Posts Tagged ‘Fantasy’

After Action Report on Heritage Auction’s Sale of the Jerry Weist Collection

Monday, September 19th, 2011

Every year or two, Heritage Auctions in Dallas conducts a big auction of a major science fiction book collection. In 2007, it was the Ventura Collection.

The Ventura Collection auction was very successful, and since it occurred right before the advent of The Great Recession, many of the prices achieved in that auction have not since been equaled. (It may also be the first auction catalog Heritage mass-mailed to prospective SF collectors; I had not received any before then.)

In 2008, it was The Robert and Diane Yaspan collection, which included a vast array of SF firsts as well as several SF manuscripts and a few select non-SF firsts, such as many firsts by mystery writer Earle Stanley Gardener.

Later in 2008 was the auction of The Frank Collection, which was mainly SF art, but included a number of notable SF first editions as well.

The just completed auction of the Jerry Weist collection was of the same caliber. There was some original art and pulp magazines in the collection, but the bulk of it was collectible SF/F/H first editions. The auction realized more than $1 million (though a significant fraction of that was for the artworks).

I’m going to talk about some of the more interesting items sold, and how the prices realized compared to comparable copies of the same firsts in previous years. I’ll also mention when I have a copy of the first edition discussed in my own library.

A few general observations:

  • Unlike previous Heritage SF Auctions, there were very few multi-volume lots of less desirable titles. I think Heritage will be selling those books individually on their weekly Internet book auctions.
  • Weist, like myself, settled for less than perfect copies of many difficult titles, including some worn, corner-clipped, or ex-library copies. (By contrast, the vast majority of the Ventura collection were pristine copies.)
  • The Weist collection was very strong in Golden Age and pre-Golden Age authors, but very weak in Hypermodern SF.
  • It was strong in Ray Cummings and Edgar Rice Burroughs (neither of which I collect), Isaac Asimov, John W. Campbell, Arthur C. Clarke, Philip K. Dick, Robert A. Heinlein, William Hope Hodgson (many if not all of the firsts published in his lifetime), Robert E. Howard, Curt Siodmak (more about which anon), Clark Ashton Smith, and Olaf Stapledon.

  • Conversely, assuming the volumes presented in the auction do constitute the cream of the crop and nothing has been held back, it was weak in Jack Vance, Stephen King, Avram Davidson, R. A. Lafferty, Gene Wolfe and (save the two Fahrenheit 451s) Ray Bradbury.
  • I’ve tried to do some trending for various titles here, but there’s a lot of volatility at the high of the market. A book that normally goes for $100-200 might hit $2,000 for a signed copy at auction If two deep-pocketed collectors each need it to complete their collection.
  • Holy Grails

    To me, far and away the most interesting and desirable item was one of only five copies of Stanley G. Weinbaum’s Dawn of Flame to have the unsigned introduction by Amazing editor Ray Palmer. Weinbaum’s widow evidently objected to the introduction, which is why only five copies were so produced. Even the 245 copy Currey B state (with Lawrence Keating’s introduction replacing Palmer’s) is rare enough, and the book is widely considered the first true SF small press book. I don’t believe I’d seen a copy of the Palmer state for sale before, but I think one was sold when the Sam Moskowitz collection was auctioned off (they didn’t send me a catalog). Moreover, this particular copy once belonged to legendary collector and fan Forrest J. Ackerman, and was inscribed by him to Weist. Counting the buyer’s premium (a little shy of 20%, and which I’m going to include for all the other prices listed here), it went for $9,560.00; it wouldn’t have surprised me to see it go for twice that much.

    There were some other SF collecting “holy grails” sold there:

  • One of 50 copies of the signed, presentation hardback state of Ray Bradbury’s Fahrenheit 451, which went for $8,365.00. This represents an increase over the $5,377 a copy fetched in the Yaspan auction.
  • One of 200 asbestos bound copies of Fahrenheit 451 graded Very Good, went for $5,975.00. This represents something of a decline; a Fine copy went $15,535 in the Ventura Collection auction, a Very Good copy in the Yaspan collection went for $8,962, and a Near Fine copy in the Frank auction went for $9,560.
  • To me one of the most surprising outcomes was seeing a signed copy of Philip K. Dick’s Confessions of a Crap Artist go for $5,078.75, since there’s at least one signed copy from the 90 copies originally signed by Dick available online for $1,500. (And I think there were two copies for well under $5,000 when the auction commenced…) I have one of the unsigned firsts, which goes for considerably less.
  • Speaking of Dick, a copy of Do Androids Dream of Electric Sheep? went for $6,572.50, despite tape stains on the jacket folds. I thought the $9,560 fetched by a Near Fine copy in the Ventura auction was outrageous at the time, but the value seems to have held up. (I have an ex-library copy myself, and even Ex-Lib copies list online for two to four grand.)
  • One of only 75 sets of E. E. “Doc” Smith’s History of Civilization, the six volume signed, leatherbound Fantasy Press set (in box, but without lid) went for $5,377.50. A set with the lid went for $5,676.25 in the Yaspan auction.
  • Other Notable Books

