Posts Tagged ‘Ray Bradbury’

Library Additions: A Random Collection of Signed Books

Monday, November 18th, 2013

Some more library additions, with no particular theme except books signed by the author.

  • Bear, Greg. Early Harvest. NESFA Press, 1988. First edition hardback, #173 of 250 signed, numbered copies (800 print run total), a Fine copy in a Fine dust jacket and slipcase. Supplements a signed trade copy. Bought off the Internet for $37.50.
  • Bradbury, Ray. Driving Blind Avon Books, 1997. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed by Bradbury: “Marilyn! /Onward!/Ray Bradbury/Oct. 18, ’97”. Bought for $20 off eBay.
  • Gaiman, Neil. Fortunately the Milk…. HarperCollins (UK), 2013. First edition hardback (the UK and U.S. edition were evidently simultaneous), slipcased limited edition (“with exclusive bookmark”) sold by UK bookstore chain Foyle’s signed by Gaiman and illustrator Chris Riddle, a Fine copy, sans dust jacket, as issued, still in shrinkwrap. I think this state came out about a month after the trade edition. Young adult novella. Bought for £19.99 plus shipping off eBay.

    Gaiman Milk

  • Gibson, William. Zero History. Putnum, 2010. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Gibson. Bought for $12 (marked down from $20) at a Half Price Books during a coupon sale.
  • Lake, Jay. Dogs in the Moonlight. Prime Books, 2004. First edition hardback, a Fine copy in a Fine- dust jacket with a bit of wear at the tips. Signed by Lake. Missed this when it came out, mainly because Prime was still part of Wildside. Bought for $24 off the Internet.
  • Lake, Jay. Endurance. Tor, 2011. Signed by Lake. Bought for 20% off cover at the San Antonio Worldcon.
  • Pohl, Frederik, with Jack Williamson. The Saga of Cuckoo. Nelson Doubleday (SFBC), 1983. First edition thus and first hardback (a book club omnibus edition of Farthest Star and A World Around a Star, both previously published only in paperback), code “N34” on page 433 (as per ISFDB), a Fine- copy with a tiny bit of crimping at head and heel, in a Fine dust jacket. Signed by both Pohl and Williamson. Bought for $22.50 off eBay.
  • Powers, Tim/James P. Blaylock. The Way Down the Hill/The Pink of Fading Neon. Axoltl Press, 1986. First Edition hardback, #178 of 300 hardback copies by both authors and introducers Ed Bryant and Charles De Lint, a Fine copy in a Fine dust jacket. Bought for $30 plus shipping from Heritage Auctions. One of those books I wasn’t sure whether I owned or not, since I had the other Axolotl Press Powers and Blaylock books…
  • Library Additions: Two Signed Ray Bradbury Books

    Thursday, October 24th, 2013

    I picked up two more signed Ray Bradbury books off eBay:

  • Bradbury, Ray. The Homecoming. Collins Design, 2006. First edition hardback in decorated boards, a Fine copy in a Fine dust jacket, signed by Bradbury. Illustrated by Dave McKean. Short story done as a short illustrated book. Bought for $30.51 off eBay.

  • Bradbury, Ray. With Cat for Comforter. Gibbs Smith Publisher, 1997. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bradbury. Illustrated by Louise Reinoehl Max. Short poem turned into an illustrated children’s book. Replaces an unsigned copy in my library. Bought for $16.66 off eBay.

  • Library Additions: Three Interesting Ray Bradbury Chapbooks

    Monday, August 5th, 2013

    I recently picked up three Ray Bradbury chapbooks, two signed stapled chapbooks from Heritage Auctions, one bound in decorated boards from Half Price Books. One is pretty well documented as a first edition. However, the other two, being for the scholastic market, are not.

  • Bradbury, Ray. Collected Short Stories. Petersen Publishing Company (The Great Author Series), 2002. Presumed first edition hardback (no additional printings listed), a Fine copy in decorated boards, sans dust jacket, presumably as issued. 96 page book which collects three stories (“The Other Foot,” “The April Witch,” and “The Veldt”), reading comprehension questions, and a biography. Not to be confused with the much larger The Stories of Ray Bradbury, which I also have.

