Posts Tagged ‘Brian Aldiss’

Library Additions: Complete Run of Pulphouse Short Story Paperbacks

Thursday, December 14th, 2023

When Pulphouse first unveiled the short story paperback, I remember thinking “That’s stupid.” For all they bragged about “buying a single story for $1.95,” you could buy an entire issue of Asimov’s (with 5-10 times as much content) for $2.50. And, indeed, they were not swift sellers. Though a few of these (the Wolfe, the Lansdales, etc.) became slightly collectable over the years. (And a few of the companion Short Story hardbacks even more so.)

But I bough these from that same collector culling his collection for $1 each.

Almost all of these are paperback originals thus (though some of these have previously shown up as the title stories in collections, like Bloch’s Yours Truly, Jack the Rapper or Zelazny’s The Doors of His Face, The Lamps of His Mouth), though exceptions (like Blaylock’s Paper Dragons) are noted. Some of the early ones (“Loser’s Night,” “Xolotl”) are the first publication anywhere, but most of the stories have appeared somewhere previously. Unlike most Library Addition entries, these will be listed by series order rather than alphabetical by author.

All of these are Fine copies unless otherwise noted.

  • “Author, J.Q.” Issue Zero. Pulphouse, 1991. Issue #0, a binding dummy for the entire run of the series, with bank pages. Would never have bought this on it’s own, but since I was buying the entire thing I got this too. This one has a tiny bit of edgewear on rear spine join.
  • Anderson, Poul. Loser’s Night. Pulphouse, 1991. Issue #1.

  • Brunner, John. A Case of Painters Ear. Pulphouse, 1991. Issue #2.
  • Sheckley, Robert. Xolotl. Pulphouse, 1991. Issue #3.

  • Boston, Bruce. All the Clocks are Melting. Pulphouse, 1991. Issue #4.
  • Antieau, Kim. Blossoms. Pulphouse, 1991. Issue #5.

  • Friesner, Esther M. Ecce Hominid. Pulphouse, 1991. Issue #6.
  • Duchamp, L. Timmel. A Case of Mistaken Activity. Pulphouse, 1991. Issue #7.

  • Bryant, Edward. The Cutter. Pulphouse, 1991. Issue #8.
  • Wilhelm, Kate The Girl Who Fell Into the Sky. Pulphouse, 1991. Issue #9.

  • Bloch, Robert. Yours Truly, Jack The Ripper. Pulphouse, 1991. Issue #10. Not to be confused with the short story collection of the same name.
  • Lansdale, Joe R. The Steel Valentine. Pulphouse, 1991. Issue #11. Isajanko, The World Lansdalean C01.a.i. Supplements another copy and a Short Story Hardback version.

  • Bishop, Michael. The Quickening. Pulphouse, 1991. Issue #12.
  • Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth. Pulphouse, 1991. Issue #13. Not to be confused with the short story collection of the same name. I needed this for my Zelazny collection.

  • Haldeman, Joe. More Than The Sum of His Parts. Pulphouse, 1991. Issue #14.
  • Clemence, Bruce No Way Street. Pulphouse, 1991. Issue #15. Guy had this, and a story in Synergy 3, and that was it…

  • Yarbro, Chelsea Quinn. The Spider Glass. Pulphouse, 1991. Issue #16.
  • de Lint, Charles. Uncle Dobbin’s Parrot Fair. Pulphouse, 1991. Issue #17. One of the harder titles to find.

  • Williams, Walter Jon. Dinosaurs. Pulphouse, 1991. Issue #18.
  • Charnes, Suzy McKee. Listening to Brahms. Pulphouse, 1991. Issue #19.

  • Robinson, Kim Stanley. Black Air. Pulphouse, 1991. Issue #20.
  • Etchison, Dennis. The Dark Country. Pulphouse, 1991. Issue #21. Not to be confused with the short story collection of the same name.

  • Aldiss, Brian W. Journey to the Goat Star. Pulphouse, 1991. Issue #22. Tiny bit of rubbing along spine.
  • Brin, David. Piecework. Pulphouse, 1991. Issue #23.

  • Caraker, Mary. I Remember, I Remember. Pulphouse, 1991. Issue #24.
  • Schow, David J. Sedalia. Pulphouse, 1991. Issue #25.

  • Stableford, Brian. Slumming in Voodooland. Pulphouse, 1991. Issue #26.
  • Yolan, Jane. The Sword and the Stone. Pulphouse, 1991. Issue #27.

  • Fowler, Karen Joy. The War of the Roses. Pulphouse, 1991. Issue #28.
  • Morlan, A.R. The Cat With The Tulip Face. Pulphouse, 1991. Issue #29.

  • Shiner, Lewis. Twilight Time. Pulphouse, 1991. Issue #30.
  • Wagner, Karl Edward. Where the Summer Ends. Pulphouse, 1991. Issue #31.

  • Lee, Tanith. Into Gold. Pulphouse, 1991. Issue #32.Tiny rub on spine.
  • Willis, Connie. Daisy, in the Sun. Pulphouse, 1991. Issue #33. Tiny rub on spine.

  • Bell, M. Shayne. Inuit. Pulphouse, 1991. Issue #34.
  • Wilson, F. Paul. The Shade of Lo Man Gong. Pulphouse, 1991. Issue #35.

  • Wilson, F. Paul. Buckets. Pulphouse, 1991. Issue #36.
  • Martin, George R. R. The Pear-Shaped Man. Pulphouse, 1991. Issue #37.

  • Butler, Octavia. The Evening and the Morning and the Night. Pulphouse, 1991. Issue #38. Holy moley, the prices on this online are crazy. The prices for the signed hardback I can at least sort of understand, since Butler died young, but the prices for unsigned copies like this are still crazy. I had no idea.
  • Dozois, Gardner. The Peacemaker. Pulphouse, 1991. Issue #39. Supplements a copy of the Short Story Hardback edition.

  • Wolfe, Gene. The Hero as Werewolf. Pulphouse, 1991. Issue #40. This is one I did actually need, and I still need the hardback version. Also, this is the last one from 1991. Pulphouse put out 40 of these in 1991. This is called “channel stuffing.” I wasn’t dealing books at the time, but I’m pretty sure SF/F/H dealers were not thrilled at this tsunami of small press books of dubious sales-worthiness.
  • Oates, Joyce Carol. The Bingo Master. Pulphouse, 1992. Issue #41.

  • Effinger, George. Schrodinger’s Kitten. Pulphouse, 1992. Issue #42. Supplements the hardback version.
  • Bear, Greg. Sisters. Pulphouse, 1992. Issue #43.

  • Holder, Nancy. The Ghosts of Tivoli. Pulphouse, 1992. Issue #44.
  • Brin, David. Dr. Pak’s Preschoool. Pulphouse, 1992. Issue #45. Supplements a copy of the Cheap Street edition (which precedes).

  • Lansdale, Joe R. Tight Little Stitches in a Dead Man’s Back. Pulphouse, 1992. Issue #46. Isajanko, The World Lansdalean C03.a.i. Supplements a copy of the Short Story hardback version.
  • Somtow, S. P. Fiddling for Waterbuffaloes. Pulphouse, 1992. Issue #47.

  • Murphy, Pat. Rachel in Love. Pulphouse, 1992. Issue #48.
  • Card, Orson Scott. Unaccompanied Sonata. Pulphouse, 1992. Issue #49.

  • Le Guin, Ursula K. Nine Lives. Pulphouse, 1992. Issue #50.
  • Bloch, Robert. The Skull of the Marquis de Sade. Pulphouse, 1992. Issue #51.

  • de Lint, Charles. Merlin Dreams in the Mondream Wood. Pulphouse, 1992. Issue #52.
  • Kress, Nancy. The Price of Oranges. Pulphouse, 1992. Issue #53.

  • Busby, F.M. If This Is Winnetka, You Must be Judy. Pulphouse, 1992. Issue #54.
  • Cadigan, Pat. My Brother’s Keeper. Pulphouse, 1992. Issue #55.

  • Bryant, Edward. The Thermals of August. Pulphouse, 1992. Issue #56.
  • Blaylock, James P. Paper Dragons. Pulphouse, 1992. Issue #57. A few small rubs along spine. Supplements a copy of the Axolotl Press hardback (which precedes).

  • Resnick, Mike. Kirinyaga. Pulphouse, 1992. Issue #58. Kelleghan, Mike Resnick: An Annotated Bibliography and Guide to His Work A39.
  • Sloca, Sue Ellen. Candles on the Pond. Pulphouse, 1992. Issue #59. As far as I can tell, this is her only publication anywhere.

  • Wu, William F. Shaunessy Fong. Pulphouse, 1992. Issue #60. Has some slight rubbing along front near spine. Last in the Short Story Paperbacks series.

  • Reference: Jack Chalker and Mark Owings, The Science-Fantasy Publishers: A Critical and Bibliographic History, 2002, page 719 (numbers 1 through 10), page 721 (numbers 11-20), pages 722 (numbers 21-30). This is what Chalker had to say about the Short Story paperback line:

    In January, 1991, Pulphouse continued its expansion with the Short Story Paperbacks and the selected Short Story Hardbacks, although we’re still only half- convinced that these are in any sense legitimate books. What they were, though, was what seemed to be a quick way to make money, and if people bought them, fine. They brought the whole operation as of the start of 1991 at a whopping 80+ titles a year. It should be noted that the paperbacks series was supposed to be originals and reprints, but became, after the initial ones, primarily reprints, a move that, while understandable, seemed to us to take away the one good reason why most people might buy them.

    Money held by SF/F/H collectors is a finite commodity, and Pulphouse in the early 1990s seemed to treat it as a limitless resource. If you’re publishing books by Lansdale, Zelazny, Wagner, De Lint, etc., that’s a license to print a little money. But Antieau, Clemence, Caraker? Not so much. Why they thought collectors were going to shell out money for such items is a mystery.

    The entire set bought for $61.

    Lawrence Person’s Books Wanted List

    Thursday, August 19th, 2021

    Some ten years ago I put up a books wanted list, and since then I’ve obtained a lot of things on it. Now here’s a greatly expanded list.

    The vast majority of these are first edition first printings, mostly hardbacks, but I do have more PBOs listed this time around (especially for Michael Moorcock and Jack Vance). Hardback is the default, but other formats are listed where otherwise, as are a occasional first edition points for clarity or to jog my memory.

    I don’t buy later printings, copies without dust jackets (when issued with same), copies with price-clipped dust jackets (unless all copies of the true first edition were released that way), copies with facsimile dust jackets, or overly crummy copies. Most of the books I buy are in Fine/Fine condition, but that relaxes a bit the older (and pricier) books become. I have picked up Ex-Library copies in dust jacket when the better copies of the true first can’t be found under a grand. I also only buy first state bindings and dust jackets, unless there’s no priority, or the true first state is insanely rare (such as with Stanley G. Weinbaum’s Dawn of Flame). I prefer signed copies to unsigned copies for most things, especially for dead writers (an ever-growing list). Trade editions of recent books from mainstream publishers are mainly here to jog my own memory when visiting bookstores.

    I have a few books here under the writer’s pseudonym, so I can enter them under that name in various search fields.

    Some of these are aspirational, as I doubt I’m going to find a first printing of The Hobbit I can afford, but you never know.

    If you have nice copies of the below you’re willing to part with at an attractive price, feel free to drop me a line at lawrenceperson at gmail dot com.

