapled spine edge, signed by Vance. Program books for a 1979 convention in Vancouver, British Columbia, where Jack Vance was Guest of Honor (and Frank Herbert Toastmaster).

  • (Vance, Jack) (Tim Underwood and Chuck Miller, unlisted editorsThe Book of the Sixth World Fantasy Convention. Underwood/Miller, 1980. First edition hardback, one of 1000 copies, a Fine- copy, with slight bumping at head and heel, sans dust jacket, as issued, with pocket program and card for the convention laid in. World Fantasy Convention where Jack Vance was Guest of Honor. Hewett, M88.

  • (Vance, Jack) Laws, Robin D. The Kaain Player’s Guide: A Supplement for the Dying Earth RPG. Pelgrane Press, 2002. First edition (“First printing June 2002”) trade paperback original, a Fine copy. Supplement for the Dying Earth RPG. My role-playing game days are long behind me, and I haven’t really made a point of picking up RPG stuff for authors I collect, but this was cheap, and I have some books from the Amber Diceless RPG I haven’t cataloged yet from the last Bob Pylant purchase. Now I just need to find a place to put them…

  • Wagner, Karl Edward. Where the Summer Ends. Pulphouse, 1991. Issue #31.

  • Wagner, Karl Edward, and David Drake. Killer. Baen Books, 1985. First edition paperback original, a Near Fine- copy with slight spine creasing, edgewear, and foxing to insider covers. Hunting an alien killer in ancient Rome. Bought for $1.49.

  • Waldrop, Howard (George R. R. Martin and Bradley Denton, editors). H’ard Starts. Subterranean Press, 2023. First edition hardback, #414 of 750 numbered copies signed by Waldrop, Martin and Denton. Collection of early, rare Waldrop stories from a wide variety sources, including a 25 copy self-published story from 1966! (I have a copy and provided George with the text.) Available through Lame Excuse Books. My memorial to Howard can be found here.

  • Wallace, Edgar (Stephen Jones, editor). Kong: An Original Screenplay. PS Publishing/Electric Dreamhouse, 2023. First edition hardback, a Fine copy in a Fine dust jacket. The original screenplay for King Kong, which evidently differs considerably from the final film. Slightly oversized (10 1/2″ high) and profusely illustrated, with a good 90 pages of notes from Jones, who worked from “Wallace’s personal copy of his original draft script with his own corrections and interpolations” plus “a boys’ story-paper adaptation of the film, preliminary production stills and art-work, and a colour portfolio of King Kong posters from around the world.” A couple of production sketches are from the lost spider pit scene.

  • Wells, H. G. The Country of the Blind and Other Stories. Thomas Nelson and Sons, no date (but 1911). First edition hardback (as per Currey), a Very Good copy with a dime-sized, light black dot to center of front cover, slight wear to bottom boards, slight wear at tips, head and heel and small “Fiction ● 1855” written in two different colors of ink (black and blue) at the top of the inside front cover and check-marks and red underlining on table of contents, five lines of penciled bookseller notes on the back of the color frontispiece page, and a few other touches of wear, lacking the rare dust jacket. Short story collection, including five previously uncollected stories. Scheck and Cox, H. G. Wells: A Reference Guide, page XXV, which lists the five stories first published in book form here as “A Vision of Judgment,” “The Empire of the Ants,” “The Door in the Wall,” “The Beautiful Suit,” and “The Country of the Blind.” H. G. Wells: A Comprehensive Bibliography 42. Currey, page 517. Bleiler (1978), page 205. Oddly enough, Locke’s A Spectrum of Fantasy page 225 lists five different editions of The Country of the Blind, but not this true first.

  • Wells, H. G. The First Men in the Moon. George Newnes, Limited, 1901. First UK hardback edition (and first edition with complete text), second state binding (white rather than black endpapers, as per Currey), a Very Good copy with a 1 1/2″ x 3/4″ slight abrasion/rub to front cover, wear at head, heel and points and along spine, with small W.H. Smith blindstamp and inscription “M. G. Walkin-Graves/from K.M.K, J.H.A.H/Jan. 25. 1904” and price and “BL 1705” on front free endpaper, along with a large rectangle of light foxing there and a similar rectangle on rear free endpaper. His novel (possibly the first) of man landing on the moon, plus the Selenite civilization they find there. Filmed at least three times, most famously in 1964. H. G. Wells: A Comprehensive Bibliography 18. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Williamson, H. G. Wells: Critic of Progress, pages 111-119. Currey, page 518. Locke, A Spectrum of Fantasy, page 226. Locke, Science Fiction First Editions, page 56. Locke, Voyages in Space 208.Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. 333, page 68. Anatomy of Wonder 4 1-98. Magill, Survey of Science Fiction, pages 782-785.

  • Wells, H. G. The Food of the Gods and How It Came to Earth. Macmillan and Co., Limited, 1904. First edition hardback, first state (Currey A) binding (green cloth with cover lettered in gold, top edge in gilt) in first issue (Currey (1) state (16 page catalog at rear dated 20.7.04)), a Very Good+ copy with wear along bottom boards, at head, heel and points, and just a trace of foxing to insider covers, with PRESENTATION COPY blindstamp on title page and inscribed and initialed by Wells: “Henry Newbolt/ 26 [August? Sept?] 1904/[line]/from H.G.W.” The signature matches examples online of Wells’ signing with just initials. Newbolt was a writer and poet contemporary of Wells, with one fantasy novel, Aladore, to his name. On page 761 of Experiment in Autobiography, Wells stated that Newbolt was a member of his club the “Coefficients,” a Fabien Socialist dining club.

    The exact same copy previously sold in an earlier Heritage Auction for $1,625, coming from the John McLaughlin/Book Sail Collection. They obviously did not check carefully enough to see that it had come back to them in this lot, as there was no indication that any of the books in that lot were signed. And the earlier listing didn’t mention the “Coefficients” connection.

    H. G. Wells: A Comprehensive Bibliography 24. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Williamson, H. G. Wells: Critic of Progress, pages 39-43. Parrinder, H.G. Wells: The Critical Heritage, pages 103-109. Currey, page 519. Locke, A Spectrum of Fantasy, page 226. Locke, Science Fiction First Editions, page 56. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. 333, page 68. Anatomy of Wonder 4 1-99. Magill, Survey of Science Fiction, pages 807-812. Heritage Rare Book Auction ##6094 catalog, page 115 (this copy).

  • Wells, H. G. In the Days of the Comet. Macmillan and Company Limited, 1906. First edition hardback, (Currey B) state, with “PRINTED BY/WILLIAM CLOWES AND SONS, LIMITED/LONDON AND BECCLES” and publisher’s catalog dated “20.8.06” at rear, which was the first issued edition (only one copy of Currey (A) known to exist, that being the British Library deposit copy, which Locke (see below) believes to be a bound proof rather than a true first printing), a Very Good copy with slight abrasion above title on front cover, slight bumping at head, heel and points, slight wear along bottom boards and along top front spine join and near outer board edges on point, slight foxing to inside covers, and bookseller pencil notices to FFE and inside front cover, with a letter from Bertram Rota, London bookseller, to a Lawrence Davern Esq. of Washington, D.C., discussing the first edition points of the title. Locke, Science Fiction First Editions, pages 56-57 and pages 94-96 (and this is the reference Currey cites). Currey, pages 519-520. H. G. Wells: A Comprehensive Bibliography 27. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Parrinder, H.G. Wells: The Critical Heritage, pages 133-145. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.

  • Wells, H. G. The Island of Dr. Moreau. William Heinemann, 1896. First edition hardback (Currey A binding, publisher’s monogram stamped in blind on rear cover, with Currey (2) (no priority) catalog state (32 page catalog starting with The Manxman and ending with Out of Due Season)), a Very Good copy with soiling along the spine, top and outer edges and head, and rounded points. Currey, 520. H. G. Wells: A Comprehensive Bibliography 8. Williamson, H.G. Wells: Critic of Progress, pages 74-82. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Parrinder, H.G. Wells: The Critical Heritage, pages 43-62. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Barron, Anatomy of Wonder 4 1-100. Magill, Survey of Science Fiction Literature, pages 1079-1083.

  • Wells, H. G. The Plattner Story and Other Stories. Methuem & Co., 1897. First edition hardback (no statement of printing on copyright page, and 40 page catalog (in this case with most of the leaves unopened) dated March 1897 inserted at rear, as per Currey), a Very Good copy with spine significantly darkened, a bit of bumping to tips, and slight spots of dark staining to front boards, with previous owner having written “Ellis Parker/1905” on the front free endpaper (there was a famous American detective by that name, but I can’t find any examples of his signature online to compare), with a sales slip from Nigel Williams Rare Books to Gary Munson laid in (he paid $540 after discount). Wells’ second short story collection. Currey, 522. H. G. Wells: A Comprehensive Bibliography 10. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Parrinder, H.G. Wells: The Critical Heritage, pages 43-62. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.

  • Wells, H.G. The Sea Lady: A Tissue of Moonshine. Methuen & Co., 1902. First edition hardback (red cloth stamped in gold and 40 page catalog dated JULY 1902, as per Currey), a Near Fine- copy with spine slightly darkened and corners slightly bumped, but all gilt lettering present, with 4 1/2″ x 1″ catalog listing slip rectangle from 1979 pasted in just at the very top of the inside front cover, rear gutter starting, tiny bit of separation to front gutter, foxing to second front free endpaper, and trace of foxing to front free endpaper gutter, otherwise a very nice, attractive copy. Novel about a mermaid who comes ashore in England with a desire to join high society. One of Wells’ less reprinted novels. Currey, page 522. H. G. Wells: A Comprehensive Bibliography 10. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.

  • Wells, H. G. The Stolen Bacillus and Other Incidents. Methuen and Co., 1895. First edition hardback (no statement of printing and publisher’s catalog at rear dated SEPTEMBER 1895, as per Currey), a Very Good copy with bumps to top and bottom boards (most slight, one with a dime-sized bumped area to front boards), bumping and creasing to head and heel, points slightly bumped, and partial cracking to front and rear hinges, with picture postcard of H. G. Wells laid in. His first book of short stories. Wells’ sixth published book and first short story collection. Currey, 523. H. G. Wells: A Comprehensive Bibliography 6. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. P Locke, A Spectrum of Fantasy, page 225 (not a listing, but a mention that he had traded away the only acceptable and affordable copy he had run across). Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Bleiler, The Guide to Supernatural Fiction 1674 for “The Temptation of Harringay” and “The Moth.”

  • Wells, H. G. The War in the Air, and Particularly How Mr. Bert Smallways Fared While It lasted. George Bell and Sons, 1908. First edition hardback, first issue binding (Currey A, with lettering on front cover in and spine in gilt, GEORGE BELL & SONS at base of spine), a Very Good copy with slight spine creasing, a split at heel, three small splits at head, slight wear to bottom boards, wear along spine edges, trace of wear at points, light foxing blocks to front and rear free endpapers, and frontispiece tissue guard present, with sales slip to Gary Munson laid in. Novel that anticipated aerial warfare. Currey, page 526. Locke, Science Fiction First Editions, page 58 and pages 93-94. H. G. Wells: A Comprehensive Bibliography 36 (“two pages of ads,” check). Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Clarke, Voices Prophesying War (new edition), pages 88-89. Locke, A Spectrum of Fantasy, page 227-228. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Barron, Anatomy of Wonder 4 1-104. Magill, Survey of Science Fiction Literature, pages 2407-2410.

  • Wentworth, Jim. Giants in the Earth: Ray Palmer, Oahspe and the Shaver Mystery. Palmer Publications, 1973. First edition? (no additional printings mentioned) trade paperback original, a Near Fine- copy with one tackhead-sized chip at the end of a crease to top front corner and slight wear at points, otherwise a fairly nice copy. Mishmash of Shaver Mystery, spiritualism, UFOs, Shaver’s “rock books,” and a dozen other fringe ideas, mostly taken from Palmer’s publications. Not in Kafton-Minkel or Standish.

  • White, Edward Lucas. A Little Green Book of Grue. Borderlands Press, 2023. First edition hardback, #462 of 500 signed, numbered copies, a Fine copy. A shame they didn’t make it a little white book of some sort…

  • Whitehead, Henry S. (Thomas Tessier, editor). A Little Orange Book of Voodoo Tales. Borderlands Press, 2023. First edition hardback, #462 of 500 numbered copies signed by the editor, a Fine copy, sans dust jacket, as issued. Five stories, two of which (“Jumbee” and “West India Lights”) were the title stories of his two Arkham House collections. Weirdly, this book has about 130 pages of text, then another 30 numbered but blank pages at the back. I have copies of this available through Lame Excuse Books.

  • Wilhelm, Kate The Girl Who Fell Into the Sky. Pulphouse, 1991. Issue #9.

  • Williams, Walter Jon. Dinosaurs. Pulphouse, 1991. Issue #18.
  • Williamson, Chet. A Little Blue Book of Bibliomancy. Borderlands Press, 2016. First edition hardback, #456 of 500 signed, numbered copies, a Fine copy. Bought off eBay for $14.06.

  • Willis, Connie. Daisy, in the Sun. Pulphouse, 1991. Issue #33. Tiny rub on spine.
  • Wilson, F. Paul. The Peabody-Ozymandias Traveling Circus & Oddity Emporium. Necessary Evil Press, 2007. First edition hardback, a Fine copy in a Fine- dust jacket with a 3/4″ closed tear to bottom front near spine. Bought for $30 from a Half Price Books location in the Metroplex.

  • Wilson, F. Paul. A Little Beige Book of Nondescript Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Wilson, F. Paul. The Shade of Lo Man Gong. Pulphouse, 1991. Issue #35.

  • Wilson, F. Paul. Buckets. Pulphouse, 1991. Issue #36.
  • Wolfe, Gene. The Dead Man and Other Horror Stories. Subterranean Press, 2023. First edition hardback, #870 of 1,000 numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Now out of print from the publisher.

  • Wolfe, Gene. The Hero as Werewolf. Pulphouse, 1991. Issue #40. This is one I did actually need, and I still need the hardback version.

  • Wong, David (pseudonym of Jason Pargin). Futuristic Violence and Fancy Suits. St. Martin’s, 2015. First edition hardback, a Fine copy in a Fine- dust jacket with one tiny wrinkle at heel and a trace of wear at top points. Bought for $13.49.

  • Wu, William F. Shaunessy Fong. Pulphouse, 1992. Issue #60. Has some slight rubbing along front near spine. Last in the Short Story Paperbacks series.

  • Yarbro, Chelsea Quinn. The Spider Glass. Pulphouse, 1991. Issue #16.
  • Yolan, Jane. The Sword and the Stone. Pulphouse, 1991. Issue #27.
  • Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth. Pulphouse, 1991. Issue #13. Not to be confused with the short story collection of the same name. I needed this for my Zelazny collection.

  • Library Additions: Four Paperback Originals

    Thursday, January 11th, 2024

    Three of these were bought at Half Price Books locations in the Dallas Metroplex, and two replace slightly less attractive copies.

  • Delany, Samuel R. Babel-17. Ace, 1966. First edition paperback original, a Fine copy, though with slight age darkening to the pages. Nebula Award winner and Hugo nominee. Currey, page 139. Replaces a slightly less attractive copy. Bought for $5 at Recycled Books in Denton.

  • Martin, George R. R. Wild Cards VIII: One-Eyed Jacks. Bantam Spectra, 1991. First edition paperback original, a Near Fine copy with mild spine creasing and a trace of wear at points. This completes my Wild Cards paperback collection. Bought for $2.49.

  • Moore, Ward. Caduceus Wild. Pinnacle Books, 1978. First edition paperback original, a Near Fine- copy with one tiny spine crease near front join, bookstore stamp inside, slight rubbing to rear cover, trace of magic marker left over price on front cover (Bestine took care of the rest), and touch of edgewear. Moore’s last novel. Replaces a slightly less attractive copy. Bought for $1.99.

  • Wagner, Karl Edward, and David drake. Killer. Baen Books, 1985. First edition paperback original, a Near Fine- copy with slight spine creasing, edgewear, and foxing to insider covers. Hunting an alien killer in ancient Rome. Bought for $1.49.

  • This is the last of the books picked up on the Thanksgiving trip to the Metroplex.

    Library Additions: Four Science Fiction Reference Books

    Monday, December 18th, 2023

    All these were bought at various Half Price Books locations, the Delany in Austin and the other three in various stores in the Dallas Metroplex.

  • (Bradbury, Ray) Eller, Jonathan R. Becoming Ray Bradbury. University of Illinois Press, 2011. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head, heel and points. Biography of Bradbury that made use of his personal notes and correspondence. Bought for $17.49.

  • Delany, Samuel R. (edited by Kenneth R. James). In Search of Silence: The Journals of Samuel R. Delany Volume 1, 1957-1969. Wesleyan University Press, 2017. First edition hardback (“5 4 3 2 1” numberline), a Fine copy in a Fine dust jacket. Selections from Delany’s journals when he was first making his mark on the SF field. Bought for $9.95.

  • (Lovecraft, H. P.) Houllebecq, Michel. H. P. Lovecraft: Against the World, Against Life. Cernunnos, 2019. First edition hardback, a Fine copy in a Fine dust jacket. Critical analysis of Lovecraft and his work by the French writer and critic. Introduction by Stephen King. Bought for $9.95.

  • Shatner, William (with Chris Kresski). Star Trek Memories. HarperCollins, 1993. First edition hardback, limited issue, one of 4,500 signed, numbered copies, a Fine copy in a Fine slipcase, sans dust jacket, as issued, still in shrinkwrap. Non-fiction memoir of his time on the original Star Trek TV series. Bought for $65, less than cover price and less than a fourth of what it lists for these days.

  • I have one copy of the Delany available through Lame Excuse Books.

    Library Additions: Three Samuel R. Delany Firsts, Two Signed

    Wednesday, October 18th, 2023

    More from that private library purchase. Two of these replace less desirable copies.

  • Delany, Samuel R. The American Shore. Dragon Press, 1978. First edition hardback, #77 of 100 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Detailed, close-reading non-fiction critical analysis of Thomas Disch’s “Angouleme,” a segment of 334. Weedman, The Starmont Reader’s Guide to Samuel R. Delany, page 22 (“Here Delany exercises himself as the critic’s critic, remaining fairly inaccessible to a general audience.”). Chalker/Owings, page 132. Replaces an unsigned copy.
  • Delany, Samuel R. The Einstein Intersection. Easton Press, 1986 (stated; the Locus database lists this coming out in 1991). First edition thus, a special leatherbound collector’s edition, a Fine copy, sans dust jacket, as issued, inscribed by Delany to the previous owner and with an Ex-Libris plate and “Collector’s Notes” laid in. Nebula winner for Best Novel, Hugo finalist. Magill, Survey of Science Fiction pages 703-707. Supplements a signed copy of the Gollancz first hardback edition. Strictly speaking this is just a “nice to have,” but it is signed, and Easton Press makes attractive books.

  • Delany, Samuel R. The Straits of Messina. Serconia Press, 1989. First edition hardback, a Fine copy in a Fine dust jacket. Delany essays on Delany. Chalker/Owings, page 390 (“these at least are readable”). Replaces a copy with a less attractive dust jacket.