    From Holy Grails we move on to books that are merely Really Freaking Expensive. There are usually a few copies of these bumping around on Bookfinder.com, albeit with a comma in the price.

  • A signed copy of Isaac Asimov’s Foundation and Empire ($1,912) went for more than a signed (via bookplate) I, Robot ($1,553.50), probably due to some mild water damage to the latter. A Fine but price-clipped copy of I, Robot went for $2,270 in the Ventura auction, while another imperfect copy went for $1,434 in the Yaspan auction. I, Robot has become by far the hardest to find among the Gnome Press Asimovs.
  • A signed, Near Fine copy of Alfred Bester’s The Demolished Man went for $872.35. I have a Fine copy, but not signed.
  • A merely Very Good copy of Bester’s Tiger! Tiger! (the hardback first of The Stars My Destination) went for $1,015.75, which is probably about market. A Fine copy in the Ventura auction went for $1,792.
  • The late Jack Chalker’s inscribed copy of Hal Clement’s Cycle of Fire went for $1,015.75. The title is harder to find than most of Ballantine Books SF hardbacks of the fifties.
  • Bob Weinberg’s inscribed ex-library copy of Philip Jose Farmer’s Green Odyssey went for a relatively modest $334.60. Like Cycle of Fire, this is one of the most difficult Ballantine Books hardbacks to find, especially for non-ex-library copies. Despite that, a Very Good signed copy failed to sell in the Yaspan auction, while a restored ExLib copy went for $448.13 in the Ventura auction.
  • A Fine, signed copy of the Gollancz (first hardback) edition of William Gibson’s Neuromancer, probably the essential novel of Hypermodern Science Fiction, went for $1,553.50. This is one of the few items for which you can see a clear, unambiguous decline across auctions, as a similarly Fine, signed copy went for $2,695 in the Ventura auction, while a similarly Fine, signed copy went for $2,151 in the Yaspan auction. I have a signed Fine- copy.
  • A copy of Robert A. Heinlein’s Podkayne of Mars went for $985.88. I don’t think it’s quite as good as the copy I just picked up last month for $235.
  • A Very Good+ copy of Heinlein’s Starship Troopers went for $2,270.50. A Fine copy fetched $4,780 in the Ventura auction. I have a very nice Ex-Library copy.
  • A Near Fine copy of Frank Herbert’s Dune went for $4,780. A Fine- copy (a rating I thought was a bit generous, given the rubbing along the dj spine) in the Ventura auction went for $10,755. I have a very worn Ex-Library copy.
  • An inscribed, Near Fine copy of Daniel Keyes’ Flowers for Algernon went for $2,390. A similar copy (though with a tipped-in signature rather than an inscription) went for $1,434. My copy is a bit less fine, and unsigned.
  • A copy of H.P. Lovecraft’s The Outsider and Others (the first Arkham House book and a cornerstone for both SF and horror collections) went for a healthy $3,883.75.
  • Another rare Lovecraft item, an exceptionally nice copy of the Visionary Publishing edition of The Shadow Over Innsmouth, went for a hefty $7,170.00. That’s toward the high end for an unsigned copy (since it was published in Lovecraft’s lifetime, signed copies do exist, and can be had for less than the price of a new Lexus), but there’s a dizzying number of variant states, and I’m not sure which are considered the more desirable among high-end Lovecraft collectors.
  • A Very Good+ copy of Walter M. Miller’s A Canticle for Leibowitz went for $2,031.50, mainly because it has the rare orange promotional band. I have an Ex-Library copy.
  • An inscribed, conservatively graded Very Good copy of the Gollancz (first hardback) edition of Larry Niven’s Ringworld went for $2,390.00. In the Ventura auction, a Fine signed copy went for $5,206.25, while in the Yaspan auction, the better of two copies (not signed) went for $1,792. I have an unusually clean Ex-Lib Gollancz Ringworld, which might pass for Fine save an excised front free endpaper. (Did you know there was an unused dust jacket state for the Gollancz Ringworld? Lord knows how this guy (who I believe also owns this amazing Jack Vance collection) got a copy of it…)
  • A price-clipped copy of Connie Willis’ Doomsday Book went for $507.88. One of the more interesting outliers at the Ventura collection was a Fine signed copy going for an eye-popping $1,912. I have a Fine copy Connie inscribed to me after she attended Turkey City I picked up when it came out at cover price.
  • One of the most puzzling results of the auction was a signed first of Curt Siomdak’s Skyport was initially reported going for a stunning $8,611.17. That’s only about $8,500 more than it’s worth. But now when you go to the auction page for the item itself, it shows a far saner $101.58. I’m assuming there was some sort of glitch.