  • Anonymous (actually Dorothy Scarborough)’s The Wind (Harper & Brothers, 1925)
  • Douglas Adams’ The Hitchhiker’s Guide to the Galaxy (Arthur Baker, 1979)
  • Richard Adams’ Watership Down (Rex Collins, 1972)
  • Robert Aickman’s Sub Rosa (Gollancz, 1968)
  • Brian Aldiss’ At the Caligula Hotel (Sinclair-Stevenson, 1995) (trade paperback)
  • Brian Aldiss’ Greybeard (Harcourt Brace & World, 1964)
  • Brian Aldiss’ Helliconia Spring (Cape, 1982)
  • Brian Aldiss’ Helliconia Summer (Cape, 1983)
  • Brian Aldiss’ Helliconia Winter (Atheneum, 1985)
  • Brian Aldiss’ Hothouse (Faber & Faber, 1962)
  • Brian Aldiss’ A Plutonian Monologue (Frogmore Press, 2002) (chapbook)
  • Brian Aldiss’ At a Bigger House (Avernus, 2002) (chapbook)
  • Brian Aldiss’ The Dark Sun Rises (Avernus, 2002) (chapbook)
  • Poul Anderson’s The Broken Sword (Abelard-Schulman, 1954)
  • Poul Anderson’s The High Crusade (Doubleday, 1960)
  • Isaac Asimov’s The End of Eternity (Doubleday, 1955)
  • Isaac Asimov’s I, Robot (Gnome Press, 1950)
  • Isaac Asimov’s Liar! (Cambridge University Press, 1977) (chapbook)
  • Steve Aylett’s Shamanspace (Codex, 2001) (TPO)
  • Steve Aylett’s Dummyland (Gollancz, 2002) (TPO)
  • Paul Bailey’s Deliver Me From Eva (Murray & Gee, 1946)
  • J. G. Ballard’s Crash (Cape, 1973)
  • J. G. Ballard’s The Day of Forever (Gollancz, 1986)
  • J. G. Ballard’s The Drowned World (Gollancz, 1962)
  • J. G. Ballard’s Kingdom Come (Fourth Estate, 2006)
  • J. G. Ballard’s Low Flying Aircraft (Cape, 1976)
  • J. G. Ballard’s Rushing to Paradise (Flamingo, 1994)
  • Bill Barclay’s Somewhere in the Night (Compact PBO, 1966)
  • Clive Barker’s The Hellbound Heart (Earthling Publications, 2007)
  • Clive Barker’s The Scarlet Gospels (St. Martin’s, 2015)
  • Peter S. Beagle’s Lila the Werewolf (Capra Press, 1974) (1/75 signed hardbacks)
  • Michael Bishop’s Windows & Mirrors (The Moravian Press, 1977) (poetry chapbook)
  • Jerome Bixby’s The Devil’s Scrapbooks (Brandon House, 1964) (PBO)
  • (Blackwood, Algernon) Mike Ashley’s Algernon Blackwood: A Bio-Bibliography (Greenwood, 1987)
  • William Peter Blatty’s The Exorcist (Harper & Row, 1971)
  • James P. Blaylock’s Doughnuts (ASAP, 1994) (1/26 triptych copies)
  • James P. Blaylock’s Home Before Dark (Subterranean, 2000) (1/26 signed, lettered hardback copies)
  • James Blish’s The Day After Judgment (Doubleday, 1971, code L47 on p. 166)
  • Robert Bloch’s Atoms and Evil (Robert Hale, 1976)
  • Robert Bloch’s Blood Runs Colds (Simon and Schuster, 1961)
  • Robert Bloch’s Chamber of Horrors (Award Books, 1966) (PBO)
  • Robert Bloch’s Cold Chills (Doubleday, 1977)
  • Robert Bloch’s The Dead Beat (Simon and Schuster, 1960)
  • Robert Bloch’s Fear Today, Gone Tomorrow (Award, 1971) (PBO)
  • Robert Bloch’s The Laughter of a Ghoul/Whatever A Young Ghoul Should Know (Necrominocon Press, 1977) (chapbook)
  • Robert Bloch’s Once Around the Bloch (Tor, 1993)
  • Robert Bloch’s The Opener of the Way (Arkham House, 1945)
  • Robert Bloch’s Pleasant Dreams – Nightmares (Arkham House, 1960)
  • Robert Bloch’s The Scarf (Dial Press, 1947)
  • Robert Bloch’s Sea-Kissed (Utopian Publications, 1945)(PBO)
  • Robert Bloch’s The Skull of the Marquis de Sade and other stories (Robert Hale, 1975)
  • Robert Bloch and Ray Bradbury’s Bloch and Bradbury (Tower, 1969) (PBO)
  • Pierre Boulle’s Monkey Planet (Secker & Warburg, 1964)
  • Edward P. Bradbury’s Barbarians of Mars (Compact, 1965) (PBO)
  • Edward P. Bradbury’s Blades of Mars (Compact, 1965) (PBO)
  • Ray Bradbury’s About Norman Corwin (Santa Susana Press, 1979)(boxed art portfolio)
  • Ray Bradbury’s The Anthem Sprinters (Dial Press, 1963, hardback)
  • Ray Bradbury’s The April Witch (Creative Education, 1987) (hardback chapbook)
  • Ray Bradbury’s Beyond 1984: Remembrances of Things Future (Targ, 1979)
  • Ray Bradbury’s Christmas Greetings broadsides (all years except 1982, 1986, 1989, 1994, and 2008)
  • Ray Bradbury’s Christus Apollo: Cantata Celebrating the Eighth Day of Creation and the Promise of the Ninth (The Gold Stein Press, 1998) (1/50 signed hardback copies in traycase)
  • Ray Bradbury’s Dandelion Wine (Doubleday, 1957)
  • Ray Bradbury’s Dawn to Dusk (Gauntlet, 2011) (signed numbered or signed lettered edition)
  • Ray Bradbury’s The Day It Rained Forever. (Rupert Hart Davis, 1959) (Currey state A (navy blue binding))
  • Ray Bradbury’s The Day It Rained Forever: A Comedy in One Act (Samuel French, 1966) (play chapbook, 75¢ price)
  • Ray Bradbury’s A Device Out of Time (Dramatic Publishing, 1986)
  • Ray Bradbury’s The Engines Drive the Summer With Their Purr (Green Cat Press, 2001) (broadsheet)
  • Ray Bradbury’s Fahrenheit 451 (Ballantine Books, 1953) (any Currey hardback state (B-E))
  • Ray Bradbury’s Fahrenheit 451: The Authorized Adaption (Farrar, Straus & Giroux, 2009) (graphic novel)
  • Ray Bradbury’s Falling Upward (Dramatic Publishing Company, 1989) (play chapbook)
  • Ray Bradbury’s Farewell Summer (Morrow, 2006)
  • Ray Bradbury’s Farewell Summer (Subterranean, 2011) (lettered edition with extra book)
  • Ray Bradbury’s The Fog Horn (Creative Education, 1987) (hardback chapbook)
  • Ray Bradbury’s Fragments (Gauntlet, 2005)
  • Ray Bradbury’s Frost and Fire (DC Comics, 1985) (graphic novel)
  • Ray Bradbury’s From the Dust Returned (Morrow, 2001)
  • Ray Bradbury’s A Gathering of Authors & Their Admonitions (Castle Press, 1981) (broadsheet)
  • Ray Bradbury’s The God in Science Fiction (Santa Susana Press, 1978)(chapbook)
  • Ray Bradbury’s The Golden Apples of the Sun (Doubleday, 1953)
  • Ray Bradbury’s Halloween (Shuttlebop Press, 1983)
  • Ray Bradbury’s The Halloween Tree (Gauntlet Press, 2005) (1/52 lettered copies with metal case and popup tree)
  • Ray Bradbury’s Imagine (Lord John, 1981) (broadside, 1/100 signed)
  • Ray Bradbury’s I Live By The Invisible (Salmon Poetry, 2002) (TPO)
  • Ray Bradbury’s I Sing the Body Electric (Knopf, 1969)
  • Ray Bradbury’s Kaleidoscope (Dramatic Publishing, 1975)(play chapbook)
  • Ray Bradbury’s The Last Good Kiss (Santa Susana Press, 1984) (art portfolio thing)
  • Ray Bradbury’s Long After Ecclesiastes​ (Gold Stein Press, 1985; miniature book)
  • Ray Bradbury’s The Love Affair (Lord John Press, 1982) (1/300 signed hardbacks)
  • Ray Bradbury’s Long After Midnight (Knopf, 1976)
  • Ray Bradbury’s The Machineries of Joy Simon and Schuster, 1964)
  • Ray Bradbury’s Madrigals for the Space Age (Associated Music Publishers, 1972) (chapbook)
  • Ray Bradbury’s Man Dead? Then God Slain (Santa Susana Press, 1977) (1 of 26 numbered hardback copies in slipcase)
  • Ray Bradbury’s Match to Flame (Gauntlet, 2006) (Wooden slipcase lettered edition)
  • Ray Bradbury’s A Medicine for Melancholy (Doubleday, 1959)
  • Ray Bradbury’s My Cat Has Swallowed a Bumblebee (Green Cat Press, 2003) (broadsheet)
  • Ray Bradbury’s 1984 Will Not Arrive: A Prediction for the Greening of Scripps (Grant Dahlstrom at The Castle Press, 1975) (chapbook text lecture)
  • Ray Bradbury’s No Man Is An Island (Brandeis University, 1952) (chapbook)
  • Ray Bradbury’s The October Country (Ballantine Books, 1955; first state with inverted logo on spine)
  • Ray Bradbury’s One More For The Road (Morrow, 2002)
  • Ray Bradbury’s One the Years Were Numerous and the Funerals Few (broadsheet, 2004)
  • Ray Bradbury’s The Pedestrian (Roy Squires, 1964) (chapbook)
  • Ray Bradbury’s The Pedestrian: A Fantasy in One Act (Samuel French, 1966) (chapbook)
  • Ray Bradbury’s Pillar of Fire and Other Plays (Bantam Books, 1975) (PBO)
  • Ray Bradbury’s The Poet Considers His Resources (Lord John Press, 1979) (broadside)
  • Ray Bradbury’s R is for Rocket (Doubleday, 1962)
  • Ray Bradbury’s Ray Bradbury Chronicles (Volumes 1, 3 and 5) (Byron Preiss/NBM) (signed hardback graphic novels)
  • Ray Bradbury’s Samurai/Kabuki (Hill House, 2006 hardback)
  • Ray Bradbury’s S is for Space (Doubleday, 1966)
  • Ray Bradbury’s Skeletons (Subterranean, 2008) (lettered edition)
  • Ray Bradbury’s Something Wicked This Way Comes (Simon and Schuster, 1962)
  • Ray Bradbury’s The Stars (Gold Stein Press, 1/95, 1993, miniature book)
  • Ray Bradbury’s Sun and Shadow (Quenian Press, 1957) (chapbook)
  • Ray Bradbury’s Switch on The Night (Pantheon, 1955)(first state, no mention of Random House on copyright page)
  • Ray Bradbury’s That Ghost, That Bride of Time (Roy A. Squires, 1976)
  • Ray Bradbury’s That Son of Richard III: A Birth Announcement (Roy A. Squires, 1974)
  • Ray Bradbury’s Tomorrow Midnight (Ballantine Books, 1966) (PBO, ¢50)
  • Ray Bradbury’s To The Chicago Abyss (Dramatic Publishing Company, 1988) (play chapbook)
  • Ray Bradbury’s The Tonybee Convector (Knopf, 1988) (1/350 signed/numbered)
  • Ray Bradbury’s Twice 22 (Doubleday, 1966) (book club, code 47G on page 405)
  • Ray Bradbury’s The Trivial Pursuits Transporter (Hill House, 2006)
  • Ray Bradbury’s The Vintage Bradbury (Vintage Books, 1965)
  • Ray Bradbury’s Where Everything Ends (Subterranean Press, 2009) (1/26 lettered copies)
  • Ray Bradbury’s The Wish (Hill House, 2006)
  • Ray Bradbury’s The Wonderful Death of Dudley Stone (?, 1985) (chapbook)
  • Ray Bradbury’s Zen in the Art of Writing (Capra Press/ Joshua Odell Editions, 1973 (1/250 signed, numbered copies)
  • Ray Bradbury editor’s The Circus of Dr. Lao and Other Stories (Bantam Books, 1956) (PBO)
  • Ray Bradbury editor’s Timeless Stories for Today and Tomorrow (Bantam Books, 1953) (PBO, 35¢)
  • Ray Bradbury and Robert Bloch’s Bloch and Bradbury (PBO, Tower, 1969, Tower 43-246, 60¢)
  • (Ray Bradbury) Steven Ageliss’ Conversations With Ray Bradbury (University Press of Mississippi, 2004, paperback)
  • (Ray Bradbury) Jonathan R. Eller & William F. Touponce’s Ray Bradbury: The Life of Fiction (Kent State University Press, 2004)
  • (Ray Bradbury) Joseph Mugnaini: Drawings & Graphics (Scarecrow Press, 1982)
  • (Ray Bradbury) Joseph Mugnaini: Ten Views of the Moon (Lynton Kistler, 1981) (art portfolio with 10 signed prints)
  • (Ray Bradbury) Sam Weller’s Listen to the Echoes: The Ray Bradbury Interviews (Stopsmiling Books/Melville House, 2010) (TPO)
  • (Ray Bradbury) William F. Nolan’s Ray Bradbury Review (Graham Press, 1988)
  • Ernest Bramah’s Kai Lung: Six (Non-Profit Press, 1974)
  • William S. Burroughs’ Cities of the Red Night (Holt, Rinehart and Winston, Inc., 1981)
  • William S. Burroughs’ Naked Lunch (Grove Press, 1959 (i.e., 1962))
  • William S. Burroughs’ The Soft Machine (Grove Press, 1966)
  • John W. Campbell’s Invaders from the infinite (Fantasy Press, 1961) (one of 300 (actually 112) signed, numbered copies)
  • John W. Campbell’s Islands of Space (Fantasy Press, 1956) (1/50-odd signed copies)
  • John W. Campbell’s Who Goes There? (Shasta Publishers, 1952)
  • John Dickson Carr’s The Devil in Velvet (Harper & Brothers, 1951)
  • Angela Carter’s Heroes and Villains (Heinemann, 1969)
  • Edd Cartier’s The Known and the Unknown (De La Ree, 1977)
  • Michael Chabon’s Werewolves in Their Youth (Random House, 1999) (Number line ends with 2)
  • G. K. Chesterton’s Napoleon of Notting Hill (John Lane, 1904)
  • Arthur C. Clarke’s Childhood Ends (Portentious Press HB, 1996)
  • Arthur C. Clarke’s Expedition to Earth (Ballantine Books, 1953)
  • Arthur C. Clarke’s The Sands of Mars (Sidgwick & jackson, 1951)
  • Arthur C. Clarke’s Tales From the White Heart (Ballantine Books, 1957)
  • Arthur C. Clarke’s 2001: A Space Odyssey (NAL, 1968)
  • James Clavell’s King Rat (Little Brown, 1962)
  • Hal Clement’s Cycle of Fire (Ballantine, 1957)
  • Colvin, James. The Deep Fix (Compact, 1966) (PBO)
  • Avram Davidson’s And Don’t Forget The One Red Rose (Dryad Press, 1986) (1/15 hardbacks)
  • L. Sprague De Camp’s Lest Darkness Fall (Henry Holt, 1941)
  • L. Sprague De Camp’s The Tritonian Ring (Twayne, 1953)
  • L. Sprague De Camp and Fletcher Pratt’s The Castle of Iron (Fantasy Press, 1950)
  • L. Sprague De Camp and Fletcher Pratt’s The Incomplete Enchanter (Henry Holt & Co., 1941)
  • Samuel R. Delany’s Dhalgren (Gregg Press, 1977)
  • Samuel R. Delany’s The Einstein Intersection (Ace, 1967) (PBO)
  • Samuel R. Delany’s The Fall of the Towers (Gregg Press, 1977)
  • Samuel R. Delany’s Out of the Dead City (Sphere, 1968) (PBO)
  • (Samuel R. Delany) George Edgar Slusser’s The Delany Intersection (Borgo Press, 1977) (chapbook)
  • (Samuel R. Delany) James Sallis, editor. Ash of Stars: On the Writings of Writing of Samuel R. Delany (University of Mississippi Press, 1996)
  • August Derleth’s The Trail of Cthulhu (Arkham House, 1962)
  • Philip K. Dick’s Dr. Bloodmoney (Gregg Press, 1977)
  • Philip K. Dick’s Five Novels of the 1960s & 70s (Library of America, 2008) (in dust jacket with green band)
  • Philip K. Dick’s Five Novels of the 1960s & 70s (Library of America, 2008) (without dust jacket, in slipcase)
  • Philip K. Dick’s VALIS and Later Novels (Library of America, 2009) (in dust jacket with pink band)
  • Philip K. Dick’s VALIS and Later Novels (Library of America, 2009 (without dust jacket, in slipcase)
  • Philip K. Dick’s Flow My Tears, The Policeman Said (Doubleday, 1974) (no remainder spray)
  • Philip K. Dick’s The World Jones Made (Sidgwick & Jackson, 1968)
  • Gordon R. Dickson’s The Dragon and the George (Nelson Doubleday/SFBC, 1976) (book club hardback) (code G24 on page 243)
  • Thomas M. Disch’s Haikus of an Ampart (Coffee House Press, 1991) (chapbook)
  • Thomas M. Disch’s Orders of the Retina (Toothpaste Press, 1982) (1/100 signed, numbered hardbacks)
  • Thomas M. Disch’s Ringtime (Toothpaste Press, 1982, 1/100 signed, numbered hardbacks)
  • Thomas M. Disch’s Under Compulsion (Rupert Hart-Davis, 1968)
  • Thomas M. Disch, Marilyn Hacker and Charles Platt’s Highway Sandwiches (chapbook, 1970)
  • Gardner Dozois’s Sunk beneath the Waves (Dragonstairs Press, 2013) (chapbook)
  • Gardner Dozois’s The Year’s Best Science Fiction Volumes 15, 23, 24, 27, 28 (St. Martin’s hardbacks)
  • Robert Eighteen-Bisang’s A Vampire Bibliography: Volume One, Literature (Transylvania Press, 1996)
  • E. R. Eddison’s The Worm Ouroboros (Cape, 1922)
  • Harlan Ellison’s All the Sounds of Fear (Panther, 1973) (PBO)
  • Harlan Ellison’s Broken Glass (Avenue Victor Hugo, 1981) (broadside)
  • Harlan Ellison’s The Deadly Streets (Ace, 1958) (PBO)
  • Harlan Ellison’s Ellison Under Glass (Charnel House, 2019) (1/100 signed/numbered)
  • Harlan Ellison’s Ellison Wonderland (Paperback Library, 1962) (PBO, 50¢ cover price)
  • Harlan Ellison’s Ellison Wonderland with Pebbles From the Mountain (PS Publishing, 2015)
  • Harlan Ellison’s Footsteps (Footsteps Press, 1989) (chapbook)
  • Harlan Ellison’s Gentlemen Junkie (Regency, 1961) (PBO, 50¢ on the cover)
  • Harlan Ellison’s The Glass Teat & The Other Glass Teat (Charnel House, 2014)
  • Harlan Ellison’s I Have No Mouth And I Must Scream (Pyramid, 1967) (PBO, 60¢ on cover)
  • Harlan Ellison’s Jokes Without Punchlines (White Wolf, 1995) (chapbook)
  • Harlan Ellison’s The Juvies (Ace, 1961) (PBO, 35¢ on the cover)
  • Harlan Ellison’s The Man With Nine Lives b/w A Touch of Infinity (Ace, 1960) (PBO, 35¢ on the cover)
  • Harlan Ellison’s One Life, Furnished in Early Poverty (Lance Brown, 1993) (broadside, 1/100 copies)
  • Harlan Ellison’s Over the Edge (Belmont, 1970) (PBO, May 1970 on copyright page, 75¢ on cover)
  • Harlan Ellison’s Night of Black Glass (1981) (broadside)
  • Harlan Ellison’s Rockabilly (Fawcett, 1961) (PBO, First Printed October 1961 on copyright page, 35¢ on the cover)
  • Harlan Ellison’s Spider Kiss (Pyramid, 1975) (PBO, Pyramid Edition published July 1975 on copyright page, $1.25 on cover)
  • Harlan Ellison’s The Time of the Eye (Panther, 1974) (PBO, first published in Great Britain in 1974 on copyright page, 35p on cover)
  • Harlan Ellison’s Web of the City (Pyramid, 1975) (PBO, New Pyramid edition: December 1975 on copyright page, price of $1.50 on cover)
  • Harlan Ellison (& Steranko)’s “Repent, Harlequin,” Said The Ticktock Man (art Portfolio w/6 prints) (Baronet, 1978)
  • Harlan Ellison’s Vic and Blood (Edgeworks Abbey, 2003)
  • (Harlan Ellison) Ellen Weil and Gary K. Wolfe’s Harlan Ellison: The Edge of Forever (Ohio State University Press, 2002)
  • Philip Jose Farmer’s A Barnstormer in Oz (Phantasia Press S/L, 1982)
  • Philip Jose Farmer’s Blown or Sketches Among the Ruins of My Mind (Essex House, 1968, PBO)
  • Philip Jose Farmer’s Flesh (Doubleday, 1968)
  • Philip Jose Farmer’s Greatheart Silver and Other Pulp Heroes (Meteor House, 2019)
  • Philip Jose Farmer’s Image of the Beast (Essex House, 1966, PBO)
  • Philip Jose Farmer’s The Unreasoning Mask (Putnam, 1981) (signed/limited edition)
  • Philip Jose Farmer’s Strange Relations (Gollancz, 1964)
  • Gans T. Field’s Romance in Black (Utopian Publications, 1946) (chapbook)
  • Virgil Finlay’s The Book of Virgil Finlay (De La Ree, 1975)
  • Virgil Finlay’s The Third Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Fourth Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Fifth Book of Virgil Finlay (De La Ree, 1979)
  • Virgil Finlay’s The Sixth Book of Virgil Finlay (De La Ree, 1980)
  • Jack Finney’s Time and Again (Simon & Schuster, 1970) (1st stated, no book club mention on dj or embossed book club square on rear)
  • John Fowls’ The Magus (Cape, 1966)
  • Pat Frank’s Alas, Babylon (Lippincott, 1959)
  • Jane Gaskell’s The Shiny Narrow Grin (Hodder & Stoughton, 1964)
  • Neil Gaiman’s The Little Gold Book of Ghastly Stuff (Borderlands, 2011)
  • William Golding’s The Inheritors (Faber & Faber, 1955)
  • William Golding’s Lord of the Flies (Faber & Faber, 1954)
  • William Golding’s Pincher Martin (Faber & Faber, 1956)
  • Herbert Gorman’s The Place Called Dagon (Doran, 1927)
  • Charles L. Harness’s Flight Into Yesterday (Bouregy & Curl, 1953)
  • Roger Harris’ The LSD Dossier (Compact, 1966) (PBO)
  • Harry Harrison’s Make Room! Make Room! (Doubleday, 1966)
  • Robert A. Heinlein’s Between Planets (Scribner’s, 1951) (First Printing A & seal, unclipped $2.50 dj)
  • Robert A. Heinlein’s Beyond This Horizon (Fantasy Press, 1948)
  • Robert A. Heinlein’s The Cat Who Walks Through Walls (Putnam, 1985) (1/350 signed, numbered copies)
  • Robert A. Heinlein’s Citizen of the Galaxy (Scribner’s, 1957) (First Printing A & seal)
  • Robert A. Heinlein’s The Door Into Summer (Doubleday, 1957)
  • Robert A. Heinlein’s Farnham’s Freehold (Putnam, 1964)
  • Robert A. Heinlein’s Farmer in the Sky (Scribner’s, 1950)
  • Robert A. Heinlein’s Friday (Holt Reinhardt & Winston, 1982) (1/500 signed, numbered copies)
  • Robert A. Heinlein’s Glory Road (Putnam, 1963)(no statement of printing)
  • Robert A. Heinlein’s I Will Fear No Evil (Putnam, 1970)
  • Robert A. Heinlein’s Job: A Comedy of Justice (Del Rey, 1984, 1/750 signed, numbered copies)
  • Robert A. Heinlein’s The Menace From Earth (Gnome, 1959)
  • Robert A. Heinlein’s Methuselah’s Children (Gnome, 1st state binding (black boards), 1st state dj (“New York 3”)
  • Robert A. Heinlein’s Orphans of the Sky (Gollancz, 1963)
  • Robert A. Heinlein’s Red Planet (Scribner’s, 1949) (First Printing A & seal)
  • Robert A. Heinlein’s Rocket Ship Galileo (Scribner’s, 1947) (First Printing A & seal, unclipped $2.00 dj)
  • Robert A. Heinlein’s The Rolling Stones (Scribner’s, 1952) (First Printing A & seal)
  • Robert A. Heinlein’s Space Cadet (Scribner’s, 1948) (First Printing A & seal)
  • Robert A. Heinlein’s Starman Jones (Scribner’s, 1953) (First Printing A & seal)
  • Robert A. Heinlein’s Time Enough for Love (Putnam, 1973)
  • Robert A. Heinlein’s Time for the Stars (Scribner’s, 1956) (First Printing A & seal)
  • Robert A. Heinlein’s Tunnel in the Sky (Scribner’s, 1955) (First Printing A & seal)
  • Robert A. Heinlein’s Universe (Dell, 1951) (PBO)
  • Robert A. Heinlein’s The Unpleasant Profession of Jonathan Hoag (Gnome, 1959)
  • Robert A. Heinlein’s Waldo & Magic Inc. (Doubleday, 1950)
  • Peter Held’s Take My Face (Mystery House, 1957)
  • Mark Helprin’s Winter’s Tale (Harcourt Brace Jovanovich, 1983)
  • Joe Hill’s Basket Full of Heads (Hill House Comics/DC, 2020) (Hardback graphic novel)
  • Joe Hill’s Dying Is Easy (IDW, 2020) (Hardback graphic novel)
  • Joe Hill’s Plunge (Hill House Comics/DC, 2020) (Hardback graphic novel)
  • Joe Hill’s You Are Released (Lividian Publications, 2022) (chapbook)
  • Russell Hoban’s Riddley Walker (Cape, 1980)
  • William Hope Hodgson’s The Boats of the ‘Glen Garrig’ (Chapman and Hall, 1907) (no statement of printing)
  • William Hope Hodgson’s The Calling of the Sea (Selwyn & Blount, 1920)
  • William Hope Hodgson’s The Ghost Pirates (Stanley Paul, 1909) (red cloth binding)
  • William Hope Hodgson’s The Haunted Pampero (Donald M. Grant, 1991, 1/500 signed copies)
  • William Hope Hodgson’s The House on the Borderland (Chapman and Hall, 1908)
  • William Hope Hodgson’s Men of Deep Waters (Eveleigh Nash, 1914)
  • William Hope Hodgson’s The Night Land (Eveleigh Nash, 1911)
  • William Hope Hodgson’s Terror of the Seas (Donald M. Grant, 1996, with signed illustration sheet laid in)
  • William Hope Hodgson’s Voice of the Ocean (Selwyn & Blount, 1921)
  • (William Hope Hodgson) Ian Bell, editor William Hope Hodgson: Voyages And Visions (Bell, 1987 chapbook)
  • Nancy Holder’s Dead in the Water (Dell Abyss, 1994) (PBO)
  • Robert Holdstock’s Mythago Wood (Gollancz, 1984)
  • Gordon Honeycombe’s Neither the Sea Nor the Sand (Hutchison, 1969)
  • Geoffrey Household’s Dance of the Dwarfs (Michael Joseph, 1968)
  • Robert E. Howard’s Always Comes Evening (Arkham House, 1957)
  • Robert E. Howard’s “…and their memory was a bitter tree” (Black Bart, 2008) (1/500 signed slipcased)
  • Robert E. Howard’s Black Vulmea’s Vengence (Donald M. Grant, 1976)
  • Robert E. Howard’s Blades for France (George T. Hamilton, 1975) (chapbook)
  • Robert E. Howard’s Bloodstar (Morning Star Press, 1976) (Graphic novel, one of 1,500 signed by artist Corban)
  • Robert E. Howard’s Echoes From an Iron Harp (Donald M. Grant, 1972)
  • Robert E. Howard’s Etchings in Ivory (Glenn Lord, 1968) (chapbook)(see Currey for points)
  • Robert E. Howard’s The Grey God Passes (Charles Miller, 1975) (chapbook)
  • Robert E. Howard’s The Grim Land and Others (Stygian Isle Press, 1976, 1/1450)
  • Robert E. Howard’s A Gent From Bear Creek (Herbert Jenkins, 1937)
  • Robert E. Howard’s The Ghost Ocean (Gibbelins Gazatte Pubns, 1982, hardback)
  • Robert E. Howard’s The Grim Land and Others (Stygian isle Press, 1976) (chapbook)
  • Robert E. Howard’s The Illustrated Gods of the North (Necronomicon Press, 1977) (chapbook)
  • Robert E. Howard’s The Incredible Adventures of Dennis Dorgan (Fax Collector’s Edition, 1977)
  • Robert E. Howard’s The Iron Man and other tales (Donald M. Grant, 1976)
  • Robert E. Howard’s Isle of Pirate’s Doom (George T. Hamilton, 1975)
  • Robert E. Howard’s The King’s Service (George T. Hamilton, 1975)
  • Robert E. Howard’s Kull (Donald M. Grant, 1985)
  • Robert E. Howard’s The Hyborian Age (Los Angeles-New York Cooperative Publications, 1938)
  • Robert E. Howard’s The Lost Valley of Iskander (FAX Collector’s Edition, 1974)
  • Robert E. Howard’s The Last Cat Book (Dodd Mead, 1984)
  • Robert E. Howard’s The Pride of Bear Creek (Grant, 1966)
  • Robert E. Howard’s Red Blades of Black Cathay (Grant, 1971)
  • Robert E. Howard’s Red Shadows (Grant, 1968)
  • Robert E. Howard’s Shadows of Dreams (Donald M. Grant, 1989)
  • Robert E. Howard’s The Shadow of the Beast (George T. Hamilton, 1977)
  • Robert E. Howard’s Shadow of the Hun (George T.Hamilton, 1977)
  • Robert E. Howard’s Singers in the Shadows (Donald M. Grant, 1970)
  • Robert E. Howard’s Son of the White Wolf (Fax Collector’s Edition, 1977)
  • Robert E. Howard’s Spears of Clontarf (George T. Hamilton, 1978) (chapbook)
  • Robert E. Howard’s The Sword of Shahrazar (FAX Collector’s Editions, 1976)
  • Robert E. Howard’s Tigers of the Sea (Donald M. Grant, 1974)
  • Robert E. Howard’s Two Against Tyre (Dennis McHaney, 1976) (chapbook)(1/600 numbered)
  • Robert E. Howard’s Valley of the Lost (Chuck E. Miller, 1975)
  • Robert E. Howard’s Writer of the Dark (Dark Carnival Press, 1986) (trade paperback)(1/500)
  • Robert E. Howard, Frank Belknap Long, H.P. Lovecraft, A. Merritt and C.L. Moore’s The Challenge From Beyond (Weltschmertz Publications, 1954) (Mimeographed)
  • (Robert E. Howard) Glenn Lord’s The Last Celt: A Bio-Bibliography of Robert E. Howard
  • Jan Hudson’s Those Sexy Saucer People (Greenleaf Classics, 1966)
  • Shirley Jackson’s The Bad Children (Dramatic Publishing Company, 1958)
  • Shirley Jackson’s The Magic of Shirley Jackson (Farrar Straus, 1966)
  • Stephen King’s Salem’s Lot (Doubleday, 1976) (Father Cody and not price-clipped on front flap)
  • Henry Kuttner’s The Valley of the Flame (Ace, 1964) (PBO)
  • R. A. Lafferty’s The Audifaxes (2019 chapbook)
  • R. A. Lafferty’s Alaric: The Day The World Ended (United Mythologies Press, 1994)
  • R. A. Lafferty’s Anamnesis (United Mythologies Press, 1992) (chapbook)
  • R. A. Lafferty’s The Best of R.A. Lafferty (Gollancz, 2019) (trade paperback)
  • R. A. Lafferty’s The Best of R.A. Lafferty (Tor, 2021) (hardback)
  • R. A. Lafferty’s Cranky Old Man From Tulsa (United Mythologies Press, 1990)
  • R. A. Lafferty’s How Many Miles to Babylon (United Mythologies Press, 1989)
  • R. A. Lafferty’s Sodom and Gomorrah, Texas (Aegypan, 2007) (hardback chapbook)
  • R. A. Lafferty’s The Six Fingers of Time (Aegypan, 2011) (hardback chapbook)
  • R. A. Lafferty’s Strange Skies (United Mythologies Press, 1988) (chapbook)
  • R. A. Lafferty’s Funnyfingers & Cabrito (Pendragon Press HB)
  • (R. A. Lafferty) Boomer Flats Gazette (Volumes 1-4)
  • Joe R. Lansdale’s Blood and Shadows (volumes 1-4) (DC Vertigo, 1996)
  • Joe R. Lansdale’s Blood Dance (Subterranean, 2000) (lettered edition)
  • Joe R. Lansdale’s Bubba Ho-Tep (Hail To the King edition DVD with jacket packaging, 2007)
  • Joe R. Lansdale’s Conan and the Songs of the Dead (Dark Horse, 2007)
  • Joe R. Lansdale’s Crawling Sky (Antarctic Press, 2013) (graphic novel)
  • Joe R. Lansdale’s Dead in the West (Crossroads Press, 1994) (signed/limited)
  • Joe R. Lansdale’s Dead in the West (Night Shade Books, 2005) (1/150 signed, limited copies)
  • Joe R. Lansdale’s The Drive In Bus Tour (Subterranean, 2005) (lettered edition)
  • Joe R. Lansdale’s Freezer Burn (Crossroads Press, 1999) (lettered edition)
  • Joe R. Lansdale’s Freezer Burn (Crossroads Press, 1999) (Special Edition, 1 of 5 copies)
  • Joe R. Lansdale’s The Good, the Bad and the Indifferent (Subterranean Press, 1997) (lettered edition)
  • Joe R. Lansdale’s H.P. Lovecraft’s The Dunwich Horror (IDW, 2012) (graphic novel)
  • Joe R. Lansdale’s I Tell You It’s Love (SST Publications, 2014) (hardback graphic novel)
  • Joe R. Lansdale’s Jonah Hex: Two Gun Mojo (DC Vertigo, 1994) (graphic novel)
  • Joe R. Lansdale’s Lone Ranger & Tonto (Topps Comics, 1995) (graphic novel)
  • Joe R. Lansdale’s The Long Ones (Necro Publications, 1999) (lettered traycased edition)
  • Joe R. Lansdale’s The Magic Wagon (Borderlands Press signed/limited hardback, 1991)
  • Joe R. Lansdale’s The Nightrunners (Dark Harvest, 1987) (signed slipcased edition)
  • Joe R. Lansdale’s The Nightrunners (Dark Harvest, 1987) (signed leatherbound “slipcrate” edition)
  • Joe R. Lansdale’s On the Far Side with Dead Folks (Avalon, 2004) (graphic novel)
  • Joe R. Lansdale’s Orbit 1 & 2 (Subterranean, 2000) (hardback)
  • Joe R. Lansdale’s Pigeons From Hell (Dark Horse, 2009) (graphic novel TPO)
  • Joe R. Lansdale’s Something Lumber This Way Comes (Subterranean, 1999) (1/13 lettered editions)
  • Joe R. Lansdale’s The Steam Man (Dark Horse, 2016) (graphic novel TPO)
  • Joe R. Lansdale’s Tarzan and the Land That Time Forgot (TimeShifter/ECOF, 2018) (chapbook)
  • Joe R. Lansdale’s Tight Little Stitches in a Dead Man’s Back (Pulphouse hardback)
  • Joe R. Lansdale’s The Thicket (Earthling Publications, 2015) (1/250 signed/limited hardbacks)
  • Joe R. Lansdale’s Two-Bear Mambo (Cahill Press, 1995) (lettered edition)
  • Joe R. Lansdale’s Waltz of Shadows (Subterranean, 1999) (lettered edition)
  • Joe R. Lansdale and Lewis Shiner’s Private Eye Action As You Like It (Crossroads Press, 1998) (1/26 lettered editions)
  • Joe R. Lansdale’s The X-Files: Case Files (IDW, 2018) (hardback graphic novel)
  • Joe R. Lansdale’s Robert Bloch’s Yours Truly, Jack the Ripper (IDW, 2010) (graphic novel)
  • Fritz Leiber’s Conjure Wife (Twayne, 1953) (no statement of printing)
  • Fritz Leiber’s Gather, Darkness (Pellegrini & Cudhay, 1950)
  • Fritz Leiber’s The Green Millennium (Abelard, 1953) (no statement of printing, no overprice)
  • Fritz Leiber’s Night Monsters (Gollancz, 1974)