  • Library Additions: Two Samuel R. Delany Gregg Press Firsts

    Wednesday, June 1st, 2022

    Here’s two different Delany Gregg Press firsts bought from two different sources:

  • Delany, Samuel R. Dhalgren. Gregg Press, 1977. First hardback edition (and first edition thus, containing textual differences), a Near Fine- copy with spine just starting to crease, a few of spots of light rubbing to the spine, light dust spotting to top and side page block edges, six small, neat red page numbers from the introduction written inside the front cover, and a few small annotations in the same red in the introduction itself, sans dust jacket, as issued. It’s hard to overstate just how massively wide this book is, over 1,000 pages with the lengthy introduction, easily the widest book Gregg Press ever published, and one of the hardest Gregg Press titles to find period (reportedly only 350 copies were published), probably only behind Dick’s Dr. Bloodmoney and possibly the two Locus volumes. L. W. Currey was already asking $300 for a copy in 1989, and they don’t tend to come on the market much. Though far from my own favorite of Delany’s work, it is probably the very hardest of his books to find. K. Leslie Steiner, “Some remarks on Reading Dhalgren,” pages 57-92 in Delany’s The Straits of Messina. Weedman, Samuel R. Delany, pages 61-69. McEvoy, Samuel R. Delany, pages 97-120. Barron, Anatomy of Wonder 4, 4-127. Magill, Survey of Science Fiction Literature, pages 533-538. (“Dhalgren marks the nadir of pessimism in science fiction’s tradition of social criticism.”) Currey, page 139. Bought for $300 from someone selling off their book collection.

    (Note: Ignore the blotches on the middle right part of the image, which is just the edge of another book I used to prop Dhalgren up on the scanner so I could scan the spine. And ignore the left side taper at the bottom.)

  • Delany, Samuel R. The Fall of the Towers. Gregg Press, 1977. First hardback edition, a Fine- copy with a tiny bit of bumping to top outer edge, sans dust jacket, as issued. Omnibus volume that includes Captives of the Flame (AKA Out of the Dead City), The Towers of Toron, and City of a Thousand Suns. McEvoy, Samuel R. Delany, pages 28-44. K. Leslie Steiner, “Ruins/Foundations, or The Fall of the Towers Twenty Years After,” pages 99-154 in Delany’s The Straits of Messina. Currey, page 140. Bought from a UK dealer for £67.50.
  • Lawrence Person’s Books Wanted List

    Thursday, August 19th, 2021

    Some ten years ago I put up a books wanted list, and since then I’ve obtained a lot of things on it. Now here’s a greatly expanded list.

    The vast majority of these are first edition first printings, mostly hardbacks, but I do have more PBOs listed this time around (especially for Michael Moorcock and Jack Vance). Hardback is the default, but other formats are listed where otherwise, as are a occasional first edition points for clarity or to jog my memory.

    I don’t buy later printings, copies without dust jackets (when issued with same), copies with price-clipped dust jackets (unless all copies of the true first edition were released that way), copies with facsimile dust jackets, or overly crummy copies. Most of the books I buy are in Fine/Fine condition, but that relaxes a bit the older (and pricier) books become. I have picked up Ex-Library copies in dust jacket when the better copies of the true first can’t be found under a grand. I also only buy first state bindings and dust jackets, unless there’s no priority, or the true first state is insanely rare (such as with Stanley G. Weinbaum’s Dawn of Flame). I prefer signed copies to unsigned copies for most things, especially for dead writers (an ever-growing list). Trade editions of recent books from mainstream publishers are mainly here to jog my own memory when visiting bookstores.

    I have a few books here under the writer’s pseudonym, so I can enter them under that name in various search fields.

    Some of these are aspirational, as I doubt I’m going to find a first printing of The Hobbit I can afford, but you never know.

    If you have nice copies of the below you’re willing to part with at an attractive price, feel free to drop me a line at lawrenceperson at gmail dot com.