  • Bradbury, Ray. The Dragon. Footsteps Press, 1988. First edition chapbook, #72 of 300 signed, numbered copies, Fine. Has affixed wrappers with a transparent blue Mylar window (there were evidently also red and yellow window variants).

  • Bradbury, Ray. The Veldt. The Perfection Form Company, 1982. (Possible) First edition chapbook original, a Fine copy in stapled wraps, inscribed by Bradbury on the cover. Reading comprehension questions at the back.

  • I’m not aware of a comprehensive Ray Bradbury bibliography out that, or I would no doubt own it. Does anyone know if The Veldt and Collected Short Stories are indeed first editions of those works or not, or how I would tell?

    Book Auction Watch: Graham Greene’s Inscribed First Edition of William Golding’s Lord of the Flies

    Tuesday, October 23rd, 2012

    Bloomsbury Auctions is offering up several notable modern first editions on Thursday, October 25th. Among the items offered: Graham Greene’s inscribed first edition of Lord of the Flies. That’s not quite in the same league as Lord Byron’s inscribed copy of Frankenstein, but it’s still an impressive association copy.

    There are a few other SF/F/H first editions of note: A nice set of J. R. R. Tolkein’s The Lord of the Rings (all first printings, but the last a 3rd state book and 2nd state dust jacket), a signed first of Anthony Burgess’ A Clockwork Orange, Richard Adams’ Watership Down, Robert Bloch’s Psycho, Ray Bradbury’s Fahrenheit 451 (not stated, but Currey D binding) and Dark Carnival, an inscribed copy of Roald Dahl’s first book The Gremlins, Aldous Huxley’s Brave New World, Stephen King’s Carrie (signed), and several other King books, George Orwell’s Animal Farm and both cover variants of Nineteen Eighty-Four, the UK first of John Wyndham’s The Day of the Triffids (the U.S. Doubleday edition actually precedes) and Oscar Wilde’s The Picture of Dorian Gray.

    Other notable first editions include Samuel Beckett’s first published work, Raymond Chandler’s The Big Sleep, Agatha Christie’s most famous novel (in its original, politically incorrect title), F. Scott Fitzgerald’s The Great Gatsby, Ian Fleming’s Casino Royal (as well as the rare first-state binding of The Man With the Golden Gun, plus Hemingway’s first two books, and bunches more.

    Three Random Interesting Book Purchases

    Monday, July 23rd, 2012

    No particular theme this time: Just three interesting books I picked up.

  • Bradbury, Ray. The Last Circus & The Electrocution. Lord John Press, 1980. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Bradbury. Two stories and an afterword, plus an introduction by William F. Nolan.

  • Moorcock, Michael. The Jade Man’s Eyes Unicorn Bookshop, 1973. First edition paperback original, a Fine copy, new and unread. An original Elric novella. An odd trim size, being wider than the standard mass market paperback. Currey (1978), p. 370.

  • Vance, Jack. The House on Lily Street. First edition hardback, one of 450 copies, a Fine copy in a Fine- dustjacket with 1/2″ closed tear at head. Signed by Vance. Hewett A55.

  • Library Additions: January 1, 2012—June 30, 2012

    Tuesday, July 3rd, 2012

    Time for another roundup of what additions I’ve made to my library of science fiction first editions. This is what I’ve picked up in the last six months. All are Fine/Fine hardback first editions unless otherwise noted.