  • Fritz Leiber’s Two Sought Adventure (Gnome Press, 1957)
  • Fritz Leiber’s The Secret Songs (Rupert Hart-Davis, 1968)
  • Cornel Lengyel’s The Atom Clock (FPCI, 1951) (hardback or chapbook)
  • Doris Lessing’s Briefing for a Descent Into Hell (Cape, 1971)
  • C. S. Lewis’ Out of the Silent Planet (John Lane The Bodley Head, 1938)
  • C. S. Lewis’ That Hideous Strength (John Lane The Bodley Head, 1945)
  • David Lindsay’s A Voyage to Arcturus (Methuen, 1920) (Gilt-stamped spine, undated publisher’s catalog)
  • H. P. Lovecraft’s Essential Solitude: The Letters of H. P. Lovecraft and August Derleth (Hippocampus Press, 2013) (two volumes)
  • H. P. Lovecraft’s Juvenilia 1895-1905 (Necronomicon Press, 1984) (chapbook)
  • H. P. Lovecraft’s The Outsider and Others (Arkham House, 1939)
  • H. P. Lovecraft’s Beyond the Wall of Sleep (Arkham House, 1943)
  • (Lovecraft, H.P.) Donald R. Burleson’s Lovecraft: Disturbing the Universe (University of Kentucky Press, 1990)
  • (Lovecraft, H.P.) Peter Cannon’s The Chronology Out of Time (Necronomicon Press chapbook, 1986)
  • (Lovecraft, H.P.) S.T. Joshi’s H.P. Lovecraft: Selected Essays (Necronomicon Press, 2019)
  • (Lovecraft, H.P.) Joshi/Schultz’s Lovecraft Remembered: An Epicure of the Terrible (Fairleigh Dickinson University Press, 1991)
  • (Lovecraft, H.P.) Ave Atque Vale (Necronomicon HB, 2018)
  • (Lovecraft, H.P.) Maurice Levy’s Lovecraft: A Study in the Fantastic (Wayne State University Press, 1988)
  • (Lovecraft, H.P.) Anthony Pearsell’s The Lovecraft Lexicon (New Falcon, 2004) (TPO)
  • (Lovecraft, H.P.) Robert M. Price’s H.P. Lovecraft and the Cthulhu Mythos (Starmont, 1990)
  • George R. R. Martin’s Fevre Dream (Poseidon Press, 1982)
  • George R. R. Martin’s Wild Cards VIII: One-Eyed Jacks (Bantam Spectra, 1991) (PBO)
  • Cormac McCarthy’s Blood Meridian (Random House, 1985) (number line starts with 2)
  • Richard Matheson’s Bid Time Return (Viking, 1975) (“First published 1975”)
  • Richard Matheson’s A Stir of Echoes (Lippencott, 1958)
  • Ian McDonald’s The Best of Ian McDonald w/Floating Dogs (PS Publishing, 2016)(1/100 signed, numbered copies)
  • Ian McDonald’s Cyberabad Days (Orion, 2009)
  • Ian McDonald’s Luna: Moon Rising (Tor, 2015)
  • Ian McDonald’s Luna: New Moon (Tor, 2017)
  • Ian McDonald’s Luna: Wolf Moon (Tor, 2019)
  • Ian McDonald’s The Menace From Farside (Tor, 2019)
  • Ian McDonald’s Time Was (Tor, 2018) (chapbook)
  • Richard McKenna’s The Left-Handed Monkey Wrench (Naval Institute Press, 1986)
  • Paul Merchant’s Sex Gang (Nightstand Books, 1959) (PBO, 50¢)
  • Hope Mirrlees’ Lud-in-the-Mist (Collins, 1926)
  • Carlton Miller’s Incest Street (Narcissus, 1970, PBO)
  • Michael Moorcock’s The Adventures of Una Persson and Catherine Cornelius in the Twentieth Century (Quartet, 1975)
  • Michael Moorcock’s The Adventure of the Dorset Street Lodger (as John H. Watson, MD) (privately printed hardback, 1993)
  • Michael Moorcock’s An Alien Heat (MacGibbon & Kee, 1972)
  • Michael Moorcock’s Behold the Man and Other Stories (Phoenix House, 1994)
  • Michael Moorcock’s Blood Red Game (Sphere, 1970) (PBO)
  • Michael Moorcock’s Blades of Mars (Compact, 1965)
  • Michael Moorcock’s Breakfast in the Ruins and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Brothel in Rosenstrasse and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Bull and the Spear (Alison Busby, 1973)
  • Michael Moorcock’s City of the Beasts (Lancer, 1970) (PBO)
  • Michael Moorcock’s Count Brass (Mayflower, 1973) (PB0)
  • Michael Moorcock’s Chronicles of Castle Brass (Granada, 1977)
  • Michael Moorcock’s Champion of Garathorm (Mayflower, 1973) (PBO)
  • Michael Moorcock’s The Dreaming City (Lancer, 1972) (PBO)
  • Michael Moorcock’s Dreamthief’s Daughter (American Fantasy, 2001) (signed, limited hardback)
  • Michael Moorcock’s Earl Aubec and Other Stories (Millennium, 1993)
  • Michael Moorcock’s Elric of Melnibone (Blue Star, 1977)
  • Michael Moorcock’s Elric of Melnibone and Other Stories (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: Swords and Roses (Del Rey, 2010) (TPO)
  • Michael Moorcock’s Elric: Return to Melnibone (Unicorn, 1973) (chapbook)
  • Michael Moorcock’s Elric: The Revenge of the Rose (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Elric: The Sailor on the Seas of Fate (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: The Sleeping Sorceress (Gollancz, 2013) (TPO)
  • Michael Moorcock’s Elric: The Stealer of Souls (Del Rey, 2008) (TP0)
  • Michael Moorcock’s Elric at the End of Time (NEL, 1984)
  • Michael Moorcock’s The Entropy Tango (NEL, 1981)
  • Michael Moorcock’s Eternal Champion (Harper & Row, 1978)
  • Michael Moorcock’s Eternal Champion (Mayflower, 1970) (PBO)
  • Michael Moorcock’s Final Programme (Gregg Press, 1976)
  • Michael Moorcock’s Final Programme (Avon, 1968) (PBO)
  • Michael Moorcock’s The Fireclown (Compact, 1965) (PB0)
  • Michael Moorcock’s The Golden Barge (Savoy, 1979) (TPO)
  • Michael Moorcock’s Hawkmoon (Millennium, 1992)
  • Michael Moorcock’s The Ice Schooner (Harper & Row, 1977)
  • Michael Moorcock’s The Ice Schooner (Sphere, 1969)
  • Michael Moorcock’s The Inner Landscape (Allison & Busby, 1969)
  • Michael Moorcock’s Jerry Cornelius: His Lives and His Times (Gollancz, 2014) (TPO)
  • Michael Moorcock’s Jewel in the Skull (White Lion, 1973)
  • Michael Moorcock’s Knight of the Swords (Alison Busby, 1977)
  • Michael Moorcock’s Knight of the Swords (Mayflower, 1971) (PBO)
  • Michael Moorcock’s The Land Leviathan (Doubleday, 1974)
  • Michael Moorcock’s Lives and Times of Jerry Cornelius: Stories of the Comic Apocalypse (Four Walls Eight Windows, 2003) (TPO)
  • Michael Moorcock’s London Bone (Scribner/Simon & Schuster UK, 2001) (TPO)
  • Michael Moorcock’s Lord of the Spiders (Lancer, 1971) (PBO)
  • Michael Moorcock’s Lunching with the Antichrist (Ziesing V. Ziesing, 1994) (Signed/limited edition)
  • Michael Moorcock’s The Mad God’s Amulet (White Lion, 1973)
  • Michael Moorcock’s Masters of the Pit (NEL, 1971) (PBO)
  • Michael Moorcock’s Michael Moorcock’s Elric: Tales of the White Wolf (White Wolf, 1994)
  • Michael Moorcock’s Michael Moorcock’s Legends of the Multiverse (Black Coat Press, 2017) (TPO)
  • Michael Moorcock’s My Experiences in the Third World War and Other Stories (Gollancz, 2014) (TPO)
  • Michael Moorcock’s The New Nature of Catastrophe (Millennium, 1993)
  • Michael Moorcock’s Nomad of Time (Nelson Doubleday/SFBC, 1982) (Book club HB, gutter code M47 on page 440)
  • Michael Moorcock’s Nomad of the Time Streams (Millennium, 1993)
  • Michael Moorcock’s The Oak and the Ram (Alison Busby, 1973)
  • Michael Moorcock’s Pawn of Chaos (White Wolf, 1996) (TPO)
  • Michael Moorcock’s Phoenix In Obsidian (Mayflower, 1970) (PBO)
  • Michael Moorcock’s Queen of the Swords (Berkeley, 1971) (PBO)
  • Michael Moorcock’s Quest for Tanelorn (Mayflower, 1975) (PBO)
  • Michael Moorcock’s The Real Life Mr. Newman (A.J. Callow, 1979) (1/500 copies, stapled and bound in masking tape (!))
  • Michael Moorcock’s Retreat from Liberty (Zomba, 1983) (TPO)
  • Michael Moorcock’s The Road Between Worlds (White Wolf, 1996)
  • Michael Moorcock’s The Runestaff (Mayflower, 1969) (PBO)
  • Michael Moorcock’s The Russian Intelligence (NEL, 1983)
  • Michael Moorcock’s Sailing to Utopia (Millennium, 1993)
  • Michael Moorcock’s The Shores of Death (Sphere, 1970) (PBO)
  • Michael Moorcock’s Singing Citadel (Mayflower, 1970) (PBO)
  • Michael Moorcock’s The Skrayling Tree (Warner Aspect, 2003)
  • Michael Moorcock’s The Sorcerer’s Amulet (Lancer, 1968) (PBO)
  • Michael Moorcock’s The Steel Tsar (Mayflower, 1981) (PBO)
  • Michael Moorcock’s The Sundered Worlds (Compact, 1965) (PBO)
  • Michael Moorcock’s Sword and the Stallion (Alison Busby, 1973)
  • Michael Moorcock’s Sword of the Dawn (Lancer, 1968) (PBO)
  • Michael Moorcock’s The Time Dweller (Rupert Hart Davis, 1969)
  • Michael Moorcock’s Time of the Hawklords (Star, 1976) (PBO)
  • Michael Moorcock’s Time of the Hawklords (Aidan Ellis, 1976)
  • Michael Moorcock’s The Twilight Man (Roberts & Vinter/Compact, 1966) (PBO)
  • Michael Moorcock’s The Transformation of Mavis Ming (W. H. Allen, 1977)
  • Michael Moorcock’s The Traps of Time (Rapp & Whiting, 1968)
  • Michael Moorcock’s Warlord of the Air (NEL, 1971)
  • Michael Moorcock’s Warrior of Mars (NEL, 1981) (hardback omnibus)
  • Michael Moorcock’s Warriors of Mars (Compact, 1965) (PBO)
  • Michael Moorcock’s The Wrecks of Time (b/w Tramontane) (Ace Double, 1967) (PBO)
  • Michael Moorcock and James Cawthorne’s Fantasy the 100 Best Books (Xanadu, 1988)
  • (Moorcock, Michael) Frank Brunner’s Elric Portfolio (Looking Glass, 1979) (art portfolio, 1/1000)
  • (Moorcock, Michael) Tawn, Brian Dude’s Dream: The Music Of Michael Moorcock (Hawkfan, 1997) (TPO)
  • Kim Newman’s The Original Dr. Shade (Pocket Books, 1994)(PBO)
  • Larry Niven’s Inconstant Moon (Gollancz, 1973)
  • Larry Niven’s Neutron Star (Macdonald, 1969)
  • Larry Niven’s Protector (Compton Russell, 1976)
  • Larry Niven’s World of Ptavvs (Macdonald, 1986)
  • Charles Neutzel’s Queen of Blood (Greenleaf Classic, 1966) (PBO)
  • Andre Norton’s Witch World (Gregg Press, 1977)
  • George Orwell’s Animal Farm (Secker & Warburg, 1945, 1st state dust jacket)
  • Lewis Padgett’s A Gnome There Was (Simon & Schuster, 1950)