    Slightly less puzzling was a signed, Near Fine copy of L. Sprague de Camp’s The Wheels of If (which has one of Hannes Bok’s most famous dust jacket illustrations) went for $717, which is a good bit more than it usually goes for; Lloyd Currey has a comparable-to-better signed copy online right now for $150. Before this I had the impression de Camp was out of fashion among collectors (and thus I have been able to pick up a number of signed copies of his work pretty cheap). I suspect this is an outlier.

    Although I bid on several items, I only won one: an Ex-Library first of the UK David Bruce & Watson (first hardback) edition of Richard Matheson’s The Shrinking Man for $95.60. Fine copies go for over a grand.

    Related Topics

    Other science fiction book collecting topics (and glimpses into my own bibliomania) you might find of interest:

  • A description of my own library of science fiction first editions
  • My Books Wanted List
  • Lame Excuse Books, my own side SF/F/H book business, where a discerning collector may find several books of potential interest.
  • Other book related posts (including new acquisitions to my library)
  • Armadillocon 2011 Photos for Friday, August 26

    Saturday, September 10th, 2011


    Mark Finn, rocking the cutting edge of FEZ NATION!


    Howard Waldrop.


    Dwight Brown gets the pre-convention lunch off to his usual facepalming start. What set him off this time was Todd saying “Look! We’re haircut twinsies!”


    DUFF winner David Cake.


    Early Turkey Citizen Joe Pumilia.

    There was a picture of William Browning Spencer, but he has evidently grown disenchanted with his own visage, and asked that it be removed..


    Al Jackson. For once I snapped a picture with his eyes open. Thanks for lunch, Al!


    Dwight, mournful that his mama took his Kodachrome away.


    Michael Sumbera, taking a break from assembling his retail sales empire.


    Aaron Allston. Generally, I only see Aaron at: A.) Cons, or B.) Indian restaurants.


    James Reasoner.


    John DeNardo: “You know I hate having my picture taken.” Naturally, after he said that, I’m required to take his picture several additional times.


    Like this one.


    And this one.


    Bruce Sterling was having a garage sale of books at the con. Here he is holding aloft the (true story) Rudy Rucker books I had pulled from the pile, refusing to sell them to me. Including the copy of The 57th Franz Kafka I had given him as a gift 15 years before. “I’ve got to donate these to UT.” Thanks a lot, Bruce.


    Bill Crider, reenacting a scene from Daredevil.


    Bill again, now with added sight.


    Stina Leicht, with her hair in the traditional Blue Con shade.


    Two people, both of whom complained that I took their picture too much. You can see how well those complaints worked out for them.


    Rocky Kelley, artistic dandy and man-about-town.


    Jessica Reisman. The camera is set properly, it’s just that Jessica lives her entire life in soft focus. Doctors keep doing tests to determine the cause.


    Jasmina Tesanovic and Bruce Sterling. “It’s a 110° out today! I’m feeling pretty darn good about my Global Warming predictions!”


    Derek Johnson. You can’t see it, but just below the frame of this picture, he’s clutching a snifter of brandy with one hand and stroking a white cat with the other.


    Gretchen Peterson Johnston shows that she is totally ready for the Fetish Boot Ball.


    Chris Nakashima-Brown n. Brown this guy I know.


    Yvonne Daily and Phil Brogden, who you may remember from such hits as “Goddamnit, Lawrence, you sure take a lot of freaking convention pictures, don’t you?”