  • Baker, Kage. The Best of Kage Baker. Subterranean Press, 2012.
  • Baxter, Stephen. Last and First Contacts. Newcon Press, 2012. One of 150 signed, numbered copies.
  • Beagle, Peter S. The Rhinoceros Who Quoted Nietzsche and other odd acquaintances. Tachyon Publications, 1997. First edition hardback, one of 100 signed, numbered copies (and only 126 hardbacks total).
  • Bear, Elizabeth. ad eternum. Subterranean Press, 2012. First edition hardback, one of 250 signed, numbered copies with the chapbook Underground.
  • Bear, Greg. Hull Zero Three. Orbit, 2010.
  • Bishop, Michael. The Door Gunner and Other Perilous Flights of Fancy. Subterranean Press, 2012. One of 250 signed, numbered copies.
  • Black, Pansy E. The Valley of the Great Ray. Stellar Publishing Corporation, 1930. First edition chapbook original, VG, with punch holes and usual page browning. More information on the Stellar Science Fiction series books here.
  • Bloch, Robert. Yours Truly, Jack the Ripper. Subterranean Press, 2012. First edition thus, collecting all Bloch’s Jack the Ripper-related material.
  • Bourne, Frank/Long, Amelia Reynolds. The Thought Stealer (Bourne) and The Mechanical Man (Long). Stellar Publishing Corporation, 1930. First edition chapbook original, VG, with punch holes and usual page browning.
  • Brackett, Leigh. Shannach: The Last Farewell to Mars. Haffner Press, 2012.
  • Bradbury, Ray. Witness and Celebration. Lord John Press, 2000. First edition hardback, Fine, sans dust jacket, as issued. Signed by Bradbury.

  • Bradley, Jack. The Torch of Ra. Stellar Publishing Corporation, no date (1930). First edition chapbook original, VG, with punch holes and usual page browning.
  • Brown, Chris, and Eduardo Jimenez Mayo, editors. Three Messages and a Warning: Contemporary Mexican Short Stories of the Fantastic. Small Beer Press, 2012. First edition trade paperback original, a Fine copy, inscribed to me by Brown and contributors Bernardo Fernandez and Pepe Rojo. More information here.
  • Cadigan, Pat. Synners. Bantam Books, 1991. First edition uncorrected proof, mass market paperback trim size, of a paperback first edition, a Fine copy, signed by Cadigan. Bought for $5 from Half Price Books.

  • Cline, Ernest. Ready Player One. Crown Publishers, 2011.
  • Colladay, Morrison. When the Moon Fell. Stellar Publishing Corporation, 1929. First edition chapbook original, VG, with punch holes and usual page browning.
  • Clute, John. Canary Fever. Beccon Publications, 2009. First edition hardback, one of only 40 (!) hardback copies signed by Clute, a Fine copy in a Fine dust jacket. Non-fiction.

  • Dick, Phillip K. The Complete Stories of Philip K. Dick Volume 2: Adjustment Team. Subterranean Press, 2011.
  • Dick, Philip K. Counter Clock World. White Lion, 1977. First hardback edition, an Ex-Library copy, otherwise VG/VG. Complete details here.

  • Duncan. Andy. The Pottawatomie Giant and Other Stories. PS Publishing, 2012. Fine in decorated boards, sans dust jacket, as issued.
  • Ellison, Harlan. Angry Candy. Houghton Mifflin, 1988.
  • Eberle, Merab/Mitchell, Milton. The Thought Translator (Eberle) and The Creation (Mitchell). Stellar Publishing Corporation, 1930. First edition chapbook original, VG, with punch holes and usual page browning.
  • Farmer, Philip Jose (and Christopher Paul Carey). Gods of Opar: Tales of Lost Khokarsa. Subterranean Press, 2012. One of 250 signed, numbered copies.
  • Farrar, Clyde/Sharp, D.D.The Life Vapor (Farrar) and Thirty Miles Down. Stellar Publishing Corporation, no date (1930). First edition chapbook original, VG-, with punch holes and usual page browning, slight staining to top back corner near spine, and initials to very bottom of cover.
  • Gaiman, Neil. Rhyme Maidens. Biting Dog Press, 2012. Folio edition of first edition broadsheet. Details here.

  • Gaiman, Neil. Rhyme Maidens. Biting Dog Press, 2012. First edition broadsheet. Trade edition (though still signed by Gaiman).
  • Higginson, H. W. The Elixir. Stellar Publishing Corporation, 1930. First edition chapbook original, VG, with punch holes and usual page browning.
  • (Howard, Robert E.) de Camp, L. Sprague and George Scithers, editors. The Conan Swordbook. Mirage Press, 1969. First edition hardback, a Fine copy in a Fine -dust jacket, with a few pinpricks of wear.

