Posts Tagged ‘Science Fiction’

Philip K. Dick -30-

Sunday, March 4th, 2012

Philip K. Dick died 30 years ago, on March 2, 1982.

Dick was already a major science fiction writer before he died, but since his death he has come to loom over popular culture in a way that other near contemporary SF writers of similar stature (say, Roger Zelazny, Samuel R. Delany, Harlan Ellison, and John Brunner) have not. Dick’s themes of paranoia and unreality continue to resonate in a world where almost every human action is permanently recorded, an where so many of us live lives half in a world of unreality (said a man typing in his blog).

Dick’s prose may often have been workman-like, but his vision and voice were unique, and his sheer productivity was staggering not only for its quality, but also it quantity. Between 1961 and 1966, Dick wrote:

  • The Man in the High Castle
  • We Can Build You
  • Martian Time-Slip
  • Dr. Bloodmoney, or How We Got Along After the Bomb
  • The Game-Players of Titan
  • The Simulacra
  • The Crack in Space
  • Now Wait for Last Year
  • Clans of the Alphane Moon
  • The Three Stigmata of Palmer Eldritch
  • The Zap Gun
  • The Penultimate Truth
  • His portion of Deus Irae (later finished by Roger Zelazny)
  • The Unteleported Man
  • The Ganymede Takeover (with Ray Nelson)
  • Counter-Clock World
  • Do Androids Dream of Electric Sheep?
  • Nick and the Glimmung
  • Ubik
  • That’s in order of composition. Some of those are minor works, and many were only published later or after his death, but five or six are considered classics. Had an otherwise unknown SF writer written just one Dr. Bloodmoney or Ubik, they would still be remembered today as the one-hit wonder of a minor classic. To think that Dick cranked them out in six years (and was just as productive writing short stories earlier in his career) is pretty mind-boggling.

    I recently read Clans of the Alphane Moon on the way back from Stavanger, and I hope to have a review up in the not so distant future.

    (Also, I have a few Dick firsts and paperback reprints available through Lame Excuse Books.)

    The Story of How the GITS:SAC Laughing Man Logo Was Designed

    Wednesday, February 15th, 2012

    Those of you who have been reading my Locus Online reviews for a while know that I’m a fan of the Japanese anime series Ghost in the Shell: Stand Alone Complex. One of the many interesting features of that series is a super-hacker known as “Laughing Man” who is so proficient he’s able to hack streaming video in real time, plastering his logo over the faces of various people in the video:

    I’ve always admired the compelling, iconic simplicity of that logo, and how well it fit into the overall arc of the show’s first season. Which is why I found this piece on just how it was designed interesting.

    What Should I Read in 2012?

    Saturday, February 4th, 2012

    Better late than never!

    In the Before Time, the Long Long Ago (i.e., before I started this blog), I would ask The Vast Wisdom of Usenet (i.e. rec.arts.sf.written) what books I should read this year. Now that I have the blog, I’m posting the question here.

    Below are 100 books (or a few more, counting multiple titles by a single author) of fiction I’m considering reading in 2012. With a few exceptions (like forthcoming books), they’re pretty much all books I already own in first editions. Most likely I’ll get to considerably less than 100. The first few are books I’ll probably get to (or are already reading), whereas the rest are a little vaguer (and in alphabetical order by author). That’s where you come in. Tell me which of the books below I should or shouldn’t read, and why. If a book’s not on the list, it’s probably because I’ve already read it, or have no interest in it, won’t get to it this year, etc., so save your electrons instead of suggesting alternates (there are plenty of other places for that). And if I list Book #2 in a linear series, rest assured I’ve already read Book #1.

    I don’t promise I’ll read all the highest rated works, but those most highly praised are considerably more likely to be added to the reading stack, which is what’s happened the previous years I’ve done this.