  • Anonymous (actually Dorothy Scarborough)’s The Wind (Harper & Brothers, 1925)
  • Douglas Adams’ The Hitchhiker’s Guide to the Galaxy (Arthur Baker, 1979)
  • Richard Adams’ Watership Down (Rex Collins, 1972)
  • Robert Aickman’s Sub Rosa (Gollancz, 1968)
  • Brian Aldiss’ At the Caligula Hotel (Sinclair-Stevenson, 1995) (trade paperback)
  • Brian Aldiss’ Greybeard (Harcourt Brace & World, 1964)
  • Brian Aldiss’ Helliconia Spring (Cape, 1982)
  • Brian Aldiss’ Helliconia Summer (Cape, 1983)
  • Brian Aldiss’ Helliconia Winter (Atheneum, 1985)
  • Brian Aldiss’ Hothouse (Faber & Faber, 1962)
  • Brian Aldiss’ A Plutonian Monologue (Frogmore Press, 2002) (chapbook)
  • Brian Aldiss’ At a Bigger House (Avernus, 2002) (chapbook)
  • Brian Aldiss’ The Dark Sun Rises (Avernus, 2002) (chapbook)
  • Poul Anderson’s The Broken Sword (Abelard-Schulman, 1954)
  • Poul Anderson’s The High Crusade (Doubleday, 1960)
  • Isaac Asimov’s The End of Eternity (Doubleday, 1955)
  • Isaac Asimov’s I, Robot (Gnome Press, 1950)
  • Isaac Asimov’s Liar! (Cambridge University Press, 1977) (chapbook)
  • Steve Aylett’s Shamanspace (Codex, 2001) (TPO)
  • Steve Aylett’s Dummyland (Gollancz, 2002) (TPO)
  • Paul Bailey’s Deliver Me From Eva (Murray & Gee, 1946)
  • J. G. Ballard’s Crash (Cape, 1973)
  • J. G. Ballard’s The Day of Forever (Gollancz, 1986)
  • J. G. Ballard’s The Drowned World (Gollancz, 1962)
  • J. G. Ballard’s Kingdom Come (Fourth Estate, 2006)
  • J. G. Ballard’s Low Flying Aircraft (Cape, 1976)
  • J. G. Ballard’s Rushing to Paradise (Flamingo, 1994)
  • Bill Barclay’s Somewhere in the Night (Compact PBO, 1966)
  • Clive Barker’s The Hellbound Heart (Earthling Publications, 2007)
  • Clive Barker’s The Scarlet Gospels (St. Martin’s, 2015)
  • Peter S. Beagle’s Lila the Werewolf (Capra Press, 1974) (1/75 signed hardbacks)
  • Michael Bishop’s Windows & Mirrors (The Moravian Press, 1977) (poetry chapbook)
  • Jerome Bixby’s The Devil’s Scrapbooks (Brandon House, 1964) (PBO)
  • (Blackwood, Algernon) Mike Ashley’s Algernon Blackwood: A Bio-Bibliography (Greenwood, 1987)
  • William Peter Blatty’s The Exorcist (Harper & Row, 1971)
  • James P. Blaylock’s Doughnuts (ASAP, 1994) (1/26 triptych copies)
  • James P. Blaylock’s Home Before Dark (Subterranean, 2000) (1/26 signed, lettered hardback copies)
  • James Blish’s The Day After Judgment (Doubleday, 1971, code L47 on p. 166)
  • Robert Bloch’s Atoms and Evil (Robert Hale, 1976)
  • Robert Bloch’s Blood Runs Colds (Simon and Schuster, 1961)
  • Robert Bloch’s Chamber of Horrors (Award Books, 1966) (PBO)
  • Robert Bloch’s Cold Chills (Doubleday, 1977)
  • Robert Bloch’s The Dead Beat (Simon and Schuster, 1960)
  • Robert Bloch’s Fear Today, Gone Tomorrow (Award, 1971) (PBO)
  • Robert Bloch’s The Laughter of a Ghoul/Whatever A Young Ghoul Should Know (Necrominocon Press, 1977) (chapbook)
  • Robert Bloch’s Once Around the Bloch (Tor, 1993)
  • Robert Bloch’s The Opener of the Way (Arkham House, 1945)
  • Robert Bloch’s Pleasant Dreams – Nightmares (Arkham House, 1960)
  • Robert Bloch’s The Scarf (Dial Press, 1947)
  • Robert Bloch’s Sea-Kissed (Utopian Publications, 1945)(PBO)
  • Robert Bloch’s The Skull of the Marquis de Sade and other stories (Robert Hale, 1975)
  • Robert Bloch and Ray Bradbury’s Bloch and Bradbury (Tower, 1969) (PBO)
  • Pierre Boulle’s Monkey Planet (Secker & Warburg, 1964)
  • Edward P. Bradbury’s Barbarians of Mars (Compact, 1965) (PBO)
  • Edward P. Bradbury’s Blades of Mars (Compact, 1965) (PBO)
  • Ray Bradbury’s About Norman Corwin (Santa Susana Press, 1979)(boxed art portfolio)
  • Ray Bradbury’s The Anthem Sprinters (Dial Press, 1963, hardback)
  • Ray Bradbury’s The April Witch (Creative Education, 1987) (hardback chapbook)
  • Ray Bradbury’s Beyond 1984: Remembrances of Things Future (Targ, 1979)
  • Ray Bradbury’s Christmas Greetings broadsides (all years except 1982, 1986, 1989, 1994, and 2008)
  • Ray Bradbury’s Christus Apollo: Cantata Celebrating the Eighth Day of Creation and the Promise of the Ninth (The Gold Stein Press, 1998) (1/50 signed hardback copies in traycase)
  • Ray Bradbury’s Dandelion Wine (Doubleday, 1957)
  • Ray Bradbury’s Dawn to Dusk (Gauntlet, 2011) (signed numbered or signed lettered edition)
  • Ray Bradbury’s The Day It Rained Forever. (Rupert Hart Davis, 1959) (Currey state A (navy blue binding))
  • Ray Bradbury’s The Day It Rained Forever: A Comedy in One Act (Samuel French, 1966) (play chapbook, 75¢ price)
  • Ray Bradbury’s A Device Out of Time (Dramatic Publishing, 1986)
  • Ray Bradbury’s The Engines Drive the Summer With Their Purr (Green Cat Press, 2001) (broadsheet)
  • Ray Bradbury’s Fahrenheit 451 (Ballantine Books, 1953) (any Currey hardback state (B-E))
  • Ray Bradbury’s Fahrenheit 451: The Authorized Adaption (Farrar, Straus & Giroux, 2009) (graphic novel)
  • Ray Bradbury’s Falling Upward (Dramatic Publishing Company, 1989) (play chapbook)
  • Ray Bradbury’s Farewell Summer (Morrow, 2006)
  • Ray Bradbury’s Farewell Summer (Subterranean, 2011) (lettered edition with extra book)
  • Ray Bradbury’s The Fog Horn (Creative Education, 1987) (hardback chapbook)
  • Ray Bradbury’s Fragments (Gauntlet, 2005)
  • Ray Bradbury’s Frost and Fire (DC Comics, 1985) (graphic novel)
  • Ray Bradbury’s From the Dust Returned (Morrow, 2001)
  • Ray Bradbury’s A Gathering of Authors & Their Admonitions (Castle Press, 1981) (broadsheet)
  • Ray Bradbury’s The God in Science Fiction (Santa Susana Press, 1978)(chapbook)
  • Ray Bradbury’s The Golden Apples of the Sun (Doubleday, 1953)
  • Ray Bradbury’s Halloween (Shuttlebop Press, 1983)
  • Ray Bradbury’s The Halloween Tree (Gauntlet Press, 2005) (1/52 lettered copies with metal case and popup tree)
  • Ray Bradbury’s Imagine (Lord John, 1981) (broadside, 1/100 signed)
  • Ray Bradbury’s I Live By The Invisible (Salmon Poetry, 2002) (TPO)
  • Ray Bradbury’s I Sing the Body Electric (Knopf, 1969)
  • Ray Bradbury’s Kaleidoscope (Dramatic Publishing, 1975)(play chapbook)
  • Ray Bradbury’s The Last Good Kiss (Santa Susana Press, 1984) (art portfolio thing)
  • Ray Bradbury’s Long After Ecclesiastes​ (Gold Stein Press, 1985; miniature book)
  • Ray Bradbury’s The Love Affair (Lord John Press, 1982) (1/300 signed hardbacks)
  • Ray Bradbury’s Long After Midnight (Knopf, 1976)
  • Ray Bradbury’s The Machineries of Joy Simon and Schuster, 1964)
  • Ray Bradbury’s Madrigals for the Space Age (Associated Music Publishers, 1972) (chapbook)
  • Ray Bradbury’s Man Dead? Then God Slain (Santa Susana Press, 1977) (1 of 26 numbered hardback copies in slipcase)
  • Ray Bradbury’s Match to Flame (Gauntlet, 2006) (Wooden slipcase lettered edition)
  • Ray Bradbury’s A Medicine for Melancholy (Doubleday, 1959)
  • Ray Bradbury’s My Cat Has Swallowed a Bumblebee (Green Cat Press, 2003) (broadsheet)
  • Ray Bradbury’s 1984 Will Not Arrive: A Prediction for the Greening of Scripps (Grant Dahlstrom at The Castle Press, 1975) (chapbook text lecture)
  • Ray Bradbury’s No Man Is An Island (Brandeis University, 1952) (chapbook)
  • Ray Bradbury’s The October Country (Ballantine Books, 1955; first state with inverted logo on spine)
  • Ray Bradbury’s One More For The Road (Morrow, 2002)
  • Ray Bradbury’s One the Years Were Numerous and the Funerals Few (broadsheet, 2004)
  • Ray Bradbury’s The Pedestrian (Roy Squires, 1964) (chapbook)
  • Ray Bradbury’s The Pedestrian: A Fantasy in One Act (Samuel French, 1966) (chapbook)
  • Ray Bradbury’s Pillar of Fire and Other Plays (Bantam Books, 1975) (PBO)
  • Ray Bradbury’s The Poet Considers His Resources (Lord John Press, 1979) (broadside)
  • Ray Bradbury’s R is for Rocket (Doubleday, 1962)
  • Ray Bradbury’s Ray Bradbury Chronicles (Volumes 1, 3 and 5) (Byron Preiss/NBM) (signed hardback graphic novels)
  • Ray Bradbury’s Samurai/Kabuki (Hill House, 2006 hardback)
  • Ray Bradbury’s S is for Space (Doubleday, 1966)
  • Ray Bradbury’s Skeletons (Subterranean, 2008) (lettered edition)
  • Ray Bradbury’s Something Wicked This Way Comes (Simon and Schuster, 1962)
  • Ray Bradbury’s The Stars (Gold Stein Press, 1/95, 1993, miniature book)
  • Ray Bradbury’s Sun and Shadow (Quenian Press, 1957) (chapbook)
  • Ray Bradbury’s Switch on The Night (Pantheon, 1955)(first state, no mention of Random House on copyright page)
  • Ray Bradbury’s That Ghost, That Bride of Time (Roy A. Squires, 1976)
  • Ray Bradbury’s That Son of Richard III: A Birth Announcement (Roy A. Squires, 1974)
  • Ray Bradbury’s Tomorrow Midnight (Ballantine Books, 1966) (PBO, ¢50)
  • Ray Bradbury’s To The Chicago Abyss (Dramatic Publishing Company, 1988) (play chapbook)
  • Ray Bradbury’s The Tonybee Convector (Knopf, 1988) (1/350 signed/numbered)
  • Ray Bradbury’s Twice 22 (Doubleday, 1966) (book club, code 47G on page 405)
  • Ray Bradbury’s The Trivial Pursuits Transporter (Hill House, 2006)
  • Ray Bradbury’s The Vintage Bradbury (Vintage Books, 1965)
  • Ray Bradbury’s Where Everything Ends (Subterranean Press, 2009) (1/26 lettered copies)
  • Ray Bradbury’s The Wish (Hill House, 2006)
  • Ray Bradbury’s The Wonderful Death of Dudley Stone (?, 1985) (chapbook)
  • Ray Bradbury’s Zen in the Art of Writing (Capra Press/ Joshua Odell Editions, 1973 (1/250 signed, numbered copies)
  • Ray Bradbury editor’s The Circus of Dr. Lao and Other Stories (Bantam Books, 1956) (PBO)
  • Ray Bradbury editor’s Timeless Stories for Today and Tomorrow (Bantam Books, 1953) (PBO, 35¢)
  • Ray Bradbury and Robert Bloch’s Bloch and Bradbury (PBO, Tower, 1969, Tower 43-246, 60¢)
  • (Ray Bradbury) Steven Ageliss’ Conversations With Ray Bradbury (University Press of Mississippi, 2004, paperback)
  • (Ray Bradbury) Jonathan R. Eller & William F. Touponce’s Ray Bradbury: The Life of Fiction (Kent State University Press, 2004)
  • (Ray Bradbury) Joseph Mugnaini: Drawings & Graphics (Scarecrow Press, 1982)
  • (Ray Bradbury) Joseph Mugnaini: Ten Views of the Moon (Lynton Kistler, 1981) (art portfolio with 10 signed prints)
  • (Ray Bradbury) Sam Weller’s Listen to the Echoes: The Ray Bradbury Interviews (Stopsmiling Books/Melville House, 2010) (TPO)
  • (Ray Bradbury) William F. Nolan’s Ray Bradbury Review (Graham Press, 1988)
  • Ernest Bramah’s Kai Lung: Six (Non-Profit Press, 1974)
  • William S. Burroughs’ Cities of the Red Night (Holt, Rinehart and Winston, Inc., 1981)
  • William S. Burroughs’ Naked Lunch (Grove Press, 1959 (i.e., 1962))
  • William S. Burroughs’ The Soft Machine (Grove Press, 1966)
  • John W. Campbell’s Invaders from the infinite (Fantasy Press, 1961) (one of 300 (actually 112) signed, numbered copies)
  • John W. Campbell’s Islands of Space (Fantasy Press, 1956) (1/50-odd signed copies)
  • John W. Campbell’s Who Goes There? (Shasta Publishers, 1952)
  • John Dickson Carr’s The Devil in Velvet (Harper & Brothers, 1951)
  • Angela Carter’s Heroes and Villains (Heinemann, 1969)
  • Edd Cartier’s The Known and the Unknown (De La Ree, 1977)
  • Michael Chabon’s Werewolves in Their Youth (Random House, 1999) (Number line ends with 2)
  • G. K. Chesterton’s Napoleon of Notting Hill (John Lane, 1904)
  • Arthur C. Clarke’s Childhood Ends (Portentious Press HB, 1996)
  • Arthur C. Clarke’s Expedition to Earth (Ballantine Books, 1953)
  • Arthur C. Clarke’s The Sands of Mars (Sidgwick & jackson, 1951)
  • Arthur C. Clarke’s Tales From the White Heart (Ballantine Books, 1957)
  • Arthur C. Clarke’s 2001: A Space Odyssey (NAL, 1968)
  • James Clavell’s King Rat (Little Brown, 1962)
  • Hal Clement’s Cycle of Fire (Ballantine, 1957)
  • Colvin, James. The Deep Fix (Compact, 1966) (PBO)
  • Avram Davidson’s And Don’t Forget The One Red Rose (Dryad Press, 1986) (1/15 hardbacks)
  • L. Sprague De Camp’s Lest Darkness Fall (Henry Holt, 1941)
  • L. Sprague De Camp’s The Tritonian Ring (Twayne, 1953)
  • L. Sprague De Camp and Fletcher Pratt’s The Castle of Iron (Fantasy Press, 1950)
  • L. Sprague De Camp and Fletcher Pratt’s The Incomplete Enchanter (Henry Holt & Co., 1941)
  • Samuel R. Delany’s Dhalgren (Gregg Press, 1977)
  • Samuel R. Delany’s The Einstein Intersection (Ace, 1967) (PBO)
  • Samuel R. Delany’s The Fall of the Towers (Gregg Press, 1977)
  • Samuel R. Delany’s Out of the Dead City (Sphere, 1968) (PBO)
  • (Samuel R. Delany) George Edgar Slusser’s The Delany Intersection (Borgo Press, 1977) (chapbook)
  • (Samuel R. Delany) James Sallis, editor. Ash of Stars: On the Writings of Writing of Samuel R. Delany (University of Mississippi Press, 1996)
  • August Derleth’s The Trail of Cthulhu (Arkham House, 1962)
  • Philip K. Dick’s Dr. Bloodmoney (Gregg Press, 1977)
  • Philip K. Dick’s Five Novels of the 1960s & 70s (Library of America, 2008) (in dust jacket with green band)
  • Philip K. Dick’s Five Novels of the 1960s & 70s (Library of America, 2008) (without dust jacket, in slipcase)
  • Philip K. Dick’s VALIS and Later Novels (Library of America, 2009) (in dust jacket with pink band)
  • Philip K. Dick’s VALIS and Later Novels (Library of America, 2009 (without dust jacket, in slipcase)
  • Philip K. Dick’s Flow My Tears, The Policeman Said (Doubleday, 1974) (no remainder spray)
  • Philip K. Dick’s The World Jones Made (Sidgwick & Jackson, 1968)
  • Gordon R. Dickson’s The Dragon and the George (Nelson Doubleday/SFBC, 1976) (book club hardback) (code G24 on page 243)
  • Thomas M. Disch’s Haikus of an Ampart (Coffee House Press, 1991) (chapbook)
  • Thomas M. Disch’s Orders of the Retina (Toothpaste Press, 1982) (1/100 signed, numbered hardbacks)
  • Thomas M. Disch’s Ringtime (Toothpaste Press, 1982, 1/100 signed, numbered hardbacks)
  • Thomas M. Disch’s Under Compulsion (Rupert Hart-Davis, 1968)
  • Thomas M. Disch, Marilyn Hacker and Charles Platt’s Highway Sandwiches (chapbook, 1970)
  • Gardner Dozois’s Sunk beneath the Waves (Dragonstairs Press, 2013) (chapbook)
  • Gardner Dozois’s The Year’s Best Science Fiction Volumes 15, 23, 24, 27, 28 (St. Martin’s hardbacks)
  • Robert Eighteen-Bisang’s A Vampire Bibliography: Volume One, Literature (Transylvania Press, 1996)
  • E. R. Eddison’s The Worm Ouroboros (Cape, 1922)
  • Harlan Ellison’s All the Sounds of Fear (Panther, 1973) (PBO)
  • Harlan Ellison’s Broken Glass (Avenue Victor Hugo, 1981) (broadside)
  • Harlan Ellison’s The Deadly Streets (Ace, 1958) (PBO)
  • Harlan Ellison’s Ellison Under Glass (Charnel House, 2019) (1/100 signed/numbered)
  • Harlan Ellison’s Ellison Wonderland (Paperback Library, 1962) (PBO, 50¢ cover price)
  • Harlan Ellison’s Ellison Wonderland with Pebbles From the Mountain (PS Publishing, 2015)
  • Harlan Ellison’s Footsteps (Footsteps Press, 1989) (chapbook)
  • Harlan Ellison’s Gentlemen Junkie (Regency, 1961) (PBO, 50¢ on the cover)
  • Harlan Ellison’s The Glass Teat & The Other Glass Teat (Charnel House, 2014)
  • Harlan Ellison’s I Have No Mouth And I Must Scream (Pyramid, 1967) (PBO, 60¢ on cover)
  • Harlan Ellison’s Jokes Without Punchlines (White Wolf, 1995) (chapbook)
  • Harlan Ellison’s The Juvies (Ace, 1961) (PBO, 35¢ on the cover)
  • Harlan Ellison’s The Man With Nine Lives b/w A Touch of Infinity (Ace, 1960) (PBO, 35¢ on the cover)
  • Harlan Ellison’s One Life, Furnished in Early Poverty (Lance Brown, 1993) (broadside, 1/100 copies)
  • Harlan Ellison’s Over the Edge (Belmont, 1970) (PBO, May 1970 on copyright page, 75¢ on cover)
  • Harlan Ellison’s Night of Black Glass (1981) (broadside)
  • Harlan Ellison’s Rockabilly (Fawcett, 1961) (PBO, First Printed October 1961 on copyright page, 35¢ on the cover)
  • Harlan Ellison’s Spider Kiss (Pyramid, 1975) (PBO, Pyramid Edition published July 1975 on copyright page, $1.25 on cover)
  • Harlan Ellison’s The Time of the Eye (Panther, 1974) (PBO, first published in Great Britain in 1974 on copyright page, 35p on cover)
  • Harlan Ellison’s Web of the City (Pyramid, 1975) (PBO, New Pyramid edition: December 1975 on copyright page, price of $1.50 on cover)
  • Harlan Ellison (& Steranko)’s “Repent, Harlequin,” Said The Ticktock Man (art Portfolio w/6 prints) (Baronet, 1978)
  • Harlan Ellison’s Vic and Blood (Edgeworks Abbey, 2003)
  • (Harlan Ellison) Ellen Weil and Gary K. Wolfe’s Harlan Ellison: The Edge of Forever (Ohio State University Press, 2002)
  • Philip Jose Farmer’s A Barnstormer in Oz (Phantasia Press S/L, 1982)
  • Philip Jose Farmer’s Blown or Sketches Among the Ruins of My Mind (Essex House, 1968, PBO)
  • Philip Jose Farmer’s Flesh (Doubleday, 1968)
  • Philip Jose Farmer’s Greatheart Silver and Other Pulp Heroes (Meteor House, 2019)
  • Philip Jose Farmer’s Image of the Beast (Essex House, 1966, PBO)
  • Philip Jose Farmer’s The Unreasoning Mask (Putnam, 1981) (signed/limited edition)
  • Philip Jose Farmer’s Strange Relations (Gollancz, 1964)
  • Gans T. Field’s Romance in Black (Utopian Publications, 1946) (chapbook)
  • Virgil Finlay’s The Book of Virgil Finlay (De La Ree, 1975)
  • Virgil Finlay’s The Third Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Fourth Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Fifth Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Sixth Book of Virgil Finlay (De La Ree, 1980)
  • Jack Finney’s Time and Again (Simon & Schuster, 1970) (1st stated, no book club mention on dj or embossed book club square on rear)
  • John Fowls’ The Magus (Cape, 1966)
  • Pat Frank’s Alas, Babylon (Lippincott, 1959)
  • Jane Gaskell’s The Shiny Narrow Grin (Hodder & Stoughton, 1964)
  • Neil Gaiman’s The Little Gold Book of Ghastly Stuff (Borderlands, 2011)
  • William Golding’s The Inheritors (Faber & Faber, 1955)
  • William Golding’s Lord of the Flies (Faber & Faber, 1954)
  • William Golding’s Pincher Martin (Faber & Faber, 1956)
  • Herbert Gorman’s The Place Called Dagon (Doran, 1927)
  • Charles L. Harness’s Flight Into Yesterday (Bouregy & Curl, 1953)
  • Roger Harris’ The LSD Dossier (Compact, 1966) (PBO)
  • Harry Harrison’s Make Room! Make Room! (Doubleday, 1966)
  • Robert A. Heinlein’s Between Planets (Scribner’s, 1951) (First Printing A & seal, unclipped $2.50 dj)
  • Robert A. Heinlein’s Beyond This Horizon (Fantasy Press, 1948)
  • Robert A. Heinlein’s The Cat Who Walks Through Walls (Putnam, 1985) (1/350 signed, numbered copies)
  • Robert A. Heinlein’s Citizen of the Galaxy (Scribner’s, 1957) (First Printing A & seal)
  • Robert A. Heinlein’s The Door Into Summer (Doubleday, 1957)
  • Robert A. Heinlein’s Farnham’s Freehold (Putnam, 1964)
  • Robert A. Heinlein’s Farmer in the Sky (Scribner’s, 1950)
  • Robert A. Heinlein’s Friday (Holt Reinhardt & Winston, 1982) (1/500 signed, numbered copies)
  • Robert A. Heinlein’s Glory Road (Putnam, 1963)(no statement of printing)
  • Robert A. Heinlein’s I Will Fear No Evil (Putnam, 1970)
  • Robert A. Heinlein’s Job: A Comedy of Justice (Del Rey, 1984, 1/750 signed, numbered copies)
  • Robert A. Heinlein’s The Menace From Earth (Gnome, 1959)
  • Robert A. Heinlein’s Methuselah’s Children (Gnome, 1st state binding (black boards), 1st state dj (“New York 3”)
  • Robert A. Heinlein’s Orphans of the Sky (Gollancz, 1963)
  • Robert A. Heinlein’s Red Planet (Scribner’s, 1949) (First Printing A & seal)
  • Robert A. Heinlein’s Rocket Ship Galileo (Scribner’s, 1947) (First Printing A & seal, unclipped $2.00 dj)
  • Robert A. Heinlein’s The Rolling Stones (Scribner’s, 1952) (First Printing A & seal)
  • Robert A. Heinlein’s Space Cadet (Scribner’s, 1948) (First Printing A & seal)
  • Robert A. Heinlein’s Starman Jones (Scribner’s, 1953) (First Printing A & seal)
  • Robert A. Heinlein’s Time Enough for Love (Putnam, 1973)
  • Robert A. Heinlein’s Time for the Stars (Scribner’s, 1956) (First Printing A & seal)
  • Robert A. Heinlein’s Tunnel in the Sky (Scribner’s, 1955) (First Printing A & seal)
  • Robert A. Heinlein’s Universe (Dell, 1951) (PBO)
  • Robert A. Heinlein’s The Unpleasant Profession of Jonathan Hoag (Gnome, 1959)
  • Robert A. Heinlein’s Waldo & Magic Inc. (Doubleday, 1950)
  • Peter Held’s Take My Face (Mystery House, 1957)
  • Mark Helprin’s Winter’s Tale (Harcourt Brace Jovanovich, 1983)
  • Joe Hill’s Basket Full of Heads (Hill House Comics/DC, 2020) (Hardback graphic novel)
  • Joe Hill’s Dying Is Easy (IDW, 2020) (Hardback graphic novel)
  • Joe Hill’s Plunge (Hill House Comics/DC, 2020) (Hardback graphic novel)
  • Joe Hill’s You Are Released (Lividian Publications, 2022) (chapbook)
  • Russell Hoban’s Riddley Walker (Cape, 1980)
  • William Hope Hodgson’s The Boats of the ‘Glen Garrig’ (Chapman and Hall, 1907) (no statement of printing)
  • William Hope Hodgson’s The Calling of the Sea (Selwyn & Blount, 1920)
  • William Hope Hodgson’s The Ghost Pirates (Stanley Paul, 1909) (red cloth binding)
  • William Hope Hodgson’s The Haunted Pampero (Donald M. Grant, 1991, 1/500 signed copies)
  • William Hope Hodgson’s The House on the Borderland (Chapman and Hall, 1908)
  • William Hope Hodgson’s Men of Deep Waters (Eveleigh Nash, 1914)
  • William Hope Hodgson’s The Night Land (Eveleigh Nash, 1911)
  • William Hope Hodgson’s Terror of the Seas (Donald M. Grant, 1996, with signed illustration sheet laid in)
  • William Hope Hodgson’s Voice of the Ocean (Selwyn & Blount, 1921)
  • (William Hope Hodgson) Ian Bell, editor William Hope Hodgson: Voyages And Visions (Bell, 1987 chapbook)
  • Nancy Holder’s Dead in the Water (Dell Abyss, 1994) (PBO)
  • Robert Holdstock’s Mythago Wood (Gollancz, 1984)
  • Gordon Honeycombe’s Neither the Sea Nor the Sand (Hutchison, 1969)
  • Geoffrey Household’s Dance of the Dwarfs (Michael Joseph, 1968)
  • Robert E. Howard’s Always Comes Evening (Arkham House, 1957)
  • Robert E. Howard’s “…and their memory was a bitter tree” (Black Bart, 2008) (1/500 signed slipcased)
  • Robert E. Howard’s Black Vulmea’s Vengence (Donald M. Grant, 1976)
  • Robert E. Howard’s Blades for France (George T. Hamilton, 1975) (chapbook)
  • Robert E. Howard’s Bloodstar (Morning Star Press, 1976) (Graphic novel, one of 1,500 signed by artist Corban)
  • Robert E. Howard’s Echoes From an Iron Harp (Donald M. Grant, 1972)
  • Robert E. Howard’s Etchings in Ivory (Glenn Lord, 1968) (chapbook)(see Currey for points)
  • Robert E. Howard’s The Grey God Passes (Charles Miller, 1975) (chapbook)
  • Robert E. Howard’s The Grim Land and Others (Stygian Isle Press, 1976, 1/1450)
  • Robert E. Howard’s A Gent From Bear Creek (Herbert Jenkins, 1937)
  • Robert E. Howard’s The Ghost Ocean (Gibbelins Gazatte Pubns, 1982, hardback)
  • Robert E. Howard’s The Grim Land and Others (Stygian isle Press, 1976) (chapbook)
  • Robert E. Howard’s The Illustrated Gods of the North (Necronomicon Press, 1977) (chapbook)
  • Robert E. Howard’s The Incredible Adventures of Dennis Dorgan (Fax Collector’s Edition, 1977)
  • Robert E. Howard’s The Iron Man and other tales (Donald M. Grant, 1976)
  • Robert E. Howard’s Isle of Pirate’s Doom (George T. Hamilton, 1975)
  • Robert E. Howard’s The King’s Service (George T. Hamilton, 1975)
  • Robert E. Howard’s Kull (Donald M. Grant, 1985)
  • Robert E. Howard’s The Hyborian Age (Los Angeles-New York Cooperative Publications, 1938)
  • Robert E. Howard’s The Lost Valley of Iskander (FAX Collector’s Edition, 1974)
  • Robert E. Howard’s The Last Cat Book (Dodd Mead, 1984)
  • Robert E. Howard’s The Pride of Bear Creek (Grant, 1966)
  • Robert E. Howard’s Red Blades of Black Cathay (Grant, 1971)
  • Robert E. Howard’s Red Shadows (Grant, 1968)
  • Robert E. Howard’s Shadows of Dreams (Donald M. Grant, 1989)
  • Robert E. Howard’s The Shadow of the Beast (George T. Hamilton, 1977)
  • Robert E. Howard’s Shadow of the Hun (George T.Hamilton, 1977)
  • Robert E. Howard’s Singers in the Shadows (Donald M. Grant, 1970)
  • Robert E. Howard’s Son of the White Wolf (Fax Collector’s Edition, 1977)
  • Robert E. Howard’s Spears of Clontarf (George T. Hamilton, 1978) (chapbook)
  • Robert E. Howard’s The Sword of Shahrazar (FAX Collector’s Editions, 1976)
  • Robert E. Howard’s Tigers of the Sea (Donald M. Grant, 1974)
  • Robert E. Howard’s Two Against Tyre (Dennis McHaney, 1976) (chapbook)(1/600 numbered)
  • Robert E. Howard’s Valley of the Lost (Chuck E. Miller, 1975)
  • Robert E. Howard’s Writer of the Dark (Dark Carnival Press, 1986) (trade paperback)(1/500)
  • Robert E. Howard, Frank Belknap Long, H.P. Lovecraft, A. Merritt and C.L. Moore’s The Challenge From Beyond (Weltschmertz Publications, 1954) (Mimeographed)
  • (Robert E. Howard) Glenn Lord’s The Last Celt: A Bio-Bibliography of Robert E. Howard
  • Jan Hudson’s Those Sexy Saucer People (Greenleaf Classics, 1966)
  • Shirley Jackson’s The Bad Children (Dramatic Publishing Company, 1958)
  • Shirley Jackson’s The Magic of Shirley Jackson (Farrar Straus, 1966)
  • Stephen King’s Salem’s Lot (Doubleday, 1976) (Father Cody and not price-clipped on front flap)
  • Henry Kuttner’s The Valley of the Flame (Ace, 1964) (PBO)
  • R. A. Lafferty’s The Audifaxes (2019 chapbook)
  • R. A. Lafferty’s Alaric: The Day The World Ended (United Mythologies Press, 1994)
  • R. A. Lafferty’s Anamnesis (United Mythologies Press, 1992) (chapbook)
  • R. A. Lafferty’s The Best of R.A. Lafferty (Gollancz, 2019) (trade paperback)
  • R. A. Lafferty’s The Best of R.A. Lafferty (Tor, 2021) (hardback)
  • R. A. Lafferty’s Cranky Old Man From Tulsa (United Mythologies Press, 1990)
  • R. A. Lafferty’s How Many Miles to Babylon (United Mythologies Press, 1989)
  • R. A. Lafferty’s Sodom and Gomorrah, Texas (Aegypan, 2007) (hardback chapbook)
  • R. A. Lafferty’s The Six Fingers of Time (Aegypan, 2011) (hardback chapbook)
  • R. A. Lafferty’s Strange Skies (United Mythologies Press, 1988) (chapbook)
  • R. A. Lafferty’s Funnyfingers & Cabrito (Pendragon Press HB)
  • (R. A. Lafferty) Boomer Flats Gazette (Volumes 1-4)
  • Joe R. Lansdale’s Blood and Shadows (volumes 1-4) (DC Vertigo, 1996)
  • Joe R. Lansdale’s Blood Dance (Subterranean, 2000) (lettered edition)
  • Joe R. Lansdale’s Bubba Ho-Tep (Hail To the King edition DVD with jacket packaging, 2007)
  • Joe R. Lansdale’s Conan and the Songs of the Dead (Dark Horse, 2007)
  • Joe R. Lansdale’s Crawling Sky (Antarctic Press, 2013) (graphic novel)
  • Joe R. Lansdale’s Dead in the West (Crossroads Press, 1994) (signed/limited)
  • Joe R. Lansdale’s Dead in the West (Night Shade Books, 2005) (1/150 signed, limited copies)
  • Joe R. Lansdale’s The Drive In Bus Tour (Subterranean, 2005) (lettered edition)
  • Joe R. Lansdale’s Freezer Burn (Crossroads Press, 1999) (lettered edition)
  • Joe R. Lansdale’s Freezer Burn (Crossroads Press, 1999) (Special Edition, 1 of 5 copies)
  • Joe R. Lansdale’s The Good, the Bad and the Indifferent (Subterranean Press, 1997) (lettered edition)
  • Joe R. Lansdale’s H.P. Lovecraft’s The Dunwich Horror (IDW, 2012) (graphic novel)
  • Joe R. Lansdale’s I Tell You It’s Love (SST Publications, 2014) (hardback graphic novel)
  • Joe R. Lansdale’s Jonah Hex: Two Gun Mojo (DC Vertigo, 1994) (graphic novel)
  • Joe R. Lansdale’s Lone Ranger & Tonto (Topps Comics, 1995) (graphic novel)
  • Joe R. Lansdale’s The Long Ones (Necro Publications, 1999) (lettered traycased edition)
  • Joe R. Lansdale’s The Magic Wagon (Borderlands Press signed/limited hardback, 1991)
  • Joe R. Lansdale’s The Nightrunners (Dark Harvest, 1987) (signed slipcased edition)
  • Joe R. Lansdale’s The Nightrunners (Dark Harvest, 1987) (signed leatherbound “slipcrate” edition)
  • Joe R. Lansdale’s On the Far Side with Dead Folks (Avalon, 2004) (graphic novel)
  • Joe R. Lansdale’s Orbit 1 & 2 (Subterranean, 2000) (hardback)
  • Joe R. Lansdale’s Pigeons From Hell (Dark Horse, 2009) (graphic novel TPO)
  • Joe R. Lansdale’s Something Lumber This Way Comes (Subterranean, 1999) (1/13 lettered editions)
  • Joe R. Lansdale’s The Steam Man (Dark Horse, 2016) (graphic novel TPO)
  • Joe R. Lansdale’s Tarzan and the Land That Time Forgot (TimeShifter/ECOF, 2018) (chapbook)
  • Joe R. Lansdale’s Tight Little Stitches in a Dead Man’s Back (Pulphouse hardback)
  • Joe R. Lansdale’s The Thicket (Earthling Publications, 2015) (1/250 signed/limited hardbacks)
  • Joe R. Lansdale’s Two-Bear Mambo (Cahill Press, 1995) (lettered edition)
  • Joe R. Lansdale’s Waltz of Shadows (Subterranean, 1999) (lettered edition)
  • Joe R. Lansdale and Lewis Shiner’s Private Eye Action As You Like It (Crossroads Press, 1998) (1/26 lettered editions)
  • Joe R. Lansdale’s The X-Files: Case Files (IDW, 2018) (hardback graphic novel)
  • Joe R. Lansdale’s Robert Bloch’s Yours Truly, Jack the Ripper (IDW, 2010) (graphic novel)
  • Fritz Leiber’s Conjure Wife (Twayne, 1953) (no statement of printing)
  • Fritz Leiber’s Gather, Darkness (Pellegrini & Cudhay, 1950)
  • Fritz Leiber’s The Green Millennium (Abelard, 1953) (no statement of printing, no overprice)
  • Fritz Leiber’s Night Monsters (Gollancz, 1974)