  • Hughes, Matthew. The Yellow Cabochon. PS Publishing, 2012. One of only 100 signed copies.
  • Hughes, Matthew. The Yellow Cabochon. PS Publishing, 2012. Trade edition.
  • Kennedy, Leigh. Wind Angels. PS Publishing, 2011. First edition hardback in decorated boards, Fine, sans dj, as issued.
  • Kuttner, Henry. Man Drowning. Harper & Brothers, 1952. Near Fine copy with slight spine creasing at top and bottom in a Near Fine+ dust jacket with slight edgewear at head and heel, one phantom crease on top front pane, and short, thin indention line on rear cover.

  • Kuttner, Henry. Thunder in the Void. Haffner Press, 2012.
  • Lansdale, Joe R. Act of Love. Subterranean Press, 2012. One of 200 signed, numbered slipcased copies. First edition hardback thus, with a new novelette, “A Bone Dead Sadness,” and interview with Lansdale not included in any previous edition.
  • Lansdale, Joe R. Act of Love. Subterranean Press, 2012. Trade edition.
  • Lansdale, Joe R. and John l. Lansdale. Shadows West. Subterranean Press, 2012. One of 500 signed, numbered copies.
  • Lee, Tanith. Electric Forest. DAW, 1979. Paperback original, a Fine- copy with edgewear.
  • Lindholm, Megan, and Robin Hobb. The Inheritance & Other Stories. Subterranean Press, 2012. One of 1,000 numbered copies signed by “both” authors (actually, Robin Hobb is just Megan Lindholm’s pseudonym).
  • Lorraine, Lilith. The Brain of the Planet. Stellar Publishing Corporation, 1929. First edition chapbook original, VG-, with punch holes and usual page browning, and a few stray black marks to cover.
  • Lovercraft, H. P. (edited by S. T. Joshi and Marc A. Michaud). Uncollected Prose and Poetry. Necronomicon Press, 1978. First edition side-stapled chapbook, a Near Fine- copy with uneven darkening along spine and top far edge.
  • Michelmore, Reg. An Adventure in Venus. Stellar Publishing Corporation, 1929. First edition chapbook original, VG, with punch holes and usual page browning.
  • Moon, Elizabeth. Phases. Baen, 1997. Paperback original, a Fine- copy with just a touch of wear.
  • Powers, Tim. The Bible Repairman and Other Stories. Subterranean Press, 2012. One of 500 signed, numbered copies.
  • Reed, Robert. Eater-of-Bone and other novellas. PS Publishing, 2002. First edition hardback, Fine in decorated boards, sans dust jacket, as issued.
  • Reynolds, Alastair. Blue Remembered Earth. Gollancz, 2012.
  • Sarath, Patrice. Gordath Wood. Ace, 2008. Paperback original, a Fine- copy with a tiny bit of wear to points.
  • Scalzi, John. 24 Frames Into the Future. NESFA Press, 2012. One of 150 signed, numbered, slipcased copies. Non-fiction.
  • Scalzi, John. 24 Frames Into the Future. NESFA Press, 2012. Trade edition. Non-fiction.
  • Schroeder, Karl. Lady of Mazes. Tor, 2005.
  • Shepard, Lucius. The Dragon Griaule. Subterranean Press, 2012.
  • Silverberg, Robert. The Collected Stories of Robert Silverberg Volume Six: Multiples 1983-1987. Subterranean Press, 2012.
  • Sterling, Bruce. High-Tech Gothic. Subterranean Press, 2012.
  • Stone, Leslie F. When the Sun Went Out. Stellar Publishing Corporation, 1929. First edition chapbook original, VG, with punch holes and usual page browning.
  • Straub, Peter. The Ballad of Ballard and Sandrine. Subterranean Press, 2012.
  • Stross, Charles. Palimpsest. Subterranean Press, 2012.
  • Thompson, Jim. The Killer Inside Me. Orion, 2006. Trade paperback reprint, a Fine- copy.
  • Vance, Jack. Dream Castles. Subterranean Press, 2012.
  • Vance, Jack. The Magnificent Showboats of the Lower Vissel River, Lune XXIII, Big Planet (AKA Showboat World). Underwood Miller, 1983. First hardback edition, one of 200 signed, numbered copies, a Fine copy in a Fine dust jacket. The longer title is Vance’s original title, and appears only on the book cover and title page of this edition (but not the dust jacket), and on volume 19 of the Vance Integral Edition.