    Robert Jackson Bennett, author of the spiffy first novel Mr. Shivers, copies of which can be obtained in the usual manner.


    Bradley Denton assumes the now-traditional “Oh yeah? Then I’ll take YOUR picture!” position.


    Jessica Reisman Redux.


    Paolo Bacigalupi and Bruce Sterling, debating whose global warming future is more wretched and dystopian.


    Rich Simental.


    “NEVER MIND!”


    The Space Squidians, shortly after freebasing some ink.


    Brad Foster, with a Hugo that might seem familiar.


    “You so naughty!”


    Kasey Lansdale, mooning over Mark Finn. (I warned you, Finn! I said UNMARKED twenties!)


    Scott Cupp, James Reasoner and Joe R. Lansdale, talking about F. Scott Fitzgerald, Ernest Hemingway, and why you can’t get good belt onions anymore.


    Ben Yalow.


    It was….the unnameable.

    Books I Picked Up at the Reno Worldcon

    Friday, September 2nd, 2011

    Various issues have kept me remarkably busy the last few days, so it may take a little while to get my blogging back up to speed. In particular, I wanted to do a brief roundup of some of the books I bought at the Reno Worldcon.

    This year’s Worldcon had a better dealer’s room than Denver in 2008 (the last Worldcon I went to), and there were many rare and tempting items there (including not one, but two copies of the first edition of William Timlin’s The Ship That Sailed to Mars, as well as a fine signed first edition of Alfred Bester’s Tiger Tiger listed for $2,500, and which sold for a bit less) which, alas, they wanted more for than I was willing to spend.

    But here are a few items I was able to add to my collection:

  • Serviss, Garrett P. Edison’s Conquest of Mars. Carcosa House, 1947. First edition hardback, one of 1,500 copies, a Fine copy in one of only 500 (or fewer) dust jackets distributed with the book, a Near Fine example of dj with just a few traces of edgewear and slight age-darkening to the spine. The dust jacket is rarely found, and even more seldom found in such excellent condition.

    The dust jacket art itself is perhaps the finest ever drawn by an eight-year old…

  • Hubbard, L. Ron. Final Blackout. Hadley Publishing, 1948. First edition hardback, a Fine copy in a Near Fine+ dust jacket with slight age darkening to white portions of cover. I’m not a big fan of Hubbard (or his church), but this and Fear are reportedly among his best works, and I am less familiar with his output than almost any other Golden Age author. Plus it puts me closer to having a complete collection of Hadley Publishing, an important early SF specialty press.

  • Gaiman, Neil. Melinda. Hill House, 2004. First edition graphic novel, one of 1,500 signed copies, Fine, sans dust jacket, as issued. Wanted this when it came out, but not enough to pay the $250 or so Hill House was asking for it, especially considering how slender it is. But the $50 I picked it up for was just right…


  • Anderson, Poul. Fire Time. Doubleday, 1974. First edition hardback, a Fine copy in a Near Fine dust jacket with edgewear. Not a difficult or valuable title, except this copy was inscribed by Anderson to Charles N. Brown, which I thought made it worth a good bit more than the $15 the Locus folks were asking for it.
  • Diaz, Junot. The Brief Wondrous Life of Oscar Wao. Riverhead Books, 2007. First edition hardback, a Fine copy in a Fine dust jacket. Been looking for a copy at various Half Price Books and not finding one, so I was happy to pick this up from Scott and Willie.
  • Farmer, Philip Jose. The Keeper of the Secrets. Severn House, 1985. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of haze rubbing to the rear cover. First hardback edition of The Mad Goblin.
  • Farmer, Philip Jose. Love Song. Brandon House, 1970. First edition paperback original, a Near Fine- copy, with slight cover wear and ownership stamps and stickers for Diana Ann Barbour. My best find at the convention wasn’t even a purchase; Barbour had specified that her library was to be given away, and when I spotted this green spine among the stacks of Philip Jose Farmer paperbacks being set out, I snagged it. (I left behind two of the Essex House paperbacks they were putting out, because it doesn’t pay to be piggish.) The only copy of the PBO online lists for $850. That’s too high, but $200-400 is probably realistic.