  • Lewis Padgett’s Tomorrow and Tomorrow and Tomorrow & The Fairy Chessman (Gnome, 1951)
  • Edgar Pangborn’s A Mirror for Observers (Doubleday, 1954)
  • Keith Roberts’s Pavane (Rupert Hart-Davis, 1968)
  • Mervyn Peake’s Titus Groan (Eyre & Spottiswoode, 1946)
  • Mervyn Peake’s Gormenghast (Eyre & Spottiswoode, 1950)
  • Mervyn Peake’s Titus Alone (Eyre & Spottiswoode, 1959)
  • H. Beam Piper’s Lord Kalvan of Otherwhen (Garland HB, 1975)
  • H. Beam Piper’s (and Andre Norton’s) A Planet For Texans (and Star Born) (Ace, 1958) (PBO, 35¢)
  • H. Beam Piper’s Space Viking (Ace, 1962) (PBO, 40¢)
  • Frederik Pohl & C. M. Kornbluth’s Gladiator-At-Law (Ballantine Books, 1955)
  • Frederik Pohl & C. M. Kornbluth’s Presidential Year (Ballantine Books, 1956)
  • Frederik Pohl & C. M. Kornbluth’s Search the Sky (Ballantine Books, 1954)
  • Terry Prachett’s The Colour of Magic (Colin Smythe, 1983)
  • Terry Prachett’s The Light Fantastic (Colin Smythe, 1986)
  • Thomas Pynchon’s Gravity’s Rainbow (Viking, 1973) (First issue dj with ISBN lettered in white over red on rear panel, date code 0273 on lower front flap)
  • Ellery Queen’s And On the Eighth Day (Random House, 1964)
  • Ellery Queen’s The Fourth Side of the Triangle (Random House, 1965)
  • Ellery Queen’s The Player on The Other Side (Random House, 1963)
  • Alastair Reynold’s The Prefect (Gollancz, 2007)
  • Alastair Reynold’s Elysium Fire (Gollancz, 2018)
  • Alastair Reynold’s Machine Vendetta (Gollancz, 2024)
  • Matt Ruff’s Lovecraft Country. (Harper, 2016)
  • Salman Rushdie’s Grimus (Gollancz, 1975)
  • Eric Frank Russell’s Far Stars (Dobson, 1961)
  • Eric Frank Russell’s The Great Explosion (Dobson, 1962)
  • Eric Frank Russell’s Wasp (Avalon, 1957)
  • Clifford D. Simak’s Ring Around the Sun (Simon & Schuster, 1953)
  • Clifford D. Simak’s Way Station (Doubleday, 1963)
  • Norman Spinrad’s The Iron Dream (Gregg Press, 1977)
  • Bob Shaw’s Orbitsville (Gollancz, 1975) (No statement of printing on copyright page)
  • Robert Sheckley’s Journey Beyond Tomorrow (Gollancz, 1964)
  • Lucius Shepard’s Cantata Of Death, Weakmind & Generation (Lillabulero Press, 1967) (chapbook)
  • Clark Ashton Smith’s The Abominations of Yondo (Arkham House, 1960)
  • Clark Ashton Smith’s Cycles (Roy A. Squires, 1963) (broadside)
  • Clark Ashton Smith’s The Dark Chateau (Arkham House, 1951)
  • Clark Ashton Smith’s From the Crypts of Memory (Roy A. Squires, 1963)(chapbook)
  • Clark Ashton Smith’s Grotesques and Fantastiques (De La Ree, 1973) (1/50 signed hardback copies)
  • Clark Ashton Smith’s The Ghoul and the Sereph (Gargoyle Press, 1950) (chapbook)
  • Clark Ashton Smith’s Genius Loci and Other Tales (Arkham House, 1948)
  • Clark Ashton Smith’s Hesperian Fall (Clyde Beck, 1961) (chapbook)
  • Clark Ashton Smith’s The Hills of Dionysus (Roy A. Squires, 1962) (1/175 black hardback copies and/or 1/40 green hardback copies))
  • Clark Ashton Smith’s Klarkash-Ton and Monstro Ligriv (Gerry de la Ree, 1974) (1/50 hardback copies)
  • Clark Ashton Smith’s The Mortuary (Roy Squires chapbook)
  • Clark Ashton Smith’s Nero and Other Poems (Futile Press, 1937)
  • Clark Ashton Smith’s Spells and Philtres (Arkham House, 1958)
  • Clark Ashton Smith’s Sandalwood (The Auburn Journal Press, 1925)(chapbook)
  • Clark Ashton Smith’s The Titans in Tartarus (Roy Squires)(chapbook)
  • Clark Ashton Smith’s The White Sybil (with David H. Keller’s Men of Avalon) (Fantasy Publications, no date (1934)) (chapbook)
  • (Clark Ashton Smith) Jack L. Chalker’s In Memorium: Clark Ashton Smith (Mirage Press, 1963) (1/10 hardback copies)
  • Norman Spinrad’s The Iron Dream (Gregg Press, 1977)
  • Brian Stableford’s The Walking Shadow (Fontana, 1979) (PBO)
  • Theodore Sturgeon’s Aliens 4 (Avon, 1959) (PBO, 35¢)
  • Theodore Sturgeon’s Baby is Three/…And My Fear Is Great (Galaxy, 1965) (PBO)
  • Theodore Sturgeon’s Caviar (Ballantine Books, 1955)
  • Theodore Sturgeon’s The Cosmic Rape (Dell, 1958) (PBO, 35¢)
  • Theodore Sturgeon’s The Cosmic Rape (Gregg Press, 1977)
  • Theodore Sturgeon’s E. Pluribus Unicorn (Abelard-Schuman, 1953)
  • Theodore Sturgeon’s More Than Human (Farrar, Straus and Young, 1953)
  • Theodore Sturgeon’s Venus Plus X (Pyramid, 1960) (PBO, 35¢)
  • Theodore Sturgeon’s Venus Plus X (Gollancz, 1969)
  • Theodore Sturgeon’s A Way Home (Funk and Wagnalls, 1955)
  • Patrick Suskind’s Perfume (Hamish Hamilton, 1986)
  • Michael Swanwick’s American Cigarettes (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s The Brain Baron (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s A Midwinter’s Tale (Dragonstairs, 2010) (chapbook)
  • Michael Swanwick’s Millie’s Recipes (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s One Mile Below (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s Song of the Lorelei (Dragonstairs, 2011) (chapbook)
  • Michael Swanwick’s Valentine Moon (Dragonstairs, 2020) (chapbook)
  • William Tenn’s Of All Possible Worlds (Ballantine Books HB, 1955)
  • William Tenn’s Time In Advance (Gollancz, 1963)
  • J. R. R. Tolkein’s The Hobbit (George Allen & Unwin, 1937) (First printed 1937, “Dodgeson” on back dj flap)
  • J. R. R. Tolkein’s The Fellowship of the Ring (George Allen & Unwin, 1954) (no later date on copyright page)
  • J. R. R. Tolkein’s The Two Towers (George Allen & Unwin, 1954) (no later date on copyright page)
  • J. R. R. Tolkein’s The Return of the King (George Allen & Unwin, 1955) (no later date on copyright page)

  • Henry Treece’s The Golden Strangers (The Bodley Head, 1956)
  • Henry Treece’s The Great Captains (The Bodley Head, 1956)
  • Jack Vance’s The Complete Magnus Ridolph (Underwood Miller, 1984)
  • Jack Vance’s Dream Castles (Subterranean Press, 2012) (signed, lettered edition)
  • Jack Vance’s The Dying Earth (Hillman, 1947)(PBO)
  • Jack Vance’s Future Tense (Ballantine, 1964)(PBO)
  • Jack Vance’s Grand Crusades (Subterranean, 2015) (signed, lettered edition)
  • Jack Vance’s Hard Luck Diggings (Subterranean, 2010) (signed, lettered edition)
  • Jack Vance’s The Jack Vance Reader (Subterranean Press, 2008) (signed, lettered edition)
  • Jack Vance’s The Jack Vance Treasury (Subterranean Press, 2007) (signed, lettered edition)
  • Jack Vance’s The Languages of Pao and The Dragon Masters (Vance Integral Edition, 2002)
  • Jack Vance’s Magic Highways (Subterranean, 2013) (signed, lettered edition)
  • Jack Vance’s The Man in the Cage (Random House, 1960)
  • Jack Vance’s Wild Thyme, Green Magic (Subterranean, 2009) (signed, lettered edition)
  • (Jack Vance) The Many Worlds of Jack Vance (fanzine, 1/300)
  • (Jack Vance) Songs of the Dying Earth (Subterranean, 2009) (signed, lettered edition)
  • Kurt Vonnegut’s Cat’s Cradle (Holt, Reinhardt & Winston, 1963)
  • Kurt Vonnegut’s The Sirens of Titan (Houghton-Mifflin, 1961)
  • Alan Wade’s Isle of Peril (Mystery House, 1957))
  • Peter Watts’ Echopraxia (Tor, 2014)
  • Ian Watson’s The Embedding (Gollancz, 1973)
  • H. G. Wells’ The Time Machines (Henry Holt, 1895) (true first edition with his name misspelled “H. S. Wells” on the title page)
  • Manly Wade Wellman’s Carolina Pirate (Washburn, 1968)
  • Manly Wade Wellman’s Gray Riders (Aladdin, 1954)
  • Manly Wade Wellman’s Haunts of Drowning Creek (Holiday House, 1951)
  • Manly Wade Wellman’s Jamestown Adventure (Washburn, 1967)
  • Manly Wade Wellman’s Mystery at Bear Paw Gap (Washburn, 1965)
  • Manly Wade Wellman’s The Specter of Bear Paw Gap (Washburn, 1966)
  • Gary Westfahl’s The Greenwood Encyclopedia of Science Fiction & Fantasy: Themes, Works, and Wonders (three volume hardcover set)
  • J. X. Williams’ ESP Orgy (Greenleaf Classics adult PBO)
  • Jack Williamson’s The Collected Stories of jack Williamson Volume Five: The Crucible of Power (Haffner Press, 2006)
  • Jack Williamson’s The Collected Stories of jack Williamson Volume Six: Gateway to Paradise (Haffner Press, 2008)
  • Gene Wolfe’s The Grave Secret (Portentous Press) (chapbook)
  • Gene Wolfe’s The Land Across (Tor, 2013)
  • Gene Wolfe’s The Old Woman Whose Rolling Pin Was the Sun (Cheap Street, 1991) (chapbook)
  • (Gene Wolfe)Michael Andre-Driussi’s A Quick and Dirty Guide To The Long Sun Whorl (Sirius Fiction) (chapbook)
  • John Wyndham’s The Day of the Triffids (Doubleday, 1951)
  • John Wyndham’s The Kraken Wakes (Michael Joseph, 1953)
  • John Wyndham’s The Midwich Cuckoos (Michael Joseph, 1957)
  • Cheslea Quin Yarboro’s Aristo (Pocket, 1980) (PBO)
  • Collier Young’s The Todd Dossier (Delacorte Press, 1969)
  • Roger Zelazny’s The Doors of His Face, The Lamps of His Mouth (Pulphouse, 1991) (hardback of just that story)
  • Roger Zelazny’s The Magic: (October 1961-October 1967) Ten Tales (Positronic Publishing, 2018)
  • Roger Zelazny’s Lord of Light. (Easton Press, 1994) (tan leather)
  • (Roger Zelazny) Jane Lindskold’s Roger Zelazny (Twayne, 1992)
  • (Roger Zelazny) Joseph L. Sanders’ Roger Zelazny: A Primary and Secondary Bibliography (G. K. Hall, 1982)
  • (Roger Zelazny) Karl B. Yoke’s Roger Zelazny: Starmont Reader’s Guide (Borgo Press, 1979) (Library binding hardback)
  • Library Addition: Signed Brian Aldiss Broadsheet Juniper

    Wednesday, March 25th, 2020

    I bid on this, along with a few other items, from Quinn’s Auction Gallery.