  • Fritz Leiber’s Two Sought Adventure (Gnome Press, 1957)
  • Fritz Leiber’s The Secret Songs (Rupert Hart-Davis, 1968)
  • Cornel Lengyel’s The Atom Clock (FPCI, 1951) (hardback or chapbook)
  • Doris Lessing’s Briefing for a Descent Into Hell (Cape, 1971)
  • C. S. Lewis’ Out of the Silent Planet (John Lane The Bodley Head, 1938)
  • C. S. Lewis’ That Hideous Strength (John Lane The Bodley Head, 1945)
  • David Lindsay’s A Voyage to Arcturus (Methuen, 1920) (Gilt-stamped spine, undated publisher’s catalog)
  • H. P. Lovecraft’s Essential Solitude: The Letters of H. P. Lovecraft and August Derleth (Hippocampus Press, 2013) (two volumes)
  • H. P. Lovecraft’s Juvenilia 1895-1905 (Necronomicon Press, 1984) (chapbook)
  • H. P. Lovecraft’s The Outsider and Others (Arkham House, 1939)
  • H. P. Lovecraft’s Beyond the Wall of Sleep (Arkham House, 1943)
  • (Lovecraft, H.P.) Donald R. Burleson’s Lovecraft: Disturbing the Universe (University of Kentucky Press, 1990)
  • (Lovecraft, H.P.) Peter Cannon’s The Chronology Out of Time (Necronomicon Press chapbook, 1986)
  • (Lovecraft, H.P.) S.T. Joshi’s H.P. Lovecraft: Selected Essays (Necronomicon Press, 2019)
  • (Lovecraft, H.P.) Joshi/Schultz’s Lovecraft Remembered: An Epicure of the Terrible (Fairleigh Dickinson University Press, 1991)
  • (Lovecraft, H.P.) Ave Atque Vale (Necronomicon HB, 2018)
  • (Lovecraft, H.P.) Maurice Levy’s Lovecraft: A Study in the Fantastic (Wayne State University Press, 1988)
  • (Lovecraft, H.P.) Anthony Pearsell’s The Lovecraft Lexicon (New Falcon, 2004) (TPO)
  • (Lovecraft, H.P.) Robert M. Price’s H.P. Lovecraft and the Cthulhu Mythos (Starmont, 1990)
  • George R. R. Martin’s Fevre Dream (Poseidon Press, 1982)
  • George R. R. Martin’s Wild Cards VIII: One-Eyed Jacks (Bantam Spectra, 1991) (PBO)
  • Cormac McCarthy’s Blood Meridian (Random House, 1985) (number line starts with 2)
  • Richard Matheson’s Bid Time Return (Viking, 1975) (“First published 1975”)
  • Richard Matheson’s A Stir of Echoes (Lippencott, 1958)
  • Ian McDonald’s The Best of Ian McDonald w/Floating Dogs (PS Publishing, 2016)(1/100 signed, numbered copies)
  • Ian McDonald’s Cyberabad Days (Orion, 2009)
  • Ian McDonald’s Luna: Moon Rising (Tor, 2015)
  • Ian McDonald’s Luna: New Moon (Tor, 2017)
  • Ian McDonald’s Luna: Wolf Moon (Tor, 2019)
  • Ian McDonald’s The Menace From Farside (Tor, 2019)
  • Ian McDonald’s Time Was (Tor, 2018) (chapbook)
  • Richard McKenna’s The Left-Handed Monkey Wrench (Naval Institute Press, 1986)
  • Paul Merchant’s Sex Gang (Nightstand Books, 1959) (PBO, 50¢)
  • Hope Mirrlees’ Lud-in-the-Mist (Collins, 1926)
  • Carlton Miller’s Incest Street (Narcissus, 1970, PBO)
  • Michael Moorcock’s The Adventures of Una Persson and Catherine Cornelius in the Twentieth Century (Quartet, 1975)
  • Michael Moorcock’s The Adventure of the Dorset Street Lodger (as John H. Watson, MD) (privately printed hardback, 1993)
  • Michael Moorcock’s An Alien Heat (MacGibbon & Kee, 1972)
  • Michael Moorcock’s Behold the Man and Other Stories (Phoenix House, 1994)
  • Michael Moorcock’s Blood Red Game (Sphere, 1970) (PBO)
  • Michael Moorcock’s Blades of Mars (Compact, 1965)
  • Michael Moorcock’s Breakfast in the Ruins and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Brothel in Rosenstrasse and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Bull and the Spear (Alison Busby, 1973)
  • Michael Moorcock’s City of the Beasts (Lancer, 1970) (PBO)
  • Michael Moorcock’s Count Brass (Mayflower, 1973) (PB0)
  • Michael Moorcock’s Chronicles of Castle Brass (Granada, 1977)
  • Michael Moorcock’s Champion of Garathorm (Mayflower, 1973) (PBO)
  • Michael Moorcock’s The Dreaming City (Lancer, 1972) (PBO)
  • Michael Moorcock’s Dreamthief’s Daughter (American Fantasy, 2001) (signed, limited hardback)
  • Michael Moorcock’s Earl Aubec and Other Stories (Millennium, 1993)
  • Michael Moorcock’s Elric of Melnibone (Blue Star, 1977)
  • Michael Moorcock’s Elric of Melnibone and Other Stories (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: Swords and Roses (Del Rey, 2010) (TPO)
  • Michael Moorcock’s Elric: Return to Melnibone (Unicorn, 1973) (chapbook)
  • Michael Moorcock’s Elric: The Revenge of the Rose (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Elric: The Sailor on the Seas of Fate (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: The Sleeping Sorceress (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: The Stealer of Souls (Del Rey, 2008) (TP0)
  • Michael Moorcock’s Elric at the End of Time (NEL, 1984)
  • Michael Moorcock’s The Entropy Tango (NEL, 1981)
  • Michael Moorcock’s Eternal Champion (Harper & Row, 1978)
  • Michael Moorcock’s Eternal Champion (Mayflower, 1970) (PBO)
  • Michael Moorcock’s Final Programme (Gregg Press, 1976)
  • Michael Moorcock’s Final Programme (Avon, 1968) (PBO)
  • Michael Moorcock’s The Fireclown (Compact, 1965) (PB0)
  • Michael Moorcock’s The Golden Barge (Savoy, 1979) (TPO)
  • Michael Moorcock’s Hawkmoon (Millennium, 1992)
  • Michael Moorcock’s The Ice Schooner (Harper & Row, 1977)
  • Michael Moorcock’s The Ice Schooner (Sphere, 1969)
  • Michael Moorcock’s The Inner Landscape (Allison & Busby, 1969)
  • Michael Moorcock’s Jerry Cornelius: His Lives and His Times (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Jewel in the Skull (White Lion, 1973)
  • Michael Moorcock’s Knight of the Swords (Alison Busby, 1977)
  • Michael Moorcock’s Knight of the Swords (Mayflower, 1971) (PBO)
  • Michael Moorcock’s The Land Leviathan (Doubleday, 1974)
  • Michael Moorcock’s Lives and Times of Jerry Cornelius: Stories of the Comic Apocalypse (Four Walls Eight Windows, 2003) (TPO)
  • Michael Moorcock’s London Bone (Scribner/Simon & Schuster UK, 2001) (TPO)
  • Michael Moorcock’s Lord of the Spiders (Lancer, 1971) (PBO)
  • Michael Moorcock’s Lunching with the Antichrist (Ziesing V. Ziesing, 1994) (Signed/limited edition)
  • Michael Moorcock’s The Mad God’s Amulet (White Lion, 1973)
  • Michael Moorcock’s Masters of the Pit (NEL, 1971) (PBO)
  • Michael Moorcock’s Michael Moorcock’s Elric: Tales of the White Wolf (White Wolf, 1994)
  • Michael Moorcock’s Michael Moorcock’s Legends of the Multiverse (Black Coat Press, 2017) (TPO)
  • Michael Moorcock’s My Experiences in the Third World War and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s The New Nature of Catastrophe (Millennium, 1993)
  • Michael Moorcock’s Nomad of Time (Nelson Doubleday/SFBC, 1982) (Book club HB, gutter code M47 on page 440)
  • Michael Moorcock’s Nomad of the Time Streams (Millennium, 1993)
  • Michael Moorcock’s The Oak and the Ram (Alison Busby, 1973)
  • Michael Moorcock’s Pawn of Chaos (White Wolf, 1996) (TPO)
  • Michael Moorcock’s Phoenix In Obsidian (Mayflower, 1970) (PBO)
  • Michael Moorcock’s Queen of the Swords (Berkeley, 1971) (PBO)
  • Michael Moorcock’s Quest for Tanelorn (Mayflower, 1975) (PBO)
  • Michael Moorcock’s The Real Life Mr. Newman (A.J. Callow, 1979) (1/500 copies, stapled and bound in masking tape (!))
  • Michael Moorcock’s Retreat from Liberty (Zomba, 1983) (TPO)
  • Michael Moorcock’s The Road Between Worlds (White Wolf, 1996)
  • Michael Moorcock’s The Runestaff (Mayflower, 1969) (PBO)
  • Michael Moorcock’s The Russian Intelligence (NEL, 1983)
  • Michael Moorcock’s Sailing to Utopia (Millennium, 1993)
  • Michael Moorcock’s The Shores of Death (Sphere, 1970) (PBO)
  • Michael Moorcock’s Singing Citadel (Mayflower, 1970) (PBO)
  • Michael Moorcock’s The Skrayling Tree (Warner Aspect, 2003)
  • Michael Moorcock’s The Sorcerer’s Amulet (Lancer, 1968) (PBO)
  • Michael Moorcock’s The Steel Tsar (Mayflower, 1981) (PBO)
  • Michael Moorcock’s The Sundered Worlds (Compact, 1965) (PBO)
  • Michael Moorcock’s Sword and the Stallion (Alison Busby, 1973)
  • Michael Moorcock’s Sword of the Dawn (Lancer, 1968) (PBO)
  • Michael Moorcock’s The Time Dweller (Rupert Hart Davis, 1969)
  • Michael Moorcock’s Time of the Hawklords (Star, 1976) (PBO)
  • Michael Moorcock’s Time of the Hawklords (Aidan Ellis, 1976)
  • Michael Moorcock’s The Twilight Man (Roberts & Vinter/Compact, 1966) (PBO)
  • Michael Moorcock’s The Transformation of Mavis Ming (W. H. Allen, 1977)
  • Michael Moorcock’s The Traps of Time (Rapp & Whiting, 1968)
  • Michael Moorcock’s Warlord of the Air (NEL, 1971)
  • Michael Moorcock’s Warrior of Mars (NEL, 1981) (hardback omnibus)
  • Michael Moorcock’s Warriors of Mars (Compact, 1965) (PBO)
  • Michael Moorcock’s The Wrecks of Time (b/w Tramontane) (Ace Double, 1967) (PBO)
  • Michael Moorcock and James Cawthorne’s Fantasy the 100 Best Books (Xanadu, 1988)
  • (Moorcock, Michael) Frank Brunner’s Elric Portfolio (Looking Glass, 1979) (art portfolio, 1/1000)
  • (Moorcock, Michael) Tawn, Brian Dude’s Dream: The Music Of Michael Moorcock (Hawkfan, 1997) (TPO)
  • Kim Newman’s The Original Dr. Shade (Pocket Books, 1994)(PBO)
  • Larry Niven’s Inconstant Moon (Gollancz, 1973)
  • Larry Niven’s Neutron Star (Macdonald, 1969)
  • Larry Niven’s Protector (Compton Russell, 1976)
  • Larry Niven’s World of Ptavvs (Macdonald, 1986)
  • Charles Neutzel’s Queen of Blood (Greenleaf Classic, 1966) (PBO)
  • Andre Norton’s Witch World (Gregg Press, 1977)
  • George Orwell’s Animal Farm (Secker & Warburg, 1945, 1st state dust jacket)
  • Lewis Padgett’s A Gnome There Was (Simon & Schuster, 1950)

  • Lewis Padgett’s Tomorrow and Tomorrow and Tomorrow & The Fairy Chessman (Gnome, 1951)
  • Edgar Pangborn’s A Mirror for Observers (Doubleday, 1954)
  • Keith Roberts’s Pavane (Rupert Hart-Davis, 1968)
  • Mervyn Peake’s Titus Groan (Eyre & Spottiswoode, 1946)
  • Mervyn Peake’s Gormenghast (Eyre & Spottiswoode, 1950)
  • Mervyn Peake’s Titus Alone (Eyre & Spottiswoode, 1959)
  • H. Beam Piper’s Lord Kalvan of Otherwhen (Garland HB, 1975)
  • H. Beam Piper’s (and Andre Norton’s) A Planet For Texans (and Star Born) (Ace, 1958) (PBO, 35¢)
  • H. Beam Piper’s Space Viking (Ace, 1962) (PBO, 40¢)
  • Frederik Pohl & C. M. Kornbluth’s Gladiator-At-Law (Ballantine Books, 1955)
  • Frederik Pohl & C. M. Kornbluth’s Presidential Year (Ballantine Books, 1956)
  • Frederik Pohl & C. M. Kornbluth’s Search the Sky (Ballantine Books, 1954)
  • Terry Prachett’s The Colour of Magic (Colin Smythe, 1983)
  • Terry Prachett’s The Light Fantastic (Colin Smythe, 1986)
  • Thomas Pynchon’s Gravity’s Rainbow (Viking, 1973) (First issue dj with ISBN lettered in white over red on rear panel, date code 0273 on lower front flap)
  • Ellery Queen’s And On the Eighth Day (Random House, 1964)
  • Ellery Queen’s The Fourth Side of the Triangle (Random House, 1965)
  • Ellery Queen’s The Player on The Other Side (Random House, 1963)
  • Alastair Reynold’s The Prefect (Gollancz, 2007)
  • Alastair Reynold’s Elysium Fire (Gollancz, 2018)
  • Alastair Reynold’s Machine Vendetta (Gollancz, 2024)
  • Matt Ruff’s Lovecraft Country. (Harper, 2016)
  • Salman Rushdie’s Grimus (Gollancz, 1975)
  • Eric Frank Russell’s Far Stars (Dobson, 1961)
  • Eric Frank Russell’s The Great Explosion (Dobson, 1962)
  • Eric Frank Russell’s Wasp (Avalon, 1957)
  • Clifford D. Simak’s Ring Around the Sun (Simon & Schuster, 1953)
  • Clifford D. Simak’s Way Station (Doubleday, 1963)
  • Norman Spinrad’s The Iron Dream (Gregg Press, 1977)
  • Bob Shaw’s Orbitsville (Gollancz, 1975) (No statement of printing on copyright page)
  • Robert Sheckley’s Journey Beyond Tomorrow (Gollancz, 1964)
  • Lucius Shepard’s Cantata Of Death, Weakmind & Generation (Lillabulero Press, 1967) (chapbook)
  • Clark Ashton Smith’s The Abominations of Yondo (Arkham House, 1960)
  • Clark Ashton Smith’s Cycles (Roy A. Squires, 1963) (broadside)
  • Clark Ashton Smith’s The Dark Chateau (Arkham House, 1951)
  • Clark Ashton Smith’s From the Crypts of Memory (Roy A. Squires, 1963)(chapbook)
  • Clark Ashton Smith’s Grotesques and Fantastiques (De La Ree, 1973) (1/50 signed hardback copies)
  • Clark Ashton Smith’s The Ghoul and the Sereph (Gargoyle Press, 1950) (chapbook)
  • Clark Ashton Smith’s Genius Loci and Other Tales (Arkham House, 1948)
  • Clark Ashton Smith’s Hesperian Fall (Clyde Beck, 1961) (chapbook)
  • Clark Ashton Smith’s The Hills of Dionysus (Roy A. Squires, 1962) (1/175 black hardback copies and/or 1/40 green hardback copies))
  • Clark Ashton Smith’s Klarkash-Ton and Monstro Ligriv (Gerry de la Ree, 1974) (1/50 hardback copies)
  • Clark Ashton Smith’s The Mortuary (Roy Squires chapbook)
  • Clark Ashton Smith’s Nero and Other Poems (Futile Press, 1937)
  • Clark Ashton Smith’s Spells and Philtres (Arkham House, 1958)
  • Clark Ashton Smith’s Sandalwood (The Auburn Journal Press, 1925)(chapbook)
  • Clark Ashton Smith’s The Titans in Tartarus (Roy Squires)(chapbook)
  • Clark Ashton Smith’s The White Sybil (with David H. Keller’s Men of Avalon) (Fantasy Publications, no date (1934)) (chapbook)
  • (Clark Ashton Smith) Jack L. Chalker’s In Memorium: Clark Ashton Smith (Mirage Press, 1963) (1/10 hardback copies)
  • Norman Spinrad’s The Iron Dream (Gregg Press, 1977)
  • Brian Stableford’s The Walking Shadow (Fontana, 1979) (PBO)
  • Theodore Sturgeon’s Aliens 4 (Avon, 1959) (PBO, 35¢)
  • Theodore Sturgeon’s Baby is Three/…And My Fear Is Great (Galaxy, 1965) (PBO)
  • Theodore Sturgeon’s Caviar (Ballantine Books, 1955)
  • Theodore Sturgeon’s The Cosmic Rape (Dell, 1958) (PBO, 35¢)
  • Theodore Sturgeon’s The Cosmic Rape (Gregg Press, 1977)
  • Theodore Sturgeon’s E. Pluribus Unicorn (Abelard-Schuman, 1953)
  • Theodore Sturgeon’s More Than Human (Farrar, Straus and Young, 1953)
  • Theodore Sturgeon’s Venus Plus X (Pyramid, 1960) (PBO, 35¢)
  • Theodore Sturgeon’s Venus Plus X (Gollancz, 1969)
  • Theodore Sturgeon’s A Way Home (Funk and Wagnalls, 1955)
  • Patrick Suskind’s Perfume (Hamish Hamilton, 1986)
  • Michael Swanwick’s American Cigarettes (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s The Brain Baron (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s A Midwinter’s Tale (Dragonstairs, 2010) (chapbook)
  • Michael Swanwick’s Millie’s Recipes (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s One Mile Below (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s Song of the Lorelei (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s Valentine Moon (Dragonstairs, 2020) (chapbook)
  • William Tenn’s Of All Possible Worlds (Ballantine Books HB, 1955)
  • William Tenn’s Time In Advance (Gollancz, 1963)
  • J. R. R. Tolkein’s The Hobbit (George Allen & Unwin, 1937) (First printed 1937, “Dodgeson” on back dj flap)
  • J. R. R. Tolkein’s The Fellowship of the Ring (George Allen & Unwin, 1954) (no later date on copyright page)
  • J. R. R. Tolkein’s The Two Towers (George Allen & Unwin, 1954) (no later date on copyright page)
  • J. R. R. Tolkein’s The Return of the King (George Allen & Unwin, 1955) (no later date on copyright page)