  • Moorcock, Michael. The Sleeping Sorceress. New English Library, 1971. First edition hardback, a Fine copy in a Near Fine+ dust jacket with color loss along inner flaps edges (possibly a printing flaw). First hardback edition of The Vanishing Tower.
  • Moorcock, Michael. The Runestaff. White Lion, 1974. First edition hardback, a Fine- copy with just a tiny bit of wear in a Fine dust jacket. First hardback edition.
  • Shute, Nevil. On the Beach. Heinemann, 1957. First edition hardback, a near Fine plus copy with dust staining to top page blocks and touches of wear to boards at heel, in a Near Fine dust jacket, with slight edgewear at head and heel and a few very short, closed tears.
  • The July Ansible is Up

    Saturday, July 2nd, 2011

    For all your skiffy reading pleasure.

    Lawrence Person’s Library: Reference Books (Part 2: Oversized Books)

    Tuesday, June 21st, 2011

    And here’s the second part of my series on my reference library. The last installment dealt with the books I reach for most often. The reference works listed in this post share only size, being too big for most of my other shelves, which is why they’re filed here. Some of these (the Nevins, the first two Bleilers) get a lot of use, while others almost never get taken down (things that have been superseded by both the Internet and the two Clute encyclopedias).

    (Click to embiggen.)

    I’m not going to do a full run-down of publication dates, etc. for everything, but here’s a general overview of what’s here:

  • Harris-Fain, Darren, editor. British Fantasy and Science-Fiction Writers before World War I (Gale Dictionary of Literary Biography Volume 178). Eclectic selection, but a very solid work for the writers (about half the volume) who aren’t well-covered in other references.
  • Bleiler, Everett F. Science Fiction: The Early Years and Science Fiction: The Gernsback Years. Kent State University Press, 1990/1998. Absolutely essential for anyone with an interest in the early years of the field.
  • Bleiler, Everett F. Science Fiction Writers. First and second editions. Superseded by the two Clute Encyclopedias.
  • Smith, Curtis S., et. al. (editor) Twentieth Century Science Fiction Writers. Ditto.
  • Vinson, James and D.L. Kirkpatrick, editors. Twentieth Century Western Writers. It was cheap. Like, $2 at a library sale cheap…
  • Tuck, Doanld H. The Encyclopedia of Science Fiction and Fantasy. Two volumes. Another book set superseded by the two Clute Encyclopedias.
  • Nevins, Jess. The Encyclopedia of Fantastic Victoriana. MonkeyBrain Books, 2005. Extremely useful work, but not quite worth the $2,000 some people are asking for online…
  • Bell, Joseph. Les Bibliotheques Howard Phillips Lovecraft (Volumes 1-8). Soft Books, 1984-1987. Weird, eight volume, stapled paper-wrappers collection of various H. P. Lovecraft-related bibliographic tidbits. Huge overlap with the Joshi bibliography and the catalog of the Grill-Berkin collection (both of which I have), but some odd and interesting information for the Lovecraft fanatic (of which there are many). I will probably do a separate post on my collection of Lovecraft reference works sometime in the indeterminate future…
  • Sidney-Fryer, Donald. Emperor of Dreams: A Clark Ashton Smith Bibliography. Donald M. Grant, 1979. If this isn’t the most irritatingly organized single-author bibliography of all time, it’s not for want of trying…
  • Grant, Donald M. Talbot Mundy: Messenger of Destiny. Donald M. Grant, 1983. Just picked this up, so it’s still in the shrinkwrap…
  • Day, Bradford M. Materials Toward a Bibliography of the Works of Talbot Mundy. Science-Fiction & Fantasy Publications, 1955. My copy was beat to hell when I got it, and it was regarded as not entirely accurate even when it was produced. A historical curiosity only.
  • Pringle, David. St. James Guide to Horror, Ghost and Gothic Writers. St. James Press, 1998. A lot less superseded than the SF & Fantasy works, but unless it’s something quite modern, I’ll generally reach for Bleiler’s The Guide to Supernatural Fiction instead.
  • Hall, Hal. Science Fiction Book Review Index, 1974-1979. Gale, 1981. If you need it (and you know who you are), you need it.
  • Spignesi,Stephen J. Shape Under the Sheet: The Complete Stephen King Encyclopedia. Popular Culture Ink., 1991. A mixture of the really useful and the completely worthless.
  • Wiater, Stanley, Christopher Golden and Hank Wagner. The Stephen King Universe: A Guide to the Worlds of Stephen King. Cemetery Dance, 2001. Signed, slipcased edition. I don’t have too many King reference works, but I’ve got these two. (Plus Hank use to do a lot of reviews for me back in the Nova Express days.)
  • Hawk, Pat. Hawk’s Science Fiction, Fantasy & Horror Series & Sequels. Hawk’s Enterprises, 2001. Not perfect, but nothing else really covers so much information for this particular area.
  • Stableford, Brian. The Dictionary of Science Fiction Places. Simon & Schuster, 1999. A solid work, but I almost never find myself consulting it.
  • Turner, George R. (Bruce Gillespie, editor) SF Commentary 76: The Unrelenting Gaze: George Turner Non-Fiction: A Selection. A hefty selection of commentary, reviews, etc. from the dean of Australian SF writers. The full text is available online.
  • Wright, H. Stephen. Philip K. Dick: A Secondary Bibliography, 1960-1983. Just what it says. Bound pages. Not a particularly common work. Like Lovecraft, I plan on doing a future post on my Philip K. Dick reference works.
  • Shoaf, Eric C. Collecting William S. Burroughs in Print: A Checklist. Ratishna Books, 2000. Bought this off eBay back around 2001, and was initially disappointed that it was just bound pages, but this is actually a really solid bibliography. For example, there’s an in-depth history of the Grove Press publication of Naked Lunch.
  • Bradbury, Ray. Futuria Fantasia. Graham, 2007. Hardback reproduction of four issues of an early fanzine Bradbury published. I’m guessing the green ink is designed to matched the original look of the fanzine, but man, it’s really hard on the eyes…
  • Collins, Paul, editor. The MUP Encyclopaedia of Australian Science Fiction & Fantasy. Melbourne University Publishing, 1998. Felt compelled to pick this up after I published a very scathing John Clute review of it in Nova Express.
  • Science Fiction Bibliography, Volume 1, Number 1 (and only). Science Fiction Syndicate, 1935. A curiosity, being the first published science fiction bibliography on record (and published here in Austin, no less). Mainly reviews fanzine and magazines you’ve never heard of, condemning some as complete worthless. No author listed, but it was apparently a D. R. Welch, the first used SF book dealer in Austin. Picked up for $35 back when Currey was asking $100 for it. Mainly useful as something to pull out for guests and go “Look! The first published SF bibliography!” and watch them nod indulgently.
  • The New and Perfect Man (Postscripts 24/25) is Out