    Aldiss, Brian W. Juniper. No publisher listed, 1985. First edition poster-sized broadsheet, #13 of 300 copies signed by Aldiss and designer Patrick Eddington, a Fine copy. Not in Reginald. Not in the Locus database. Not (yet) in ISFDB. (This edition predates the earliest listing for “Juniper” by a year.) Bought for $36 plus a hefty $30 in shipping at auction. (They originally tried to charge me $120 for shipping and I went “Homey don’t play that.”)

    (The dark spots at the top are bookends I’m using to hold down the broadsheet for photographing.)

    I’ve picked up several broadsheets over the years, but this one, at 30″ x 22 1/2″, is by far the largest.

    Library Additions: Six Random Firsts

    Tuesday, August 7th, 2018

    Still more books from the Cold Tonnage 40% off sale:

  • (Aldiss, Brian)(Frank Hatherly, editor, with Margaret Aldiss and Malcom Edwards). A is for Brian: A 65th Birthday Present. Avernus, 1990. First edition trade paperback original, a Fine- copy with very slight wear at points. Signed by Aldiss. A festschrift put together by Aldiss’ friends, with tributes by J.G. Ballard, Michael Moorcock, Robert Silverberg, etc. Bought for £18 after discount. I also have festschrifts for John Clute (Polder) and Moorcock (Moorcock@60).

  • Gevers, Nick, editor. Postscripts 34/35: Breakout. PS Publishing, 2015. First edition hardback, a Fine copy in a Fine dust jacket. Volume in the long-running anthology series. Includes two posthumous Steven Utley collaborations (among other works). Bought for £12 after discount.
  • Leiber, Fritz. The Pale Brown Thing. Swan River Press, 2016. First edition hardback, one of only 350 hardback copies, a Fine copy in decorated boards and a Fine dust jacket, with a postcard reprinting the cover of F&SF the story originally appeared in laid in. In addition to the story, there are extensive notes about how Leiber expanded the story into his novel Our Lady of Darkness. Bought for £16.80 after discount. There were plenty of scans of the dust jacket on the Internet, but none of the book itself, so the scan below shows the cover of the book itself (which, oddly enough, has no printing on the spine).

  • MacLeod, Ian R. Hector Douglas Makes a Sale. PS Publishing, 2011. First edition chapbook original, a Fine copy. Signed by MacLeod. Freebie given away at the 2011 Eastercon to promote MacLeod’s forthcoming collection Wake Up and Dream. Bought for £3 after discount.

  • Russell, Eric Frank. Dark Tides. Bristol Press Dobson, 1962. First edition hardback, a Very Good+ copy with two Australian ownership stamps (one for “McGill’s Agency Book Department;” possibly a literary agent’s copy) along with the number “2456” written in ink on the FFE and the same number written in ink on the half-title page, in a Near Fine- price-clipped dust jacket with wear at head, heel and points. Short story collection. Currey (1979), page 423. Bought for £30 after discount.

  • Reynolds, Alastair. Pushing Ice. Gollancz, 2005. First edition hardback, a Fine copy in a Fine dust jacket. One of the few Reynolds novels I didn’t manage to snag when it first came out. Bought for £24 after discount.
  • Library Addition: Signed First of Brain Aldiss’ Billion Year Spree

    Monday, December 18th, 2017

    This is one of those books I thought I already had, but didn’t.

    Aldiss, Brain W. Billion Year Spree. Wiedenfield & Nicolson, 1978. First edition hardback, a Fine copy in a Fine- dust jacket with a touch of edgewear at bottom front. Non-fiction history of science fiction. Signed by Aldiss. Bought from Cold Tonnage Books for £12 plus shipping.

    Brian Aldiss, RIP

    Tuesday, August 22nd, 2017

    Science fiction writer Brian Aldiss has died just after turning 92.

    Aldiss was an acquaintance rather than a friend. I got him to sign things at the two UK Worldcons I attended (2005 in Glasgow and 2014 in London), and we may have talked briefly at other Worldcons; I don’t actually remember.

    He was an extremely important, but also extremely variable, writer. His good stuff was really good, but his bad stuff was really bad. When I brought him a copy of Cracken at Critical to sign, he said “Oh God, this piece of crap!” Highpoints include Nonstop and “The Saliva Tree.” He was much admired by a wide range of science fiction’s best talents, including Neil Gaiman, Michael Moorcock and Bruce Sterling (the latter of whom I bought an Aldiss chapbooks off of when he was culling his library).

    Lacking much in the way of additional personal contact to pad out this obituary, here are some of the Brian Aldiss items in my own collection.

  • Aldiss, Brian. Brothers of the Head Pierrot Publishing Ltd., 1977. First edition hardback (simultaneous with the much more common trade paperback edition), oversized and illustrated, a Fine copy in a VG+ dust jacket with light wrinkling, wear to extremities, and some age toning to white flaps of the dust jacket. Signed by both Aldiss and illustrator Ian Pollock. The hardback edition was already uncommon, but became more so after an art house movie based on it came out a few years ago. Bought this from a dealer in France, of all places.

  • Aldiss, Brian. Bury My Heart at W. H. Smith’s. Avernus, 1990. First edition hardback, #104 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket, with newspaper clipping (also signed by Aldiss) from the Times Literary Supplement of August 8, 1986 of a piece by Eric Korn that briefly quotes Aldiss on H. G. Wells laid into the pocket formed by the dust jacket protector at the back as an “Association Item,” as issued. And is listed as such on page 274-275. In The Science Fantasy Publishers, Jack Chalker labeled the “association items” as “an attempt to clean out Aldiss’ attic.” Chalker/Owings (1991), page 58.
  • Aldiss, Brian. The Creten Teat. House of Stratus, 2002. First hardback edition (according to Aldiss’ site, the trade paperback version preceded), a Fine copy in a Fine dust jacket. I have heard, second-hand, that House of Stratus went into receivership about the time this came out, and that very few hardback copies actually made it out into the world. Bought off Amazon for $9.94.
  • Aldiss, Brian. Cultural Breaks. Tachyon, 2005. Advanced reading copy, trade paperback format, with packet of review material.
  • Aldiss, Brain W. Excommunication. Post Card Partnership, 1975. First edition postcard, a Fine copy. Bought for £2.50 after discount.
  • Aldiss, Brian. Jocasta. The Rose Press, 2004. First edition hardback, #420 of 750 signed, numbered copies, a Fine copy, sans dust jacket, as issued.

    Jocasta

    As far as I can tell, The Rose Press did this and Avram Davidson’s The Scarlet Fig, and then fell off the map…

  • Aldiss, Brian. Moreau’s Other Island. Jonathan Cape, 1980. First edition hardback, a Fine copy in a Fine dust jacket, signed by Aldiss on the front free endpaper.
  • Aldiss, Brian. Science Fiction Blues With Brian Aldiss. Avernus, 2000. First edition oversized chapbook original (A4 sized), a Fine- copy with a slight bit of bend on the left side. Program for some sort of Aldiss reading or performance, which also happens to contain three original Aldiss stories as well as other material. Odd little item. Bought for £3. Chalker/Owings (1991), page 58.

    Aldiss SF Blues

  • Aldiss, Brian. Sex and the Black Machine. Avernus, 1990. First edition chapbook, a Fine- copy with slight wrinkling and inevitable page darkening to newsprint pages and self-wrapper. Chalker/Owings (1991), page 59.

    Aldiss Sex Black Machine

  • Aldiss, Brian. This World and Nearer Ones. Weidenfeld and Nicolson, 1979. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Aldiss. Bought for $8 from a notable SF book dealer. Non-fiction.
  • (Aldiss, Brian) Aldiss, Margaret. Item Eighty-Three: Brian W. Aldiss: A Bibliography: 1954—1972. SF Horizons, (1973). Chapbook, Fine. Non-fiction.
  • That’s not everything I own by Aldiss, but I’m far from having a complete Aldiss collection. The man was extremely prolific…

    Library Additions: Four Chapbooks, One Postcard

    Wednesday, April 26th, 2017

    Between a new job, doing my taxes, and a relative coming into town, the task of cataloging library additions has been sidelined. The items here are from a Cold Tonnage Books sale in January, so the cataloging has been a long time in coming. All the below prices are after a 50% discount.

  • Aldiss, Brain W. Excommunication. Post Card Partnership, 1975. First edition postcard, a Fine copy. Bought for £2.50 after discount.
  • Drake, David. Codex. Sidecar Preservation Society, 2003. First edition chapbook original, #83 of 175 numbered copies, a Fine copy. According to Chalker & Owings Supplement 12, there were 25 copies bound in hardback (not seen). Bought for £2.50 after discount.

    Drake Codex

  • Partridge, Norman. Spyder. Subterranean Press, 1995. First edition chapbook original, a PC copy of 500 signed, numbered copies, a Fine copy. Bought for £2.50 after discount.

    Partridge Spyder

  • Tem, Steve Rasnic. Fairytales. Roadkill Press, 1990. First edition chapbook original, #352 of 400 signed, numbered copies, a Fine copy. Bought for £2.50 after discount.

    Tem Fairytales

  • Tessier, Thomas. Lulu and one other. Subterranean Press, 1999. First edition chapbook original, a PC copy of 250 signed, numbered copies, a Fine copy. Bought for £2.50 after discount.

    Tessier Lulu

  • Library Additions: Five Items in Wraps

    Wednesday, August 31st, 2016

    Still more items from the Cold Tonnage 40% off sale. The only characteristic they share is that all are paperbound of one sort or another, but none are standard trade paperbacks or mass market paperbacks.

  • Aldiss, Brian. Science Fiction Blues With Brian Aldiss. Avernus, 2000. First edition oversized chapbook original (A4 sized), a Fine- copy with a slight bit of bend on the left side. Program for some sort of Aldiss reading or performance, which also happens to contain three original Aldiss stories as well as other material. Odd little item. Bought for £3 after discount.

    Aldiss SF Blues

  • Ferret, Tim: We Murder. Morrigan Publications/The Dog Factory, 1994. First edition center-stapled chapbook original, #165 of 200 signed, numbered copies (though the limitation sheet, slightly smaller than the chapbook itself, has merely been laid in, not attached, presumably as issued), a Fine copy. According to Cold Tonnage: “This was the last book(let) to be published by Morrigan Press and got very little (if no) distribution.” Chalker/Owings (2002), page 557, where they note “The 1994 Ferret chapbook was a surprise, but the fact that checks were made out to [Morrigan owner Les] Escott personally and the chapbook was typeset from Ferret’s The Dog Factory in San Francisco and printed in New Zealand (!) doesn’t suggest a really major reinvolvement and seems an aberration.” Bought for £3 after discount.

    Ferret We Murder

    Lewis, Anthony R. An Annotated Bibliography Of Recursive Science Fiction. NESFA Press, 1986. First edition oversized 8 1/2″ x 11″ center-stapled chapbook original, a Fine copy. Non-fiction reference work. Bought for £3 after discount.

    Recursive SF

  • Lupoff, Richard. Nebogipfel At The End Of Time. Underwood/Miller, 1979. First edition, tiny oblong (5 1/2″ wide by 4 1/4″ long) side-stapled chapbook, one of 300 copies printed, a Fine copy. According to Chalker/Owings, there are 15 different color covers; this one is beige. Supposedly a Cthulhu Mythos story, but not in Ernest or Harms. Chalker/Owings (2002), page 900. Bought for £4.80 after discount.

    Nebogipfel

  • Sotheby’s Catalogue: Science Fiction Art, Books And Related Memorabilia b/w Sotheby’s Catalogue: Comic Books and Comic Art. Sotheby’s, 1995. First edition oversize illustrated pictorial covers, a Fine copy. Illustrated color catalogue for the June 16/17, 1995, Comic Books And Comic Art and Science Fiction books auctions. Unfortunately for my purposes, there’s a lot more comic book and art material than SF first editions. Bought for £6 after discount.

    Sotheby's SF catalog 1995

  • Library Additions: January 1 through June 30, 2016

    Monday, July 18th, 2016

    Here’s a omnibus “roll up” post for every book I bought during the first half of 2016. I’m a bit late getting this up, and I have a huge wave of books I bought July 10 I need to catalog…

  • Adams, Douglas and John Lloyd. The Deeper Meaning of Liff. Pan Books, 1990. First edition hardback, a Fine copy in a Near Fine, price-clipped dust jacket. Bought for £5 from Cold Tonnage Books.
  • Aldiss, Brian. The Creten Teat. House of Stratus, 2002. First hardback edition (according to Aldiss’ site, the trade paperback version preceded), a Fine copy in a Fine dust jacket. I have heard, second-hand, that House of Stratus went into receivership about the time this came out, and that very few hardback copies actually made it out into the world. Bought off Amazon for $9.94.
  • Allston, Aaron. Star Wars: The New Jedi Order: Enemy Lines II: Rebel Stand. Del Rey, 2002. First edition paperback original, a Fine copy, signed and dated by Allston.
  • Aylett, Steve. The Inflatable Volunteer. Phoenix House, 1999. First edition hardback, a Fine copy in a Fine dust jacket, with a publicity postcard signed by Aylett laid in. Bought for £5 from Cold Tonnage Books.
  • Aylett, Steve. Toxicology. Gollancz, 2002. First edition hardback, a Fine copy in a Fine dust jacket, with a postcard laid in. Bought for £5 from Cold Tonnage Books.
  • Bear, Greg. Halo: Cryptum. Tor, 2010. Book One of the Forerunner Saga. Bought at Half Price Books for $3.
  • Bradbury, Ray. The Autumn People. Paperback original, VG with a small sticker pull on front cover, spine crease, rubbing, stamps on insider covers, and general wear. Comic adaptations of Bradbury stories. Bought for $1.99 from Half Price Books.
  • Bradbury, Ray. A Christmas Wish 1988 (If Only We Had Taller Been). Privately printed, 1988. First edition Christmas broadsheet, a Fine copy. Inscribed by Bradbury: “For Rev. Gerald Watt, C.R./With fond good wishes/for/1989/Ray Bradbury.” Bought for $28 off eBay.

    Bradbury Christmas 88

  • Bradbury, Ray. A Christmas Wish 1989 (The Bread of Beggars, The Wine of Christ). Privately printed, 1989. First edition Christmas broadsheet, a Fine copy. Inscribed by Bradbury: “For Rev. Watt. Thanks for Asking!/Love!/Ray/Bradbury/ 5/6/90.” Bought for $29 off eBay.

    Bradbury Christmas 89

  • Bradbury, Ray. Christmas Greetings 2008 (Imagine that you have been dead). Privately printed, 2008. First edition Christmas broadsheet, a Fine- copy with slight corner bumping. Signed by Bradbury. Bought for $25 off eBay.

    Bradbury Christmas 2008 1

    Bradbury, Ray. Let’s All Kill Constance. William Morrow, 2003. First edition hardback, a Fine copy in a Fine dust jacket. Signed and dated by Bradbury. Bought off eBay for $19.95, which is $4 off cover price.

    Bradbury Kill Constance

    IMG_0644

  • Bradbury, Ray. Quicker Than The Eye. Avon, 1996. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of fading to spine. Short story collection. Bought off eBay for $17.57.

    P1010024

  • Bradbury, Ray. Yestermorrow. Joshua Odell Editions/Capra Press, 1991. First edition hardback (“First Edition” stated and numberline ending in 1), a Fine copy in a Fine- dust jacket with a tiny bit of dust jacket crimping at head and heel. Inscribed by Bradbury: “Matthew!/Ray Bradbury/ 4/30/94”. Bought off eBay for $20, which is 5¢ over list price.