  • Wagner, Karl Edward. Where the Summer Ends: The Best Horror Stories of Karl Edward Wagner Volume One. Centipede Press, 2012. One of 500 hardback copies.
  • Wagner, Karl Edward. A Walk on the Wild Side: The Best Horror Stories of Karl Edward Wagner Volume Two. Centipede Press, 2012. One of 500 hardback copies.
  • Wellman, Manly Wade. The Invading Asteroid. Stellar Publishing Corporation, 1932. First edition chapbook original, a Near Fine copy with usual page browning.

  • Wellman, Manly Wade. Napoleon of the West: The Aaron Burr Conspiracy. Washburn, 1970. A Fine- copy with slight crimping at head and heel in a Near Fine- dust jacket with spine fading and a trace of soiling to rear cover.

  • Willis, Connie. All About Emily. Subterranean Press, 2012. One of 400 signed, numbered copies bound in leather.
  • Yu, Charles. How to Live Safely in a Science Fictional Universe. Pantheon, 2010.
  • Related topics:

  • A description of my own library of science fiction first editions (a couple of years out of date; I need to update this)
  • My Books Wanted List
  • Lame Excuse Books, my own side SF/F/H book business, where a discerning collector may find several first editions of potential interest.
  • Other book related posts
  • Sad News: Ray Bradbury RIP

    Wednesday, June 6th, 2012

    I’m seeing reports that science fiction legend Ray Bradbury has passed away at 91.

    Bradbury was one of the few unquestioned giants of the field. Personally, if I hadn’t read The Illustrated Man at an early age, I may never have become a science fiction writer. I corresponded with him a tiny bit, and once I got a phone call from him (in response to a letter) talking about meeting in person at the Anaheim Worldcon in 2006. Alas, my flight flew out before his one appearance at the convention, so I never got a chance to meet him face-to-face.

    Rest in Peace.

    Brief After Action Report on the April 11, 2012 Heritage Book Auction

    Friday, April 13th, 2012

    I wanted to do a brief follow-up on Wednesday’s Heritage Books Auction. Results were all over the map.

    First, books I have trending data for:

  • The Asbestos-bound copy of Ray Bradbury’s Fahrenheit 451 went for a hefty $13,750.00, up considerably from a lesser copy in the Jerry Weist auction last year.
  • By contrast, the signed copy of Philip K. Dick’s Confessions of a Crap Artist went for $1,000, down over 80% from a slightly better copy in the Weist auction.
  • H.P. Lovecraft’s The Outsider and Others went for $2,250.00, down from the $3,883.75 paid for a slightly worse copy.
  • Books I don’t have trending data for:

  • The signed, limited first edition of Aldous Huxley’s Brave New World went for $3,750.
  • The first Stephen King book he ever signed, an incribed ARC of Carrie, went for $11,250. (The Stephen King collector’s market, after some declines among “regular” signed/limited editions over the past few years, seems to be alive and well.)
  • A first edition of Bram Stoker’s Dracula, with a signed letter from Stoker laid in went for $5,625.
  • But the most schizophrenic result from the auction was two early signed Thomas Pynchons going for hefty sums, but two later signed copies failed to sell at all:

  • The Crying of Lot 49 went for $8,750.
  • Gravity’s Rainbow went for $16,250.
  • Slow Learner failed to sell. It can be yours as an after-auction buy for a mere $3,125.
  • An ARC of a later edition of V failed to sell and can be yours as an after-auction buy for $2,500.
  • You would think there would be enough hardcore Pynchon collectors for those two to sell, especially the Slow Learner.

    And a beat-up Shakespeare and Company true first edition (in wrappers) of James Joyce’s Ulysses went for $35,000.