  • Michael Shea: The Color Out of Time (read)
  • Jack Vance: The Killing Machine (read)
  • Stina Leicht: Of Blood & Honey (reading)
  • Joe R. Lansdale: Hyenas
  • Joe Dominici: Bringing Back the Dead
  • China Mieville: Embassytown
  • Robert Jackson Bennett: Company Man
  • Vernor Vinge: The Children of the Sky
  • Philip K. Dick: Clans of the Alphane Moon
  • Michael Moorcock: The War Hound and the World’s Pain
  • Greg Egan: Crystal Nights
  • Peter Ackroyd: Hawksmoor
  • Paolo Bacigalupi: The Windup Girl
  • Iain Banks: Against a Dark Background or Matter
  • John Barnes: Kaleidoscope Century or One for the Morning Glory
  • Stephen Baxter: Traces or Mayflower II
  • Peter S. Beagle: A Fine and Private Place
  • Greg Bear: The City at the End of Time or Hull Zero Three
  • Leigh Brackett: The Best of Leigh Brackett or The Long Tomorrow
  • David Brin: Dr. Pak’s Preschool
  • Tobias Buckell: Sly Mongoose or Tides from the New World
  • Octavia Butler: Fledgeling
  • Jack Cady: The Night We Buried Road Dog
  • Ramsey Campbell: Creatures of the Pool
  • Michael Chabon: The Amazing Adventures of Kavalier and Clay
  • John Christopher: No Blade of Grass
  • Susanna Clarke: Ladies of Grace Adieu
  • Hal Clement: Iceworld
  • Avram Davidson: The Adventures of Dr. Esterhauzy or Limekiller
  • L. Sprague de Camp: A Gun for Dinosaur
  • Bradley Denton: Laughin’ Boy
  • Junot Diaz: The Brief Wondrous Life of Oscar Wao
  • Paul Di Filippo: Lost Pages or A Princess of the Linear Jungle
  • George Alec Effinger: What Entropy Means to Me
  • Harlan Ellison: Deathbird Stories
  • Greg Egan: Crystals Nights or Zendegi
  • John M. Ford: The Dragon Waiting
  • Neil Gaiman: Fragile Things or The Graveyard Book
  • Hinko Gotleib: The Key to the Great Gate
  • John Gardner: Freddy’s Book or The Wreckage of Agathon
  • Ray Garton: Night Life or Nids
  • Jane Gaskell: The Serpent
  • Joe Haldeman: The Accidental Time Machine
  • Peter F. Hamilton: Mindstar Rising
  • Robert E. Howard: The Coming of Conan
  • Nalo Hopkinson: Brown Girl in the Ring or The Salt Roads
  • Shirley Jackson: We Have Always Lived in the Castle or The Lottery
  • K. W. Jeter: Noir or Dark Seeker
  • Ha Jin: Waiting
  • James Patrick Kelly: Strange But Not a Stranger
  • Stephen King: Dark Tower IV: Wizard and Glass or The Colorado Kid
  • Russell Kirk: The Surly Sullen Bell (and yes, I’ve read the 2 Arkham House collections)
  • Henry Kuttner and/or C. L. Moore: The Dark World or Black God’s Shadow or No Boundaries
  • R. A. Lafferty: Archipelago, Aurelia, or The 13th Voyage of Sinbad
  • Fritz Leiber: Night’s Black Agents
  • Jonathan Lethem: Motherless Brooklyn
  • Thomas Ligotti: Grimscribe, Noctuary, or The Shadow at the Bottom of the World
  • Ian MacLeod: Breathmoss and Other Exhalations
  • Ken MacLeod: Giant Lizards from Another Star or The Execution Channel
  • Gregory Maguire: Wicked
  • Barry Malzberg: Hervoit’s World
  • Richard Matheson: Duel
  • Maureen McHugh: Mothers and Other Monsters
  • Sean McMullen: The Miocene Arrow
  • Ward Moore: Bring the Jubilee
  • Richard Morgan: Woken Furies
  • Pat Murphy: The Falling Woman
  • John Myers Myers: Silverlock
  • William F. Nolan: Things Beyond Midnight or Wild Galaxy
  • Naomi Novik: Black Powder War
  • Chad Oliver: The Shores of Another Sea or The Winds of Time
  • Susan Palwick: The Fate of Mice
  • H. Beam Piper: Lord Kalvan of Otherwhen
  • Tim Powers: Three Days to Never or Pilot Light
  • Fletcher Pratt: The Well of the Unicorn
  • Mike Resnick: Paradise or Kilimanjaro
  • Alastair Reynolds: Redemption Ark
  • Rudy Rucker: Master of Time & Space or The Secret of Life or White Light
  • Matt Ruff: Fool on the Hill
  • Salman Rushdie: Midnight’s Children
  • Joanna Russ: The Female Man
  • John Scalzi: The Lost Colony
  • Karl Schroeder: Permanence or Lady of Mazes
  • Michael Shaara: The Herald or The Killer Angels
  • Lucius Shepard: Floater or Aztechs or Viator
  • Lewis Shiner: The Edges of Things or Black and White
  • Dan Simmons: The Terror or Hard as Nails
  • Robert Sladek: Roderick
  • Neal Stephenson: Zodiac or The Big U
  • Charles Stross: The Apocalypse Codex (forthcoming)
  • Theodore Sturgeon: Microcosmic God: The Complete Stories of Theodore Sturgeon Volume 2
  • Steph Swainston: The Year of Our War
  • Thomas Burnett Swann: The Day of the Minotaur
  • Manly Wade Wellman: The Sleuth Patrol or The Last Mammoth
  • Martha Wells: The Element of Fire
  • John Whitbourne: To Build Jerusalem or Binscomb Tales
  • Jack Williamson and James E. Gunn: Star Bridge
  • Connie Willis: To Say Nothing of the Dog
  • Gene Wolfe: The Land Across (forthcoming)
  • Much More Important Than ABBA