    Thursday, June 16th, 2011

    Including my story “The Dog Parade.”

    Here’s the traycase the signed, limited edition comes in:

    And here’s the book itself nestled snugly inside that traycase:

    It was actually an unusually long journey for the anthology to be published, as one of the sets of signature sheets got lost in transit, which set back the publication timeline considerably.

    Contents of Postscripts #24/25: The New and Perfect Man, edited by Peter Crowther & Nick Gevers, are as follows:

  • THE NEW AND PERFECT MAN — Carol Emshwiller (cover story, illustrated by her husband, the late, great Ed Emshwiller)
  • FRIGHTENED ANGELS — Jeremy Adam Smith
  • TO SEE INFINITY BARE — Rudy Rucker & Paul Di Filippo
  • ELECTRIC BREAKFAST — Paul Meloy
  • A CRACK IN THE CEILING OF THE WORLD — Michael Kelly
  • THE DOG PARADE — Lawrence Person
  • THE LAST HERETIC — Darrell Schweitzer
  • THE STORY OF PRINCESS ROSEBUD — Alan Peter Ryan
  • THE INN OF DISTANT SORROWS — Thomas Tessier
  • A MOMENT AT THE HOUSE — T.M. Wright
  • WHISPER — Richard Calder
  • THE PRIMATE SANCTUARY — Quentin S. Crisp
  • CALL ME — Bob Strother
  • SO LOVED — Matthew Hughes
  • CONFESSIONS OF A TYRANT’S DOUBLE — Gregory Norminton
  • EUPHORIA — Robert Reed
  • TRUE BLUE — Darrell Schweitzer
  • CHRIST THE PAINTER — Allen Ashley
  • YOUR GOLDEN HANDS — Andrew Hook
  • THE GHOST OF LILLIAN BLISS — Rio Youers
  • ASHES IN THE WATER — Joel Lane and Mat Joiner
  • CHILD OF EVIL STARS — Anne-Sylvie Homassel
  • HER FINGERS LIKE WHIPS, HER EYES LIKE RAZORS — Jay Lake
  • DR. BLACK, THOUGHTS & PATENTS — Brendan Connell
  • THE ROOM BEYOND — Ramsey Campbell
  • THROWNNESS — Adam Roberts
  • IMAGO — Keith Brooke
  • THE VORKUTA EVENT — Ken MacLeod
  • Sold wherever fine SF anthologies are sold…

