Posts Tagged ‘Science Fiction’

New Lame Excuse Books Catalog Due Soon

Thursday, September 29th, 2011

I’m in the process of putting together a new Lame Excuse Books catalog I hope to be able to send out via email next week. if you’re not already on my mailing list and want to receive a copy, drop me a line.

New Book Acquisitions: Two Richard Matheson First Editions

Sunday, September 25th, 2011

I managed to pick up two notable Richard Matheson first editions in the last month or so:

  • Matheson, Richard. Born of Man and Woman. Chamberlain Press, 1954. First edition hardback, a Fine copy in a Near Fine- dust jacket with rubbing to front and rear, but less than the usual fading. Matheson’s first hardback book and first SF book (preceded by two mystery paperback originals). Some science fiction small presses have had trouble with floods, and others with fires, but Chamberlain Press may be the only one that suffered from both; a flood destroyed most of the remaining bound copies of this book (the only one they published), and a fire destroyed the remaining unbound sheets. About 650 copies are believed to have distributed, thus escaping both catastrophes. (See Jack Chalker & Mark Ownings, The Science Fantasy Publishers: A Critical and Bibliographic History (Third Revised and Enlarged Edition), Mirage Press, 1991, pages 97-98 for more details.) L.W. Currey, Science Fiction and Fantasy Authors: A Bibliography of First Printings of Their Fiction, G.W. Hall, 1978, page 358. Bought off eBay for $257.81 plus shipping.

  • Matheson, Richard. The Shrinking Man. David Bruce & Watson, 1973. First hardback edition, an Ex-Library copy with the usual marking, and a clipped price, otherwise a VG copy in a Near Fine- dust jacket (would be fine if not for the corner-clip). Currey, Page 358. Obtained from the auction of the Jerry Weist collection for $80. See here for details.

  • After Action Report on Heritage Auction’s Sale of the Jerry Weist Collection

    Monday, September 19th, 2011

    Every year or two, Heritage Auctions in Dallas conducts a big auction of a major science fiction book collection. In 2007, it was the Ventura Collection.

    The Ventura Collection auction was very successful, and since it occurred right before the advent of The Great Recession, many of the prices achieved in that auction have not since been equaled. (It may also be the first auction catalog Heritage mass-mailed to prospective SF collectors; I had not received any before then.)

    In 2008, it was The Robert and Diane Yaspan collection, which included a vast array of SF firsts as well as several SF manuscripts and a few select non-SF firsts, such as many firsts by mystery writer Earle Stanley Gardener.

    Later in 2008 was the auction of The Frank Collection, which was mainly SF art, but included a number of notable SF first editions as well.

    The just completed auction of the Jerry Weist collection was of the same caliber. There was some original art and pulp magazines in the collection, but the bulk of it was collectible SF/F/H first editions. The auction realized more than $1 million (though a significant fraction of that was for the artworks).

    I’m going to talk about some of the more interesting items sold, and how the prices realized compared to comparable copies of the same firsts in previous years. I’ll also mention when I have a copy of the first edition discussed in my own library.

    A few general observations:

  • Unlike previous Heritage SF Auctions, there were very few multi-volume lots of less desirable titles. I think Heritage will be selling those books individually on their weekly Internet book auctions.
  • Weist, like myself, settled for less than perfect copies of many difficult titles, including some worn, corner-clipped, or ex-library copies. (By contrast, the vast majority of the Ventura collection were pristine copies.)
  • The Weist collection was very strong in Golden Age and pre-Golden Age authors, but very weak in Hypermodern SF.
  • It was strong in Ray Cummings and Edgar Rice Burroughs (neither of which I collect), Isaac Asimov, John W. Campbell, Arthur C. Clarke, Philip K. Dick, Robert A. Heinlein, William Hope Hodgson (many if not all of the firsts published in his lifetime), Robert E. Howard, Curt Siodmak (more about which anon), Clark Ashton Smith, and Olaf Stapledon.