    As for the non-fiction first editions:

  • Adam Smith’s An Inquiry into the Nature and Causes of the Wealth of Nations went for $80,500.
  • Charles Darwin’s On the Origin of Species by Means of Natural Selection went for $83,500.
  • A beautifully bound subscriber’s edition of T.E. Lawrence’s Seven Pillars of Wisdom went for $62,500.
  • Another Heritage Book Auction

    Sunday, April 8th, 2012

    Heritage Auction is having another of their big book Auctions April 11.

    There are a few notable SF/F/H works listed:

  • Another Asbestos-bound copy of Ray Bradbury’s Fahrenheit 451.
  • Another signed copy of Philip K. Dick’s Confessions of a Crap Artist.
  • A copy of H.P. Lovecraft’s The Outsider and Others with perhaps the nicest dust jacket (an original, not the de la Ree facsimile) I’ve ever seen offered for sale.
  • The signed, limited first edition of Aldous Huxley’s Brave New World
  • The first Stephen King book he ever signed, an incribed ARC of Carrie.
  • A first edition of Bram Stoker’s Dracula, with a signed letter from Stoker laid in.
  • There’s also some signed Thomas Pynchon, which almost never comes on the market, including:

  • The Crying of Lot 49
  • Gravity’s Rainbow
  • Slow Learner
  • An ARC of a later edition of V
  • Plus the notoriously fragile Shakespeare and Company true first edition (in wrappers) of James Joyce’s Ulysses.

    But the main strength of the auction is in non-fiction, including first editions of:

  • Adam Smith’s An Inquiry into the Nature and Causes of the Wealth of Nations.
  • Charles Darwin’s On the Origin of Species by Means of Natural Selection
  • A beautifully bound subscriber’s edition of T.E. Lawrence’s Seven Pillars of Wisdom
  • Not to mention several Isaac Newton first editions, plus a whole lot of important economic and military first editions.

    After Action Report on Heritage Auction’s Sale of the Jerry Weist Collection

    Monday, September 19th, 2011

    Every year or two, Heritage Auctions in Dallas conducts a big auction of a major science fiction book collection. In 2007, it was the Ventura Collection.

    The Ventura Collection auction was very successful, and since it occurred right before the advent of The Great Recession, many of the prices achieved in that auction have not since been equaled. (It may also be the first auction catalog Heritage mass-mailed to prospective SF collectors; I had not received any before then.)

    In 2008, it was The Robert and Diane Yaspan collection, which included a vast array of SF firsts as well as several SF manuscripts and a few select non-SF firsts, such as many firsts by mystery writer Earle Stanley Gardener.

    Later in 2008 was the auction of The Frank Collection, which was mainly SF art, but included a number of notable SF first editions as well.

    The just completed auction of the Jerry Weist collection was of the same caliber. There was some original art and pulp magazines in the collection, but the bulk of it was collectible SF/F/H first editions. The auction realized more than $1 million (though a significant fraction of that was for the artworks).

    I’m going to talk about some of the more interesting items sold, and how the prices realized compared to comparable copies of the same firsts in previous years. I’ll also mention when I have a copy of the first edition discussed in my own library.

    A few general observations:

  • Unlike previous Heritage SF Auctions, there were very few multi-volume lots of less desirable titles. I think Heritage will be selling those books individually on their weekly Internet book auctions.
  • Weist, like myself, settled for less than perfect copies of many difficult titles, including some worn, corner-clipped, or ex-library copies. (By contrast, the vast majority of the Ventura collection were pristine copies.)
  • The Weist collection was very strong in Golden Age and pre-Golden Age authors, but very weak in Hypermodern SF.
  • It was strong in Ray Cummings and Edgar Rice Burroughs (neither of which I collect), Isaac Asimov, John W. Campbell, Arthur C. Clarke, Philip K. Dick, Robert A. Heinlein, William Hope Hodgson (many if not all of the firsts published in his lifetime), Robert E. Howard, Curt Siodmak (more about which anon), Clark Ashton Smith, and Olaf Stapledon.