    Lawrence Person’s Library: Reference Books (Part 1)

    Tuesday, June 14th, 2011

    I haven’t posted much the last week because I’ve been busy doing this and that, and one of the things I’ve been busy with is a long-overdue cleanup of my office, including doing something about those Nova Express review copies cluttering it up. Now that I’ve finally finished moving books around, and gotten a new camera (a Kodak Slice) to replace the one that died, I thought I would put up some long-overdue pictures of the books in my office, starting with the reference shelf right next to my computer, which contains the reference works I tend to reach for most often.

    (Click to embiggen.)

    Going left to right (left being the side closest to the computer, and thus the books I reach for most often) are:

  • Currey, L.W. Science Fiction and Fantasy Authors: A Bibliography of First Printings of Their Fiction. G. K. Hall, 1978. The bible of the field, and absolutely essential for any serious collector of science fiction first editions. Only goes up to 1978. For dates after 1983, you can use The Locus Online Database. Currey also sells a slightly updated CD-ROM version, which still only goes up to 1978. (Now if only someone would compile a book that covers 1979-1983…)
  • Chalker, Jack & Owings, Mark. The Science Fantasy Publishers: A Critical and Bibliographic History. Mirage Press, 1991 (“Third Edition Revised and Enlarged”). If you’re a serious SF collector, you need this. The problem is, you can’t trust it. No other reference work offers the wealth and scope of knowledge of SF small press publishers that this one does. There’s a lot of good information in here. The print edition shown above had major errors and omissions, and a very odd organizational structure, not to mention several sneers and the constant sound of ax-grinding for SF figures the authors disagree with; the CD-ROM version is more accurate, but no longer up to date as both Chalker and Owings have died. What this book is best for is the chatty, informative histories of the various publishing houses listed here. (If nothing else, I can unstintingly recommend this book for anyone thinking of starting up their own small press, as it provides numerous examples of what not to do.) It’s also quite useful for uncovering titles and publishers you might not have known existed before. In summary: A valuable tool for those who possess enough experience in the field to know which parts to take with a grain of salt.
  • Clute, John, & Nichols, Peter. The Encyclopedia of Science Fiction. St. Martins, 1993 (first U.S. edition, offset from the same plates as the Orbit (UK) first). An absolutely essential general reference work.
  • Clute, John, & Grant, John. The Encyclopedia of Fantasy. St. Martins, 1997 (first U.S. edition). Slightly more scattershot than the above, but still an essential guide.
  • Reginald, Robert. Science Fiction and Fantasy Literature: Indexes to the Literature, Science Fiction and Fantasy Literature:Contemporary Science Fiction Authors, and Science Fiction and Fantasy Literature: 1975 to 1991. Gale Research, 1980, 1981, 1992. Not the first reference work I reach for, but contains a lot of information that has slipped through the cracks of other works.
  • Levack, Daniel. Amber Dreams: A Roger Zelazny Bibliography. Underwood Miller, 1983. The first of the single-author bibliographies.
  • Levack, Daniel. PKD: A Philip K. Dick Bibliography. Underwood Miller, 1981. I have a copy of the trade paperback edition for sale over on the Lame Excuse Books page.
  • Hewett, Jerry. The Work of Jack Vance: An Annotated Bibliography & Guide. Borgo Press/Underwood Miller, 1994. I know Jerry pretty well, and not only has he signed my copy, he crossed out “Borgo” and wrote in “Bozo” on the title page. I think he had some problems dealing with them…
  • Bleiler, Everett F. The Checklist of Science-Fiction and Supernatural Fiction. Firebell, 1978. Slightly updated edition of Bleiler’s classic Checklist of Fantastic Fiction (which I have on another shelf), and an absolutely essential reference work for older SF/F/H books.
  • Joshi, S. T. Sixty Years of Arkham House. Arkham House, 1999. Not 100% accurate, but essential none the less.
  • Bleiler, Everett. The Guide to Supernatural Fiction. Kent State University Press, 1993. Very good, and very solid, as a general reference work, but not really concerned with first edition points.
  • Locke, George. Spectrum of Fantasy I-III. Ferret Fantasy, 1980-2002. Perhaps the only SF dealer as knowledgeable as Currey. These are Locke’s descriptions of his own personal library of fantastic fiction. Quite enjoyable works, and George is a nice guy.
  • One guideline I’d offer aspiring SF/F/H book collectors is: Don’t skimp on the reference works. Some of these books can be expensive, but all it takes is one real find (or one expensive dud avoided) for a good reference work to pay for itself.