    Yestermorrow

    IMG_0615

  • (Bradbury, Ray) Weist, Jerry. Bradbury: An Illustrated Life. William Morrow, 2002. First edition hardback (precedes the Donald M. Grant limited edition by two years), a Fine-/Fine- copy with very slight bumping at head and heel. Inscribed by Bradbury: “To all the/Grand Tubers/Ray Bradbury.” Oversized illustrated history of Bradbury’s work. Bought for $27.10 off eBay.
  • Blish, James. A Dusk of Idols and Other Stories. Severn House, 1996. First edition hardback, a Fine copy in a Fine dust jacket. Bought for £5 from Cold Tonnage Books.
  • Brown, Dan. The Da Vinci Code. Doubleday, 2003. First edition hardback (price of $24.95 on flap, “First Edition” and “10 9 8 7 6 5 4 3 2 1” numberline on copyright page), a near Fine copy with owner blindstamp on front free endpaper, in a Fine- dust jacket with a small crease to bottom corner of front flap. Bought for $2 from the “Nostalgia Bargain” section of a Half Price Books.
  • Buckell, Tobias. Xenowealth. Self published via Kickstarter, 2016. Hardback first edition, signed by the author. Short story collection. See here for more details.
  • Buckell, Tobias. Xenowealth. Self published via Kickstarter, 2016. Trade paperback edition, signed by the author.
  • Butler, Samuel. Erewhon or Over the Range. Trübner & Co., 1872. First edition hardback, a rebound copy in modern full leather (at least according to the auction description, but “modern” is a relative term; the new binding is worn enough that it appears to be at least 50 years old), original covers bound in rear of textblock, with heavy rubbing on joints and corners, hinges starting, minor scattered foxing on preliminary and terminal leaves, pages characteristically brittle, overall a Very Good rebind copy. Published anonymously, Erehwon (“nowhere” spelled backwards) is satire in the mode of Gullivers Travels, and one of the most important 19th century Utopian/Dystopian novels. Bleiler Checklist (1978), page 36. Bleiler Checklist (1948), page 68. Bleiler, SF: The Early Years, page 113. Reginald (Volume I), page 84. Barron, Anatomy of Wonder 4, 1-19. Magill, Survey of Science Fiction Literature Volume Two, page 729. Bought for $75 (including buyer’s premium) from Heritage Auctions.

    P1010019

    P1010020

    And here’s a picture of the original boards bound into the back:

    P1010023

  • Carr, Terry. Fandom Harvest. Laissez Faire Productions AB, 1986. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. According to Chalker/Owings (1991), page 538, only 250 hardbacks were done. Bought for £5 from Cold Tonnage Books.
  • Constantine, Storm. The Monstrous Regiment. Orbit, 1989. Trade paperback original, a Fine- copy with a touch of edgewear at head and heel, signed by Constantine. Bought for £5 from Cold Tonnage Books.
  • Ellison, Harlan. Edgeworks 2: Spider Kiss/Stalking the Nightmare. White Wolf, 1996. First edition hardback omnibus thus, a Fine copy in a Fine dust jacket. Bought for £5 from Cold Tonnage Books. When the Edgeworks series first came out, I didn’t pick them up because I already had all the individual works they contained. But at £5 it’s worth picking up for title variant completeness…
  • Farmer, Philip Jose. The Other in the Mirror. Subterranean Press, 2009. First edition hardback, with a signed (but unnumbered) limitation page, a Fine copy in a Fine dust jacket and Fine slipcase. Omnibus edition of three novels (Fire in the Night, Jesus on Mars, and Night of Light), the first two of which were only published as paperback originals. Original price for the signed/numbered edition was $125. This supplements my trade edition, and all editions are now out of print from the publisher. Bought off eBay for $24.95 plus shipping.
  • Franklin, Jay (AKA John Franklin Carter). The Rat Race. Fantasy Publishing Co. Inc., 1950. First edition hardback, one of 1,200 hardback copies (per Chalker/Owings), a Fine- copy in the second state (gray boards, red titling, per Kemp) binding, with slight bend at head and heel in a Near Fine+ second state (per Kemp) dust jacket that’s slightly misaligned (about 1/4″ more on rear than front flap), slight wear at extremities, and some indentations along rear spine gutter. Chalker/Owings, The Science-Fantasy Publishers (1991), page 171. Kemp, The Anthem Series, page 79. Bought for $19 (including dealer discount), plus a $5 show credit coupon, at the Austin Book and Paper Show.

    Franklin Rat Race

  • Gaiman, Neil. Fragile Things. Headline Review, 2006. Short story collection. This UK edition precedes the US edition by a week.
  • Greenberg, Martin. Journey to Infinity. Gnome Press, 1951. First edition hardback, a Fine- copy with a tiny bit of bend at head in a Fine- second state (30 titles) dust jacket with a few small traces of wear, and a few pinhead spots on the front cover, otherwise extremely bright and attractive. Chalker/Owings (1991), pages 198-199. Kemp, 204. Bought for $25 with buyer premium.

    Journey to Infinity

  • Greenberg, Martin. All About the Future. Gnome Press, 1954. First edition hardback, a Fine- copy with slight dust soiling to page block edges and one small indention to very bottom of from board, in a near Fine- dust jacket with a 1″ closed triangular tear at bottom front along spine, a semi-closed 1/8″ tear at head, and shallow chipping at points. Chalker/Owings (1991), page 202. Kemp, 204. Note that Kemp calls for black boards with red lettering; my copy is gray boards with a reddish cloth spine with silver lettering, and Chalker/Owings doesn’t report on the binding state at all, which would theoretically make this a previously unrecorded binding variant. However, Gnome Press variant collector Steve Carper believe that this is in fact the primary binding state, and that Kemp got it wrong and the black boards/red lettering state is the variant. Bought for $20 with buyer premium.

    All About the Future

  • (Hitchcock, Alfred) Paul Condon and Jim Sangster. The Complete Hitchcock. First edition trade paperback original, a Fine copy. Bought for £5 from Cold Tonnage Books.
  • Knight, Damon, editor (Leon Stover, Gene Wolfe, R. A. Lafferty, etc.). Orbit 9. Putnam, 1971. First edition hardback, a Near Fine copy with a touch of edgewear at points in a Near Fine- dust jacket with slight edgewear and very slight darkening to white rear jacket. Inscribed by contributor Leon Stover: “For Robert & Virgina Heinlein/with thanks for/9 June 1984/Leon Stover.” Stover would not only later publish a critical book on Heinlein from Twayne, but was working on the official authorized biography of Heinlein before the latter’s death, a project cancelled after a falling out with Virginia Heinlein. Bought for $6.50 from Houston bookstore Kaboom Books.

    Orbit 9

    IMG_0583

  • Lansdale, Joe R. (Pete Von Sholly, illustrator). Christmas Monkeys. PS Publishing, 2015. First edition hardback, one of 300 copies, a Fine copy in a Fine dust jacket and decorated boards, with bookmark signed by the author and artist laid in (as issued). Illustrated children’s book (for certain values of “children”).
  • Le Guin, Ursula K. The Unreal and the Real: Selected Stories of Ursula K. Leguin: Volume Two: Outer Space, Inner Lands. Small Beer Press, 2012.
  • (Lovecraft, H.P.) Eddy, Muriel, and C.M. Eddy, Jr. The Gentlemen from Angell Street: Memories of H. P. Lovecraft. First edition trade paperback original thus, containing additional material not in the 1961 edition, a Fine copy. Bought for £5 from Cold Tonnage Books.
  • Martin, George R. R., editor. Wild Cards VI: Ace in the Hole. Bantam, 1990. First edition paperback original, a Fine copy.
  • Martin, George R. R. and Melinda Snodgrass, editors. Lowball: A Wild Cards Novel. Tor, 2014.
  • McCarthy, Cormac. The Sunset Limited: A Novel in Dramatic Form. Dramatists Play Service, 2006. Play chapbook original, possibly a first printing (I’m not sure how you tell printings for Dramatists Play Service), a Near Fine+ copy with a bit of curl.
  • (Moore, Alan) Parkin, Lance. Magic Words: The Extraordinary Life of Alan Moore. Aurum, 2013. First edition hardback, a Fine copy in decorated boards with a purple band across the front cover, sans dust jacket, as issued. Non-fiction biography.
  • Newman, Kim. Moriarty: The Hound of the D’Urbervilles. Titan Books, 2011. Fine, signed by Newman. Bought for £5 from Cold Tonnage Books.
  • Niven, Larry. Protector. Ballantine Books, 1973. First edition (“First printing: September 1973,” as per Currey) paperback original, a Near Fine- copy with small number stamp at heel, one slight spine crease, and a tiny bit of spine lean.
  • Novik, Naomi. The Blood of Tyrants. Del Rey, 2013.
  • Pohl, Frederik. The Far Shore of Time. Tor, 1999. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Pohl. Bought for $10 off Ebay.

    P1010030

  • Pohl, Frederik and C.M. Kornbluth. Wolfsbane. Ballantine Books, 1959. PBO first edition (as per Currey), Fine- with a touch of wear and 1/16″ tear at heel front cover join.
  • Pohl, Frederik and Jack Williamson. The Singers of Time. Doubleday Foundation, 1991. First edition hardback, a Fine copy in a Fine- dust jacket with small wrinkle to top inner flap tip. Signed by Pohl. Bought off eBay for $4.00 plus shipping.

    IMG_0663

  • Rajaniemi, Hannu. Collected Fiction. Tachyon, 2015.
  • Simmons, Dan. The Fifth Heart. Subterranean Press, 2015 (actually 2016). First signed limited edition, #189 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Remember when Simmons’ Carrion Comfort was notably taller than just about every book published that year? This is slightly taller, which seems to increasingly be the form factor of choice for limited editions.
  • Swanwick, Michael, with Marianne Porter. Fallen Leaves. Dragonstairs Press, 2016. First edition hardback, number 17 of 20 signed, numbered copies (the only edition), a Fine copy, sans dust jacket, as issued, with spine label affixed.

    Swanwick Leaves

    IMG_0622

  • Swanwick, Michael. 5 Seasons. Dragonstairs Press, 2016. First edition chapbook original, #69 of 100 signed, numbered copies, a Fine copy. Five one page stories about the seasons.

    5 Seasons

  • Tymn, Marshall B. American Fantasy and Science Fiction: Toward a Bibliography of Works Published in the United States, 1949—1973. Fax Collector’s Editions, 1979. Paperback original, a Very Good+ copy with spine creasing and wear along the spine. Though Tymn authored or co-authored a number of important reference works, this, an attempt to update Bleiler’s Checklist with modern works, limited only to those published in hardback, is generally not numbered among them, as it was largely superseded by Currey and Reginald the same year of publication. Chalker/Owings (1991), page 178, are not kind: “Alas, it’s useless, one of the most worthless pieces of bibliography in the past 20 years or so.” There was a hardback, but Chalker/Ownings says it was just attaching a premade casing to the paperback. Not in Keith L. Justice’s Science Fiction, Fantasy and Horror Reference. Bought for £5 from Cold Tonnage Books.
  • Vance, Jack. Cugal’s Saga. Timescape, 1983. First edition, a Fine copy in a Fine dust jacket. Third book in the Dying Earth series (or fourth, if you count Michael Shea’s A Quest for Simbilis). Hewett, A71. Preceded the Underwood/Miller limited edition by six months.
  • Vance, Jack. The Houses of Iszm Underwood/Miller, 1983. First hardback edition, one of 482 trade copies, a Fine copy in a Fine dust jacket. Hewett, A12h.
  • Wake, Paul, Steve Andrews and Ariel (yes, just “Ariel,” no last name; I can only assume it’s edited by the mermaid from that Disney movie). Waterstone’s Guide to Science Fiction, Fantasy and Horror. Waterstone Guides, 1998. First edition trade paperback original, a Fine copy. There are some good contributors in here (like John Clute), but the author entries are distributed somewhat randomly. Waterstone’s is a UK bookstore chain, and I imagine these are pretty common on the other side of the pond. Here? Not so much. Bought for £5 from Cold Tonnage Books.
  • Wandrei, Donald. Don’t Dream: The Collected Horror and Fantasy Fiction of Donald Wandrei. Fedogan & Breamer, 1997. Bought for $12.50 at Half Price Books with a 50% off coupon (cover price is $29).
  • Library Additions: June 14—December 31, 2013

    Monday, January 6th, 2014

    It’s been another landmark year for adding books to my library of science fiction first editions. This post documents everything I bought after my big Zelazny acquisition on June 13, including some books that have been covered in posts since, and many that haven’t. (What I bought earlier in the year before the big Zelazny purchase can be found here.) All are first edition hardbacks, Fine copies in Fine dust jackets, unless otherwise noted.

  • Adams, Douglas. The Hitchhiker’s Guide to the Galaxy. Harmony Books, 1979. First U.S. edition.
  • (Adams, Douglas) Gaiman, Neil. Don’t Panic: Douglas Adams & The Hitchhiker’s Guide to the Galaxy. Titan Books, 2003. First hardback edition and first edition thus (revised and updated), a Fine copy in a Fine dust jacket. Non-fiction reference work.
  • Aldiss, Brian. Moreau’s Other Island. Jonathan Cape, 1980. First edition hardback, a Fine copy in a Fine dust jacket, signed by Aldiss on the front free endpaper.
  • Aldiss, Brian. This World and Nearer Ones: Essays Exploring the Familiar. Weidenfield and Nicolson, 1979. First edition hardback, a Fine copy in a Fine dust jacket.
  • (Aldiss, Brian) Aldiss, Margaret. Item Eighty-Three: Brian W. Aldiss: A Bibliography: 1954—1972. SF Horizons, (1973). Chapbook, Fine. Non-fiction.
  • Asimov, Isaac. Nemesis. Doubleday, 1989. First edition hardback, number 485 out of 500 signed, numbered copies, a Fine copy in a Fine slipcase, sans dust jacket, as issued. This was a serendipitous find. I wasn’t looking for it (since I’m not generally a big fan of Asimov’s later work), but merely entered “signed limited edition” in Amazon’s books section just to see what I would find and this came up at $80. Given that it was originally issued at $125, and given that copies on Bookfinder start at $150, I thought it was a good price. Asimov isn’t actually a hard signature (especially compared to verified Philip K. Dick or Robert A. Heinlein signatures), but he has become fairly pricey one for his first editions.

  • Asimov, Isaac, edited by Stanley Asimov. Yours, Isaac Asimov. Doubleday, 1995. First edition hardback, a Near Fine copy with one tiny black remainder mark I missed, otherwise apparently new and unread, in a Fine dust jacket. Non-fiction collection of Asimov’s letters.
  • Ballard, J. G. Myths of the Near Future. Jonathan Cape, 1982.
  • Ballard, J. G. The Disaster Area. Jonathan Cape, 1967. First edition hardback, a Fine copy in a Near Fine dust jacket with edgewear and a few tiny spots of rubbing to dust jacket rear. Replaces a copy with a far more worn dust jacket. Bought for $100 at Half Price Books during a coupon sale.

    Disaster Area

  • Ballard, J. G. The Drought. Jonathan Cape, 1965. First hardback edition and first complete edition, a Near Fine+ copy, with spine of book itself slightly discolored and small sticker for London bookseller Foyles on inside cover, in a Fine dust jacket. Currey, page 22. Goddard and Pringle, J. G. Ballard: The First Twenty Years, item 59. Bought for $212.50, marked down from $425.

  • Ballingrud, Nathan, and Eileen Gunn. North American Monster Stories. Small Beer Press, 2013. Paperback chapbook original, Fine.
  • Banks, Iain. The Quarry. Little Brown, 2013.
  • Bear, Elizabeth. Book of Iron. Subterranean Press, 2013. Number 65 of 250 signed, numbered copies.
  • Bear, Elizabeth. Book of Iron. Subterranean Press, 2013. Trade edition.
  • Bear, Greg. Early Harvest. NESFA Press, 1988. First edition hardback, #173 of 250 signed, numbered copies (800 print run total), a Fine copy in a Fine dust jacket and slipcase. Supplements a signed trade copy. Bought off the Internet for $37.50.
  • Beaumont, Charles. The Intruder. Centipede Press, 2013. First edition thus, one of 200 copies signed by editor Roger Anker, William F. Nolan, and J.K. Potter. Basis of the Roger Corman film starring William Shatner.
  • Beaumont, Charles and John Tormerlin. Run From the Hunter. Centipede Press, 2013. First edition thus and first edition under authors’ actual names, one of 200 copies signed by John Tomerlin and J.K. Potter.
  • Beyer, William Gray. Minions of the Moon. Gnome Press, 1950. First edition hardback, a Very Good+ copy with small spotting to front and rear boards and wear at top and bottom boards, in a Near Fine+ dust jacket with wear along spine and front panel join and slight edgewear elsewhere; a really nice example of the Edd Cartier dust jacket. The eighth Gnome Press book. Chalker/Ownings (1991), page 198. Kemp, The Anthem Series, page 197. Trying to collect the entire Gnome Press line…

    Minions Moon

  • Blaylock, James P. with Kim Stanley Robinson. Two Views of a Cave Painting b/w Escape From Kathmandu. Axolotl Press, 1986. First edition hardback, #43 of 300 signed, numbered hardback copies, a Fine copy in a Fine dust jacket.
  • Bleiler, Richard. Supernatural Fiction Writers. Charles Scribner’s Sons/Thomson/Gale, 2003. First edition hardbacks of the Second Edition (stated inside, not on the cover), a two volume set, Fine- copies with slight dust soiling at heel in decorated boards with slight haze rubbing, sans dust jacket, as issued. Non-fiction reference work. Bought for $40, including dealer discount, which I though was a pretty good price, since non-Ex-Library copies list in the multiple hundreds. Note that the first edition was edited by the late E. F. Bleiler, while this second edition is edited by his son (who I’ve sold many a book to over the years…)
  • (Blish, James) Stableford, Brian M. A Clash of Symbols: The Triumph of James Blish. Borgo Press, 1979. First edition hardback, a Fine copy in a Fine dust jacket (somewhat uncommon for Borgo, who usually went for plasticized decorated boards for their hardbacks), #17 of 62 signed/numbered copies signed by Stableford. Bought for $28. Non-fiction critical work, part of the Milford series, which I pick up in hardback when I chance across them for authors I’m interested in.
  • Brackett, Leigh. The Sword of Rhiannon. Boardman, 1955. First hardback edition (“First published in Great Britain, 1955″, as per Currey), a Fine- copy with slight bend at head and heel and foxing to interior gutters, in a Very Good dust jacket with 1/4” of wear rubbing/chipping (dust jacket is present, but image has been worn away) at head, a similar, smaller amount of wear at heel, a shallow chip with associated wear at top rear, and crease along front cover spine join running the entire length of the jacket, and wear along extremities; despite all that, the rest of the jacket is quite bright and attractive. Currey, page 53. Cawthorn & Moorocock, Fantasy: The Hundred Best Books 75. A fairly uncommon book these days.