    Friday, January 27th, 2012

    The surviving members of Monty Python are reuniting for a science fiction film farce called Absolutely Anything.

    I am so there.

    Unpublished R. A. Lafferty

    Thursday, January 26th, 2012

    I don’t have a love/hate relationship with The New York Review of Science Fiction, but I do have a “Love/Meh” relationship with it. I’ve been a subscriber lo these many years, and have contributed the occasional piece. But frequently much of it will either strike me as the sort of close-reading, semiotic, postmodern academic grab fanny (“The Anvil of Dissonance: Contextualizing the Other in the Early Work of Joanna Russ”) that I tried to stay away from back when I was publishing Nova Express, or subjects that, while theoretically worthy of study, I would get so little out of that I see no point in spending the time to read (“The Evolution of the French Vampire Novel: 1867—1894”).

    But every now and then they publish something absolutely vital to my interests.

    This month it was Andrew Ferguson’s piece on unpublished R. A. Lafferty works, which is much more extensive than either the list in The SF Book of Lists or anywhere online. I knew about the unpublished In a Green Tree volumes and a few others, but there’s lots of stuff I’ve never heard of, including the novels:

  • Loup Garou, a werewolf mystery
  • Civil Blood, an anti-communist novel
  • Antonio Vescovo, a very early novel described as “a cross between Rabelais and The Lives of the Saints” (!)
  • Dark Shines, about gifted children and an evil protagonist, and
  • When All the World Was Young, a plague novel in which everyone over the age of 10 is killed.
  • And there’s a huge list of unpublished stories, poems and essays as well. All of which I’ll no doubt end up buying when it comes out.

    If you’re a Lafferty fan, it’s well worth your $4 to pick up a copy of this issue.