    More pictures of my reference library when I have the time…

    Review Copypalooza

    Friday, June 3rd, 2011

    So about a year after I really needed to, I’ve finally got around to reorganizing my office. And by “reorganizing,” I mean “putting away a bunch of crap so I can actually put the books I’ve already bought in their proper places on my shelves.”

    One obstacle to this is all the Nova Express review copies that have piled up around the place. It hasn’t (quite) been a decade since The Fanzine That Walks Like a Semiprozine published its last issue in 2002. In 2003 I was unemployed most of the year, in 2004 I bought a house, and in 2005 I took a 10 day trip to the UK to see London and the Glasgow Worldcon, all things that ate up both time and money required to publish something that lost a good $1,000-2,000 an issue. (I contend that Nova Express is not in fact dead, but merely resting and pining for the fjords. It’s been my intention to resurrect the beast as some sort of online zine, but life has continued to get in the way.) Despite its non-published status, Nova Express has continued to receive review copies of books (proofs, ARCS, hardbacks, paperbacks, you name it), the more interesting of which I’ve put aside until I had time to bring the zine back to life, though I have reviewed something here every now and then.

    But rather than let all these review copies continue taking up valuable bookshelf space, I’ve decided to do two things:

    1. Offer them up to former Nova Express staffers (you know who you are) to review here on Futuramen (as a sort of low-calorie-Nova-Express substitute, or Nova-Express-in-Exile sort of thing), and
    2. Disperse the rest (sell/giveaway/put into my own library).

    Rather than spend time listing each and every copy (there are a lot), I’m just going to list the authors. If you’d like to review something by them, let me know. Keep in mind some of these are almost a decade old, but what the hell, better late than never.

  • Neal Asher
  • S. A. Bodeen
  • Kevin Brockmeier
  • M. M. Buckner
  • Ramsey Campbell
  • Storm Constantine
  • Brenda Cooper
  • Robert Conroy
  • Frank Corsaro
  • Ellen Datlow
  • Cory Doctrow
  • William Drinkard
  • Carol Emshwiller
  • Andreas Eschbach
  • Steven Erikson
  • Ian C. Esselmont
  • Michael Flynn
  • Gregory Frost
  • Anne Harris
  • Melanie Gideon
  • Daryl Gregory
  • Jim Grimsley
  • Peter F. Hamilton
  • Thomas Harlan
  • Howard Hendrix
  • Stephen Hunt
  • James Patrick Kelly
  • Liam Jackson
  • Jay Lake
  • Jean Lorrah
  • James Maxey
  • A. Lee Martinez
  • Sandra McDonald
  • Paul Melko
  • James Morrow
  • Jamil Nasir
  • Paul Park
  • Nicholas Pekearo
  • Kit Reed
  • R. Garcia Y. Robertson
  • Cameron Rogers
  • Mary Rosenblum
  • Rudy Rucker
  • Melinda Snodgrass
  • Stanley Schmidt
  • William R. Trotter
  • Vernor Vinge
  • Kit Whitfield
  • Kim Wilkins
  • David Wellington
  • Scott Westerfield
  • If you want to review any of these, drop me a line.

    New Lame Excuse Books Catalog Available

    Wednesday, March 16th, 2011

    I just sent out a new Lame Excuse Books catalog filled with interesting science fiction, fantasy, and horror first editions. Once again there’s lots of great stuff, including new books from Joe R. Lansdale, Jay Lake, Henry Kuttner, Charles Stross, Neal Stephenson, a Tim Powers Charnel House book, a signed Roger Zelazny limited edition, a desirable Jack Vance first, and numerous small press books from Subterranean, Haffner, PS Publishing, and Night Shade, among others. Let me know if you’d like me to email you a copy.

    The Lame Excuse Books homepage can be found here.

    The History of Science Fiction

    Wednesday, March 9th, 2011

    In visual form.

    Not exactly how I would do it, but worth taking a look at…