  • Bradbury, Ray. Collected Short Stories. Petersen Publishing Company (The Great Author Series), 2002. Presumed first edition hardback (no additional printings listed), a Fine copy in decorated boards, sans dust jacket, presumably as issued.

  • Bradbury, Ray. The Dragon. Footsteps Press, 1988. First edition chapbook, #72 of 300 signed, numbered copies, Fine. Has affixed wrappers with a transparent blue Mylar window (there were evidently also red and yellow window variants).

  • Bradbury, Ray. Driving Blind Avon Books, 1997. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed by Bradbury: “Marilyn! /Onward!/Ray Bradbury/Oct. 18, ’97”. Bought for $20 off eBay.
  • Bradbury, Ray. The Homecoming. Collins Design, 2006. First edition hardback in decorated boards, a Fine copy in a Fine dust jacket, signed by Bradbury. Illustrated by Dave McKean. Short story done as a short illustrated book. Bought for $30.51 off eBay.

  • Bradbury, Ray. The Veldt. The Perfection Form Company, 1982. (Possible) First edition chapbook original, a Fine copy in stapled wraps, inscribed by Bradbury on the cover. Reading comprehension questions at the back.

  • Bradbury, Ray. With Cat for Comforter. Gibbs Smith Publisher, 1997. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bradbury. Illustrated by Louise Reinoehl Max. Short poem turned into an illustrated children’s book. Replaces an unsigned copy in my library. Bought for $16.66 off eBay.

  • Bradley, Marion Zimmer. The Sword of Aldonis. Gregg Press, 1977. First hardback edition, Fine- with a trace of wear at tips, sans dust jacket, as issued. Darkover novel. Currey (1978), page 61.
  • Bradley, Marion Zimmer. The Heritage of Hastur. Gregg Press, 1977. First hardback edition, Fine- with a trace of wear at tips, sans dust jacket, as issued. Darkover novel. Currey (1978), page 62. Bought more as part of my long-term goal of collecting all the Gregg Press first editions…
  • Bramah, Earnest. The Moon of Much Gladness. Cassell & Company, 1932. First edition hardback (Berro A17), a Fine- copy with slight bends at head and heel in a VG+ dust jacket with a 1/8″ chip at rear head join, slight cracking at top edge of front cover, and dust soiling to rear, otherwise a fairly bright and attractive copy of a book seldom offered in dust jacket. Bought for $300 off the Internet from a major SF book dealer. (What appear to be tiny spots of white rubbing to the black dj are in fact scanner artifacts.)

    Moon Much Gladness

  • Brundage, Margaret (edited by Stephen D. Korshak and J. David Spurlock). The Alluring Art of Margaret Brundage, Queen of Pulp Pin-Up Art. Vanguard Productions/Shasta Phoenix, 2013. First edition hardback, slipcased limited edition with 16 additional pages of art, a Fine copy in a Fine dust jacket, new and unread. Brundage was the woman who did all those great “damsel in distress” covers for Weird Tales in the 1930s, and it’s great to finally have a book of her art.

    P1000125

  • Brunner, John. The Man Who Was Secrett and Other Stories. Ramble House/Dancing Tuatara Press, 2013. First edition POD hardback, Fine/Fine.
  • Budrys, Algis. Cerberus. Pulphouse, 1989. First edition hardback, #53 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket. Part of the “Pulphouse Convention Series.” Fourth book Pulphouse did, and the first one that wasn’t an issue of their namesake hardback magazine.
  • Campbell, Ramsey. Scared Stiff: Tales of Sex and Death. Scream Press, 1987. First edition hardback, #130 of 250 signed, numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued, in a Fine slipcase. Bought for $20. I’m sort of collecting a complete Scream Press collection, but it’s fairly low on my list of priorities…
  • Carriger, Gail (pen name of Tofa Borregaard). Heartless. Orbit, 2011. Paperback original, a Fine- copy. Parasol Protectorate #4.
  • Chabon, Michael. Fountain City: A Novel Wrecked. McSweeney’s, 2010. First edition paperback original, a small, slightly oblong format, roughly 5 1/4″ high, by 6 1/4″ long, a Fine- copy in Fine- fold over wrappers (which fold out into a sort of map picture), with a tiny, 1/16″ cut to top font cover. The opening chapters of a novel Chabon abandoned. Bought for $22.50, down from $45.

  • Clarke, Arthur C. Imperial Earth. Gollancz, 1975.
  • Clement, Hal (writing name of Harry C. Stubbs). Fossil. DAW, 1993. First edition paperback original, Fine- with a tiny bit of edgewear.
  • Clement, Hal. Small Changes. Doubleday, 1969. First edition hardback, a Near Fine+ copy with blindstamp on title page and crimping at head and heel, in a Near Fine- dust jacket with dust soiling to white background and a small closed tear and associated wrinkle to top front flap. Signed “”Hal Clement” (Harry C. Stubbs)”. Not overly common these days. Bought for $28.
  • Dick, Philip K. The Collected Stories of Philip K. Dick Volume 4: Minority Report. Subterranean Press, 2013. First thus.
  • Dick, Philip K. A Handful of Darkness. Rich & Cowan, 1955. First edition hardback, Currey binding A (blue boards lettered in silver) in a first state dust jacket (no mention of World of Chance), an Ex-Library copy with most of the usual flaws, including protected dust jacket flaps taped to boards (and inner cardboard sleeve additionally taped) and stamp for Eeeling Science Fiction Postal Library on inner cover; dust jacket is completely intact, the only flaws being “D11/2” written in white on bottom spine just above publisher, and slight dust staining to white rear cover; call it a VG/NF Ex-Lib copy. Levack, 21a. Currey (1978), page 157. Dick’s first short story collection and first hardback book. (Hairline crack on left is a scanner artifact.)

  • (Dick, Philip K.) Peake, Anthony. A Life of Philip K. Dick: The Man Who Remembered the Future. Arcturus, 2013. Non-fiction.
  • Di Filippo, Paul. Time’s Black Lagoon. DH Press, 2006. Paperback original, a Fine, unread copy. Sequel to the movie The Creature From the Black Lagoon.
  • Dozois, Gardner and George R. R. Martin, editors. Songs of Love & Death. Gallery Books, 2010.
  • Egan, Greg. The Eternal Flame (Orthogonal Book 2). Night Shade Books, 2012.
  • Ellison, Harlan. All the Lies That Are My Life. Underwood/Miller, 1980. First edition hardback, one of 400 unsigned trade hardcover copies, a Fine copy in a Fine dust jacket. Chalker/Owings, page 432.
  • Ellison, Harlan. Harlan Ellison is Watching. Underwood/Miller, 1989. First edition hardback, #46 of 600 signed, numbered copies, a Fine copy in a Fine dust jacket and slipcase. Chalker/Owings, page 440.
  • Ellison, Harlan. Stalking the Nightmare. Phantasia Press, 1982. First edition hardback, #240 of 700 signed hardback copies, a Fine copy in a Fine dust jacket and slipcase. Supplements a copy of the trade edition. Chalker/Owings, page 340.
  • Farmer, Philip Jose. Lord Tyger. Doubleday, 1970. First edition hardback, a Fine- copy with slight crimping at head and heel and trace of foxing along gutters, in a Fine- dust jacket with slight darkening to spine and a few traces of dust soiling. Signed by Farmer. Farmer’s SF take on Tarzan. Currey (1979), page 153. Bought for $60.

    Lord Tyger

  • Gaiman, Neil. Fortunately the Milk…. HarperCollins (UK), 2013. First edition hardback (the UK and U.S. edition were evidently simultaneous), slipcased limited edition (“with exclusive bookmark”) sold by UK bookstore chain Foyle’s signed by Gaiman and illustrator Chris Riddle, a Fine copy, sans dust jacket, as issued, still in shrinkwrap. I think this state came out about a month after the trade edition. Young adult novella. Bought for £19.99 plus shipping off eBay.

    Gaiman Milk

  • Gaiman, Neil, with David McKean. Mythological Creatures. The Royal Mail, 2009. First edition folded broadside, legal-paper sized printed cardstock, two-sided, with six stamps in attached Mylar pouches, Fine. Collectable stamp folder with six mini-stories by Gaiman, one for each mythological creature on the stamps, with Dave McKean art. An odd item I only recently became aware of, and one that may frustrate Gaiman completists a few years hence…

    Mythical Creatures

  • Gibson, William. Zero History. Putnum, 2010. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Gibson. Bought for $12 (marked down from $20) at a Half Price Books during a coupon sale.
  • Haldeman, Joe. A Separate War and Other Stories. Ace, 2006.
  • Harrison, Harry. Skyfall. Faber & Faber, 1976. First edition hardback, a Fine copy in a Fine dust jacket, signed and dated (“82”) by Harrison. Bought for $20.
  • Heinlein, Robert A. The Number of the Beast. New English Library, 1980. First hardback edition, a Fine copy in a Fine dust jacket. Reportedly Heinlein’s worst novel, but if you’re collecting the whole set…

    Heinlein Number Beast

  • Heinlein, Robert A. The Puppet Masters. Doubleday, 1951. First edition hardback, a Fine- copy with slight foxing to endpapers and tiny touches of wear at heel in a in a Near Fine- dust jacket with extremely shallow surface chipping at head and slight fading of purple coloring on spine. A very nice copy of one of Heinlein’s most important early novels. Currey (1978), page 233. Pringle, SF 100 4.

    Puppet Masters

  • (Heinlein, Robert A.) Patterson, William H. Robert A. Heinlein in Dialogue With His Century Volume 1: Learning Curve: 1907-1948. Tor, 2010. First edition hardback, a Fine copy in a Fine dust jacket. Non-fiction biography.
  • Hill, Joe. Locke & Key 3: Crown of Shadows. Subterranean Press, 2013. #31 of 250 signed, numbered copies, in slipcase. Graphic novel.
  • Howard, Robert E. Cormac MacArt Baen, 1995. First edition paperback original, Fine- with a tiny bit of edgewear, foxing inside covers, and a phantom crease along rear cover. Mostly reprints Howard stories from Tigers of the Sea, but adds a new Cormac MacArt story by David Drake.
  • Howard, Robert E. Kull Baen, 1995. First edition paperback original thus (“First Complete Edition”), a Fine copy.
  • Howard, Robert E. Kull: Exile of Atlantis. Subterranean Press, 2013. Hardback first edition thus, #305 of 1,500 copies signed by artist Justin Sweet, a Fine copy in a Fine dustjacket and slipcase.
  • Howard, Robert E. The Sower of Thunder. Donald M. Grant, 1975. First edition hardback, a Fine copy in a Fine dust jacket, signed by illustrator Roy G. Krenkel. Currey (1978), page 252.
  • Howard, Robert E. (edited by Robert M. Price). Nameless Cults: The Cthulhu Mythos Fiction of Robert E. Howard. Chaosium, 2001. Trade paperback original, Fine. Includes four Howard story fragments finished by others.
  • Hubin, Allen J. Crime Fiction, 1749-1980: A Comprehensive Bibliography with 1981-1985 Supplement to Crime Fiction, 1749-1980: A Comprehensive Bibliography. Garland, 1984/1988. First edition hardbacks, Near Fine copies with dust staining at head and traces of wear at points and heel, sans dust jacket, as issued. Bought from Half Price Books for $5 for the set (marked down from an original price of $60). I’m a sucker for comprehensive bibliographies…
  • (Jeter, K. W. and Ferret, as Dr. Adder and Mink Mole). Alligator Alley. Morrigan Books, 1989. First edition hardback, copy #104 of 210 signed, numbered copies, a Fine copy in a Fine dust jacket and slipcase, as well as a cassette tape of material related to the novel. Does not include the T-shirt that was sold with some of the slipcased copies. Supplements my trade edition. Jeter told me he actually had very little to do with the novel…
  • Jones, Sergent Morgan, and Damien Lewis. The Embassy House. Threshold Editions, 2013. Non-fiction on Benghazi embassy attack. Withdrawn by the publisher under political pressure.
  • Jones, Stephen, Editor. Weird Shadows Over Innsmouth. Fedogan & Breamer, 2005. Cthulhu Mythos anthology.
  • Jones, Stephen, Editor. Weirder Shadows Over Innsmouth. Fedogan & Breamer, 2013. Cthulhu Mythos anthology.
  • Klaw, Rick, editor. Rayguns Over Texas. Fandom Association of Central Texas, 2013. First edition trade paperback original, a Fine copy, new and unread, signed by 13 of the contributors. Anthology of SF stories from Texas writers published for the 2013 Worldcon in San Antonio. I have a story in here, “Novel Properties of Certain Complex Alkaloids,” that’s like a Greg Egan story by way of H. P. Lovecraft and Timothy Leary. Introduction by Bruce Sterling. This copy signed by myself, editor Rick Klaw, cover artist Rocky Kelly, Don Webb, Chris Brown, Matthew Bay, Stina Leicht, Nicky Drayden, Rhonda Eudaly, Derek Austin Johnson, Marshall Maresca, Sanford Allen, and Josh Roundtree. I also have an additional copy inscribed to me by several of the contributors in my contributor copy library.
  • (Koontz, Dean R.) Kotker, Joan G. Dean Koontz: A Critical Companion. Greenwood Press, 1996 (stated; probably more recent). Reprint hardback, Fine, sans dust jacket, as issued. Non-fiction.
  • Lake, Jay. Dogs in the Moonlight. Prime Books, 2004. First edition hardback, a Fine copy in a Fine- dust jacket with a bit of wear at the tips. Signed by Lake. Missed this when it came out, mainly because Prime was still part of Wildside. Bought for $24 off the Internet.
  • Lake, Jay. Endurance. Tor, 2011. Signed by Lake. Bought for 20% off cover at the San Antonio Worldcon.
  • Lansdale, Joe R. Bleeding Shadows. Subterranean, 2013. Short story collection.
  • Lansdale, Kasey, editor. Impossible Monsters. Subterranean Press, 2013.
  • Leiber, Fritz. The Moon is Green and Other Tales. Armchair Fiction, 2013. First edition trade paperback original (POD), a Fine copy, new and unread.
  • (Leiber, Fritz) Morgan, Chris. Fritz Leiber: a bibliography, 1934—1979. Morgenstern, 1979. Chapbook original, one of 1000 copies, a Near Fine+ copy with spots of age darkening to cover.
  • Leinster, Murray and Charles L. Fontenay. Planet of Dread b/w Twice Upon a Time. Armchair Fiction, 2010. First edition trade paperback original (POD), a Fine copy, new and unread. Honestly, I just picked this up for the cool, retro giant spider cover.

  • Lem, Stainslaw. A Perfect Vacuum. Harcourt Brace Jovanovich, 1979. First English language edition hardback, a Fine copy in a Fine- dust jacket with small closed tear at bottom front and a few touches of wear. Reviews of imaginary books. Replaces an Ex-Library copy in my library.
  • Lethem, Jonathan. Chronic City. Doubleday, 2009.
  • Littell, Jonathan. The Kindly Ones. Harper, 2009. First U.S. edition of a book original published in French as Les Bienveillantes, a Fine copy in a Fine- dust jacket with a few touches of wear at edges. In 1989 Littell published a 3rd-generation cyberpunk PBO called Bad Voltage, then slipped from public view until he published Les Bienveillantes, a novel about the Holocaust, in France in 2006 (he’s a dual U.S. French citizen), which won the prestigious Prix Goncourt literary award.
  • (Lovecraft, H.P.) Lockhart, Ross E., editor. The Book of Cthulhu II. Night Shade Press, 2012. Trade paperback original. Anthology.
  • Martin, George R. R. and John J. Miller. Wild Cards Volume VII: Dead Man’s Hand. Bantam Spectra, 19990. First edition paperback original, a Fine- copy with a trace of edgewear.
  • (Martin, George R. R.) Samuelson, Todd, Editor. Deeper Than Swords: Celebrating the Work of George R. R. Martin. Texas A&M University Cushing memorial Library and Archives, 2013. Oversized trade paperback, a Fine copy. Illustrated critical companion to Martin’s work, published as part of an event at the library with Martin on March 22, 2013.
  • Matheson, Richard. The Memoirs of Wild Bill Hickock. Jove, 1996. Paperback original, VG with creasing.
  • Matheson, Richard. The Shrinking Man. Gregg Press, 1979. First Gregg Press edition, Fine, sans dust jacket, as issued.
  • Mieville, China. London’s Overthrow. The Westbourne Press, 2012. First edition trade paperback original, Fine, new and unread. Non-fiction. Appears to be a political rant with pictures.
  • McDevitt, Jack. Echo. Ace, 2010. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of wrinkling at top edge.
  • Moorcock, Michael. Sailor on the Seas of Fate. Quartet Books, 1976. First edition hardback, a Near Fine copy with a chip out of the corner of the front free endpaper, in a Fine dust jacket. Currey, page 372.
  • Moore, C.L. Judgment Night. Gnome Press, 1952. First edition hardback, a Near Fine+ copy with slight crimping at head and heel, mild foxing to inner gutters, and a few tiny spots of wear to bottom boards, in a Near Fine+ dust jacket with 1/4″ closed tear at heel, slight wrinkling at rear head, and a touch of edgewear. A truly superb, bright example of the dust jacket. Collection of five longer stories. Currey (1978), Page 377. Chalker/Owings (1991), page 199. Anatomy of Wonder 4, 3-130. Another notable book from the golden age of the genre small press. Bought for $65 off eBay.