  • Henry Treece’s The Golden Strangers (The Bodley Head, 1956)
  • Henry Treece’s The Great Captains (The Bodley Head, 1956)
  • Jack Vance’s The Complete Magnus Ridolph (Underwood Miller, 1984)
  • Jack Vance’s Dream Castles (Subterranean Press, 2012) (signed, lettered edition)
  • Jack Vance’s The Dying Earth (Hillman, 1947)(PBO)
  • Jack Vance’s Future Tense (Ballantine, 1964)(PBO)
  • Jack Vance’s Grand Crusades (Subterranean, 2015) (signed, lettered edition)
  • Jack Vance’s Hard Luck Diggings (Subterranean, 2010) (signed, lettered edition)
  • Jack Vance’s The Jack Vance Reader (Subterranean Press, 2008) (signed, lettered edition)
  • Jack Vance’s The Jack Vance Treasury (Subterranean Press, 2007) (signed, lettered edition)
  • Jack Vance’s The Languages of Pao and The Dragon Masters (Vance Integral Edition, 2002)
  • Jack Vance’s Magic Highways (Subterranean, 2013) (signed, lettered edition)
  • Jack Vance’s The Man in the Cage (Random House, 1960)
  • Jack Vance’s Wild Thyme, Green Magic (Subterranean, 2009) (signed, lettered edition)
  • (Jack Vance) The Many Worlds of Jack Vance (fanzine, 1/300)
  • (Jack Vance) Songs of the Dying Earth (Subterranean, 2009) (signed, lettered edition)
  • Kurt Vonnegut’s Cat’s Cradle (Holt, Reinhardt & Winston, 1963)
  • Kurt Vonnegut’s The Sirens of Titan (Houghton-Mifflin, 1961)
  • Alan Wade’s Isle of Peril (Mystery House, 1957))
  • Peter Watts’ Echopraxia (Tor, 2014)
  • Ian Watson’s The Embedding (Gollancz, 1973)
  • H. G. Wells’ The Time Machines (Henry Holt, 1895) (true first edition with his name misspelled “H. S. Wells” on the title page)
  • Manly Wade Wellman’s Carolina Pirate (Washburn, 1968)
  • Manly Wade Wellman’s Gray Riders (Aladdin, 1954)
  • Manly Wade Wellman’s Haunts of Drowning Creek (Holiday House, 1951)
  • Manly Wade Wellman’s Jamestown Adventure (Washburn, 1967)
  • Manly Wade Wellman’s Mystery at Bear Paw Gap (Washburn, 1965)
  • Manly Wade Wellman’s The Specter of Bear Paw Gap (Washburn, 1966)
  • Gary Westfahl’s The Greenwood Encyclopedia of Science Fiction & Fantasy: Themes, Works, and Wonders (three volume hardcover set)
  • J. X. Williams’ ESP Orgy (Greenleaf Classics adult PBO)
  • Jack Williamson’s The Collected Stories of jack Williamson Volume Five: The Crucible of Power (Haffner Press, 2006)
  • Jack Williamson’s The Collected Stories of jack Williamson Volume Six: Gateway to Paradise (Haffner Press, 2008)
  • Gene Wolfe’s The Grave Secret (Portentous Press) (chapbook)
  • Gene Wolfe’s The Land Across (Tor, 2013)
  • Gene Wolfe’s The Old Woman Whose Rolling Pin Was the Sun (Cheap Street, 1991) (chapbook)
  • (Gene Wolfe)Michael Andre-Driussi’s A Quick and Dirty Guide To The Long Sun Whorl (Sirius Fiction) (chapbook)
  • John Wyndham’s The Day of the Triffids (Doubleday, 1951)
  • John Wyndham’s The Kraken Wakes (Michael Joseph, 1953)
  • John Wyndham’s The Midwich Cuckoos (Michael Joseph, 1957)
  • Cheslea Quin Yarboro’s Aristo (Pocket, 1980) (PBO)
  • Collier Young’s The Todd Dossier (Delacorte Press, 1969)
  • Roger Zelazny’s The Doors of His Face, The Lamps of His Mouth (Pulphouse, 1991) (hardback of just that story)
  • Roger Zelazny’s The Magic: (October 1961-October 1967) Ten Tales (Positronic Publishing, 2018)
  • Roger Zelazny’s Lord of Light. (Easton Press, 1994) (tan leather)
  • (Roger Zelazny) Jane Lindskold’s Roger Zelazny (Twayne, 1992)
  • (Roger Zelazny) Joseph L. Sanders’ Roger Zelazny: A Primary and Secondary Bibliography (G. K. Hall, 1982)
  • (Roger Zelazny) Karl B. Yoke’s Roger Zelazny: Starmont Reader’s Guide (Borgo Press, 1979) (Library binding hardback)
  • Library Additions for 2020

    Monday, February 15th, 2021

    I didn’t manage to break it up into two posts this year, so this is a roundup of every book I bought (or that came in) between January 1 and December 31, 2020. Most, but not all, of these were already listed in blog posts between March 2020 and February 2021:

  • Adams, Douglas. Dirk Gently’s Holistic Detective Agency. Simon & Schuster, 1987. First edition hardback (simultaneous with the UK Heinemann edition), a Fine copy in a Fine dust jacket. Bought for $9.99.
  • Ballard, J. G. The Terminal Beach. Gollancz, 1964. First hardback edition (preceded by the Berkley paperback), a Near Fine copy with small owner’s name on FFE, small Australian bookstore sticker at bottom inside front cover near gutter, uniform dust soiling to top and side edges, and slight bumping at head and heel, in a Very Good+ price-clipped dust jacket with a 3/16″ chip at heel, shallow chipping at points, slight dust staining to spine and edges. A fairly nice copy of a key Ballard short story collection, including the title story and “The Drowned Giant.” Goddard & Pringle, J. G. Ballard: The First Twenty Years, 54. Currey, page 23. Bought at auction for A$500 plus shipping. Replaces an Ex-Library copy.

  • Barksdale, Dante, with Grace Kearney. Growing Up Barksdale: A True Baltimore Story. No publisher listed, printed 2020. Trade paperback POD reprint, a Fine copy. Autobiography by a former Baltimore gang member who’s family’s story provided some of the grist for David Simon’s The Wire. A Christmas gift from Dwight.
  • Beaumont, Charles. The Magic Man and Other Science-Fantasy Stories. Fawcett Gold Medal, 1965. First edition paperback original, a Very Good- copy with crease across bottom front corner, spine creasing and abrasions, age darkening to pages and general wear. Reginald, Science Fiction and Fantasy Literature Volume 1, page 40. Obtained free.
  • Beaumont, Charles. Shadow Play. Panther, 1964. First UK edition and first edition under this title, a Very Good- copy with chipper bottom front corner, spine creasing, age darkening to pages and general wear. Originally published in the U.S. in hardback as The Hunger and Other Stories. Reginald, Science Fiction and Fantasy Literature Volume 1, page 40. Some overlap between these two. Obtained free.
  • Bennett, Robert Jackson. In the Shadows of Men. Subterranean, 2020. First edition hardback, #134 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket. Novella by the author of Mr. Shivers and Company Man.
  • Bethke, Bruce. Headcrash. Warner Books, 1995. Advanced reading copy of the paperback original first edition, also mass market paperback size, a Fine copy, signed by the author. Bethke was doing some pioneering cyberpunk work (indeed, his story “Cyberpunk” probably coined the word in 1980, but wasn’t published until 1983), but most of it didn’t get published until after the 1980s. This is his first stand-alone non-tie-in novel. Philip K. Dick award winner. Obtained directly from the author.
  • Blaylock, James P. The Gobblin’ Society. Subterranean Press, 2020. First edition hardback, #259 of 1000 signed, numbered copies, a Fine copy in a Fine dust jacket. Blaylock’s latest Steampunk Langdon St. Ives adventure.
  • Blaylock, James P. The Magic Spectacles. Morrigan Publications, 1991. First edition hardback, a Fine copy in a Fine dust jacket, with a full page inscription to SF writer Scott Cupp and his wife Sandy: “For Scott & Sandi,/This loony children’s book, starring/my sons at what now seems to/me to be an impossibly young/age. Here’s to Italian food &/trips to California. Cheers,/Jim.” Replaces an unsigned copy.

  • Blish, James. Black Easter. Doubleday, 1968. An Ex-library copy I bought for $4 for the quite bright Near Fine+ dust jacket to marry to another copy.
  • Bond, Nelson. Nightmares and Daydreams. Arkham House, 1968. First edition hardback, a Fine- copy with slightly bumped points, in a Fine- dust jacket with slight wear at points and the barest trace of dust soiling to white rear cover. Signed by Bond. Joshi, Sixty Years of Arkham House 98. Jaffrey, Horrors and Unpleasantries, 106. Nielsen, 104. Derleth, Thirty Years of Arkham House, 96. Currey (1979), page 49. Locke, A Spectrum of Fantasy, page 38. Bought off eBay for $35.

  • Bradbury, Ray. Forever and the Earth. Croissant & Company, 1984. First edition hardback, #20 of 300 signed, numbered copies, a Fine copy in a glassine dust wrapper, as issued. Script for a radio dramatization. Bought for $50.

  • Bradbury, Ray. A Chapbook for Burnt-Out Priests, Rabbis and Ministers. Cemetery Dance, 2001. First edition hardback, a PC copy of 350 signed and numbered copies, a Fine copy save a dime-sized spot of discoloration on front free endpaper (possibly a paper flaw), in a Fine dust jacket and a Fine slipcase. Mixture of prose and poetry. Supplements a trade copy. Bought for $29.99.
  • Bradbury, Ray. The Ray Bradbury Chronicles Volume 4. Byron Preiss Visual Publications, 1993. First edition hardback, #548 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought for $35. I now lack only volumes 1, 3 and 5. Weist, Ray Bradbury: An Illustrated Life, page 183.
  • (Bradbury, Ray) James Tucker and Erin Mckee, editors. Touchstone: Celebrating the Lives of Fritz Leiber and Ray Bradbury. Mysterious Stranger Press, 1978. First edition trade paperback original, a Near Fine copy with slight crease to bottom front corner, a stray ink mark to bottom outer pageblock edge, and a touch of grubbiness to the uncoated covers, signed by Bradbury and McKee, with 183/977 written at the bottom right corner of the title page (presumably the limitation). Odd mélange of festschrift, bits of fiction from the two authors, a bibliography, etc. Includes contributions from Harlan Ellison, Poul Anderson, William F. Nolan, Richard Lupoff (as Ova Hamlet), etc. Reginald, Science Fiction and Fantasy Literature 1975-1991, 29608. Not in Currey. Not in The Undead (which had a lot of obscure Bradbury items listed). Not in Morgan, Fritz Leiber: a Bibliography 1934—1979. Not in Staicar, Fritz Leiber. Not in a whole damn lot of things it should have been in (but it is in the ISFDB). Found literally in Dreamhaven’s basement, and I think I ended up paying something like $16.

  • Bryant, Edward, and Harlan Ellison. Phoenix Without Ashes. Fawcett, 1975. First edition paperback original, a Near Fine+ copy with one faint spine crease and a few touches of edgewear, otherwise apparently new and unread. Currey, page 76 and 178. Richmond, Fingerprints on the Sky, page 108. Supplements a slightly less attractive copy. Now I can file one copy under Bryant and one under Ellison. Bought for $2 from a fundraiser sale for the Joe R. Lansdale documentary All Hail The Popcorn King.
  • Butler, Octavia. Unexpected Stories. Subterranean Press, 2020. First edition hardback, #391 of 1000 copies, a Fine copy in a Fine dust jacket, new and unread. Contains two newly unearthed stories, plus an introduction by Nisi Shawl and an afterword by Butler’s agent and literary executor Merrilee Heifetz.
  • Campbell, Ramsey. A Little Green Book of Grins & Gravity. Borderlands Press, 2020. First edition hardback, #498 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. A novella, “The Enigma of the Flat Policeman,” supposedly in the manner of John Dickson Carr, along with an introduction and an afterword.
  • Castle, Mort. A Little Cobalt Book of Old Blue Stories…And Stuff. Borderlands Press, 2018. First edition hardback, #492 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Nine stories, one original to this volume.
  • Chiang, Ted. Exhalation. Subterranean Press, 2020. First signed, limited edition (preceded by the Knopf hardback), #212 of 300 copies, a Fine copy in a Fine dust jacket. Bought from the publisher at the usual discount. Now sold out from the publisher. I will have a very small number of copies available in the next Lame Excuse Books catalog.
  • Crouch, Blake. A Little Orange Book of Obsessions. Borderlands Press, 2020. First edition hardback, #498 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Three stories, one from an online-only source. Now out of stock from the publisher. I still have copies available through Lame Excuse Books.

  • Davidson, Avram, editor. The Best From Fantasy and Science Fiction Fourteenth Series. Doubleday, 1965. First edition hardback, a Fine copy in a Near Fine- dust jacket with a 1/16″ chip at head, slight edgewear a heel, and some darkening/dust soiling to white rear cover. Currey, page 131.
  • de Camp, L. Sprague. Warlocks and Warriors. Putnam, 1970. First edition hardback, a Fine- copy with five tiny ink “x”s next to stories on the copyright page and a trace of bend at head and heel, in a Fine- dust jacket with traces of edgewear along flap folds. Signed by de Camp. Includes Zelazny’s “The Bells of Shoredan.” The Zelazny and others include maps for their stories that I’m not sure I’ve seen anywhere else.
  • Delaney, Samuel R. Babel-17. Ace, 1966. First edition paperback original (no statement of printing and 40¢ price on cover, as per Currey), a Near Fine copy with rubbing along front spine join, slight edgewear, and slight age darkening to pages. Nebula Award winner for best novel. Currey, page 139. Bought for $2 from the Lansdale documentary fundraiser sale.

  • Delaney, Samuel R. City of a Thousand Suns. Ace, 1965. First edition paperback original (no statement of printing and 40¢ price on cover, as per Currey), a Near Fine+ copy with considerable foxing to inside covers, age darkening to pages, and trace of dust soiling to white covers. Currey, page 139. Bought for $2 from the Lansdale documentary fundraiser sale.

  • de la Ree, Gerry. Fantasy Collector’s Annual – 1975. Gerry de la Ree, 1974. First edition hardback, #50 of 80 bound hardback copies a Fine- copy with top rear spine hinge gutter paste-down starting to tear, otherwise a nice, square copy. Miscellany of fantasy-related items, including Virgal Finley art, facsimiles of letters from Seabury Quinn to Finley, J.J. Weguelin’s art of H. Rider Haggard’s Montezuma’s Daughter, a note on the secret reprint edition of August Derleth’s Someone in the Dark, facsimile examples of inscriptions by several fantasy notables including, Ray Cummuings, A. A. Merrit, and Wernher von Braun, and a reprint of a The Mars Gazette, a chemical company advertising pamphlet in science fictional form extolling the virtues of “liquid peptonoids.” Chalker/Owings, page 128. Bought from an online dealer for $60.

  • De Palma, Brian and Susan Lehman. Are Snakes Necessary? Hard-Case Crime, 2020. First edition hardback, a Fine copy in a Fine dust jacket, signed by both authors. Bought from The Mysterious Bookstore at a dealer discount.

  • Dick, Philip K. Mary and the Giant. Arbor House, 1987. First edition hardback, a Fine copy in a Fine dust jacket. For some reason I ended up with a copy of the UK first edition and the Ultramarine Press leather-bound-with-the-cancelled check edition, but never picked up the American trade edition (the true first) until now. Precious Artifacts, MS5.2. Bought for $20 from Dreamhaven.
  • Dick, Philip K. The Slave Race. Sangrail Press, 2020. First edition chapbook, #69 of 250 copies, a Fine copy, with additional linocut of the cardstock frontispiece illustration affixed inside the firstpage and note from publisher laid in. First separate publication of a 15-year old Dick’s first SF short story that appeared in the Berkeley Daily Gazette Young Author’s Club column on May 8th, 1944. Bought directly from the publisher at a dealer discount.