  • Conversely, assuming the volumes presented in the auction do constitute the cream of the crop and nothing has been held back, it was weak in Jack Vance, Stephen King, Avram Davidson, R. A. Lafferty, Gene Wolfe and (save the two Fahrenheit 451s) Ray Bradbury.
  • I’ve tried to do some trending for various titles here, but there’s a lot of volatility at the high of the market. A book that normally goes for $100-200 might hit $2,000 for a signed copy at auction If two deep-pocketed collectors each need it to complete their collection.
  • Holy Grails

    To me, far and away the most interesting and desirable item was one of only five copies of Stanley G. Weinbaum’s Dawn of Flame to have the unsigned introduction by Amazing editor Ray Palmer. Weinbaum’s widow evidently objected to the introduction, which is why only five copies were so produced. Even the 245 copy Currey B state (with Lawrence Keating’s introduction replacing Palmer’s) is rare enough, and the book is widely considered the first true SF small press book. I don’t believe I’d seen a copy of the Palmer state for sale before, but I think one was sold when the Sam Moskowitz collection was auctioned off (they didn’t send me a catalog). Moreover, this particular copy once belonged to legendary collector and fan Forrest J. Ackerman, and was inscribed by him to Weist. Counting the buyer’s premium (a little shy of 20%, and which I’m going to include for all the other prices listed here), it went for $9,560.00; it wouldn’t have surprised me to see it go for twice that much.

    There were some other SF collecting “holy grails” sold there:

  • One of 50 copies of the signed, presentation hardback state of Ray Bradbury’s Fahrenheit 451, which went for $8,365.00. This represents an increase over the $5,377 a copy fetched in the Yaspan auction.
  • One of 200 asbestos bound copies of Fahrenheit 451 graded Very Good, went for $5,975.00. This represents something of a decline; a Fine copy went $15,535 in the Ventura Collection auction, a Very Good copy in the Yaspan collection went for $8,962, and a Near Fine copy in the Frank auction went for $9,560.
  • To me one of the most surprising outcomes was seeing a signed copy of Philip K. Dick’s Confessions of a Crap Artist go for $5,078.75, since there’s at least one signed copy from the 90 copies originally signed by Dick available online for $1,500. (And I think there were two copies for well under $5,000 when the auction commenced…) I have one of the unsigned firsts, which goes for considerably less.
  • Speaking of Dick, a copy of Do Androids Dream of Electric Sheep? went for $6,572.50, despite tape stains on the jacket folds. I thought the $9,560 fetched by a Near Fine copy in the Ventura auction was outrageous at the time, but the value seems to have held up. (I have an ex-library copy myself, and even Ex-Lib copies list online for two to four grand.)
  • One of only 75 sets of E. E. “Doc” Smith’s History of Civilization, the six volume signed, leatherbound Fantasy Press set (in box, but without lid) went for $5,377.50. A set with the lid went for $5,676.25 in the Yaspan auction.
  • Other Notable Books

    From Holy Grails we move on to books that are merely Really Freaking Expensive. There are usually a few copies of these bumping around on Bookfinder.com, albeit with a comma in the price.