    Judgment Night

  • Picacio, John. John Picacio 2014 Calendar. Lone Boy, 2013. First edition, Fine, signed by the artist, with Kickstarter specials, including six oversized loteria cards, a sketcbook, and a signed pencil.

    P1000119

  • Pohl, Frederik, with Jack Williamson. The Saga of Cuckoo. Nelson Doubleday (SFBC), 1983. First edition thus and first hardback (a book club omnibus edition of Farthest Star and A World Around a Star, both previously published only in paperback), code “N34” on page 433 (as per ISFDB), a Fine- copy with a tiny bit of crimping at head and heel, in a Fine dust jacket. Signed by both Pohl and Williamson. Bought for $22.50 off eBay.
  • Powers, Tim/James P. Blaylock. The Way Down the Hill/The Pink of Fading Neon. Axoltl Press, 1986. First Edition hardback, #178 of 300 hardback copies by both authors and introducers Ed Bryant and Charles De Lint, a Fine copy in a Fine dust jacket. Bought for $30 plus shipping from Heritage Auctions. One of those books I wasn’t sure whether I owned or not, since I had the other Axolotl Press Powers and Blaylock books…
  • Rainey, Stephen Mark. Song of Cthulhu. Chaosium, 2001. Trade paperback original, Fine. Anthology.
  • Reynolds, Alastair. Dr. Who: Harvest of Time. BBC Books, 2013. Signed by Reynolds at the 2013 San Antonio Worldcon.
  • Roberts, Adam (as A. R. R. R. Roberts). The Soddit, or Let’s Cash In Again. Gollancz, 2003. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Roberts. Parody of The Hobbit.
  • Robinson, Kim Stanley. 2312. Orbit, 2012. First UK edition (I think the U.S. precedes by two days), a Fine- copy with slight wrinkling to top of dust jacket.
  • Schweitzer, Darrell. Cthulhu’s Reign. DAW, 2010. paperback original, Fine. Anthology.
  • Sennholz, Mary. On Freedom and Free Enterprise. Von Nostrand, 1956. First edition hardback, a Near Fine copy with slight dust-staining to head and crimping at head and heel in a very Good+ dust jacket with 1/4″ tears at head and heel. Collection of free market essays, published in honor of the 50th anniversary of Ludvig von Mises’ receiving his doctorate. Bought for $5 at Half Price Books.
  • Shaver, Richard S. The Shaver Mystery, Book One. Armchair Fiction, 2011. First edition trade paperback original, Fine, new.
  • Shaver, Richard S. The Shaver Mystery, Book Two. Armchair Fiction, 2011. First edition trade paperback original, Fine, new.
  • Shaver, Richard S. The Shaver Mystery, Book Three. Armchair Fiction, 2012. First edition trade paperback original, Fine, new.
  • Shaver, Richard S. The Shaver Mystery, Book Four. Armchair Fiction, 2013. First edition trade paperback original, Fine, new. The four volumes collect stories and ancillary material from the “Shaver Mystery,” Shaver’s weird, strangely compelling conspiracy theory/alternate reality in which a hateful race of “deros” (“detrimental robots”) lived inside he earth, beaming mind-control rays at surface dwellers (and occasionally kidnapping them for torture, food, or sport). Shaver’s elaborate, unhinged vision brought a vast legion of cranks out of the shadows and onto the subscriber ranks of Amazing, whose editor Ray Palmer started publishing Shaver’s stories in the 1940s, which was to have a considerable impact on SF fandom. I doubt much of this has seen print since it’s original appearance in Amazing, or in Palmer’s subsequent The Hidden World. If you’re a connoisseur of crank literature, Shaver is up there with the whackiest.
  • Shea, Michael. Assault on Sunrise. Tor, 2013. Sequel to The Extra.
  • Shea, Michael. The Incomplete Nifft. Baen, 2000. First edition paperback original thus, an omnibus edition of Nifft the Lean and The Mines of Behemoth, a NF copy, with a crease on the bottom back cover.
  • Silverberg, Robert. Capricorn Games. Random House, 1976. Signed by Silverberg. Currey (1979), page 436.
  • Silverberg, Robert. The Collected Stories of Robert Silverberg Volume 8: Hot Times in Magma City: 1990-1995. Subterranean Press, 2013. Fine, sands dust jacket, as issued.
  • (Simak, Clifford D.) Becker, Muriel R. Clifford D. Simak: a primary and secondary bibliography. G. K. Hall, 1980. First edition hardback, a Fine copy, sans dust jacket, as issued. Non-fiction. I do wish the books were separated from the short fiction listings…
  • Smith, Clark Ashton. Lost Worlds. Arkham House, 1944. First edition hardback, a Near Fine+ copy with slight crimping at head and heel, bump to top front corner, usual age darkening to pages, and a trace of foxing to gutters, in a Near Fine dust jacket with age darkening to light-colored portion of spine, short closed tear and associated 1/2″ wrinkle crease at head, a tiny bit of rubbing at heel, and age darkening around edges and crease folds. Smith’s second prose collection and the seventh Arkham House book published. Currey (1978), page 453. Locke, Spectrum of Fantasy One, page 200. Bleiler, Guide to Supernatural Fiction, 1485. Tymn, 4-202. Joshi, Sixty Years of Arkham House 7. Derleth, 30 Years of Arkham House, 7. Jaffery (1982), 7. Nielsen, 7. Bought for $172 off the Internet.

    CAS Lost Worlds

  • Smith, Edward E., Ph.D. Skylark Three. Fantasy Press, 1948. First edition hardback, one of 500 subscriber copies with a signature page inscribed by Smith bound in: “To Hugh F. Henry—/Three in a row — Hot dog!/And thanks a million for/the compliment./Edward E. Smith, Ph.D.” (Doc Smith had marvelously clear handwriting), a Fine- copy with a tiny bit of crimping at head and heel and faint foxing to gutters, in a Near Fine dust jacket with slight rubbing to top 1/2″ of front, slight edgewear at head, and slight dust soiling to rear cover. E. E. “Doc” Smith is someone I only pick up as a target of opportunity, but I couldn’t pass up a chance to pick up a very attractive example of one of the Fantasy Press subscriber copies for one of their most popular writers for approximately $150 after sale discount.

  • Smith, George O. The Brain Machine. Garland Press, 1975. First hardback edition, Fine, sans dust jacket, as issued. Originally a paperback original under the title The Fourth “R”. Currey (1979), page 458. Garland, like Gregg Press, usually did interesting hardback reprints.
  • Smith, George O. Hellflower. Abelard Press, 1953. First hardback edition, a Fine copy in a Near Fine+ dust jacket with slight spine fade to red portions and tiny traces of wear, otherwise a complete, bright and attractive dust jacket. Currey (1979), page 458.

    Hellflower

  • Stephenson, Neal. Some Remarks. Atlantic Books, 2012. First UK edition. Non-fiction.
  • Sturgeon, Theodore. A Touch of Sturgeon. Simon & Schuster (UK), 1987. Fine-/Fine- with sight crimping at head.
  • Swainston, Steph. The Modern World. Inscribed by the author: “S. Swainston/12.05.07/’All things from eternity are of like forms/And come round in a circle.’ — Marcus Aurelius”. With photograph of the author laid in. Bought for $24. I should really get around to reading The Year of Our War some day…
  • Swanwick, Michael. Moon Dogs. NESFA Press, 2000. First edition hardback, one of 175 signed slipcased copies, a Fine copy in a Fine dust jacket. Supplements an inscribed trade copy.
  • Swanwick, Michael. Tumbling. Dragonstairs Press, 2013. First edition micro-chapbook original, 3″ x 2 3/4″ inches, #10 of 50 signed, numbered copies, Fine, new and unread.

  • Taine, John. The Time Stream. Buffalo Book Company, 1946. First edition hardback, a Near Fine copy with foxing to inside covers and a few faint pinpoint spots on boards, in a VG- dust jacket with uneven loss to top edge, mostly 1/16″ but occasionally as much as 1/4″. According to Chalker/Owings (1991), page 78, only 500 copies were ever bound, and half of those were lost in a rainstorm. Currey (1979), page 29. Bleiler Checklist, 1978, page 191. Locke, Spectrum of Fantasy One, page 211. 333, page 63. An important early SF specialty book.

    Taine Time Stream

  • Tucker, Wilson. Ice and Iron. Doubleday, 1974. First edition hardback, a Fine copy in a Fine- dust jacket with edgewear at head and heel, with review slip laid in. Inscribed by Tucker: “For Dave, at Nashville,/Wilson Bob Tucker/May 19, 1979”. Tucker was famous both as a writer and as a noted fan. Bought for $20.
  • Turner, Gary, and Marty Halpern. The Silver Griffith. Golden Gryphon, 2003. First edition hardback, #34 of 100 numbered copies signed by all the contributors, a Fine copy in a Fine dust jacket, in slipcase.
  • Utley, Steven. Silurian Tales — Volume 1: The 400-Million-Year-Itch. Ticonderoga, 2012.
  • Utley, Steven. Silurian Tales — Volume 2: Invisible Kingdoms. Ticonderoga, 2012.
  • Vance, Jack. Araminta Station. Underwood Miller, 1987. First edition hardback, #443 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase. First book of the Caldwell Chronicles. Precedes both the NEL and Tor editions by six months. Hewett, A79. Chalker/Owings (1991), pages 437-438. Bought for $120.

    Araminta Station

  • Vance, Jack (as John Holbrook Vance). The Deadly Isles. Bobbs-Merrill, 1969. First edition hardback, a Fine- copy with a tiny bit of crimping at head and heel in a Fine- dust jacket with a few bare traces of dust soiling and a tiny bit of rubbing at extremities. Overall a beautiful copy of this Vance mystery. Currey, p. 497. Hewett, A33.

    Vance, Jack. Gold and Iron. Underwood/Miller, 1982. First edition hardback, a Fine copy in a Fine- dust jacket with a slight wrinkle at rear heel. Previously published in paperback as Slaves of the Klau. Hewett, A9e.

    Vance Gold Iron

  • Vance, Jack. Lyonesse: Suldrun’s Garden. Underwood/Miller, 1983. First hardback edition, #78 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. (Note: Unlike the signed, numbered edition of Lyonesse: The Green Pearl, this was not issued in a slipcase.) Hewett, A70b. Chalker/Owings (1991), page 436. Supplements my copy of the unsigned library edition in decorated boards issued without a dust jacket. Bought for $100.

    Suldrun's Garden

  • Vinge, Joan D. World’s End. Bluejay Books, 1984. First edition hardback, #127 of 750 signed numbered copies in slipcase, a Fine copy in a Fine dust jacket. This copy has been additionally inscribed by Vinge: “To Marcia Adams/-with all my best wishes-!/Joan D. Vinge/2005.” There was a PBS cooking show host and cook book author by that name who died in 2011; not sure if that’s who it’s inscribed to or not. I do wonder how many of these slipcased hardcovers Bluejay Books did. I have their slipcased edition of K. W. Jeter’s Dr. Adder, and I know they did a few others, but there does not appear to be a list online. I’ll write Jim Frenkel and ask…
  • Waldrop, Howard. The Horse of a Different Color. Small Beer Press, 2013. Inscribed to me to by the author.
  • Webb, Don. The War With The Belatrin/A Velvet of Vamphyres. Wildside, 2012. Trade paperback original, a Fine copy, inscribed by Webb.
  • Webb, Don & Gary Lovisi. Do the Weird Crime, Do The Weird Time/Gargoyle Nights. Wildside, 2012. Trade paperback original, a Fine copy, inscribed by Webb.
  • Weinbaum, Stanley G. Dawn of Flame. Ruppert Printing Service (for The Milwaukee Fictioneers), 1936. One of only 245 copies of the Currey B state (with the Lawrence A. Keating introduction), a Near Fine+ copy with very faint spine creasing and slight gray staining to bottom page block (or possibly where the red page block staining has worn away), sans dust jacket, as issued. Currey, page 510. Chalker/Owings, page 279. Bleiler, Checklist (1978), page 204. Locke, Spectrum of Fantasy (I), page 224. Bought at the San Antonio Worldcon for $1,200 (negotiated down from $1,500) from Erle Melvin Korshak. And if I’m remembering correctly, it was on consignment from Sam Moskowitz’s widow through Robert Weinberg to Korshak.

  • Wellman, Manly Wade. The Ghost Battalion. Ives Washburn, 1958. First edition hardback, most likely a repaired Ex-Library copy, Very Good with tape ghosts on boards, front free endpaper excised and another attached in it’s place, slight wear at heel, dust soiling at head, and slight crimping at head and heel, in a Near Fine dust jacket with edgewear and about 1/16″ inch of color loss at heel, and possible spine fading (hard to tell, since it’s a different color than the front and back covers). Second book in the Iron Scouts Civil War YA trilogy. Bought for $18 off eBay.

    Ghost Batallion

  • Wellman, Manly Wade. What Dreams May Come. Doubleday, 1983. First Edition hardback, a Fine copy in a Fine dust jacket, with signature plate signed by Wellman attached to front free endpaper. Features supernatural detective John Thundstone. Replaces an Ex-Library copy in my collection. Bought for $20 from a major SF book dealer.

    Wellman What Dreams

  • Wellman, Manly Wade. Worse Things Waiting. Carcosa, 1973. First edition hardback, Trade Edition issue, a Fine- copy with a couple of pinpricks of wear, in a Fine dust jacket. Inscribed to fellow horror writer Dennis Etchison: “Better Things Waiting/for/Dennis Etchison/Manly Wade Wellman/Dec 7, 1979”. Being a Wellman collector, I could hardly pass up an associational copy of this, his best and most important collection, inscribed to another top horror writer. (This is the second Wellman-inscribed association copy I own along with Third String Center inscribed to Wellman’s own brother, western writer Paul I. Wellman.) Currey (1979), page 515. Chalker/Owings (1991), page 87. Bleiler, Guide to Supernatural Fiction, 1672. Jones/Newman, Horror 100, 70. Bought for $100.

    Worse Things Waiting

    Worse Things Inscription

  • Wells, H. G. (edited by Robert Philmus and David y. Hughes). Early Writings in Science and Science Fiction by H. G. Wells. University of California Press, 1975. Presumed first edition hardback (no additional printings listed), a Fine- copy with slight crimping at head and heel and trace of foxing to inside front covers, in a VG- dust jacket with a 1/2″ square chip missing from bottom front cover and a 3/8″ chunk tapering to a point over 3″ missing at top rear. Not in Currey. Reginald, 1975-1991, 36697. Dictionary of Literary Biography: Volume 178: British Fantasy and Science-Fiction Writers Before World War I, page 242. Not a great dust jacket, but it was only $8, and copies online are somewhat pricey…
  • Wilson, Gahan. Everybody’s Favorite Duck. Mysterious Press, 1988.
  • Wolfe, Gene. Home Fires. Tor, 2010. Already read it in ARC.
  • Wolfe, Gene. A Wolfe Family Album. United Mythologies Press, 1991. First edition chapbook original, a Fine copy. Signed by Gene Wolfe. Chapbook of mostly Wolfe family photos, evidently issued with the hardback edition of Letters Home (which I’ve owned for some time, but which didn’t come with the chapbooks when I bought it).

    Wolfe Family Album

  • Wolfe, Gene (Mooney, J. E. and Bill Fawcett, editors. Shadows of the New Sun: Stories in Honor of Gene Wolfe. Tor, 2013. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. A tribute anthology.
  • Zelazny, Roger. Home is the Hangman. SFBC, 1996. First separate hardback edition. Kovacs, VI-7-a.
  • Zelazny, Roger. Knight of Shadows. Ultramarine Press, 1989. First limited hardback edition, #20 of 40 signed, numbered copies, bound in quarter leather, a Fine copy, sans dust jacket, as issued. Kovacs, 27-d-i. Chalker/Owings (1991), page 612. Proof that being a collector drives you slightly insane. (“Slightly?” asks the peanut gallery.) Ultramarine Press would take the sheets of the trade edition, then add a signed limitation page and leather binding. Honestly, I’m less than impressed with both their business model and most of the books produced, and I’m not too wild about post-first edition limiteds, but this edition seems nicer than many, 40 is a pretty low limitation for a Zelazny limited, and since I have such an extensive Zelazny collection, I decided to pony up for it. Bought for $240.

    Zelazny Knight

  • Zelazny, Roger, and Thomas T. Thomas. Flare. Baen, 1992. First edition paperback original, Fine.
  • (Zelazny, Roger) Kovacs, Christopher, compiler. The Ides of Octember: A Pictorial Bibliography of Roger Zelazny. NESFA Press/Camelot Books, 2011. First hardback edition, letter M of 21 lettered copies with a Zelazny signature sheet (taken from unused Ultramarine press Zelazny books), a Fine copy in three-quarters bound leather, in a Fine patterned traycase with the pictorial cover from the trade paperback edition, sans dust jacket, as issued. An elaborate aftermarket edition of this Zelazny incorporating unbound NESFA sheets obtained by the compiler. I paid $191 for it, considerably less than the $500 list price it was offered at.

    Octember HD

  • (Zelazny, Roger) Yoke, Karl. Roger Zelazny/Andre Norton: Proponents of Individualism State library of Ohio, 1979. First edition chapbook original, Near Fine+ with some age toning. Non-fiction.