  • Disch, Thomas. Fun With Your New Head. Doubleday, 1971. First U.S. edition and first edition under this title, previously published as Under Compulsion in the UK three years before, a Near Fine copy with purple remainder speckling at heel, owners name of “Scott Imes” written in ink on inside top back cover under flap, and slight bend at head and heel, in a Fine- dust jacket with slight age darkening to spine and a few traces of dust soiling. Inscribed by Disch: “For Margee & Scott,/Best,/Thomas M. Disch.” Imes was the long-time manager of Uncle Hugo’s SF bookstore store. Currey, page 164. Bought for $28.
  • Disch, Thomas M. Echo Round His Bones. Berkley Medallion, 1967. First edition paperback original, a Near Fine+ copy with slight edgewear, touches of wear elsewhere, and usual slight foxing and slight age-darkening of pages. Currey (1979), page 164. Obtained free.
  • Disch, Thomas M. The Genocides. Berkley, 1965. First edition paperback original, a Fine- copy with just a trace of edgewear and the usual foxing and age darkening to pages. Supplements the UK first hardback edition. Currey (1979), page 164. His first novel. Obtained free.
  • Disch, Thomas M. White Fang Goes Dingo. Arrow Books, 1970 (interestingly, Currey (both 1979 and 2002) says 1971). First edition paperback original under this title (an expanded version of 102 H-Bombs), a Fine- copy with slight edgewear and slight age-darkening to edges of pages. Currey (1979), page 165.
  • Dozois, Gardner, with Michael Swanwick. ‘She Saved Us From World War Three’: Gardner Dozois Remembers James Tiptree, Jr. Temporary Culture, 2020. First edition chapbook original, one of 225 copies printed, a Fine copy in a Fine black envelope, as issued. Swanwick interviews Dozois on the subject of the reclusive Alice Sheldon AKA James Tiptree, Jr., who corresponded with Dozois and met him in person at least once. Haven’t read it yet, but the story Gardner told was that as a CIA analyst, Sheldon was told to look at satellite photographs the government, fearful of a nuclear first strike, thought showed hundred of mobile Soviet missile launchers. She told them they were hay drying carts for the fall harvest. (Neal Barrett, Jr. used to tell a story about how he had prevented World War III. He was with the army in West Germany in the late 1950s, and his night watch superior had gotten liquored up and wanted to invade East Germany. “I don’t think that’s a very good idea, sir.”)

  • Dozois, Gardner, editor. The Year’s Best Science Fiction: Thirtieth Annual Collection. St. Martin’s, 2013. First edition hardback, a Fine copy in a Fine dust jacket. Bought from Dreamhaven for cover price minus 20%. The remaining volumes I lack are 15, 23, 24, 27 and 28.
  • Effinger, George Alec. The Exile Kiss. Doubleday Foundation, 1991. First edition hardback, a Fine- copy with a wrinkle at heel in a Fine- dist jacket with just a trace of darkening to the very tops of the white flaps. Inscribed by Effinger: “To Ed —/With supreme best wishes/(Which I haven’t bestowed even/on Willie or Fred) —/At Armadillocon 13 —/George.” I strongly suspect this book was inscribed to Ed Graham, who was the chair of Armadillocon 12. (His wife, Casey Hamilton, chaired Armadillocon 13, and together they chaired Armadillocon 16.) Willie Siros and Fred Duarte were other Armadillocon chairs. Replaces an unsigned trade first in my library, and supplements a copy of the signed/limited state.

  • Egan, Greg. Dispersion. Subterranean Press, 2020. First edition hardback, #173 of 1000 numbered copies, a Fine copy in a Fine dust jacket, new and unread. “In a world not quite our own, every living thing is born into one of six discrete ‘fractions’ that are incompatible with—and often invisible to—each other. These fractions have coexisted peacefully for centuries, but now a disease has appeared that seems to drag the infected parts of the body into a different fraction. The effects are devastating. Individual victims suffer painful, protracted deaths. Entire communities turn against one another, and a state approaching perpetual war takes hold.”
  • Ellison, Harlan. Getting in the Wind. Kicks Books/Edgework Abbey, 2012. First edition paperback original, a Fine copy with four postcards, a pair of dice, a signature plate signed by Ellison, in a dropbox, with a picture of the cover pasted on front, in a plastic bag with a seal for “Sex Gang Perfume.” (This one with the seal broken so I could look at the contents.) An elaborate production. This copy and the following reprint all the stories from Ellison’s very early PBO Sex Gang, published as by Paul Merchant in 1959, along with other very early Ellison stories. Richmond, Fingerprints in the Sky, page 52. Bought for $50 off eBay, 1/3rd the original offering price.

  • Ellison, Harlan. Partners in Wonder. Walker, 1971. First edition hardback, a Near Fine+ copy with a light, dime-sized black smudge along rear spine-join, in a Near Fine- dust jacket with two quarter-sized light charcoal colored stains on the spine panel, and slight edgewear at head and heel. Inscribed by Ellison: “For Mila,/Merry Christmas/1977/Harlan Ellison.” Collection of collaborative stories. Supplements a nicer copy signed by Robert Silverberg (but not Ellison). Fingerprints on the Sky, page 56. Currey, page 178.

  • Ellison, Harlan. Pulling a Train. Kicks Books/Edgework Abbey, 2012. First edition paperback original, a Fine copy with four postcards, a switchblade comb, a signature plate signed by Ellison, in a dropbox, with a picture of the cover pasted on front, in a plastic bag with a seal for “Sex Gang Perfume.” (This one with the seal unbroken.) An elaborate production. This copy and the above reprint all the stories from Ellison’s very early PBO Sex Gang, published as by Paul Merchant in 1959, along with other very early Ellison stories. Richmond, Fingerprints in the Sky, page 56. Bought for $50 off eBay, 1/3rd the original offering price.
  • (Ellison, Harlan) Ellen Weil and Gary K. Wolfe. Harlan Ellison: The Edge of Forever. Ohio State University Press, 2002. First edition trade paperback original, a Fine- copy with bottom outer edges slightly bumped. Bought for $12.49.
  • Finn, Mark. Gods New and Used. Clockwork Storybook, 2001. First edition trade paperback original, a Fine copy, signed by Finn, with a “Signed by Author at Book People” sticker on it. Collection of linked stories. Bought at Half Price Books for $10.

  • Gaiman, Neil. The View from the Cheap Seats. William Morrow, 2016. First edition hardback, a Fine copy in a Fine dust jacket, signed by Gaiman. Collection of non-fiction (essays, interview, etc.).
  • Grant, Charles L. (Hank Wagner and Kathryn Ptacek, editors). A Little Black book of Quiet Horror. Borderlands Press, 2019. First edition hardback, #498 of 500 numbered copies signed by the editors, a Fine copy, sans dust jacket, as issued. Four stories. Now out of print from the publisher.
  • Greenberg, Martin H. Dragons: The Greatest Stories. MJF Books, 1997. First edition hardback, a Fine copy in a Fine dust jacket. Anthology. A few mysteries about this copy: Has a numberline ending in one (which would typically indicate a first edition rather than a book club edition), but no price on the dust jacket (which would typically indicate the opposite), and has a red binding along the spine. The ISFDB lists two editions, one at a price of $19.95, and the other at a price of $7.98, the latter of which it indicates is taken from the Locus database, which also lists only one edition of the book and that as an instant remainder (which would explain the lack of a price). The Don Maitz cover appears to be a cropped example of the fuller dust jacket illustration that originally appeared on Kathleen Sky’s Witchdame in 1985; copies of this anthology with green spine and the fuller illustration (still with no price on the dust jacket) appear to be second printings. Still another mystery is the not-quite-right Zelazny signatures on the title page and at his story “The George Business,” which would be a neat trick since Zelazny died in 1995. No idea if Bob or someone else created the spurious signatures. It would seem that this instant remainder edition was done first and the pricier retail edition (if it even exists) may have been done later.

  • Haldeman, Joe. War Stories. Night Shade Books, 2005. First edition hardback, one of 175 signed, numbered copies, a Fine copy in a Fine dust jacket. Omnibus editions of Haldeman’s Vietnam War stories and poems, including his novel War Year. On one hand, 175 is a pretty low limitation for a Haldeman limited. On the other hand, literally the only difference is the signed limitation page. Supplements a trade copy inscribed to me. Bought off eBay for $24.50.
  • (Heinlein, Robert A.) Patterson, William H., Jr. Robert A. Heinlein In Dialogue With His Century — Volume 2: The Man Who Learned Better | 1948—1988. The second half of Patterson’s mammoth biography. Bought at Half Price Books for $17.49.
  • Hill, Joe. Full Throttle. Subterranean Press, 2020. First signed, limited edition thus, #43 of 750 numbered copies signed by Hill and artist Dave McKean, a Fine copy in a Fine dust jacket and Fine slipcase. An elaborate, lavishly illustrated edition in a square form-factor. I have copies available for sale through Lame Excuse Books.

  • Holkins, Jerry and Mike Krahulik. Penny Arcade 6: The Halls Below. Del Rey, 2010. First edition hardback, #885 of 1000 signed, numbered copies, a Fine copy with inset color cover illustration, sans dust jacket, as issued. Collection of Penny Arcade cartoons. Bought from the Penny Arcade store for $30.

  • Howard, Robert E. Skull-Face And Others. Arkham House, 1946. First edition hardback, a Near Fine copy with slight bumping at points, slight bend at head and heel, trace of rubbing to center of gold designs along spine, in a Near Fine dust jacket with slight sun-fading to spine, slight wear at points, a 1/16″ closed tear at head, slight wrinkling at top right cover, a touch of dust soiling around just the edge of white rear cover, and blindside foxing to dust jacket; all in all, an extremely nice copy of this key Howard and Arkham House work. Joshi, Sixty Years of Arkham House, 17. Jaffrey, Horrors and Unpleasantries, 19. Nielsen, Arkham House Books, 17. Derleth, Thirty Years of Arkham House, 17. Currey, page 251. Bleiler, Guide to Supernatural Fiction, 852. Locke, Spectrum of Fantasy, page 117. Bleiler, Checklist (1978), page 104. Bleiler, Checklist (1948), page 153. Chalker/Owings (1991), page 23 (“What The Outsider and Others is to Lovecraft, this book is to Howard”). Kemp, Anthem Series, pages 305-6. Barron, Horror Literature, 3-95 (but not in the companion Fantasy Literature volume). One of four “tall” Arkham house volumes, of which I now have two. Bought for $382.46 from a fellow Biblio dealer.

  • Ipcar, Dahlov. A Dark Horn Blowing. Viking Press, 1978. First edition hardback, a Near Fine copy with slight bend at head and heel, a short, thin line of rust-colored staining at very bottom of front free endpaper, and a trace of age-darkening to pages, in a Near Fine dust jacket with a vertical crease running along the edge of the rear flap. Fantasy novel of a woman kidnapped to elfland to nurse a newborn elf prince. Never heard of it, but Bob Pylant said it was a good novel. In the Encyclopedia of fantasy, John Clute calls her work “atmospheric and densely conceived.”
  • Kelly, James Patrick. King of the Dogs, Queen of the Cats. Subterranean Press, 2020. First edition hardback, #131 of 1000 signed numbered copies, a Fine copy in a Fine dust jacket, new and unread. Novella about a circus of uplifted cats and dogs.
  • King, Stephen. Lisey’s Story. Scribner, 2006. First edition hardback, a Fine copy in a Fine dust jacket. Bought at Goodwill for $3.99. I generally don’t pick up King’s new trade editions because I know they will show up used cheap. And I generally can’t afford the signed limited editions unless they’re coming out from a publisher I’m already a regular customer of and can pick them up at a (usually slight) discount pre-publication. But $3.99 for a perfect copy falls into “good enough” territory.
  • Kuttner, Henry and C.L. Moore (as Lewis Padgett). The Day He Died. Duell, Sloan and Pierce, 1947. First edition hardback, a Fine- copy with a little bit of bend at head and heel in a Near Fine+ dust jacket with small chip at heel and associated 1/2″ closed tear, lus a trace of wear at points. Mystery. I saw a less attractive copy in an online auction go for considerably more than I was willing to spend, so I bought this (the nicest copy online) from a notable SF dealer for $220.

  • Lansdale, Joe R. Act of Love. Zebra Books, 1981. First edition paperback original, a Very Good copy with 1/4″ chip at top front cover near spine, slight spine creasing and slight general wear. Inscribed by Lansdale: “For Robert,/Hope you like it). Joe Lansdale.” (Robert said he had another copy of this title). His first novel. Supplements at least four other editions (including the Kinnell hardback first), but I lacked the PBO until now. Person, “Joe Lansdale: Notes Toward A Bibliography,” Nova Express Volume 3, Number 4, page 26, I.1. Hankow, A Checklist of Joe Lansdale, A1.
  • Lansdale, Joe R. Act of Love. Cemetery Dance, 1992. First limited edition hardback (preceded by both the Leisure books PBO and the Kinnell UK hardback), #465 of 750 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Bought off eBay for $36 (list price is $50).

  • Lansdale, Joe R. The Big Blow. Subterranean Press, 2000. First edition hardback, #178 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Bought for $30.40 after dealer discount.
  • Lansdale, Joe R. The Big Blow. Subterranean Press, 2000. First edition hardback, copy of D of 13 lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. Bought for $124.80 after dealer discount. Thirteen is an awfully small number for a Lansdale lettered edition…

  • Lansdale, Joe R. Bleeding Shadows. Subterranean Press, 2013. First edition hardback, #78 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase, with publisher’s bookmark laid in. Supplements a trade edition (which has a different dust jacket). Bought from an online dealer for $75.
  • Lansdale, Joe R. The Boar. Subterranean Press, 1998. First edition hardback, a PC copy of 26 signed, numbered, quarter leather-bound copies, a Fine copy, sans dust jacket, as issued, with a PC copy of the 1/750 signed/limited (regular) edition, a Fine copy with a Fine dust jacket, with an advanced uncorrected proof, a Fine- copy with a touch of wear at head and heel, signed by Lansdale, all together in a Fine slipcase. Chalker/Owings (2002), page 853, which states textual differences between the lettered and numbered editions (though pagination seems identical), and fails to note the included proof. Bought off eBay for $125.

  • Lansdale, Joe R. The Boar. Night Shade Books, 2009. First edition hardback thus, #7 of 150 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought from an Internet book dealer for $30. Supplements the Subterranean Press first edition. Originally announced as a Mark V. Ziesing book under the title Git Back, Satan!.
  • Lansdale, Joe R. Deadman’s Road. Subterranean Press, 2010. First edition hardback, #18 of 200 copies, a Fine copy in a Fine dust jacket and Fine slipcase. Supplements a signed trade copy. Bought off an Internet book dealer for $50.40.
  • Lansdale, Joe R. For A Few Stories More. Subterranean Press, 2002. First edition hardback, #550 of 1,000 copies, a Fine copy in a Fine dust jacket. Supplements the Lettered edition, but weirdly I never picked up this trade edition until now. Bought from Kasey Lansdale.
  • Lansdale, Joe R. Hap and Leonard: Blood and Lemonade. Short Scary Tales (SST) Press, 2020. First hardback edition and first signed limited edition (preceded by the Tachyon trade paperback), #101 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. I have copies available through Lame Excuse Books.
  • Lansdale, Joe R. Jane Goes North. Subterranean Press, 2020. First edition hardback, #264 of 2,000 signed, numbered copies, a Fine copy in a Fine dust jacket. Road trip novel. I have copies available through Lame Excuse Books.
  • Lansdale, Joe R. Joe R. Lansdale’s Christmas With The Dead. Write-On Movies, 2012. Presumed first edition (?) DVD, a new copy, inscribed to me by Joe R. Lansdale and signed by Kasey Lansdale. I don’t usually record DVDs I buy here, but they’re not usually signed. Bought from Kasey Lansdale.

  • Lansdale, Joe R. The Magic Wagon. BookVoice Publishing, 2018. First edition thus, #408 of 500 signed, numbered hardback copies, a Fine copy in a Fine dust jacket. This edition includes a rare western story by Joe, “Man With two Lives,” not in any other edition, a new introduction by Joe, and a new afterword by Keith Lansdale. Supplements a signed copy of the Doubleday first edition. Bought from Kasey Lansdale. Now I need to pick up that Crossroad Press limited edition.
  • Lansdale, Joe R. Of Mice and Minestrone. Tachyon, 2020. First edition trade paperback original, a Fine copy. “Hap and Leonard: The Early Years.” I have copies available through Lame Excuse Books.
  • Lansdale, Joe R. Paradise Sky. Short Scary Tales (SST) Press, 2016. First UK edition and first limited edition hardback, a PC copy of 350 signed, numbered copies, a Fine copy in a Fine dust jacket and decorated boards. Bought for $30 of eBay.

  • Lansdale, Joe R. Red Range: A Wild West Adventure. It’s Alive, 2017. First edition hardback graphic novel, the Kickstarter edition, a Fine copy in decorated boards, sans dust jacket, as issued. I am unclear on the precedence between this version (with the block cover) and the regular hardback with the red cover. Weird western featuring a hollow earth with dinosaurs and such. I have copies available through Lame Excuse Books.

  • Lansdale, Joe R. The Sky Done Ripped. Subterranean Press, 2019. First edition hardback, one of 2000 signed copies, a Fine copy in a Fine dust jacket. New (and final) Ned the Seal adventure. I have copies of this available through Lame Excuse Books.
  • Lansdale, Joe R. Waltz of Shadows. Subterranean Press, 1999. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Although the limitation calls for a 1/1000 signature page, it’s not in this copy, though it still has the FIRST EDITION/SEPTEMBER 1999 statement, making this a previously unrecorded variant (not in the 2002 Chalker/Owings CD). Bought from Kasey Lansdale. I have one copy of this available through Lame Excuse Books.
  • Lansdale, Joe R. Wet Juju. Short Scary Tales (SST) Publications, 2020. First edition hardback, #101 of 550 signed, numbered hardbacks, a Fine copy in a Fine dust jacket, with SST tissue paper closure sticker laid in. Bought from the publisher at the usual discount, and out of print upon publication. Massive collection. I will have copies available in the next Lame Excuse Books catalog, but prepare for it to be pricey.