  • Conversely, assuming the volumes presented in the auction do constitute the cream of the crop and nothing has been held back, it was weak in Jack Vance, Stephen King, Avram Davidson, R. A. Lafferty, Gene Wolfe and (save the two Fahrenheit 451s) Ray Bradbury.
  • I’ve tried to do some trending for various titles here, but there’s a lot of volatility at the high of the market. A book that normally goes for $100-200 might hit $2,000 for a signed copy at auction If two deep-pocketed collectors each need it to complete their collection.
  • Holy Grails

    To me, far and away the most interesting and desirable item was one of only five copies of Stanley G. Weinbaum’s Dawn of Flame to have the unsigned introduction by Amazing editor Ray Palmer. Weinbaum’s widow evidently objected to the introduction, which is why only five copies were so produced. Even the 245 copy Currey B state (with Lawrence Keating’s introduction replacing Palmer’s) is rare enough, and the book is widely considered the first true SF small press book. I don’t believe I’d seen a copy of the Palmer state for sale before, but I think one was sold when the Sam Moskowitz collection was auctioned off (they didn’t send me a catalog). Moreover, this particular copy once belonged to legendary collector and fan Forrest J. Ackerman, and was inscribed by him to Weist. Counting the buyer’s premium (a little shy of 20%, and which I’m going to include for all the other prices listed here), it went for $9,560.00; it wouldn’t have surprised me to see it go for twice that much.

    There were some other SF collecting “holy grails” sold there:

  • One of 50 copies of the signed, presentation hardback state of Ray Bradbury’s Fahrenheit 451, which went for $8,365.00. This represents an increase over the $5,377 a copy fetched in the Yaspan auction.
  • One of 200 asbestos bound copies of Fahrenheit 451 graded Very Good, went for $5,975.00. This represents something of a decline; a Fine copy went $15,535 in the Ventura Collection auction, a Very Good copy in the Yaspan collection went for $8,962, and a Near Fine copy in the Frank auction went for $9,560.
  • To me one of the most surprising outcomes was seeing a signed copy of Philip K. Dick’s Confessions of a Crap Artist go for $5,078.75, since there’s at least one signed copy from the 90 copies originally signed by Dick available online for $1,500. (And I think there were two copies for well under $5,000 when the auction commenced…) I have one of the unsigned firsts, which goes for considerably less.
  • Speaking of Dick, a copy of Do Androids Dream of Electric Sheep? went for $6,572.50, despite tape stains on the jacket folds. I thought the $9,560 fetched by a Near Fine copy in the Ventura auction was outrageous at the time, but the value seems to have held up. (I have an ex-library copy myself, and even Ex-Lib copies list online for two to four grand.)
  • One of only 75 sets of E. E. “Doc” Smith’s History of Civilization, the six volume signed, leatherbound Fantasy Press set (in box, but without lid) went for $5,377.50. A set with the lid went for $5,676.25 in the Yaspan auction.
  • Other Notable Books

    From Holy Grails we move on to books that are merely Really Freaking Expensive. There are usually a few copies of these bumping around on Bookfinder.com, albeit with a comma in the price.