  • A signed copy of Isaac Asimov’s Foundation and Empire ($1,912) went for more than a signed (via bookplate) I, Robot ($1,553.50), probably due to some mild water damage to the latter. A Fine but price-clipped copy of I, Robot went for $2,270 in the Ventura auction, while another imperfect copy went for $1,434 in the Yaspan auction. I, Robot has become by far the hardest to find among the Gnome Press Asimovs.
  • A signed, Near Fine copy of Alfred Bester’s The Demolished Man went for $872.35. I have a Fine copy, but not signed.
  • A merely Very Good copy of Bester’s Tiger! Tiger! (the hardback first of The Stars My Destination) went for $1,015.75, which is probably about market. A Fine copy in the Ventura auction went for $1,792.
  • The late Jack Chalker’s inscribed copy of Hal Clement’s Cycle of Fire went for $1,015.75. The title is harder to find than most of Ballantine Books SF hardbacks of the fifties.
  • Bob Weinberg’s inscribed ex-library copy of Philip Jose Farmer’s Green Odyssey went for a relatively modest $334.60. Like Cycle of Fire, this is one of the most difficult Ballantine Books hardbacks to find, especially for non-ex-library copies. Despite that, a Very Good signed copy failed to sell in the Yaspan auction, while a restored ExLib copy went for $448.13 in the Ventura auction.
  • A Fine, signed copy of the Gollancz (first hardback) edition of William Gibson’s Neuromancer, probably the essential novel of Hypermodern Science Fiction, went for $1,553.50. This is one of the few items for which you can see a clear, unambiguous decline across auctions, as a similarly Fine, signed copy went for $2,695 in the Ventura auction, while a similarly Fine, signed copy went for $2,151 in the Yaspan auction. I have a signed Fine- copy.
  • A copy of Robert A. Heinlein’s Podkayne of Mars went for $985.88. I don’t think it’s quite as good as the copy I just picked up last month for $235.
  • A Very Good+ copy of Heinlein’s Starship Troopers went for $2,270.50. A Fine copy fetched $4,780 in the Ventura auction. I have a very nice Ex-Library copy.
  • A Near Fine copy of Frank Herbert’s Dune went for $4,780. A Fine- copy (a rating I thought was a bit generous, given the rubbing along the dj spine) in the Ventura auction went for $10,755. I have a very worn Ex-Library copy.
  • An inscribed, Near Fine copy of Daniel Keyes’ Flowers for Algernon went for $2,390. A similar copy (though with a tipped-in signature rather than an inscription) went for $1,434. My copy is a bit less fine, and unsigned.
  • A copy of H.P. Lovecraft’s The Outsider and Others (the first Arkham House book and a cornerstone for both SF and horror collections) went for a healthy $3,883.75.
  • Another rare Lovecraft item, an exceptionally nice copy of the Visionary Publishing edition of The Shadow Over Innsmouth, went for a hefty $7,170.00. That’s toward the high end for an unsigned copy (since it was published in Lovecraft’s lifetime, signed copies do exist, and can be had for less than the price of a new Lexus), but there’s a dizzying number of variant states, and I’m not sure which are considered the more desirable among high-end Lovecraft collectors.
  • A Very Good+ copy of Walter M. Miller’s A Canticle for Leibowitz went for $2,031.50, mainly because it has the rare orange promotional band. I have an Ex-Library copy.
  • An inscribed, conservatively graded Very Good copy of the Gollancz (first hardback) edition of Larry Niven’s Ringworld went for $2,390.00. In the Ventura auction, a Fine signed copy went for $5,206.25, while in the Yaspan auction, the better of two copies (not signed) went for $1,792. I have an unusually clean Ex-Lib Gollancz Ringworld, which might pass for Fine save an excised front free endpaper. (Did you know there was an unused dust jacket state for the Gollancz Ringworld? Lord knows how this guy (who I believe also owns this amazing Jack Vance collection) got a copy of it…)
  • A price-clipped copy of Connie Willis’ Doomsday Book went for $507.88. One of the more interesting outliers at the Ventura collection was a Fine signed copy going for an eye-popping $1,912. I have a Fine copy Connie inscribed to me after she attended Turkey City I picked up when it came out at cover price.
  • One of the most puzzling results of the auction was a signed first of Curt Siomdak’s Skyport was initially reported going for a stunning $8,611.17. That’s only about $8,500 more than it’s worth. But now when you go to the auction page for the item itself, it shows a far saner $101.58. I’m assuming there was some sort of glitch.

    Slightly less puzzling was a signed, Near Fine copy of L. Sprague de Camp’s The Wheels of If (which has one of Hannes Bok’s most famous dust jacket illustrations) went for $717, which is a good bit more than it usually goes for; Lloyd Currey has a comparable-to-better signed copy online right now for $150. Before this I had the impression de Camp was out of fashion among collectors (and thus I have been able to pick up a number of signed copies of his work pretty cheap). I suspect this is an outlier.

    Although I bid on several items, I only won one: an Ex-Library first of the UK David Bruce & Watson (first hardback) edition of Richard Matheson’s The Shrinking Man for $95.60. Fine copies go for over a grand.