  • Lansdale, Joe R. and Keith Lansdale. Big Lizard. Short Scary Tales (SST) Publications, 2020. First edition hardback, #101 of 1,500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. A botched supernatural ceremony gives the protagonist ” the power to transform into a big lizard who can run fast, has incredible strength, and a large tail.” Full color illustrated endpapers and signature page. Looks like fun. I will have copies available in the next Lame Excuse Books catalog.
  • Lansdale, Joe R., editor. Son of Retro Pulp Tales. Subterranean Press, 2009. First edition hardback, a Fine copy in a Fine dust jacket, signed by Joe and Keith Lansdale. Trade edition. I actually picked up a copy of the limited edition, only to realize that not only did I already have one, but for some reason I hadn’t added the trade edition to my library, even though I already had it in Lame Excuse Books stock. Bought from the publisher at the usual discount way back when. Indeed, I still have copies of this available through Lame Excuse Books.
  • Lansdale, Keith. Red Range: Pirates of Fireworld. It’s Alive, 2019. First edition comic, a Fine copy, as issued. Lansdale the Younger continues the story. I have copies available through Lame Excuse Books.
  • Lee, Tanith. Sometimes, After Sunset. Nelson Doubleday/SFBC, 1980. First edition hardback, an omnibus edition of Sabella, or The Blood Stone and Kill the Dead (neither of which had any other hardback editions), a Fine copy in a Near Fine+ dust jacket with slight wear at points, a thin 1/2″ scratch at top front spine join, a trace of rubbing along front flap join bend edge, and slight age darkening to white flaps. Nice early Maitz cover.
  • Le Guin, Ursula K., editor. Nebula Award Stories 11. Gollancz, 1976. First edition hardback (precedes the U.S. edition by a year), a Fine- copy with slight bend at head and heel, traces of foxing to front free endpaper, and slight dust soiling at head, in a Near Fine copy with spine fading and a trace of edgewear at points. Includes the Nebula-winning Zelazny novella “Home is the Hangman.”
  • Lovecraft, H.P. A Winter Wish and Other Poems. Whispers Press, 1977. First edition hardback, #160 of 200 signed, numbered hardback signed by editor Tom Collins, publisher Stuart Schiff, and artist Steve Fabian, a Fine copy in a Fine dust jacket and a Fine (and very tight) slipcase. Bought from Dreamhaven for $60.
  • Malzberg, Barry. The Many Worlds of Barry Malzberg. First edition paperback original (no statement of printing on copyright page and $1.25 price, as per Currey), a Fine- copy, with a trace of edgewear and one pinhead-sized black mark near bottom edge of back cover. Short story collection.
  • Malzberg, Barry. Galaxies. Pyramid, 1975. First edition paperback original, a Fine- copy with edgewear and moderate darkening to page edges. Pringle SF 100 list #77. Supplements a Gregg Press first hardback edition.
  • Martin, George R. R. Fire and Blood. Subterranean Press, 2019. First signed, limited edition hardback (the Bantam and Harper Voyager trade hardbacks precede by a year), #619 of 750 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase. A novel set some 300 years before A Song of Fire & Ice proper. A handsome production.

  • Martin, George R. R., editor. Mississippi Roll. Tor, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Wild cards novel. Bought at the San Marcos Book Warehouse for $7.99.
  • Martin, George R. R. Nightflyers. Bluejay Books, no date (but 1985). First edition uncorrected proof of the trade paperback original, a Near Fine+ copy with blue bunching along front spine (not uncommon among proofs), and a 1″ square dragon stamp in red at top right corner of half title page. Bought from Dreamhaven for I think $16.

  • Martin, George R. R. and Lisa Tuttle. Windhaven. Subterranean Press, 2019. First edition hardback, #259 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. Supplements the 1981 Timescape first edition inscribed to me by Martin and Tuttle. It’s been my experience that only a small fraction of Martin’s Game of Thrones fans exhibit any interest in his science fiction and horror work. Bought for $62.50.
  • Matheson, Richard. Counterfeit Bills. Gauntlet, 2004. First edition chapbook original, a Fine copy, signed by Matheson. Bought off eBay for $36.52.
  • McCammon, Robert. A Little Amber Book of Wicked Shots. Borderlands Press, 2020. First edition hardback, #498 of 750 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Four stories, all of which involve alcoholic drinks. Plus an extra cocktail recipe in the introduction! I have copies of this available through Lame Excuse Books.
  • McCarthy, Cormac. All the Pretty Horses. Knopf, 1992. First edition hardback, an Ex-Library copy with all the usual flaws, otherwise Very Good. A true first of his first Pulitzer winner and first book of the Border trilogy. Bought for $6.99.
  • Meacham, Beth. Terry’s Universe. Tor, 1988. Uncorrected bound proof (trade paperback format) of the hardback first edition, a Fine copy. Tribute anthology to the late Terry Carr. Includes Zelazny’s “Deadstone Donner and the Flintstone Cup.”
  • Mieville, China. The Scar. Subterranean Press, 2019. First edition hardback, #404 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. Supplements a signed copy of the 2002 Macmillan (UK) first edition. Bought for $62.50.
  • Miller, Jr., Walter M. The Best of Walter M. Miller, Jr. Pocket Books, 1980. First edition paperback original, a Near Fine copy with faint spine creasing and touches of wear. Short story collection, all from the 1950s.
  • Moorcock, Michael. Legends From The End of Time. Harper & Row, 1976. First edition hardback, a Fine- copy with bumping at head and heel in a Near Fine+ dust jacket with slight wear at head and heel, slight age darkening to white rear panel, and slight dust soiling to same. Inscribed by Moorcock: “To Bob,/With all good wishes/from Michael M.” Tanelorn Archives, page 24, a. Precedes the W. H. Allen edition (which I also have).

  • Moorcock, Michael. The White Wolf’s Son. Warner Aspect, 2005. First edition hardback, a Fine copy in a Fine dust jacket. Elric/von Beck novel. Bought at Half Price Books for $7.98.
  • Moore, Ward. Lot & Lot’s Daughter. Tachyon, 1996. First edition hardback, #52 of 100 numbered, leatherbound hardback copies (the only hardback state), copies signed by introduction author Michael Swanwick, a Fine copy in a Fine- dust jacket with touches of wear at points and elsewhere. Two linked nuclear holocaust stories. Bought off eBay for $40.

  • Morrell, David. A Little Gold Book of Protector Tales. Borderlands Press, 2017. First edition hardback, #337 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Three stories, plus an introduction.
  • Morrow, James. The Continent of Lies. Holt, Reinhardt and Winston, 1984. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Morrow: “For Scott/This book of/dreams & desires…/best wishes,/James Morrow.” Formerly Scott Cupp’s copy.

  • Niven, Larry & Steven Barnes. The Seascape Tattoo. Tor, 2016. Bought at Half Price Books for $7.99.
  • Niven, Larry & Jerry Pournelle. The Burning City. Pocket Books, 2000. First edition hardback, a Fine copy in a Fine dust jacket, signed by both authors. Set in Niven’s The Magic Goes Away universe. Bought off an Internet book dealer for $9.75.
  • Niven, Larry & Jerry Pournelle. Burning Tower. Pocket Books, 2005. First edition hardback, a Fine copy in a Fine dust jacket, signed by both authors, with certificate of authenticity laid in. Bought off eBay for $25.83.

  • Perez, Malia A., editor (Joe R. Lansdale). Speculative Poets of Texas. The House of the Fighting Chupacabra Press, 2015. First edition trade paperback original (“First printing” stated), a Fine copy, new and unread. Includes poems from Peter Holland, Joe R. Lansdale, Juan Manuel Perez, Waide Aaron Riddle, and Rie Sheridan Rose. Bought from Amazon.
  • Pinborough, Sarah. A Little Magenta Book of Malevolence. Borderlands Press, 2020. First edition hardback, #498 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. I have copies of this available for sale through Lame Excuse Books.
  • Piper, H. Beam. Federation. Ace, 1981. First edition trade paperback edition, a Fine copy, new and unread. Bought at Half Price Books for $3.99.
  • Proctor, Geo W. Fire at the Center. Fawcett Gold Medal, 1981. First edition paperback original, a near Fine- copy with 1/32″ deep x 1/4″ wide loss at head of top front cover, slight edgewear, rim of foxing to interior covers, and slight age darkening to pages. Novel dedicated to the early Turkey City Writer’s workshop attendees. Obtained free.
  • Powers, Tim. Forced Perspectives. Charnel House, 2020. First signed/limited edition (the Baen hardback precedes), hardback, #54 of 150 signed, numbered copies, a Fine copy in decorated boards with a gold-foil sphinx embossed on the front cover (matching the look of Alternate Routes), sans dust jacket, as issued. I have one copy of this available for sale through Lame Excuse Books.

  • Powers, Tim. The Properties of Rooftop Air. Subterranean Press, 2020. First edition hardback, #277 of 474 numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. An Anubis Gates story. I have copies of this available through Lame Excuse Books as well.
  • Pumelia, Joe, and Bill Wallace (as M. M. Moamrath). The Cruse of the Kritix. “Deathnell Publications, 1932″ (actually Kenneth Donnell, 1976). First edition chapbook original, a Fine copy in a Very Good+ dust jacket with semi-closed 1/4” tear at top front with associated wrinkle, faint spotting along spine, and a few very small tears elsewhere. Lovecraftian parody. Obtained free.

  • Rice, Jeff (Richard Matheson). The Night Strangler. First edition paperback original, a Fine- copy with slight glue wrinkling near top of spine and slight spine fading, otherwise new and unread, signed by Richard Matheson. Novel by Jeff Rice based on Matheson’s screenplay for The Night Strangler, the sequel to The Night Stalker and the second TV movie starring Darren McGavin as reporter Carl Kolchak. Bought off eBay for $42. Copies that are both nice and signed by Matheson are uncommon.

  • Robinson, Kim Stanley. Stan’s Kitchen. NESFA Press, 2020. First edition hardback, #171 of 600 signed, numbered copies, a Fine copy in a Fine dust jacket. Short story collection.
  • Russell, Mary Doria. Doc. Random House, 2011. First edition hardback, a Fine copy in a Fine dust jacket, signed by Russell. Western novel about Doc Holliday. Bought from The Mysterious Bookstore for $10.
  • Saberhagen, Fred. Berserker Base. Tor, 1985. First edition trade paperback original, a Fine- copy with a touch of edgewear and slight age-darkening to pages. Theoretically a fix-up novel set in Saberhagen’s Beserker universe, but really more of a Beserker anthology with some filler material by Saberhagen. Includes the Zelazny story “Itself Surprised,” which originally appeared in Omni the year before.
  • Schiff, Stuart David, editor. The Best of Whispers. Borderlands Press, 1994. First edition hardback, #375 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Signed by all the then-living contributors (Fritz Leiber died in 1992), including Zelazny, Ray Bradbury, Karl Edward Wagner, Russell Kirk, Hugh B. Cave, Lucius Shepard, Jerry Sohl and Alan Ryan. Includes Zelazny’s “The Horses of Lir.”

  • Scholz, Carter. Cuts. Chris Drumm, 1995. First edition chapbook original, a Fine- copy with slight age darkening to edges. Short story collection. Obtained free,
  • Shepard, Lucius. The Golden. Mark V. Ziesing, 1993. First edition hardback, #243 of 500 signed, numbered copies, a Fine copy in a Fine- dust jacket with one 1/16″ closed tear at heel in a Fine- slipcase with a tiny rub at top. Supplements a trade edition signed by Shepard. I saw this on eBay for $24, and the book pricing part of my brain went “That’s a good price…but I bet I can do a little better.” Bought off eBay for a $20 buy-it-now offer. List publication price was $65. Chalker/Owings (2002), page 1003. Part of my plan to pick up every Ziesing book in every state, since I already had most of the trade editions anyway…
  • Silverberg, Robert. Reflections & Refractions: Thoughts on Science Fiction, Science and Other Matters. Underwood Books, 1997. First edition hardback, #180 of 300 signed, numbered copies, a Fine copy in decorated boards and Fine slipcase, sans dust jacket, as issued. Collection of essays, most (but not all) from his “Reflections” series of columns in Amazing and Asimov’s. Bought off eBay for $25, exactly half off the original list price of $50.
  • Silverberg, Robert. Rough Trade. PS Publishing, 2017. First edition hardback, #99 of 100 signed and numbered copies, a Fine copy in decorated boards a Fine dust jacket and a Fine slipcase. Supplements a trade copy. Bought off eBay for $40.

  • Silverberg, Robert, editor (Vonda N. McIntyre, Marta Randall, Joan D. Vinge). The Crystal Ship. The Science Fiction Book Club (UK)/Reader’s Union, 1981. Book club reprint, a Fine copy in a Fine dust jacket. Signed by editor Robert Silverberg, and contributors Marta Randall and Joan D. Vinge (each twice, once on the title page and once at their novella). Bought for $9, marked down from $15 at Half Price Books during a coupon sale just before the lockdown came down.

  • Simak, Clifford D. and Jeff Sutton. So Bright the Vision b/w The Man Who Saw Tomorrow. Ace Double, 1968. First edition (no statement of printing and price of 60¢, as per Currey), a Very Good+ copy with small chips at corners of Sutton side, spine creasing, name or word on Sutton blurb page. Plus usual foxing. Currey (1979), page 447.
  • Smith, Brenden Powell. Assassination! The Brick Chronicle of Attempts on the Lives Twelve US Presidents. Skyhorse Publishing, 2013. Lego recreations of presidential assassinations. One of those books you have to buy to prove it actually exists. Bought from Half Price Books for $5.99.
  • Stephenson, Neal. Seveneves. HarperCollins, 2015. First edition hardback, special signed edition with gold “Signed First Edition” sticker on the cover and “THIS SIGNED EDITION OF/seveneves/by/Neal Stephenson/[signature]/HAS BEEN SPECIALLY BOUND/BY THE PUBLISHER” signature page bound in before the half-title page, a Fine copy in a Fine dust jacket. Bought for $9.99.
  • Sterling, Bruce. Schismatrix Plus. Ace, 1996. First edition trade paperback original, Near Fine- with slight spine crease, slight sun fading to spine, and edgewear, signed by Sterling. Contains the novel plus the Shaper/Mechanist stories from Crystal Express. I never bothered to pick this up when it came out because I already had first editions of both, but picking up variant titles is classic late-phase book collecting behavior. Bought for $7.49.
  • Sturgeon, Theodore. Sturgeon Is Alive And Well…. Putnam, 1971. First edition hardback, a Fine- copy with a tiny bit of bend at head and heel in a Near Fine dust jacket with slight edgewear at head and heel, a bit of dust soiling to white rear panel, and slight age darkening to top of white rear panel and edges of white flaps. Signed by Sturgeon. Short story collection, one I greatly enjoyed reading in my youth. I particularly remember “It Was Nothing—Really!,” about man who figures out that perforations make things stronger, and eventually invents invisible wall of impenetrable nothingness, and “Suicide,” about a man who jumps off a cliff to kill himself, and awakens still alive, hurt, down the cliff, and struggles to climb back up. According to Bought off eBay for $39.99. Currey, page 472.

  • Swanwick, Michael. Blue as the Moon. Dragonstairs Press, 2020. First edition chapbook original, #2 of 69 signed, numbered copies, a Fine copy. Seven horror vignettes (“White as a Sheet,” “Yellow as Corn,” “Green as the Sea,” “Red as the Revolution,” “Purple as Prose,” “Orange as an Orange,” and “Black as Sin”), plus an introduction (“Blue as the Moon”). Offered at moonrise (5:54 PM EDT) on October 30, 2020 to celebrate the blue moon, and sold out that night.

  • Swanwick, Michael. The Death of Aubrey Darger. Dragonstairs Press, 2020. First edition chapbook thus, #14 of 100 signed, numbered copies, a Fine copy. Excerpted from the 2015 novel Chasing the Phoenix.

  • Swanwick, Michael. The Devil’s Bestiary. Dragonstairs Press, 2020. First edition chapbook, #8 of 45 signed, numbered copies, a Fine copy in dyed paper wrappers. A short alphabetical vignette bestiary of supernatural creatures. Out of print upon publication.

  • Swanwick, Michael. Gulliver’s Wife. Dragonstairs Press, 2020. First edition chapbook original, #33 of 50 signed, numbered copies, a Fine copy. Sold out upon publication. Bought from the publisher at full price.

  • Swanwick, Michael. The Postutopian Adventures of Darger and Surplus. Subterranean Press, 2020. First edition hardback, #183 of 1000 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. Swanwick’s loveable con artists are back in this short story collection.
  • Swanwick, Michael and Sean Swanwick. In Memoriam: Gardner Dozois 1947-2018. Dragonstairs Press, 2020. First edition chapbook, #60 of 70 signed, numbered copies, a Fine copy. Came in the mail with a “with the Compliments of the Press” notice laid in. Originally appeared in the Philcon 2018 program book.

  • Swanwick, Michael. Reindeer Season. Dragonstairs Press, 2019. First edition chapbook original, #20 of 120 signed, numbered copies. “It includes ten very brief musings on the magical nature of reindeer and their relationship with Claus-tse. Issued in an edition of 120, Reindeer Season is 4 1/4” x 5 1/2”, hand-stitched, numbered, and signed by the author. Most copies have been given to friends, family, and colleagues, but 37 are offered for sale.” There are two states of the chapbook: a.) A cream colored wrapper (as this copy), and b.) a mottled beige cover. All copies for sale sold out the day they were offered.
  • Swanwick, Michael. Reindeer Season. Dragonstairs Press, 2019. First edition chapbook original, #101 of 120 signed, numbered copies. There are two states of the chapbook: a.) A cream colored wrapper, and b.) A mottled beige cover (as this copy). All copies for sale sold out the day they were offered.

  • (Tolkien, J. R. R.) Day, David. An Encyclopedia of Tolkien: The History and Mythology That inspired Tolkien’s World. Canterbury Classics, 2019. First edition hardback, a Fine copy bound in embossed leather, sans dust jacket, as issued. Tolkien reference work by an author who has done a lot of other Tolkien reference works. A very attractive book, with gilded edges and full-color illustrated endpapers, from a publisher that mostly seems to do leatherbound prestige reprints. Bought for $12.49.

  • Vance, Jack. The Dragon Masters/ b/w The Five Gold Bands. Ace Double, 1962. First edition paperback original, a very Good- copy with wrinkling to covers, spine creasing, edgewear and usual age-darkening to pages. Hewett, A11. Cunningham, 26a. Currey, page 498. Supplements a first hardback edition. Bought for $2 from the Lansdale documentary fundraiser sale.
  • Vance, Jack (Terry Dowling and Jonathan Strahan, editors). Minding the Stars (The Early Jack Vance, Volume Four). Subterranean Press, 2014. First edition hardback, a PC copy of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine- traycase with one small fingernail-tip sized indention at bottom front, with a provenance card from the Vance estate laid in. The only edition signed by Vance. Bought off eBay for $255.00. The other traycase editions I bid on went for substantial more.