    Lawrence Person’s Library: Reference Books (Part 3: Contributor Copies)

    Wednesday, January 25th, 2012

    Here are some pics from the section of my reference library where I keep contributor copies of publications my work has appeared in. Before the contributor copies, there are several book auction catalogs (including from the auctions I covered here), as well as some old S. M. Mossberg and L. W. Currey book catalogs of interest. After that the actual contributor copies start. You should be able to figure out what these are from my bibliography. The exception is the black tape-bound volume on the first shelf, which is a compilation of materials handed out for a Danish class on science fiction which includes my review of Donnie Darko. I have so many copies of Jim Baen’s Universe because FACT had boxes to give away at the 2008 Nebula Awards here in Austin and I snagged some leftovers.

    As usual, click to embiggen.

    I have a few of these available for sale through Lame Excuse Books as well.

    Previous entries on my reference library can be found here and here.

    New William Gibson Book: Distrust That Particular Flavor

    Friday, January 20th, 2012

    William Gibson has a new book out, Distrust That Particular Flavor, collecting his non-fiction output. Gibson’s essays are usually interesting and thought-provoking.

    Paul Di Filippo offers a review, as does The New York Times.

    My Review of Charles Stross’ Rule 34 is Now Up

    Wednesday, January 4th, 2012

    Over at SF Signal.

    Happy Birthday, Ralph 124C41+!

    Monday, January 2nd, 2012

    One more for 2011:

    This article in The Economist points out that Hugo Gernsback’s Ralph 124C41+ (one to foresee for one) was published 100 years ago. The article calls it “arguably the first major work of American science fiction.” Well, no. There were a lots of examples of American SF before that, as both the late Everett Bleiler and the very much alive Jess Nevins could point to no end of antecedent examples. But Ralph 124C41+ is probably the first novel overwhelmingly concerned with the idea that technology will change almost every aspect of the quotidian lives of ordinary people. In weird way it’s sort of a cyberpunk precursor. That’s why, for all the clumsy prose, the “As you know Bob” infodumps, the hackneyed romance-and-rescue plot, and the paper thin characters, the work remains a cornerstone of American science fiction.

    That said, it’s not for everyone. It isn’t quite unreadable (I like it a bit better than Horace Walpole’s The Castle of Otranto), but it’s close. Today its importance is entirely historical, and only real students of the field should give it a try. (I was quite surprised when Charlie Brown admitted he hadn’t read it on a panel we were on at the 2006 Worldcon in Anaheim.)

    (Hat tip: Locus Online.)

    A Few Recent Book Aquistions of Interest

    Wednesday, December 14th, 2011

    The book buying continues apace here at Stately Person Manor. I plan to have a comprehensive roundup of every damn thing I bought toward the end of the year (which is nigh), but here are a few particularly interesting, obscure, and/or lustworthy books I’ve picked up since Worldcon (a;; pics enbiggenable):

  • Graham, H. E. The Battle of Dora. William Clowes & Sons, Ltd. 1931. First edition hardback, a Very Good copy in a Good+ dust jacket with three 1/4″ chips at edges. Future war book set in an imaginary European country concerned with primarily with the evolving tactics of mechanized warfare. With fold-out maps!

  • Howard, Robert E. The Coming of Conan. Gnome Press, 1953. First edition hardback, a Near Fine+ copy with slight bends at head and heel and slight foxing to strip along front and back gutters, in a Near Fine dust jacket with slight dust staining to white rear cover and a few touches of rubbing to spine panel (but no spine fading). This completes my Robert E. Howard Gnome Press Conan collection. (At some point I suppose I’ll pick up the De Camp and Nyburg volume but, eh. what’s the rush?)

  • Oliver, Chad. Another Kind. Ballantine Books, no date (1955). First edition hardback (an unrecorded variant binding of green boards with red lettering), a Near Fine copy with slight age-darkening to page (most noticeable in one signature) and slight bending at head and heel in a Near Fine dust jacket with slight age darkening and touches of wear at extremities. Actually quite nice. All of the Ballantine SF hardbacks if this era are hard to find.