    Related Topics

    Other science fiction book collecting topics (and glimpses into my own bibliomania) you might find of interest:

  • A description of my own library of science fiction first editions
  • My Books Wanted List
  • Lame Excuse Books, my own side SF/F/H book business, where a discerning collector may find several books of potential interest.
  • Other book related posts (including new acquisitions to my library)
  • Armadillocon 2011 Photos for Sunday, August 28

    Saturday, September 17th, 2011

    Just a handful, as I left my camera recharging for the con itself, so all of these are from the dead dog party.


    Lou Anders’ wife makes him presentable.


    Willie Siros, Scott Bobo and Emma Bull get their Shiner on.


    Emma Bull fiddles with a confounding electronic device.


    Willie listens to Bobo tell the punchline. “And that’s when I gave him back the duck.”


    Another Armadillocon survived.

    Armadillocon 2011 Photos for Saturday, August 27

    Wednesday, September 14th, 2011


    A chipper-at-all-hours Kasey Lansdale, having no pity on us poor souls discomforted by having to get up at the crack of noon.


    if we’re going to show Kasey, I suppose we should show her father, Joe R. Lansdale. I think he’s written a book or two.


    Neal Barrett, Jr. “You working on anything right now, Neal?” “I’m a writer, I’m always working on something. That’s what writers do.”


    Howard Waldrop, relieved that we only have to review Cowboys & Aliens once.


    Rob Landley, the man who helped found both Penguincon and Linucon. And yet, somehow, he still walks among the living.


    Paolo Bacigalupi, wondering just where that alligator might have gotten to.


    Brad Denton, who foolishly exposed his skin to direct sunlight for almost 15 full seconds.


    Martha Wells, reclining in the position usually reserved for her palanquin.


    Elizabeth Moon’s expression shortly after hearing that she wouldn’t have spend three days being condescended and lectured to by dour, joyless feminists.


    Jayme Lynn Blaschke, who’ had to cut back on his previously extravagant vest budget.


    Kurt Baty towers over Lego creations. Deep in the night, he sneaks into his unfinished mansion to loom over them and shout “I’m the God! I’m the God!”


    With his portable manual typewriter, Lou Antonelli may be taking his emulation of role-model Howard Waldrop a little too far…


    Just one of the many, many martinis Scott Bobo drank that weekend, not all of which had Ed Scarborough looking on.


    Scott, Ed and Dwight wait for dinner.


    Dwight, Rich and Milton.


    Little Chuckie, Emma Bull and Stina Leicht just before the Elizabeth Moon and Wiscon panel, more about which at a later date. No one was killed during the panel, which counts as a rousing success.


    Ben Yalow and Emma Bull.


    Matthew Bay, with beer and wearing a utility kilt, key clues for the police to piece together the horrific orbital belt sanding disaster that befell him moments later.

    There used to be a picture here. Now there’s not.


    Lovely con newbie Jamie Hott and here +5 Camera of Smiting.


    Paolo attempts to re-enact the cover shoot from Peter Gabriel I.


    The second of my blackmail photos of Mark Finn, this time cavorting with shameless married hussy Emma Bull.


    The unsuspecting Will Shetterly sits next to his wife, none the wiser to the lascivious gyrations performed shortly before.


    Oh yeah, baby! Finn and Dave Cake demonstrate that Fezes are TOTALLY coming back! It’s only a matter of time!


    Brad offers Paolo the traditional SFWA Salute of Respect.


    “I just ate what?”


    Here serial cavorter Finns plys his oleaginous charm on the unsuspecting Jessica Reisman.


    “Tonight the monkey dies!”


    Kasey Lansdale reacts with calm, cool aplomb to Brad Denton missing a deadline.


    This is what happens when you attempt to photograph the Tetragrammaton.

    And finally (two base notes) in a world…where dinner can take three hours…one man…will drink…a martini!

    Scott Bobo Drinks a Martini

    Ed Bryant Could Use Your Help

    Monday, September 12th, 2011

    Due to health and financial troubles. Details and a way to donate at the link.