  • Vance, Jack. The Languages of Pao/The Dragon Masters. Vance Integral Edition, no date. Unpublished paper dust jacket proof for the “Science Fiction Volume” containing those two novels produced by the Vance Integral Edition in 2002. Ultimately they decided not to use dust jackets for either that or the Vance Integral Edition itself. Bought from the Jack Vance estate off eBay for $33, and with the Vance Estate stamp on the blind side. The scan below is only what would fit on my scanner:

  • Vance, Jack. The Last Castle. Underwood-Miller, 1980. First hardback edition, a Fine- copy with slight bumping at tips and traces of wear at head and heel, in a Fine- dust jacket with a few traces of wear and faint phantom crease down front flap, with signature card by artist Alicia Austin laid in (as issued) and Vance Estate stamp on title page. Hewett, A30d. Cunningham, B45b. Bought for $20.13 from the Vance Estate off eBay.
  • Vance, Jack. The Many Worlds of Magnus Ridolph. Dennis Dobson, 1977. First hardback edition, a Fine copy in a Near Fine, price-clipped dust jacket, signed by Vance. Hewett, a27f. Cunningham, b55b. Currey, page 499. Bought off eBay for $93.97. One of the few Vance hardbacks I lacked, and one of the more difficult ones signed.
  • Vance, Jack. Marune: Alastor 933. Ballantine Books, 1975. Currey, page 499. First edition paperback original (PBO), a Fine- copy with a trace of edgewear, signed by Vance. Hewett, A48. Cunningham, B56. Currey, page 499. Supplements the Underwood-Miller hardback. Bought off eBay for $16.50.
  • Vance, Jack. Maske: Thaery. Berkley, 1976. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny wrinkle at top of the front flap and a few tiny traces of edgewear. Signed by Vance. Replaces a slightly less attractive signed first. Hewett, A52. Cunningham, B57a. Currey, page 499. Bought off eBay for $14.99.
  • Vance, Jack. Night Lamp. Tor, 1996. First edition hardback, a Fine copy in a Fine dust jacket, signed by Vance. Cunningham, B61a. Supplements an unsigned trade first, the Underwood Books signed, limited edition, and Volume 42 of The Vance Integral Edition. Bought off eBay for $20.50.
  • Vance, Jack. Ports of Call. Tor, 1998. First edition hardback, a Fine copy in a Fine hardback, signed by Vance. Cunningham, B66a. Supplements an unsigned trade first, the Underwood Books signed/limited edition, and Volume 43 of The Vance Integral Edition. Bought off eBay for $14.99.
  • Vance, Jack. Sjambak. Wildside Press, 2010. First edition trade paperback original (perfect bound chapbook), a Fine copy, signed by Vance. I suspect this was produced because the story slipped out of copyright. Replaces an unsigned copy. Bought off eBay for $33.
  • Wagner, Karl Edward. HorrorStory Volume Four. Underwood-Miller, 1990. First edition hardback, #82 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine- traycase, with just a touch of blunting at points, a touch of edgewear around spine label, and a trace or two of wear. Omnibus and first hardback editions of Year’s Best Horror Stories X, XI and XII. Signed by Wagner, Harlan Ellison, Dennis Etchison, Michael Kube-McDowell, Richard Laymon, Michael Swanwick, David Drake, and many others. Chalker-Owings (1991), page 441. Supplements the trade edition. Bought off eBay for $65, or less than half the original offering price of $150.

  • Watts, Peter. Peter Watts is an Angry Sentient Tumor: revenge fantasies and essays. Tachyon, 2019. Bought from the publisher at the usual discount.
  • Wellman, Manly Wade. Many Are The Hearts: a play in one act. North Carolina Confederate Centennial Commission, 1961. First edition chapbook, a Near Fine- copy with small wrinkle on rear cover near head, touches of wear, some sun-fading around the edges, and rust bleed-through on the two staples. One act play about a confederate North Carolina artillery detachment. Even includes a detailed diagram of a 6-pounder field gun at rear; good luck to any theater company trying to get their hands on one of those! I think this is only the second copy I’ve seen offered for sale this decade. Currey, page 513. Bought for $38.25 off a fellow Biblio dealer.

  • Wellman, Manly Wade. Mystery at Bear Paw Gap. Ives Washburn, 1965. First edition hardback, a Very Good Ex-Library copy in the Hercules library binding, with pockets and interior stamps, with wear at head and heel, a 1″ very light stain to bottom page block, a couple of pinprick spots to top page block, and blunting of points, but no external stamps, sans dust jacket, as expected for the library binding. One of Wellman’s more difficult YA novels. Currey, page 513. Bought for $29.99 off eBay.
  • Wilhelm, Kate (John Pelan, editor). Masters of Science Fiction: Kate Wilhelm (Volumes One and Two). Centipede Press, 2020. First edition hardback, #457 of 500 numbered hardbacks signed by the editor and artists Jim and Ruth Keegan, both Fine copies in Fine dust jackets, with dust jacket protectors, new and unread.
  • (Wolfe, Gene) Swanwick, Michael. Swan/Wolfe. Dragonstairs Press, 2020. First edition chapbook original, #50 of 100 signed, numbered copies, a Fine copy (save some slight wrinkling at head; since the outer paper wrapper is bigger than the inner chapbook page block, I suspect this is an endemic problem). Transcription of a Swanwick interview with the ReReadingWolfe podcast. As noted in the acknowledgements, I actually suggested the creation of this chapbook. Bought from the publisher at the usual bookseller discount. Sold out shortly after publication. I have copies of this for sale through Lame Excuse Books.

  • Zelazny, Roger. Blood of Amber. Arbor House/SFBC, 1986. First book club edition, a Fine copy in a Fine- dust jacket with slight age darkening to the white portions of the dust jacket flap, signed by Zelazny. Kovacs, I.2.d.
  • Zelazny, Roger. Changeling. Ace, 1980. First edition trade paperback original, a Fine copy. Kvocs, I5v.
  • Zelazny, Roger. The Changing Land. Underwood Miller, 1981. First hardback edition, #128 of 200 numbered copies signed by Zelazny and artist Thomas Canty, a Fine copy in a Fine dust jacket. Levack, 4b.
  • Zelazny, Roger. The Changing Land. Del Rey/SFBC, 1981. Book club hardback, a Fine copy in a Fine- dust jacket with slight age darkening to white flaps, signed by Zelazny. Supplements signed copies of the PBO and the Underwood-Miller signed/limited hardback. Kovacs, I.6.d. Levack, 4c.
  • Zelazny, Roger. Damnation Alley. Faber & Faber, 1971. First UK edition hardback, a Fine copy in a Fine- dust jacket with a trace of edgewear, with slip of paper signed by Zelazny laid in. Levack, 9c.

  • Zelazny, Roger. Damnation Alley. Gregg Press, 1979. First hardback edition thus, a Fine copy in a Fine dust jacket. Adds 24 pages of photos from the movie of the same name. Supplements a signed copy of the first Putnam edition, an unsigned copy of same, and a signed copy of the paperback movie tie-in edition. Kovacs, I.10.k. Levack, 9r.
  • Zelazny, Roger. Dilvish, The Damned. Del Rey/SFBC, 1981. Book club hardback, a Fine copy in a Fine- dust jacket with slight age darkening to white flaps, with signed letter from Zelazny laid in. Supplements signed copies of the PBO and the Underwood-Miller signed/limited hardback. Kovacs, I.15.d.
  • Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth, And Other Stories. Doubleday, 1971. First edition hardback, a Fine- copy with very slight bend at head and heel and a trace of foxing to inside front gutter, in a Fine- dust jacket with touches of wear and a tiny bit of age darkening to the spine and at top rear. With signed Zelazny bookplate laid in. Kovacs, V9a. Levack, 12a. Currey, page 570. Replaces an Ex-Library copy.

  • Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth. Pulphouse. 1991. First edition paperback original, Fine- copy with trace of rubbing along front spine join and pinpricks of soiling to front cover, signed by Zelazny. Short story paperback #13. I still need the Short Story Hardback of this…
  • Zelazny, Roger. The Dream Master. Gregg Press, 1976. First U.S. hardback edition, a Fine copy in a Fine aftermarket dust jacket Bob made from blowing up a copy of the Frank Kelly Freas PBO cover, with a signed title page removed from an Ace paperback edition laid in. This and the Gregg Press editions of Lord of Light, Nine Princes in Amber and Bridge of Ashes (which I already had) all share the same Freff cover art featuring characters from all those novels. Supplements a signed first of the Rupert Hart-Davis hardback, a signed first of the Ace PBO, and an unsigned copy of same. Kovacs, I.18.e. Levack, 14i.
  • Zelazny, Roger. The Dream Master. SFBC, 2004. Book club hardback, a Fine- copy with uniformly age-darkened pages in a Fine dust jacket. SFBC 50th Anniversary edition book. Kovacs, I.18.n.
  • Zelazny, Roger. Gone to Earth. Pulphouse, 1991. First edition hardback, #40 of 50 signed, numbered copies bound in leather, a Fine copy, sans dust jacket, as issued. (Well, they say leather; I have my doubts. Also note that between volumes 18 and 19, the color of the “leather” edition went from a dark gray to a dark blue.) Author’s Choice Monthly #29. Supplements a signed “trade” clothbound hardcover in dust jacket. Kovacs, V13iv. Chalker/Owings (2002), page 728. I suppose that now I should look for one of the 10-copy red leather staff editions…
  • Zelazny, Roger. Knight of Shadows. Morrow/SFBC, 1989. First book club edition, a Fine copy in a Fine- dust jacket with slight age darkening to the very top white portions of the dust jacket flap, signed by Zelazny. Kovacs, I.27.c.
  • Zelazny, Roger. The Last Defender of Camelot. Pocket Books/SFBC, 1980. Book club and first hardback edition (gutter code L10 on page 278, as per Kovacs), a Fine- copy with slight age darkening to pages in a Fine dust jacket. Inscribed by Zelazny: “To Liz,/All sorts of good wishes -/ — Roger Zelazny.” Supplements the Underwood-Miller limited edition, and another copy of this edition inscribed to me in a more worn dust jacket. Kovacs, V.15.c. Levack, 24b.
  • Zelazny, Roger. Lord of Light. Gregg Press, 1979. First Gregg Press hardback edition, a Fine copy in a Fine dust jacket, with a letter from Betsy Groban of G. K. Hall laid in talking about how they had gotten Freff to do the artwork. Hugo and Nebula Award winner for Best Novel. Kovacs, I.29.1. Levack, 25s.

  • Zelazny, Roger. Lord of Light. Easton Press, 1994. Hardback, a Fine copy bound in decorated leather, sans dust jacket, as issued, with unused personalization bookplate sticker laid in (as issued), as well as a signed Zelazny signature plate. According to Kovacs, copies in aquamarine-colored leather like this one are reprints. Kovacs, I29m.

  • Zelazny, Roger. Madwand. Ace/SFBC, 1981. Book club edition hardback, a Fine copy in a Fine- dust dust jacket with slight age darkening to the white jacket. Kovacs, I.30.d. Levack, 26c.
  • Zelazny, Roger. Manna From Heaven. DNA Publications/Wildside Press, 2003. Hardback, a Fine copy in non-decorated boards and a Fine dust jacket. The 1-59224-199-9 ISBN matches the first edition listed at the ISFDB, but Kovacs says this is the UK Lightening Source hardback reprint. Signed by publisher Warren Lapine. Kovacs, V18b. Supplements the first printing with pictorial boards.
  • Zelazny, Roger. Nine Princes in Amber. Gregg Press, 1979. First Gregg Press hardback edition, a Fine copy in a Fine dust jacket, with a signed title page from a paperback laid in. Kovacs, I.34.g. Levack, 28n.
  • Zelazny, Roger. Prince of Chaos. Morrow/SFBC, 1991. First book club edition, a Fine copy in a Fine dust jacket, signed by Zelazny. Kovacs, I.35.d.
  • Zelazny, Roger. Roadmarks. Macdonald Futura, 1981. First UK edition hardback, a Fine-/Fine- copy with slight bumping/wrinkling at head and heel. Kovacs, I37d. Supplements a signed first.

  • Zelazny, Roger. Sign of Chaos. Arbor House/SFBC, 1987. First book club edition, a Fine copy in a Fine- dust jacket with slight age darkening to the white portions of the dust jacket flap, signed by Zelazny. Kovacs, I.38.c.
  • Zelazny, Roger. This Immortal. Garland Publishing, 1975. First (and only) edition thus, a hardback reprint for the library trade, a Fine copy in a Fine- aftermarket dust jacket Bob created from a copy of the SFBC/Ace Books reprint from 1988 with Richard Powers’ cover art, and which has some faint creasing along the folds. Signed by Zelazny. This edition is reproduced from the 1973 Ace third paperback printing, as stated on the reproduced Ace copyright page. Part of the Garland Library of Science Fiction. Kovacs, I40c.

  • Zelazny, Roger. Today We Choose Faces. Gregg Press, 1978. First U.S. hardback edition, a Fine copy with a Fine aftermarket dust jacket Bob created from a Signet reprint featuring Dean Ellis art. Signed by Zelazny. Supplements a signed Millington hardback first and a signed PBO first. Kovacs, I.42.d. Levack, 37h.
  • Zelazny, Roger. To Die In Italbar. Faber & Faber, 1975. First UK edition hardback, a Fine copy in a Fine dust jacket with a small Zelazny signature plate pasted to the front free endpaper. Kovacs, I41d. Supplements a signed first.
  • Zelazny, Roger. Trumps of Doom. Arbor House/SFBC, 1985. First book club edition, a Fine copy in a Fine- dust jacket with slight age darkening to the white portions of the dust jacket, signed by Zelazny. Kovacs, I.43.d.
  • Zelazny, Roger and Jane Lindskold. Donnerjack. Avon Books, 1997. First edition hardback, either a Fine or a Poor copy (depending on how you count the annotations), in a Fine dust jacket. Novel started by Zelazny and finished by Lindskold after Zelazny’s death. Zelazny was a famously lean prose stylist, and Bob felt that Lindskold was not, so he has annotated the book by crossing out in brown or blue marker every section he felt was un-Zelazny-like from page 167 on. I passed on picking this up in the first bulk buys, but took it this time around because, well, it’s not like I can sell it to anyone else, and who else would know or appreciate the story behind it? Kovacs, I16b. Supplaments a Fine/Fine copy inscribed to me by Lindskold.

  • Zelazny, Roger and Neil Randall. Roger Zelazny’s Visual Guide to Castle Amber. Avon, 1988. First edition trade paperback original, a Fine- copy with slight edgewear. Kovacs, X14a. Supplements a signed copy of the SFBC (only hardback) edition.
  • Zelazny, Roger and Fred Saberhagen. Coils. Wallaby Books/Simon & Schuster, 1982. First edition trade paperback original, a Near Fine copy with one faint top front corner crease and slight age darkening to pages. Signed by Zelazny. Kovacs, I7a. Supplements a copy of the SFBC (and only hardback) edition inscribed to me. Kovacs, XIB1a.
  • Zelazny, Roger and Robert Sheckley. A Farce to be Reckoned With. Trade paperback, presumably a POD reprint, as it lacks the numberline of the first edition, and includes the usual POD barcode on the last page, a Fine- copy with slight edgewear and wear at points. Interestingly, despite having the same ISBN, this is a larger trim size (9″ x 6″) than the first edition (8 1/4″ x 5 1/2″), and could pass as a large print edition, except it is not so marked. This edition not in Kovacs.

    First edition on left, this copy on right.

  • Zelazny, Roger, editor. Nebula Award Stories 3. Gollancz, 1968. First UK edition hardback, a Fine copy in a Fine dust jacket. Kovacs, IX2b. Supplements a signed first of Nebula Award Stories III.

  • (Zelazny, Roger) Greenberg, Martin H., editor. Lord of the Fantastic: Stories in Honor of Roger Zelazny. Avon Eos, 1998. First edition trade paperback original, a Near Fine copy with a previous ownership plate inside front cover and a few touches of wear. Zelazny tribute anthology.
  • (Zelazny, Roger) Yoke, Karl. Roger Zelazny. Stamont House, 1979. First edition trade paperback original, a Very Good+ copy with bumping at heel and head, abrasion at front right bottom point, touches of wear along spine and elsewhere, and a touch of staining to inside front cover and blurb page. Starmont Reader’s Guide 2. Levack, “Works About Roger Zelazny” 15, page 140. Kovacs, XXIII11a. There is a Borgo Press hardback binding done three years later I still need to track down.

  • Library Additions: Four PBOs

    Monday, February 1st, 2021

    Four paperback first editions bought from a fundraiser sale for the Joe R. Lansdale documentary All Hail The Popcorn King, each for $2:

  • Bryant, Edward, and Harlan Ellison. Phoenix Without Ashes. Fawcett, 1975. First edition paperback original, a Near Fine+ copy with one faint spine crease and a few touches of edgewear, otherwise apparently new and unread. Currey, page 76 and 178. Richmond, Fingerprints on the Sky, page 108. Supplements a slightly less attractive copy. Now I can file one copy under Bryant and one under Ellison…
  • Delaney, Samuel R. Babel-17. Ace, 1966. First edition paperback original (no statement of printing and ¢40 price on cover, as per Currey), a Near Fine copy with rubbing along front spine join, slight edgewear, and slight age darkening to pages. Nebula Award winner for best novel. Currey, page 139.

  • Delaney, Samuel R. City of a Thousand Suns. Ace, 1965. First edition paperback original (no statement of printing and ¢40 price on cover, as per Currey), a Near Fine+ copy with considerable foxing to inside covers, age darkening to pages, and trace of dust soiling to white covers. Currey, page 139.

  • Vance, Jack. The Dragon Masters/ b/w The Five Gold Bands. Ace Double, 1962. First edition paperback original, a very Good- copy with wrinkling to covers, spine creasing, edgewear and usual age-darkening to pages. Hewett, A11. Cunningham, 26a. Currey, page 498. Supplements a first hardback edition.
  • Library Addition: Samuel R. Delany’s Letters From Amherst

    Wednesday, July 17th, 2019

    A fellow collector alerted me to a bargain pre-publication price for this through Amazon:

    Delany, Samuel R. Letters From Amherst. Wesleyan University Press, 2019. First edition hardback, a Fine new copy, sans dust jacket with ISBN price sticker, as issued. Subtitled “Five Narrative Letters.” Bought for $16.96, considerably off the list price of $45.

    I have several other Delany non-fiction works. I hope this is more accessible than some of his critical works, which tend to be too heavily influenced by various academic critical trends (post-modernism, close-reading, etc.).

    Library Additions: Four Reference Books

    Saturday, August 18th, 2018

    Don Webb was culling some books, and he came over to my house so I could paw through and triage them into what I wanted to keep, what to auction, etc. I will most likely be putting a few auction items up in September. These are the reference works I kept for myself, and all were $5 each except for the Delany, which was $20.

  • Delany, Samuel R. The Motion of Light in Water: Sex and Science Fiction Writing in the East Village: 1957-1965. First edition hardback, a Fine- copy with just a trace of foxing to inside front covers in a Fine- dust jacket with just a touch of wear. Inscribed by Delany: “To/Don + Rosemary/in remembrance/of a wonderful/evening at/the County Line/from/Samuel R. Delany/Austin/Feb. 1988” The County Line is a local BBQ chain, and Delany came down for Sercon 2 that month. Nonfiction autobiography. Hugo Award Winner for Best Nonfiction. Supplements an unsigned copy (which I forget to bring when I had Delany sign all my hardback fiction firsts at Readercon in 2009).

  • Ruz, Bruce. Hollywood vs. The Aliens: The Motion Picture Industry’s Participation in UFO Disinformation. Frog Limited, 1997. First edition trade paperback original, a Near Fine- with a crease across back top cover. Conspiracy theory movie history. Don: “Well worth reading for the shock around page 120 when you realize that he’s serious.”
  • (Shaver, Richard) Toronto, Richard. War Over Lemuria: Richard Shaver, Ray Palmer and the Strangest Chapter of 1940s Science Fiction. McFarland, 2013. First edition trade paperback original, a Fine- copy that looks like it’s been read once. With review slip laid in. Book on the Shaver Mystery by someone who knew Shaver and published Shaverton fanzine.
  • Steiger, Brad. The Werewolf Book. Visible Ink Press, 1999. First edition trade paperback original, a near Fine copy with wear along edges, a tiny crese to bottom front corner, and a few bits of writing inside. Non-fiction book on werewolves and other shapechangers in folklore and media.