  • A signed copy of Isaac Asimov’s Foundation and Empire ($1,912) went for more than a signed (via bookplate) I, Robot ($1,553.50), probably due to some mild water damage to the latter. A Fine but price-clipped copy of I, Robot went for $2,270 in the Ventura auction, while another imperfect copy went for $1,434 in the Yaspan auction. I, Robot has become by far the hardest to find among the Gnome Press Asimovs.
  • A signed, Near Fine copy of Alfred Bester’s The Demolished Man went for $872.35. I have a Fine copy, but not signed.
  • A merely Very Good copy of Bester’s Tiger! Tiger! (the hardback first of The Stars My Destination) went for $1,015.75, which is probably about market. A Fine copy in the Ventura auction went for $1,792.
  • The late Jack Chalker’s inscribed copy of Hal Clement’s Cycle of Fire went for $1,015.75. The title is harder to find than most of Ballantine Books SF hardbacks of the fifties.
  • Bob Weinberg’s inscribed ex-library copy of Philip Jose Farmer’s Green Odyssey went for a relatively modest $334.60. Like Cycle of Fire, this is one of the most difficult Ballantine Books hardbacks to find, especially for non-ex-library copies. Despite that, a Very Good signed copy failed to sell in the Yaspan auction, while a restored ExLib copy went for $448.13 in the Ventura auction.
  • A Fine, signed copy of the Gollancz (first hardback) edition of William Gibson’s Neuromancer, probably the essential novel of Hypermodern Science Fiction, went for $1,553.50. This is one of the few items for which you can see a clear, unambiguous decline across auctions, as a similarly Fine, signed copy went for $2,695 in the Ventura auction, while a similarly Fine, signed copy went for $2,151 in the Yaspan auction. I have a signed Fine- copy.
  • A copy of Robert A. Heinlein’s Podkayne of Mars went for $985.88. I don’t think it’s quite as good as the copy I just picked up last month for $235.
  • A Very Good+ copy of Heinlein’s Starship Troopers went for $2,270.50. A Fine copy fetched $4,780 in the Ventura auction. I have a very nice Ex-Library copy.
  • A Near Fine copy of Frank Herbert’s Dune went for $4,780. A Fine- copy (a rating I thought was a bit generous, given the rubbing along the dj spine) in the Ventura auction went for $10,755. I have a very worn Ex-Library copy.
  • An inscribed, Near Fine copy of Daniel Keyes’ Flowers for Algernon went for $2,390. A similar copy (though with a tipped-in signature rather than an inscription) went for $1,434. My copy is a bit less fine, and unsigned.
  • A copy of H.P. Lovecraft’s The Outsider and Others (the first Arkham House book and a cornerstone for both SF and horror collections) went for a healthy $3,883.75.
  • Another rare Lovecraft item, an exceptionally nice copy of the Visionary Publishing edition of The Shadow Over Innsmouth, went for a hefty $7,170.00. That’s toward the high end for an unsigned copy (since it was published in Lovecraft’s lifetime, signed copies do exist, and can be had for less than the price of a new Lexus), but there’s a dizzying number of variant states, and I’m not sure which are considered the more desirable among high-end Lovecraft collectors.
  • A Very Good+ copy of Walter M. Miller’s A Canticle for Leibowitz went for $2,031.50, mainly because it has the rare orange promotional band. I have an Ex-Library copy.
  • An inscribed, conservatively graded Very Good copy of the Gollancz (first hardback) edition of Larry Niven’s Ringworld went for $2,390.00. In the Ventura auction, a Fine signed copy went for $5,206.25, while in the Yaspan auction, the better of two copies (not signed) went for $1,792. I have an unusually clean Ex-Lib Gollancz Ringworld, which might pass for Fine save an excised front free endpaper. (Did you know there was an unused dust jacket state for the Gollancz Ringworld? Lord knows how this guy (who I believe also owns this amazing Jack Vance collection) got a copy of it…)
  • A price-clipped copy of Connie Willis’ Doomsday Book went for $507.88. One of the more interesting outliers at the Ventura collection was a Fine signed copy going for an eye-popping $1,912. I have a Fine copy Connie inscribed to me after she attended Turkey City I picked up when it came out at cover price.
  • One of the most puzzling results of the auction was a signed first of Curt Siomdak’s Skyport was initially reported going for a stunning $8,611.17. That’s only about $8,500 more than it’s worth. But now when you go to the auction page for the item itself, it shows a far saner $101.58. I’m assuming there was some sort of glitch.

    Slightly less puzzling was a signed, Near Fine copy of L. Sprague de Camp’s The Wheels of If (which has one of Hannes Bok’s most famous dust jacket illustrations) went for $717, which is a good bit more than it usually goes for; Lloyd Currey has a comparable-to-better signed copy online right now for $150. Before this I had the impression de Camp was out of fashion among collectors (and thus I have been able to pick up a number of signed copies of his work pretty cheap). I suspect this is an outlier.

    Although I bid on several items, I only won one: an Ex-Library first of the UK David Bruce & Watson (first hardback) edition of Richard Matheson’s The Shrinking Man for $95.60. Fine copies go for over a grand.

    Related Topics

    Other science fiction book collecting topics (and glimpses into my own bibliomania) you might find of interest:

  • A description of my own library of science fiction first editions
  • My Books Wanted List
  • Lame Excuse Books, my own side SF/F/H book business, where a discerning collector may find several books of potential interest.
  • Other book related posts (including new acquisitions to my library)