    Armadillocon 2011 Photos for Friday, August 26

    Saturday, September 10th, 2011


    Mark Finn, rocking the cutting edge of FEZ NATION!


    Howard Waldrop.


    Dwight Brown gets the pre-convention lunch off to his usual facepalming start. What set him off this time was Todd saying “Look! We’re haircut twinsies!”


    DUFF winner David Cake.


    Early Turkey Citizen Joe Pumilia.

    There was a picture of William Browning Spencer, but he has evidently grown disenchanted with his own visage, and asked that it be removed..


    Al Jackson. For once I snapped a picture with his eyes open. Thanks for lunch, Al!


    Dwight, mournful that his mama took his Kodachrome away.


    Michael Sumbera, taking a break from assembling his retail sales empire.


    Aaron Allston. Generally, I only see Aaron at: A.) Cons, or B.) Indian restaurants.


    James Reasoner.


    John DeNardo: “You know I hate having my picture taken.” Naturally, after he said that, I’m required to take his picture several additional times.


    Like this one.


    And this one.


    Bruce Sterling was having a garage sale of books at the con. Here he is holding aloft the (true story) Rudy Rucker books I had pulled from the pile, refusing to sell them to me. Including the copy of The 57th Franz Kafka I had given him as a gift 15 years before. “I’ve got to donate these to UT.” Thanks a lot, Bruce.


    Bill Crider, reenacting a scene from Daredevil.


    Bill again, now with added sight.


    Stina Leicht, with her hair in the traditional Blue Con shade.


    Two people, both of whom complained that I took their picture too much. You can see how well those complaints worked out for them.


    Rocky Kelley, artistic dandy and man-about-town.


    Jessica Reisman. The camera is set properly, it’s just that Jessica lives her entire life in soft focus. Doctors keep doing tests to determine the cause.


    Jasmina Tesanovic and Bruce Sterling. “It’s a 110° out today! I’m feeling pretty darn good about my Global Warming predictions!”


    Derek Johnson. You can’t see it, but just below the frame of this picture, he’s clutching a snifter of brandy with one hand and stroking a white cat with the other.


    Gretchen Peterson Johnston shows that she is totally ready for the Fetish Boot Ball.


    Chris Nakashima-Brown n. Brown this guy I know.


    Yvonne Daily and Phil Brogden, who you may remember from such hits as “Goddamnit, Lawrence, you sure take a lot of freaking convention pictures, don’t you?”


    Robert Jackson Bennett, author of the spiffy first novel Mr. Shivers, copies of which can be obtained in the usual manner.


    Bradley Denton assumes the now-traditional “Oh yeah? Then I’ll take YOUR picture!” position.


    Jessica Reisman Redux.


    Paolo Bacigalupi and Bruce Sterling, debating whose global warming future is more wretched and dystopian.


    Rich Simental.


    “NEVER MIND!”


    The Space Squidians, shortly after freebasing some ink.


    Brad Foster, with a Hugo that might seem familiar.


    “You so naughty!”


    Kasey Lansdale, mooning over Mark Finn. (I warned you, Finn! I said UNMARKED twenties!)


    Scott Cupp, James Reasoner and Joe R. Lansdale, talking about F. Scott Fitzgerald, Ernest Hemingway, and why you can’t get good belt onions anymore.


    Ben Yalow.


    It was….the unnameable.

    David Brin Plays the Harmonica

    Wednesday, September 7th, 2011

    One final bit from Worldcon. Here’s an audio recording of David Brin playing “Camptown Races” on the harmonica on the shuttle bus from the 2011 Worldcon to the Reno/Tahoe Airport. (I’ve chopped off a couple of false starts on other songs before this.) There’s a little flutter toward the middle, but I think he does a pretty credible job…

    Brin Harmonica

    Books I Picked Up at the Reno Worldcon

    Friday, September 2nd, 2011

    Various issues have kept me remarkably busy the last few days, so it may take a little while to get my blogging back up to speed. In particular, I wanted to do a brief roundup of some of the books I bought at the Reno Worldcon.

    This year’s Worldcon had a better dealer’s room than Denver in 2008 (the last Worldcon I went to), and there were many rare and tempting items there (including not one, but two copies of the first edition of William Timlin’s The Ship That Sailed to Mars, as well as a fine signed first edition of Alfred Bester’s Tiger Tiger listed for $2,500, and which sold for a bit less) which, alas, they wanted more for than I was willing to spend.

    But here are a few items I was able to add to my collection:

  • Serviss, Garrett P. Edison’s Conquest of Mars. Carcosa House, 1947. First edition hardback, one of 1,500 copies, a Fine copy in one of only 500 (or fewer) dust jackets distributed with the book, a Near Fine example of dj with just a few traces of edgewear and slight age-darkening to the spine. The dust jacket is rarely found, and even more seldom found in such excellent condition.

    The dust jacket art itself is perhaps the finest ever drawn by an eight-year old…

  • Hubbard, L. Ron. Final Blackout. Hadley Publishing, 1948. First edition hardback, a Fine copy in a Near Fine+ dust jacket with slight age darkening to white portions of cover. I’m not a big fan of Hubbard (or his church), but this and Fear are reportedly among his best works, and I am less familiar with his output than almost any other Golden Age author. Plus it puts me closer to having a complete collection of Hadley Publishing, an important early SF specialty press.

  • Gaiman, Neil. Melinda. Hill House, 2004. First edition graphic novel, one of 1,500 signed copies, Fine, sans dust jacket, as issued. Wanted this when it came out, but not enough to pay the $250 or so Hill House was asking for it, especially considering how slender it is. But the $50 I picked it up for was just right…


  • Anderson, Poul. Fire Time. Doubleday, 1974. First edition hardback, a Fine copy in a Near Fine dust jacket with edgewear. Not a difficult or valuable title, except this copy was inscribed by Anderson to Charles N. Brown, which I thought made it worth a good bit more than the $15 the Locus folks were asking for it.
  • Diaz, Junot. The Brief Wondrous Life of Oscar Wao. Riverhead Books, 2007. First edition hardback, a Fine copy in a Fine dust jacket. Been looking for a copy at various Half Price Books and not finding one, so I was happy to pick this up from Scott and Willie.
  • Farmer, Philip Jose. The Keeper of the Secrets. Severn House, 1985. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of haze rubbing to the rear cover. First hardback edition of The Mad Goblin.
  • Farmer, Philip Jose. Love Song. Brandon House, 1970. First edition paperback original, a Near Fine- copy, with slight cover wear and ownership stamps and stickers for Diana Ann Barbour. My best find at the convention wasn’t even a purchase; Barbour had specified that her library was to be given away, and when I spotted this green spine among the stacks of Philip Jose Farmer paperbacks being set out, I snagged it. (I left behind two of the Essex House paperbacks they were putting out, because it doesn’t pay to be piggish.) The only copy of the PBO online lists for $850. That’s too high, but $200-400 is probably realistic.

  • Moorcock, Michael. The Sleeping Sorceress. New English Library, 1971. First edition hardback, a Fine copy in a Near Fine+ dust jacket with color loss along inner flaps edges (possibly a printing flaw). First hardback edition of The Vanishing Tower.
  • Moorcock, Michael. The Runestaff. White Lion, 1974. First edition hardback, a Fine- copy with just a tiny bit of wear in a Fine dust jacket. First hardback edition.
  • Shute, Nevil. On the Beach. Heinemann, 1957. First edition hardback, a near Fine plus copy with dust staining to top page blocks and touches of wear to boards at heel, in a Near Fine dust jacket, with slight edgewear at head and heel and a few very short, closed tears.
  • Happy 95th Birthday to Jack Vance!

    Sunday, August 28th, 2011

    He was born August 28, 1916.

    By way of celebration, if you haven’t already seen it, here’s someone else’s Jack Vance collection. Remember to pick your jaw up off the floor before you leave.

    And here’s some of Mike Berro’s extensive collection.